La Promesa Episodio 346 Completo - La Promesa Capitulo 346 Completo - La Promesa RTVE Serie - Tele Channel
La Promesa Episodio 346 Completo - La Promesa Capitulo 346 Completo - La Promesa RTVE Serie
La Promesa Episodio 346 Completo: https://dai.ly/x8xrqh8
La Promesa Capitulo 346 Completo
La Promesa Capitulo 346
La Promesa Episodio 346 La Promesa Episodio Completo
La Promesa 346 Completo
La Promesa Completo
La Promesa RTVE
La Promesa Episodio 346 Completo: https://dai.ly/x8xrqh8
La Promesa Capitulo 346 Completo
La Promesa Capitulo 346
La Promesa Episodio 346 La Promesa Episodio Completo
La Promesa 346 Completo
La Promesa Completo
La Promesa RTVE
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TVTranscript
00:00 [dramatic music]
00:03 ♪
00:05 - Damn it, I knew it.
00:07 I knew the captain was aware of everything.
00:09 - Now you'll understand why he took to the skies and land
00:11 to get into the business.
00:13 - And better than a soldier like him to know
00:15 about the profits of a arms smuggling, right?
00:17 - Exactly.
00:18 - Lope, can you take a look at the service?
00:21 See if everything is fine.
00:22 - Why don't you look at the menu and get out of doubt?
00:25 Vera is a wonderful girl.
00:27 And she has already had enough bad luck because of her father.
00:30 Get rid of that stupidity in your head
00:31 and go back to the relationship you had with her before.
00:33 She is so beautiful.
00:35 - I think that for everything to work out correctly,
00:38 we need one more lackey.
00:40 - There are so many that we need.
00:41 I would think of your son in your place.
00:43 - I don't know if it's a good idea to bring Santos here.
00:47 - Come on, we'll be in all the lie-houses.
00:49 They don't even mention us in the squad.
00:51 God knows how long it will take us to recover from this dismay.
00:55 - I'm afraid my son will say no.
00:57 - Why? He hasn't improved a bit in your relationship.
01:00 - Between Santos and me, there are too many wrinkles of the past.
01:03 I wouldn't be surprised if he simply rejected the offer because I'm the one who offers it to him.
01:07 - Ah, so let's not take that risk then.
01:10 - What do you mean? - No, I'll make sure to talk to Santos
01:13 and offer him the position of lackey.
01:15 - You don't stop getting into my family's affairs, Curro, and you know me badly.
01:18 But I hope that now, at least, you can understand how I feel every time you question my relationship with my mother.
01:23 - It is obvious that you have not understood anything, Martina.
01:25 - Me? And it won't be that you ... - Martina, I have your body for your excuses.
01:29 Do you know why I cried yesterday?
01:32 I cried because I realized that I'm no longer loving you, Martina.
01:37 And I thought that this was never going to happen to me.
01:39 - Girl, I want you to know that I am very happy that you are here.
01:43 You already know.
01:45 But you didn't have to come. Just finding out, I'm sure you have a lot to do in Madrid.
01:48 - Yes, many and very important, but none as important as being by your side at a time like this.
01:54 - I think I didn't understand him well.
01:58 The extortion of Pelayo is over.
02:01 And if I don't do it, I expose myself to face you.
02:05 I'm terrified.
02:07 - I'm not kidding.
02:11 - So it's true that we are here. I hope I have a good justification.
02:16 - The fever doesn't go down. And I don't know what to do anymore.
02:23 - But there will be something to do, Mrs. Darre. It is clear that your son needs help.
02:27 - That's all. Until the last peseta.
02:30 - I am glad to see that you are a man of your word, despite the miseries.
02:34 One last warning. Put the dagger to my niece.
02:39 Do it yourself or I'll have to end up doing it myself and ...
02:44 We will end up facing each other, without need.
02:47 - Don't even think about getting close to Catalina.
02:50 - Last night I went to Marto, to Antonieto's house.
02:53 - But I told you what he told me. My virtue is so that I am not.
02:56 - Excuse me! The last thing I want to do now is listen to you, Candela.
03:00 - In March, he told me something I didn't expect. Something terrible.
03:06 - Don't worry, MarÃa Fernández. I tell you that I am very happy.
03:10 When you received the letter informing me that the dukes of Abrontes
03:15 offer you the position of personal maid of the Duchess.
03:20 - Are you suggesting that I leave the promise?
03:23 - What are you doing, Ignacio? I'm not suggesting anything.
03:27 I'm demanding it from you. Get out of my house.
03:30 What? You haven't heard me? - Yes, yes. I heard you perfectly.
03:40 - And then that face? I told you that you have to leave the promise.
03:43 - I know. But ... I don't think so.
03:48 - What do you mean? - That no. And do you know why?
03:52 Because it is no longer just your house. No longer.
03:56 - I don't know what you mean.
03:58 What's going on? Can you tell me what's that face?
04:04 - Uh ... Cruz was kindly inviting me to leave the promise.
04:11 - And who are you to kick my guest out of this house?
04:16 - Your guest? - Yes. That's what I said.
04:19 I admit that Ayala came from your hand, but our friendship has been getting closer and closer
04:24 and I have been the one who has insisted that she extend her stay.
04:27 - You have no right to invite anyone to my house.
04:30 - As Ayala said, that's what I thought.
04:34 This is no longer just your house. It is also my house.
04:37 - How dare you? - I own 25% of the promise and even if it weighs you down, that's the reality.
04:42 I can invite whoever I want. - You were taking a long time to use that nonsense.
04:46 - That happy percentage is worth nothing.
04:49 - Well, I don't agree with you. I think it's worth a lot.
04:52 - A quarter of the promise?
04:54 It doesn't give you a blank check to do whatever you want.
04:57 - Enough to think and to prevent you from kicking Ayala out of this house.
05:01 - We'll see about that. - Of course we'll see.
05:04 Don't scare me, Cruz. - Neither do you, dear.
05:07 - I should. Because I remind you that I came to this house for nothing and now I own 25% of your house.
05:12 And this has only just begun.
05:14 - Don't threaten me, Margarita. - No, sorry. I'm not threatening you.
