• last year
Transcript
00:00:00 [Music]
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00:01:24 It's a beautiful day.
00:01:26 How about a sad one?
00:01:29 Because just such a day as this 40 years ago.
00:01:35 40 years!
00:01:37 It's a long time.
00:01:40 Anyhow, we was happier then.
00:01:42 Much happier.
00:01:44 We was standing here on this very spot, eat of the night.
00:01:49 We'd be standing here still if she wasn't so stupid.
00:01:53 [Music]
00:02:04 [Music]
00:02:15 [Music]
00:02:26 You're right, old man.
00:02:28 [Music]
00:02:54 [Music]
00:03:04 [Scream]
00:03:05 [Music]
00:03:10 I wonder what happened to the old guy.
00:03:12 Well, here he is.
00:03:13 [Music]
00:03:22 Do you need any help?
00:03:23 Well, I ain't diving for pennies.
00:03:25 We got the old guy.
00:03:26 Oh!
00:03:27 Turn him over.
00:03:32 Yes.
00:03:33 Work his arms and legs.
00:03:35 Come on, Pop, snap out of it.
00:03:37 His chin's cut.
00:03:38 I clumped him.
00:03:39 I had to.
00:03:40 Poor old duck.
00:03:41 I knew it.
00:03:42 Try it.
00:03:43 Try what?
00:03:44 Suicide.
00:03:45 Probably down and out.
00:03:46 Oh, you're nuts.
00:03:47 Nobody yells help at an exit line.
00:03:48 They do when they lose their nerve.
00:03:49 He's coming out of it.
00:03:50 Step aside, fellas.
00:03:51 OK, Pop, open those hurly-burly eyes.
00:03:54 Where is me heart?
00:03:55 That's gratitude.
00:03:56 Now he wants his hat.
00:03:57 He's frankly new.
00:03:58 How do you feel?
00:04:00 Well, I tell you, I'm a man that's allergic to water.
00:04:05 Jump, Pop.
00:04:06 Jump, Pop.
00:04:09 So you saved me life.
00:04:10 Oh, it's nothing.
00:04:12 Oh, isn't it, though?
00:04:13 On second thoughts, I agree with you.
00:04:15 Oh, Pop, you've got a lot to live for yet.
00:04:17 Have I not?
00:04:19 Well, what are you standing there gaping at?
00:04:21 Jump.
00:04:24 If you're broke, maybe I can help you out.
00:04:26 That's very kind of you.
00:04:27 How?
00:04:28 By getting you a job.
00:04:29 What kind of a job?
00:04:30 It's kind of fussy, isn't it?
00:04:31 I wasn't talking to you.
00:04:34 You're saying, young lady.
00:04:36 If you come and see me, maybe we can build something else.
00:04:38 I've got to hurry now.
00:04:39 I'm late for work already.
00:04:40 What's your name?
00:04:41 Judy.
00:04:42 Judy Peabody.
00:04:43 Where can I find you?
00:04:44 I work at the Star Club.
00:04:45 The Star Club?
00:04:46 What's that?
00:04:47 A throwing me home?
00:04:48 Well, there are a lot of beautiful babies there.
00:04:50 Well, take care of yourself, Pop.
00:04:52 I will.
00:04:53 Thanks.
00:04:55 Want a lift?
00:04:56 Lift?
00:04:57 In my car?
00:04:58 No, thanks.
00:04:59 I've got a cab.
00:05:00 You're sneezing, sir.
00:05:20 You don't say.
00:05:21 You're sneezing, sir.
00:05:22 You know, I figured that out for me, sir.
00:05:28 You're all wet, sir.
00:05:30 I didn't think it showed.
00:05:32 And whatever happened to your chin?
00:05:34 Why, did I lose it?
00:05:36 It's bleeding.
00:05:37 A girl tripped me.
00:05:39 She was trying to protect herself.
00:05:41 I see, sir.
00:05:42 No, you don't.
00:05:43 I was drowning.
00:05:45 How awful.
00:05:46 You'd better take off those wet clothes, sir.
00:05:48 I'll telephone Dr. Marston immediately.
00:05:50 Give me your waistcoat, sir.
00:05:53 You're all right.
00:05:55 Sound as a dollar.
00:05:56 Sound as a dollar?
00:05:58 Now, what does that mean?
00:06:00 You'd better stay in bed today, J.B.
00:06:02 I'll look in on you in the morning.
00:06:04 Don't bother.
00:06:05 Every time you look in on me, it costs me ten bucks.
00:06:08 Goodbye, J.B.
00:06:13 Will there be anything else, sir?
00:06:14 He called Curtis.
00:06:15 He's on his way over here, sir.
00:06:17 Good.
00:06:18 Sit down, miss.
00:06:19 I beg your pardon, sir?
00:06:20 Sit down.
00:06:21 Sit down, man.
00:06:22 I want to ask you something.
00:06:25 Fisk, did you ever drown?
00:06:28 Why, no, sir.
00:06:30 I mean almost.
00:06:32 Well, I just did.
00:06:34 I was going down for the third time,
00:06:36 the whole life flashed before me, just like a movie.
00:06:39 How was it, sir?
00:06:40 Stank.
00:06:41 I understand, sir.
00:06:42 Oh, you do, huh?
00:06:44 Well, no matter.
00:06:46 Fisk, I want to ask you something as man to man.
00:06:49 If I had drowned, would you have missed me?
00:06:52 Yes, sir, I would.
00:06:53 You're lying.
00:06:55 No one would miss me.
00:06:56 Not even me wife.
00:06:58 I'm sure Mrs. Bates would be inconsolable, sir.
00:07:00 Nah, she wouldn't shed a tear.
00:07:03 Well, maybe one or two, just to be polite.
00:07:05 I'm certain Mrs. Bates loved you very much and always will, sir.
00:07:08 Then why did she up and leave me?
00:07:10 You told her to.
00:07:11 That's no excuse.
00:07:15 I don't want to see anybody but me lawyer.
00:07:18 Very well, sir.
00:07:22 Welcome in, Mr. Curris.
00:07:23 Oh, Fisk.
00:07:25 Hiya, J.B.
00:07:27 Got here as soon as I could.
00:07:28 Remind me to give you a measure.
00:07:30 Scotch and soda, please, sir.
00:07:32 Why can't you drink bourbon?
00:07:34 Scotch costs money.
00:07:35 Oh, you got enough money to buy all the scotch in town.
00:07:38 Scotch and soda, please.
00:07:39 Bring me one, too.
00:07:40 Very well, sir.
00:07:41 May as well try it before it's all gone.
00:07:43 Well, J.B., what's on your mind?
00:07:45 Tom, I want to do something for a young lady, something in a financial way.
00:07:49 Financial, I don't-- blonde or brunette?
00:07:51 Blonde.
00:07:52 Hair of spun gold.
00:07:53 Holy shit.
00:07:54 Oh, 21 or 22, I say.
00:07:56 At your age, I'd say--
00:07:57 Yeah, I know what you say, but don't say it.
00:07:59 I fell in the ocean, and she saved me life.
00:08:04 Mm-hmm.
00:08:05 So now you're feeling generous, huh?
00:08:07 Very.
00:08:08 I want to make her life beautiful.
00:08:10 Well, you can count me out.
00:08:11 Count you out?
00:08:12 Count you out.
00:08:13 Well, you can count me out.
00:08:15 Count you out?
00:08:16 What do you mean?
00:08:17 Remember, I've seen your burst of benevolence before.
00:08:19 Ah, but this one is different.
00:08:20 So was Goggins.
00:08:21 He was sorry for him, ordered me to pay him $50 a week for life.
00:08:25 And you felt you robbed him of his incentive to work and stopped his allowance.
00:08:28 I was right.
00:08:29 You were right, and I was hooked.
00:08:30 I've been paying him out of my own pocket ever since.
00:08:32 Well, if I take Goggins back, will you do what I ask?
00:08:35 Uh-uh.
00:08:36 I don't want to wind up supporting any blonde.
00:08:38 Well, supposing I give you a signed paper saying I can't stop you.
00:08:40 How would that do?
00:08:41 Well, if you can't stop me, it's OK.
00:08:44 Ah, good man.
00:08:45 Anything else, sir?
00:08:47 Here, lock up the skirt.
00:08:49 Uh, just how happy do you want to make this girl?
00:08:53 Completely happy.
00:08:54 It won't cost much.
00:08:56 I'm sure her wants a small.
00:08:57 How do you figure that out?
00:08:58 By the bathing suits you as well.
00:09:01 Look, why don't you leave it to my judgment?
00:09:03 I learned about making girls happy the hard way.
00:09:06 What's her name?
00:09:08 Judy Peabody.
00:09:09 Where does she live?
00:09:10 I don't know, but she works at the Star Club.
00:09:12 Star Club?
00:09:13 You know the place?
00:09:14 Very well.
00:09:15 If you'd lived any kind of life at all, you'd know about it too.
00:09:17 I know, I know.
00:09:19 But this girl Judy, she still has her life before her.
00:09:22 At least I live the joy of making her future a bright one.
00:09:27 I think you're on the level this time.
00:09:29 Of course I am.
00:09:31 There's just one thing.
00:09:32 She's not under any circumstances to know what comes from me.
00:09:37 And she saved a poor man.
00:09:41 To Judy.
00:09:43 To Judy, who works at the Star Club and who wants a small.
00:09:47 I wonder.
00:09:49 Hiya Bill.
00:09:57 Hey kid, you're late again.
00:09:58 Go through the kitchen so Billingsley won't get wise.
00:10:00 I got a better way.
00:10:05 Nobody got here but your excuse tonight.
00:10:07 Since when do I have to explain to the house?
00:10:11 Oh, hello Mr. Billingsley.
00:10:12 I didn't know you were here.
00:10:14 Yes, I happen to be one of the people I haven't barred from the place.
00:10:18 Could I have a word with you?
00:10:19 Oh, certainly.
00:10:20 I'm all ears.
00:10:22 Come with me please.
00:10:24 Where are you going to get unemployment insurance?
00:10:28 [music]
00:10:36 Hello gentlemen.
00:10:37 Good evening Dave.
00:10:39 Boy, when you stepped into the pantry, one of the waiters, Rocco, was caught walking off with a ham.
00:10:48 [music]
00:10:57 Give him back the ham.
00:10:59 Here, you might want to make some sandwiches.
00:11:03 Now you can leave and keep going.
00:11:05 [music]
00:11:12 Miss Dorothy Lamour and Pardia are ten and three.
00:11:15 Send her and the other lady a bottle of perfume each with my compliments.
00:11:18 And no check.
00:11:19 Yes sir.
00:11:20 She used to sing with the band here.
00:11:21 Can't figure out why she left me.
00:11:23 She's a star in the movies now.
00:11:25 Yes, I heard that.
00:11:27 [music]
00:11:34 Just received a reservation for Lieutenant Mrs. Robert Taylor.
00:11:37 Oh, that would be Ruby Stevens.
00:11:39 Forget what she changed her name to.
00:11:41 You must mean Barbara Stanwyck.
00:11:43 Oh yes, that's it.
00:11:44 A bottle of champagne for Ruby and Bob and no check.
00:11:46 Yes sir.
00:11:47 [music]
00:12:04 Tell me, Miss Peabody, what do you think of the Star Club?
