Best Romantic Drama _ SUMMER WINE _ Life is just beginning! Full Lenght English Movies _ Romance
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Short filmTranscript
00:00:00 [ Music ]
00:00:15 [ Silence ]
00:00:26 [ Sound Effects ]
00:00:54 >> A light existed in the corner of the room, a small yellow triangle of light.
00:01:00 Her eyes caught it, held it.
00:01:03 Magic they were, golden and devouring.
00:01:07 A decade ago, I was their willing prisoner.
00:01:12 A lock held my heart, chained, chained, chained me to her.
00:01:20 And when at last I broke free, I realized in meters and miles how far I'd come in the wrong direction,
00:01:28 and how much further I needed to go to ever find her again.
00:01:33 [ Music ]
00:02:03 [ Music ]
00:02:16 [ Sound Effects ]
00:02:43 >> I really want you to go deeper now.
00:02:46 Right through here.
00:02:48 Good. Fill your body.
00:02:50 Good. And send this energy out to each other.
00:02:53 Let it mix in the room and send through each other.
00:02:57 Good. Make some sound.
00:03:00 Good. You've got to make sound.
00:03:02 A little more back here.
00:03:05 Good. Don't touch it.
00:03:08 Good. Good.
00:03:12 Good.
00:03:13 Just a teeny little bit back here.
00:03:15 Good.
00:03:17 Come on.
00:03:19 Deeper. Go deeper.
00:03:22 Okay. Keep working at it.
00:03:27 Okay.
00:03:29 Good. Good.
00:03:31 Into each other. Come on. We're going to have a good scene day.
00:03:34 [ Music ]
00:03:37 Good. Good. Bring it back here.
00:03:41 Excellent. Excellent.
00:03:42 >> A light existed in the corner of the room.
00:03:44 A small yellow triangle of light.
00:03:47 Her eyes caught it, held it.
00:03:50 Magic they were, golden and devouring.
00:03:52 A decade ago, I was their willing prisoner.
00:03:55 A lock held my heart.
00:03:57 Chained, chained, chained me to her.
00:04:00 And when at last I broke free, I realized in meters and miles
00:04:03 how far I'd come in the wrong direction,
00:04:05 and how much further I needed to go to ever find her again.
00:04:08 >> And what does it mean?
00:04:11 >> I don't know.
00:04:13 >> Well, what does it mean to you?
00:04:16 >> Love. Lost love.
00:04:20 >> Are you asking me?
00:04:22 Because if you're asking me, then you obviously don't know,
00:04:25 and if you don't know, then why are you here?
00:04:27 You need to know.
00:04:29 Victor, you need to learn him.
00:04:31 You need to understand his wants, his needs.
00:04:33 You need to understand where he's been and where he's going.
00:04:39 James, we've been working on this monologue for about three weeks, maybe.
00:04:42 And to be honest with you, we haven't gotten that far.
00:04:45 >> So what do I need to do?
00:04:47 >> I can only answer that question so many times.
00:04:50 You need to ask yourself.
00:04:52 You need to find the girl with the golden eyes,
00:04:54 whomever she may be, to you, to Victor.
00:05:00 >> Maybe I'm not meant to do this.
00:05:03 >> Maybe not.
00:05:05 All I know is you can't.
00:05:08 All I know is you came to my class for a reason.
00:05:10 I'm willing to teach you,
00:05:12 but at some point you have to be willing to try.
00:05:16 >> I'm sorry.
00:05:18 >> Don't be sorry.
00:05:20 Just do the work.
00:05:22 Okay.
00:05:25 That's ten to four.
00:05:27 How about we call it a wrap?
00:05:30 I'll give you ten minutes at the end of next session.
00:05:33 >> You want to go to Guava?
00:05:37 >> Sure.
00:05:38 >> Okay, come on.
00:05:40 [laughing]
00:05:57 [speaking Spanish]
00:06:00 [speaking Spanish]
00:06:02 >> You will look amazing.
00:06:09 [speaking Spanish]
00:06:11 >> Why not?
00:06:13 [speaking Spanish]
00:06:15 [music playing]
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00:06:50 [music playing]
00:06:52 [doorbell rings]
00:06:54 >> Hello.
00:06:56 >> Hi.
00:06:58 >> What is all this?
00:07:00 >> I'm cooking for you.
00:07:02 Here's Silvia.
00:07:04 >> Hello.
00:07:06 >> Hi.
00:07:08 >> Hey.
00:07:10 >> How are you?
00:07:12 >> Good, good, good.
00:07:14 >> Can I help something?
00:07:16 >> To cook?
00:07:19 >> They're so beautiful.
00:07:20 >> Can I get you ladies some wine?
00:07:23 >> I'll mix it.
00:07:25 [laughing]
00:07:28 [laughing]
00:07:29 >> Hi.
00:07:52 >> Hey.
00:07:53 >> Brett?
00:07:59 >> What are you doing? Why is your dad here?
00:08:08 >> Look, I don't want to talk about it.
00:08:10 >> You can't tell me that right now when you're in the middle of moving out.
00:08:13 If not now, when are we going to talk about it?
00:08:15 >> James, come on, okay? Don't start this right now.
00:08:17 >> It's because I quit my job.
00:08:20 >> James, go figure yourself out, okay?
00:08:22 Because I can't do this anymore.
00:08:25 >> He'll be down in a sec.
00:08:28 >> So is this it? Will I never see you again?
00:08:36 >> You've always owned my heart.
00:08:40 I think you know that.
00:08:42 >> I'm sorry.
00:08:44 [knocking]
00:08:45 [music]
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00:10:04 [music]
00:10:07 >> Close.
00:10:08 Open.
00:10:12 Death is the still water at the door.
00:10:21 I see you, death.
00:10:33 I see you.
00:10:36 [music]
00:10:45 >> You want another glass?
00:10:54 >> Yeah, sure.
00:10:56 >> What is that?
00:10:58 >> It's this play I'm working on for my class.
00:11:02 >> What class?
00:11:03 >> Acting class.
00:11:05 >> What, you're an actor now?
00:11:07 The whole law thing, you just going to look out for it?
00:11:10 >> Yeah.
00:11:12 No, I have no idea what I'm doing, actually.
00:11:15 >> Look, I'm off in 20 minutes.
00:11:17 Let's have a drink.
00:11:20 >> Okay.
00:11:22 >> Muchas gracias, senora.
00:11:28 Thank you very much.
00:11:31 >> Good evening.
00:11:32 >> Hi, Henry.
00:11:37 >> So, what do you think?
00:11:39 >> Really quite something.
00:11:41 >> Don't give me that.
00:11:43 >> We thought it was great.
00:11:45 >> Tell me, honestly, I can take it.
00:11:47 >> No, you can't, Henry. You never could.
00:11:49 >> How dare you.
00:11:51 >> It was a bit self-indulgent.
00:11:54 >> Self-indulgent?
00:11:56 Well, thank you.
00:11:59 I'm not asking for you.
00:12:00 After all, that is your area of expertise, isn't it?
00:12:02 >> I told you, I couldn't take it.
00:12:04 >> Why do you even bother coming?
00:12:06 >> Eso no es justo.
00:12:08 >> You asked me to, Henry.
00:12:10 You asked me to.
00:12:12 What did you expect me to say?
00:12:14 It was a three-hour, one-man show with about an intermission.