05:17 I just remind you that I'm going to get back what's mine.
05:20 - What's yours? - Yes. And my husband's, may he rest in peace.
05:24 - Your husband. Your husband and you, always crying, always lamenting about what could have been and what wasn't.
05:29 I'm going to remind you of something, dear.
05:31 This house is unique and exclusively mine by my husband, who is the only Marquis de Luján.
05:35 - Your husband, who took it from Pedro. He was the one who deserved to inherit the property and the title.
05:41 And I remind you that Pedro unfortunately died in an accident.
05:44 - An accident? Please. No one believes that.
05:47 - An accident that came to your husband very well. - What are you insinuating?
05:50 - No, I'm not insinuating anything. - Remove it immediately.
05:53 - What? That Alonso was to blame for Pedro's death?
05:55 - My husband is not a murderer. - You said it, I didn't.
05:58 - Ladies, please. Let's not get things out of hand.
06:02 Remember that you are sisters-in-law.
06:05 [Music]
06:16 [Music]
06:34 [Music]
06:44 [Music]
06:54 [Music]
07:04 [Music]
07:14 [Music]
07:24 [Music]
07:34 [Music]
07:44 - How is the personal seal of the Duchess of Aparentes?
07:48 - What you hear.
07:50 - What's going on here?
07:56 - Is that what you were trying to understand, Mrs. Petra?
07:59 - Well, there is not much to understand.
08:01 - Well, it would be a little surprising if it is.
08:03 - I don't know what surprises you.
08:05 It bothers me that you are surprised that people can value my work.
08:08 - You do an excellent job. No one has to be surprised.
08:12 - Maria, it is more than justified that they have noticed you.
08:16 - Noticed her?
08:18 But can someone tell me what's going on?
08:21 - Well, Maria has been offered another palace.
08:24 - Well, and what palace?
08:26 - Nothing more and nothing less than that of the Dukes of Abrantes.
08:29 - Oh.
08:30 And for what?
08:32 - To be personal maid of the Duchess.
08:35 - You?
08:36 - Yes, me. The dukes have offered me a job.
08:40 As much as it weighs on you.
08:41 - It doesn't weigh on me, girl.
08:43 As you will understand, what you do with your life, it doesn't come and go.
08:46 - That's why you asked so much.
08:48 - Well, she has already decided whether to accept or not.
08:52 - Well, no, not yet.
08:54 I have been told that the incorporation is not urgent, so I can think about it.
08:58 - I'm glad, I'm glad.
09:00 When I made the decision, she told me, in case I had to look for a substitute.
09:04 - But Maria, what are you going to think?
09:06 The house of the dukes is very good,
09:08 and the position they have offered you is better than the one you have here.
09:10 - Well, I don't know, things, wait. Things.
09:12 - Being a personal maid of a duchess is not a nonsense.
09:15 - And more than the Duchess of Abrantes.
09:17 The house is very good.
09:19 - I think so. Come on, it's an honor that they have decided to hire someone from this house.
09:25 That's why I mean, they recognize the work that is done here.
09:27 - Well, yes.
09:28 I, Maria, am very happy for you, you deserve it.
09:31 - And I, Maria, congratulations. - Yes, congratulations.
09:35 - And you, aren't you going to dinner?
09:40 - I'm going to continue with my homework.
09:46 - Have you seen the lady in the exhibit? - And what is the claim for?
09:56 - Well, I need to consult you on a matter regarding some garments that the gentlemen want.
10:01 - What garments?
10:02 - So you're asking today?
10:05 - I ask what I want.
10:07 What I needed was for you to come and tell me what I can and what I can't ask.
10:11 - Please.
10:12 Ladies, I just need to know where the lady in the exhibit is.
10:16 - Mr. Pellicer, I think I've seen you at the laundry before.
10:19 - Thank you very much.
10:24 - Good news, Maria.
10:26 - Are you going to tell me what you discovered in Martos or not?
10:44 - Everything in due time.
10:46 Sit down.
10:47 - What? No, I'm fine standing up.
10:49 You're scaring me, Candela.
10:50 - Don't be so scared. I'll explain it to you right away.
10:54 - Let's see.
10:55 - I went to Martos.
10:59 No, as I have already told you.
11:01 Specifically, to Antonio's house.
11:04 - Yes, I imagine you didn't go to visit the Church of Santa Marta.
11:07 - I knew it wasn't going to be easy.
11:09 - And?
11:10 - It's just that ...
11:12 Andean women spend a lot of money, really.
11:16 It's just that ...
11:17 It's just that ...
11:18 It's just that ...
11:19 - So?
11:21 Is that what you meant when you said you discovered something terrible?
11:24 - Of course not. I knew that Norbert was also a sinner.
11:27 - Well, of course.
11:28 We already saw the bad temper that the girl has when she came to visit the prom.
11:32 - That's why.
11:33 - So?
11:35 - So what?
11:37 - What is it that surprised you so much, Candela?
11:41 Are you going to tell me or is it a secret?
11:43 - Virtue is not a virtue, Toñito.
11:49 - What do you mean she didn't go to see him?
11:51 - Norberta told me.
11:54 I haven't seen Virtue since the second time she came here.
11:57 Since she started working here at La Promesa.
12:00 - So the first time she left, she did go to Antonito's house.
12:05 But not this last time.
12:07 - Exactly.
12:08 - I don't believe it.
12:09 - What do you mean you don't believe it?
12:11 - Now we are going to trust more what Norberta says than what my own daughter says.
12:15 - And why would Norberta want to lie to us?
12:18 - Because he is a bad guy.
12:19 And he does it to get at my Virtues.
12:21 - I doubt it.
12:22 - Why do you doubt it?
12:24 - Because he told me that he had never seen her around or wanted to see her.
12:27 In fact, his words were that if he saw her, he would tell her that he didn't want to see her again, but never again at his house.
12:33 - But why would he lie to us about something like that?
12:36 And another thing.
12:38 Where was Virtues when he left La Promesa?
12:40 - I don't know.
12:41 But not far from there.
12:43 Because the sweets I brought were from the area.
12:45 - You know what?