00:12:07 Oh, swell.
00:12:08 That was a nice tour we had just now.
00:12:10 I operate this club along my own original ideas.
00:12:13 Yes sir.
00:12:14 Particularly when you say no check.
00:12:16 You see, the Star Club is the Mecca for celebrities from all over the world.
00:12:20 They come here to eat, see, and be seen.
00:12:23 As part of our audience, they attract an audience.
00:12:25 Get it?
00:12:26 Oh, now I do.
00:12:28 I want the right people here, in the club and on my staff.
00:12:31 And one thing I demand of my staff is punctuality.
00:12:35 A fact you continue to ignore.
00:12:37 Mr. Billingsby, I'm sorry, it's like this.
00:12:38 I'm not interested in excuses.
00:12:40 You always have excellent ones.
00:12:41 But the things that happen to me, they're just fantastic.
00:12:43 Now this afternoon...
00:12:44 Now never mind.
00:12:45 You understand, don't you?
00:12:47 I think I do.
00:12:49 Well, sure you do.
00:12:50 You're smart.
00:12:51 That's why I hired you.
00:12:52 Yeah?
00:12:53 A girl like you is an asset to the Star Club.
00:12:56 Honest?
00:12:57 Why should I lie to you?
00:12:58 Could I run it by myself?
00:13:00 No.
00:13:01 I need plenty of help.
00:13:02 Good help.
00:13:03 People who think of me once in a while.
00:13:05 Like you.
00:13:06 I've had my eye on you for a long time, Judy.
00:13:08 You don't want to be a hat-check girl all your life, do you?
00:13:11 Oh, certainly not.
00:13:12 Well, then use your head.
00:13:13 Be on time.
00:13:14 I like to see you around.
00:13:16 Go along now.
00:13:18 And I'm not fired for being late?
00:13:19 No, but don't let it happen again.
00:13:21 Oh, gee, thanks.
00:13:22 It won't.
00:13:23 I want you above all to set a good example for the rest of the girls.
00:13:26 OK.
00:13:27 Boss.
00:13:28 Did he tie the can to you?
00:13:40 You don't hear it rattling, do you?
00:13:42 Well.
00:13:43 Good evening, sir.
00:13:44 Good evening.
00:13:45 Hey, it's canteen night again tonight.
00:13:47 The boss is furnishing the food.
00:13:48 Want to go?
00:13:49 Sure.
00:13:50 Do you know if he's going?
00:13:51 I don't know, but I bet he does.
00:13:52 Gee, I wish I could get on so he could hear me sing.
00:13:54 Good evening, sir.
00:13:55 Good evening.
00:13:56 You know, that Billingsley is the most generous guy I ever knew.
00:13:59 He was wonderful to me.
00:14:00 Yeah?
00:14:01 Yeah, but I hate to say this.
00:14:03 I think he's a little bit screwed.
00:14:06 Screwed?
00:14:07 Why?
00:14:08 Well, he thinks that Barbara Stanwyck is a girl named Ruby Stevens.
00:14:11 Cracking up.
00:14:12 Definitely.
00:14:13 Say, this ain't fair.
00:14:26 No, but I'll bet it looks that way.
00:14:28 I don't let the music get you.
00:14:31 He's had me.
00:14:32 My boyfriend's a band leader.
00:14:34 Yeah?
00:14:35 What does he play?
00:14:36 He doesn't.
00:14:37 He's a marine in the Pacific.
00:14:38 I get you.
00:14:39 I get you.
00:14:40 I was all set to sing with this band, but I guess that's out of the duration.
00:14:51 Gee, by the way, I haven't heard from him in a couple of months.
00:14:54 Does that mean anything?
00:14:55 Anything.
00:14:56 Hey, Billingsley just came in.
00:14:58 Where is he?
00:14:59 Over by the door.
00:15:00 Attention, everybody.
00:15:04 In this canteen, we entertain ourselves.
00:15:06 Any volunteers?
00:15:08 Put me down.
00:15:09 I've lost the boss's faith.
00:15:11 I want to know how I did.
00:15:13 Good night.
00:15:14 Oh, of course you can see I came totally unprepared.
00:15:26 How about a little help from my quartet?
00:15:28 We'll be right over.
00:15:30 OK, fellas, hit it.
00:15:37 There's a doctor living in your town.
00:15:40 There's a lawyer and an Indian, too.
00:15:42 Neither doctor, lawyer, nor Injun chief
00:15:45 Could love you any more than I do.
00:15:48 There's a barrel of fish in the ocean.
00:15:51 There's a lot of little birds in the blue.
00:15:54 And neither fish nor foxes, a wise old owl
00:15:57 Could love you any more than I do.
00:16:00 No, no, no, it couldn't be true
00:16:05 That anyone else could love you like I do.
00:16:10 I'm gonna warn all the dead I dig
00:16:13 That you're the chick with the slicker string
00:16:15 And every tick of my ticker's tick
00:16:18 Before you follow through.
00:16:20 Tell the doctor to stick to his practice
00:16:23 Tell the lawyer to settle his case
00:16:26 Send the Injun chief and his Tommy Hawk
00:16:28 Back to little rain in the face
00:16:32 'Cause you know, know, know it couldn't be true
00:16:37 That anyone else could love you like I do.
00:16:43 No, no, no, it couldn't be true
00:16:53 That anyone else could love you like I do.
00:16:58 And confidentially I confess
00:17:00 I said I'd know to the local press
00:17:03 That I'll be changing my home address
00:17:05 For you.
00:17:06 Follow through.
00:17:07 Tell the doctor to stick to his practice
00:17:10 Tell the lawyer to settle his case
00:17:13 Send the Injun chief and his Tommy Hawk
00:17:16 Back to little rain in the face
00:17:19 'Cause you know, know, know it couldn't be true
00:17:24 That anyone else could love you like I do.
00:17:30 No, no, no, it couldn't be true
00:17:34 That anyone else could love you like I do.
00:17:39 I'm gonna spend the half time you need
00:17:42 To warn the boys down at Cripple Creek
00:17:44 That every dimple of your dimple cheek
00:17:47 Is mine.
00:17:48 So to speak.
00:17:49 Tell the doctor to stick to his practice
00:17:52 Tell the lawyer to settle his case
00:17:55 Send the Injun chief and his Tommy Hawk
00:17:58 Back to little rain in the face.
00:18:01 'Cause you know, know, know it couldn't be true
00:18:06 That anyone else could love you like I do.
00:18:11 Like I do.
00:18:14 Like I do.
00:18:19 Like I do.
00:18:22 These kids are wonderful.
00:18:29 Did you watch his face?
00:18:30 How could I?
00:18:31 He took it with him.
00:18:33 The lawn is not what they used to be but the comforter won't go to them.
00:18:40 [Humming]
00:18:46 Are you sure you didn't get the letter at two o'clock?
00:18:48 Sure, I'm sending it to our special messenger.
00:18:50 Good, good, I got to be there.
00:18:51 I got to see your face when she gets it.
00:18:53 You see I'm that nosy kind of a Santa Claus.
00:18:56 You know it's crazy J.B. putting on those old rags.
00:18:59 Rags are they?
00:19:00 Here, feel that material.
00:19:02 You won't get that quality nowadays.
00:19:04 No thanks.
00:19:05 Play something and it'll jump out and bite you.
00:19:06 Exactly.
00:19:07 Now look, you want to be anonymous.
00:19:09 If you hang around she's gonna smell a rat.
00:19:12 Nonsense.
00:19:13 She thinks I'm a poor man.
00:19:15 She wants to get me a job.
00:19:17 [Laughs]
00:19:18 What do you do if she does?
00:19:20 Never give it a thought.
00:19:22 That's a nasty complication.
00:19:24 Quiet, I'll cross that bridge when I cross it.
00:19:26 [Humming]
00:19:32 How do I look?
00:19:33 You look like a tramp.
00:19:35 Who wouldn't think it possible?
00:19:36 Look at the head start you got.
00:19:38 Nothing you can say can annoy me today.
00:19:40 Come on, drive into town with me.
00:19:41 I wouldn't walk to the corner, would you?
00:19:44 Excuse me.
00:19:50 I wonder would you be kind enough to...
00:19:51 There you are.
00:19:52 And don't tell me you're going to spend it on food.
00:19:54 I have to.
00:19:55 I ought to.
00:19:56 There it is.
00:20:06 Sure enough.
00:20:24 Check your hat.
00:20:25 Pop!
00:20:26 Oh, you cutie.
00:20:27 Where have you been anyway?
00:20:28 I've been managing.
00:20:29 Anyhow, you're still alive.
00:20:31 Is he?
00:20:32 Oh, Gwen, this is Pop.
00:20:33 I pulled him out of the ocean.
00:20:34 Why?
00:20:35 Young lady, what kind of a question is that?
00:20:36 Have you no feeling for your fellow man?
00:20:38 Not a thread.
00:20:39 Don't pay attention to her, Pop.
00:20:41 Listen, you stick around.
00:20:42 I'm going to see what I can do about getting you a job.
00:20:44 No hurry, no hurry.
00:20:45 It's all a ticket.
00:20:46 So out of work, huh?
00:20:49 I'm a beginner not to like it.
00:20:51 Don't encourage it.
00:20:53 Look, Pop, you want to make something out of yourself, don't you?
00:20:55 He already has.
00:20:56 Look at him.
00:20:57 You do want to work, don't you?
00:20:58 Well, not if I can possibly escape it.
00:21:00 I'm not an easy place to have limitations.
00:21:03 What do I do with him?
00:21:04 Throw him back in the ocean.
00:21:05 Oh, I can't do that.
00:21:07 Oh, thanks.
00:21:08 But I am going to get him a job.
00:21:13 Hey, Pop, fooler, take a power.
00:21:16 I wonder what your mother would say.
00:21:21 Mr. Coretti, how are you fixed for help?
00:21:24 Help?
00:21:25 Do you mean there's somebody who wants to work?
00:21:28 Well, I think you'd be talked into it.
00:21:30 Judy, for a good way that I would give forth of my right hand.
00:21:33 Oh, he's more the busboy type.
00:21:35 Then I'll give only one.
00:21:37 Well.
00:21:48 This is Pop, Mr. Coretti, Pop.
00:21:50 Mr. Coretti, is it?
00:21:53 Come with me.
00:21:55 Good luck, Pop.
00:22:03 What happened?
00:22:04 Coretti snapped him up like that.
00:22:06 I bet he hasn't worked since thing thing.
00:22:10 Now remember what I said.
00:22:12 Don't pile too many dishes on one frame.
00:22:14 Be careful, Mr. Wader.
00:22:16 Get away, sir.
00:22:17 Yes.
00:22:18 We can get all the customers we want.
00:22:20 On your way.
00:22:36 Clear out these exports.
00:23:00 I'm not finished with this yet, boy.
00:23:02 You are as far as I'm going.
00:23:22 Hey, boy.
00:23:23 Right over here.
00:23:38 Well, Pop, when do you start?
00:23:39 I've already finished.
00:23:40 What?
00:23:41 Four hours.
00:23:42 It's reunion, I believe.
00:23:44 Now, Pop, come clean.
00:23:46 I'm sorry, and I hope you'll think nonetheless of me for being the kind of man I am.
00:23:51 It's not that I'm not great with you, because I am.
