Legend Of Cowboy Big Jake HD (John Wayne) - Best Action Movie 2024
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00:00:00Gentile civilization had come to England, the continent, and the eastern United States.
00:00:04New York rivaled London and Paris as one of the great metropolises of the world.
00:00:11Albert Einstein had expounded his theory of relativity back in 1905.
00:00:15And science had brought us the wonders of the modern world.
00:00:26Culture and refinement had arrived on the east coast of America.
00:00:29Caruso was singing Pagliacci at the Met.
00:00:31Arturo Toscanini was conducting.
00:00:34The Barrymores were performing.
00:00:36And a Ziegfeld girl was the rage.
00:00:391909 in the western part of the 46th United States was not so refined.
00:00:46The surviving Indian warriors were now being rounded up by the U.S. Army.
00:00:53In Washington, William Howard Taft, 300 pounds of pure Republican, was president.
00:00:57And life was comfortable.
00:01:00In other parts of the country, men were fighting each other and the elements.
00:01:08In the New York department stores, a lady could buy maxis and boots and live in style.
00:01:13Out west, they didn't think about style.
00:01:16Just living.
00:01:21Eastern empire builders had secured their fortunes.
00:01:24The Morgans, Vanderbilts, Carnegies.
00:01:27There were empires in the west, too.
00:01:29Such as the great McCandles Ranch.
00:01:34But these huge ranches were held together only by having enough men and guns.
00:01:42Notre Dame teams were playing football, with then Newt Rockne catching the forward pass.
00:01:48In the Arizona territory, another team, the Arizona Rangers, were busy just trying to keep the peace.
00:01:54Anna Pavlova, prima ballerina of the Russian ballet, was dancing Swan Lake.
00:02:02The dance hall girl in the Klondike Gold Rush Saloon was somewhat different.
00:02:09By 1909, still photographs had come to life.
00:02:12Motion pictures had been born with the great train robbery.
00:02:15While that make-believe drama was on the movie screens, nine men crossed the Rio Bravo into Texas.
00:02:27The turbulent years between the Civil War and the turn of the century brought out the best in some people.
00:02:32But in others, it brought out the worst.
00:02:35Example, O'Brien, a half-breed Apache born of a Chiricahua mother and Irish father.
00:02:40O'Brien, a half-breed Apache born of a Chiricahua mother and Irish father.
00:02:45A professional gunfighter, one of the last of his kind.
00:02:49Pop Dawson, rode with the James boys in Kansas and Missouri.
00:02:53Said to have murdered more than a dozen men, one for as little as seven dollars.
00:03:00Trooper, name unknown, a back shooter, considered a coward.
00:03:05Reputed to have been a cavalry soldier sometime in the past, but not to the personal knowledge of his Confederates.
00:03:10William Fane, younger of the Fane brothers, favors a shotgun, a greener, for its bloody killing effect at short range.
00:03:18James William Duffy, at age 14, killed his first man, who was an admirer of his prostitute mother.
00:03:24Dead shot with a rifle.
00:03:26William DeVries, young Billy, not quite 21.
00:03:31This raid was thought to have been his first outlaw act.
00:03:34Walt DeVries, his older brother by 20 years.
00:03:37He looks more like an Iowa farmer than a professional killer.
00:03:42John Goodfellow, maybe the worst of them.
00:03:45An indiscriminate killer, women, children, no consequence at all.
00:03:48Prefers to work close, favors a razor-edged machete.
00:03:53John Fane, sometimes peace officer and bounty hunter.
00:03:57Served with distinction during the Spanish-American War.
00:04:00Professional soldier thereafter, now between wars.
00:04:03Currently, banks, trains, killings, and responsible for organizing the infamous McCandles Raid.
00:04:24Morning, Pancho.
00:04:26Good morning.
00:04:32Good morning.
00:04:42Chow, you need to mail.
00:05:02Good morning, Chow.
00:05:32Good morning, Chow.
00:05:33Good morning, Chow.
00:06:01Time to get up, Mr. Jeff.
00:06:04Delilah, I'm naked.
00:06:06I seen you naked the day you was born and many times thereafter.
00:06:10Ride is coming.
00:06:19Is you getting up?
00:06:20Yes, ma'am.
00:06:34Grab his head. Grab his head.
00:06:36Hold him. Hold him.
00:06:41Chico!
00:06:45Chico!
00:06:47Chico!
00:06:49Hey! Hey!
00:06:50Come on!
00:06:54Now, I know you'd like to see Miss Stubby ride that bronc again,
00:06:57but go fetch me them eggs like I asked you to.
00:07:00Go ahead, now.
00:07:01Hurry up!
00:07:04Come on.
00:07:13Huh.
00:07:15Strange is coming.
00:07:34Mr. Jeff will be a little late.
00:07:36You make sure you have a half a dozen or so fresh eggs for him, Moses Brown.
00:07:39I've already done that, woman.
00:07:42Miss Martha.
00:07:43I'll take care of that boy.
00:07:47Yes, ma'am.
00:07:50This is ridiculous.
00:07:51Breakfast, Miss Martha, nice and hot.
00:07:53Thank you, Delilah.
00:07:54But it's hot.
00:07:56Just a minute, Delilah.
00:07:58Bert, this is 1909.
00:08:00There just can't be rustless.
00:08:02Can be, Miss McCandles.
00:08:04I'm 42 years old and I fought in the Lincoln County War.
00:08:07It's just not that long ago that...
00:08:10Why, it's just 15 years ago himself, Mr. McCandles hung...
00:08:15Your breakfast is getting cold, Miss Martha.
00:08:19There's some lovely flowers in the garden, Delilah.
00:08:21I wonder would you ask Maria to cut them for me?
00:08:25Yes, ma'am.
00:08:26You were saying, Bert?
00:08:28I'm just saying, Miss McCandles.
00:08:30We're close enough to that Mexican border to...
00:08:34Spit.
00:08:36Yes, ma'am.
00:08:37That close.
00:08:38And we're losing a lot of cattle.
00:08:41Let me think about it.
00:08:43All right, ma'am.
00:08:44Oh, Bert!
00:08:51There are some nice flowers in the garden.
00:08:54There are some men riding in.
00:08:56We could use some short help.
00:08:58If you like the look of them.
00:09:00Yes, ma'am.
00:09:24Whoa!
00:09:26Whoa!
00:09:28Whoa!
00:09:29Time again!
00:09:53Come on!
00:10:24Come on!
00:10:38A ranch sure is a deserted looking place during a roundup.