12:48 We have to find out what's going on.
12:52 We have to find out now.
12:53 - Where are we going?
12:55 - I'll take care of it.
12:57 - I'll go with you.
12:58 - Yes, honey, you're almost done.
13:02 Like this.
13:03 But you have to breathe.
13:05 How do you see it?
13:06 - It's indeed very congested.
13:09 That's why it's so hard for him to breathe.
13:12 - What can we do, Hanna?
13:14 Let's see, what can I help you with?
13:15 - Well, for now, I would have to call a doctor.
13:17 - Well, I see that as complicated.
13:20 - And why?
13:21 - Well, because when he fell ill, Ben immediately took him to see the doctor.
13:24 Dr. Guillén.
13:26 And he wasn't there.
13:27 But he was absent for I don't know what reason.
13:29 Let's see, here's the little bag.
13:30 - But he didn't put anyone in his place?
13:32 - Yes.
13:33 Let's see, a trainee.
13:34 And what he told me, the truth is that he put saline solution on his nose
13:40 to clear the veins and also some vapors but ...
13:43 - That's it?
13:44 - Yes, but I didn't do it.
13:45 Hanna, because I've seen him so sick and so congested that he can't breathe well,
13:49 that it has given me a hard time getting something in his nose.
13:51 I don't know, maybe I did it wrong.
13:55 - It's been a week, right?
13:58 - Yes.
13:59 At first we were worried because the truth is that we thought it was a common cough,
14:03 but then the fever started.
14:04 I can't be going and coming constantly to Ben's house.
14:08 And that's why I brought him here, to La Promesa.
14:10 I didn't do the same right, but if I did it, it's because I was really desperate.
14:17 - Do you want to look at something else? The chest? I don't know.
14:23 - I'm going to look at the color of his nails and his lips.
14:26 - Let's see.
14:27 - And I'm going to touch his hand.
14:29 - There are the hands.
14:30 - Show me the hand.
14:31 - Come on, come on, come on.
14:33 Like this.
14:34 - Let's see, that one.
14:36 - Let's see.
14:38 - The color seems normal, but ...
14:40 I'm worried that the respiratory failure has lasted so long.
14:44 - What can be done, Miss Espósito?
14:47 - Vera, I would like to go to the pharmacy to get an anti-inflammatory.
14:53 - Now?
14:54 - As soon as possible. I'm worried that it's closed and I have to give it to you tomorrow.
14:59 - Well, go.
15:00 - Let's go. God bless you.
15:02 - Doña Pria, if you have a fever again, put a cold cloth on him.
15:05 Or if not, give him a blanket.
15:07 You know what he says to you?
15:11 He's thanking you.
15:13 Thank you, really.
15:15 For coming right away.
15:18 Thank you.
15:20 [Sobbing]
15:23 - Thank you.
15:39 Mmm ...
15:42 I missed the ham of this land so much, but thank God.
15:46 Oh ...
15:48 Don't you eat?
15:50 - Thank you, but ...
15:52 With everything that has happened, with Ximena ...
15:55 I don't have much appetite.
15:57 - Manuel, you have to eat.
15:59 You don't think well with an empty stomach.
16:02 As you wish. But continue.
16:06 You were telling me that after the fire and the attack on Catalina, Ximena returned.
16:12 - Yes.
16:14 I was hoping that she would recover from her nervous breakdown.
16:18 - And no?
16:19 - No.
16:20 From there on, everything got worse.
16:23 - Worse?
16:24 - She attempted again to kill someone.
16:29 - Who?
16:32 - Her doctor.
16:34 Abel Bueno.
16:35 - She tried to kill him, but why? She was helping her.
16:39 - You see, friend ...
16:43 It turns out that Abel was the only one, besides her, who knew her lie.
16:49 - What lie?
16:51 - Ximena made us all believe that she was pregnant and it was not true.
16:56 - She was never pregnant?
16:59 So the bad thing about the pregnancy ...
17:03 - A lie.
17:06 A more false play than Judas.
17:09 - I can't believe it.
17:10 - Well, believe it.
17:12 That's what my marriage has been, friend.
17:14 A big lie.
17:16 - Manuel, I listen to you and I don't give credit.
17:18 It's ... It's incredible.
17:20 - Incredible, painful, sad.
17:25 - I have become clear how Ximena was, but you have not yet told me how you are.
17:32 Friend, how do you feel? How are you?
17:35 - Weird.
17:38 - Weird?
17:39 - Yes.
17:41 You see, I ...
17:43 I had made up my mind that I was going to be tied to that woman for the rest of my life.
17:47 - Well, but is ... Isn't this a good thing?
17:52 - I guess so.
17:54 I don't know, Blanca. Right now I'm ...
17:57 overwhelmed and blocked.
17:59 - Oh Manuel, I don't understand you.
18:01 - Well, it's as if those ties hadn't been cut.
18:04 - And Hanna?
18:10 - Hanna what?
18:12 - How are things going with her?
18:15 - They were going well.
18:17 - They were.
18:19 - I've already told you. Ximena's death has changed everything.
18:23 - For her part.
18:25 - For both of us.
18:28 I can't ...
18:36 caress her.
18:38 Nor kiss her. Nor ...
18:41 give her a simple hug from friends.
18:45 And neither can she to me.
18:48 - But ... why?
18:51 - You see, I guess Ximena's memory has been very present.
18:57 And her death reminds us that we haven't done things right either.
19:04 It's a burden that neither of us can take off.
19:08 - Teresa.
19:23 - Hanna. - Where are you going? Has something happened?
19:25 - Well, Mr. Pellicer has given me permission to go to Lujan, but ...
19:28 I wanted to ask you if anyone needs anything from me, if you can cover for me.
19:32 - Yes, of course. But has something happened?
19:36 - Doña Pia's son needs the medicines.
19:40 - Diego?
19:42 - He's here, in La Promesa, in Doña Pia's room, but don't say anything.
19:46 - No, of course not. He's gotten worse.
19:49 - He has a cold and now he has trouble breathing.
19:52 - My God, how little he is.
19:54 - Doña Pia was very worried and couldn't be leaving and coming from Beni's house, so ...
