INDONESIA LAWAK KLUB 230417
Category
🎥
Short filmTranscript
00:00 [MUSIC - THE KING OF THE NIGHT, "PRETTY GIRL"]
00:03 [MUSIC - THE KING OF THE NIGHT, "PRETTY GIRL"]
00:24 [NON-ENGLISH SINGING]
00:27 [NON-ENGLISH SINGING]
00:30 [NON-ENGLISH SINGING]
00:34 [NON-ENGLISH SINGING]
00:37 [NON-ENGLISH SINGING]
01:02 [NON-ENGLISH SINGING]
01:05 [NON-ENGLISH SINGING]
01:08 [NON-ENGLISH SINGING]
01:11 [NON-ENGLISH SINGING]
01:14 [NON-ENGLISH SINGING]
01:17 [NON-ENGLISH SINGING]
01:25 [NON-ENGLISH SINGING]
01:28 [NON-ENGLISH SINGING]
01:32 [MUSIC - THE KING OF THE NIGHT, "PRETTY GIRL"]
01:41 [MUSIC - THE KING OF THE NIGHT, "PRETTY GIRL"]
01:44 [MUSIC - THE KING OF THE NIGHT, "PRETTY GIRL"]
02:12 [NON-ENGLISH SINGING]
02:15 [NON-ENGLISH SINGING]
02:31 [NON-ENGLISH SINGING]
02:35 [NON-ENGLISH SINGING]
02:39 [NON-ENGLISH SINGING]
02:42 [MUSIC - THE KING OF THE NIGHT, "PRETTY GIRL"]
02:59 [MUSIC - THE KING OF THE NIGHT, "PRETTY GIRL"]
03:02 [MUSIC - THE KING OF THE NIGHT, "PRETTY GIRL"]
03:05 [MUSIC - THE KING OF THE NIGHT, "PRETTY GIRL"]
03:08 [MUSIC - THE KING OF THE NIGHT, "PRETTY GIRL"]
03:11 [NON-ENGLISH SPEECH]
03:14 [MUSIC - THE KING OF THE NIGHT, "PRETTY GIRL"]
03:28 [MUSIC - THE KING OF THE NIGHT, "PRETTY GIRL"]
03:31 [MUSIC - THE KING OF THE NIGHT, "PRETTY GIRL"]
03:34 [MUSIC - THE KING OF THE NIGHT, "PRETTY GIRL"]
03:37 [MUSIC - THE KING OF THE NIGHT, "PRETTY GIRL"]
03:40 [NON-ENGLISH SPEECH]
03:43 [APPLAUSE]
03:52 [NON-ENGLISH SPEECH]
03:56 [NON-ENGLISH SPEECH]
03:59 [APPLAUSE]
04:02 [NON-ENGLISH SPEECH]
04:05 [APPLAUSE]
04:11 [NON-ENGLISH SPEECH]
04:17 [NON-ENGLISH SPEECH]
04:20 [APPLAUSE]
04:44 [NON-ENGLISH SPEECH]
04:47 [LAUGHTER]
05:02 [NON-ENGLISH SPEECH]
05:05 [NON-ENGLISH SPEECH]
05:08 [APPLAUSE]
05:27 [NON-ENGLISH SPEECH]
05:30 [NON-ENGLISH SPEECH]
05:33 [NON-ENGLISH SPEECH]
05:36 [MUSIC - "PRETTY GIRL"]
05:45 [NON-ENGLISH SPEECH]
05:48 [LAUGHTER]
05:56 [NON-ENGLISH SPEECH]
05:59 [NON-ENGLISH SPEECH]
06:02 [NON-ENGLISH SPEECH]
06:05 [NON-ENGLISH SPEECH]
06:08 [NON-ENGLISH SPEECH]
06:11 [NON-ENGLISH SPEECH]
06:14 [NON-ENGLISH SPEECH]
06:17 [LAUGHTER]
06:19 [NON-ENGLISH SPEECH]
06:22 [APPLAUSE]
06:25 [NON-ENGLISH SPEECH]
06:28 [APPLAUSE]
06:29 [NON-ENGLISH SPEECH]
06:32 [LAUGHTER]
06:33 [NON-ENGLISH SPEECH]
06:36 [NON-ENGLISH SPEECH]
06:39 [NON-ENGLISH SPEECH]
06:42 [APPLAUSE]
06:43 [NON-ENGLISH SPEECH]
06:46 [NON-ENGLISH SPEECH]
06:50 [NON-ENGLISH SPEECH]
06:54 [NON-ENGLISH SPEECH]
06:58 [NON-ENGLISH SPEECH]
07:02 [NON-ENGLISH SPEECH]
07:30 [NON-ENGLISH SPEECH]
07:33 [LAUGHTER]
07:34 [NON-ENGLISH SPEECH]
07:37 [NON-ENGLISH SPEECH]
07:44 [NON-ENGLISH SPEECH]
07:47 [NON-ENGLISH SPEECH]
07:50 [NON-ENGLISH SPEECH]
07:53 [LAUGHTER]
07:54 [NON-ENGLISH SPEECH]
07:57 [NON-ENGLISH SPEECH]
08:00 [LAUGHTER]
08:02 [NON-ENGLISH SPEECH]
08:05 [LAUGHTER]
08:06 [NON-ENGLISH SPEECH]
08:09 [NON-ENGLISH SPEECH]
08:12 [NON-ENGLISH SPEECH]
08:15 [LAUGHTER]
08:18 [NON-ENGLISH SPEECH]
08:21 [NON-ENGLISH SPEECH]
08:24 [LAUGHTER]
08:27 [NON-ENGLISH SPEECH]
08:30 [NON-ENGLISH SPEECH]
08:33 [NON-ENGLISH SPEECH]
08:36 [NON-ENGLISH SPEECH]
08:39 [NON-ENGLISH SPEECH]
08:42 [NON-ENGLISH SPEECH]
08:45 [NON-ENGLISH SPEECH]
08:48 [NON-ENGLISH SPEECH]
08:51 It's cool. He used his glasses. So cool.