00:10:46Can I help you, men?
00:10:48We heard you was hiring.
00:10:50Was.
00:10:51But you're late.
00:10:54Too late?
00:10:56Right so.
00:11:01Now this place surely does bespeak of a great deal of money, don't it?
00:11:06Anything else I can do for you?
00:11:09Trouble with money, though, is that there's always somebody wants to take it away from you.
00:11:14I said, is there anything else I can do for you, mister?
00:11:17Still, that's the only problem with it.
00:11:20And ain't that the awful bloody truth?
00:11:24Ha ha!
00:11:26Billy, you stay close to me here. Real close.
00:11:36Help!
00:11:53Help!
00:12:10Run, little Jake, run!
00:12:13Miss McCandles, you want that kid alive?
00:12:17Don't you be a damn fool.
00:12:23Come on.
00:12:48Hey, sonny!
00:12:54Hey, trooper!
00:12:55Yeah!
00:13:19Hey, O'Brien!
00:13:20The boy!
00:13:23The boy!
00:13:54The boy!
00:14:05He means you.
00:14:06Breed!
00:14:10He's no good to us, Dad.
00:14:14I can wait.
00:14:18Fane, I don't like the name Breed.
00:14:21I'll try and remember that.
00:14:25Give me that! Come here!
00:14:51All right.
00:15:05Lay down! Come on! Let me down!
00:15:20Yeah!
00:15:22Yeah!
00:15:29Get the doctor, then find my son.
00:15:31And himself, your husband?
00:15:33I have no husband.
00:15:35Come on!
00:15:38Take him to my bed.
00:15:42Please, be careful with him.
00:15:50Come on.
00:16:21Oh, Mexico!
00:16:22There ain't nothin' they can do to us here.
00:16:24The Mexicans can.
00:16:36Jeffrey McCandles.
00:16:37I'm sorry.
00:16:38I'm sorry.
00:16:39I'm sorry.
00:16:40I'm sorry.
00:16:41I'm sorry.
00:16:42I'm sorry.
00:16:43I'm sorry.
00:16:44I'm sorry.
00:16:45I'm sorry.
00:16:46I'm sorry.
00:16:47I'm sorry.
00:16:48I'm sorry.
00:16:49Jeffrey McCandles, can you hear me?
00:16:54This fool doctor says you're going to die.
00:16:56But I say you are not.
00:17:05I taught you better manners than to make a liar out of your mother, Jeffrey McCandles.
00:17:15He's just sleeping, Martha.
00:17:16I know that.
00:17:19I know that.
00:17:29Delilah, there's a big red strong box in the attic.
00:17:33I want it.
00:17:35Yes.
00:17:50We are seeking permission from the Mexican government at the highest possible levels, Mr. McCandles.
00:17:55When we receive that permission, we are prepared to enter Mexico with howsoever many troops as are acceptable to the Mexican government.
00:18:03And to deliver the ransom, wherever and to whomever directed.
00:18:10I am told that there is one million dollars in the account.
00:18:15I am told that there is one million dollars in that box.
00:18:21Buck, what about you?
00:18:24Speaking for the Rangers or for myself?
00:18:27For yourself.
00:18:29I get ten of my best men with me.
00:18:31I'd like to go after the boy myself.
00:18:33If you say so, Martha, I'll take that box.
00:18:37I am grateful to you both.
00:18:40But I don't think this is a job for the Rangers, Buck.
00:18:43Nor for the Army, sir.
00:18:47It is, I think, going to be a very harsh and unpleasant kind of business.
00:18:53And will, I think, require an extremely harsh and unpleasant kind of man to see to it.
00:19:14No, sir.
00:19:17No, sir, I ain't.
00:19:19I haven't butted into anybody's business since I was 18 years old.
00:19:23At which time it almost got me killed.
00:19:26I ain't going to start that again.
00:19:29What's the matter?
00:19:35Oh, what do you have to go and do that for?
00:19:38Oh, what do you have to go and do that for?
00:19:42You got any last words, Scotsman?
00:19:45Aye.
00:19:46Give me my bonnet. My head's cold.
00:20:03All right, now, let's get on with the hanging.
00:20:09Howdy.
00:20:11Got you kind of surrounded, haven't they?
00:20:19This your business, mister?
00:20:21What, is he a murderer or a horse thief?
00:20:23He's a sheep farmer.
00:20:25Phew, that's where that horrible odor comes from.
00:20:30That's right.
00:20:32How about the boy? You going to hang him, too, or just beat him up some more?
00:20:37You shouldn't butt into something that's none of your business. You really shouldn't.
00:20:40I think you're right, friend.
00:20:42A man shouldn't butt into anything that ain't his own affair.
00:20:46Sheep farmer, you want to sell them sheep?
00:20:49Yes, sir.
00:20:53Well, let's see. I'll give you a hundred now and three hundred when I get them to market.
00:20:58That's highway robbery.
00:21:01Well, maybe you think you're going to get a better offer for them today.
00:21:05I'll take it.
00:21:06Yeah, with one proviso.
00:21:08What's that?
00:21:11I'll go with the sheep.
00:21:13Good.
00:21:15You're working for me.
00:21:17You go ahead.
00:21:19You go right ahead.
00:21:21If there's anything I enjoy more than hanging a sheep,
00:21:24it's hanging somebody who sticks his nose into my business.
00:21:27Go on.
00:21:29You try to cut that rope.
00:21:32No, you got me scared.
00:21:37You do it.
00:21:41Dog!
00:21:45Get him off! Get him off!
00:21:47Dog!
00:21:48Just who in the hell do you think you are?
00:21:51Jacob McCandles.
00:21:54Oh, I, uh...
00:21:57I thought you were dead, Mr. McCandles.
00:22:00Not hardly.
00:22:02You gonna cut him down?
00:22:06Yeah.
00:22:14Now his hands.
00:22:22Two hundred miles south.
00:22:24Bar M.C.
00:22:26Foreman's name's Gonzalez. Tell him I sent you.
00:22:29Take the boy with you.
00:22:31Thank you, sir. Come along, son.
00:22:37You follow him.
00:22:39I'll hunt you down and kill you.
00:22:41Every mother's son of you.
00:22:44Come on, Dog.
00:23:01Mr. McCandles!
00:23:06Hola, Chihuahua.
00:23:37Here you are, Mr. McCandles.
00:23:39Thanks, Joe.
00:23:41I'm gonna go get some water.
00:23:43You got it.
00:23:45Come on.
00:23:47Come on, Chihuahua.