00:12:18 >> It's barely over two.
00:12:20 >> A man needs to get up and stretch,
00:12:22 especially after those crap little seats are full.
00:12:24 >> Not everyone can beg with their play on Broadway, you know.
00:12:26 I'm sorry.
00:12:28 >> I'm sorry.
00:12:29 >> You know what?
00:12:31 >> That you complain about the theatre,
00:12:33 about the lack of grandeur.
00:12:35 >> Look, let's not go into this right now, okay?
00:12:38 It's a lovely evening.
00:12:40 I want to enjoy it.
00:12:42 I've got Veronica all dressed up,
00:12:44 and I want to show her off a little bit.
00:12:46 >> It's all right.
00:12:48 >> Fine.
00:12:50 >> He's proud of you.
00:12:52 >> Enjoy the rest of your evening.
00:12:55 [footsteps]
00:12:57 >> Seriously, this quarter-life crisis
00:13:02 seems a little more dramatic than most.
00:13:05 >> I don't want to be a lawyer anymore.
00:13:08 Why does everyone have such a huge problem with that one?
00:13:12 It's my life.
00:13:14 I'm living it.
00:13:16 If I'm not doing what makes me happy,
00:13:18 then what's the point?
00:13:20 >> You don't really seem that happy to me.
00:13:24 So, okay, so tell me about this acting thing.
00:13:26 Like, what is it you're drawn to?
00:13:28 Because if you're going to pursue this thing,
00:13:30 you should really go whole hog, you know?
00:13:32 >> Who says whole hog?
00:13:34 >> Shut up.
00:13:36 >> I know.
00:13:38 It's this roadblock, and I can't tap into it.
00:13:41 If I can't connect to this one character,
00:13:43 then how can I connect to any other one?
00:13:45 >> I don't get it.
00:13:47 >> Maybe I should go to Spain.
00:13:50 >> What?
00:13:52 I'm so confused.
00:13:54 >> Go learn Victor.
00:13:56 >> You're really drunk.
00:13:58 >> This play, the one I was telling you about,
00:14:00 it's set in Spain.
00:14:02 I've never been there.
00:14:04 How can one understand the experience of Spain
00:14:07 if one has never been there?
00:14:09 Brit's gone.
00:14:11 This place is really awful out here.
00:14:15 >> Go to Spain, then.
00:14:17 >> Maybe they have hogs there.
00:14:19 >> I don't know.
00:14:21 >> Maybe they have hogs there.
00:14:22 >> You're so weird.
00:14:24 >> I think I'm going to bed.
00:14:27 >> All right, don't be an asshole.
00:14:32 Go make up.
00:14:34 >> You're a peach.
00:14:36 You know that.
00:14:38 >> I try.
00:14:40 >> To peaches.
00:14:47 >> To peaches.
00:14:50 [playing "Spanish March"]
00:14:52 [playing "Spanish March"]
00:14:54 [playing "Spanish March"]
00:15:23 >> Are you okay?
00:15:24 >> I just don't know why I went wrong there.
00:15:27 >> There's a point in life
00:15:32 when the problems of the son
00:15:34 are no longer the fault of the father.
00:15:36 >> So, about this?
00:15:38 >> No.
00:15:40 But, Oniko.
00:15:42 >> I was wondering, what am I doing?
00:15:46 Why am I here?
00:15:48 Why am I learning all of this stuff
00:15:52 and giving all of these feelings
00:15:53 every minute, every day,
00:15:55 every hour, every month, every week?
00:15:59 Why am I doing all of this?
00:16:01 For what?
00:16:03 For this?
00:16:05 For a 30-second cola commercial?
00:16:07 And I realized I needed to reexamine
00:16:09 everything in my life.
00:16:12 Everything.
00:16:14 And I knew that I was doing this.
00:16:17 I was learning all of this.
00:16:19 And I was doing all of this.
00:16:21 Because I had to.
00:16:22 Had.
00:16:24 Had to.
00:16:26 There was something inside of me.
00:16:30 There was something inside of me.
00:16:39 Me.
00:16:46 Me.
00:16:49 Me.
00:16:50 Me.
00:16:52 Me.
00:16:54 That had to be explored.
00:16:57 I had to know my truth.
00:17:01 And acting had become my truth.
00:17:07 So, I can't tell you what to do.
00:17:11 Or how to do it.
00:17:13 I can only tell you
00:17:15 that you must
00:17:18 find this for yourself.
00:17:20 You must, must, must, must
00:17:25 find your truth.
00:17:28 And it's only one.
00:17:30 It's yours.
00:17:32 Okay. It's true.
00:17:34 So, who's my next victim?
00:17:38 Oh, my God.
00:17:41 Ah.
00:17:42 Oh.
00:17:46 [piano music]
00:17:48 [moaning]
00:18:13 [moaning]
00:18:15 Lamar.
00:18:20 Lamar.
00:18:22 Estaba.
00:18:23 Serena.
00:18:24 Serena.
00:18:26 Estaba.
00:18:27 Lamar.
00:18:28 If she could sleep underwater, she would.
00:18:31 Because then she would never have to leave the sea.
00:18:34 My home, she said.
00:18:37 Sand on skin.
00:18:41 Her sun-stained eyelashes.
00:18:43 Her brown arms wrapped around me.
00:18:47 And tangled me.
00:18:50 What languages did you study in school?
00:19:01 German.
00:19:03 I see. No romance languages.
00:19:05 Why?
00:19:07 Lamar.
00:19:08 Say it with me.
00:19:10 Feel it on your tongue.
00:19:11 Lamar.
00:19:12 Lamar. Lamar.
00:19:13 Lamar.
00:19:14 Lamar.
00:19:15 I mean, there's a difference. Can you hear it?
00:19:18 Lamar.
00:19:19 Lamar.
00:19:20 Right?
00:19:21 You can't say these lines kind of like an indifferent American.
00:19:25 You have to say them like you know them.
00:19:28 Like they're yours.
00:19:30 Lamar.
00:19:32 Lamar.
00:19:35 [laughing]
00:19:36 Lamar. Lamar.
00:19:37 Okay, practice it. Just...
00:19:39 [laughing]
00:19:40 Lamar. Lamar.
00:19:42 Lamar. Practice it.
00:19:44 I bought my ticket.
00:19:47 What?
00:19:50 I'm going to Spain on Tuesday.
00:19:52 You surprised me.
00:19:55 Yeah.
00:19:56 I think that you'll, um, open yourself up.
00:19:59 And then when you come back, we can maybe conquer Victor.
00:20:06 Do you want me to continue?
00:20:08 Um, yeah.
00:20:09 No, no, no. No, no, no.
00:20:11 Take it from the top.
00:20:14 And this time, hit your R.
00:20:16 [music]
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00:21:06 [music]
00:21:15 [music]
00:21:17 Light beyond light.
00:21:36 The heat frozen hot.
00:21:40 The tomatoes are sliced.
00:21:43 The tomatoes.
00:21:45 I never tried to.
00:21:48 I never even tried.
00:21:51 What?
00:21:57 The tomatoes.
00:22:00 Yeah?
00:22:02 Nothing.
00:22:05 [clears throat]
00:22:07 It's, um, you know, it's just...
00:22:10 Sorry, it's just...
00:22:13 Just say them.
