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00:00 The following program is brought to you in living color on NBC.
00:20 ♪
00:44 (gunshot)
00:46 (gunshot)
00:57 Why do you stop me?
00:58 Because I do not want to pay for the stupidity of my brother.
01:02 Wow. Only you think it is stupid to kill a white man.
01:06 I know that if you scalp a white man, the Banachs will be blamed.
01:10 But we must kill them and drive them out.
01:13 No, Laios. They are too many and too wise. We'll never drive them out.
01:19 I don't like them any better than you do, but we have to learn to live with them.
01:24 You talk like a woman.
01:29 All right, brother. Soon to be chief of my people.
01:33 You handle the white man your way. I'll handle him mine.
01:38 You make me ashamed to call you brother.
01:43 ♪
01:52 ♪
02:01 ♪
02:11 ♪
02:21 ♪
02:27 ♪
02:36 ♪
02:49 I'm glad you brought him here.
02:51 You remembered what I read you about Love Thy Neighbor.
02:54 I had to when I found he was still alive.
02:59 I couldn't let even a white man to die in the sun.
03:05 I'm glad he lives.
03:07 I'm not sure I am.
03:10 So you would rather leave our village and live here like an outcast.
03:26 What are you doing here, Laios?
03:28 You should never have taken that Shoshone woman as a wife.
03:32 You too are the son of a chief. Your place is with your people.
03:35 My people turned me away. This is my home now.
03:39 Did you move the body of the white man I killed this afternoon?
03:42 No. I did not move him. Why?
03:46 I went back to take the scalp so I could give it to our father.
03:50 This one would have made him proud.
03:52 You would say the same about any white man's scalp.
03:55 That was not any white man.
03:58 That was the owner of all this land and what's belonged to our people.
04:03 You mean the white man whose scalp I saved is the owner of the range called the Ponderosa.
04:11 That is what I mean.
04:14 I left the white man where he fell.
04:23 I know this kind of woman.
04:25 If the white man lived, she would have you take him.
04:28 You might even have brought him here.
04:32 I will look inside to make sure.
04:35 This is my place. I say there is no white man inside.
04:40 You will not look.
04:42 I'm sorry you visit our home only on such an errand.
04:45 There is no white man here.
04:48 I believe you even less than I believe my brother.
04:52 You better leave.
04:55 Now, Lagos.
04:57 He is still bleeding.
05:13 Will you change the bandage while I get some fresh water?
05:16 No.
05:17 I can't touch him now.
05:21 Stop that.
05:23 You've done enough.
05:25 Our Father who art in heaven, hallowed be thy name.
05:41 That's enough!
05:43 Thy kingdom come, thy will be done on earth as it is in heaven.
05:48 Thy will be done on earth as it is in heaven.
05:51 Well, Pa is not trapped at this hour.
05:55 Do not worry about Pa. He can take care of himself.
05:57 He has gone very close to Banak country.
05:59 Yes, and the Indians have been acting up there lately too.
06:02 They are getting hungry, Hoss.
06:04 They can not grow anything up in those mountains.
06:06 Hunting gets worse every year.
06:08 Pa does not go into Banak country by himself.
06:10 Yes, but our property runs right up there in those hills.
06:13 That's pretty close.
06:15 He took his blankets with him. Maybe he's going to sleep overnight.
06:19 Hi, Ike.
06:28 Howdy, boys. Where's your Pa?
06:30 You're up so late, ain't you, Ike?
06:32 What do you want with Pa?
06:33 I brought him a present.
06:35 I've got something to talk to him about that I figure won't keep much longer.
06:38 Where is he?
06:39 He must have just missed him on the way over.
06:41 He's been out setting traps in that foothill country right near your place.
06:44 We expect him back any minute.
06:46 Dagnabbit.
06:48 If I'd known he was going out that way, I could have saved myself the trip.
06:51 What did you bring him?
06:53 Well, I can show you boys while we're waiting.
06:56 Where did you get that?
07:02 Turned it up in the plow just yesterday.
07:04 It's an Indian skull.
07:06 That must be 200 years old.
07:08 Yeah, they show up every once in a while all over the valley.
07:12 Guess there's no question about who originally lived on this land.
07:17 That was then, not now.