19:58 - So he brought him here.
19:59 - Yes, but only Mr. Pellicer, Doña Pia, you and I know. So he can't go in there.
20:04 - Don't worry. I'm not going to say a word.
20:07 And now go get the medicines.
20:09 And when you come back, maybe we can toast to MarÃa Fernández and her good news.
20:13 Finally there is positive news in this palace.
20:16 - What?
20:17 - I had no idea either, and that's why I sleep with her.
20:20 But well, Salvador didn't know either.
20:22 Although ...
20:24 Maybe I'm getting in the way and you weren't aware either.
20:27 - The truth is that I don't know what you're talking about.
20:30 But right now I'm in a hurry, I have to go. As soon as I get back, you'll tell me.
20:34 - Sure.
20:36 - Thank you for coming to keep Manuel company.
20:52 Our son is very sad.
20:55 - And it's not for less.
20:57 His wife's death has been a very hard blow.
21:01 It was a good thing that you had already returned from Peru and that you were already in Spain.
21:07 - Yes, I was in Madrid.
21:09 A magazine wants to publish my photos and I had a job interview there.
21:13 But I didn't hesitate for a second. I came as soon as I found out what had happened.
21:18 Manuel and I have always been best friends.
21:21 - Are you going to publish your photos from Peru? I would love to see them.
21:25 - Yes.
21:27 By the way, Blanca, I guess that not being noble or family,
21:31 you were not invited to the chapel of Jimena, right?
21:34 - No, no, not me. I have a friend who did go.
21:37 - Oh yeah? And have they told you anything?
21:41 - Something like what?
21:43 I don't know. About how the ceremony was or ...
21:47 - Recruz, what do you want to be told?
21:50 - I don't know. Well, not being Blanca, a member of the Lujan,
21:54 it is possible that ...
21:56 she has heard ...
21:58 some of the gossip. - Leave her.
22:01 You put her on a commitment.
22:03 - No, don't worry, Mr. Alonso.
22:05 I don't mind sharing with you what has reached my ears.
22:09 - And well?
22:11 - The Lujan are not very well off. Especially Manuel.
22:18 How can they have such a small heart?
22:21 Manuel has just gotten engaged and they are making him fall from a donkey.
22:25 - Well, people were surprised not to see him at his wife's funeral.
22:28 - Manuel is not to blame for that.
22:31 We would all have liked to attend.
22:33 But it is that the dukes not only did not invite us,
22:36 they did not even inform us when the ceremony was going to be.
22:39 - I know, Manuel told me.
22:41 - They not only forbid us to attend, but also spread lies about us.
22:47 - I'm afraid that's how it is.
22:49 I know that it is the dukes themselves who are saying that Manuel
22:53 misunderstood his wife when he needed it the most
22:56 and that you did not protect her.
22:59 - I can't believe it.
23:02 And you are not going to do anything?
23:05 - Me?
23:06 - I don't know. Talk to your friends and acquaintances and tell them the truth.
23:11 - I think it is better to leave things as they are for now.
23:16 - So you're going to let them tell lies about us?
23:20 And you are so close to Manuel?
23:22 - Cruz, don't pay with her, it's not her fault.
23:25 Besides, she's right.
23:27 It's no use defending ourselves now.
23:30 We will have time to tell our truth.
23:32 Let's leave things as they are.
23:35 - I'm sorry.
23:37 - Jorge, have you seen Salvador by any chance?
23:51 - I haven't seen him in a while, Maria.
23:54 - Where are you going?
23:58 - I can't right now, Maria. I have to go up ...
24:00 - I'm not stopping you!
24:02 I understand that you are angry and I don't blame you.
24:05 I should have told you about the job.
24:08 - I just don't understand why you're hiding something like that from me, honestly.
24:11 - I haven't hidden it from you.
24:12 - Oh, no?
24:13 - No. I just haven't told you at first sight.
24:16 - Not at first sight or second sight, Maria. If I found out with the rest of the service ...
24:19 - Yeah, that was bad.
24:20 - Not bad. Fatal.
24:23 - But I didn't take it to the extreme.
24:25 I didn't know how to tell you and I didn't make the decision either.
24:29 - But that's the least of it.
24:30 - Yeah. The rest is that I haven't told you at first sight, right?
24:34 - I thought we told each other everything.
24:36 - Of course.
24:37 - No. Not at first sight.
24:40 Look, Maria, I ... I don't just want to be your boyfriend.
24:46 I would like to be your friend too.
24:48 Be a person you can tell ...
24:52 the bad, the good, your joys, your sorrows, uncertainties, everything.
24:59 Isn't that the commitment?
25:02 Not telling me something so important, you only show me one thing.
25:08 - What?
25:10 - That you don't trust me.
25:12 - Don't say that.
25:14 - It's what I feel.
25:17 And maybe that also means that things are not going so well between us.
25:22 Now, if you'll excuse me, I have to go upstairs.
25:26 - Okay.
25:28 - To Canada.
25:51 - Why not?
25:52 - Because it's too far away, honey.
25:54 - Well, but we haven't seen my brothers in a long time.
25:56 Or maybe you don't want to see your children?
25:58 - Of course I want to see them. But they could also come and see us.
26:01 - Or them, us ... What else?
26:03 And we can also extend the trip for a few days and go to see Leonor.
26:08 - To New York?
26:10 - It's a great idea. She is staying with her aunt Mildred, but ...
26:13 We can ask her and she will surely host us for a few days.
26:17 - You have it all planned out.
26:19 - I feel like going on a trip together.
26:21 - And so you keep me away from the season of the promise too, right?
26:25 - Do you want to go on that trip with me or not?
26:30 - Well ... I'll think about it.
26:32 - Can I know what's wrong with her?
26:34 - Well, yesterday I had a very unpleasant conversation with your aunt Cruz.
26:38 - Again?
26:39 - Well, we almost got it.
26:41 - How? Why? What happened?
26:43 - Well ... For Ayala.
26:45 - For Ayala?
26:47 - Well, can you believe that I was going to kick her out of the palace?
26:50 But I arrived in time and I was able to stop it.
26:52 - Can you stop that?