00:23:55 That's okay, Pop.
00:23:56 I'll think of something else.
00:23:58 No, you won't.
00:23:59 You go over there and sit down.
00:24:00 I'll be off in a few minutes, and we'll talk about it.
00:24:02 Well, we can talk about things.
00:24:04 Why don't you give him a couple of bucks and let him go?
00:24:07 No, I like him.
00:24:08 I think I'll adopt him.
00:24:09 Now, Judy, you don't know anything about his parents.
00:24:13 Where can I find Miss Judy P. Barney?
00:24:15 Judy P. Barney?
00:24:44 Oh, Gwen, this is a gag.
00:24:46 Not to me it isn't.
00:24:47 What have you been up to?
00:24:48 Nothing.
00:24:49 Why?
00:24:50 That line, "You have been most accommodating."
00:24:52 That's a lie.
00:24:53 I wouldn't take that too seriously.
00:24:54 Somebody thinks very highly of you.
00:24:56 I'll say they do.
00:24:57 Nothing like that ever happens to me.
00:24:59 Do you think it could be on the level?
00:25:01 It's a fix to find out.
00:25:03 That's right.
00:25:04 Locksmith Avenue is the biggest store in New York.
00:25:06 They sell everything from a baseball bat to a diamond lavalier.
00:25:09 Who needs a diamond lavalier?
00:25:11 A vagabond.
00:25:12 If that letter means what I think it does, you'll need a baseball bat.
00:25:16 I'll try it out on Pop.
00:25:18 On me?
00:25:19 We'll take you to the men's department and get you outfitted from head to foot.
00:25:22 If it works, we'll buy out the joint.
00:25:32 There.
00:25:33 A complete metamorphosis.
00:25:35 I thank you to keep a civil tongue in your head.
00:25:37 We'll take two more, a blue and a gray.
00:25:39 Oh, gee, Pop, you look wonderful.
00:25:41 I'm proud of you.
00:25:42 I wish I could share your joy.
00:25:44 Is this cash or charge, miss?
00:25:46 Um, charge.
00:25:48 Thank you.
00:25:50 Mr. Hanson.
00:25:51 Mr. Hanson.
00:25:53 I bet that's a house detective.
00:25:56 Your name, please?
00:25:57 Judy Peabody.
00:25:58 Your address?
00:25:59 The store club.
00:26:02 You live there?
00:26:03 What fun.
00:26:05 Shall we send this, Miss Peabody?
00:26:07 No, we'll take him with us.
00:26:08 Hanson, credit manager.
00:26:10 Miss Peabody?
00:26:11 Why, of course, Miss Peabody.
00:26:13 It's a pleasure to welcome you to Lox.
00:26:16 I'm glad to meet you, too.
00:26:19 We've been expecting you.
00:26:21 Everything's all right?
00:26:23 Perfectly in order.
00:26:27 Where are the mink coats?
00:26:34 Genuine Labrador mink, Miss Peabody.
00:26:36 Minks?
00:26:37 Most unhealthy little animals.
00:26:39 How much is it?
00:26:40 Six thousand dollars.
00:26:41 Feel it, sir.
00:26:43 I can feel it.
00:26:44 Come here.
00:26:45 Oh, it's beautiful.
00:26:46 And the price is right.
00:26:48 But Judy, wouldn't it be better if you first looked at some nice colored coats?
00:26:52 Oh, Pop, you have no idea what mink means to a woman.
00:26:55 I'll take two.
00:26:57 Two?
00:26:59 My coming out present for you.
00:27:01 Oh, Judy, I couldn't think of it.
00:27:02 What do you mean?
00:27:03 You've been thinking of it for years.
00:27:05 We'll wear them.
00:27:06 Today, in all this heat.
00:27:08 Wouldn't you?
00:27:10 Yes, Miss Peabody.
00:27:14 Miss Peabody's the young lady in white.
00:27:16 But Judy, it's August.
00:27:17 And we're on the hottest days in the year.
00:27:19 So what?
00:27:20 You're next in a fur coat.
00:27:22 Yeah, but I look awful good doing it.
00:27:24 Miss Peabody?
00:27:26 Yes?
00:27:27 I'm Higgins, your chauffeur.
00:27:29 Yeah?
00:27:30 Your car's at the north entrance.
00:27:32 My car?
00:27:33 Yes, Miss.
00:27:34 Um, well, why weren't you at the stock club to pick me up?
00:27:39 Sorry, Miss, but I was instructed to move your things to the York Tower.
00:27:42 Oh, well, um, well, see that it doesn't happen again.
00:27:46 I can stand it no longer.
00:27:48 You may go, Hawkins.
00:27:51 Uh, Higgins, Miss.
00:27:53 Higgins, Schmeggins, you may go anyway.
00:28:02 Curtis, what are you trying to do to me?
00:28:05 That girl is here buying fur coats and in bunches like bananas.
00:28:10 Well, you wanted to make her happy, didn't you?
00:28:12 Sure I wanted to make her happy, but not hysterical.
00:28:15 Cars, chauffeurs, York Towers.
00:28:19 They're going to break me.
00:28:22 Well, JB, if she does, you can always come and stay with me.
00:28:27 I don't want to stay with...
00:28:31 I keep them out of the sun as much as possible.
00:28:34 We'll get a couple of parasols.
00:28:36 That's a good idea.
00:28:38 Call again, Miss Peabody.
00:28:39 We will if we're in town.
00:28:41 Where have you been?
00:28:43 Getting me second wind.
00:28:45 And now for the dresses.
00:28:48 [music]
00:28:51 [music]
00:29:17 Isn't this... there ought to be a better word for it than that.
00:29:21 She'll be taking them off.
00:29:34 I'll die first.
00:29:36 [music]
00:29:38 Judy, for Pete's sake, buy something. Let's get out of here.
00:29:53 All right.
00:29:54 Miss?
00:29:55 Yes, Miss Peabody?
00:29:57 I don't know. They're all so beautiful, but...
00:30:01 I'll take that one, and that one, and that one, and that one.
00:30:09 I'll take that one, and that one, and that one, and that one.
00:30:12 Why don't you take them all?
00:30:14 All right, Pop. I'll take them all.
00:30:30 There are only two apartments to a floor up this high.
00:30:33 Who has the other apartment?
00:30:35 It's vacant at present.
00:30:36 Why don't you a minute and protect yourself?
00:30:38 Would you be having an aspirin on you?
00:30:40 No, sir, I'm sorry.
00:30:41 This way, Miss Peabody.
00:30:43 This is the living room.
00:30:57 Shall I take you through the rest of the apartment?
00:31:00 No, we'll do that later.
00:31:02 If there's anything I can do, just call me.
00:31:04 Thank you, I will.
00:31:06 Here, honey. I did a little shopping on my own.
00:31:13 What is it?
00:31:14 A persuader.
00:31:16 You shouldn't have done it.
00:31:18 I'm liable to maim somebody for life.
00:31:24 Gwen, it's got me down. I can't stand it.
00:31:27 All this is enough to drive me out of my mind.
00:31:29 Take it easy, Judy. Relax.
00:31:32 I have, so why can't you?
00:31:34 Take what's freely given to you.
00:31:36 Providence works its wonders in mysterious ways.
00:31:40 Providence doesn't go around opening charge accounts for hat-check girls.
00:31:44 Well, I'd be running along.
00:31:46 Oh, no, Pop, don't go. I need your moral support.
00:31:49 Do you now?
00:31:51 Besides, where'll you go?
00:31:53 Oh, I'll be all right.
00:31:55 Sure, curled up on a park bench somewhere.
00:31:57 Well, not exactly.
00:31:59 Have you anyone, Pop, you're close to?
00:32:01 Not anymore.
00:32:03 What happened?
00:32:05 My wife left me six months ago.
00:32:07 Why?
00:32:08 I told her to.
00:32:10 There was a slight complication.
00:32:13 Another man, Sharon's Bascom.
00:32:17 Was Bascom younger than you?
00:32:19 No, sixty-five.
00:32:21 Oh, he had money.
00:32:23 Not as much as I.
00:32:24 She left you for another bum?
00:32:26 I don't get it.
00:32:27 Pop, a man sixty-five is harmless.
00:32:30 I'm sixty-five and I'm not harmless.
00:32:33 So far as me wife is concerned, I mean.
00:32:40 That's a picture.
00:32:44 Isn't she lovely?
00:32:45 Yes, Pop.
00:32:47 I think the whole thing must have been your fault.
00:32:50 Why does everyone side with Edith?
00:32:52 I...
00:32:53 Now, now, Pop.
00:32:54 Till you get yourself straightened out, you better stay here with me.
00:32:57 All right.
00:32:58 Only I'll have to leave you from time to time.
00:33:00 Now, Pop, you gotta give up all that panhandling.
00:33:02 From now on, I'm taking care of you.
00:33:04 Now, go pick yourself out a room.
00:33:06 I wanna talk to Gwen.
00:33:07 All right.
00:33:12 Gwen, I'm scared.
00:33:14 What are you gonna do, move out?
00:33:16 I am not.
00:33:17 I'm gonna find out who the wolf is.
00:33:19 Well, whoever he is, he sure howls pretty.
00:33:21 Well, it won't do him any good.
00:33:22 I'm saving myself for Danny.
00:33:24 Suppose Danny finds out.
00:33:26 Oh, how's he gonna find out?
00:33:27 Way out there in the Pacific.
00:33:29 You know, I gotta hunch there's another Judy Peabody.
00:33:32 Say, I never thought of that.
00:33:34 I wonder who she is.
00:33:36 I wonder what she does.
00:33:39 Wait a minute, Judy.
00:33:40 That letter was sent to the stalk club.
00:33:42 Think back.
00:33:43 Have any of the customers been particularly nice to you lately?
00:33:46 I can't think of anybody.
00:33:50 I've got it.
00:33:52 What?
00:33:53 Who is the most generous man in the world?
00:33:55 Who gives away more than anybody else?
00:33:57 Sherman Billingsley.
00:33:58 Billingsley?
00:33:59 Oh, no.
00:34:00 I've been there over three years, and I've never even seen him look sidewise at anybody.
00:34:04 Just the same.
00:34:05 He's around 40, and that's a dangerous age.
00:34:08 You know, he was awful nice to me in his office yesterday.
00:34:11 Well, there you are.
00:34:13 I'm awful glad you brought this baseball bat.
00:34:16 Why?
00:34:17 Sherman Billingsley's gonna look pretty silly with no teeth.
00:34:19 Are you quitting the job?
00:34:20 No, I'm not.
00:34:21 But I'm gonna play sick tonight.
00:34:23 I gotta have time to think this thing over.
00:34:25 Do you want me to tell him?
00:34:27 No, I'll phone.
00:34:28 Check your hat, Maureen.
00:34:38 I'm looking for Judy Peabody.
00:34:39 She's not on till 9 tonight.
00:34:41 Still works here, huh?
00:34:42 Oh, that's great.
00:34:43 I like things to stay the same.
00:34:45 Makes a guy feel like he's really home again.
00:34:47 You're dating?
00:34:48 That's right.
00:34:49 How'd you know?
00:34:50 Oh, she talks a lot about you.
00:34:51 Still?
00:34:52 There are 12 of us here.
00:34:53 We all know you.
00:34:54 Dark-haired punk from Molly speaking.