07:20 How come you didn't bring it to Pa?
07:22 I can't figure him wanting a human skull around the place.
07:24 Who said anything about a human skull?
07:26 That's an Indian skull.
07:28 Ike, I wouldn't use those words with Pa.
07:32 You know how he feels on the subject.
07:34 Yeah, well, he knows how I feel about it, too.
07:37 I got no kick about Indians rolling around under my land,
07:40 and I'll be dead burned if I want any live ones squatting on top of it.
07:44 Your land?
07:45 Yeah, my land.
07:47 Your Pa gave it to me to homestead.
07:49 Now, Ike, I don't think there are any Indians living on your land.
07:53 Well, they're awful darn close to it anyhow.
07:57 Your Pa's got to do something about it.
07:59 We'll give him your message, Ike.
08:01 No, Hoss, I'll give it to him myself.
08:04 I'll sit with you fellas for a while and wait for him.
08:07 All right, you can sit a while, but no more talk about Indians, all right?
08:10 Shoot yourself.
08:12 Now, Ike, it's liable to be a long wait.
08:16 As a matter of fact, it may be all night.
08:19 If it is, you can sleep in the bunkhouse.
08:25 Man, I think we can do without this.
08:30 [footsteps]
08:34 [gunshot]
08:38 [music playing]
08:42 [music playing]
08:45 [music playing]
08:48 [music playing]
08:51 [music playing]
08:54 [music playing]
08:57 [music playing]
09:01 [music playing]
09:04 (dramatic music)
09:06 (dramatic music)
09:09 (dramatic music)
09:12 (dramatic music)
09:15 (dramatic music)
09:17 (dramatic music)
09:20 (dramatic music)
09:23 (dramatic music)
09:26 (dramatic music)
09:28 - His fever's worse.
09:50 - What?
09:52 Why did you try to kill me?
09:55 - My husband did not try to kill you.
09:58 He found you lying wounded in the clearing
09:59 and brought you here.
10:01 - It was an Indian that tried to kill me, I know that.
10:05 You're a bannock.
10:09 - I am a bannock, but I did not try to kill you.
10:13 Perhaps I should have.
10:14 - Metsu.
10:15 - I didn't mean to accuse you.
10:23 I know you've cared for me.
10:27 I'm grateful for your help.
10:31 - You would have died if he had left you where you fell.
10:35 - What is this place?
10:38 Where are we?
10:39 - This place is on your land.
10:42 - No villages, settlements, Indian villages in my land?
10:47 - This is not a village.
10:48 Atoya and I live here alone.
10:50 - Why are you not with your village?
10:53 - I am a bannock.
10:55 She's a Shoshone.
10:56 When we're married, neither tribe would accept us.
11:00 - Where did you find out about the Bible?
11:03 - I lived with a man of God and his wife for three years
11:06 in a white man's town to the west.
11:08 Then I met Metsu.
11:11 - And we will stay together
11:14 no matter how many times we have to move.
11:17 - Who said, said anything about moving?
11:20 - We do not stay where we are not welcome.
11:23 - You are welcome.
11:26 - We would still be intruders on white man's land.
11:31 - You'd not be intruders if I gave you land.
11:36 - You would give land to a bannock.
11:44 - If you came in peace.
11:46 - Our people have not signed a white man's peace treaty.
11:51 - Put me on my horse.
11:53 I'll try to find my way home.
11:57 - You are not well enough yet to travel.
12:00 - I must, I must, must get to a doctor.
12:04 - We will get him home.
12:10 - It will take all of God's help.
12:14 - All right, Atoya.
12:17 I'll hold him on his horse.
12:20 - I'll hold him on his horse.
12:22 You pray.
12:23 - Pop!
12:34 - What happened?
12:36 Where'd you find him?
12:36 - He will need a doctor quickly.
12:38 He's badly hurt.
12:39 - Come inside both of you.
12:43 I'd like to know more about what happened.
12:45 - Don't let them red devils go in the house
12:46 after what they done to your pa.
12:48 They probably tried to kill him themselves.
12:50 - They brought him home, didn't they?
12:52 Now shut up.
12:53 How did it happen?
12:58 - We found him wounded in the clearing.
