La Promesa Episodio 346 Completo - La Promesa Capitulo 346 Completo - La Promesa RTVE Serie - Tele Channel

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La Promesa Episodio 346 Completo - La Promesa Capitulo 346 Completo - La Promesa RTVE Serie

La Promesa Episodio 346 Completo: https://dai.ly/x8xrqh8
La Promesa Capitulo 346 Completo
La Promesa Capitulo 346
La Promesa Episodio 346 La Promesa Episodio Completo
La Promesa 346 Completo
La Promesa Completo
La Promesa RTVE

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Transcript
00:00 [dramatic music]
00:03 ♪
00:05 - Damn it, I knew it.
00:07 I knew the captain was aware of everything.
00:09 - Now you'll understand why he took to the skies and land
00:11 to get into the business.
00:13 - And better than a soldier like him to know
00:15 about the profits of a arms smuggling, right?
00:17 - Exactly.
00:18 - Lope, can you take a look at the service?
00:21 See if everything is fine.
00:22 - Why don't you look at the menu and get out of doubt?
00:25 Vera is a wonderful girl.
00:27 And she has already had enough bad luck because of her father.
00:30 Get rid of that stupidity in your head
00:31 and go back to the relationship you had with her before.
00:33 She is so beautiful.
00:35 - I think that for everything to work out correctly,
00:38 we need one more lackey.
00:40 - There are so many that we need.
00:41 I would think of your son in your place.
00:43 - I don't know if it's a good idea to bring Santos here.
00:47 - Come on, we'll be in all the lie-houses.
00:49 They don't even mention us in the squad.
00:51 God knows how long it will take us to recover from this dismay.
00:55 - I'm afraid my son will say no.
00:57 - Why? He hasn't improved a bit in your relationship.
01:00 - Between Santos and me, there are too many wrinkles of the past.
01:03 I wouldn't be surprised if he simply rejected the offer because I'm the one who offers it to him.
01:07 - Ah, so let's not take that risk then.
01:10 - What do you mean? - No, I'll make sure to talk to Santos
01:13 and offer him the position of lackey.
01:15 - You don't stop getting into my family's affairs, Curro, and you know me badly.
01:18 But I hope that now, at least, you can understand how I feel every time you question my relationship with my mother.
01:23 - It is obvious that you have not understood anything, Martina.
01:25 - Me? And it won't be that you ... - Martina, I have your body for your excuses.
01:29 Do you know why I cried yesterday?
01:32 I cried because I realized that I'm no longer loving you, Martina.
01:37 And I thought that this was never going to happen to me.
01:39 - Girl, I want you to know that I am very happy that you are here.
01:43 You already know.
01:45 But you didn't have to come. Just finding out, I'm sure you have a lot to do in Madrid.
01:48 - Yes, many and very important, but none as important as being by your side at a time like this.
01:54 - I think I didn't understand him well.
01:58 The extortion of Pelayo is over.
02:01 And if I don't do it, I expose myself to face you.
02:05 I'm terrified.
02:07 - I'm not kidding.
02:11 - So it's true that we are here. I hope I have a good justification.
02:16 - The fever doesn't go down. And I don't know what to do anymore.
02:23 - But there will be something to do, Mrs. Darre. It is clear that your son needs help.
02:27 - That's all. Until the last peseta.
02:30 - I am glad to see that you are a man of your word, despite the miseries.
02:34 One last warning. Put the dagger to my niece.
02:39 Do it yourself or I'll have to end up doing it myself and ...
02:44 We will end up facing each other, without need.
02:47 - Don't even think about getting close to Catalina.
02:50 - Last night I went to Marto, to Antonieto's house.
02:53 - But I told you what he told me. My virtue is so that I am not.
02:56 - Excuse me! The last thing I want to do now is listen to you, Candela.
03:00 - In March, he told me something I didn't expect. Something terrible.
03:06 - Don't worry, María Fernández. I tell you that I am very happy.
03:10 When you received the letter informing me that the dukes of Abrontes
03:15 offer you the position of personal maid of the Duchess.
03:20 - Are you suggesting that I leave the promise?
03:23 - What are you doing, Ignacio? I'm not suggesting anything.
03:27 I'm demanding it from you. Get out of my house.
03:30 What? You haven't heard me? - Yes, yes. I heard you perfectly.
03:40 - And then that face? I told you that you have to leave the promise.
03:43 - I know. But ... I don't think so.
03:48 - What do you mean? - That no. And do you know why?
03:52 Because it is no longer just your house. No longer.
03:56 - I don't know what you mean.
03:58 What's going on? Can you tell me what's that face?
04:04 - Uh ... Cruz was kindly inviting me to leave the promise.
04:11 - And who are you to kick my guest out of this house?
04:16 - Your guest? - Yes. That's what I said.
04:19 I admit that Ayala came from your hand, but our friendship has been getting closer and closer
04:24 and I have been the one who has insisted that she extend her stay.
04:27 - You have no right to invite anyone to my house.
04:30 - As Ayala said, that's what I thought.
04:34 This is no longer just your house. It is also my house.
04:37 - How dare you? - I own 25% of the promise and even if it weighs you down, that's the reality.
04:42 I can invite whoever I want. - You were taking a long time to use that nonsense.
04:46 - That happy percentage is worth nothing.
04:49 - Well, I don't agree with you. I think it's worth a lot.
04:52 - A quarter of the promise?
04:54 It doesn't give you a blank check to do whatever you want.
04:57 - Enough to think and to prevent you from kicking Ayala out of this house.
05:01 - We'll see about that. - Of course we'll see.
05:04 Don't scare me, Cruz. - Neither do you, dear.
05:07 - I should. Because I remind you that I came to this house for nothing and now I own 25% of your house.
05:12 And this has only just begun.
05:14 - Don't threaten me, Margarita. - No, sorry. I'm not threatening you.
05:17 I just remind you that I'm going to get back what's mine.
05:20 - What's yours? - Yes. And my husband's, may he rest in peace.
05:24 - Your husband. Your husband and you, always crying, always lamenting about what could have been and what wasn't.