00:23:49Come on.
00:23:51Come on.
00:23:53Come on, Chihuahua.
00:23:55Come on.
00:23:57Come on.
00:23:59Come on.
00:24:01Come on.
00:24:03Come on.
00:24:05Come on, Joe.
00:24:11Hank!
00:24:13She's in there, Mr. McCandles, waiting.
00:24:15What happened to your spurs?
00:24:17Oh, they don't work on these newfangled velocipedes.
00:24:21Oh.
00:24:23Well, see that they get my gear out of that car.
00:24:25Yes, sir.
00:24:36Martha?
00:24:41It's been a long time.
00:24:44It's good to see you again.
00:24:47You've changed, Jacob.
00:24:49Not you.
00:24:52You're as young and lovely as ever.
00:24:59I called you, Jacob, because I wanted to see you.
00:25:03I called you, Jacob, because your grandson has been kidnapped.
00:25:07You didn't know you had a grandson?
00:25:09You have, by your son, Jeffrey.
00:25:11And Jeffrey has been badly wounded by the kidnappers.
00:25:13Well, he lived.
00:25:15This is the ransom note.
00:25:17The blood on it is Jeffrey's.
00:25:19Well, he lived.
00:25:21Yes. I will not contemplate otherwise.
00:25:33Do we have...
00:25:35Do you have a million dollars?
00:25:37Yes, and many times that.
00:25:39Hank!
00:25:41Yes, ma'am?
00:25:43Will you bring in the strongbox, please?
00:25:51Set it down here on the table.
00:25:54That's all.
00:25:56Yes, ma'am.
00:25:59Is this the way you want it?
00:26:01Yes.
00:26:03They're very dangerous men.
00:26:05They've already killed ten people.
00:26:07Many of them you knew.
00:26:09Juan and his family.
00:26:11Tina and the little boy?
00:26:13Moses Brown.
00:26:15Oh, Moses.
00:26:17Lousy cook.
00:26:21I'm sorry.
00:26:23I'm sorry.
00:26:25I'm sorry.
00:26:28Jacob.
00:26:30As I said, they're very dangerous and violent people.
00:26:32And I don't think we have any other choice...
00:26:34...than to give them what they've asked for.
00:26:36I agree.
00:26:38But you know that, pay or not...
00:26:40...we run the risk of never seeing the boy again.
00:26:44I understand.
00:26:46Well, follow the map until met.
00:26:48That's easy.
00:26:50I'll need food for a week...
00:26:52...water for ten days, three pack horses...
00:26:54...a good mule.
00:26:56I'll wait for you outside.
00:26:59Martha, you didn't have to think of my greeners.
00:27:01The double barrels.
00:27:17You brought Betsy.
00:27:19Pays to be careful.
00:27:21Well, now let's see if I've forgotten anything.
00:27:23Oh, I'll need a...
00:27:25...piece of clothing that the boy has worn recently.
00:27:30Is?
00:27:32Yes.
00:27:42Hank, go pick the mule.
00:27:44I did.
00:27:46Pack it.
00:27:48Yes, sir.
00:27:50Don't forget the rest of the gift.
00:27:52No, sir.
00:27:56Hello, Buck.
00:27:58Oh, you old horse thief.
00:28:00I thought you was dead for sure by now.
00:28:02That'll be the day.
00:28:04Think of taking a trip.
00:28:06Well, a million dollars is a lot of money, Jacob.
00:28:08I thought we might go with you.
00:28:10In those?
00:28:12They're faster than a horse. They'll go farther and last longer.
00:28:14It's 1909, Jacob.
00:28:16Meaning in my ways old-fashioned.
00:28:18Meaning I'm offering my help if you'll have me.
00:28:20Well, thanks, Buck, but...
00:28:22...I'll go it alone.
00:28:25What about me?
00:28:28James?
00:28:30Good morning, Daddy.
00:28:32It's been some time since I've seen you.
00:28:34Ten years, I think.
00:28:38Nine years and four months.
00:28:40But you're welcome to come along, son.
00:28:42I am moved by your faith in someone...
00:28:44...you haven't seen since he was 16 years old.
00:28:47Daddy.
00:28:49Daddy?
00:28:51Daddy.
00:28:55Daddy.
00:28:59Well, son, since you haven't learned to respect your elders...
00:29:03...it's time you learned to respect your betters.
00:29:07Oh!
00:29:22If you weren't my father...
00:29:24Go ahead. I give you leave.
00:29:30You're going with me.
00:29:32I hope you can use that hog leg better than you can fight.
00:29:36Does that suit you...
00:29:38...Daddy?
00:29:40You can call me Father.
00:29:42You can call me Jacob.
00:29:44You can call me Jake.
00:29:46You can call me a dirty son of a bitch.
00:29:48But if you ever call me Daddy again, I'll finish this fight.
00:30:06Tequina.
00:30:08Tell Sam Sharp knows I want to see him.
00:30:11Tell him the same place as the last time...
00:30:13...and all he needs is his saddle.
00:30:15Get yourself a good horse.
00:30:19Oh, Tequina.
00:30:21Bring a horse back.
00:30:28Where's your brother? He ought to be here with you.
00:30:31He'll be here.
00:30:35Let's go.
00:30:51Watch out for that mule!
00:31:06Jacob!
00:31:13I tried to tell you about them horses, Jacob.
00:31:16Now you take these here automobiles...
00:31:18Jacob, this is your son, Michael.
00:31:20Father. Good to see you again.
00:31:23He's a might skittish, isn't he, Father?
00:31:31The little fella's still alive, Mother.
00:31:33I saw him. The kidnappers were in the Chilicote flatlands...
00:31:36...20 miles from Coya May Pass, five hours ago.
00:31:39Using the automobiles, I believe the Rangers can get to the pass...
00:31:42...long before the kidnappers and set a trap for them.
00:31:45You want a chance at it, Mother?
00:31:47Buck.
00:31:49No matter what happens, I think they'll kill the boy sooner or later.
00:31:52I've got the best riflemen in Texas with me.
00:31:55That means in the world.
00:31:57With luck at, say, 200 yards, I think maybe we can kill every one of those animals...
00:32:00...before they hear the shots that did it. I think it's worth a gamble.
00:32:05That's very daring.
00:32:07Yes. Yes, I'll chance it.
00:32:10What do you think, Jacob?
00:32:14Suit yourself, Martha.
00:32:21I was asking your opinion, Jacob.
00:32:24No. You made up your mind.
00:32:27You made your decision alone.