13:01 - We tried to care for him, but the fever is very bad.
13:04 - He recovered enough to tell us where he lived.
13:06 We brought him here.
13:07 - Do you mean my father was in bannock country?
13:09 - Yes, he was.
13:10 - He was?
13:11 - Yes.
13:12 - He was?
13:13 - Yes.
13:14 - Did you find him?
13:15 - No.
13:16 No, he was on his own land.
13:19 That's where we found him.
13:20 - You see, I told you.
13:21 I told you them heathen devils
13:23 were sneaking around on your land.
13:24 - It's a lucky thing they were there.
13:25 Now keep your mouth shut, Ike.
13:27 Thank you very much for what you did.
13:32 You'll need rest and food.
13:35 - You ain't asking him to stay.
13:38 - It will be better if we leave.
13:39 - Your father's a strong man and very brave.
13:42 We both hope he is better soon.
13:44 - No, please, please, Ike.
13:46 I want you to stay.
13:49 - Well, I ain't staying in no house
13:50 where they ask Indians in and they make 'em welcome.
13:54 - Why don't you leave?
13:55 - All right, but don't you forget
13:57 that I got a big bone to pick with your pa
13:59 when he gets better, if he ever does.
14:11 - Very, very poor way to say thank you.
14:13 I'm sorry.
14:16 You will just make yourselves comfortable here.
14:21 I'll be right back.
14:40 - I shouldn't have come here.
14:42 It was a mistake.
14:44 - No, Matsu, it was God's will.
14:47 If we hadn't brought the white man home, he would have died.
14:50 He's a good man.
14:52 He's promised to let us live on this land.
14:54 - I never believed in any white man's promises.
14:57 - He's resting more easily now.
15:03 - How long did you have to pack him?
15:06 Paul's a pretty heavy fellow.
15:07 - Not far.
15:09 We had to take him from his horse.
15:11 The wound was opening again.
15:12 - Why don't the two of you get some sleep
15:15 while we wait for the doctor to get here?
15:17 I am sure my father would like to see you before you leave.
15:20 - Thank you.
15:27 - How you feeling, Paul?
15:38 - Not better than I did.
15:39 - Well, that's all we can do for him for now, boys.
15:43 I want you three to take turns
15:44 making sure that he stays in bed.
15:47 - Don't you worry, Doc.
15:48 I'll make sure he takes orders.
15:50 - You stay in bed, Doc.
15:51 I'll see to that.
15:52 - Look, I'm sorry about that wild ride coming over, Doc.
15:57 You can take it easy going back.
15:58 - Yes, indeed.
15:59 I certainly will.
15:59 I don't know how Mr. Cartwright got hurt
16:04 or why you helped him.
16:06 But one thing I do know for sure,
16:08 if you hadn't helped him when you did,
16:11 he'd be far beyond all help now.
16:13 We can't spare a man like Ben Cartwright.
16:16 Thanks, Adam.
16:20 I'll see you tomorrow, Ben.
16:22 Now you rest here.
16:24 That's an order.
16:27 - Thank you, Doc.
16:28 - See you in a while.
16:30 - Boys, you mind if I have a few minutes alone
16:34 with my friends?
16:36 - Not at all.
16:37 You stay in bed, Paul.
16:39 I'll be back in a minute.
16:40 - I don't even know your names.
16:46 - You have heard them before, but in your fever.
16:48 My name is Atoya and my husband is Matsu.
16:52 - I'll remember them.
16:54 And I haven't forgotten what I told you
16:58 about that piece of land.
17:01 - We didn't ask for it.
17:02 - I know you didn't.
17:05 I've been thinking about it.
17:07 I want you to have a big piece of land,
17:11 enough for a farm.
17:13 - What would we do with such a piece of land?
17:17 - You'd farm it, raise crops, animals,
17:21 live off the land.
17:22 - I know nothing of such things.
17:28 - The red man knows more about hunting and fishing.
17:31 White man knows more about farming.
17:33 If we put what we know together,
17:36 there will be more than enough for us all.
17:38 - This will never be.
17:42 There is no way to begin.
17:46 You offer us a farm,
17:51 but I know nothing of such things.
17:55 So I say, keep your farm.
18:01 - Let me ask you a question.