08:53 You look like a kid.
08:55 Have you watched...
08:57 I watched that movie. It was so scary.
09:00 Yes. I can imagine that you're a kid. But your face...
09:02 You looked so old.
09:04 That kid was so scary.
09:06 I'm a classical music fan, Don.
09:08 Please don't underestimate me.
09:10 In front of the people here.
09:12 I'm from...
09:14 I'm a bit stingy about music and art.
09:18 In short, Ajis MS.
09:20 His name is Ajis.
09:22 He doesn't like it.
09:24 His name is Ajis.
09:26 If you look at it...
09:30 from the climatology of music...
09:34 What is this? Sir, you're talking about mountains.
09:37 Climatology of music.
09:40 This is a language of Mozart.
09:43 Oh, Mozart.
09:45 Music was started...
09:47 from the purity of music.
09:49 Classical music.
09:50 Where did the beat come from?
09:52 It started from?
09:53 Classical music. Beethoven.
09:55 Oh, Beethoven.
09:57 Mozart.
09:58 Van Basten.
10:00 Van Basten.
10:04 All of them...
10:06 The mother of music is classical music.
10:09 It's not just classical.
10:11 Van Gogh.
10:12 No. Van Gogh is a painter.
10:15 He's a painter.
10:17 He's a painter.
10:18 Yes.
10:19 So, I saw how they...
10:22 wrote the lyrics.
10:24 The lyrics are very rural.
10:26 I...
10:27 Vulgar.
10:28 I don't agree.
10:29 What do you mean you don't agree?
10:31 We can debate.
10:33 We can.
10:34 I have to know the confirmation first.
10:36 What do you mean by rural, Mr. Jarwo?
10:40 A lot.
10:41 Where?
10:42 From which lyrics?
10:43 For example.
10:44 The song Putri.
10:46 Putri.
10:47 How they corner a woman there.
10:51 They're so passionate.
10:54 They're so...
10:57 How beautiful it is.
11:00 So, what's good to hear is beautiful.
11:04 The lyrics should be beautiful.
11:06 Don't be vulgar.
11:10 To the point.
11:12 That's how it is.
11:13 A lot of people...
11:15 dress up but behind it is full of lies.
11:19 It's better to be honest.
11:21 The most important thing is our good intention.
11:23 That's it.
11:24 Thank you, Noreen.
11:25 Yes.
11:26 Hi, guys.
11:27 Yes. Please.
11:28 Good evening, everyone.
11:30 Good evening.
11:31 I'm an Indonesian music observer and a teacher.
11:34 In short.
11:35 Hamis Daud.
11:36 Raisa.
11:39 Thank you.
11:40 I don't agree with Mr. Jarwo.
11:42 I think the function of musician is social control.
11:46 Yes.
11:47 Jambrun has depicted the phenomenon in the society...
11:51 packed in the form of a song.
11:53 Is it right?
11:54 It's right.
11:55 Their lyrics that are so vulgar...
11:58 even create a mirror effect.
12:01 I see that Jambrun is brave to write lyrics.
12:04 Yes.
12:05 Words that I'm sure not all bands are brave to write...
12:08 words as lyrics.
12:10 For example, in Putri's song...
12:12 there are words that I think not all bands are brave to write.
12:15 Like, "Segala Macam Kau Coba Asal Bau USA"
12:19 I'm sorry.
12:20 "Dari Red Label Hingga Tanpa BH"
12:22 Is it right?
12:23 The phenomenon that happened, Jambrun is brave to do that.
12:26 In the song "Berakit-Rakit".
12:28 What is it?
12:29 Not all bands are brave to write lyrics.
12:32 I'm sorry.
12:34 I'm still here on this earth.
12:37 My place to eat, sleep, and everything.
12:41 So, it's good.
12:42 Not bad.
12:43 Bok.
12:45 [Lirik] Ada pelangi di pola matamu
12:54 [Lirik] Dan memaksa diri
12:59 [Lirik] Tubilah aku sayang padamu
13:07 [Lirik] Menelajahi masalah dan kesolusi
13:15 [Lirik] Masalah dan kesolusi
13:26 I want to ask Jambrun.
13:30 Putri's song tells about...
13:33 ...is it true that it happened?
13:36 Because of the phenomenon or just a friend's story?