05:29 I'm going to remind you of something, dear.
05:31 This house is unique and exclusively mine by my husband, who is the only Marquis de Luján.
05:35 - Your husband, who took it from Pedro. He was the one who deserved to inherit the property and the title.
05:41 And I remind you that Pedro unfortunately died in an accident.
05:44 - An accident? Please. No one believes that.
05:47 - An accident that came to your husband very well. - What are you insinuating?
05:50 - No, I'm not insinuating anything. - Remove it immediately.
05:53 - What? That Alonso was to blame for Pedro's death?
05:55 - My husband is not a murderer. - You said it, I didn't.
05:58 - Ladies, please. Let's not get things out of hand.
06:02 Remember that you are sisters-in-law.
06:05 [Music]
06:16 [Music]
06:34 [Music]
06:44 [Music]
06:54 [Music]
07:04 [Music]
07:14 [Music]
07:24 [Music]
07:34 [Music]
07:44 - How is the personal seal of the Duchess of Aparentes?
07:48 - What you hear.
07:50 - What's going on here?
07:56 - Is that what you were trying to understand, Mrs. Petra?
07:59 - Well, there is not much to understand.
08:01 - Well, it would be a little surprising if it is.
08:03 - I don't know what surprises you.
08:05 It bothers me that you are surprised that people can value my work.
08:08 - You do an excellent job. No one has to be surprised.
08:12 - Maria, it is more than justified that they have noticed you.
08:16 - Noticed her?
08:18 But can someone tell me what's going on?
08:21 - Well, Maria has been offered another palace.
08:24 - Well, and what palace?
08:26 - Nothing more and nothing less than that of the Dukes of Abrantes.
08:29 - Oh.
08:30 And for what?
08:32 - To be personal maid of the Duchess.
08:35 - You?
08:36 - Yes, me. The dukes have offered me a job.
08:40 As much as it weighs on you.
08:41 - It doesn't weigh on me, girl.
08:43 As you will understand, what you do with your life, it doesn't come and go.
08:46 - That's why you asked so much.
08:48 - Well, she has already decided whether to accept or not.
08:52 - Well, no, not yet.
08:54 I have been told that the incorporation is not urgent, so I can think about it.
08:58 - I'm glad, I'm glad.
09:00 When I made the decision, she told me, in case I had to look for a substitute.
09:04 - But Maria, what are you going to think?
09:06 The house of the dukes is very good,
09:08 and the position they have offered you is better than the one you have here.
09:10 - Well, I don't know, things, wait. Things.
09:12 - Being a personal maid of a duchess is not a nonsense.
09:15 - And more than the Duchess of Abrantes.
09:17 The house is very good.
09:19 - I think so. Come on, it's an honor that they have decided to hire someone from this house.
09:25 That's why I mean, they recognize the work that is done here.
09:27 - Well, yes.
09:28 I, Maria, am very happy for you, you deserve it.
09:31 - And I, Maria, congratulations. - Yes, congratulations.
09:35 - And you, aren't you going to dinner?
09:40 - I'm going to continue with my homework.
09:46 - Have you seen the lady in the exhibit? - And what is the claim for?
09:56 - Well, I need to consult you on a matter regarding some garments that the gentlemen want.
10:01 - What garments?
10:02 - So you're asking today?
10:05 - I ask what I want.
10:07 What I needed was for you to come and tell me what I can and what I can't ask.
10:11 - Please.
10:12 Ladies, I just need to know where the lady in the exhibit is.
10:16 - Mr. Pellicer, I think I've seen you at the laundry before.
10:19 - Thank you very much.
10:24 - Good news, Maria.
10:26 - Are you going to tell me what you discovered in Martos or not?
10:44 - Everything in due time.
10:46 Sit down.
10:47 - What? No, I'm fine standing up.
10:49 You're scaring me, Candela.
10:50 - Don't be so scared. I'll explain it to you right away.
10:54 - Let's see.
10:55 - I went to Martos.
10:59 No, as I have already told you.
11:01 Specifically, to Antonio's house.
11:04 - Yes, I imagine you didn't go to visit the Church of Santa Marta.
11:07 - I knew it wasn't going to be easy.
11:09 - And?
11:10 - It's just that ...
11:12 Andean women spend a lot of money, really.
11:16 It's just that ...
11:17 It's just that ...
11:18 It's just that ...
11:19 - So?
11:21 Is that what you meant when you said you discovered something terrible?
11:24 - Of course not. I knew that Norbert was also a sinner.
11:27 - Well, of course.
11:28 We already saw the bad temper that the girl has when she came to visit the prom.
11:32 - That's why.
11:33 - So?
11:35 - So what?
11:37 - What is it that surprised you so much, Candela?
11:41 Are you going to tell me or is it a secret?
11:43 - Virtue is not a virtue, Toñito.
11:49 - What do you mean she didn't go to see him?
11:51 - Norberta told me.
11:54 I haven't seen Virtue since the second time she came here.
11:57 Since she started working here at La Promesa.
12:00 - So the first time she left, she did go to Antonito's house.
12:05 But not this last time.
12:07 - Exactly.
12:08 - I don't believe it.
12:09 - What do you mean you don't believe it?
12:11 - Now we are going to trust more what Norberta says than what my own daughter says.
12:15 - And why would Norberta want to lie to us?
12:18 - Because he is a bad guy.
12:19 And he does it to get at my Virtues.
12:21 - I doubt it.
12:22 - Why do you doubt it?
12:24 - Because he told me that he had never seen her around or wanted to see her.
12:27 In fact, his words were that if he saw her, he would tell her that he didn't want to see her again, but never again at his house.
12:33 - But why would he lie to us about something like that?
12:36 And another thing.
12:38 Where was Virtues when he left La Promesa?
12:40 - I don't know.
12:41 But not far from there.
12:43 Because the sweets I brought were from the area.
12:45 - You know what?
12:48 We have to find out what's going on.
12:52 We have to find out now.
12:53 - Where are we going?
12:55 - I'll take care of it.
12:57 - I'll go with you.
12:58 - Yes, honey, you're almost done.