18:04 (Matsu grunts)
18:06 Would you come to live as a farmer
18:10 on your own land,
18:13 if I and my sons and the settlers in the valley
18:18 would teach you and help you
18:21 with the things you do not now know?
18:23 - It would be so wonderful, Matsu.
18:26 - It would also be difficult.
18:27 It might not work.
18:32 I might not learn.
18:33 I've talked too much.
18:42 I never believed such an offer could be made.
18:46 The white man always takes.
18:50 - We will talk and pray and let you know our decision.
18:57 (gentle music)
19:00 - But I have lived among them in the white man's town.
19:18 I know them better than you do.
19:21 - Perhaps you do not know me well enough.
19:23 - I know you very well, beloved,
19:25 and I believe we can do this thing together.
19:28 - Why can't we stay here?
19:30 - I could stay here anywhere alone with you forever, Matsu.
19:34 But what of our sons and daughters who will be coming?
19:39 If God wills it.
19:40 Would you keep them alone too?
19:42 - We can go back to the tribe someday.
19:46 They won't always be at war.
19:48 And I am a son of a chief.
19:50 - The youngest son,
19:53 and with no great love for his brother Lagos,
19:55 who will be the next chief.
19:56 - That is true.
19:59 - This is a chance to have a better way of life
20:02 than we have ever known for us and for our children.
20:06 - I don't know that it will be better.
20:08 I only know that it will be very different.
20:10 And it is this difference that frightens me.
20:14 - Frightens you, Matsu?
20:17 You have told me that nothing frightens you.
20:19 - I spoke those words as a warrior and a hunter,
20:23 and they were true.
20:24 And I was raised to be these things and not a farmer.
20:28 - You have also told me that our people
20:31 and the white men must learn to live together in peace.
20:34 - But you are asking much more than that.
20:36 You are asking me to put down my bow and arrow
20:40 and pick up an ax and a plow.
20:42 You are asking me to eat bread instead of meat,
20:46 to wear cloth instead of leather,
20:49 to live in a house instead of a wickiup.
20:51 You are asking me to stop being an Indian.
20:55 And I don't know if I can do it.
20:57 (dramatic music)
21:00 (dramatic music)
21:02 (dramatic music)
21:05 (dramatic music)
21:08 (dramatic music)
21:11 (dramatic music)
21:39 - I shall lift up mine eyes unto the hills
21:43 from whence cometh my strength.
21:44 - I do not know that I can do it well,
21:52 or even that I will not fail completely.
21:56 But I will try, my dearest love,
22:02 if you will stand beside me.
22:09 - No, can't do it, I tell you.
22:11 I couldn't hardly believe my own two ears
22:12 when I first heard it.
22:13 Can't believe it now.
22:15 - Well, you might as well believe it, Ike,
22:16 'cause it's true.
22:17 - Well, then I think you're going out of your mind.
22:21 Or else that Injun banged you real good on the head
22:24 before he stuck his knife into you.
22:26 Now, whichever way it is,
22:30 I ain't gonna have no Injun for a neighbor
22:33 and you ain't got no right to make me.
22:35 - Now, look, let's just simmer down and talk some sense, Ike.
22:38 - I don't wanna simmer down!
22:40 - Now, you listen to me.
22:41 The night that you was hurt,
22:42 I come down here to get you to run off two savages
22:44 to sneak down to your land.
22:46 And they were squatting in a stinking tent
22:48 right next to my boundary.
22:50 Now, I'll find out those same two savages
22:53 has been given a farm by you right next to my land.
22:56 And you ask me to simmer down.
22:58 - Now, those two savages saved my life.
23:01 - Yeah, more like they stuck their knife into you first.
23:04 All right.
23:06 Now, if you have to give them a reward,
23:08 give them whiskey or money.
23:10 Don't give them land.
23:11 - Don't you think that Indians at least
23:16 have a call to share the land in this valley?
23:19 - No, not next door to me.
23:21 - What have you got against Indians?
23:23 I sure would like to know.
23:24 - Well, I sure would like to tell you.
23:27 I don't like them because they're bloodthirsty savages.
23:30 They're worse than wild animals.
23:31 They're twice as dangerous.
23:33 And I don't like them 'cause they're heathens.