00:32:29You live it alone.
00:32:31I was wrong.
00:32:33You haven't changed, have you, Jacob McCandles?
00:32:36Not one bit.
00:32:40Do it!
00:32:45You still want me to take this box in?
00:32:48Yes.
00:32:50If they fail, it falls to you.
00:33:00You coming along?
00:33:02No. I'll go with them.
00:33:10Doc, let's go.
00:33:29Let's go.
00:33:59Let's go.
00:34:29Let's go.
00:34:59Let's go.
00:35:29Let's go.
00:35:54I hear him.
00:36:00Sam?
00:36:02Good morning, Jacob.
00:36:12I have brought the saddle.
00:36:15There's your horse.
00:36:18Going hunting, Sam.
00:36:20Hunting for what?
00:36:22Men.
00:36:24I don't hunt Apaches.
00:36:26I don't hunt Apaches.
00:36:28I don't hunt my own people. You remember that, Jacob.
00:36:32They kidnapped my grandson, Sam.
00:36:36I don't know what color they are.
00:36:38And I don't care.
00:36:44I have no gun.
00:36:47Close or far?
00:36:49Close. My eyes.
00:36:51No good.
00:36:56Me too.
00:38:27Keep going.
00:38:35Any sign of the kidnappers, son?
00:38:38Couldn't see anything moving for miles.
00:38:41Good. We must be ahead of them.
00:38:44There's a narrow path at the end of the valley.
00:38:47We'll go that way.
00:38:49I'll go this way.
00:38:51I'll go this way.
00:38:53We must be ahead of them.
00:38:55There's a narrow path at the end of the valley.
00:38:57I think it's a good place for us to trap them.
00:39:02I'm for it.
00:39:06Buck, not knowing where the kidnappers are, we can't chance that path.
00:39:10They're young fools.
00:39:12And I'm an old one.
00:39:14But we're gonna get that boy.
00:39:23We're gonna get that boy.
00:39:53We'll hide these machines up at the end of the canyon.
00:39:56This is a good place for the ambush.
00:40:17Jump!
00:40:23Jump!
00:40:36Police!
00:40:41Stop these damn things!
00:40:43Get out!
00:40:47Take cover!
00:40:53Jump!
00:41:05Good place for an ambush, all right.
00:41:07And we're it.
00:41:23Jump!
00:41:34What happened to that crazy bicycle?
00:41:37I think he crossed into that canyon.
00:41:41Buck, let's get him out of here.
00:41:43Come on.
00:42:10Jump!
00:42:40Jump!
00:42:50They've had enough, John.
00:42:52They ain't gonna be able to follow us anymore.
00:42:55Let's sting them a little more.
00:42:57And they'll come through with the money.
00:43:11Jump!
00:43:15That crazy kid.
00:43:17Yeah.
00:43:18The horses!
00:43:19Everybody, get to them horses! Move it!
00:43:37Grab that kid!
00:43:41Jump!
00:43:47Stop! Let me down!
00:43:56Damn it, Pop, the next time I tell you to tie that kid up,
00:43:59don't be worried about hurting him.
00:44:10Jump!
00:44:41Get out of here, you...
00:45:01Buck.
00:45:10Jump!
00:45:40What happened, boy?
00:45:42We don't know.
00:45:46My son, Michael?
00:45:49We don't know.
00:45:51There was an explosion southeast of here.
00:46:02Well, do you have any water?
00:46:05No.
00:46:07Well, I'll give you half of ours.
00:46:11As soon as I can, I'll telegraph that...
00:46:14you're walking in.
00:46:16Going south is gonna be some time before you get to a telegraph station.
00:46:19I'm gonna have to take one of your mounts,
00:46:21sent for help. Some of my men are hurt bad.
00:46:23No, I'll need them.
00:46:25Anything else?
00:46:27No.
00:46:29No, you've been more than generous, Mr. McCandles.
00:46:34I think so, Buck.
00:46:36Fifteen years ago, I'd have killed you for risking my grandson's life.
00:46:40If I find him dead, I'll still kill you.
00:46:46You going along?
00:46:49Now, the last time I asked you that question, you said no,
00:46:53and you said it in a loud and clear voice.
00:46:55Now, I'm asking you a question.
00:46:57You coming along?
00:46:59You're damn right I am, Father.
00:47:02Throw a blanket on him.
00:47:04I can ride without a blanket.
00:47:06I'm not worried about your butt. It's his back.
00:47:12Come on.
00:47:15Come on.
00:47:30There's something down there. Is that it?
00:47:39That's it.
00:47:41Well, here, you take the mule down the long way.
00:47:44I don't want to lose him even by accident.
00:47:46You go with him.
00:47:48I'm going down there.
00:47:50You'll go where you're told.
00:47:58Do this, do that. I'll do as I damn well please.
00:48:02You do what your father tells you.
00:48:04Every time he tells you, you might come through this thing alive.
00:48:08Maybe even save the boy's life.
00:48:11Otherwise, you're going to get yourself killed.
00:48:15Don't matter to me, but you'll probably get him killed, too.
00:48:20That does.
00:48:38Let's go.
00:49:09Oh, Father, am I glad to see you.
00:49:12You ain't dead?
00:49:14No.
00:49:16No broken bones?
00:49:18I don't think so.
00:49:20Take off your glasses.
00:49:22My what?
00:49:24Your goggles.
00:49:30That's for scaring me out of ten years of my life, which I can't spare.
00:49:35I had to be still. I didn't know who was moving around up there.
00:49:39You hurt?
00:49:41No.
00:49:49That's for risking my grandson's life.
00:49:51You do that again and I'll break every bone in your body.
00:49:54Father.
00:49:58The next time...
00:50:01Yeah?
00:50:03Yeah.
00:50:05The next time, I won't take off my goggles.
00:50:10Whoa.
00:50:21You all right?
00:50:24He was.
00:50:26For an old mule, he's got quite a kick, don't he?
00:50:29I think he was using brass knuckles.
00:50:32Better mount up before we lose him.
00:50:35I wonder what the hell he has in store for us next.
00:51:02You know, that's a dirty habit if you ask me.
00:51:26Nobody asked you.
00:51:29Pa.
00:51:31Yeah?
00:51:33You need to wear glasses, do you?
00:51:36Just to see with.
00:51:39Pa.
00:51:41Mm-hmm.
00:51:43They say that Ma booted you out because you had a weakness for the ladies.
00:51:47Is that true?
00:51:50I mean, no offense, but I find that hard to believe.
00:51:54What do you find hard to believe?