13:02 Like this.
13:03 But you have to breathe.
13:05 How do you see it?
13:06 - It's indeed very congested.
13:09 That's why it's so hard for him to breathe.
13:12 - What can we do, Hanna?
13:14 Let's see, what can I help you with?
13:15 - Well, for now, I would have to call a doctor.
13:17 - Well, I see that as complicated.
13:20 - And why?
13:21 - Well, because when he fell ill, Ben immediately took him to see the doctor.
13:24 Dr. Guillén.
13:26 And he wasn't there.
13:27 But he was absent for I don't know what reason.
13:29 Let's see, here's the little bag.
13:30 - But he didn't put anyone in his place?
13:32 - Yes.
13:33 Let's see, a trainee.
13:34 And what he told me, the truth is that he put saline solution on his nose
13:40 to clear the veins and also some vapors but ...
13:43 - That's it?
13:44 - Yes, but I didn't do it.
13:45 Hanna, because I've seen him so sick and so congested that he can't breathe well,
13:49 that it has given me a hard time getting something in his nose.
13:51 I don't know, maybe I did it wrong.
13:55 - It's been a week, right?
13:58 - Yes.
13:59 At first we were worried because the truth is that we thought it was a common cough,
14:03 but then the fever started.
14:04 I can't be going and coming constantly to Ben's house.
14:08 And that's why I brought him here, to La Promesa.
14:10 I didn't do the same right, but if I did it, it's because I was really desperate.
14:17 - Do you want to look at something else? The chest? I don't know.
14:23 - I'm going to look at the color of his nails and his lips.
14:26 - Let's see.
14:27 - And I'm going to touch his hand.
14:29 - There are the hands.
14:30 - Show me the hand.
14:31 - Come on, come on, come on.
14:33 Like this.
14:34 - Let's see, that one.
14:36 - Let's see.
14:38 - The color seems normal, but ...
14:40 I'm worried that the respiratory failure has lasted so long.
14:44 - What can be done, Miss Espósito?
14:47 - Vera, I would like to go to the pharmacy to get an anti-inflammatory.
14:53 - Now?
14:54 - As soon as possible. I'm worried that it's closed and I have to give it to you tomorrow.
14:59 - Well, go.
15:00 - Let's go. God bless you.
15:02 - Doña Pria, if you have a fever again, put a cold cloth on him.
15:05 Or if not, give him a blanket.
15:07 You know what he says to you?
15:11 He's thanking you.
15:13 Thank you, really.
15:15 For coming right away.
15:18 Thank you.
15:20 [Sobbing]
15:23 - Thank you.
15:39 Mmm ...
15:42 I missed the ham of this land so much, but thank God.
15:46 Oh ...
15:48 Don't you eat?
15:50 - Thank you, but ...
15:52 With everything that has happened, with Ximena ...
15:55 I don't have much appetite.
15:57 - Manuel, you have to eat.
15:59 You don't think well with an empty stomach.
16:02 As you wish. But continue.
16:06 You were telling me that after the fire and the attack on Catalina, Ximena returned.
16:12 - Yes.
16:14 I was hoping that she would recover from her nervous breakdown.
16:18 - And no?
16:19 - No.
16:20 From there on, everything got worse.
16:23 - Worse?
16:24 - She attempted again to kill someone.
16:29 - Who?
16:32 - Her doctor.
16:34 Abel Bueno.
16:35 - She tried to kill him, but why? She was helping her.
16:39 - You see, friend ...
16:43 It turns out that Abel was the only one, besides her, who knew her lie.
16:49 - What lie?
16:51 - Ximena made us all believe that she was pregnant and it was not true.
16:56 - She was never pregnant?
16:59 So the bad thing about the pregnancy ...
17:03 - A lie.
17:06 A more false play than Judas.
17:09 - I can't believe it.
17:10 - Well, believe it.
17:12 That's what my marriage has been, friend.
17:14 A big lie.
17:16 - Manuel, I listen to you and I don't give credit.
17:18 It's ... It's incredible.
17:20 - Incredible, painful, sad.
17:25 - I have become clear how Ximena was, but you have not yet told me how you are.
17:32 Friend, how do you feel? How are you?
17:35 - Weird.
17:38 - Weird?
17:39 - Yes.
17:41 You see, I ...
17:43 I had made up my mind that I was going to be tied to that woman for the rest of my life.
17:47 - Well, but is ... Isn't this a good thing?
17:52 - I guess so.
17:54 I don't know, Blanca. Right now I'm ...
17:57 overwhelmed and blocked.
17:59 - Oh Manuel, I don't understand you.
18:01 - Well, it's as if those ties hadn't been cut.
18:04 - And Hanna?
18:10 - Hanna what?
18:12 - How are things going with her?
18:15 - They were going well.
18:17 - They were.
18:19 - I've already told you. Ximena's death has changed everything.
18:23 - For her part.
18:25 - For both of us.
18:28 I can't ...
18:36 caress her.
18:38 Nor kiss her. Nor ...
18:41 give her a simple hug from friends.
18:45 And neither can she to me.
18:48 - But ... why?
18:51 - You see, I guess Ximena's memory has been very present.
18:57 And her death reminds us that we haven't done things right either.
19:04 It's a burden that neither of us can take off.
19:08 - Teresa.
19:23 - Hanna. - Where are you going? Has something happened?
19:25 - Well, Mr. Pellicer has given me permission to go to Lujan, but ...
19:28 I wanted to ask you if anyone needs anything from me, if you can cover for me.
19:32 - Yes, of course. But has something happened?
19:36 - Doña Pia's son needs the medicines.
19:40 - Diego?
19:42 - He's here, in La Promesa, in Doña Pia's room, but don't say anything.
19:46 - No, of course not. He's gotten worse.
19:49 - He has a cold and now he has trouble breathing.
19:52 - My God, how little he is.
19:54 - Doña Pia was very worried and couldn't be leaving and coming from Beni's house, so ...
19:58 - So he brought him here.
19:59 - Yes, but only Mr. Pellicer, Doña Pia, you and I know. So he can't go in there.