23:35 And I don't like them 'cause they won't work
23:37 and they can't work.
23:39 And because they're dirty and they stink
23:41 and they're sneaky and they're drunks and they're thieves
23:43 and God knows what else.
23:45 Most of all, I don't like them 'cause they scare me.
23:47 I hate them.
23:49 - What is it about them that scares you?
23:51 - They got long black hair.
23:52 - And red skins.
23:53 - Yeah.
23:55 - Yeah.
23:55 I'm not gonna try to answer you like, not now.
24:00 But someday somebody's gonna have to answer
24:02 for people who think like you do.
24:04 - There's nothing wrong with the way I think.
24:07 - I'm not gonna argue that point either.
24:09 But neither am I gonna back down from what's my right to do.
24:14 I promised Matsu and Atoya that piece of land
24:16 and I mean for them to have it.
24:19 - Well, why put it next to me?
24:21 - It's not just a piece of land, Ike.
24:23 It's treating them like people.
24:25 I have no intention of giving them some worthless scrap
24:27 up around the rocks.
24:28 They've already got that.
24:30 I wanna give them a piece of land that they can work,
24:31 a piece of land that they can farm.
24:34 And that land next to yours is the best I have.
24:36 And it's my intention to give it to them.
24:39 - If you put them on that piece, I move out.
24:42 - Well, that's a decision that you're gonna have to make, Ike.
24:45 I'd think about it a long time before I made the move.
24:50 Now, Loco, all I'm asking you to do
24:55 is give those to a chance.
24:58 I don't want you to be a friend, just be a decent neighbor.
25:02 - Well, I tell you what kind of neighbor I'll be.
25:05 I'll treat them just like they wasn't there.
25:06 I won't talk to them, I won't answer them.
25:09 I won't help them, I won't let them help me.
25:11 I won't go on their land.
25:12 And if they put a foot on my land, I'll kill them.
25:15 - Ike.
25:16 You do anything out of line,
25:21 you'll answer to me.
25:23 (dramatic music)
25:26 (dramatic music)
25:28 - All right, Hans, let it go.
25:42 (dramatic music)
25:44 (horse neighing)
25:53 (dramatic music)
25:56 (guns firing)
25:59 (dramatic music)
26:19 (dramatic music)
26:22 (dramatic music)
26:24 (dramatic music)
26:27 - Look at me, Antonio.
26:55 Months of work and I am now nothing.
26:58 Not an Indian,
27:01 and certainly not a white man.
27:06 - Never mind Antonio.
27:08 - Eating bread at a table, what a thing for a warrior.
27:13 - It is only when you're tired that you get this way.
27:20 If you've done so much and we've come so far,
27:22 we're not only at peace with the white man,
27:24 we've made friends.
27:25 - And enemies.
27:27 Our close neighbor, Ike Daggert, is an enemy.
27:30 - He is difficult.
27:35 But I noticed that the other settlers
27:36 have no love for Mr. Daggert either.
27:39 - I entered this house in peace
27:44 only because you were born my brother
27:46 and I owe you something.
27:48 - The feather of the chief.
27:51 - Why do you wear it?
27:53 - Our father died two days ago
27:54 full of hatred for the white man
27:56 and scorn for his youngest son.
27:58 (dramatic music)
28:01 - I am sorry.
28:03 I loved him.
28:06 And I've had no love for you,
28:09 but I hope you will be a better chief than he was.
28:12 - I tell you one thing, Matsu.
28:15 We no longer will sit in the mountains
28:16 and starve while this valley is full of plenty.
28:19 We no longer will sit in the mountains
28:20 and talk about peace treaties.
28:23 Tomorrow the Bannock Braves go on the war path
28:25 and this valley will be full of death.
28:27 - I have known you would do this.
28:30 I also know that you are wrong.
28:33 - You are the one who is wrong.
28:35 You do not belong here and never will.
28:39 As chief of our tribe, I ask you to come back.
28:42 The day of the lance is upon us.
28:44 You were once a great warrior
28:46 until this woman turned you soft.
28:50 Come back to the tribe.
28:51 You are needed.
28:52 - I am needed here, Lagos.
29:03 Atolla is with child.