00:22:14 It'll all make more sense when you read the whole play.
00:22:17 The whole play?
00:22:20 Roll the lunch.
00:22:23 Okay, good. Thanks, guys.
00:22:31 I think that's all I need to see for now.
00:22:33 So, thanks very much.
00:22:34 Thanks.
00:22:36 Um, so who's next?
00:22:38 Anna. Anna?
00:22:41 SÃ, yo.
00:22:42 And Roberto.
00:22:46 Roberto?
00:22:51 Yeah, that's me.
00:22:52 Okay, so can we go from the top, please?
00:22:59 Are you ready?
00:23:07 Okay.
00:23:09 Do you think the world gets smaller at night?
00:23:12 Do you think the lights in my room are real?
00:23:15 I ache before waking.
00:23:17 I fear the morning to loosen you.
00:23:20 My dreams.
00:23:22 Only if they continue.
00:23:25 Light beyond light.
00:23:26 The heat frozen hot.
00:23:31 [pages turning]
00:23:33 [drums playing]
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00:24:03 [drums playing]
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00:24:09 [drums playing]
00:24:13 (dramatic music)
00:24:15 (dramatic music)
00:24:18 (dramatic music)
00:24:21 (dramatic music)
00:24:24 (dramatic music)
00:24:26 (dramatic music)
00:24:29 (dramatic music)
00:24:32 (dramatic music)
00:24:35 (dramatic music)
00:24:38 (speaking in foreign language)
00:25:02 - Hola, Francis.
00:25:04 - How is it going?
00:25:05 - Oh, just picking something up for the little lady.
00:25:07 - Oh, did she like the books of monologues?
00:25:09 - She did, she's been channeling Elizabeth Taylor
00:25:12 all over the living room for days.
00:25:14 - Oh, good.
00:25:15 (speaking in foreign language)
00:25:16 All the actresses seems to go through that stage.
00:25:18 - Yes, indeed.
00:25:19 Did you happen to get a copy of that
00:25:21 "Sponge's Play" in here?
00:25:23 - Oh, no, not yet, sorry.
00:25:25 - Oh, well, maybe next time.
00:25:28 - Sure, have a nice day.
00:25:29 (dramatic music)
00:25:32 (dramatic music)
00:25:35 (dramatic music)
00:25:38 (dramatic music)
00:25:41 (dramatic music)
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00:25:53 (dramatic music)
00:26:06 (dramatic music)
00:26:16 (dramatic music)
00:26:19 - May I ask you something?
00:26:31 - Yeah.
00:26:32 - How long do you intend to follow me?
00:26:35 - Uh, I'm just--
00:26:36 - Do I know you?
00:26:38 - No, no, you don't, sir.
00:26:40 - Well, um, care for a drink?
00:26:45 - Don't just stand there with your mouth open, kid.
00:26:47 This way.
00:26:48 So what do they call you?
00:27:04 - James.
00:27:05 - James, my name's Carl Proper.
00:27:08 Around here, they all call me Kylo.
00:27:10 - It's an honor to meet you, sir.
00:27:14 You okay, kid, you look a little pale.
00:27:16 - It's just that, uh, do you believe in fate?
00:27:19 - I believe in the idea of fate,
00:27:21 the hope of fate.
00:27:24 I don't know if I believe in fate itself.
00:27:28 - Because your plays are what brought me here.
00:27:31 - I see, you're a stalker.
00:27:33 - No, no, I swear, seriously, I can't believe my luck.
00:27:36 - So, you're a writer?
00:27:41 - No, I'm a lawyer.
00:27:42 I was a lawyer, I'm an actor now, I guess.
00:27:46 - Let me get this straight, you were a lawyer,
00:27:49 but you gave that up to become an actor?
00:27:52 - Yeah.
00:27:53 - Well, I guess everyone needs a fallback, don't they?
00:27:56 - Sure.
00:27:57 I've wanted to be an actor since I was a kid.
00:28:00 I was just too afraid to admit it to anyone,
00:28:04 I was too afraid to try.
00:28:05 So I became a lawyer, and everyone was happy, but me.
00:28:11 - Takes guts to do something crazy, I know that.
00:28:15 - And now that I'm brave enough to try acting out,
00:28:17 I'm realizing that I'm really an awful actor.
00:28:19 I'm stuck, I can't connect to any character.
00:28:26 It's like, I see the words,
00:28:30 but I don't know how to make them real.
00:28:33 - So you came to Spain to make them real?
00:28:36 - Make Victor real.
00:28:37 - Oh, I see, make Victor real.
00:28:39 - Yeah, I came in search of Victor.
00:28:41 - Instead you found me.
00:28:43 - Which in some ways is better,
00:28:44 because maybe I can ask you what it all means.
00:28:47 The light exists in the corner of a room,
00:28:52 a small yellow triangle of light.
00:28:54 - Oh, Tom, don't, don't quote deep into me, please.
00:28:58 - Why not?
00:28:59 - You know how many mediocre college performances
00:29:03 of that play that I've had to sit through about?
00:29:06 How many soggy, washed up, pathetic professors
00:29:10 have sought me out over the years
00:29:12 to glean my secrets and how to write the play?
00:29:17 Do you think I know?
00:29:19 - Who is she?
00:29:22 - What do you mean?
00:29:25 - The girl with the golden eyes.
00:29:26 She's in every play you write.
00:29:28 I mean, I've only read the old ones,
00:29:29 I haven't read the new ones.
00:29:31 - There are no new ones.
00:29:32 Do you know what it's like
00:29:35 to have created your best work 30 years ago?
00:29:40 How paralyzing it is to know
00:29:43 that you shouldn't even attempt to try to write again,
00:29:47 because there's no point.
00:29:48 You've tried, you can't recreate it, any of it.
00:29:51 Do you think I could just tap into it magically
00:29:55 or recreate it instantly like that?
00:30:00 Don't you think I've tried already?
00:30:04 So don't you sit over there asking me
00:30:09 about this elusive mystery, this golden-eyed girl.
00:30:13 Truth is, she doesn't exist.
00:30:17 Never did.
00:30:19 I made her up.
00:30:22 Just like I made up everything else.
00:30:23 Where are you staying?
00:30:27 - Some hotel I found, the Adagio, I think.
00:30:30 - Look, we don't want you staying in some old hotel
00:30:34 when we have plenty of room.
00:30:36 It's just down the road a piece,
00:30:38 you come with me, we'll have a drink.
00:30:40 Veronica will like you, I think.
00:30:42 (speaking in foreign language)
00:30:51 (speaking in foreign language)
00:30:58 - Hola.
00:31:06 - Hola.
00:31:07 - Hola.
00:31:10 - Can I ask you something?
00:31:12 - Look, you don't understand the lines,
00:31:15 I really don't wanna hear it.
00:31:16 It's all in the script.
00:31:19 It all makes sense if you read the script.
00:31:21 - No, I was thinking that if you need help with costumes,
00:31:25 I like to do that.
00:31:27 (Veronica laughs)
00:31:33 I didn't wanna seem...
00:31:35 I mean, I will still offer to do the costumes,
00:31:40 even if I don't get the role.
00:31:41 - Okay.
00:31:42 Ana?
00:31:49 Ana, no?
00:31:51 - Si.
00:31:52 - What did you have in mind?
00:31:54 - I mean, I need to read the script first.
