• 8 months ago
Transcript
00:00 [Music]
00:07 [Music]
00:14 [Music]
00:37 Hi Jim. He didn't tell us you were coming in from the city tonight.
00:43 Hey man. You look like a boiled rag.
00:47 Jim, you sick or something?
00:55 Maybe I better get going.
00:58 No, don't go upstairs kid.
01:00 [Music]
01:27 Put yourselves in young Larry Weeks' shoes my friends.
01:30 You've just come home from a carefree day at the beach.
01:34 Mind and body exhilarated by the sun and water.
01:38 And what awaits you?
01:40 The tragic evidence of murder.
01:43 Now ask yourselves, what would you do next?
01:47 Remembering always that the one person you love most in all this world, your own brother, was the killer.
01:56 Would you phone for the police?
01:57 Would you run from this terrible scene?
02:00 Or would you have the courage to do what Larry Weeks will do?
02:04 But before you answer, let me introduce the people that you will meet in tonight's excursion with the corpse.
02:12 Mr. Larry Pannel.
02:16 Mr. Edward Platt.
02:23 [Music]
02:28 And Miss Jody Fair.
02:30 Now for those of you who are still undecided, let us see exactly how young Larry did handle this grim problem.
02:45 [Music]
02:54 [Music]
03:00 [Music]
03:24 I'm with you.
03:25 Is he gone?
03:29 Her neck?
03:30 I knew she must be a...
03:34 I heard it cracked.
03:36 She asked for it.
03:37 You knew?
03:39 All the time.
03:42 It started the week after you were married.
03:45 His name's Sid.
03:48 He used to drive in almost every weeknight from the city.
03:53 She met him at the...
03:54 Carefree.
03:57 It's a little beer joint out on the highway.
03:59 Why didn't you tell me?
04:01 Doris was your wife. Wouldn't I look great?
04:04 [Phone ringing]
04:13 I'll get it. I know all the answers.
04:15 [Phone ringing]
04:23 Hello?
04:25 Let me talk to your sister, Larry.
04:27 Uh, Helen?
04:28 She's got a twin, maybe?
04:30 Oh, she hasn't come home yet from the beach, Gordon.
04:34 Okay. Well, tell her I'm on my way over. And tell her to blitz it, will ya? I don't want to be late for the first show.
04:39 Yeah, I said she's not home, Gordon.
04:41 So I'll wait for her.
04:43 No, not here.
04:46 What's the matter? Suddenly I got the pox or something?
04:49 No, I just thought you'd shorten connections if you picked her up at the beach.
04:53 I mean, why do you want to cool your heels around the house for?
04:55 Helen's liable not to be home for hours yet.
04:57 You better step closer to the telephone, fella. I'm not getting through to you.
05:01 Helen expects me to call for her.
05:03 Well, yeah, sure. You know how Helen is about the time.
05:07 I mean, especially when she's hanging around the beach.
05:10 I mean, she might not come home at all if it didn't get dark every night.
05:15 I just thought you'd make better time if you picked her up at the beach.
05:19 Okay, okay. So you don't have to draw me a picture.
05:22 (phone hangs up)
05:23 Helen's latest junior jerk.
05:28 If he does what I told him, we'll have a couple hours at least.
05:32 What's the use? I might as well phone the police and get it over with.
05:35 No, no, I tell you.
05:37 Don't make it any worse than it is, kid.
05:38 I can't. I won't let you. She got what she deserved, Jim.
05:41 Jim, she's not with your life.
05:43 Don't put you in the chair for...
05:45 Jim, Jim, you're not going to call the police.
05:48 (phone hangs up)
05:49 Listen, Jim.
05:54 Listen, you've got to pull yourself together.
05:56 If we could just get her out of here.
05:59 Yeah.
06:01 I don't care where it happened, but it didn't happen here.
06:05 It happened someplace else.
06:07 You were in the city.
06:09 You are in the city now. Do you get me? Do you understand me, Jim?
06:11 Now listen.
06:13 Listen, nobody expected you down here today, so you weren't here.
06:18 Now wait a minute.
06:19 Did anybody see you in the depot or on the train?
06:21 Anybody that knows you by sight?
06:23 I don't think so.
06:25 Well, how did you get from the depot? Cab?
06:27 I walked.
06:29 Good. Did anybody see you on the way to the house?
06:31 How do I know?
06:33 Pull yourself together now. Think.
06:35 I didn't see anybody I knew.
06:37 No, of course not. The streets are dead. Everybody's at the beach.
06:39 Larry, it's no use.
06:41 The red cabs at the station, some of them might know me by sight.