29:04 - Then I rejoice for the both of you.
29:12 Bring her with you.
29:13 The ban will be lifted.
29:14 If she carries your child, she will be welcome.
29:17 - It is mostly for the child that I will stay.
29:21 - If you stay, then you will die here
29:22 like the white men you're trying to imitate.
29:25 I give you till tomorrow to think on it.
29:29 I wait no longer.
29:32 (dramatic music)
29:34 - Are you sorry now about the child?
29:50 - You know I prayed for that child.
29:53 To your God as well as to mine.
29:56 - But would you go back if it were not for that?
30:01 - If it comes to dying,
30:03 I'd rather die as a warrior fighting with my people
30:08 than as a farmer living among strangers.
30:12 - Then you would go back.
30:15 - I might.
30:16 But the child is not only important for us,
30:21 but for the future of our people.
30:24 I will stay for my little wife.
30:29 For my little wife.
30:31 And for my child.
30:34 (dramatic music)
30:36 - What will you do about your brother?
30:42 - In the morning I'll ride to Ben Cartwright.
30:46 The settlers have to be warned.
30:48 - Even though he's your brother?
30:51 - I still remember the teachings of my father, Atoya.
30:57 When a decision is made, it must be kept.
31:00 Even against a brother.
31:05 - Hey, Matt!
31:13 Congratulations, I just heard the wonderful news
31:16 about Atoya.
31:17 - I only heard about it myself three days ago.
31:19 - Well, you know the way that kind of news travels.
31:21 Women talk, wonderful to see you.
31:22 - You don't get over this way often enough.
31:23 - Yeah, why don't you bring your pretty wife with you?
31:25 - Yeah, I'm digging her up a present, it's a cradle.
31:28 Ain't been slept in since little Joe jumped out of it.
31:30 - Save your welcome until you hear the rest of my news.
31:33 The Banoks are going on the war path.
31:36 - Oh, how do you know that, Matt?
31:38 - Because my brother is now chief of the Banoks,
31:40 he told me.
31:41 - You mean they're planning a raid?
31:43 - No, more than a raid.
31:44 It will be war.
31:46 - How soon is this to start?
31:48 - Any moment.
31:49 - Maybe we ought to get word to Fort Bradley.
31:51 - You know the way they are,
31:52 they're not gonna do anything until after there's an incident.
31:54 - You better warn the settlers.
31:56 Get ready to ride into the valley.
31:57 - All right, Pop.
31:59 It is good to warn the settlers,
32:00 but I came to warn you first.
32:03 - That's very good of you.
32:04 - No, no, no, no.
32:06 My brother has two people he hates.
32:08 One of them is me, because I won't go back and join them.
32:12 The other one is you, Wayne.
32:13 - Why should your brother hate me?
32:18 - It was my brother who tried to kill you
32:23 by the time we brought you home.
32:24 - People of this valley are getting to owe you
32:33 more and more, Matt, especially me.
32:35 Why don't you and Atoya stay with us here
32:41 till this thing blows over?
32:43 - Oh, thank you.
32:44 I would like to bring Atoya here for the sake of the child.
32:49 I...
32:53 I will stay on my land.
32:54 - Good.
32:58 You do that.
32:59 Adam, better get word to Ike Daggett.
33:02 - Ike Daggett is my neighbor, Ben.
33:06 I will take care of warning him.
33:07 - Matt, I don't want you to take that chance.
33:10 Don't step foot in his land.
33:12 - I don't like Ike Daggett, Ben,
33:14 but I am not afraid of him.
33:15 You have enough country to cover.
33:18 I will warn the Daggetts on my way home.
33:21 (birds chirping)
33:24 (dramatic music)
33:32 (people singing in foreign language)
33:44 (dramatic music)
33:47 (people singing in foreign language)
33:52 (people cheering)
33:55 (speaking in foreign language)
34:13 (people cheering)
34:19 (dramatic music)
34:22 - Why don't you bring that dang gun right into bed with us?
34:32 You pay it more mind than you do me.
34:33 - Martha, I told you a hundred times.
34:37 When you got red engines for next door neighbors,
34:39 you gotta be ready for trouble, especially at night.
34:41 - Bah, you've been saying that for months.