00:51:57James.
00:51:59Cut it out.
00:52:01I mean, maybe before you got old, you was quite a lady...
00:52:08What's the matter with your leg?
00:52:10Nothing.
00:52:12You've been favoring it all day. What's the matter with it?
00:52:15I got hit by some buckshot, that's all.
00:52:18Take down your pants.
00:52:20Are you on the level?
00:52:22You gonna take down your pants or do I have to do it for you?
00:52:25You and who else?
00:52:27Dog.
00:52:32Boy, what a beautiful pattern.
00:52:34He must have been real close to you.
00:52:36Will you shut up? That's a deep one.
00:52:39Sam, you know what he did?
00:52:41Forgot the duck?
00:52:42He stuck his butt up, that's what he did.
00:52:45Boy, when you're in that kind of a gunfight, keep your butt down.
00:52:49Boy, when you're in that kind of a gunfight, keep your butt down.
00:52:52That's a thing to remember.
00:52:54There's always some bastard on the other side...
00:52:57that's got enough of a sense of humor to shoot you there...
00:53:00instead of in the head every time.
00:53:03How about a shot of whiskey?
00:53:05Yeah, where is it?
00:53:19Where is it?
00:53:21Come on.
00:53:48Is that them?
00:53:50Maybe eight hours ahead of us.
00:53:53All of them?
00:53:54Yep.
00:53:56They're not trying to cover their tracks, that's for sure.
00:54:00Sam, I got a hunch we're being followed.
00:54:03Near or far?
00:54:05Well, far. I feel it more than I know it.
00:54:09I'll go see.
00:54:11Where'd you get those saddles?
00:54:15Found them.
00:54:20All right, you two. Grab yourself a saddle. Hurry it up.
00:54:24Wouldn't want to lose you children.
00:54:51We're being followed.
00:54:53You were right.
00:54:54How many?
00:54:55Three or four.
00:54:56You see them?
00:54:57No, but I got close enough to hear them.
00:54:59They're still a couple hours behind.
00:55:01A couple hours, huh?
00:55:02You better cool off that horse, Sam.
00:55:04We'll take a break here.
00:55:14Give me a spigot of that water.
00:55:16Feed your horses first.
00:55:17I'll take them.
00:55:21Come on.
00:55:40What kind of a gun is that you got hanging around your belly, Michael?
00:55:44It's a Bergman, 1911.
00:55:461911? It's only 1909.
00:55:49Pre-production model, Father. We own some stock.
00:55:52Why is it so funny-shaped?
00:55:54The shells load into a magazine, Father.
00:55:56The magazine into the handle of the gun.
00:55:59Gas-operated, you see.
00:56:01Gas-operated?
00:56:02It shoots real fast.
00:56:04Well, Michael, can you shoot?
00:56:06Proficiently, Father.
00:56:08Well, as many times as you can before this hits the ground.
00:56:13Like maybe once?
00:56:15Well, Michael, you were supposed to shoot.
00:56:18With this?
00:56:19It's a gun, isn't it?
00:56:21Well, yes, of course.
00:56:23Well, shoot it.
00:56:24But, Father...
00:56:34Boy, you need a keeper.
00:56:36I wouldn't come out just yet.
00:56:38Sam, I want to offer my personal apologies.
00:56:41You can get up now.
00:56:44I'm not coming out.
00:56:46Not till you say I can shoot back.
00:56:48He fired his six shots.
00:56:50Paul!
00:56:51Stop, interrupt!
00:56:57Put that thing away!
00:57:01That damn mule!
00:57:04If he busts up that box, Michael, you'll...
00:57:07Ouch!
00:57:09Until you're used to the safety on this...
00:57:11Being dry, you better help your father.
00:57:13Oh.
00:57:21Father, I...
00:57:22Proficient, eh?
00:57:24Okay.
00:57:38Now, what was it you were trying to tell me?
00:57:41That there were eight shots in that gun.
00:57:43Oh, thanks.
00:57:44Give me a hand here.
00:57:46Father, there has been a misunderstanding.
00:57:50When I said that I could shoot proficiently, I meant with this.
00:57:53Yes, sir.
00:57:56Make a target.
00:57:59That tall tree there.
00:58:01The edge of the small broken branch.
00:58:03Son, that's over 400 yards.
00:58:06Nearer five.
00:58:08Well, if you can shoot that far,
00:58:10a quarter of a mile straight along the edge of my nose is a mountain buck.
00:58:14Shoot it.
00:58:16I don't kill to make a point, father.
00:58:20Michael,
00:58:22there's two reasons to kill.
00:58:24Survival and meat.
00:58:26We need meat.
00:58:28Oh, it's too late.
00:58:38That's good shooting.
00:58:41Not bad.
00:58:43Father?
00:58:44You want to try a shot?
00:58:46Scope's set for 500 yards.
00:58:48Son, I couldn't see that far.
00:58:50Sam?
00:58:53Give me a hand packing that mule.
00:58:56Michael, let me see that handgun.
00:59:03That sure is something.
00:59:21Damn.
00:59:22Something wrong, father?
00:59:24Well, I can sleep cold,
00:59:27eat raw meat, even raw fish,
00:59:29but come evening, I sure miss my hot coffee.
00:59:33Open me up a can of them peaches.
00:59:35Hey, quite an improvement.
00:59:38I'll bet you could almost get that fancy gun out of that fancy holster
00:59:42before some fast gentleman with an old vacuum cleaner
00:59:46blew a hole in you.
00:59:48You know what I think?
00:59:50A spring.
00:59:51A spring at the bottom of the holster.
00:59:53That might work.
00:59:56Sure spent a lot of time with this thing.
00:59:58Michael, do you really think that little Jake is still alive?
01:00:01What did you call him?
01:00:03He called him little Jake, father.
01:00:05Mom insisted.
01:00:07Well, I'll be damned.
01:00:09You didn't know he was named after you, did you?
01:00:11No, I didn't.
01:00:13Well, I guess it's kind of hard to keep in touch.
01:00:15I mean, you run out on your family that way.
01:00:18You never hear that at home.
01:00:20You're short on ears and long on mouth.
01:00:27Well, you ever learn to can it, James?
01:00:29Well, you sure are respectful of his feelings,
01:00:32I'll say that for you.
01:00:34Me?
01:00:35He was right.
01:00:36Yeah.
01:00:38You know what?
01:00:40He was right.
01:00:41Yeah.
01:00:44That's the trouble.
01:00:52Oh, thanks.
01:00:55What's the boy like, Michael?