20:04 - Don't worry. I'm not going to say a word.
20:07 And now go get the medicines.
20:09 And when you come back, maybe we can toast to María Fernández and her good news.
20:13 Finally there is positive news in this palace.
20:16 - What?
20:17 - I had no idea either, and that's why I sleep with her.
20:20 But well, Salvador didn't know either.
20:22 Although ...
20:24 Maybe I'm getting in the way and you weren't aware either.
20:27 - The truth is that I don't know what you're talking about.
20:30 But right now I'm in a hurry, I have to go. As soon as I get back, you'll tell me.
20:34 - Sure.
20:36 - Thank you for coming to keep Manuel company.
20:52 Our son is very sad.
20:55 - And it's not for less.
20:57 His wife's death has been a very hard blow.
21:01 It was a good thing that you had already returned from Peru and that you were already in Spain.
21:07 - Yes, I was in Madrid.
21:09 A magazine wants to publish my photos and I had a job interview there.
21:13 But I didn't hesitate for a second. I came as soon as I found out what had happened.
21:18 Manuel and I have always been best friends.
21:21 - Are you going to publish your photos from Peru? I would love to see them.
21:25 - Yes.
21:27 By the way, Blanca, I guess that not being noble or family,
21:31 you were not invited to the chapel of Jimena, right?
21:34 - No, no, not me. I have a friend who did go.
21:37 - Oh yeah? And have they told you anything?
21:41 - Something like what?
21:43 I don't know. About how the ceremony was or ...
21:47 - Recruz, what do you want to be told?
21:50 - I don't know. Well, not being Blanca, a member of the Lujan,
21:54 it is possible that ...
21:56 she has heard ...
21:58 some of the gossip. - Leave her.
22:01 You put her on a commitment.
22:03 - No, don't worry, Mr. Alonso.
22:05 I don't mind sharing with you what has reached my ears.
22:09 - And well?
22:11 - The Lujan are not very well off. Especially Manuel.
22:18 How can they have such a small heart?
22:21 Manuel has just gotten engaged and they are making him fall from a donkey.
22:25 - Well, people were surprised not to see him at his wife's funeral.
22:28 - Manuel is not to blame for that.
22:31 We would all have liked to attend.
22:33 But it is that the dukes not only did not invite us,
22:36 they did not even inform us when the ceremony was going to be.
22:39 - I know, Manuel told me.
22:41 - They not only forbid us to attend, but also spread lies about us.
22:47 - I'm afraid that's how it is.
22:49 I know that it is the dukes themselves who are saying that Manuel
22:53 misunderstood his wife when he needed it the most
22:56 and that you did not protect her.
22:59 - I can't believe it.
23:02 And you are not going to do anything?
23:05 - Me?
23:06 - I don't know. Talk to your friends and acquaintances and tell them the truth.
23:11 - I think it is better to leave things as they are for now.
23:16 - So you're going to let them tell lies about us?
23:20 And you are so close to Manuel?
23:22 - Cruz, don't pay with her, it's not her fault.
23:25 Besides, she's right.
23:27 It's no use defending ourselves now.
23:30 We will have time to tell our truth.
23:32 Let's leave things as they are.
23:35 - I'm sorry.
23:37 - Jorge, have you seen Salvador by any chance?
23:51 - I haven't seen him in a while, Maria.
23:54 - Where are you going?
23:58 - I can't right now, Maria. I have to go up ...
24:00 - I'm not stopping you!
24:02 I understand that you are angry and I don't blame you.
24:05 I should have told you about the job.
24:08 - I just don't understand why you're hiding something like that from me, honestly.
24:11 - I haven't hidden it from you.
24:12 - Oh, no?
24:13 - No. I just haven't told you at first sight.
24:16 - Not at first sight or second sight, Maria. If I found out with the rest of the service ...
24:19 - Yeah, that was bad.
24:20 - Not bad. Fatal.
24:23 - But I didn't take it to the extreme.
24:25 I didn't know how to tell you and I didn't make the decision either.
24:29 - But that's the least of it.
24:30 - Yeah. The rest is that I haven't told you at first sight, right?
24:34 - I thought we told each other everything.
24:36 - Of course.
24:37 - No. Not at first sight.
24:40 Look, Maria, I ... I don't just want to be your boyfriend.
24:46 I would like to be your friend too.
24:48 Be a person you can tell ...
24:52 the bad, the good, your joys, your sorrows, uncertainties, everything.
24:59 Isn't that the commitment?
25:02 Not telling me something so important, you only show me one thing.
25:08 - What?
25:10 - That you don't trust me.
25:12 - Don't say that.
25:14 - It's what I feel.
25:17 And maybe that also means that things are not going so well between us.
25:22 Now, if you'll excuse me, I have to go upstairs.
25:26 - Okay.
25:28 - To Canada.
25:51 - Why not?
25:52 - Because it's too far away, honey.
25:54 - Well, but we haven't seen my brothers in a long time.
25:56 Or maybe you don't want to see your children?
25:58 - Of course I want to see them. But they could also come and see us.
26:01 - Or them, us ... What else?
26:03 And we can also extend the trip for a few days and go to see Leonor.
26:08 - To New York?
26:10 - It's a great idea. She is staying with her aunt Mildred, but ...
26:13 We can ask her and she will surely host us for a few days.
26:17 - You have it all planned out.
26:19 - I feel like going on a trip together.
26:21 - And so you keep me away from the season of the promise too, right?
26:25 - Do you want to go on that trip with me or not?
26:30 - Well ... I'll think about it.
26:32 - Can I know what's wrong with her?
26:34 - Well, yesterday I had a very unpleasant conversation with your aunt Cruz.
26:38 - Again?
26:39 - Well, we almost got it.
26:41 - How? Why? What happened?
26:43 - Well ... For Ayala.
26:45 - For Ayala?
26:47 - Well, can you believe that I was going to kick her out of the palace?
26:50 But I arrived in time and I was able to stop it.
26:52 - Can you stop that?
26:56 - Of course, daughter. That's why I'm 25% in favor of the promise.
27:00 - And you use that power to make enemies with Aunt Cruz for Ayala.