00:32:01 - The whole thing?
00:32:03 - The whole thing.
00:32:04 - May I invite you for a drink?
00:32:08 It seems you need one.
00:32:11 - Yeah.
00:32:14 - Okay, let's go. - Okay.
00:32:16 (gentle music)
00:32:23 - Just down the road, eh?
00:32:28 - So I lied a little bit.
00:32:29 Not a bad drive, though, huh?
00:32:32 - Not a bad drive at all.
00:32:33 - Veronica, she's our queen!
00:32:43 Veronica!
00:32:50 - Hola.
00:32:53 (speaking in foreign language)
00:32:57 - I picked up a wandering minstrel.
00:33:00 - So I say.
00:33:01 - This is James of California.
00:33:03 - Nice to meet you, James of California.
00:33:07 (speaking in foreign language)
00:33:09 - Oh, it's my language.
00:33:11 - Not that I can tell.
00:33:12 (laughing)
00:33:14 - Nice place.
00:33:15 - I didn't have much to do with it.
00:33:17 So what do you feel like drinking?
00:33:19 - I'm game for anything.
00:33:21 - I have rehearsals tonight,
00:33:22 so I should probably get going.
00:33:24 Nice to meet you.
00:33:25 See you later.
00:33:26 - Sure.
00:33:27 - Good.
00:33:28 Ciao.
00:33:30 - You like vodka?
00:33:31 - Sure, why not?
00:33:31 - Let's see now, do we have any lines?
00:33:36 - Your daughter's very beautiful.
00:33:43 (laughing)
00:33:46 What?
00:33:47 - She ain't my daughter.
00:33:48 - Oh.
00:33:49 - Yeah, I know, she's quite a catch.
00:33:52 Thing is, she caught me.
00:33:56 - I'm sorry, I mean--
00:33:58 - Oh, no, don't worry.
00:34:01 To your health.
00:34:02 To my health.
00:34:04 To fate.
00:34:06 (upbeat music)
00:34:10 ♪ I hate to say I told you so ♪
00:34:24 ♪ But I did ♪
00:34:25 ♪ I told you ♪
00:34:27 ♪ I told you ♪
00:34:29 ♪ It's gonna leave you high and dry in the end ♪
00:34:33 ♪ I told you ♪
00:34:34 ♪ I told you ♪
00:34:35 ♪ It's hard in the middle ♪
00:34:37 ♪ It's hard in the middle of the day ♪
00:34:40 ♪ Why can't you make it easy and leave it alone ♪
00:34:44 ♪ You'd better get it together ♪
00:34:47 ♪ Better, better get it together ♪
00:34:51 ♪ Or you're gonna lose him forever ♪
00:34:55 (sighing)
00:34:58 - Carlo!
00:35:06 Carlo!
00:35:09 - Hi.
00:35:15 - Hi.
00:35:16 Hey.
00:35:18 (laughing)
00:35:21 Hey.
00:35:22 - Too bad.
00:35:27 Too bad it's early, darling.
00:35:30 - Come on, let me help you, too, babe.
00:35:32 - Oh, no, no, no, let me help you.
00:35:35 - I cannot wait.
00:35:39 Mom!
00:35:39 - You ready?
00:35:43 (laughing)
00:35:47 - Oh my God.
00:35:50 - You did it.
00:35:51 - Good night, my boy.
00:35:54 Veronica, can you help me upstairs?
00:35:57 - I see you're staying at the break room.
00:35:58 - Thanks.
00:35:59 - Oh my God.
00:36:04 Wow.
00:36:20 Wow.
00:36:21 - So you're an actress?
00:36:29 - And you?
00:36:31 Are you an actor, too?
00:36:33 - I'm pretending to be an actor, but who knows?
00:36:39 - How do you know Carlo?
00:36:45 - I don't.
00:36:46 - What?
00:36:48 - Well, we just met this afternoon at that theater bookstore.
00:36:51 - Mm-hmm.
00:36:52 And he brought you home?
00:36:56 Wow.
00:36:58 He must like you.
00:37:00 Tell me, James, what brings you to Spain?
00:37:04 - Your husband's place.
00:37:05 - Oh, no, he's not my husband.
00:37:08 - Oh.
00:37:09 - That's not my choice, you know?
00:37:11 What have you boys been doing this evening?
00:37:16 (laughing)
00:37:19 - He's a lucky man.
00:37:25 - No, I am the lucky one.
00:37:28 Are you always this bold?
00:37:35 - You are quite stunning.
00:37:37 - Why are you here?
00:37:42 - To figure out what this is all about.
00:37:45 This magical life in Spain that inspired you.
00:37:49 This life that inspired him to write so many amazing plays.
00:37:55 And the women, too, the women who inspired him.
00:37:59 - Well, he's never written anything about me,
00:38:02 so there's no need to get to know me better for that reason.
00:38:07 - Why not, why wouldn't he write about you?
00:38:11 - Hmm, I don't know.
00:38:13 - You snagged yourself a good one, didn't you?
00:38:16 This house is spectacular.
00:38:19 - How dare you say that?
00:38:26 - I didn't mean to offend you.
00:38:27 - Well, you have offended me, very much.
00:38:30 This is my house, it was my grandfather's.
00:38:34 I inherited it when my father died.
00:38:37 I see you, I see what you're thinking.
00:38:41 - How dare you judge me or judge him?
00:38:44 He had nothing when I met him.
00:38:47 His plays were all successful, that is true,
00:38:49 but any money he had back then all went to Catherine.
00:38:52 And when they split, she got almost everything.
00:38:55 So don't you think for one minute
00:38:56 that I am with him as some kind of like,
00:38:59 what do you say, a gold digger?
00:39:02 I love him.
00:39:03 I don't know why I always have to defend that point.
00:39:08 - I'm sorry, really.
00:39:09 - No, listen, I love him.
00:39:11 I pursued him.
00:39:14 He sees the world in such a magical way.
00:39:17 I just love being close to him.
00:39:20 He makes me feel alive like no one ever had.
00:39:24 I think I'm going to bed.
00:39:25 - Look, I can leave if you want me to.
00:39:26 - No, no.
00:39:27 He wants you to stay, so you should stay.
00:39:31 I want him happy.
00:39:32 Your room is upstairs.
00:39:36 Good night.
00:39:38 (door closes)
00:39:40 (door opens)
00:39:43 (door closes)
00:39:48 (somber music)
00:39:57 (door opens)
00:39:59 (somber music)
00:40:04 (somber music)
00:40:07 (somber music)
00:40:09 (somber music)
00:40:12 (somber music)
00:40:14 (somber music)
00:40:34 (somber music)
00:40:36 (somber music)
00:40:54 (somber music)
00:40:56 (somber music)
00:41:09 (somber music)
00:41:12 (somber music)
00:41:22 (somber music)
00:41:35 (somber music)
00:41:38 - What is it?
00:42:00 - Coffee.
00:42:04 - Thank you.
00:42:05 - You're welcome.
00:42:08 - Look, um...
00:42:10 I think I was a bit drunk last night.
00:42:17 - So you didn't mean it when you asked me to marry you?
00:42:22 - What?
00:42:23 - Right after you serenaded me.
00:42:26 - Oh.
00:42:27 I'm sorry.
00:42:32 - I said yes by the way.