00:34:56 Who?
00:34:57 Judy?
00:34:58 Hold on a minute.
00:34:59 It's Judy.
00:35:00 Shall I tell her you're here?
00:35:01 No, no.
00:35:02 I want to surprise her.
00:35:03 Yeah, Judy.
00:35:05 Yeah.
00:35:06 Yeah, okay.
00:35:07 Where are you?
00:35:08 York Towers.
00:35:09 Oh, uh-huh.
00:35:11 So long.
00:35:12 She's at York Towers, Suite 32A.
00:35:14 York Towers?
00:35:15 What is she doing there?
00:35:17 Nothing you've got to worry about.
00:35:19 Yeah, that's right.
00:35:20 You're a stillhead, man.
00:35:21 Sure, I know that.
00:35:23 I'm just thinking I'd like to see her right away.
00:35:25 You know how it is.
00:35:27 Well, get going.
00:35:28 You want to see what I brought her?
00:35:31 Sure.
00:35:32 Sure.
00:35:33 Take a look.
00:35:36 She brought a thing I got in China.
00:35:37 Well, didn't she?
00:35:38 No, frisco.
00:35:39 Oh, she'll love it.
00:35:40 I hope so.
00:35:41 Well, I've got to be running along.
00:35:42 I'll see you later.
00:35:43 So long.
00:35:45 [Music]
00:36:15 Hello, kid.
00:36:16 Surprised?
00:36:21 Danny.
00:36:23 Danny.
00:36:25 Danny!
00:36:27 Are you all right?
00:36:29 Sure, sure I'm all right.
00:36:31 Move, Danny, move!
00:36:33 Do something!
00:36:34 Well, I...
00:36:36 Maybe how I've waited for this.
00:36:39 [Music]
00:36:49 Wow!
00:36:50 You did it again, Danny.
00:36:52 I can't talk yet for a while.
00:36:55 Talking wouldn't make sense now.
00:37:00 We can talk later.
00:37:01 Oh, I just want to look at you.
00:37:03 Make sure it's you.
00:37:04 That you still feel the same.
00:37:07 You do, don't you?
00:37:08 Yes, Danny.
00:37:09 Oh, sure, sure.
00:37:11 I can see it in your eyes.
00:37:12 Your eyes talk, Judy.
00:37:15 They say what you're thinking.
00:37:17 They always did.
00:37:19 Oh, I knew you wouldn't change.
00:37:21 [Music]
00:37:28 See, I've got some good news for you, honey.
00:37:30 Ah, you're good news to me.
00:37:32 Yeah, but wait.
00:37:33 I got a band all set to go.
00:37:35 So soon?
00:37:36 Oh, wait till you hear.
00:37:37 A pick of the country, top man.
00:37:39 I organized them at Maryland Hospital.
00:37:41 While we were waiting to be discharged.
00:37:42 Oh, gee, Danny, it sounds great.
00:37:44 Yeah, but I got to work fast.
00:37:46 If I don't get us a job, I'll lose 'em.
00:37:47 Can't hold guys like these together without dough.
00:37:50 How would you like to work at the Star Club?
00:37:52 Is there a chance?
00:37:54 I think it can be fixed.
00:37:55 I'll talk to the boss.
00:37:56 Oh, the same old Judy, huh?
00:37:58 You're going to sing with the band.
00:38:03 You know that, don't you?
00:38:04 Am I, Danny?
00:38:05 Nothing but the best for me.
00:38:06 Oh, say, I bought you a little something.
00:38:09 Did you, darling?
00:38:10 This isn't very much.
00:38:21 Oh, Danny, it's beautiful.
00:38:24 Try it on.
00:38:25 I had to guess at the size.
00:38:26 As if you didn't know.
00:38:28 Danny?
00:38:33 That's a pretty nifty-looking dress you got on.
00:38:35 Come on, Judy.
00:38:37 Yeah, very nifty.
00:38:47 Do you like it?
00:38:50 Yeah.
00:38:51 Business must be good in the checkroom.
00:38:53 Where are we, Judy?
00:38:57 Let's try the jacket on.
00:38:59 Whose apartment is this?
00:39:02 In a way, it's mine, Danny.
00:39:04 In a way?
00:39:05 Yes.
00:39:06 What kind of a way?
00:39:07 In a perfectly innocent way.
00:39:08 You live here alone?
00:39:09 Well, practically.
00:39:11 Well, I peaked myself out a fine room.
00:39:14 Who's that?
00:39:18 The butler.
00:39:19 Butler?
00:39:20 Mr. Butler.
00:39:21 This is Mr. Wilton.
00:39:23 Danny Wilton.
00:39:24 Can it be?
00:39:25 Danny, the young man you're in love with.
00:39:28 Oh, now look, who are you two trying to kid?
00:39:31 Oh, honest, Danny, Mr. Butler knows all about you.
00:39:34 Yeah?
00:39:35 Well, I'd like to know all about Mr. Butler.
00:39:37 Oh, that's easy.
00:39:38 And this apartment.
00:39:39 Well, that's not so hard either.
00:39:41 Not for you, I guess.
00:39:43 All right, I'll tell you.
00:39:45 I inherited some money.
00:39:47 I see.
00:39:51 From an uncle who's in oil.
00:39:53 Of course, the income's only temporary.
00:39:56 The will's being contested in Tulsa, Oklahoma.
00:40:00 Some Indians?
00:40:01 Relatives.
00:40:02 Only on my father's side.
00:40:04 Stop it, Judy, you're being ridiculous.
00:40:06 All right.
00:40:07 Do you want to hear the honest truth?
00:40:09 Yes, yes, go on.
00:40:12 Well, it's like this.
00:40:15 It's him.
00:40:16 You see, I saved his life and he was so grateful.
00:40:21 So grateful that he bought you extravagant clothes, expensive apartments.
00:40:24 That's right.
00:40:25 Isn't it?
00:40:26 Of course it is.
00:40:27 There.
00:40:29 Judy, stop lying.
00:40:30 I've heard of things like this happening to other guys while they're away.
00:40:33 But I didn't think it could happen to me.
00:40:35 I kept thinking you were different.
00:40:38 Day after day and night after night, it was the one thought that kept me going.
00:40:42 Danny, please listen to me.
00:40:44 I can explain.
00:40:45 No, thanks.
00:40:46 I've heard enough.
00:40:48 Danny.
00:40:51 Danny.
00:40:52 How did you make up that story about it being me?
00:41:02 How could I tell him the truth when I don't even know it myself?
00:41:05 Why didn't you show him the letter?
00:41:06 Oh, fine, then he'd think the worst.
00:41:08 The letter says I've been very accommodating.
00:41:11 Oh, if only he'd come home yesterday.
00:41:14 I'm sorry this happened.
00:41:16 Maybe I could help you to find out who he is.
00:41:19 But you don't understand, Pop.
00:41:21 You see, I think I know who it is.
00:41:23 Oh, you do?
00:41:24 Yes, my boss.
00:41:26 Bill Ainsley.
00:41:27 And the worst of it is I have to go to him tomorrow to see that Danny gets the job at the Stork.
00:41:31 No, Judy, promise me you won't do anything we'll both be sorry for.
00:41:35 What do you think I am?
00:41:37 Don't answer that.
00:41:40 Any calls?
00:41:44 Judy at the cloakroom is here to see you.
00:41:46 Oh.
00:41:48 Okay, tell her to come in.
00:41:50 Sit down, Judy. I'll be right with you.
00:42:05 [Judy walks in the room.]
00:42:07 Is anything wrong?
00:42:30 Not yet.
00:42:31 What's the matter with you?
00:42:33 Nothing. Everything's fine.
00:42:35 You've been very nice to me and I appreciate it.
00:42:38 It's nothing.
00:42:39 Oh, no?
00:42:41 Certainly not.
00:42:43 Look, Sherm.
00:42:45 Mr. Bill Ainsley.
00:42:46 That's right about my being under no obligation, isn't it?
00:42:50 Your only obligation to me is to be on time and do your work properly.
00:42:53 I don't get it.
00:42:56 There is one thing, however.
00:42:59 What?
00:43:02 [Judy walks in the room.]
00:43:04 We'll get along much better without these surprise visits.
00:43:08 I get it.
00:43:11 Oh, I almost forgot what I came here to tell you.
00:43:14 What's that?
00:43:15 I have a little suggestion.
00:43:17 Oh, is it about the checkroom?
00:43:18 No, it's about...
00:43:19 Oh, don't bother then.
00:43:20 I want to make a deal with you.
00:43:22 You take care of the checkroom and let me run the store clock.
00:43:25 Do you mind?
00:43:26 [Judy walks in the room.]
00:43:28 Come in, Miss Peck.
00:43:38 Pardon me.
00:43:41 Well, Miss Peabody, when is my band open at the store?
00:43:46 It doesn't... I mean, it's...
00:43:47 No?
00:43:48 Well, the way you two came out just now, I thought we were all set.
00:43:50 Oh, Danny, don't jump at conclusions.
00:43:52 Are you serious?
00:43:53 Well, there are some circumstances...
00:43:54 I'll say there are, but you're not going to involve me in them.
00:43:57 I come back and find you at the York Towers,
00:43:59 dressed like something out of Vogue,
00:44:01 in the company of an old man you can't explain,
00:44:03 and now I see you with the boss's arm around you.
00:44:05 Some circumstances.
00:44:06 That's kind of funny, doesn't it?
00:44:08 Not to me, it doesn't.
00:44:09 Danny, you're walking out on a girl who's no different than she ever was.
00:44:13 There'll come a time when you'll find that out, then how will you feel?
00:44:15 When I find that out, I'll let you know.
00:44:17 Thank you.
00:44:20 Thank you.
00:44:21 No matter how I figure it out, I always come back to the same thing.
00:44:28 What's that?
00:44:29 I love him.
00:44:30 I gathered that.
00:44:32 I just can't let him lose his band.
00:44:34 Me and the bargain.
00:44:35 Well, how's he going to keep the guys if he can't get a job?
00:44:38 Maybe he can't keep them, but I can.
00:44:40 How's that again?
00:44:41 You wait and see.
00:44:42 When we knock off here, we're going over where he's rehearsing.
00:44:44 Oh, I was hoping we could go shopping again.
00:44:46 I could use a new girdle.
00:44:47 Who couldn't?
00:44:48 Who couldn't?
00:44:49 [music]
00:44:52 [music]
00:44:55 [music]
00:44:58 [music]
00:45:01 [music]
00:45:04 [music]
00:45:07 [music]
00:45:10 [music]
00:45:13 [music]
00:45:16 [music]
00:45:19 [music]
00:45:22 Gee, what a band!
00:45:24 And.
00:45:25 To be.
00:45:25 Young.
00:45:25 The.
00:45:26 Man.
00:45:26 The.
00:45:26 The.
00:45:27 The.
00:45:28 The.
00:45:29 The.
00:45:30 The.
00:45:31 The.
00:45:32 The.
00:45:33 The.
00:45:34 The.
00:45:35 The.
00:45:36 The.
00:45:37 The.
00:45:38 The.
00:45:39 The.
00:45:40 The.
00:45:41 The.
00:45:42 The.
00:45:43 The.
00:45:44 The.
00:45:45 The.
00:45:46 The.
00:45:47 The.
00:45:48 The.
00:45:49 The.