27:04 Really. It's just that it seems like you don't care at all about what I'm telling you,
27:08 but when it comes to that man, he gets his nails out.
27:10 - María, please. Let's not argue about this anymore.
27:12 - No, no, no.
27:14 - Good morning.
27:18 - Dear Blanca!
27:20 - How are you?
27:21 - Do you remember me?
27:23 I'm Margarita, Manuel's and Catalina's aunt.
27:25 - It's been a long time since we last saw each other.
27:27 - Since she was little, right?
27:29 - Yes, it has rained since then.
27:31 - I had been told that you had been here, but I had not come to the promise.
27:35 - I coincided with Martina, but not with you.
27:39 - Well, you look gorgeous.
27:41 - Thank you. Although I don't pay much attention to it.
27:44 - We are late for breakfast.
27:46 - We just started. Sit down.
27:48 - I'm very sorry about your husband's death.
27:52 I'm with you in the feeling.
27:54 - Yes, it was a hard blow.
27:57 We are still getting up from it, but little by little.
28:00 - You know, while we were coming, I was talking to Blanca about an expedition she has made to Peru.
28:10 With an American historian, looking for archaeological ruins, right?
28:14 - But you were a photographer, not an archaeologist, right?
28:17 - Yes, I am a photographer. But Professor Irán Binham, from Yale University,
28:22 invited me to join his expedition. And I could not refuse.
28:27 - I read recently that this man made a very important discovery a few years ago.
28:32 A ... a kind of ancient city of the Incas, could it be?
28:36 - The Machu Picchu? I came back there with him.
28:40 You should see all that. It's something impressive.
28:43 - Who are the Incas?
28:45 - They were one of the peoples who lived there, in South America, before we arrived.
28:50 - One of those disorganized and without religion tribes, I understand.
28:54 - No, in fact, no. Because there were some impressive temples,
29:00 which shows that they did have beliefs and a strong society.
29:04 - You know, I still don't understand how you could get there,
29:07 because as far as I understand, it was a rough and impassable road.
29:11 - It was ... it was a tiring trip.
29:14 First, we had to cross a river. Very difficult to cross, by the Caudal, the Urubamba.
29:22 - And how did you manage to cross it in the end?
29:26 - Well, by a bridge ... a bit dangerous, really.
29:29 Because it was made of logs tied with lianas, nothing more.
29:33 - Oh, for God's sake.
29:34 - And then, for an hour or an hour and a half, we climbed a slope,
29:38 which was completely vertical, with suffocating heat.
29:42 - Why didn't you tell me before? Because I didn't know how to do it.
29:55 - Well, you can do it like anything else, starting from the beginning, María.
30:00 - I'm telling you now, right? That's it.
30:04 - Why were you so weird?
30:06 And wasn't it true what you said about ... that I had written you a letter from a friend
30:10 because a girl from the village had given birth, right?
30:13 - Well, no. The key master of the Duchess of Abrontes wrote to me to tell me that she was interested in me.
30:19 The Duchess.
30:21 - Yeah ...
30:22 You have not lied to us, María. And you have lied to me too.
30:26 - I forgive my daughter, Ana. But who didn't know what decision to make.
30:31 - True.
30:32 - Well, that's what friends are for. To talk things out and to make things clear.
30:36 - I don't know if that would have helped in my case, really. - And why not?
30:41 - Because everyone thinks I have to accept.
30:44 - Well, because you have to accept, María. It's clear. It's a good position.
30:47 - I know, huh? My head tells me to accept, but my heart tells me the opposite.
30:56 It's bad that I don't want to separate from my companions, from my friend, from what my family has been so far.
31:02 But thank God the Dukes have given me time to think about it.
31:08 Because if I didn't have a burden ...
31:10 - Well, for a while, if you want to talk at some point, you just have to look for me.
31:14 Yes?
31:15 Come on.
31:18 - What are you doing?
31:26 - Well, it has taken me a long time to get rid of the smell of vomit in Diego's sheets.
31:30 - Does he vomit?
31:32 - Yes, he has a cough that makes him vomit. The poor thing is going through a decay.
31:35 - Well, how's the other issue going?
31:40 - What other issue?
31:42 - The one about ... Don Manuel.
31:45 Don Manuel. Yeah ...
31:47 Well ...
31:50 I don't know what to tell you, since Mrs. Jiménez died, we've been weird.
31:54 - And why is that?
31:56 - Because ... Manuel is locked up in the hangar all day, he's on duty and I ...
32:03 Well, I'm not doing very well either.
32:05 - Normal. If Mrs. Jiménez's death is a tragedy for everyone,
32:10 for you, even more.
32:12 - I think that Jiménez's death, more than ... more than uniting us, has separated us.
32:18 - No matter where you go.
32:21 - And he has built a wall between us.
32:24 A wall that is unbreakable.
32:27 Anyway ...
32:32 - I'm going to bed.
32:34 - Do you have a minute?
32:53 - What's up?
32:54 - I came to talk to you about your daughter.
32:56 - Leonor?
32:57 - No man, no. Catalina.
32:59 - It's rude to see my daughter.
33:01 - Whatever.
33:03 - What's wrong with her?
33:06 - Her management of the canned goods business has been deplorable.
33:09 - God knows that girl is not holy to my devotion.
33:14 But business doesn't go bad.
33:16 - That was before love atrophied her.
33:18 Her relationship with Count de Anis has harmed her.
33:21 - You are absolutely right about that. And more than her relationship, her breakup.
33:29 It seems a lie that she is so smart and has not been able to calibrate the consequences of her decisions.
33:34 - Between one and the other, they have made many mistakes.
33:37 One of them Garrafal.
33:39 - Which one? According to you?
33:41 - Not diversifying.
33:43 The largest amount of income in a business depends on a single buyer is a rookie mistake.
33:48 And proof of this is that by losing Cavendish, we have lost everything.
33:51 - You don't know how sorry I am for not doing something before.
33:54 - And why didn't you do it?
33:56 - Because that was a matter of Pelayo and Catalina. It was their job.