00:42:34 (somber music)
00:42:44 (somber music)
00:42:47 (somber music)
00:42:50 (somber music)
00:43:07 (somber music)
00:43:10 (somber music)
00:43:26 (somber music)
00:43:28 (somber music)
00:43:43 (somber music)
00:43:46 (somber music)
00:44:12 (somber music)
00:44:14 ♪ Home, outside this city tonight ♪
00:44:26 ♪ I might find a place that I can call home ♪
00:44:31 ♪ And I lay my head against the glass ♪
00:44:33 ♪ Eyes wide as the city rolls by ♪
00:44:38 ♪ Different people deep into themselves ♪
00:44:41 ♪ Eyes straight ahead and arms down to their sides ♪
00:44:45 ♪ I wonder if another one of us here ♪
00:44:48 ♪ Are like me trying to make it feel right ♪
00:44:53 ♪ Wandering away from what we know ♪
00:44:55 ♪ Hoping against hope answers lie in the horizon ♪
00:45:00 ♪ The uptown, the uptown line ♪
00:45:03 ♪ Don't take me far enough away from you ♪
00:45:06 ♪ So I'll keep riding 'til I get some distance from today ♪
00:45:14 ♪ The uptown, the uptown line ♪
00:45:18 ♪ Don't take me far enough away from you ♪
00:45:20 ♪ So I'll keep riding 'til I hit rock bottom ♪
00:45:27 (audience cheering)
00:45:30 (audience cheering)
00:45:33 (audience cheering)
00:45:36 - Where are we heading?
00:45:44 You think you can find your way back?
00:45:45 - Yeah, I'll be okay.
00:45:47 (audience chattering)
00:46:00 - You're fantastic as guapas.
00:46:03 I'm sure you won't be bored.
00:46:05 (audience chattering)
00:46:08 (phone ringing)
00:46:34 - Hey.
00:46:36 I want you back, Britt.
00:46:39 I want you to be in my life.
00:46:43 I miss you so much.
00:46:45 (soft rock music)
00:46:48 ♪ ♪
00:47:17 ♪ Living the pain ♪
00:47:21 ♪ Makes life seem more real ♪
00:47:26 ♪ Try not to complain ♪
00:47:30 ♪ Try not to fear ♪
00:47:35 ♪ 'Cause 1,000 knives ♪
00:47:39 ♪ Tears through your eyes ♪
00:47:43 ♪ We live 1,000 lives ♪
00:47:47 ♪ We might finally get wise ♪
00:47:52 ♪ I just wanna be loved ♪
00:47:56 ♪ But only by you ♪
00:48:00 ♪ I just wanna be loved ♪
00:48:05 ♪ But only by you ♪
00:48:09 (doorbell rings)
00:48:12 - Ah, Spain.
00:48:22 I see she has seduced you.
00:48:25 When'd you return?
00:48:27 - Late.
00:48:30 I don't even know, I walked around for hours.
00:48:32 - You look awful. - I feel awful.
00:48:36 - I called Britt. - Ah, la Californiana.
00:48:39 - She... - And?
00:48:42 - I miss her.
00:48:45 I really miss her.
00:48:48 - So she didn't take you back with the phone call, huh?
00:48:51 What'd you expect?
00:48:54 You know who she is, don't you, son?
00:48:56 - Who?
00:48:58 - The one you let get away.
00:49:03 - What do I do?
00:49:06 - Well, you have a couple of choices, kid.
00:49:09 You could do as I did and pathetically write about her for 40 years.
00:49:14 Or B.
00:49:17 - What's B?
00:49:19 - Get the hell out of here.
00:49:21 Go on, find her, be with her, fight for her.
00:49:24 Don't waste your life away wishing you'd been this courageous youth.
00:49:29 It's not a fun choice to look back on, from this end of things.
00:49:34 - I thought you said you made that up.
00:49:37 - Made what up?
00:49:39 - The girl with the gold knives.
00:49:41 - I lied. - I thought so.
00:49:44 - Look, what's the point now, huh?
00:49:47 I have the most beautiful woman in the world on my arm.
00:49:52 I have no complaints.
00:49:54 Regrets, maybe, but no complaints.
00:49:59 - Tomorrow night there's a show I want to check out.
00:50:04 You care to join? - Why care to join?
00:50:07 - Just music, live music.
00:50:10 - Perhaps.
00:50:12 But right now I feel like a swim. How about you?
00:50:14 - Sure.
00:50:17 - [laughs]
00:50:20 - I...
00:50:23 - Stop, stop. - It's cold.
00:50:30 - It's good.
00:50:32 - Can I open?
00:50:35 - No, no, no.
00:50:37 - Don't worry.
00:50:40 Oh, God, you're blind.
00:50:46 - Hey.
00:50:49 - Dad? - Henry.
00:50:51 - You okay? - Yeah. Fine, thanks.
00:50:56 - You so rarely call. I thought something was wrong.
00:51:00 - Yeah, I know, Hannah. I'm sorry about that.
00:51:03 I need to call more often. I really do, yeah.
00:51:07 - I should, I suppose.
00:51:09 - Look, Henry, there's this live music I'm going to
00:51:12 with a friend of mine from California.
00:51:15 And I was wondering if you would like to join us.
00:51:18 You know, just us guys hitting the town.
00:51:21 We'd like that.
00:51:23 - All right. When?
00:51:26 - Tomorrow, tomorrow night. Can you make it?
00:51:30 - Tomorrow, yeah.
00:51:33 Yeah, I can do tomorrow.
00:51:36 I might bring somebody along if that's okay.
00:51:39 - Oh, great. Sure, whoever.
00:51:42 - I'll bring somebody along. It'll be great.
00:51:45 - It's a she, actually.
00:51:48 - Oh, oh, yeah, certainly, yeah.
00:51:51 Well, look, in that case, why don't you come by the house?
00:51:56 Yeah, come on by. We'll have some drinks.
00:51:58 Veronica would love to see you.
00:52:01 - Okay, see you tomorrow, then. - See you then.
00:52:06 [music]
00:52:10 [music]
00:52:14 [music]
00:52:18 [music]
00:52:21 [music]
00:52:24 [music]
00:52:30 [music]
00:52:36 [music]
00:52:50 [music]
00:52:53 [music]
00:52:59 [music]
00:53:06 [music]
00:53:17 [music]
00:53:20 [music]
00:53:27 [music]
00:53:35 [laughter]
00:53:46 - So, Ann, how's your new play coming along?
00:53:49 - It's going well, I think.
00:53:52 Anna's costumes are going to be amazing.
00:53:55 Really bring everything to life.
00:53:58 The only thing is, I don't actually have a lead.
00:54:03 The woman I cast has just backed out,
00:54:07 which is probably for the best.
00:54:08 She wasn't really right for the part anyway, so...
00:54:11 It's hard to find English-speaking actresses here in Barcelona
00:54:15 that really understand the intricacies of the language.
00:54:19 Should have done what you said years ago and moved to New York.
00:54:25 But I love my life here.
00:54:29 Especially now.
00:54:31 - Good to see you. Really, good to see you.
00:54:35 - Mascara? - Wait a minute.
00:54:40 What about Veronica?
00:54:43 - What? - Darling, you are amazing.
00:54:46 Really, Hannah, I think you two would get along very well together.
00:54:49 - No, it's okay. Henry, seriously.