06:43 But you've always come down on a Friday night before.
06:46 Never on a Thursday.
06:47 What makes you think they'll remember you out of that whole mob of commuters?
06:49 I don't know, Larry.
06:51 All right, suppose one of them did see you.
06:53 In a week or so, when the questions start flying,
06:55 he'll have a lot of trouble remembering just which day it was he saw you on.
06:58 You've got to take a chance, Jim. What have you got to lose?
07:02 Larry, I just remembered my commutation ticket.
07:07 Oh, yeah, I forgot about that.
07:10 It's got the date punched on it.
07:12 We can't get around it.
07:15 No, wait a minute.
07:16 Just today, something had never happened before.
07:18 My mind was haywire, I guess,
07:20 on account of what I'd found out about Doris.
07:22 Anyway, when I got to the station,
07:24 I found I didn't have my commutation ticket with me.
07:26 I'd left it at the office.
07:28 So I had to buy an ordinary ticket to get down here.
07:31 Oh, it's a pushover, Jim.
07:34 It'd be a crime not to take advantage of a break like that.
07:37 Now, listen, you're going to come down tomorrow just the same as usual,
07:41 only you're going to be sure we're going to be there.
07:44 Only you're going to be sure one of those red caps remembers you.
07:46 Um, lose something, stumble and get helped,
07:50 anything but make an impression.
07:52 Now, wait a minute.
07:54 It was a round-trip ticket, I hope.
07:56 I was so steamed up I didn't notice.
07:58 We're in, Jim.
08:02 This'll get you back to the city unnoticed.
08:04 Your unpunched commutation ticket will be your alibi.
08:07 Now, do you know anyone you can kill an evening with?
08:12 Well, better still, two or three friends.
08:14 Frank Clark?
08:16 He usually rolls up a gang or stay outs as he goes along.
08:18 Good, good.
08:20 Bend an elbow, get a little lit,
08:22 stay out as late as you can manage.
08:24 And then before you leave, where they can all hear you,
08:27 call me long-distance collect.
08:29 This way we'll have a record of it with the telephone company.
08:32 Would it look suspicious, my phoning you for no reason?
08:35 The booze made you sentimental. You wanted to talk to Doris.
08:38 If I've got everything under control by then, I'll give you the bad news.
08:41 You break down in front of your friends, you got it?
08:43 Yes.
08:45 Well, now, until I give you a cue, keep a soft pedal.
08:48 Not a worry in the world, see?
08:50 Now, you've got your job.
08:54 Mine's upstairs.
08:56 Larry, what are you gonna do with her?
08:59 Get rid of her. Get her out of here someplace.
09:01 But how? Where?
09:03 I don't know.
09:05 I just know I don't want an audience.
09:09 Just darkness and a little time.
09:11 If I suddenly get cold feet,
09:14 I'll remember how you took care of me after Mom and Dad died.
09:18 You've only got ten minutes to catch that train.
09:22 All clear.
09:34 Come on, the beach crowd will be back in a minute.
09:38 I can't let you do this, Larry.
09:39 Don't argue, move!
09:41 No, if you get caught, they'll hang it on you.
09:43 Do you want to go to the electric chair?
09:45 Well, then let me do it my way.
09:47 Helen's coming.
09:56 Gordon, Mr. Mister, at the beach.
09:58 You've only got a few minutes to make that train.
10:00 I'll catch the 740.
10:02 No, no, no, the longer you're out of the city, the riskier it gets.
10:04 You've already got three hours you can't account for.
10:07 I'll get her to go back to the beach for Gordon.
10:08 Hi, kid, how was the surf today?
10:14 Who was that at the door just now?
10:16 Me.
10:18 I thought I saw someone else.
10:20 You must have been getting too much sun.
10:22 Do you mind?
10:24 Gordon phoned, he said he was going to pick you up down there.
10:26 Yes, I know, he found me.
10:28 He also told me whose idea it was.
10:30 Did you think I'd go to the movies with that eager beaver wearing this?
10:32 Oh, I guess I forgot you'd want to change first.
10:36 Where is he?
10:37 Oh, he's coming.
10:39 If he can ever get that stupid car of his started again.
10:41 I thought you were going to fix this.
10:46 Let me put it away.
11:00 Why should you?
11:02 Can't a guy lend a hand?
11:05 You're starting sort of late, aren't you?
11:06 Thanks.
11:08 Got to get rid of this stupid jacket.
11:14 Say, is Doris home?
11:20 No, no.
11:22 Oh, crazy, then I can swipe some of her new perfume.
11:24 What's the matter now?
11:34 Feel playful?