13:40 I mostly make songs from people's portrait.
13:44 So, when I play with someone or in a certain area.
13:50 So, I think it's spontaneous and easy.
13:53 If we want to be honest,
13:55 there are a lot of prostitution in this age.
13:59 So, it's not just we explore the word prostitution...
14:03 ...so that people are attracted or laugh.
14:05 But, the moral responsibility is there.
14:09 So, I raise a problem.
14:11 A polite problem.
14:12 But, try not to teach or...
14:15 "You're wrong. You're right."
14:17 We just throw it away.
14:19 Like, "Di lagu telah 3 bulan" or...
14:22 "Surti Tejo."
14:24 But, is it in accordance with the culture of East?
14:28 So, what language should we use?
14:30 I want to know from Mr. Jarwo.
14:32 Please, change the lyrics of Jambrun to something you want.
14:34 Try it.
14:35 The song.
14:36 Putri's song.
14:38 How about the original lyrics, Kris?
14:40 Putri, a girl who just got laid.
14:46 She's wild because she wants to be cool.
14:49 Let's say it's trendy.
14:52 How about the polite one?
14:54 That's still good. How about the other one?
14:55 What?
14:57 That's still good.
14:59 Putri.
15:00 If that's the case, everything is good.
15:02 You should be at home.
15:06 Doing homework or doing physical education.
15:09 Not at the disco.
15:11 Change it.
15:12 How about the polite one?
15:13 Eastern language.
15:14 She's at home.
15:16 Doing homework or doing physical education.
15:17 Doing laundry.
15:19 Helping her mom to cook.
15:21 That's good. Doing homework is good.
15:24 Mr. Denny.
15:25 But it says, "Putri, I love your body. Why did you give it to me for free?"
15:29 "Just to say a word to make it sexy."
15:32 If I were you, can I have Putri's phone number?
15:37 Try it.
15:42 There's Denny.
15:45 I want to talk.
15:46 Just an adult.
15:48 Torama is always looking for free stuff. Pay him.
15:51 Shut up.
15:55 The kid is talking. Shut up.
15:58 An adult like him is already influenced to ask for Putri's phone number.
16:06 Do you want it?
16:07 Is there such a thing?
16:09 Mr. Denny.
16:12 Yes.
16:13 Please.
16:14 His wife is talking.
16:15 I want to defend Mr. Jarwo.
16:17 He's criticizing the problem.
16:19 Cheers.
16:21 Cheers.
16:23 Is Raisa's partner a f*cking loser?
16:30 F*cking loser.
16:32 Raisa.
16:33 Raiso.
16:35 I want to criticize Putri's song.
16:39 I'm a music critic.
16:42 I'm a lyricist.
16:44 So, why is there Putri's song but no Putra's song?
16:49 This is causing social envy.
16:51 While...
16:52 It's a gender issue.
16:54 Okay. So, in our society, there's social envy.
16:58 Social discord between men and women.
17:01 Try it. If a woman is late, she's saved.
17:05 If a man is late, he's saved.
17:09 He must be kicked out or given a high school diploma.
17:12 That's envy.
17:14 That's the first.
17:15 The second.
17:16 If a woman is on a pregnancy leave, why is there no men on a pregnancy leave?
17:22 That's the second point.
17:24 One.
17:25 Support.
17:26 Support.
17:27 The seventh.
17:28 I think Jamrud should make a song about Putra.
17:32 Not just Putri.
17:33 Right.
17:34 I'm more curious why Mr. Chris looks cool...
17:38 ...by using a cup.
17:40 But why do you use a cup?
17:42 There's history.
17:45 The head is a cup.
17:47 When we had a photo shoot for album cover,
17:51 Ajis had a cup.
17:55 His son had it.
17:56 I borrowed it.
17:58 It turned out the photo was good.
18:02 At that time, we were all fat.
18:06 Everyone was fat. Diki was fat.
18:08 Ajis, Fitra, and Sandi were all fat.
18:14 I used a cup.
18:16 It turned out it was good.
18:19 After that, it's a continuation.
18:22 So, you're comfortable with the cup.
18:25 I think there's something missing if I don't use it.
18:27 Now, let's welcome Jamrud again with Pelangi di Matamu.
18:33 [Applause]
18:35 [Music]
18:42 [Music]
18:49 Isn't it loud?
18:50 [Music]
18:56 It's louder, right?
18:57 [Music]
19:18 [Music]
19:33 [Music]
19:38 [Music]
19:48 [Music]
19:58 [Music]
20:08 [Music]
20:18 [Music]
20:28 [Music]
20:38 [Music]
20:48 [Music]
20:58 [Music]
21:08 [Music]
21:18 [Music]
21:28 [Music]
21:38 [Music]
21:48 [Music]
21:58 [Music]
22:08 [Music]
22:18 [Applause]
22:20 Pelangi di Matamu, the song was so popular that it was sung by the former president of SBY.
22:28 One of the favorite songs is Pelangi di Matamu.
22:32 But I want to greet our friends first.
22:35 There are friends from IISIP.
22:38 [Applause]
22:41 There are also from Polytechnic, Jakarta.
22:45 [Applause]
22:47 And also friends from YAI.