00:54:52 - Why not, Veronica? Why not?
00:54:55 You could try it.
00:54:58 - You see, I'm making some costumes that will look amazing on you.
00:55:02 - Yes, yes.
00:55:04 - No?
00:55:05 - She would look gorgeous in the new dress.
00:55:09 Don't you think so? - Yeah.
00:55:13 - I'm really touched.
00:55:16 I do think you're very talented, Henry.
00:55:20 Like your father.
00:55:23 - And have you a role for my young friend here?
00:55:28 - This is too much.
00:55:33 - Have you acted before? - Not really.
00:55:36 - He's been studying. It's his passion, it's his life force.
00:55:40 That's why he's here.
00:55:43 To conquer the role of Victor in Tito.
00:55:47 - The one role I'll never attempt.
00:55:52 There's a couple of roles I've doubled up.
00:55:57 If you really want to try it, I could see if I could make some changes.
00:56:02 - Wow.
00:56:06 - Yeah, I'd be honored. Thank you.
00:56:10 - Well, what time is this music thing tonight?
00:56:15 Should we be going pretty soon?
00:56:18 - You know, it's not really that big of a deal. We don't have to go.
00:56:21 - Oh, come on. We're all here together. It'll be great.
00:56:25 - Yeah. Sounds really fun. Come on. Let's go.
00:56:29 Salud. - Salud.
00:56:31 - Ta.
00:56:33 - No, but I'm not going to do that again.
00:56:36 - It's a... - Blast.
00:56:39 - Que bueno.
00:56:47 - Do you know about the drink?
00:56:49 - I think Carlo has my drink. I'll go and check.
00:56:52 - Vale. - See you later.
00:56:55 - You okay, kid?
00:56:58 Something up?
00:57:01 - You're going away? - Yeah, I think I...
00:57:04 Just got a little too much sun.
00:57:06 - If you need to go home, it's no problem.
00:57:09 - Fine, thanks.
00:57:12 - Hey, Carlo. - What?
00:57:16 - Come on.
00:57:20 - Hey!
00:57:22 - You get my drink?
00:57:33 - Sweetie, are you okay?
00:57:35 - I'm fine, fine. Thanks.
00:57:37 I think I just need a little air.
00:57:40 I'll be right back.
00:57:42 - Sure.
00:57:44 - What happened?
00:57:49 - I don't know.
00:57:51 - Gracias. - De nada.
00:57:54 - You. - What?
00:58:00 - It's one thing for you to mess around with your own fate.
00:58:04 It's quite another to involve yourself in my...
00:58:09 How dare you set this up? How dare you?
00:58:12 What were you thinking?
00:58:14 - I didn't know she would be here.
00:58:16 - You've been planning this all along, haven't you?
00:58:19 You were following me, weren't you?
00:58:22 Is this some kind of crazy, messed-up game to you?
00:58:25 This is my life.
00:58:27 - I didn't mean for it to go this way.
00:58:29 - What way did you mean for it to go?
00:58:32 You're the one that told me to be courageous.
00:58:35 You're the one that wrote all those plays about her.
00:58:37 You're the one that said, "Go, be brave," and all of that.
00:58:40 I saw that you was playing here tonight.
00:58:43 I thought...
00:58:46 you and I would go.
00:58:48 - Hey, what's going on?
00:58:52 You okay? - Fine, fine.
00:58:55 - Have you upset him? - Honey, everything is fine.
00:58:58 - Okay, you want to go back inside? Henry's looking for you.
00:59:01 - Sure, sure, let's go back inside.
00:59:03 - Let's go. - Let's go enjoy the music.
00:59:12 - It's hot in there. - Yes, it is.
00:59:15 - Carlo. - Liz.
00:59:22 - It is really you, isn't it?
00:59:24 You stay in Spain? Oh, look at you.
00:59:27 - Liz, I want you to meet... - Is this your daughter?
00:59:30 Oh, what a beauty. - I'm his girlfriend.
00:59:32 - She's not my daughter. - Nice to meet you, Liz.
00:59:34 - We're going back inside now. - Yeah, I'll be in in a minute.
00:59:38 - Carlo, do you know it is my son up there?
00:59:42 The trumpet player?
00:59:44 Time flies, doesn't it?
00:59:47 - Yeah.
00:59:49 It does.
00:59:51 I'm going back inside.
00:59:53 See you inside.
01:00:07 - Your son is a wonderful musician.
01:00:10 - Yeah, yeah, he is.
01:00:13 I'm a bit biased, but... yes.
01:00:17 - I'm James.
01:00:20 - I would guess son, but...
01:00:25 I made a full pot tonight already.
01:00:28 - You want to join me back inside?
01:00:31 - Yes.
01:00:34 - I don't know why you think I'm so stupid.
01:00:37 - What are you saying, Monica?
01:00:39 - I know who she is. I've read your plays.
01:00:42 I know exactly who she is.
01:00:44 Don't try and tell me she's just an old friend.
01:00:47 - I'm sorry, Brody. I had no idea she'd be here.
01:00:51 - It was the kid. He set this all up. I had no clue.
01:00:55 - I'm sorry, Brody. I had no idea she'd be here.
01:00:58 - I'm sorry, Brody. I had no idea she'd be here.
01:01:01 - It was the kid. He set this all up. I had no clue.
01:01:04 I don't know what he was thinking.
01:01:07 - I saw the way you looked at her.
01:01:09 You've never looked at me like that.
01:01:11 I've never seen that in your eyes.
01:01:13 - That's all ancient history. Dust and cobwebs.
01:01:17 - You say that, but I saw your eyes.
01:01:30 - Oh, Brody. Brody, wait.
01:01:34 - Baby!
01:01:41 - I had no idea she would be there. Please, Brody, stop.
01:01:46 Please, baby. I'm so sorry. I'm so sorry.
01:01:49 - I'm so sorry.
01:01:51 - Carlos! Carlos!
01:02:10 - Carlos! - Help!
01:02:12 - Call an ambulance!
01:02:14 - Carlos!
01:02:16 - Carlos!
01:02:20 - Call an ambulance! Call an ambulance!
01:02:24 [crowd cheering]
01:02:26 [upbeat music]
01:02:31 ♪ ♪
01:02:38 [all talking at once]
01:02:49 [laughing]
01:02:51 - Oh, wow. Ah, I see you.
01:02:53 Oh, hi. - Hi.
01:02:55 - It's James. Hello. - Hi.
01:02:57 - Hello. - What is it?
01:02:59 - Oh, this is, um, tinto de verano.
01:03:03 - Wine of summer.
01:03:05 - Yeah.
01:03:07 - Te gusta? - Si.
01:03:12 [upbeat music]
01:03:15 ♪ ♪
01:03:40 - Were you ever called Eliza?
01:03:42 - Yes.
01:03:46 A long time ago. A long, long time ago.
01:03:50 Why'd you ask?
01:03:53 - I see you here.
01:03:55 I see it all so clearly.
01:03:59 What you must have been like.
01:04:02 What that summer must have been like when he wrote about it.
01:04:05 - What do you mean? - When Carl wrote the play.
01:04:09 I never read his plays. Any of them.
01:04:12 - Why not?
01:04:16 - It's too complicated.
01:04:18 And a too long story for tonight.
01:04:20 - I have all the time in the world.
01:04:23 I can't believe you never read any. None of them.