26:56 - Of course, daughter. That's why I'm 25% in favor of the promise.
27:00 - And you use that power to make enemies with Aunt Cruz for Ayala.
27:04 Really. It's just that it seems like you don't care at all about what I'm telling you,
27:08 but when it comes to that man, he gets his nails out.
27:10 - MarÃa, please. Let's not argue about this anymore.
27:12 - No, no, no.
27:14 - Good morning.
27:18 - Dear Blanca!
27:20 - How are you?
27:21 - Do you remember me?
27:23 I'm Margarita, Manuel's and Catalina's aunt.
27:25 - It's been a long time since we last saw each other.
27:27 - Since she was little, right?
27:29 - Yes, it has rained since then.
27:31 - I had been told that you had been here, but I had not come to the promise.
27:35 - I coincided with Martina, but not with you.
27:39 - Well, you look gorgeous.
27:41 - Thank you. Although I don't pay much attention to it.
27:44 - We are late for breakfast.
27:46 - We just started. Sit down.
27:48 - I'm very sorry about your husband's death.
27:52 I'm with you in the feeling.
27:54 - Yes, it was a hard blow.
27:57 We are still getting up from it, but little by little.
28:00 - You know, while we were coming, I was talking to Blanca about an expedition she has made to Peru.
28:10 With an American historian, looking for archaeological ruins, right?
28:14 - But you were a photographer, not an archaeologist, right?
28:17 - Yes, I am a photographer. But Professor Irán Binham, from Yale University,
28:22 invited me to join his expedition. And I could not refuse.
28:27 - I read recently that this man made a very important discovery a few years ago.
28:32 A ... a kind of ancient city of the Incas, could it be?
28:36 - The Machu Picchu? I came back there with him.
28:40 You should see all that. It's something impressive.
28:43 - Who are the Incas?
28:45 - They were one of the peoples who lived there, in South America, before we arrived.
28:50 - One of those disorganized and without religion tribes, I understand.
28:54 - No, in fact, no. Because there were some impressive temples,
29:00 which shows that they did have beliefs and a strong society.
29:04 - You know, I still don't understand how you could get there,
29:07 because as far as I understand, it was a rough and impassable road.
29:11 - It was ... it was a tiring trip.
29:14 First, we had to cross a river. Very difficult to cross, by the Caudal, the Urubamba.
29:22 - And how did you manage to cross it in the end?
29:26 - Well, by a bridge ... a bit dangerous, really.
29:29 Because it was made of logs tied with lianas, nothing more.
29:33 - Oh, for God's sake.
29:34 - And then, for an hour or an hour and a half, we climbed a slope,
29:38 which was completely vertical, with suffocating heat.
29:42 - Why didn't you tell me before? Because I didn't know how to do it.
29:55 - Well, you can do it like anything else, starting from the beginning, MarÃa.
30:00 - I'm telling you now, right? That's it.
30:04 - Why were you so weird?
30:06 And wasn't it true what you said about ... that I had written you a letter from a friend
30:10 because a girl from the village had given birth, right?
30:13 - Well, no. The key master of the Duchess of Abrontes wrote to me to tell me that she was interested in me.
30:19 The Duchess.
30:21 - Yeah ...
30:22 You have not lied to us, MarÃa. And you have lied to me too.
30:26 - I forgive my daughter, Ana. But who didn't know what decision to make.
30:31 - True.
30:32 - Well, that's what friends are for. To talk things out and to make things clear.
30:36 - I don't know if that would have helped in my case, really. - And why not?
30:41 - Because everyone thinks I have to accept.
30:44 - Well, because you have to accept, MarÃa. It's clear. It's a good position.
30:47 - I know, huh? My head tells me to accept, but my heart tells me the opposite.
30:56 It's bad that I don't want to separate from my companions, from my friend, from what my family has been so far.
31:02 But thank God the Dukes have given me time to think about it.
31:08 Because if I didn't have a burden ...
31:10 - Well, for a while, if you want to talk at some point, you just have to look for me.
31:14 Yes?
31:15 Come on.
31:18 - What are you doing?
31:26 - Well, it has taken me a long time to get rid of the smell of vomit in Diego's sheets.
31:30 - Does he vomit?
31:32 - Yes, he has a cough that makes him vomit. The poor thing is going through a decay.
31:35 - Well, how's the other issue going?
31:40 - What other issue?
31:42 - The one about ... Don Manuel.
31:45 Don Manuel. Yeah ...
31:47 Well ...
31:50 I don't know what to tell you, since Mrs. Jiménez died, we've been weird.
31:54 - And why is that?
31:56 - Because ... Manuel is locked up in the hangar all day, he's on duty and I ...
32:03 Well, I'm not doing very well either.
32:05 - Normal. If Mrs. Jiménez's death is a tragedy for everyone,
32:10 for you, even more.
32:12 - I think that Jiménez's death, more than ... more than uniting us, has separated us.
32:18 - No matter where you go.
32:21 - And he has built a wall between us.
32:24 A wall that is unbreakable.
32:27 Anyway ...
32:32 - I'm going to bed.
32:34 - Do you have a minute?
32:53 - What's up?
32:54 - I came to talk to you about your daughter.
32:56 - Leonor?
32:57 - No man, no. Catalina.
32:59 - It's rude to see my daughter.
33:01 - Whatever.
33:03 - What's wrong with her?
33:06 - Her management of the canned goods business has been deplorable.
33:09 - God knows that girl is not holy to my devotion.
33:14 But business doesn't go bad.
33:16 - That was before love atrophied her.
33:18 Her relationship with Count de Anis has harmed her.
33:21 - You are absolutely right about that. And more than her relationship, her breakup.
33:29 It seems a lie that she is so smart and has not been able to calibrate the consequences of her decisions.
33:34 - Between one and the other, they have made many mistakes.
33:37 One of them Garrafal.
33:39 - Which one? According to you?
33:41 - Not diversifying.
33:43 The largest amount of income in a business depends on a single buyer is a rookie mistake.
33:48 And proof of this is that by losing Cavendish, we have lost everything.
33:51 - You don't know how sorry I am for not doing something before.