22:50 [Applause]
22:51 Thank you for being here.
22:53 I want to ask you here.
22:57 About Pelangi di Matamu.
23:00 It's a form of love, but it's expressed as if it's hard.
23:05 Rock men, but when it hits.
23:07 That's great.
23:08 Mr. Jarwo said there is no lyric to the song Jamrud that is poetic and touching.
23:11 What is this example?
23:13 The lyrics are so beautiful.
23:15 Love song doesn't mean you have to play around.
23:17 Christiano's voice is still rock.
23:19 Right?
23:20 But is there a formula on how to make a band that is top?
23:24 So that the big band like us know how to move forward.
23:28 Or Mr. Haji, do you know the formula of making a hit song?
23:32 Yes.
23:33 For the song, I can't give any advice.
23:37 If you make it like this, it's good.
23:40 Or if you make it like this, it's bad.
23:42 We make it like 10 songs per album.
23:47 We throw it to the market, and the market will decide.
23:52 But there is one thing, when I heard Christiano sang Pelangi di Matamu.
23:58 After how many times he sang that song,
24:02 but the feel or the soul is still there.
24:05 Usually, when I see a singer,
24:07 after that long, he's bored.
24:09 There's no soul anymore. So just sing it.
24:12 I'm here.
24:14 That's it.
24:15 For me, that song is the hardest.
24:23 Because besides being funny, because it's long.
24:27 Almost 5 minutes.
24:28 But because the song is very melancholic,
24:34 so I have to make it like the lyrics.
24:40 That's it, Mr. Jarwo.
24:42 Please, Mr. Jarwo.
24:43 There are two things that I criticize from Pelangi di Matamu.
24:49 First, the problem is how Jamrud made a song,
24:57 people want to talk with cursus.
25:01 Maybe we need a teacher.
25:04 Cursus!
25:05 I need a teacher.
25:08 Different people have different interests.
25:10 For me, maybe I need a teacher.
25:13 I'm already tired.
25:15 Everywhere, the name of the course is sewing.
25:21 Car driver course.
25:23 Wait, Mr. Jarwo, you can open your glasses. It's not good.
25:25 Yes, it's true.
25:26 I'm like this, Mr. Denny.
25:28 So I can see how their thoughts are, Mr. Denny.
25:32 Oh, you can see it with your eyes?
25:33 Through here, Mr. Denny.
25:35 Oh, this is three dimensions.
25:37 You bought it online, right?
25:42 You know the color.
25:46 You use green, right?
25:51 You know it.
25:54 I don't use anything.
25:56 Because I'm a fool.
25:58 So the color is green.
26:00 Second, all my life, Mr. Denny,
26:06 I just found out that there's a thing called
26:09 a watch that can make people laugh.
26:11 That's called personification.
26:13 The way to humanize dead things.
26:16 The watch is laughing.
26:18 But Jamrud is famous for his curse.
26:21 Why did he use personification?
26:23 I want an answer from Mr. Ajis Gagap.
26:27 Ajis MS.
26:29 Ajis MS, I'm sorry.
26:31 I'm sorry.
26:32 How did you create the song?
26:35 We made it on purpose because
26:37 I was born in the era of Kinanasutewan,
26:41 and then the gang Pegangsahan, Kresie.
26:44 Gypsy.
26:45 So the lyrics are really,
26:48 we don't just sing like,
26:50 sorry, like a band that's
26:52 a band that's a bit old, but
26:54 in my opinion, there's no,
26:56 what's it called?
26:58 Color.
26:59 There's no value.
27:00 So,
27:02 I love you, but
27:04 there's no decoration or anything.
27:06 So it's actually an improvisation from
27:08 Ajis MS.
27:11 Okay, we'll continue later.
27:14 Now I want to challenge
27:16 Ajis and Chris to make a song for ILK.
27:21 It doesn't have to be long.
27:22 About
27:24 12 bytes.
27:26 Long, right?
27:27 Long.
27:28 That's the challenge.
27:30 Now we'll go to Kang Maman first.
27:32 Please, Kang Maman.
27:33 The lyrics are crude,
27:35 even sarcastic.
27:36 But Ronald said it can be a social control
27:39 that reaches the heart, deep and deep.
27:42 Putri, without any language,
27:44 but it's about a girl
27:46 with a bad temper,
27:48 who's a commercialized girl,
27:50 her body is free,
27:52 just to be trendy and sexy.
27:54 The message is clear.
27:56 Love is expensive,
27:58 not wasted,
27:59 not cheap,
28:00 and the brake is moral.
28:01 If the brake is not there,
28:03 it's a loss.
28:04 Sweeping the sand,
28:06 carrying a knife alone.
28:08 In the rain in your eyes,
28:10 the dew is saying,
28:11 it's not easy to express the heart,
28:14 but you have to be brave to pour it out honestly,
28:16 or you'll be in pain that's not easy to cure.
28:20 Because,
28:21 believe in yourself,
28:23 love is the impossibility that is hoped for
28:26 by the way it's expressed.
28:28 So we can still see the rainbow
28:30 in the eyeball,
28:32 the one we love.