00:45:50 The.
00:45:51 The.
00:45:52 The.
00:45:53 The.
00:45:54 The.
00:45:55 The.
00:45:56 The.
00:45:56 The.
00:45:57 The.
00:45:58 The.
00:45:59 The.
00:46:00 The.
00:46:01 The.
00:46:02 The.
00:46:03 The.
00:46:04 The.
00:46:05 The.
00:46:06 The.
00:46:07 The.
00:46:08 The.
00:46:09 The.
00:46:10 The.
00:46:11 The.
00:46:12 The.
00:46:13 The.
00:46:14 OK.
00:46:15 Take five.
00:46:16 Jimmy.
00:46:19 When.
00:46:20 You stood me up the last time we had a date.
00:46:22 That was three years ago.
00:46:23 What happened.
00:46:24 Well I'll tell you.
00:46:26 I was standing on the corner of military band went by the next thing I knew I was in
00:46:29 camp.
00:46:30 I'll give you one more chance meet me tonight on the same corner you got a deal.
00:46:34 Danny.
00:46:36 Can I see you a minute.
00:46:38 OK.
00:46:39 The band is well Danny thanks and if you open in a good spot your fortune is made
00:46:47 that's right you like rich guys don't you what kind of a crack is that this is a waste
00:46:51 of time Judy but I'm going to stop to help you keep the band together.
00:46:55 Thanks I'll find a way to do that you run along with it you know I won't.
00:46:59 I'm going to get sore in a minute I'm sore now this is very embarrassing don't
00:47:04 rush so easy you want to get smart I'm not like a transport you blow it's
00:47:10 don't be a chump.
00:47:11 Thanks Judy nice you to be dropping on us don't mention it Danny well you're all set
00:47:18 from now on you have nothing to worry about you're all moving in the York Tower does
00:47:23 it get in the right spot. Now wait a minute maybe you guys would like it why not
00:47:29 tell us more nothing doing I won't stand for it can you make it a better offer well
00:47:33 no but we'll get started eventually and then never mind that I'm all for it what
00:47:37 you guys say.
00:47:39 Well.
00:47:40 Pop we're going to have company put me shoes on.
00:47:57 The Wall Street Journal pop you slay me you seem in mighty good spirits in a way
00:48:05 I am. I'd like to speak to the manager Mr Gray you made it up with the young man
00:48:12 no pop that's all. That's it Mr Gray this is Miss Peabody is the apartment next to
00:48:19 my still vacant it is how many rooms as it well that's fine I'll take it you can
00:48:27 put it in my account or in about an hour. Operator you connect me with rocks Fifth
00:48:38 Avenue now what do you want to ruin Billingsley or somebody. Mint Department please
00:48:45 I'll show him I'll smoke him out I'll spend every cent he's got but for the people
00:48:50 in my love affair that's why men's apartment and this is Miss Judy Peabody at the York
00:48:56 stores could you send a representative up to my apartment to measure twelve men
00:49:00 for dinner jackets tropicals and a half dozen business suits of paint. Then there
00:49:06 will be shoes shirts and colors and type besides that's fine thank you very much
00:49:12 but I'm going to pop did you hurt yourself. When you bumped into the wall just now
00:49:18 did I bump into the wall so what do you think Judy I must tell you something I am
00:49:25 not don't tell me you're leaving again I think both of us should be not me I'm after
00:49:31 somebody's scalp and I won't rest till I get it but you did my scalp you must hit
00:49:36 your head why don't you go lie down Judy you must believe me I am a rich man I hope
00:49:41 to bring a little happiness into your life because you save mine but me could go
00:49:45 you're going to that and this is more than I can afford to wear it just stop
00:49:48 but pop I thought of that when I had a you call Curtis find out for yourself. He
00:49:53 said no I want to talk to him anyway his number is Victor to one on the need you
00:49:58 read that on his letter to me called him called.
00:50:01 It get me right to two one oh nine eight please. Well.
00:50:18 I want to be very how are you. Yes. God.
00:50:24 All right I'll be right up. Now either you're crazy or I'm going to be we'll soon
00:50:31 find out come in. Sorry to intrude you're not
00:50:38 intruding. At the key and we're all set there's only one thing I'd like to make clear
00:50:43 to you I'm accepting your hospitality because I have to but I want you to know that
00:50:47 you're going to get every cent back. Every cent you understand just any young man
00:50:53 I like it I like your idea so that the way you talk I like everything about you. I
00:50:59 wish I could return the compliment. Goodbye. I find that.
00:51:05 Yes it's one of the things that's a matter with.
00:51:13 I'll get it.
00:51:14 Are you Mr Curtis Yes Miss P.
00:51:22 Come in. Well it took you long enough to get here now so tell me you are.
00:51:28 Fine I was sorry before my life. You know I knew yes he is he told me
00:51:34 a terrible lie I told her who I was I speak you to confirm it I think the poor old
00:51:38 chap's demanded when you better get out of your own home no I don't mind if he stays
00:51:42 here I just wish he'd behave himself what did he do when you are when you're not
00:51:47 telling who I am please if you're not sure who you are don't advertise the fact.
00:51:52 Mr Curtis I'm trying to find out who's keeping me you must do that your benefactor
00:51:57 is a very generous man but he wants to stay on no find out who you are some way I
00:52:01 don't think you will miss beauty is that you know I pay the bills though when you
00:52:06 go right ahead and do anything it's going to make you happy.
00:52:08 Oh. Well whoever he is I'll break him if it's
00:52:14 the last thing I do that will take quite a bit of doing this by goodbye.
00:52:20 I J.B. Oh you know me now how dare you say you didn't know me well you told me not
00:52:31 to let her know who you are never mind what I tell you to do you do what I tell you.
00:52:35 I'll try to remember that's good to break me how can she J.B.
00:52:39 Organized Look here solvent what can it cost you two or three hundred thousand
00:52:44 dollars and of course the gift gift tax. Well if you'd ever given anything
00:52:49 away before you'd know every time you give anyone over three thousand dollars you have
00:52:53 to hand the government another thirty percent. Oh for another
00:52:58 cool age. After you J.B.
00:53:02 I wouldn't write in the same car I walked.
00:53:05 Well enjoy your stroll they may well if any it gave me time to see things
00:53:30 you know you're going to walk down one flight and take in the elevator at the next floor
00:53:34 it was so mad I never thought of it well I'm glad you're feeling better anyway Tom I
00:53:39 love that girl Judy dearly reminds me of the death when it was cool.
00:53:43 But I can't bear to see money spent foolishly particularly mine but I thought you
00:53:50 wanted to make her happy. Make money.
00:53:55 Here's a hot set on a horn to. What kind of fellow is he an independent kind of
00:54:01 chap. Well get the marriage then you're off the hook. As much as I hate to admit
00:54:07 that I think you're right but it's not going to be easy why not it's jealous of me.
00:54:12 Yeah I'd use the elevator if you want to get there tonight.
00:54:23 And.
00:54:23 You do. Yes I want to ask your forgiveness. I
00:54:47 don't know whatever possessed me to act like it did. Neither do I how could you make
00:54:52 up such a lie what was the point I guess me poor old brain isn't what it used to be.
00:54:57 I'm sorry but I still have
00:55:01 a moment and if you let me stay around for the up I'll have to bring Danny back to us.
00:55:06 Probably. I beg your pardon don't let me interrupt you.
00:55:16 Oh. Well that's the way things stand Danny I can't place you for at least two weeks
00:55:24 but I'm willing to stake you on the boys in the meantime for being staked now the
00:55:29 guys are getting other offers from bands that are working I can't hold together two
00:55:33 weeks longer that's
00:55:34 a tough break but keep in touch with me though you never can tell. I will go along
00:55:40 thanks Bonnie.
00:55:42 I.
00:55:43 Know I'm going to give this number quick going over before Danny gets back you'll
00:55:53 never know the difference. He gets sore but I'm going to play with the band No that's
00:55:58 all off he told you well not in so many words you just act that way I go ahead and
00:56:03 seem to get that came to serve maybe he's a reason you don't suspect what do you mean
00:56:08 I'll tell you after you see. OK.
00:56:12 When I was young I found it grim to go to win the social swim that do the
00:56:27 do's and don'ts and lotties are to me were just a lot of blah I used my silver spoon
00:56:35 at birth for throwing meatballs at my nerve I always chose from my nose that smarty
00:56:43 clothes and party pose I ditched the rich and stable set to join the kitchen table set
00:56:56 I used the wrong fork at the store for New York my manners ain't fit for a goose
00:57:01 I'm just a square in social circle who put that fly in my suit I'd rather go out with
00:57:09 a loud to a bounce and sleep at a symphony hall I'm just a square in social circle who
00:57:17 knocked my gum off that wall when the oddly odder blows like butter I want to start pitching
00:57:24 a curve with the silly old blighter on a first nighter I feel like a pickled hors d'oeuvre
00:57:31 no verb I never felt gay in the fancy beret I wear a babushka or a burst I'm just a square
00:57:39 in social circle whose finger balls hurt me the worst they just don't quit my thirst
00:57:51 Mrs. Vanderhorse will greet me with a 14 carat shout my dear you simply got to come to my
00:57:58 daughter's coming out her daughter is a Frankenstein a Dracula and mink when she comes out each
00:58:05 snag will shout good groops I need a drink I've dined and clubbed I've elbow rubbed from
00:58:11 Yonkers to Cheyenne go to Hube but take your blue blood and stick it in your fountain pen
00:58:20 I want to brush all the plush and the gush I'd rather give left than be right I'm just
00:58:29 a square in social circle anyone here want to fight none of me fits with the width of
00:58:36 the wrist I'd rather relax on a stool I'm just a square in social circle anyone want
00:58:44 to shoot for four when a cookie with cabbage gets too savvy you rattle him three out of
00:58:50 four I would rather a sailor hop in my trailer show me his nautical lore why sure ladies
00:58:58 and frills only fill me with chills they're soft as a ball of chenille I'm just a square
00:59:04 in social circle I got a muscle of steel anyone here want to feel I'm a square as a pear in
00:59:13 a boot in their fancy silk called neon I'm designed for rayon but I just don't seem to
00:59:23 care I'm a square
00:59:29 well I never in all me life seen the like of it
00:59:34 what's the verdict Pop?
00:59:37 well you're all finished up together anyhow a couple of times there I thought the musicians
00:59:43 were going to get away from you but they didn't
00:59:46 thanks Pop these fellas you were great
00:59:50 I'll say you were
00:59:51 you'll sing with a band or else?
00:59:53 no no no we gotta keep peace in the family Danny's the boss and when he says goes I'm
00:59:57 doing alright but you guys are just getting started
01:00:00 I wonder would the young men know a song I'm a little more familiar with
01:00:03 what's that Pop?
01:00:04 in the shade of the old apple tree
01:00:06 we can fake it
01:00:07 fake it?
01:00:08 well he means they can make it up as they go along
01:00:11 that's not necessary the song's already written
01:00:13 well would you like to hear it Pop?
01:00:16 I would very much indeed do you know the words?
01:00:18 I think so
01:00:19 would you mind singing it for me?