01:04:27 - I was writing my own things.
01:04:31 And when Carlos' plays started to get well known,
01:04:37 it was...
01:04:39 I didn't want to be influenced by them.
01:04:43 - Oh, it's boring.
01:04:47 It's really boring.
01:04:49 - Tell me about you.
01:04:54 I want to know about you.
01:04:57 - You should read them.
01:05:02 (music)
01:05:04 - Hey, James.
01:05:31 There is something I wanted to tell Carlos.
01:05:34 Say hi from La Serena.
01:05:37 - La Serena?
01:05:40 - He'll know what it means.
01:05:42 So, my friend, if I don't see you again in Spain,
01:05:46 have an amazing adventure.
01:05:48 And I do hope you find everything you're looking for.
01:05:52 - Thank you.
01:05:56 (birds chirping)
01:05:58 - Good morning.
01:06:10 How are you?
01:06:14 - And you?
01:06:17 Are you okay?
01:06:24 - Okay.
01:06:26 - Okay?
01:06:29 What?
01:06:32 - I've never...
01:06:52 I've never let myself...
01:06:54 fall in love with anyone before.
01:07:01 Until you.
01:07:05 You.
01:07:08 - Then I must be very lucky.
01:07:20 (birds chirping)
01:07:22 - I'm sorry to interrupt you.
01:07:39 - No, please. Just leave, okay?
01:07:42 - Okay.
01:07:45 I'll go get my things. - Please do.
01:07:48 - Are you okay?
01:07:50 - No.
01:07:53 No, I'm not okay.
01:07:55 - I'm sorry.
01:07:58 - You...
01:08:01 You do stupid things.
01:08:03 It's one thing to change your life,
01:08:05 but why do you come here and try to change mine?
01:08:08 - I'm really sorry about that.
01:08:12 I had no idea she would be there.
01:08:15 - I don't know why you came here or what you want,
01:08:18 but what I know is I don't want you in my house.
01:08:21 - I understand.
01:08:23 - ¿Quién coño te crees que eres, ah?
01:08:25 Who do you think you are?
01:08:27 - I don't know who I am right now.
01:08:29 Really, believe me, I didn't mean to upset you.
01:08:32 - You know what I did tonight?
01:08:34 I was at the hospital all night with Carlo.
01:08:37 - Oh, no. Is he okay?
01:08:39 - Yeah, he's okay. He's sleeping now.
01:08:41 But for a moment, I thought I'd lost him.
01:08:43 And...
01:08:45 You're...
01:08:47 Just leave, okay? Go.
01:08:51 (footsteps)
01:08:53 (footsteps)
01:08:55 (footsteps)
01:08:58 (footsteps)
01:09:00 (footsteps)
01:09:02 (footsteps)
01:09:04 (footsteps)
01:09:06 (footsteps)
01:09:08 (footsteps)
01:09:10 (footsteps)
01:09:12 (footsteps)
01:09:14 (footsteps)
01:09:16 (footsteps)
01:09:18 (footsteps)
01:09:22 (footsteps)
01:09:28 (footsteps)
01:09:34 (footsteps)
01:09:44 (footsteps)
01:09:46 (footsteps)
01:09:50 (knocking)
01:10:03 - Oh, yes.
01:10:08 Sorry to disturb, but I should have called before.
01:10:11 I've been making some revisions to the script,
01:10:13 and I think they're for you and for James.
01:10:16 Um...
01:10:18 You okay? Veronica, you...
01:10:21 - James is not here.
01:10:23 Do you want something to drink? Coffee? Something?
01:10:27 - Uh... Yeah.
01:10:29 That's great. Thanks.
01:10:31 Thank you.
01:10:38 Are you sure you're okay, Veronica? You don't look too good.
01:10:41 - We had to go to the hospital last night.
01:10:44 He had one of his episodes.
01:10:47 - Oh, my God, is he all right? Why didn't you call me?
01:10:50 At times like this, Veronica, you really should call me.
01:10:52 - Don't be angry with me. It's been a rough night.
01:10:54 I mean, up all night, all the doctors...
01:10:56 - And what did they say?
01:10:58 - The usual thing. Too much excitement.
01:11:00 He needs to slow down.
01:11:02 - I'm sorry. I was so scared.
01:11:05 You should... You should go and see him.
01:11:08 (footsteps)
01:11:11 (footsteps)
01:11:13 - Easy, easy.
01:11:23 I am not dead.
01:11:25 - I can see that.
01:11:28 But you are stubborn.
01:11:31 - Why am I here?
01:11:35 - You okay there?
01:11:39 - Why am I here?
01:11:41 Am I here in this house with that poor girl?
01:11:44 She deserves so much more than this.
01:11:48 Sitting beside the bed of an old man,
01:11:51 scared to death.
01:11:53 I can't put her through this again, you know.
01:11:55 - I know, God.
01:11:57 - I need to ask you something.
01:12:02 - Of course.
01:12:05 Whatever.
01:12:07 (footsteps)
01:12:09 - What is it? What is this?
01:12:17 Are you leaving?
01:12:23 Are you leaving me for that woman?
01:12:26 After I stayed all night in the hospital thinking you might die?
01:12:31 Is that what you're doing?
01:12:33 (footsteps)
01:12:37 - I love you.
01:12:39 I love you so much.
01:12:41 (speaking Spanish)
01:12:43 You can't do this to me.
01:12:46 - I'm just going to camp out at Henry's for a few days, that's all.
01:12:49 I just don't want you sitting around here,
01:12:51 waiting for me to die.
01:12:53 - Oh, don't say that.
01:12:55 - You need someone younger,
01:12:57 someone who can give you babies if you want them,
01:13:00 someone to grow old with.
01:13:03 - You are what I need.
01:13:05 - I love you.
01:13:07 You're my angel.
01:13:11 I cherish you.
01:13:13 You came in, you saved my life when it needed saving.
01:13:17 I don't want to be your burden.
01:13:20 - You're not my burden.
01:13:22 You're my life.
01:13:25 - You're my baby.
01:13:32 (sobs)
01:13:34 I'll never love anyone like I love you.
01:13:40 - Yes, you will.
01:13:43 Believe me, you will.
01:13:59 (footsteps)
01:14:02 - Henry.
01:14:08 - What? - Yeah.
01:14:11 - Hey.
01:14:24 - How are you?
01:14:28 - I brought you a copy of the script, so you can get started.
01:14:31 I made a few changes.
01:14:33 I'd like you to do the role of Ezra Keel.
01:14:35 Originally I had it doubled up.
01:14:37 I think I preferred you to do that.
01:14:39 - Thank you.
01:14:41 I'm really honored.
01:14:43 - So first rehearsal's on Tuesday, then every night until we open,
01:14:45 which is in two weeks.
01:14:47 - Okay.
01:14:49 - Don't let me down.
01:14:51 - I'll do my best not to.
01:14:53 - Okay.
01:14:56 (footsteps)
01:14:58 - How do you sleep?
01:15:03 - Oh, fine, thanks.
01:15:05 Comfy little bed you've got back there.
01:15:07 - And it suits you.
01:15:09 - Oh, this is black.
01:15:11 So anything I can help with?
01:15:13 For the play, I mean?
01:15:15 - Well, it's the dress rehearsal tonight.
01:15:17 I'd love to hear your notes.