28:35 [Applause]
28:37 [Music]
29:07 [Music]
29:12 I'm still here,
29:14 on the top of the hill,
29:16 where I eat, drink, and everything,
29:22 is said to be free.
29:26 But I can't be my own home,
29:32 to be a wounded soldier,
29:34 or a soldier,
29:38 who is taken and lost.
29:42 This is not a story of the sabu-sabu,
29:47 not a story of the manuato,
29:50 like the story of the rainbow.
29:53 This is not a story of the syndrome,
29:56 that always wins,
29:58 in the end of the episode.
30:01 [Music]
30:10 In the end of the episode,
30:14 we are all alone,
30:18 we are all in pain,
30:20 and we are all helpless,
30:23 but we are still there.
30:26 In the end of the episode,
30:30 we are all alone,
30:34 we are all in pain,
30:36 and we are all helpless,
30:39 but we are still there.
30:43 [Music]
30:58 I'm still singing,
31:00 but only in my heart,
31:02 in my heart, in my heart,
31:05 you can know,
31:08 the meaning of the word.
31:12 This is not a story of the sabu-sabu,
31:17 not a story of the manuato,
31:20 like the story of the rainbow.
31:23 This is not a story of the syndrome,
31:26 that always wins,
31:28 in the end of the episode.
31:31 [Music]
31:48 The people of the past,
31:53 we are all helpless,
31:57 we are all in pain,
31:59 but we are still there.
32:02 In the end of the episode,
32:06 in the end of the episode,
32:10 in the end of the episode,
32:12 we are all alone.
32:15 [Music]
32:25 Berakit-rakit.
32:32 The title is Berakit-rakit, right?
32:34 The title is Berakit-rakit.
32:36 Berakit-rakit to the sea,
32:37 swimming to the shore.
32:39 Roma-Irama with a beard,
32:40 wife to the galleon.
32:44 Back then, Jamrut,
32:46 Kristianto himself,
32:48 went out,
32:52 in 2000.
32:54 I was here in 2007.
32:58 2007.
33:00 If he answered, "I was here,"
33:03 how long was it?
33:05 30 minutes.
33:07 He answered.
33:11 Why?
33:13 What was it back then?
33:15 Jendu?
33:17 That's it.
33:19 Maybe back then,
33:21 I was at the zenu point,
33:23 in music, maybe.
33:25 Because the beginning of the album was in 1996.
33:28 At the peak,
33:31 in 1998,
33:33 the album was sold
33:35 until 800.000 Keping, rock.
33:37 Because back then,
33:39 to sell rock album,
33:41 it was hard.
33:43 Because pop was dominating.
33:45 From there, we started to tour a lot.
33:47 100 times, maybe a year.
33:49 Until 2004,
33:51 it was like that.
33:53 It went on.
33:55 2005,
33:57 2006,
33:59 there were zenu points.
34:01 Because we,
34:05 the city was like that.
34:07 The song was like that.
34:10 Hotel, airport, stage.
34:13 The song was like that.
34:15 The routine,
34:17 so it wasn't zenu, the path could be changed.
34:19 How?
34:21 For example, airport,
34:23 hotel, concert,
34:25 every time, the pen,
34:27 this.
34:29 Band members were like that.
34:31 It was hard.
34:33 The routine was like that. Before going on stage, they checked in.
34:35 After going on stage, they checked in.
34:37 Checked in.
34:39 Someone asked me.
34:41 What? Virus?
34:43 No. Many asked.
34:45 Many asked.
34:47 Many were curious
34:49 about Jambrud.
34:51 How he looks like when he wears glasses.
34:53 Yes, right.
34:55 I agree.
34:57 I didn't ask for it.
34:59 How can we see the sky in your eyes
35:01 if you all wear glasses?
35:05 Open.
35:07 Open.
35:09 Open.
35:11 This.
35:13 This.
35:17 It turns out the world is bright.
35:23 You always live in darkness.
35:27 It turns out when you wear glasses, it's bright.
35:29 Jambrud.
35:31 Jambrud, he's open.
35:33 Wear it.
35:35 That's enough.
35:39 Sir, you should do the sideburns.
35:41 It's a prank.
35:45 His hair is like a princess.
35:53 He's holding it.
35:55 He's holding it like that.
35:57 My hair is damaged.
35:59 I'm a real jammer.
36:01 I'm a jammer.
36:03 I named my community as Crisanto.
36:05 What?
36:07 Crisanto is a group of cute teenagers who like to sing.
36:09 Top.
36:11 I named myself Crisanto.
36:13 My mom is a Jambrud.
36:15 What does Jambrud mean?
36:19 Jambrud, good at massaging and massaging.
36:21 Yesterday, Mr. Jarwo was massaged by my mom.
36:25 The skin was following.
36:27 In my opinion,
36:29 he should have massaged first, then swim to the side.
36:31 I'm sorry, that's a weird song.
36:33 In my opinion.
36:35 He massaged first, then swim to the side.
36:37 He should have massaged first, then swim to the side.
36:39 Why do he have to swim?
36:41 But that song has a proverb.
36:43 It says like that.
36:45 Massage first, then swim to the side.
36:47 He wants to make the next song bigger than the pole.