34:44 Staying up late, sneaking around with your dang gun,
34:46 and they haven't so much as set foot on your dang place.
34:49 - That's 'cause I scared 'em good and proper to begin with.
34:52 And I kept 'em scared, every chance.
34:54 I heard something out there.
35:07 - Yep, you certainly got 'em scared all right.
35:10 - I'm gonna go see what that is.
35:12 (dramatic music)
35:15 - I daggered.
35:22 - Daggered.
35:24 - I daggered.
35:26 (dramatic music)
35:30 (Martha screams)
35:41 (speaking in foreign language)
35:45 (gunshot)
35:48 - The Lord maketh his face to shine upon thee,
36:03 and be gracious unto thee.
36:04 The Lord lift up his countenance upon thee,
36:10 and give thee peace.
36:12 Amen.
36:14 - Amen. - Amen.
36:14 - Thanks, Ben.
36:21 - Quit it!
36:28 You quit that, I said!
36:34 Quit it!
36:36 - What is it, Ike, what's the matter?
36:38 - I won't stand it.
36:39 I won't stand for no heathen saying prayers
36:42 at my wife's grave, now you quit it!
36:44 - Ike, she ain't no heathen.
36:47 She knows as much about the Bible as you do.
36:48 - What are they doing here anyway?
36:50 Those Indians that killed my Martha!
36:52 - They're trying to pay their respects
36:53 just like the rest of us now.
36:54 - You got no more respect for the dead than a coyote.
36:57 Quit it!
36:58 (dramatic music)
37:09 - I want to tell you how deeply sorry I am
37:12 that my people killed your wife.
37:14 I tried to warn you.
37:17 - Don't you talk to me, you Indian!
37:20 - I understand how you feel.
37:26 I am sorry.
37:29 - You dirty, rotten, lousy, stinking savage!
37:33 - Ike, Ike, Ike!
37:35 - Come on, come on, Ike, stop it!
37:38 Here.
37:39 Ike!
37:41 (gunshot)
37:43 There you savage, you killed my wife, I killed yours.
37:51 An eye for an eye.
37:52 An eye for an eye, Ben, an eye for an eye.
37:56 It's in the book, Ike!
37:58 An eye for an eye, it's in the book.
38:02 (dramatic music)
38:05 (dramatic music)
38:08 (dramatic music)
38:10 (dramatic music)
38:13 (dramatic music)
38:23 (dramatic music)
38:26 - It's like dagger.
38:46 I can hardly recognize it.
38:50 - Pa, Pa, come out here!
38:52 (birds chirping)
38:55 Come out!
38:59 That's engine work, Pa.
39:04 You don't reckon, you don't reckon Matt?
39:08 Let's get him into the house.
39:11 - He sure done a job on him.
39:17 - Yeah.
39:18 - Wonder why he didn't finish it.
39:20 - He didn't want him to die.
39:23 - Help me!
39:23 Where am I?
39:27 Help me!
39:27 (yells)
39:32 - It's all right, Ike.
39:37 - Help!
39:38 - It's all right, Ike.
39:39 You're with me.
39:40 - Ben?
39:42 Ben Cartwright?
39:44 - It's me, Ike.
39:50 Ain't so easy to kill like dagger did.
39:53 It left me, left me alive a purpose,
40:00 as soon as I could suffer.
40:02 - Who, Ike?
40:05 Who?
40:07 Who, Ike?
40:18 Who?
40:19 - The, the engine.
40:21 Your friend.
40:22 One you tried to make into a white man, Matt Sue.
40:27 Know why, why he left me,
40:36 left me alive, Ben?
40:39 He wants you, wants you to meet him in the cave,
40:42 North Fork.
40:44 He wants Ben Cartwright, so.
40:48 Otherwise, every settler in the valley
40:51 will get what I got, but...
40:53 - Just didn't understand what we were trying to do.
41:10 (somber music)
41:13 - What are you gonna do now, Pa?
41:33 - Matt wants to see me, I'll go to him.
41:36 Gotta try to bring him to his senses, I own that.
41:39 - He's gone too far now.
41:41 - Ike Daggett killed his wife.
41:44 - Pa, we can't let you take the risk.
41:46 - Anything I've ever done has had some risk attached to it.