01:00:20 sure
01:00:21 it takes me back to the time when I was caught and eaten
01:00:24 that was the song of the day then and we danced to it together many times
01:00:29 OK fellas hit it
01:00:30 OK
01:00:32 OK let's go
01:00:33 in the shade of the old apple tree
01:00:39 whoa whoa whoa
01:00:41 what in the name of goodness is that?
01:00:43 well that's in the shade of the old apple tree
01:00:45 glory be what happened to it?
01:00:47 well that's a jive Pop
01:00:49 oh is it?
01:00:50 would you mind playing in my words?
01:00:52 how's that?
01:00:53 I'll show you
01:00:54 only this time don't hit it
01:00:56 kind of caress it
01:00:58 now
01:01:01 [music]
01:01:10 in the shade of the old apple tree
01:01:18 where the love in your eyes I could see
01:01:27 when the voice that I heard
01:01:31 like the song of a bird
01:01:36 seemed to whisper sweet music to me
01:01:45 I could hear the dull buzz of the bee
01:01:53 in the shadows as you said to me
01:02:02 with a heart that is true
01:02:07 I'll be waiting for you
01:02:13 in the shade of the old apple tree
01:02:25 what a torch he's carrying
01:02:31 what?
01:02:32 his wife left him for another guy
01:02:35 well let's get his mind off her
01:02:36 take the chorus of your song again Judy
01:02:38 one two
01:02:40 [music]
01:02:43 I want to brush all the plush in the gush
01:02:46 I'd rather get left than be right
01:02:48 I'm just square in social circle
01:02:52 anyone here want to fight?
01:02:54 I'm sorry Danny we were just killing time till you got here
01:03:01 no that's all right you should rehearse
01:03:03 the band went to work you'd have to
01:03:05 am I your singer?
01:03:07 you were going to be
01:03:08 well looks like all bets are off fellas
01:03:10 there's a chance of us getting a job for two weeks
01:03:12 two weeks?
01:03:13 I want you guys to realize that
01:03:17 I appreciate your willingness to swing along with me
01:03:20 I was wishing you a lot of luck wherever you go
01:03:23 I'll see you later
01:03:25 wait a minute you fellas believe in this band?
01:03:29 sure we do Judy but we've got to work
01:03:31 will you give me 24 hours to make a deal for you?
01:03:33 what are you going to do?
01:03:35 quiet I've got a thought
01:03:36 what do you say?
01:03:37 okay Judy
01:03:38 wonderful but don't say anything to Danny
01:03:40 just go next door and keep him there till you hear from me
01:03:43 come on go ahead
01:03:44 what's the don't?
01:03:47 Billingsley he's coming here to an audition
01:03:49 when did you fix that?
01:03:50 I haven't I'm going to
01:03:51 can you?
01:03:52 get me the store club please
01:03:54 I can try
01:03:55 he'll never come here for you
01:03:56 nobody will for Walter Winchell
01:03:57 Walter Winchell?
01:03:58 sure they're pals Billingsley will do anything he says
01:04:01 give me Mr. Billingsley's office please
01:04:03 what makes you think Winchell's going to ask the boss up here?
01:04:05 wait and see
01:04:06 hello Sally give me your boss
01:04:09 how's I doing?
01:04:10 you'll get 20 years
01:04:12 hi Sherman
01:04:13 get this it's hot off the press
01:04:18 no no Sherman get the store club off your mind for a second
01:04:22 I want you to meet me at the York Towers apartment 32A in a half hour
01:04:26 you're going to hear one of the greatest bands in the country
01:04:28 okay don't fail to be here
01:04:30 well he's coming over
01:04:32 now go next door and tell daddy to get the boys ready in their tuxedos to audition in 20 minutes
01:04:37 I got to change into this truck pop what to do when Billingsley gets here now hurry
01:04:40 are you nervous young man?
01:04:47 no but I'm puzzled
01:04:49 I can't understand how Judy arranges this
01:04:51 she has a way with her
01:04:53 apparently
01:04:55 Mr. Billingsley?
01:05:00 yes
01:05:01 come in
01:05:02 where's Mr. Winchell?
01:05:07 he had to leave but he'd be in touch with you
01:05:08 is that so?
01:05:09 Mr. Wilton Mr. Billingsley
01:05:11 hi Sam
01:05:12 very glad to meet you sir
01:05:13 Walter Winchell tells me you've got a great band
01:05:15 he did?
01:05:17 well I didn't know I knew
01:05:18 anytime he doesn't know about anything I want to hear
01:05:21 well yeah but he's never
01:05:22 I'll take Winchell's opinion anytime
01:05:24 go ahead give out with the tunes
01:05:33 yes sir
01:05:34 sit down
01:05:35 thank you
01:05:36 okay boys
01:05:42 what do you think?
01:05:52 excellent
01:05:53 do you like it?
01:05:55 do you hear me?
01:05:57 of course I do
01:05:59 I can't understand that
01:06:07 you're annoying
01:06:10 great
01:06:12 I'm beginning to like it myself
01:06:26 I'm beginning to like it myself
01:06:29 I'm beginning to like it myself
01:06:31 I'm beginning to like it myself
01:06:33 I'm beginning to like it myself
01:06:36 if I had a dozen flowers
01:06:42 and if you only knew
01:06:47 if I had a dozen eyes
01:06:52 and if you only knew
01:06:58 if I had a dozen lips that would say
01:07:05 well times are bad
01:07:10 but not darling I love you
01:07:18 if I had a dozen hearts
01:07:23 they would all be holding you
01:07:28 if I had a dozen dreams
01:07:33 in your arms they would all come true
01:07:38 although I know a dozen hearts
01:07:45 I could love you much more than I do with one
01:07:59 twelve times one
01:08:08 leave me I love you
01:08:20 swell band Mr. Welton
01:08:28 thank you very much
01:08:30 but you Judy you were great
01:08:32 and I'm not too surprised either
01:08:34 I always knew you were tops but I didn't think you had all that talent besides
01:08:37 it's a terrific kick for me to have Judy come through like this
01:08:40 just goes to prove you can get so used to a person doing one thing
01:08:43 that you fail to realize they can do anything else
01:08:46 can you understand that Mr. Wilton
01:08:48 oh sure sure I understand it very well
01:08:51 I'm proud of you Judy
01:08:53 thank you Mr. Billingsley
01:08:55 you haven't had the best yet
01:08:57 seen the waltz from Judy
01:08:59 nothing doing no waltzes
01:09:01 there's never been a waltz played in the store club
01:09:03 can't be much of a place
01:09:05 the store club was built on soft peppy music
01:09:08 and it never stops
01:09:09 that's why I have three orchestras understand
01:09:12 oh he understands
01:09:14 good you open tomorrow night
01:09:16 so come and see me in the morning Mr. Wilton
01:09:18 we'll make a deal and sign the contracts
01:09:20 he'll be there Mr. Billingsley
01:09:24 oh and by the way Judy I'd know that voice of yours anywhere
01:09:28 besides I was sitting with Mr. Winchell when you phoned
01:09:32 good night all
01:09:34 good night
01:09:36 Danny we're in
01:09:40 oh Danny isn't it wonderful
01:09:42 I don't think so
01:09:43 that's what you wanted isn't it
01:09:45 yeah but I don't like the way I got it
01:09:47 why not what's wrong with it son
01:09:48 well I don't think a band was ever engaged under such circumstances before
01:09:52 an expensive apartment to rehearse in
01:09:54 all the food we want to eat
01:09:55 the boss arrives for a nice cozy audition and we're hired
01:09:58 well what could be sweeter
01:09:59 I don't want any part of it
01:10:01 now look Danny
01:10:02 I've had personal feelings do us out of the best job in town
01:10:05 that's right Danny
01:10:06 I know and I won't let him
01:10:08 I know how Danny feels and maybe has a right to
01:10:11 maybe he hasn't
01:10:13 that's between us these guys have nothing to do with it
01:10:17 you and the band have to stick together
01:10:19 we don't
01:10:21 you see Danny I can leave with a clear conscience you couldn't
01:10:26 well I've got everything I could ask for
01:10:28 seeing you with your band would just be an anticlimax
01:10:31 I'm the one that's bowing out
01:10:35 maybe this is beside the point
01:10:38 but if you ever really fall in love
01:10:41 you'll trust the girl
01:10:43 oh gee honey don't cry everything will be alright
01:10:59 girls always have to go for dumb guys
01:11:02 maybe it's because it makes us look smart
01:11:06 well I am smart
01:11:08 maybe I've been acting like I'm dumb
01:11:10 but I've got a brain somewhere in my head and I'm gonna use it
01:11:13 Judy what are you doing
01:11:14 I'm gonna send these things back where they came from
01:11:16 oh why
01:11:17 nobody can buy me
01:11:18 there isn't enough money to make me forget who I am
01:11:21 I've got character I have
01:11:22 I'm not too easily tempted
01:11:24 I can't be bought by a few measly
01:11:27 oh sir I've got brains
01:11:29 yes
01:11:40 Judy Peabody to see you
01:11:42 oh fine send her in
01:11:44 well good morning Judy
01:11:50 I've got a little surprise for you
01:11:52 I don't want any more surprises
01:11:55 what's the matter with you
01:11:56 we can't go on like this Mr. Billingsley
01:11:58 like what
01:11:59 I'm in love with Danny
01:12:00 well it's alright with me
01:12:02 well it's not with him
01:12:03 you're all mixed up
01:12:05 I know I am and I don't want to be
01:12:06 he's as jealous as you
01:12:07 jealous
01:12:08 well certainly who wouldn't be after all the things you've given me
01:12:11 I've given you
01:12:13 oh Sherman don't be so anonymous
01:12:16 say listen
01:12:17 I'm a married man
01:12:19 that's why you ought to be ashamed of yourself
01:12:22 oh I've got to get you straightened up
01:12:24 now get this
01:12:25 I never gave you anything
01:12:27 ever
01:12:28 huh
01:12:30 why should I what are you in my life
01:12:32 well
01:12:33 I don't know but somebody's behind this
01:12:37 I know this fella Curtis
01:12:39 he comes to the store a lot
01:12:40 he won't talk though I've asked him to tell me
01:12:43 well don't worry about it too much Judy
01:12:45 I've been in this town for years
01:12:47 nobody ever gives anything away for long without letting you know why
01:12:50 you just sit tight you're a clever girl
01:12:52 stick to your singing it's your real future
01:12:54 but I can't sing with a band the way things are between Danny and me
01:12:57 well either you do or I don't want the band