01:00:58He's like you and James, Pa.
01:01:00Like me and James?
01:01:10Still four or five of them?
01:01:12Yep, but they haven't closed in yet.
01:01:14They're being real quiet.
01:01:16How close?
01:01:18Maybe another hour.
01:01:20There's one closer, though, right behind your head.
01:01:24I don't know whether he's with them or not.
01:01:26He sits his horse out there about 200 yards.
01:01:29He waits.
01:01:31He listens.
01:01:32I wonder what he wants.
01:01:34I could kill him, Jacob.
01:01:36Real easy.
01:01:38In cold blood?
01:01:40Oh, you're squeamish, are you?
01:01:42Well, between your brother's love of pretty toys
01:01:45and your high moral tone,
01:01:47I hope you don't get killed before this thing's over.
01:01:50We'll wait.
01:01:51You won't have to.
01:01:52He's coming in.
01:01:55James, come on.
01:02:09Hello, the camp.
01:02:11Can I come in?
01:02:13Come on in.
01:02:15And welcome.
01:02:29Well, I was hoping for a cup of coffee,
01:02:32but you're running a cold camp here.
01:02:34Yep.
01:02:36Yep.
01:02:37How about a peach?
01:02:39No, that hurts my teeth.
01:02:41Well, I got hooked on these when I was a yonker.
01:02:45Could never get my fill.
01:02:49Hell, mister, you don't need that.
01:02:50I'm not a damn fool.
01:02:51I know you got three or four men out there watching me.
01:02:54Can I move my hand?
01:02:56Go ahead.
01:03:02That's my bona fides.
01:03:07Well, I hope that boy don't catch cold.
01:03:10That would cause me great annoyance and displeasure.
01:03:14Mister, that just scares the hell out of me,
01:03:16the thought that you might be annoyed.
01:03:19Glad to hear that.
01:03:21Now, did you come here to give me a message
01:03:24or just to pass the time of day?
01:03:27From here, you go to Escondera.
01:03:29You wait there till you hear from us.
01:03:31You've been following us two, maybe three days.
01:03:34Why did you wait so long?
01:03:37I haven't been following you.
01:03:39I've been waiting right here, just like the map says.
01:03:42Oh?
01:03:45Hey.
01:03:47That the money?
01:03:52Open her up.
01:03:53I'd like to look at it.
01:04:00Help yourself.
01:04:02Just as soon as you bring in the boy.
01:04:09Who are you?
01:04:11They say I work for the McCandles.
01:04:14The boy mean anything to you?
01:04:16Never laid eyes on him.
01:04:18But I'm being paid to bring him back alive or you dead,
01:04:22each and every one of you.
01:04:24I'd rather bring the boy back. That's easier.
01:04:28But when it comes right down to it,
01:04:31it don't matter to me.
01:04:33I'll earn my pay one way or the other.
01:04:37Now, how about you?
01:04:39Are you the big chief or one of the little Indians?
01:04:43Oh, just a little Indian, just a messenger boy.
01:04:45Well, you've delivered the message, that's all.
01:04:48There's more.
01:04:50I'm in here alone.
01:04:52You've been followed like the think.
01:04:54You best stay right on your toes.
01:04:56You'll be real tough, real loose.
01:04:59What you got in that box is too big to keep a secret.
01:05:02And the thing is this.
01:05:04You got to deliver that box to us.
01:05:06You got to put it right in our hands.
01:05:08You understand?
01:05:10Good intentions won't buy you nothing but that boy's corpse.
01:05:13It's just as simple as that.
01:05:16Somebody takes that box away from you,
01:05:19we won't be understanding, we won't wait, we won't try again.
01:05:23I'll just send that boy's body back to you in a basket.
01:05:27You understand?
01:05:32Mister, I said, do you understand me?
01:05:36I understand.
01:05:58Jacob.
01:06:03What's the matter?
01:06:05I make big mistake.
01:06:08In that stand of trees,
01:06:11there's two men.
01:06:15Tell them, heard where we're going.
01:06:18Kill them.
01:06:20Kill them.
01:06:23Tell them, heard where we're going.
01:06:26Kill them.
01:06:28Dog, go with him.
01:06:38Bring in the horses and get that stuff packed.
01:06:52Yes, sir.
01:07:22Well?
01:07:23I'm getting older.
01:07:25There were two men, I killed one.
01:07:27Damn.
01:07:29It means they'll...
01:07:31It is Escondero for sure.
01:07:34Escondero, where have I heard that name before?
01:07:36Boomtown, oil.
01:07:53Come on.
01:08:04Well, that cuts it.
01:08:06Yeah, must be a celebration.
01:08:13Now I'll be loaded with strangers.
01:08:22Come on.
01:08:24Come on.
01:08:50Ain't this a little showy, Pa?
01:08:52Checking all the guns out?
01:08:55I hate secrets.
01:08:57Never knew one to be kept.
01:08:59They've all heard what's in that red box.
01:09:02And they all want it.
01:09:04What we're doing by this ostentious display
01:09:08is telling them they can't have it.
01:09:10Hell, we may be saving some poor miscreant soul's life
01:09:15by doing this, maybe even our own.
01:09:19We'll unpack the piggy bank and the rest of our gear.
01:09:22Hey, Chamaco.
01:09:26Kevin loves Tobias.
01:09:38When they fiesta in this town, they really fiesta.
01:09:43What's the matter with you?
01:09:49He's the one who got away, Jacob.
01:09:52Want me to get him?
01:09:54No.
01:09:56Keep an eye on him.
01:09:58Probably a lot more.
01:10:00Dog.
01:10:06What's this?
01:10:08Feels like it's full of rocks.
01:10:10I'm gonna get me a big private room with a big soft bed.
01:10:13One big room and one big bed for all of us.
01:10:16Money doesn't grow on trees.
01:10:18Give us a room.
01:10:20The dog is all right, but we do not allow Indians.
01:10:23He's with me.
01:10:25No Indians.
01:10:32No Indians?
01:10:34I'll sleep in the barn.
01:10:38The Jacob McCandles?
01:10:40That's right.
01:10:42My apologies, Mr. McCandles.
01:10:44I thought you was dead, sir.
01:10:46Dead?
01:10:48Next man says that to me, I'm gonna shoot, so help me.
01:10:51Dog.
01:11:15Bring it up.
01:11:17Put it over there in the corner.
01:11:20Don't tell me it's that heavy.
01:11:23It sure is.
01:11:25I never knew money could weigh so much.