11:35 Play off.
11:37 Your mother's been raising cain about the way you've been helping yourself to her things.
11:39 She said she wants it to stop.
11:41 I don't believe it.
11:43 She wouldn't tell you, she'd tell me.
11:45 What's it got to do with you anyway?
11:47 See what I told you?
11:49 She locked it and took the key.
11:51 Well, if you knew it was already locked,
11:54 why did you break your neck to keep me out?
11:56 Well, I didn't want you to know.
11:58 It's the devil when there's trouble between the women in the family.
12:01 Maybe I'm crazy, but I've got the creepiest feeling
12:02 something's going on around here today.
12:04 Suddenly everything's different.
12:07 What was the idea of freezing Gordon out
12:09 when he tried to call for me today?
12:11 Well, you weren't here.
12:13 I just wanted to help him find you.
12:29 Hey, watchdog, guess what?
12:30 What?
12:32 Doris forgot she couldn't lock the bathroom door from her side.
12:35 (Door slams)
12:37 (Door opens)
12:38 (Door closes)
12:40 (Door opens)
12:42 (Door closes)
12:44 (Door opens)
12:46 (Door closes)
12:48 (Door opens)
12:50 (Door closes)
12:52 (Door opens)
12:54 (Door closes)
12:56 (Door opens)
12:58 (Door closes)
13:00 (Door opens)
13:02 (Door closes)
13:05 (Door opens)
13:06 (Door closes)
13:08 (Water running)
13:11 (Water running)
13:12 (Drumming)
13:24 (Drumming)
13:36 (Drumming)
13:37 (Doorbell rings)
13:44 (Knock on door)
13:46 Larry, will you answer the door?
13:48 (Doorbell rings)
13:51 Please?
13:53 (Doorbell rings)
13:55 Oh.
13:57 (Door opens)
13:59 Hi, honey.
14:01 (Door closes)
14:03 It's open.
14:05 (Doorbell rings)
14:06 It's open.
14:08 Must you always play telegraph with the doorbell, Gordon?
14:14 So hire a doorman.
14:16 Put on your shock-frock, doll,
14:18 and don't forget to splash on some of Doris's glamour goo.
14:21 (Sighs)
14:25 (Drumming)
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14:31 (Sighs)
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15:02 Put a nickel in it, will you, Helen?
15:04 Yes, sir!
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17:23 (Phone ringing)
17:25 Answer it, will you Gordon?
17:27 Roger.
17:29 I'll get it.
17:30 Hi Larry.
17:32 What work?
17:33 Tell Helen I'll wait for her in the car, will you?
17:35 Yeah, sure.
17:36 Hello?
17:43 Hello.
17:44 Who is this?
17:45 Who do you want to talk to?
17:46 Mrs. Weeks.
17:48 Well, she's not home yet.
17:50 When do you expect her?
17:54 I don't know.
17:56 Just a minute.
17:57 Who are you talking to?
17:58 A sweetie of mine.
18:00 Have a heart, don't listen.
18:01 Looks like you've got it bad.
18:03 Your face looks like a curdled custard.
18:04 You ought to see yourself.
18:06 Beat it, will you?
18:07 Give her my love.
18:09 Hello, is this Sid?
18:15 Hello?
18:17 Hello?
18:19 It was you.
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21:01 (Phone ringing)
21:03 (Phone ringing)
21:09 (Phone ringing)
21:21 Hello?
21:22 Mrs. Weeks, please.
21:24 Just a minute.
21:26 Sorry, there was some noise. Who'd you want?
21:36 Mrs. Weeks.
21:38 She's not here.
21:40 Oh, okay.
21:42 But she left a message for anyone that did call.
21:44 What is it?
21:46 How do I know you're the right party?
21:50 Who is this?
21:51 Helen's boyfriend, Gordon.
21:53 How come you're there alone?
21:55 Well, I'm not.
21:57 Helen's upstairs dressing, and she couldn't come to the phone.
22:00 She told me to give the message.
22:02 What is it?
22:04 This is the right party.
22:06 Well, Mrs. Weeks was called out this afternoon.
22:10 Some people showed up from the city, and she couldn't get away from them.
22:13 She said if you called to tell you she was having dinner at the Paradise Club,
22:19 do you know where that is?
22:20 I think so. It's up in the Palisades, isn't it?
22:23 Yeah, yeah, that's right.
22:25 There's a sign out in front that lights up the road. You can't miss it.
22:28 Oh, she'll be there then, huh?
22:30 Yeah, yeah. These people she's with are just passing through.
22:37 They're not staying.
22:39 She said she'd be free about 8.30.