33:59 And while they were reaping the benefits of the family, there was no justification to change the way they did things.
34:05 - Okay. I understand that.
34:07 But that was before. Now things have changed.
34:10 - And what do you propose?
34:14 - That you leave the management of the business to me.
34:19 - To you?
34:21 - I give you my word that I will regain profitability in a blink of an eye.
34:27 - And what are you going to do?
34:28 - That's my business.
34:30 - And what are we going to do with Catalina?
34:33 You don't know her well enough if you think she's going to sit idly by.
34:36 - That's why I came here. So you can take care of her.
34:39 - Who? Me?
34:40 - Do whatever you have to do to get her out of the business.
34:44 And I promise not to let you down.
34:46 - And why would I have to trust you, Lorenzo?
34:50 I remind you that neither of us is in a position to trust each other.
34:54 - Why do you say that?
34:56 I have always been faithful and loyal to you.
34:58 - Don't make me laugh, please.
35:00 You have deceived me a multitude of times.
35:03 Not to mention that you have treated my sister terribly all your life.
35:07 - That's nonsense.
35:08 - That's the truth.
35:09 - You know that I have never been a good husband.
35:11 But I have always treated you with respect.
35:14 Do you forget that I was the one who got you out of that asylum when you were admitted?
35:20 - Yes, I was admitted.
35:21 It was because you and your dear Baroness of Grazalema
35:24 made everyone believe that I was crazy.
35:26 - Cruz, don't get into details.
35:28 Neither you nor I are angels.
35:30 - Well, no.
35:31 Rather, no.
35:32 - But we form a good team when we have common interests.
35:37 As is the case.
35:39 Tell me.
35:41 Do I count on your support to snatch Catalina from the business
35:45 that she so eagerly raised?
35:48 [Music]
36:01 - Look what a treat I bring for the prettiest girl in the promenade.
36:10 - And since when are these chestnuts a treat?
36:14 - These are not normal chestnuts.
36:16 This is how my grandmother prepared them, rest in peace.
36:19 Cooked with anis and matala uva and roasted in the embers.
36:22 - I'll try them then.
36:25 They are delicious.
36:33 The truth is that you were right.
36:35 They are a real treat.
36:37 - I wanted to apologize for my behavior these last few days.
36:43 I'm sorry I pressured you to tell the truth about the money.
36:48 You've had a pretty bad time already, as if I were adding pressure.
36:52 - It's okay.
36:53 - I know it happens, but it has to be hard for you to be like this with your father.
36:58 And more so knowing that your mother is dead.
37:01 And maybe your father deserves to have stolen the money, but you don't have to ...
37:05 - Enough!
37:06 Don't you realize I don't want to talk about them?
37:13 Any memory related to my childhood hurts me.
37:17 I just want to forget everything and that's it.
37:21 It's so hard for you to understand.
37:24 - I understand.
37:28 Sorry.
37:39 - Tell me what's wrong, my dear.
37:42 Are you having a fever? Why? Tell your mother, please. Tell me.
37:46 Tell me, my love.
37:49 - Mrs. Agar, are you from here? - Yes.
37:55 - They are looking for you on the Nuble floor.
37:57 - Now?
37:59 - Yes, Mrs. Marquesa wants to see you about something.
38:02 - Yes, I could wait a few minutes, right?
38:05 - I insisted that it has to be now.
38:07 - What's wrong?
38:09 - I don't know, Mr. Pellicer.
38:12 I've already put cold cloths on her, as Hanna said, on her forehead.
38:15 I've given her the solution so she doesn't get better.
38:17 - No, not like that, no. - No, not like that.
38:19 No.
38:22 What she does is coughing. Coughing and that's why she's crying, of course.
38:25 - Because of the cough, of course. - Yes, that's it.
38:27 Because of the cough and I guess because it's hard for her to breathe.
38:31 She must be going through hell.
38:34 - I can't leave her like this now, Mr. Pellicer. How can I leave her here alone?
38:38 - Give me the child.
38:41 - What? - Give me the child before she regrets it.
38:46 - But you are going to stay with my son-in-law.
38:49 - Well, it would be better not to contradict the lady, right?
38:51 For the account she brings us, don't you think?
38:53 - That's clear. Yes, no, no, the hat, no.
38:55 - Well, that's it. Go see what you want while I take care of your son.
38:59 - But are you sure, Mr. Pellicer?
39:01 - Nobody is going to miss me for a while. So, do you miss me?
39:05 - Well, he's leaving with everyone so ...
39:10 And I'm not going to take long. - No, you take whatever you want, Minester.
39:14 We are going to be very well.
39:17 - Go easy. - Okay.
39:20 - Very well.
39:22 - One ...
39:23 Two ...
39:25 Three ...
39:27 - Vera, are you okay?
39:42 - Yes, I'm fine.
39:44 - Well, I think something like that happens.
39:47 And judging by that face, I would say it is something serious.
39:50 If you want to get rid of me, you can do it.
39:53 I'm not going to tell anyone.
39:55 - I know, Teresa. It's not that. It's just that ...
39:59 Sorry, Teresa, but I don't want to talk about it.
40:04 - Well, if ...
40:10 If that's what you want, I won't insist anymore.
40:13 But you should know that ...
40:16 Sometimes, when we talk and say things out loud,
40:21 they are not as serious as we think.
40:23 And it turns out that we also realize that there is a solution.
40:26 - No. This has no solution.
40:29 - And why don't you try?
40:32 - I started thinking about my family and ...
40:39 I got sad.
40:41 - Yeah.
40:43 Well, but feeling nostalgia is not a bad thing.
40:46 - No. My thing is not nostalgia.
40:49 No. All memories of the past are pleasant.
40:52 - I understand.
40:55 - The past makes me sad.
41:00 - Yeah.
41:04 Me too.
41:09 - And ... Why have you started thinking about your family?
41:13 - Well ... Lope has come and he has started talking to me about my parents.
41:17 - Lope?
41:19 - He wants to know more about them and he keeps asking.
41:23 - Well, I guess it's normal.
41:27 - Normal? But why is it normal?
41:29 Why can't we leave things as they are?