36:51 No.
36:55 It's heavy on the nipples, light on the calves.
36:57 Bigger nipples than the pole.
36:59 Enough.
37:01 Do you know what it means? Bigger nipples than the pole.
37:03 What is it?
37:05 Bigger nipples than the pole.
37:07 The nipples are already nipped, a little more and it will be in the calves.
37:09 That's what it means.
37:11 That's what it means.
37:15 But you can't do that.
37:17 Don't pray for an old person.
37:19 He likes to make things happen.
37:21 I'm telling him.
37:25 I want to add about "Massage first".
37:27 Because I still have a spare time.
37:31 I'm a lyricist.
37:33 I'm a lyricist specialist.
37:35 Who are you?
37:37 I'm a cute teenager who is a little bit crazy.
37:39 In short, Raisa.
37:41 Wow, Raisa is done.
37:43 In the song "Massage first",
37:47 there's a lyric like this.
37:49 This is not a story of a sinetron
37:51 who is always patient to win.
37:53 Who is always patient to win
37:55 at the end of the episode.
37:57 That's it.
37:59 And the problem is?
38:01 What I want to emphasize is at the end of the episode.
38:03 At the end of the episode means the program is wrapped.
38:05 If the program is wrapped, how can the patient win?
38:09 Please, this is to replace the lyrics.
38:13 Mr. Aziz.
38:15 How to replace it?
38:17 This is not a story of a sinetron
38:19 who is always patient to win.
38:21 At the end of the episode.
38:23 So, there's no end.
38:25 Please.
38:27 But as a real jammer,
38:29 there must be a real characteristic
38:31 and only the jammer knows, Mr. Denny.
38:33 He doesn't use the right "Eyede"
38:35 What is "Eyede"?
38:37 The one that is perfected.
38:39 Every time he says the letter "I", he replaces it with "E".
38:41 Mr. Denny, try to practice the song.
38:43 Everything is like that.
38:45 "Eyede" in the past was "sabu-sabu"
38:47 Not in the stone age.
38:49 "Saserembu"
38:51 Imagine, he sings "Burung Kakatua"
38:53 "Burung Kakatua"
38:55 I respect the Indonesian language, Mr. Denny.
39:01 Mr. Jarul didn't see
39:03 when you sang the song "Putri"
39:05 What did he hold?
39:07 He held the "Toa".
39:09 That's the inspiration for "Tahu Bulat".
39:11 "Tahu Bulat" now uses that.
39:13 Isn't that happy?
39:17 Don't always see the negative side.
39:19 We are positive.
39:21 It's not right if the "Toa" is like this.
39:23 "Toa"
39:25 Don't be rough.
39:39 "Benudendam"
39:43 "Dia bilang"
39:45 The catch about artist and drug.
40:05 The band player is close to...
40:07 Actually, it's not the band player.
40:09 Almost all artist,
40:11 Film, or something like that.
40:15 They are not identified.
40:17 What's your take on it?
40:19 I know that Mr. Ajis
40:21 created the song "Beragit-ragit"
40:23 about drug because he is a drug user.
40:25 "Nasi Rames Kopi Batagor"
40:27 Oh, this one.
40:29 "Nasi Rames Kopi Batagor"
40:31 Maybe he uses "Mirasanto"
40:35 "Minuman Keras" and "Nasi Soto"
40:37 It's not good.
40:41 "Masa Nasi" uses alcohol.
40:45 "Edal" is full but drunk.
40:47 How about you? Who wants to answer?
40:55 Maybe not all.
40:57 Especially in rock world,
40:59 it's always identified with drugs.
41:03 But for Jamrut,
41:05 our initial commitment in 1996
41:07 was no drugs.
41:09 So, the commitment
41:11 before they got O.D.
41:13 3-4 years after that,
41:15 they got hit hard
41:17 for Jamrut.
41:19 So, in the end,
41:21 we were really anti-party.
41:25 Even though we didn't use it from the beginning.
41:27 Almost in every album,
41:29 we have a song that
41:31 we didn't use it.
41:33 We committed to
41:35 banding.
41:37 Making good lyrics, good music.
41:39 If it's drugs,
41:41 it's too much.
41:43 It's too much.
41:45 No drugs, no alcohol.
41:47 Better to drink "Escendol".
41:49 It's safe.
41:51 Now,
41:53 Ronald and Kiki
41:55 will perform.
41:57 Yay!
41:59 Good luck, Ronald.
42:01 Ronald as Tejo,
42:03 and Kiki as Surti.
42:05 Surti,
42:13 the young
42:15 son of Kades.
42:17 And Tejo,
42:21 the one just
42:23 born.
42:25 The two
42:27 have loved each other
42:29 since
42:31 they graduated from elementary school.
42:33 Until now,
42:35 they are
42:37 so close.
42:39 Give them a round of applause!
42:41 Surti,
42:43 the young son of Kades.
42:45 And Tejo,
42:47 the one just born.
42:49 Three years
42:51 apart.
42:53 Looking for money in the city.
42:55 They
42:57 miss each other
42:59 in the paddy field.
43:01 Until the night
43:05 comes.
43:07 (The night comes)
43:09 Hang on!