33:54 - And why didn't you do it?
33:56 - Because that was a matter of Pelayo and Catalina. It was their job.
33:59 And while they were reaping the benefits of the family, there was no justification to change the way they did things.
34:05 - Okay. I understand that.
34:07 But that was before. Now things have changed.
34:10 - And what do you propose?
34:14 - That you leave the management of the business to me.
34:19 - To you?
34:21 - I give you my word that I will regain profitability in a blink of an eye.
34:27 - And what are you going to do?
34:28 - That's my business.
34:30 - And what are we going to do with Catalina?
34:33 You don't know her well enough if you think she's going to sit idly by.
34:36 - That's why I came here. So you can take care of her.
34:39 - Who? Me?
34:40 - Do whatever you have to do to get her out of the business.
34:44 And I promise not to let you down.
34:46 - And why would I have to trust you, Lorenzo?
34:50 I remind you that neither of us is in a position to trust each other.
34:54 - Why do you say that?
34:56 I have always been faithful and loyal to you.
34:58 - Don't make me laugh, please.
35:00 You have deceived me a multitude of times.
35:03 Not to mention that you have treated my sister terribly all your life.
35:07 - That's nonsense.
35:08 - That's the truth.
35:09 - You know that I have never been a good husband.
35:11 But I have always treated you with respect.
35:14 Do you forget that I was the one who got you out of that asylum when you were admitted?
35:20 - Yes, I was admitted.
35:21 It was because you and your dear Baroness of Grazalema
35:24 made everyone believe that I was crazy.
35:26 - Cruz, don't get into details.
35:28 Neither you nor I are angels.
35:30 - Well, no.
35:31 Rather, no.
35:32 - But we form a good team when we have common interests.
35:37 As is the case.
35:39 Tell me.
35:41 Do I count on your support to snatch Catalina from the business
35:45 that she so eagerly raised?
35:48 [Music]
36:01 - Look what a treat I bring for the prettiest girl in the promenade.
36:10 - And since when are these chestnuts a treat?
36:14 - These are not normal chestnuts.
36:16 This is how my grandmother prepared them, rest in peace.
36:19 Cooked with anis and matala uva and roasted in the embers.
36:22 - I'll try them then.
36:25 They are delicious.
36:33 The truth is that you were right.
36:35 They are a real treat.
36:37 - I wanted to apologize for my behavior these last few days.
36:43 I'm sorry I pressured you to tell the truth about the money.
36:48 You've had a pretty bad time already, as if I were adding pressure.
36:52 - It's okay.
36:53 - I know it happens, but it has to be hard for you to be like this with your father.
36:58 And more so knowing that your mother is dead.
37:01 And maybe your father deserves to have stolen the money, but you don't have to ...
37:05 - Enough!
37:06 Don't you realize I don't want to talk about them?
37:13 Any memory related to my childhood hurts me.
37:17 I just want to forget everything and that's it.
37:21 It's so hard for you to understand.
37:24 - I understand.
37:28 Sorry.
37:39 - Tell me what's wrong, my dear.
37:42 Are you having a fever? Why? Tell your mother, please. Tell me.
37:46 Tell me, my love.
37:49 - Mrs. Agar, are you from here? - Yes.
37:55 - They are looking for you on the Nuble floor.
37:57 - Now?
37:59 - Yes, Mrs. Marquesa wants to see you about something.
38:02 - Yes, I could wait a few minutes, right?
38:05 - I insisted that it has to be now.
38:07 - What's wrong?
38:09 - I don't know, Mr. Pellicer.
38:12 I've already put cold cloths on her, as Hanna said, on her forehead.
38:15 I've given her the solution so she doesn't get better.
38:17 - No, not like that, no. - No, not like that.
38:19 No.
38:22 What she does is coughing. Coughing and that's why she's crying, of course.
38:25 - Because of the cough, of course. - Yes, that's it.
38:27 Because of the cough and I guess because it's hard for her to breathe.
38:31 She must be going through hell.
38:34 - I can't leave her like this now, Mr. Pellicer. How can I leave her here alone?
38:38 - Give me the child.
38:41 - What? - Give me the child before she regrets it.
38:46 - But you are going to stay with my son-in-law.
38:49 - Well, it would be better not to contradict the lady, right?
38:51 For the account she brings us, don't you think?
38:53 - That's clear. Yes, no, no, the hat, no.
38:55 - Well, that's it. Go see what you want while I take care of your son.
38:59 - But are you sure, Mr. Pellicer?
39:01 - Nobody is going to miss me for a while. So, do you miss me?
39:05 - Well, he's leaving with everyone so ...
39:10 And I'm not going to take long. - No, you take whatever you want, Minester.
39:14 We are going to be very well.
39:17 - Go easy. - Okay.
39:20 - Very well.
39:22 - One ...
39:23 Two ...
39:25 Three ...
39:27 - Vera, are you okay?
39:42 - Yes, I'm fine.
39:44 - Well, I think something like that happens.
39:47 And judging by that face, I would say it is something serious.
39:50 If you want to get rid of me, you can do it.
39:53 I'm not going to tell anyone.
39:55 - I know, Teresa. It's not that. It's just that ...
39:59 Sorry, Teresa, but I don't want to talk about it.
40:04 - Well, if ...
40:10 If that's what you want, I won't insist anymore.
40:13 But you should know that ...
40:16 Sometimes, when we talk and say things out loud,
40:21 they are not as serious as we think.
40:23 And it turns out that we also realize that there is a solution.
40:26 - No. This has no solution.
40:29 - And why don't you try?
40:32 - I started thinking about my family and ...
40:39 I got sad.
40:41 - Yeah.
40:43 Well, but feeling nostalgia is not a bad thing.
40:46 - No. My thing is not nostalgia.
40:49 No. All memories of the past are pleasant.
40:52 - I understand.
40:55 - The past makes me sad.
41:00 - Yeah.
41:04 Me too.
41:09 - And ... Why have you started thinking about your family?
41:13 - Well ... Lope has come and he has started talking to me about my parents.
41:17 - Lope?
41:19 - He wants to know more about them and he keeps asking.
41:23 - Well, I guess it's normal.