41:31 - Well, because when one person loves another, they also want to know everything about her.
41:35 Not just how she walks, how she laughs,
41:37 what she thinks, if she is a good or bad person.
41:39 She also wants to know her origins.
41:41 And I don't know, things from her childhood, for example.
41:44 - Well, I don't want to think about my childhood, or my parents,
41:48 or anything that reminds me of my past.
41:50 I prefer to forget everything.
41:53 - And you have every right in the world, of course.
41:58 - But he keeps insisting.
42:01 And the past generates a distress that I cannot overcome.
42:06 - I understand.
42:08 - Thank you very much for listening to me, Teresa.
42:16 - You're welcome.
42:18 That's what we're here for.
42:23 Well, I'm going to continue.
42:25 [Music]
42:53 - I'm ready.
42:55 - How did it go with the lady?
43:00 - Good.
43:02 - Was it so urgent that you couldn't wait?
43:05 - Well, I wanted to give my instructions about the accommodation of ...
43:09 of Miss Blanca.
43:11 - Did he tell you how long she's going to stay?
43:13 - No. Well, you never know.
43:15 You never know how long she's going to stay in La Promesa, or anywhere.
43:18 - She doesn't say.
43:19 - And when she gets tired, she leaves.
43:23 Has she been sleeping for a long time?
43:27 - Well, so much that I'm afraid to breathe in case she wakes up.
43:31 - Well, I can take her in if you want.
43:37 She leaves and ...
43:39 Are you okay?
43:46 - Yes. Well, I've fallen asleep.
43:48 - I'm going to carry you in my arms.
43:49 - I'm so sorry.
43:50 - It wasn't your fault.
43:51 - No, believe me, I'm really sorry.
43:53 - Well, this is just a little tingle that I get on my way to the kitchen.
43:57 - Uh ... Mr. Pellicer ...
44:02 Thank you for taking care of Lliguito while I was taking care of ...
44:06 of my obligations, of course.
44:08 - It's nothing. It's nothing.
44:10 - No, it has been. Believe me.
44:13 Uh ...
44:15 Has she cried a lot?
44:18 - No. She falls asleep right away.
44:21 - I don't believe it.
44:23 - Mrs. Agarre, please, I win by lying to her.
44:26 Besides, the important thing here is that the boy is already asleep, right?
44:29 Well, let's not turn it around.
44:31 I'm going to go back to my homework.
44:33 - Yes.
44:34 Mr. Pellicer ...
44:38 Uh ...
44:40 Thank you very much.
44:44 [Music]
44:54 - Now yes, huh?
44:57 Good night, my child.
45:00 - Good night.
45:02 - Thank you.
45:06 Memories of the family.
45:12 - Who were you talking to?
45:14 - With the Rivera de la Cruz.
45:16 They have called to give us their condolences for Ximena's death.
45:20 - Very kind of them.
45:22 - You know I've known Miguel for a long time.
45:24 We studied together and we have always maintained friendship.
45:27 - And did he tell you anything?
45:29 - About what?
45:31 - You know, about the rumors that the dukes are spreading about us.
45:35 - The conversation has been polite and correct, without any gossip.
45:39 - Thank goodness.
45:42 Oh Alonso, I can't believe the dukes are going to make something like this happen.
45:47 Difficult times are coming.
45:50 - Don't worry.
45:53 Everything will be fine.
45:55 - You know, I thank heaven for having you by my side.
46:01 At times like this, I don't know what would happen to me without your temper and your interest.
46:10 - We complement each other.
46:13 I'm calmer and you, pure energy and passion.
46:18 The perfect team.
46:21 - That's why I came to talk to you.
46:25 - What's going on?
46:28 - You see, I know you don't like to talk about this.
46:35 But it is clear that the breakup of Catalina and the count of Agnil has not been good for the business.
46:40 - Cruz.
46:42 - You will admit that the loss of Cavendish has had terrible economic consequences.
46:48 - It is true.
46:51 It was a mistake to depend on a single client, but the circumstances are what they are.
46:55 We cannot control the war in Europe.
46:58 - Well, it's just that ... not everything has been because of the war.
47:02 - I know.
47:04 But I can't get into my daughter's personal life either.
47:07 - I don't know, dear. I think ...
47:10 Maybe we are burdening Catalina with too much work.
47:14 - Catalina is perfectly capable of running the farm and the canning business.
47:19 And she has shown it many times.
47:21 - In normal conditions, yes.
47:23 But now, with a broken heart and the pain in her body ...
47:28 - The job sometimes helps her with the bills.
47:31 - I know. And you, with the big management.
47:34 But you and I know that deep down, Catalina is practically alone.
47:39 The management of the farm and the business of the jams.
47:43 The relationship with the day laborers, with the tenants ...
47:47 Anyway, it's a lot of work.
47:49 A lot for a single person and, above all, for a person who is suffering from love sickness.
47:59 - I don't know Cruz, seen like this ... You may be right.
48:04 - That's why I'm here, right? You said we make a good team.
48:09 - What are you thinking about exactly?
48:13 - Lorenzo.
48:16 We could put him in charge of the jam business.
48:20 And so, meanwhile, Catalina can take care of the rest and rest a little.
48:25 At least until the waters warm up.
48:27 - Lorenzo. - Yes. Lorenzo has many contacts.
48:31 And after all, we always have him used. Why not?
48:35 - Let me think about it.
48:39 - Sure.
48:44 [Birds chirping]
48:47 - Hello.
49:11 Are you going to make more chestnuts?
49:13 - Yes, they liked them a lot and I wanted to prepare more.
49:17 - They were very good.
49:24 Lope, I'm sorry I told you that before.
49:38 It was necessary to react like that.
49:41 - You're right. I had no right to talk to you like that.
49:45 - Well, no. Look, it wasn't taken into account.
49:48 - I know and I'm sorry.
49:51 I think I was a little nervous about this whole suitcase thing and ...
49:56 I got a little carried away.
49:58 - Yes, but that's not my fault. - I know.
50:00 And that's why I'm asking you for forgiveness.