43:11 Tejo
43:13 started a picnic from Waja
43:15 until he met Surti.
43:17 Without a sandal,
43:21 they became a mess.
43:23 (The mess)
43:25 (The mess)
43:27 Tejo started
43:29 to cook.
43:31 Surti
43:33 installed
43:35 contracting
43:37 equipment.
43:39 Surti
43:41 was so sad.
43:43 His eyes
43:45 were teary.
43:47 Surti cried.
43:49 Arjuna
43:51 changed.
43:53 Tejo
43:57 who used to be
43:59 a good boy,
44:01 but Surti liked him.
44:03 Instead of Tejo
44:05 who was naughty,
44:07 he was a good boy.
44:09 (The mess)
44:23 Surti cried.
44:25 (The mess)
44:29 Surti was disappointed.
44:33 (The mess)
44:37 He bowed
44:39 his middle finger
44:41 to Surti.
44:47 (Don't be rude!)
44:49 (The mess)
44:51 He said
44:53 with a full of revenge.
44:55 (The mess)
44:59 Surti
45:01 (The mess)
45:07 Okay.
45:09 Yay!
45:11 Please give a round of applause.
45:13 Kiki and Rona.
45:15 But the song was
45:17 controversial because of those words.
45:19 The words of a man
45:21 who was depressed and
45:23 the words of F word.
45:25 Mr. Giz, right?
45:27 That song was made
45:29 for his thesis.
45:31 Yes, research.
45:33 A student's research for...
45:35 His thesis.
45:37 His thesis for his graduation.
45:39 His thesis.
45:41 His thesis was about
45:43 the song of Surti Tejo.
45:45 Why did you use the name Surti Tejo?
45:47 Even though you're from West Java.
45:49 Why didn't you use Asep Eis?
45:51 Asep Eis.
45:53 Eis Bandung.
45:55 Yes, that's Eis Bandung.
45:57 (The mess)
45:59 Then Surti screamed and cried
46:01 because Arjuna changed.
46:03 What did he change? Megalomania?
46:05 That's true.
46:07 It's unclear, Mr. Deni.
46:09 There's something unclear here.
46:11 Mr. Jarwo is really critical.
46:13 Potato critical.
46:15 (The mess)
46:17 Critic.
46:19 There's more, Mr. Deni.
46:21 There's a lyric.
46:23 Without realizing it, their sarung became a base.
46:25 What's wrong?
46:27 Their sarung. Who wore the sarung?
46:29 Surti or Tejo?
46:31 Why them? They should wear Tejo's sarung.
46:33 If they wore sarung, then both of them wore sarung.
46:35 That's why Surti should wear a duster.
46:37 Why their sarung?
46:39 Don't get me wrong. This song is a song
46:41 that will be a trend in Ramadhan.
46:43 The sarung is a base sarung.
46:45 (The mess)
46:47 Actually, where is the story going?
46:49 Is it because of a...
46:51 a social interaction in the city
46:53 that changed someone
46:55 when he went back to his hometown?
46:57 Oh, yes. It's usual.
46:59 Maybe from Cimahit.
47:01 Then he went to Jakarta.
47:03 It's wet.
47:05 Oh, when he went home, he was like this.
47:07 I was like that too.
47:09 It's cool.
47:11 (The mess)
47:13 (The mess)
47:15 Now, let's go to Mr. Maman.
47:17 The lyric is a way
47:19 to express the sense of independence.
47:21 Free from the shackles but with one consciousness.
47:23 Life is not like a story of a
47:26 happy ending.
47:28 Like the journey of a jambrut.
47:30 That admittedly experienced a point of despair.
47:33 But still with one commitment.
47:35 Don't have to run on hard drinks and drugs.
47:38 And even though it's like a mess,
47:40 life doesn't have to be regret.
47:43 Live lightly and empty to the core.
47:46 Like a bouquet.
47:48 Not a decoration on the outside but emptiness on the inside.
47:50 That holds it tight.
47:52 So, consciousness will be the existence
47:54 that can make us, jambrut,
47:56 keep on going.
47:58 And in Tejo and Surti,
48:01 try to look at the lyrics together.
48:03 The moral message is beautiful in the middle of the sarcastic lyrics.
48:07 The portrait of this young boy who is overwhelmed by the influence of the city
48:10 and tries to admire free sex.
48:13 Lucky Surti,
48:15 still can run to keep his self-worth
48:17 compared to Putri.
48:19 Who for the sake of being called trendy and wanted to be called sexy,
48:22 then forgot about his self-worth,
48:24 then became a private victim
48:26 or gave up his own body for free.
48:28 The message is strong.
48:30 Love, don't make you humiliate yourself.
48:35 [Applause]
48:37 [Music]
49:05 [Music]
49:27 Back again with me, Atas Masalah,
49:29 without Solusi.
49:34 Now, we're going to talk about the phenomenal song.
49:36 All of the songs are phenomenal.
49:38 But this one, because it's sung by many people,
49:40 almost every people,
49:41 it's about birthday song.
49:43 This is the inspiration from where
49:45 suddenly made the song,
49:47 birthday song.
49:49 I have no intention,
49:50 I just want to make
49:52 something weird at that time.