01:12:59 oh I'll open tonight don't worry about that
01:13:02 at it girl
01:13:03 we'll be very happy together
01:13:07 I understand Mr. Billingsley
01:13:11 no you don't but you will
01:13:12 come in I want to straighten you out too
01:13:15 don't lose your temper
01:13:17 why not
01:13:19 (door slams)
01:13:20 Wilton
01:13:27 what do you think I am a chump
01:13:29 not exactly
01:13:30 thanks
01:13:31 are you a chump
01:13:32 no sir
01:13:33 oh you're sure about yourself
01:13:34 that's right
01:13:35 but not of me huh
01:13:36 well Mr. Billingsley my eyes have been opened
01:13:38 how would you like somebody to close them again
01:13:40 can't we settle this like gentlemen
01:13:42 well now you're talking my language
01:13:44 I like you Wilton
01:13:46 I like your band
01:13:47 and I like Judy
01:13:48 yes sir
01:13:49 don't say yes sir like that
01:13:51 sorry
01:13:52 come here
01:13:55 look at those photographs
01:14:00 take a good look at them
01:14:02 those are the only women in my life
01:14:05 that one's pretty young isn't she
01:14:08 that's my daughter
01:14:09 oh
01:14:10 they all are except my wife and I'm married to her
01:14:13 oh I see it's about time
01:14:16 well I'm sorry Mr. Billingsley
01:14:18 that letter should have tipped you off
01:14:19 Tom Curtis isn't my lawyer
01:14:21 Tom Curtis
01:14:22 what letter
01:14:23 oh she didn't show you the letter
01:14:25 oh
01:14:26 I wonder why
01:14:27 well forget I mentioned it to you
01:14:28 now I've had enough of you two
01:14:30 keep your personal affairs out of the store club
01:14:32 that's all
01:14:33 yes sir
01:14:45 well
01:14:46 Mr. Billingsley
01:14:48 what would you do if you were in my spot
01:14:50 I'd stop bothering me
01:14:54 Danny
01:15:06 well
01:15:11 what happened
01:15:13 nothing much
01:15:14 Billingsley's okay
01:15:15 I was wrong about you and him
01:15:17 there you see
01:15:18 no I don't
01:15:19 you don't
01:15:21 it's gotta be something
01:15:22 oh you know who it is I told you
01:15:24 Hop
01:15:25 certainly
01:15:26 oh how could it be
01:15:27 well he's a very rich man
01:15:29 and a good man
01:15:30 wait till you meet his wife
01:15:31 have you
01:15:32 naturally
01:15:33 why do you look at me like that Danny
01:15:36 we're never gonna get together if you don't believe in me
01:15:39 oh Judy
01:15:41 I wish I could
01:15:42 oh you've got it Danny
01:15:43 it's your way to work out
01:15:45 hi Judy
01:15:46 oh hello Mr. Carretti
01:15:48 how's your friend Pop the Boss Boy
01:15:50 oh
01:15:51 oh that was a very funny gag wasn't it
01:15:54 he breaks thirty two dollars worth of dishes
01:15:57 and she calls it a gag
01:15:59 who was he
01:16:00 an old mick she brought around
01:16:02 he had a brogue that got thick
01:16:04 somebody owes me thirty two dollars for dishes
01:16:07 oh Danny I can explain it
01:16:11 sure you can
01:16:12 but break it in on somebody else
01:16:14 I want to speak with Mr. Curtis
01:16:20 he's not in yet
01:16:21 why not
01:16:22 he's not at home either
01:16:24 never mind who it is
01:16:27 I'll call again
01:16:28 hi Pop what goes
01:16:32 I was calling your lawyer
01:16:33 my lawyer
01:16:34 that man Curtis has tried on Marnie
01:16:37 for what
01:16:38 I thought he might speak to Danny on your behalf
01:16:41 well that wouldn't do any good
01:16:43 it might
01:16:44 I'll go to my room and brush up a bit before I go out
01:16:49 jealousy is a terrible thing
01:16:55 love should be tolerant
01:16:57 till truth breaks through the clouds of doubt
01:17:00 gee that's beautiful Pop
01:17:02 who said that
01:17:04 I did
01:17:07 I'm Mrs. Bates
01:17:09 Mrs. J.B. Bates
01:17:11 yes
01:17:12 are you Judy Peabody
01:17:15 that's me
01:17:16 come in Mrs. Bates
01:17:23 I know now I've lost him
01:17:25 well I'll be glad to help you look for him
01:17:27 a friend of mine in the building says he lives here
01:17:30 well a lot of guys live here
01:17:32 I'm sure he's got a job
01:17:34 I'm sure he's got a job
01:17:36 I'm sure he's got a job
01:17:38 I'm sure he's got a job
01:17:40 I'm sure he's got a job
01:17:42 I'm sure he's got a job
01:17:44 I'm sure he's got a job
01:17:46 I'm sure he's got a job
01:17:48 I'm sure he's got a job
01:17:50 I'm sure he's got a job
01:17:52 I'm sure he's got a job
01:17:54 I'm sure he's got a job
01:17:56 I'm sure he's got a job
01:17:58 I'm sure he's got a job
01:18:00 I'm sure he's got a job
01:18:02 I'm sure he's got a job
01:18:04 I'm sure he's got a job
01:18:06 I'm sure he's got a job
01:18:08 I'm sure he's got a job
01:18:10 I'm sure he's got a job
01:18:12 I'm sure he's got a job
01:18:14 I'm sure he's got a job
01:18:16 I'm sure he's got a job
01:18:18 I'm sure he's got a job
01:18:20 I'm sure he's got a job
01:18:22 I'm sure he's got a job
01:18:24 I'm sure he's got a job
01:18:26 I'm sure he's got a job
01:18:28 I'm sure he's got a job
01:18:30 I'm sure he's got a job
01:18:32 I'm sure he's got a job
01:18:34 I'm sure he's got a job
01:18:36 I'm sure he's got a job
01:18:38 I'm sure he's got a job
01:18:40 I'm sure he's got a job
01:18:42 I'm sure he's got a job
01:18:44 I'm sure he's got a job
01:18:46 I'm sure he's got a job
01:18:48 I'm sure he's got a job
01:18:50 I'm sure he's got a job
01:18:52 I'm sure he's got a job
01:18:54 I'm sure he's got a job
01:18:56 I'm sure he's got a job
01:18:58 I'm sure he's got a job
01:19:00 I'm sure he's got a job
01:19:02 I'm sure he's got a job
01:19:04 I'm sure he's got a job
01:19:06 I'm sure he's got a job
01:19:08 I'm sure he's got a job
01:19:10 I'm sure he's got a job
01:19:12 I'm sure he's got a job
01:19:14 I'm sure he's got a job
01:19:16 I'm sure he's got a job
01:19:18 I'm sure he's got a job
01:19:20 I'm sure he's got a job
01:19:22 I'm sure he's got a job
01:19:24 I'm sure he's got a job
01:19:26 I'm sure he's got a job
01:19:28 I'm sure he's got a job
01:19:30 I'm sure he's got a job
01:19:32 I'm sure he's got a job
01:19:34 I'm sure he's got a job
01:19:36 I'm sure he's got a job
01:19:38 I'm sure he's got a job
01:19:40 I'm sure he's got a job
01:19:42 Is your slate clean?
01:19:44 My slate? Clean?
01:19:46 Yes, he seems terribly jealous of a Mr. Bascom
01:19:48 Well, that's ridiculous
01:19:50 Clarence Bascom is a harmless old bachelor
01:19:52 He courted me years ago and Jerry can't stand the sight of him
01:19:54 He courted me years ago and Jerry can't stand the sight of him
01:19:56 He's coming
01:19:58 Now, whatever you do, don't let on and be firm
01:20:00 Now, whatever you do, don't let on and be firm
01:20:02 Judy, where'd you put me?
01:20:04 Judy, where'd you put me?
01:20:06 Oh!
01:20:08 Well, Mr. Bates
01:20:10 You're fooling yourself
01:20:12 Now, Edith, take it easy
01:20:14 Are you going to believe me or what you see?
01:20:16 Who could believe you, you scoundrel?
01:20:18 You philanderer
01:20:20 You viper, you snake in the grass
01:20:22 Don't ever speak to me again
01:20:24 This is the end
01:20:26 The gods have drawn me in
01:20:30 The gods have drawn me in
01:20:32 They want aid for me
01:20:34 I've lost the upper hand
01:20:36 Who was that? Me wife
01:20:38 Remember, love should be tolerant
01:20:40 Remember, love should be tolerant
01:20:42 Till truth breaks through the clouds of doubt
01:20:44 And if you want to know who said that, you did
01:20:46 In fact, it's a very cheap book
01:20:48 In fact, it's a very cheap book
01:20:50 [Music]
01:21:14 Love me
01:21:16 As only you can love me
01:21:20 There's no one who can love me
01:21:26 The way that you do
01:21:32 Your kiss is as gentle
01:21:36 As the falling summer rain
01:21:40 Your sigh is the sentimental theme
01:21:48 Of our refrain
01:21:52 I want you to thrill me
01:21:56 As only you can thrill me
01:22:02 There's no one who can thrill me
01:22:08 What am I to do?
01:22:12 I'm helpless, so I'm content
01:22:18 To be the fool that you make of me
01:22:24 So love me
01:22:28 The way that I love you
01:22:35 Thrill me
01:22:38 As only you can thrill me
01:22:43 There's no one who can thrill me
01:22:49 What am I to do?
01:22:54 I'm helpless, so I'm content
01:23:00 To be the fool that you make of me
01:23:08 So love me
01:23:13 The way that I love you
01:23:23 [Applause]
01:23:32 You'll hear me heart is in them coming here tonight
01:23:35 Oh, dear old pop, you have the time of your life
01:23:38 Mr. Quirrell, do you have my reservation?
01:23:41 What?
01:23:42 Why, Judy!
01:23:44 Yes, Miss Spivardi, this way please
01:23:47 [Music]
01:23:57 What is there, Matthew?
01:23:59 I'll never forget the fills
01:24:01 You've looked at mine long enough to remember the next time you see it
01:24:04 Yes, sir
01:24:05 [Music]
01:24:33 I just remember
01:24:35 Shall I put the $32 for the proper dishes on your bill, sir?
01:24:40 Yes, and add $5 for yourself and forget you ever saw me
01:24:43 It would be a pleasure, sir
01:24:45 'Tis mutual
01:24:46 Would you like to order now, Miss Spivardi?
01:24:48 Yes, and I'll have some ginger ale, please
01:24:50 And you, sir?
01:24:52 The same, with about three fingers of bourbon
01:24:55 Yes, sir
01:24:56 Do you drink a lot, pop?
01:25:00 What did I tell you?
01:25:02 I can't get enough
01:25:04 [Music]
01:25:13 Glory be, she's beautiful
01:25:16 Take it easy, pop
01:25:20 [Music]
01:25:29 Why, hiya, JB
01:25:31 What's going on here?
01:25:32 Are you upset with her?
01:25:34 Who's upset with me?
01:25:35 I tried it
01:25:36 I heard you were caught when you suspended her
01:25:39 I forgot
01:25:40 Agent
01:25:41 I'm an innocent man
01:25:43 A very innocent man
01:25:45 Yes, Jerry, so it appears
01:25:47 Good evening, young lady
01:25:48 Oh, Mr. Spiv, I hope you don't blame me
01:25:50 Not at all, my dear, but wasn't you to be somebody else?
01:25:53 I was, wasn't you?
01:25:55 Ah, I love match
01:25:56 I think I'll skip the next round of this battle
01:25:58 Excuse me, please
01:26:00 Good riddance
01:26:01 [Music]
01:26:05 At least she's talked to you
01:26:06 She won't listen to me
01:26:07 You've got to get me out of this
01:26:09 How?