41:49 I'll go up by the North Trail.
41:50 If I'm not back by morning, you come for me.
41:52 - Pa?
41:55 Hey, you forgot this.
41:57 - Yeah, that won't bring me back, nor Matt either.
42:01 - Matt?
42:09 Matt?
42:10 Matt Sue, it's Ben Cartwright.
42:14 - I didn't think you would come.
42:20 - I got your message from Ike Daggett.
42:25 He said you wanted to see me.
42:27 I'm here.
42:30 - Then you saw what I did to Ike Daggett.
42:34 - I saw.
42:37 - I'm not afraid.
42:38 - Aren't you afraid?
42:44 - No, Matt, I'm not afraid.
42:49 (grunting)
42:51 - You know about Rorhide.
43:05 It's gone.
43:06 It gets tighter and tighter.
43:09 - I know.
43:12 - Why did you come here last night?
43:16 - See if I could help you.
43:20 - All right, go ahead, help me.
43:25 Give me back the wife that I loved
43:28 and the child she carried.
43:30 - Tying me like this, bring her back.
43:36 - No.
43:36 But I think that making you suffer enough
43:40 will ease some of my pain.
43:42 - I guess you're right.
43:45 I just wanted to help you, not hurt you.
43:50 - Help me?
43:52 You held my arms, Ben.
43:54 You let that madman shoot Atoya right before my eyes.
43:59 Do you think if you hadn't held my arms,
44:02 Ben, he could have done that?
44:04 I say you killed Atoya just as surely
44:07 as if you had pulled the trigger.
44:09 - Does it hurt?
44:15 - Yes, it hurts.
44:20 - Good.
44:21 Good.
44:23 It will get worse.
44:25 (dramatic music)
44:28 (dramatic music)
44:31 (dramatic music)
44:34 (dramatic music)
44:37 (dramatic music)
44:40 - Is it bad?
45:06 (dramatic music)
45:09 Is it bad?
45:09 - You're a strong man, Ben.
45:13 I thought you would be screaming by now.
45:18 - Our father, who art in heaven.
45:27 (dramatic music)
45:30 - What did you say?
45:32 - Hallowed be thy name.
45:35 - Stop that.
45:36 - Thy kingdom come.
45:38 - Stop that, Ben.
45:39 Stop it.
45:42 Ben.
45:45 - You shouldn't have done that, Ben.
46:06 You shouldn't have prayed.
46:07 - Is that what made you let me go?
46:20 - I meant to kill you.
46:24 But I failed here too.
46:28 I failed at everything.
46:34 (dramatic music)
46:36 I lost my wife.
46:37 My brother Lagos is dead.
46:42 I failed being a white man.
46:46 I failed being an Indian.
46:52 - Oh, Matt.
46:55 (dramatic music)
46:58 (dramatic music)
47:01 - You didn't fail.
47:05 I don't think you could ever fail.
47:08 I wanted to kill you, Ben.
47:12 It was important for me to kill you and I couldn't do it.
47:18 If I couldn't torture you into hating me,
47:25 then I couldn't kill you.
47:26 (dramatic music)
47:29 - Can you forgive me for hurting you?
47:37 - I did that before you cut me loose.
47:54 I will help you home, Ben.
47:56 - No, I'll be all right.
48:01 Matt.
48:03 You're going home.
48:06 To your people?
48:08 - Yes.
48:11 - You'll be back.
48:17 - Yes, we will be back.
48:23 (dramatic music)
48:26 - There he is.
48:35 - Pa, you all right?
48:41 - Yeah.
48:43 - Pa, did he do this to you?
48:45 - Yeah.
48:46 - I'll get him.
48:47 - No.
48:47 Let him alone.
48:49 He's going home.
48:52 - Back up in the mountains?
48:54 - Yeah.
48:56 - There's a new chief at the Bannocks now.
49:00 (dramatic music)
49:09 (dramatic music)
49:11 (dramatic music)
49:14 (dramatic music)
49:17 (dramatic music)
49:20 (dramatic music)
49:22 (dramatic music)
49:25 (dramatic music)
49:28 - This has been a color presentation
49:52 of the NBC television network.
49:54 [Music]
49:57 [BLANK_AUDIO]