01:11:27What time is it?
01:11:29Can't believe I got two sons who don't own a watch.
01:11:33There are windows to throw it out of.
01:11:35Where's your dart?
01:11:37Five o'clock.
01:11:39Take a look at Babylon.
01:11:44They're gonna have themselves a real party tonight.
01:11:50I wish I could dance me a jig with a pretty lady.
01:11:53Why not?
01:11:56Oh, because of the box.
01:11:58Yeah, and the men who followed us in.
01:12:00We're walking into trouble.
01:12:02What do you do when cockroaches get in the woodwork, Michael?
01:12:06Smoke them out?
01:12:08That's right.
01:12:09Why not wait until they make a move?
01:12:11Something's good for them and bad for us.
01:12:13You get impatient, nervy, careless.
01:12:16Maybe dead.
01:12:17I've seen it.
01:12:19Besides, you two children haven't had the experience for that sort of thing.
01:12:23And I don't have the patience.
01:12:25So we're gonna invite them here tonight.
01:12:27Now, Father, I think that...
01:12:29You think?
01:12:31Michael, your thinking's already cost us some lives.
01:12:34I intend to hang on to mine.
01:12:37Your father got us this far because he knows what he's doing.
01:12:39So for the next 24 hours, why don't you both just keep your mouths shut and listen to him?
01:12:45That's more words than I spoke since I know you.
01:12:49Gentlemen, agreed?
01:12:51All right, Sam.
01:12:53I want you to go down and take a look at the horses.
01:12:55Make yourself seen around the stables.
01:12:58And tonight, James, you go out and have yourself a real good time.
01:13:03And when I leave this room, Michael, you'll be the sitting duck.
01:13:06With only you between them and that box,
01:13:09they'll think it's gonna be like taking candy away from a baby.
01:13:13Tonight, Sam, there's gonna be a disturbance out on the street.
01:13:17I want you to come over the roof and into the window.
01:13:21But you tell him not to shoot me, not even by accident.
01:13:24I heard him.
01:13:25Father, you know what you're letting yourself in for.
01:13:29There's a little eight-year-old boy somewhere out there.
01:13:34Scared, lonely, and probably wondering what's happened to his world.
01:13:39We came here to find him and take him home, alive if possible.
01:13:45That's what I intend to do.
01:13:48He's right about one thing.
01:13:51He'll be all alone down there.
01:13:53No sweat.
01:13:56All right, Sam, you better pick up another shotgun, a greener if possible.
01:14:02Now, I'm gonna take myself a nap.
01:14:05You wake me up, 9 o'clock for sure.
01:14:08Now, you two young fools be careful tonight.
01:14:12Because if you get yourself killed, your mother'd never let me hear the end of it.
01:14:32Come on.
01:14:49Por favor, amigo.
01:15:03Pardon me.
01:15:05Are you of these oil drillers?
01:15:07Yep.
01:15:08Well, could you tell me which one is the orneriest in your outfit?
01:15:13Oh, that's easy.
01:15:14Mr. Sweet.
01:15:16That importantly gentleman right over there with the beard.
01:15:23Thank you.
01:15:27Mr. Sweet.
01:15:29Yes?
01:15:30May I?
01:15:35You shouldn't have done that.
01:15:41You were right.
01:15:57You're a little over-massed, aren't you?
01:16:00Do you want some help?
01:16:02No.
01:16:05You better quit being unfriendly, mister.
01:16:14Sam's made it, Pa.
01:16:16Well, it's about time.
01:16:18Hold it a minute, friend.
01:16:20I think there's been a mistake.
01:16:22Have you ever been to Nacogdoches?
01:16:25Nacogdoches?
01:16:28No.
01:16:29Strange.
01:16:31Pardon me.
01:16:41But I ain't never been to Nacogdoches.
01:16:43Damn it, mister. I believe you.
01:16:48You're next.
01:16:50Please sit down, sir.
01:16:51Thank you.
01:16:53Say, I was looking at... Do I read right?
01:16:55Oh, yes, sir.
01:16:57Geno and Hot Showers imported all the way from St. Louis.
01:17:01The only one of its kind between Dallas and Mexico City.
01:17:05I highly recommend it, sir.
01:17:07Donde?
01:17:08Over there.
01:17:10Muchisimas gracias.
01:17:13Hey, how about it? Let's get outta here.
01:17:15After we finish this dance.
01:17:17Yes, ma'am.
01:17:21He's crazy.
01:17:23He's gonna kill me.
01:17:25I'm sure he will.
01:17:27I'm not gonna let him.
01:17:29I'm not gonna let him.
01:17:31I'm not gonna let him.
01:17:33I'm not gonna let him.
01:17:36I'm not gonna let him.
01:17:38I'm not gonna let him.
01:17:40Tengo una vaca lachera.
01:17:45No es una vaca cualquiera.
01:17:48Made a leche condensada.
01:17:51Like a vaca consolada.
01:17:53Tolón, tolón.
01:17:55Tolón, tolón.
01:17:56TolÃn, tolÃn.
01:17:58Oh, man.
01:18:00I'll have one of these in every barbershop in the world.
01:18:04Bastante, maestro.
01:18:08Be through in a minute, mister.
01:18:10Take your time, mister.
01:18:16Man, I smell as sweet as lilies in the valley right now.
01:18:20I'm in no hurry, friend. You just take your time.
01:18:24Machacho.
01:18:25SÃ, señor. Venga aquÃ. SÃ, señor.
01:18:32There's a cantina at the far edge of town named Sanchez. You know it?
01:18:35SÃ, señor.
01:18:36You go there and buy me a bottle of tequila.
01:18:39Pero la cantina está aquà cerca.
01:18:41Nowhere else, mind you.
01:18:42Now, they have a brand special for me. Now, that's what I want.
01:18:45You go fetch it.
01:18:47SÃ, señor.
01:18:50Well, I guess I'm finished.
01:18:54You stay right where you are.
01:18:57Unless you want to hurry things, take your choice.
01:19:01No hurry. No hurry at all.
01:19:07But I could use those clothes over there. I'm getting a little cold.
01:19:10You don't shut up and stay where you are, you'll get a lot colder.
01:19:22Here. Protect yourself with this.
01:19:36Let's go.
01:20:07Why didn't you buy me a drink now?
01:20:09I thought we were leaving.
01:20:10Later.
01:20:12Am I too heavy?
01:20:13No, not at all.
01:20:21Hey, you. That fancy holster on.
01:20:24Yeah, you.
01:20:25You got more woman.