41:27 - Normal? But why is it normal?
41:29 Why can't we leave things as they are?
41:31 - Well, because when one person loves another, they also want to know everything about her.
41:35 Not just how she walks, how she laughs,
41:37 what she thinks, if she is a good or bad person.
41:39 She also wants to know her origins.
41:41 And I don't know, things from her childhood, for example.
41:44 - Well, I don't want to think about my childhood, or my parents,
41:48 or anything that reminds me of my past.
41:50 I prefer to forget everything.
41:53 - And you have every right in the world, of course.
41:58 - But he keeps insisting.
42:01 And the past generates a distress that I cannot overcome.
42:06 - I understand.
42:08 - Thank you very much for listening to me, Teresa.
42:16 - You're welcome.
42:18 That's what we're here for.
42:23 Well, I'm going to continue.
42:25 [Music]
42:53 - I'm ready.
42:55 - How did it go with the lady?
43:00 - Good.
43:02 - Was it so urgent that you couldn't wait?
43:05 - Well, I wanted to give my instructions about the accommodation of ...
43:09 of Miss Blanca.
43:11 - Did he tell you how long she's going to stay?
43:13 - No. Well, you never know.
43:15 You never know how long she's going to stay in La Promesa, or anywhere.
43:18 - She doesn't say.
43:19 - And when she gets tired, she leaves.
43:23 Has she been sleeping for a long time?
43:27 - Well, so much that I'm afraid to breathe in case she wakes up.
43:31 - Well, I can take her in if you want.
43:37 She leaves and ...
43:39 Are you okay?
43:46 - Yes. Well, I've fallen asleep.
43:48 - I'm going to carry you in my arms.
43:49 - I'm so sorry.
43:50 - It wasn't your fault.
43:51 - No, believe me, I'm really sorry.
43:53 - Well, this is just a little tingle that I get on my way to the kitchen.
43:57 - Uh ... Mr. Pellicer ...
44:02 Thank you for taking care of Lliguito while I was taking care of ...
44:06 of my obligations, of course.
44:08 - It's nothing. It's nothing.
44:10 - No, it has been. Believe me.
44:13 Uh ...
44:15 Has she cried a lot?
44:18 - No. She falls asleep right away.
44:21 - I don't believe it.
44:23 - Mrs. Agarre, please, I win by lying to her.
44:26 Besides, the important thing here is that the boy is already asleep, right?
44:29 Well, let's not turn it around.
44:31 I'm going to go back to my homework.
44:33 - Yes.
44:34 Mr. Pellicer ...
44:38 Uh ...
44:40 Thank you very much.
44:44 [Music]
44:54 - Now yes, huh?
44:57 Good night, my child.
45:00 - Good night.
45:02 - Thank you.
45:06 Memories of the family.
45:12 - Who were you talking to?
45:14 - With the Rivera de la Cruz.
45:16 They have called to give us their condolences for Ximena's death.
45:20 - Very kind of them.
45:22 - You know I've known Miguel for a long time.
45:24 We studied together and we have always maintained friendship.
45:27 - And did he tell you anything?
45:29 - About what?
45:31 - You know, about the rumors that the dukes are spreading about us.
45:35 - The conversation has been polite and correct, without any gossip.
45:39 - Thank goodness.
45:42 Oh Alonso, I can't believe the dukes are going to make something like this happen.
45:47 Difficult times are coming.
45:50 - Don't worry.
45:53 Everything will be fine.
45:55 - You know, I thank heaven for having you by my side.
46:01 At times like this, I don't know what would happen to me without your temper and your interest.
46:10 - We complement each other.
46:13 I'm calmer and you, pure energy and passion.
46:18 The perfect team.
46:21 - That's why I came to talk to you.
46:25 - What's going on?
46:28 - You see, I know you don't like to talk about this.
46:35 But it is clear that the breakup of Catalina and the count of Agnil has not been good for the business.
46:40 - Cruz.
46:42 - You will admit that the loss of Cavendish has had terrible economic consequences.
46:48 - It is true.
46:51 It was a mistake to depend on a single client, but the circumstances are what they are.
46:55 We cannot control the war in Europe.
46:58 - Well, it's just that ... not everything has been because of the war.
47:02 - I know.
47:04 But I can't get into my daughter's personal life either.
47:07 - I don't know, dear. I think ...
47:10 Maybe we are burdening Catalina with too much work.
47:14 - Catalina is perfectly capable of running the farm and the canning business.
47:19 And she has shown it many times.
47:21 - In normal conditions, yes.
47:23 But now, with a broken heart and the pain in her body ...
47:28 - The job sometimes helps her with the bills.
47:31 - I know. And you, with the big management.
47:34 But you and I know that deep down, Catalina is practically alone.
47:39 The management of the farm and the business of the jams.
47:43 The relationship with the day laborers, with the tenants ...
47:47 Anyway, it's a lot of work.
47:49 A lot for a single person and, above all, for a person who is suffering from love sickness.
47:59 - I don't know Cruz, seen like this ... You may be right.
48:04 - That's why I'm here, right? You said we make a good team.
48:09 - What are you thinking about exactly?
48:13 - Lorenzo.
48:16 We could put him in charge of the jam business.
48:20 And so, meanwhile, Catalina can take care of the rest and rest a little.
48:25 At least until the waters warm up.
48:27 - Lorenzo. - Yes. Lorenzo has many contacts.
48:31 And after all, we always have him used. Why not?
48:35 - Let me think about it.
48:39 - Sure.
48:44 [Birds chirping]
48:47 - Hello.
49:11 Are you going to make more chestnuts?
49:13 - Yes, they liked them a lot and I wanted to prepare more.
49:17 - They were very good.
49:24 Lope, I'm sorry I told you that before.
49:38 It was necessary to react like that.
49:41 - You're right. I had no right to talk to you like that.
49:45 - Well, no. Look, it wasn't taken into account.
49:48 - I know and I'm sorry.
49:51 I think I was a little nervous about this whole suitcase thing and ...
49:56 I got a little carried away.
49:58 - Yes, but that's not my fault. - I know.
50:00 And that's why I'm asking you for forgiveness.