49:54 Just make it.
49:56 We recorded it in Sydney for a month.
50:01 Oh, in Sydney.
50:02 Why didn't you make the song?
50:04 We got bonus.
50:06 So, the bonus for Ningrat's song,
50:10 Ningrat's album, is 2 million rupiah.
50:12 So, the bonus, besides we got royalty,
50:14 The recording was there.
50:16 The recording was in Sydney for a month in Studio 301.
50:19 In Sydney.
50:20 And it's from zero.
50:21 So, we made the music there.
50:23 Oh, so you made it there.
50:25 In Cimai, we just made the basics.
50:27 Just made the score.
50:30 The lyrics were partly made there.
50:32 Oh, in Sydney.
50:33 Try to sing a song,
50:36 a Sundanese version.
50:38 It must be...
50:40 Birthday song.
50:41 Sundanese.
50:42 How?
50:43 Kiki, in Javanese.
50:45 Javanese, Kiki.
50:46 Do it, Kiki.
50:47 Okay, let's go.
50:48 [singing]
50:52 [singing]
50:55 [singing]
50:58 [singing]
51:00 [singing]
51:02 [singing]
51:04 [singing]
51:07 [singing]
51:10 [singing]
51:13 [singing]
51:16 [singing]
51:19 [singing]
51:22 [singing]
51:25 [singing]
51:29 [singing]
51:31 [singing]
51:34 [singing]
51:37 [singing]
51:41 Hey, wait.
51:43 Why did you become a singer?
51:45 [singing]
51:48 Javanese version.
51:50 Yes, Javanese version.
51:51 Just the language.
51:53 Cool, right?
51:55 People become fast.
51:57 If, for example, because...
51:59 the song is catchy.
52:01 But I salute to Jamrud, finally.
52:04 Why, Mr. Jarwo?
52:06 What makes you suddenly realize?
52:08 His eyes are open.
52:09 What?
52:10 The honesty they see.
52:12 The fact they see.
52:14 They pour it with honesty.
52:17 Now, we have challenged...
52:22 Mr. Ajis and Mr. Chris.
52:25 To sing a song for IELK.
52:29 Hands.
52:36 Okay.
52:37 Go.
52:38 [singing]
52:43 Jarwo.
52:52 Hey.
52:53 Denny Chandra.
52:54 Yo.
52:55 Ronald.
52:56 Yes.
52:57 Kimau.
52:58 In front of me.
52:59 [singing]
53:01 [singing]
53:06 I'm a true jammer.
53:15 I want to know.
53:16 What's your plan for Jamrud?
53:18 It's almost fasting month.
53:20 Usually, bands compete to create a religious song.
53:23 Because most bands will create a religious song.
53:26 Right.
53:27 Jamrud, as far as I know, will make a song about train.
53:30 Train.
53:32 Yes, train.
53:33 He wants to modify the song.
53:36 For example, "Pelangi di Matamu" becomes "Nuansa-nuansa Puasa Hilal di Matamu".
53:40 Oh, right.
53:41 Like that.
53:42 And "Waktu Ku Mandi" becomes "Waktu Ku Maghrib".
53:44 Yes.
53:45 Like that.
53:46 And "Surti Tejo" changes.
53:47 What?
53:48 "Soleha Masolihin".
53:49 Like that.
53:50 The album will be released soon.
53:52 Maybe after Ramadan or after Dhul Fitri.
53:56 Oh, so it's in the process?
53:58 Yes.
53:59 How many songs?
54:01 11 songs.
54:03 Oh, 11 songs.
54:04 So, it's a total of new album.
54:06 Maybe, I just need to make a cover.
54:08 There's an idea for cover.
54:10 Mr. Jarwo is ready to be a model.
54:12 Sure.
54:13 You can include it.
54:14 Minimal, the star of the video clip.
54:16 Right.
54:18 I hope you'll be successful.
54:19 Amen.
54:20 We pray for you.
54:21 Keep on working.
54:23 Because, until when, the pride of an artist is...
54:27 until the end, keep on working.
54:29 That's it.
54:30 Live, Jamrut.
54:32 Now, Mr. Maman.
54:33 Please, Mr. Maman.
54:34 In the song "Selamat Ulang Tahun", the key words are so deep.
54:38 The most beautiful gift of a lover...
54:41 is a prayer that is made by the heart.
54:44 Because praying is much more beautiful...
54:46 than praying, let alone sinning.
54:49 Lastly, the lyric of Jamrut's song teaches us one thing.
54:53 Don't underestimate something that is already there.
54:57 Without any words, because it can happen,
54:59 the message is really deep.
55:01 It's derived from the statement of Mr. Denny and Mr. Ronald...
55:04 in the first segment and also other friends.
55:07 It's better to be slapped with honesty...
55:10 than to be shocked by sweet words full of lies.
55:14 (Applause)
55:18 Thank you, Mr. Maman.
55:20 I hope tonight, wherever you are,
55:24 I hope the atmosphere is like here.
55:26 Because everything is full of joy...
55:28 because Jamrut has come.
55:32 We'll see you again in the next episode.
55:35 And this is the presentation of Jamrut's advice for friends.
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