50:03 [Music]
50:06 - Vera, I just want to know things about you.
50:15 Things about your family, things about your life.
50:18 - I know you do it with the best of intentions, Lope.
50:23 But you have to understand that we are very different in that.
50:27 - When you say that, what do you mean?
50:31 - Well, for you, your family is very important.
50:34 Precisely because you have not been able to enjoy it.
50:37 - But for everyone, their family is important. - No, not for me.
50:40 The memories of my family are painful for me and ...
50:46 I prefer to keep them as far away as possible.
50:49 Not only physically, but also in my thoughts.
50:59 - Vera, I understand that.
51:01 - No. You don't understand it. That's the problem.
51:06 - Why do you say that?
51:09 - Lope, don't you realize that all this is moving us away?
51:13 We have very different ways of seeing things.
51:17 - Vera, this is not moving us away. - Yes.
51:20 And it is becoming more and more difficult to approach positions.
51:24 - Vera, don't say that. - It's the truth.
51:27 [Music]
51:29 It doesn't matter how much love we have for each other, because ...
51:32 with these clashes we are proving that ...
51:35 neither of us is willing to give in, at the very least.
51:39 - Vera, you're talking as if ... - As if what?
51:41 - As if you wanted to break up with me.
51:43 Are you breaking up with me, Vera?
51:51 [Music]
52:06 - That's right. Cruz threw me out of here with a box of stampedes.
52:09 I don't think you didn't know.
52:11 - Well, no. I didn't know.
52:13 - Cruz tells you everything.
52:15 - Not always.
52:18 - So you have to leave here.
52:21 - No.
52:23 No, because just at that moment Margarita arrived and faced me.
52:27 She reminded Cruz that she owns a part of the promise
52:30 and that she can invite whoever she wants. Now I am her guest.
52:33 - I understand.
52:34 I'm really sorry that things with Mrs. Marquez are going so badly.
52:39 - I don't believe you, Petra.
52:43 And I don't think you knew anything either.
52:45 In fact, I think you have something to do with Cruz's change of attitude towards me.
52:49 - Me?
52:51 - Are you acting on your own, Petra?
52:56 - No.
52:58 - You're lying.
53:01 - And what do you think I'm doing exactly, Ignacio?
53:09 - You're putting Cruz against me.
53:11 - And why should I do something like that?
53:14 - Because you're jealous.
53:16 You can't stand that I got along with Margarita.
53:18 You can't stand the good relationship between us.
53:20 - You're wrong.
53:21 - Stop lying.
53:23 - Calm down, Ignacio.
53:24 - Tell me the truth at once.
53:26 Are you putting weird ideas in Cruz's head?
53:29 Are you throwing firewood, taking advantage of the influence you have on her?
53:32 - Let me make one thing clear to you, Ignacio.
53:35 Mrs. Marquez has eyes and ears.
53:37 And above all, intelligence and judgment to draw their own conclusions
53:41 without me having to tell her what to think or do.
53:45 And you haven't behaved precisely like a very discreet person.
53:49 You're nothing more than a liar if you thought that Mrs. Cruz
53:52 would not realize how you were drinking behind her sister-in-law.
53:55 - Petra, you're ... - You're pathetic.
53:57 Pathetic.
53:58 And I'm glad that Felicia never found out that she had a pussy like you as a father.
54:02 - The chicken stew is ready for tonight.
54:07 - Are we going to be full?
54:09 - We must have a little sauce.
54:11 - López, what are you doing, Vera and you, still here?
54:14 According to the squad, you were free this afternoon.
54:17 - That's true. Because I hadn't gone for a walk together.
54:20 - And do you really think you can focus on getting the business going
54:24 in such a delicate personal situation?
54:26 - Of course.
54:27 - But maybe with a little help.
54:30 - And who are you thinking of?
54:32 - Well, I don't know. Lorenzo, for example.
54:35 - Are you serious?
54:37 - Let them say whatever they want. You're making me careless.
54:40 - Manuel, I've heard a lot of the rumors that Ni says.
54:44 And your mother, in this case, has enough reasons to be worried.
54:50 - If you don't have a sound judgment, I would reject the proposal to work
54:54 as a personal maid of the Duchess of Abronte. Huh?
54:57 - Well, you're not in your sound judgment either.
54:59 - But it seems that life makes that decision for me
55:02 and that I have to accept it, yes or yes.
55:04 - They must be very heavy arguments for you to now consider
55:08 that there is no possible solution.
55:10 - For him, they are.
55:12 And if one of the two parties doesn't want to fix it,
55:15 there's nothing to do. By the way,
55:18 I would like to go back to my room,
55:21 the one that was designed when the promise arrived.
55:23 - What's wrong? That you are very brave to run to Aunt Cruz
55:26 to tell her about your mother and Count Dallara.
55:28 But you lose your courage when you are exposed to your actions.
55:31 - But how can you be so twisted?
55:33 - No, no, no. I'm not twisted, Martín. I am consistent.
55:36 - Sometimes I think you see me as a puppet that you can handle at your will.
55:39 - Who do you think I am, Alonso? - Don't be naive, Cruz.
55:42 - Don't you see that everything I do is for the family good?
55:44 - We all want the family good.
55:46 - It's not enough to want it. You have to act.
55:49 And Manuel and you, your mouth is full of good words.
55:51 But you don't do anything.
55:53 - I thank you with all my heart that you have offered to help me.
55:55 - Well, all to offer a good image and for that buyer
55:58 to acquire a good batch of jams.
56:00 Among the three of us, we are going to make that buyer not escape us alive.
56:03 - Miss Catalina de Luján? - Yes, it's me. Delighted.
56:09 - I don't understand. What were the reasons that my Aunt Cruz screamed to get her out?
56:14 - Discrepancies between Margarita and Cruz that have splashed me. Nothing important.
56:19 - Don't underestimate Mrs. Marquesa.
56:21 She is much more dangerous than you think.
56:24 - I know Cruz perfectly.
56:27 - No. You don't know her.
56:30 You have no idea what she is capable of doing.
56:34 [Music]
56:37 [MUSIC PLAYING]