22:44 They can't bring her back, so she said maybe you could meet her in the car out there.
22:49 Hello?
22:50 Did you hear me?
22:53 Yeah, I heard you. Thanks.
22:55 Wait.
22:57 Is there more?
22:59 Yeah. What should I tell her if she calls?
23:04 Tell her I'll be there.
23:06 Oh, I almost forgot.
23:09 She wants you to park in the...
23:15 right by the entrance of the parking lot.
23:18 She'll be out as quick as she can.
23:21 Oh, now, let me see if I got the message straight, son.
23:24 The Paradise Club at 8.30.
23:27 Absolutely. Just as I told you.
23:30 Fine. Thanks a lot.
23:33 It was your party, mister.
23:37 You're going to pay for it, not Jim.
23:40 Turn off the light, Carl. It attracts the bugs.
23:43 Let me see if I got the message straight, son.
24:06 The Paradise Club at 8.30.
24:08 Absolutely. Just as I told you.
24:11 Easy, easy.
24:24 Take it easy.
24:27 Easy, easy.
24:28 Take it easy.
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25:39 [phone ringing]
25:53 Hello? Hello.
25:55 Is this the Saruken Cleaners?
25:57 Yes.
25:59 How late are you open tonight?
26:01 We're already closed.
26:03 We called for your cleaning first thing in the morning.
26:05 Suppose I bring it down myself tonight?
26:06 Better in the morning.
26:08 Well, look, there won't be anybody here in the morning.
26:11 This has to be attended to.
26:13 What's the big problem if I drop it down now?
26:15 Okay. You ring the bell.
26:17 Thanks a million. I appreciate it.
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29:25 Evening, Larry.
29:30 Mr. Lee, nice night, huh?
29:31 What on earth are you doing with that rug?
29:33 Taking it to the cleaners.
29:35 What's the hours at this hour?
29:37 I spilled ink all over it, thought I'd better get it off right away.
29:39 Oh.
29:41 See you later.
29:42 Nice boy, that Larry.
29:44 Oh, but that woman, his brother is married to.
29:47 Now, you just don't know the things that go on around here.
29:50 Of course, you're at work and you don't see any of this, but I most certainly do.
29:53 And I want to tell you, it's the most disgraceful thing I have ever seen in my life.
29:57 [car engine]
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31:25 [car engine]
31:44 [car engine]
31:46 Who is it?
31:57 Judy Simmons.
31:58 Oh.
32:00 Looks like you blew a tire.
32:03 Yeah.
32:05 Broken tire rod, too.
32:06 Yeah.
32:08 Oh, Larry, this is Art Brinkerhoff.
32:09 This is Larry Weeks, Art.
32:12 Good to see you, Larry.
32:13 What in the world have you got there?
32:17 Uh, a rug.
32:19 I can see that.
32:21 Well, I, uh, spilled ink all over it and thought I better get it cleaned before the stain sets.
32:27 You're going to take it to a cleaner's all the way out here in the sticks?
32:30 Well, I, uh, I'm taking it to the guy's house.
32:33 Uh, the cleaner's, I mean.
32:35 He, uh, couldn't pick it up for a couple of days.
32:39 His delivery truck's, uh, in the garage.
32:41 Well, Art helped him get it into the car.
32:43 We can take it back to his cleaner's house.
32:45 No, no, no. It's out of your way.
32:47 Besides, it's light and I need the exercise.
32:49 He just lives down the road a little ways anyhow.
32:52 Okay. It's your sacrilege.
32:54 Come on, Judy.
32:56 We're off to the movies.
32:57 Larry, your face is just dripping.
32:58 You try looking this thing around.
33:00 See how yours looks.
33:02 We did offer to help.
33:04 Yeah. Yeah. Well, thanks anyway.
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33:35 Where you headed, buddy?
33:36 The, uh, the Paradise Club.
33:39 Ah, fine. I go right by there.
33:41 Come on. Come on.
33:44 Okay. Thanks.
33:46 [engine noise]
33:47 I, uh, gotta get this to the club, to the manager's office.
34:09 Some guy spilled ink all over it and he wanted it cleaned.
34:14 He was really raising cane. He wouldn't wait till tomorrow. He wants it tonight.
34:16 You and Ari?
34:22 Well, sort of. Uh, supposed to be there by 8.30.
34:28 You'll make it.
34:30 What do you work for?
34:37 Uh, a Seropian. It's an Armenian firm.
34:42 What's the matter? Can't they afford a delivery truck?
34:44 No. They had one, but had to give it up. Business been bad and...
34:48 Who do you think you're kidding?