01:15:21 - I'll be there.
01:15:24 (orchestral music)
01:15:26 - They took the child from her arms.
01:15:43 - They took the child.
01:15:45 - Silently he swooped sin.
01:15:47 - Silently he swooped sin.
01:15:50 - A nightingale in angels' wings.
01:15:52 - He adored her.
01:15:54 - I adored her, light beyond light.
01:15:56 - The heat, frozen hot.
01:15:58 - I never tried to.
01:16:00 - I never even tried.
01:16:02 - I asked, and you entered.
01:16:04 - He asked, and you entered.
01:16:06 - It all means nothing.
01:16:08 It all means nothing without you.
01:16:18 (silence)
01:16:20 - Dad.
01:16:37 Listen, I've got a few things I need to just wrap up here.
01:16:42 So if you don't mind, we'll meet up back at the house later.
01:16:45 - Oh, no cares, no problem.
01:16:47 You can give me your notes there.
01:16:49 - Oh, Henry, it was great.
01:16:51 Really good.
01:16:55 And Anna's costumes, they were, oh,
01:16:57 they were something else.
01:16:59 - Thanks.
01:17:01 - Did Veronica leave?
01:17:03 - Yeah, she had to shoot off.
01:17:05 I mean, I'm sure she wanted to say goodbye.
01:17:08 - Well, I guess I'll see you back at the house.
01:17:13 - Sounds good.
01:17:16 (silence)
01:17:18 - You did it, dude.
01:17:29 You're an actor now, whether you like it or not.
01:17:31 - Thanks.
01:17:34 - Want to join me for a drink?
01:17:35 - Yeah, I'd love to.
01:17:37 - Little bar right around the corner.
01:17:45 - Look, I just want to say that I'm sorry.
01:17:49 - Everybody's sorry.
01:17:51 But don't you be sorry, kid.
01:17:54 - But I am.
01:17:56 - You are someone with dreams and hopes and intuitions.
01:18:02 Bad as they may be sometimes.
01:18:05 I admire that, that you'd be able to leave that safety net
01:18:11 and just leap, leap into that oblivion blindly,
01:18:16 not knowing if you're doing the right thing,
01:18:19 just knowing you must do it.
01:18:21 - Well, you act as if you have nothing to aspire to,
01:18:24 as if it's all done and behind you,
01:18:26 but I don't believe that.
01:18:28 I think you should write something.
01:18:30 - No.
01:18:31 - I think the world expects it of you,
01:18:33 and I think you should do it.
01:18:34 - I'm not so sure I should be taking advice from you.
01:18:39 - What about your girl, your doctor?
01:18:42 Have you spoken to her?
01:18:44 - Well, I call, but she doesn't answer.
01:18:47 But I did do something grand and dramatic.
01:18:52 I bought her a ticket to Portugal and sent it to her.
01:18:56 She's always wanted to go.
01:18:58 So after the show wraps, I'll head down that way,
01:19:03 and if she decides I'm worth it,
01:19:05 then she'll be there when I get there.
01:19:07 - That sounds pretty grand.
01:19:09 - Yeah, and if I lose her, at least I tried.
01:19:12 And you were right.
01:19:17 I should have followed her.
01:19:19 - I give a lot of advice, but I don't even follow myself.
01:19:23 Maybe you should stop listening to me.
01:19:25 - I'm really glad you made it out.
01:19:28 It means a lot to me.
01:19:31 - Me too.
01:19:32 - Oh, I meant to tell you,
01:19:35 the night that we ran into Liz,
01:19:37 she told me to tell you something.
01:19:39 - What?
01:19:40 What'd she say, what?
01:19:42 - She said, "La Serena says hi."
01:19:45 - She said that, "La Serena."
01:19:48 - Yeah, what does it mean?
01:19:49 - The bird made, I can't believe she remembered that.
01:19:53 - No, I got this one.
01:19:55 I think I owe you.
01:19:56 - Oh, thanks.
01:19:58 (chattering)
01:20:01 (gentle music)
01:20:22 (gentle music)
01:20:25 - La Serena.
01:20:30 (gentle music)
01:20:35 (gentle music)
01:20:39 (gentle music)
01:20:42 - Hello.
01:21:06 - Excuse me.
01:21:07 I'm sorry to disturb you.
01:21:09 I'm looking for your mother, actually.
01:21:12 I'm Carl, an old friend of hers,
01:21:14 and perhaps she's back in New York.
01:21:17 My plan only got me this far.
01:21:19 - She's inside, actually.
01:21:21 - She's inside?
01:21:22 - Yeah, let me get the door.
01:21:24 (gentle music)
01:21:27 (gentle music)
01:21:30 (gentle music)
01:21:33 (gentle music)
01:21:36 (footsteps)
01:21:38 (footsteps)
01:21:40 (footsteps)
01:21:43 (footsteps)
01:21:45 (footsteps)
01:21:47 (footsteps)
01:21:50 (footsteps)
01:21:52 (sigh)
01:22:02 (footsteps)
01:22:04 (door opening)
01:22:12 (footsteps)
01:22:14 (footsteps)
01:22:17 (footsteps)
01:22:19 - You still have that old thing?
01:22:30 (footsteps)
01:22:32 - Hi.
01:22:41 - Oh, how do you like that play?
01:22:44 - It's wonderful.
01:22:48 - So you found me.
01:22:50 - I have a friend who would say it was fate.
01:22:56 Yeah, maybe it is.
01:22:58 So.
01:23:06 - So.
01:23:07 (laughing)
01:23:09 - So.
01:23:10 Would you like some wine?
01:23:15 - Oh yeah, that would be lovely.
01:23:17 - Yeah.
01:23:19 (footsteps)
01:23:25 - Records, huh.
01:23:30 Who has records anymore?
01:23:33 (wind blowing)
01:23:36 (upbeat music)
01:23:50 (upbeat music)
01:23:53 (upbeat music)
01:23:55 - Why did you ever leave me?
01:24:21 ♪ Summer wine ♪
01:24:24 ♪ In the winter of life ♪
01:24:28 ♪ In the spring ♪
01:24:31 ♪ There'll be rain ♪
01:24:35 ♪ There's a time ♪
01:24:38 ♪ For the season of love ♪
01:24:42 ♪ Not a bar ♪
01:24:45 ♪ Summer wine ♪
01:24:48 (upbeat music)
01:25:16 ♪ In the years ♪
01:25:20 ♪ When true love is born ♪
01:25:23 ♪ We're blind ♪
01:25:27 ♪ To the fall ♪
01:25:30 ♪ There'll be tears ♪
01:25:34 ♪ And feelings forlorn ♪
01:25:37 ♪ Summer wine ♪
01:25:40 ♪ Through it all ♪
01:25:44 (upbeat music)
01:26:11 ♪ Summer wine ♪
01:26:15 ♪ In the winter of life ♪
01:26:18 ♪ In the spring ♪
01:26:22 ♪ There'll be rain ♪
01:26:25 ♪ There's a time ♪
01:26:29 ♪ For the seasons of love ♪
01:26:32 ♪ Not a bar ♪
01:26:36 ♪ Summer wine ♪
01:26:39 ♪ Not a bar ♪
01:26:43 ♪ Summer wine ♪
01:26:45 (soft music)
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01:30:21 [ Music ]
01:30:39 [BLANK_AUDIO]