01:26:10 Tell her the facts
01:26:11 She won't believe the facts any more than Danny does
01:26:13 You can try
01:26:15 Okay
01:26:16 You are great
01:26:18 You've got him on a hook, he's really squirming
01:26:20 I don't think I'll be able to go through with this, Judy
01:26:22 Well, you've got to
01:26:23 If you nail him down right this time, he's yours for life
01:26:27 She says she's going to divorce you and marry somebody who appreciates her
01:26:30 She can't
01:26:31 I'll face it, I'll take you to the Supreme Court
01:26:33 Care of that
01:26:34 You're out and bent by 20 links
01:26:36 Don't carry it too far, leave it to me
01:26:39 Well
01:26:40 I think you've got a chance
01:26:41 I have
01:26:42 It's going to be tough, though
01:26:43 I don't deserve it
01:26:45 First, you've got to promise to count to 10 before losing your temper
01:26:48 I've always done that
01:26:49 Then we'll make it 20
01:26:50 All right, all right
01:26:51 Next, you can never take your shoes off in the living room
01:26:53 A man can't live under those conditions
01:26:55 Will you or won't you?
01:26:56 All right, all right
01:26:57 And?
01:26:58 Oh, there's more
01:26:59 You must promise never, under any circumstances, to be jealous of Clarence Baskum
01:27:04 Baskum?
01:27:05 Oh, I see it all now
01:27:07 She'd tie me hands behind me back for the rest of me life, would she?
01:27:10 Oh, no, not if I know what she won't
01:27:12 Oh, it's very slick of you, very slick of you indeed, Mrs. Bates
01:27:16 You and your stipulations
01:27:18 And me agreeing to them
01:27:19 Now, calm yourself, Pop
01:27:20 No, no, Judy, this goes deeper than your innocent eyes can see
01:27:24 Jerry
01:27:25 Don't call me Jerry, me
01:27:26 You're not going to pull the wool over my eyes as you did in the past
01:27:29 That isn't true
01:27:30 And I'm going to have it
01:27:31 No, you're not
01:27:32 Not until you pay the check
01:27:33 They're very funny about that in here
01:27:34 Somebody bring me the check
01:27:35 If you leave here, Jerry Bates, you'll never see me again
01:27:38 That's what I had in mind
01:27:40 I'm ashamed of you, Pop
01:27:41 Well, I...
01:27:42 And slip this to Danny, will you?
01:27:44 That ought to get him
01:27:45 Bring me the check
01:27:46 I'm not going to wait here any longer
01:27:47 Pop, are you really leaving?
01:27:48 Of course I am
01:27:49 You'll be sorry someday
01:27:51 Well, if I am, I'll be glad of it
01:27:54 This is from one of your fans
01:27:56 Thanks
01:27:57 Hey, fellas, the boss wants to hear an old apple tree
01:28:07 We'll bake it and eat it right after this course
01:28:10 And it was a lot different, too, wasn't it, Pop?
01:28:13 Oh, I know you haven't forgotten
01:28:16 Even though it was a long time ago
01:28:18 Forty years
01:28:20 You told me about it yourself
01:28:22 Brought tears to your eyes when you did
01:28:25 Look at her, Pop
01:28:27 Isn't she beautiful?
01:28:29 Just think what she was then
01:28:31 Why, every boy in the block hoped she'd look his way
01:28:34 But she only had eyes for one
01:28:36 A young, wild Irishman
01:28:38 He had a right to be jealous
01:28:40 It was sweet
01:28:42 And it got stupid
01:28:44 In 1950, it was romantic
01:28:46 Where they dance to the same song they're playing now
01:28:49 Well, I guess that's the trouble
01:28:52 It just isn't romantic anymore
01:28:54 Oh, but it is
01:28:58 Edith, will you dance with me once again to the tune of our song?
01:29:08 I'd be pleased to, Jerry
01:29:10 I know, I'm sorry
01:29:12 Well, I am
01:29:14 It comes from the bottom of my heart
01:29:16 I know, I am
01:29:17 It comes from the bottom of my heart
01:29:45 Well, I'm glad that's patched up
01:29:47 Yes, isn't it wonderful?
01:29:49 I know, I am
01:29:51 I know, I am
01:29:53 [Music]
01:30:21 Grady, is that a waltz?
01:30:23 You've been in Vienna, has it?
01:30:25 I'm here in Storkloft so long I can't remember
01:30:31 No, it couldn't be a waltz
01:30:33 They wouldn't dare
01:30:35 No, sir
01:30:49 That's a waltz, isn't it?
01:30:51 Yes, sir
01:30:52 What's the idea?
01:30:53 Nothing like a good old-fashioned waltz
01:31:08 By the way, Tom Curtis, that fellow we were discussing, is at the table next to Judy's
01:31:12 Would you like to meet him?
01:31:14 No, thanks
01:31:16 [Music]
01:31:22 Hey, Tom, take over
01:31:24 Do me a favor, will you, Gwen?
01:31:27 Sure, why?
01:31:28 Go and tell that guy Curtis he's wound on the phone in the first booth
01:31:31 Okay, then
01:31:32 Mr. Curtis, you're wound on the telephone in the first booth
01:31:38 Thank you
01:31:39 Excuse me
01:31:45 I'm sorry
01:31:46 It's all right, come in
01:31:47 Mr. Curtis, I'm Danny Wilson
01:31:50 How do you do?
01:31:51 It's rather close in here, isn't it?
01:31:52 I like it that way
01:31:53 Well, it's much more comfortable out at the bar
01:31:56 Uh-huh, but Billingsworth's got a rule
01:31:58 Anyone who fights in the Stork Club is barred for life
01:32:00 I kind of wish I'd been barred yesterday
01:32:02 Look, Mr. Curtis, some time ago I was in a cave about this size with a Jap
01:32:06 Well, as you gather, I'm here to tell a tale
01:32:08 Uh, what happened to the Jap?
01:32:13 I know I'm supposed to double over at this point, but there really isn't room
01:32:17 Mr. Curtis, there's only one thing I want from you
01:32:20 Well, I hope I've got it
01:32:21 I want the truth about that letter you wrote to Judy Peabody and everything that's behind it
01:32:25 Oh, is that all?
01:32:27 Oh, that's very simple
01:32:29 Miss Peabody saved Mr. Bates from drowning
01:32:31 He wanted to reward her and still remain anonymous
01:32:34 It's all very innocent, I assure you
01:32:36 Oh, well, thanks, Mr. Curtis
01:32:39 That's great
01:32:40 Say, can I buy you a drink?
01:32:41 Yes, you can
01:32:42 But you ought to be sober than an inch of your life
01:32:45 But Judy, dear, you've given all your time to us
01:32:49 What are you going to do about your young man?
01:32:51 I'm just going to tell him the truth
01:32:53 But Judy, you can't do that
01:32:55 You've already told him the truth and he doesn't believe it
01:32:57 Pop, what can I do?
01:32:59 Tell him another lie
01:33:00 What lie? I haven't worked anything out
01:33:02 I've seen you at work and I have every confidence in your ability
01:33:06 All right, but you've got to back me up
01:33:08 We'll do that in more ways than one
01:33:11 While Edith and I were dancing, we talked about it in a surprise way
01:33:15 Oh, Danny, you know Mr. and Mrs. Bates
01:33:19 How do you do?
01:33:20 Danny, I have to sing with the band or Mr. Billings is going to let us all go
01:33:24 That's his privilege
01:33:25 I won't till you believe in me
01:33:27 And I know you won't let me till you know the truth
01:33:30 That's right
01:33:31 But, Danny, you're going to hear it right now
01:33:34 I'm listening
01:33:37 Well, it started many, many years ago in 1849, wasn't it, Pop?
01:33:43 Yes, yes, '49
01:33:45 That's right, in the '70s
01:33:46 It was the year of the gold rush
01:33:48 Yeah, I saw the picture
01:33:49 How'd you like Charlie in it?
01:33:51 Stick to the subject
01:33:52 Well, you see, it started the day I saved Pop from drowning
01:33:56 That's when he first discovered who I was
01:33:59 I have a strawberry mark on my left thigh and my bathing suit doesn't cover it
01:34:03 Pop noticed it
01:34:04 You'll see it someday
01:34:06 Pop casually mentioned that his father knew a man in Alaska with the very same marking
01:34:11 They shared a claim in the big yellow tail mine
01:34:14 Interesting?
01:34:16 Very
01:34:17 I mean the way Judy tells it
01:34:19 I know the story well
01:34:21 But I never get tired of hearing her related
01:34:24 Go ahead, Judy
01:34:25 Thanks
01:34:26 Well, right about here I think I ought to mention my grandfather's map
01:34:30 Oh, very good-looking man he was, too
01:34:32 The map was a mine
01:34:34 Yes, it is, a pop-nique
01:34:36 Well, my grandfather was lost in the blizzard of '51
01:34:40 And Pop and his father have been looking for me ever since
01:34:43 Pop changed his name to Butler while searching for me
01:34:46 Well, of course now you're very rich
01:34:48 No, and this is the part you won't believe
01:34:51 The man that Pop's father thought was my grandfather turned out to be no relation of mine at all
01:34:57 Well, how did you find that out?
01:34:59 My grandmother told me
01:35:03 Well, now that makes sense
01:35:05 Why didn't you tell me that in the first place?
01:35:08 I didn't think you'd believe it
01:35:11 Oh, Judy, you underestimate me
01:35:14 You see, I do believe in you
01:35:16 Now, doesn't that make you eligible to sing with the band?
01:35:19 What do you think? You haven't heard the surprise?
01:35:28 [Music]
01:35:44 If I had a dozen hearts
01:35:48 And if you had only one
01:35:52 What a liar
01:35:53 If I had a dozen hearts
01:35:57 I would love you twelve times one
01:36:01 Yellow-tailed lion
01:36:02 If I had a dozen lips I would say
01:36:08 Grandfather's map
01:36:09 Twelve times a day
01:36:12 Strawberry mark
01:36:14 Darling, I love you
01:36:19 Well, seeing is believing
01:36:21 If I had a dozen arms
01:36:25 They would all be holding you
01:36:29 But I forgive you
01:36:30 If I had a dozen dreams
01:36:34 In your arms they would all come true
01:36:39 No, why?
01:36:40 Although
01:36:41 Because I love you
01:36:42 If I had a dozen hearts
01:36:46 I found
01:36:48 I could love you much more than I do
01:36:53 With one
01:36:56 [Applause]
01:37:01 I love you, Pius B
01:37:02 I'll be waiting for you over with Pop
01:37:04 Okay, sweetie
01:37:05 That was lovely, Judy
01:37:14 Thanks
01:37:15 Well, Pop, what's the big surprise?
01:37:17 Judy, you saved me twice
01:37:19 When I met you and tonight
01:37:21 I can't repay you, but I have an idea
01:37:24 I've discussed it with Edith
01:37:26 And we hope you'll be pleased
01:37:27 That I'm going to mention you in my will
01:37:29 Oh, no, that's out, Pop
01:37:31 Not that I don't appreciate the thought and all
01:37:33 But, oh, I don't know
01:37:35 I don't seem to be able to get along with money
01:37:38 My happiness will come with Danny
01:37:39 Singing with the band on those one-night stands
01:37:42 Bad hotels, bad food
01:37:44 But we'll be together
01:37:45 We'll be riding on Cloud Nine
01:37:46 Just outside of Heaven
01:37:48 I see what you mean
01:37:49 And I think you're right
01:37:50 Two young kids in love
01:37:52 Might get all mixed up with a million in the bank
01:37:55 A million?
01:37:57 Keep talking, Pop
01:37:59 Maybe you can change my mind
01:38:01 [instrumental]
01:38:09 [BLANK_AUDIO]