50:03 [Music]
50:06 - Vera, I just want to know things about you.
50:15 Things about your family, things about your life.
50:18 - I know you do it with the best of intentions, Lope.
50:23 But you have to understand that we are very different in that.
50:27 - When you say that, what do you mean?
50:31 - Well, for you, your family is very important.
50:34 Precisely because you have not been able to enjoy it.
50:37 - But for everyone, their family is important. - No, not for me.
50:40 The memories of my family are painful for me and ...
50:46 I prefer to keep them as far away as possible.
50:49 Not only physically, but also in my thoughts.
50:59 - Vera, I understand that.
51:01 - No. You don't understand it. That's the problem.
51:06 - Why do you say that?
51:09 - Lope, don't you realize that all this is moving us away?
51:13 We have very different ways of seeing things.
51:17 - Vera, this is not moving us away. - Yes.
51:20 And it is becoming more and more difficult to approach positions.
51:24 - Vera, don't say that. - It's the truth.
51:27 [Music]
51:29 It doesn't matter how much love we have for each other, because ...
51:32 with these clashes we are proving that ...
51:35 neither of us is willing to give in, at the very least.
51:39 - Vera, you're talking as if ... - As if what?
51:41 - As if you wanted to break up with me.
51:43 Are you breaking up with me, Vera?
51:51 [Music]
52:06 - That's right. Cruz threw me out of here with a box of stampedes.
52:09 I don't think you didn't know.
52:11 - Well, no. I didn't know.
52:13 - Cruz tells you everything.
52:15 - Not always.
52:18 - So you have to leave here.
52:21 - No.
52:23 No, because just at that moment Margarita arrived and faced me.
52:27 She reminded Cruz that she owns a part of the promise
52:30 and that she can invite whoever she wants. Now I am her guest.
52:33 - I understand.
52:34 I'm really sorry that things with Mrs. Marquez are going so badly.
52:39 - I don't believe you, Petra.
52:43 And I don't think you knew anything either.
52:45 In fact, I think you have something to do with Cruz's change of attitude towards me.
52:49 - Me?
52:51 - Are you acting on your own, Petra?
52:56 - No.
52:58 - You're lying.
53:01 - And what do you think I'm doing exactly, Ignacio?
53:09 - You're putting Cruz against me.
53:11 - And why should I do something like that?
53:14 - Because you're jealous.
53:16 You can't stand that I got along with Margarita.
53:18 You can't stand the good relationship between us.
53:20 - You're wrong.
53:21 - Stop lying.
53:23 - Calm down, Ignacio.
53:24 - Tell me the truth at once.
53:26 Are you putting weird ideas in Cruz's head?
53:29 Are you throwing firewood, taking advantage of the influence you have on her?
53:32 - Let me make one thing clear to you, Ignacio.
53:35 Mrs. Marquez has eyes and ears.
53:37 And above all, intelligence and judgment to draw their own conclusions
53:41 without me having to tell her what to think or do.
53:45 And you haven't behaved precisely like a very discreet person.
53:49 You're nothing more than a liar if you thought that Mrs. Cruz
53:52 would not realize how you were drinking behind her sister-in-law.
53:55 - Petra, you're ... - You're pathetic.
53:57 Pathetic.
53:58 And I'm glad that Felicia never found out that she had a pussy like you as a father.
54:02 - The chicken stew is ready for tonight.
54:07 - Are we going to be full?
54:09 - We must have a little sauce.
54:11 - López, what are you doing, Vera and you, still here?
54:14 According to the squad, you were free this afternoon.
54:17 - That's true. Because I hadn't gone for a walk together.
54:20 - And do you really think you can focus on getting the business going
54:24 in such a delicate personal situation?
54:26 - Of course.
54:27 - But maybe with a little help.
54:30 - And who are you thinking of?
54:32 - Well, I don't know. Lorenzo, for example.
54:35 - Are you serious?
54:37 - Let them say whatever they want. You're making me careless.
54:40 - Manuel, I've heard a lot of the rumors that Ni says.
54:44 And your mother, in this case, has enough reasons to be worried.
54:50 - If you don't have a sound judgment, I would reject the proposal to work
54:54 as a personal maid of the Duchess of Abronte. Huh?
54:57 - Well, you're not in your sound judgment either.
54:59 - But it seems that life makes that decision for me
55:02 and that I have to accept it, yes or yes.
55:04 - They must be very heavy arguments for you to now consider
55:08 that there is no possible solution.
55:10 - For him, they are.
55:12 And if one of the two parties doesn't want to fix it,
55:15 there's nothing to do. By the way,
55:18 I would like to go back to my room,
55:21 the one that was designed when the promise arrived.
55:23 - What's wrong? That you are very brave to run to Aunt Cruz
55:26 to tell her about your mother and Count Dallara.
55:28 But you lose your courage when you are exposed to your actions.
55:31 - But how can you be so twisted?
55:33 - No, no, no. I'm not twisted, MartÃn. I am consistent.
55:36 - Sometimes I think you see me as a puppet that you can handle at your will.
55:39 - Who do you think I am, Alonso? - Don't be naive, Cruz.
55:42 - Don't you see that everything I do is for the family good?
55:44 - We all want the family good.
55:46 - It's not enough to want it. You have to act.
55:49 And Manuel and you, your mouth is full of good words.
55:51 But you don't do anything.
55:53 - I thank you with all my heart that you have offered to help me.
55:55 - Well, all to offer a good image and for that buyer
55:58 to acquire a good batch of jams.
56:00 Among the three of us, we are going to make that buyer not escape us alive.
56:03 - Miss Catalina de Luján? - Yes, it's me. Delighted.
56:09 - I don't understand. What were the reasons that my Aunt Cruz screamed to get her out?
56:14 - Discrepancies between Margarita and Cruz that have splashed me. Nothing important.
56:19 - Don't underestimate Mrs. Marquesa.
56:21 She is much more dangerous than you think.
56:24 - I know Cruz perfectly.
56:27 - No. You don't know her.
56:30 You have no idea what she is capable of doing.
56:34 [Music]
56:37 [MUSIC PLAYING]