34:50 I don't get you.
34:53 You're not delivering that anywhere. You swiped it.
34:56 I'm just looking for a place to pedal it somewhere.
34:59 How do you figure that?
35:01 Look, kid, I wasn't born yesterday.
35:03 [engine noise]
35:04 Well, uh, thanks for the lift. I'll, uh, I'll get out here.
35:14 Thought you wanted to go to the Paradise Club.
35:16 Just run the bend. I'll hike it.
35:18 I, uh, I don't want to get there before...
35:21 I'm not supposed to get there before 8.30.
35:30 Hey, what's the idea? I said I wanted to get out here.
35:32 Well, who's stopping you?
35:34 Well, you could at least slow down.
35:36 So I would make it.
35:40 Makes no difference to me one way or the other.
35:42 I was gonna take it away from you.
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42:52 Jim!
42:54 I took the next train back.
42:56 Why?
42:57 Because I came to my senses by the time I got there.
43:00 I couldn't go through with it, Larry. I let you shoulder the blame that way.
43:03 Blame? Who's shouldering any blame?
43:05 Did you look in a room?
43:07 Well, did you?
43:09 The door's locked.
43:11 Oh, I've been through all this for nothing.
43:14 Wait a minute. You haven't called the cops or anything, have you?
43:18 No, I was waiting for you to come back.
43:20 Oh, you had me worried.
43:23 I thought you'd walk over to the station house with me.
43:26 I'm not long on the kind of courage it'll take to make a confession.
43:29 Well, that's just dandy because you're going to keep your mouth shut.
43:32 Oh, no, Larry.
43:33 Now, look, I don't want to argue.
43:34 There won't be any argument. Just give me the key to her room.
43:36 The police will want to get in there.
43:38 Let 'em. They won't find a thing.
43:40 I got rid of her.
43:41 What?
43:43 She's in the back seat of his car right now, headed for the city.
43:45 Man, oh, man, I'd like to be there when he finds her.
43:51 See the expression on his crummy face.
43:54 What's the matter? Did you think he could do it?
43:58 How?
43:59 She went out of here all rolled up in a rug.
44:02 I got the idea when he phoned her.
44:04 I told him to meet her at the Paradise Club.
44:07 He met her, all right.
44:10 But he never knew it.
44:12 I'm glad I waited for you.
44:16 So am I.
44:18 Because on our way to the station, you can tell me exactly what happened.
44:22 Then I can tell them I did it.
44:24 You can't.
44:26 You can't. She wasn't with your life, Jim.
44:29 She was a lousy...
44:31 That's enough, Larry.
44:32 This afternoon when I ran out of here, I was too scared to think.
44:36 But I've come to my senses.
44:38 Nothing.
44:40 Nothing in this world can ever justify taking a life.
44:43 You knew that. I did, too.
44:46 We just got carried away, that's all.
44:48 Carried away?
44:49 There's no use arguing about it. My mind's made up.
44:51 If you won't go with me, I'll go alone.
45:15 Remember, I did it. I got rid of her.
45:17 But shut up.
45:18 I'm looking for James Weeks.
45:29 I'm Jim Weeks.
45:31 Sergeant Crowd. Can we talk inside?
45:35 You recognize this, Mr. Weeks?
45:37 Yes, it belonged to my wife, Doris.
45:43 We thought so.
45:45 It was the only thing that we had to go by.
45:47 The only thing?
45:49 Yes, you see...
45:50 She's...
45:53 She's gone.
45:55 She's gone.
45:57 She's gone.
45:59 She's gone.
46:03 She's pretty badly hurt.
46:05 She's dead.
46:06 Yes, she is.
46:09 I didn't want to tell you so suddenly, but...
46:12 Well, you might as well know.
46:16 There was a car smash-up about an hour ago.
46:19 The guy driving was probably drunk.
46:21 He was going at least 70 when we let out after him.
46:24 He lost control, went over an embankment, and the car caught on fire.
46:31 We tried to get him out, but...
46:33 But she was dead.
46:35 That's right, son.
46:38 She was already dead when we got him out.
46:41 The guy, too.
46:43 I'm sorry to have to bring you this kind of news, Mr. Weeks.
46:48 It shook us up, too.
46:50 When you're feeling more up to it, you can stop by the station house and make the arrangements.
46:56 Well, good night.
47:01 (DOOR OPENS)
47:02 Jim.
47:14 Jim!
47:17 No, Larry.
47:19 You coming?
47:21 (DOOR OPENS)
47:22 (ENGINE STARTS)
47:29 (DOOR CLOSES)
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49:45 [BLANK_AUDIO]