01:20:26Sorry.
01:20:27Hey, you. That fancy holster on.
01:20:30Yeah, you.
01:20:31You got more woman.
01:20:32Sorry.
01:20:36That's my woman.
01:20:39All right, friend.
01:20:45Hey, don't turn your back on me while I'm talking to you.
01:20:48My apologies, sir. If I have a...
01:20:50Shut up!
01:20:52Yes, sir.
01:20:54Well, you sure don't row very easy, sonny.
01:20:57You know something?
01:20:59You are a coward.
01:21:01Yeah.
01:21:02Yeah, you're a coward.
01:21:05A live coward.
01:21:06Now let's hear you say it.
01:21:09All right.
01:21:10I'm a coward.
01:21:12Hey, I think I finally said something to row the boy.
01:21:15You sure did.
01:21:17Come on!
01:21:39Well, friend.
01:21:42Are you in trouble?
01:21:44What do you mean?
01:21:45That's it. No hard feelings.
01:21:55The hell there ain't.
01:22:01Sam?
01:22:08Anybody hurt?
01:22:11What's the matter?
01:22:13Shotgun blast broke the lock, Jacob.
01:22:16Newspaper clippings.
01:22:19I killed a man for newspaper clippings.
01:22:23Where's the money, Father?
01:22:29Where is it, Daddy?
01:22:32You think I stole it?
01:22:35You think I stole it, Michael?
01:22:38Tell the Indian to go for a walk.
01:22:41Go for a walk, Sam.
01:22:43You sure, Jacob?
01:22:44Sure. Take the dog with you.
01:22:46Go with him, dog.
01:23:01Now what?
01:23:02Where's the money, Daddy?
01:23:04You go to hell.
01:23:11James?
01:23:19Now, boys, you know that's...
01:23:22That's no way to treat your old daddy.
01:23:25Jerks!
01:23:40You all right?
01:23:42Come on in.
01:24:08Can I come in now?
01:24:10Come on in.
01:24:15Well, there ain't no money.
01:24:17There never has been.
01:24:21That's right. Never has been.
01:24:24It was your mother's decision and mine...
01:24:26that we take the boy and not pay for him.
01:24:30My mother's decision?
01:24:31I don't believe you.
01:24:34There were seven McCandles people killed, one crippled.
01:24:37Your own brother shot, maybe crippled, maybe even dead.
01:24:41And my grandson kidnapped.
01:24:43I ain't gonna pay him for that.
01:24:45Neither's your mother.
01:24:47Thought I knew her.
01:24:48Not hardly.
01:24:50Can't be done, Pa.
01:24:51They'll kill little Jake for sure.
01:24:53Not if we kill them first.
01:25:08Hey, Jacob, just like new.
01:25:13Quiet, Doc.
01:25:37What are you snooping around for?
01:25:40I ain't snooping.
01:25:42I come to get you.
01:25:44Your horses are saddled out in back, so let's go.
01:25:47Where to?
01:25:48I'll take you there. That's all you need to know.
01:25:51Except if you don't have the money...
01:25:53or if I ain't back within 18 minutes from now...
01:25:57or if somebody tries to follow us to the meeting place...
01:26:00or tries to keep us from leaving after we get the money...
01:26:03we'll kill that little boy.
01:26:06Well, I ain't gonna give you the money till I get the little boy.
01:26:09Now, how you gonna do it?
01:26:11We'll have a rifle on him...
01:26:13with a real fine sharpshooter behind him...
01:26:16for one of them fancy new telescopic sights.
01:26:19From the time you set eyes on him...
01:26:21until one hour after we've a moose...
01:26:23you won't know where our man is.
01:26:26And we won't be able to tell him not to shoot...
01:26:28even if we were so inclined.
01:26:30If something goes wrong, that little boy's dead.
01:26:33Sure as shootin'.
01:26:35Well, uh...
01:26:37give us a couple of minutes to pull ourselves together.
01:26:41While the front's being watched...
01:26:43I'll be out in back myself.
01:26:5318 minutes. Means they're close by.
01:26:56James, give me back my watch.
01:26:58Don't you ever return things you borrow?
01:27:00Full of pictures.
01:27:03Yeah.
01:27:05Michael...
01:27:06the sharpshooter's yours.
01:27:08Kill him.
01:27:09How?
01:27:10Well, get lucky.
01:27:11Or better still, pray that I get lucky...
01:27:13and make him miss the first shot.
01:27:15I'll give you about ten seconds to see his powder flare...
01:27:19locate him...
01:27:21and keep him from shootin' again.
01:27:24Nothing to it.
01:27:34Well, let's get go...
01:27:37Where's the other one?
01:27:39There's supposed to be four of them.
01:27:41He's dead.
01:27:43We had to pay a price to keep that box for you and your friends.
01:27:47I was told to bring in all of you or none of you...
01:27:50so that we could keep an eye on you, understand?
01:27:52No loose ends.
01:27:54Well, he's dead.
01:27:57I want to see his body.
01:28:04All right.
01:28:06He's laid out with the rest of them down at the jailhouse.
01:28:10Jailhouse?
01:28:11Right over there.
01:28:17Jailhouse.
01:28:18Come on, let's go see him. We haven't got all night.
01:28:21Never mind.
01:28:23Anything important.
01:28:33Let's go.
01:29:03Let's go.
01:29:23You judges are gettin' a little nervous, ain't ya?
01:29:26Let's go.
01:29:33Let's go.
01:29:59Sam?
01:30:00What's your word?
01:30:02Uh-huh. If it's four grain right now, it'd be in our favor.
01:30:06Lightning might help.
01:30:08Might hurt, too.
01:30:32Hey, what's that?
01:30:59Too late to do him any good.
01:31:02There's another one inside. He's dead, too.
01:31:05Then I can watch one.
01:31:07Hey, you ain't lookin' too good.
01:31:09Sight of blood bother you or somethin'?
01:31:11Only my own.
01:31:13Well, this is where everybody stops.
01:31:16Except you.
01:31:18You take that box in alone.
01:31:24You'll be met at the other end.
01:31:30Well, Sam, they say the elk in Montana are as big as buffalo this year.
01:31:44Gotta go hunt them when this is over.
01:31:47I look forward to that.
01:31:50I wish they were buffalo.
01:31:53Yeah.
01:31:56Times change.
01:31:58Give me that mule.
01:32:16James?
01:32:17I see him.
01:32:25Dog!
01:33:56Good see you made it.
01:33:59Yeah, we've had a full day.
01:34:14Guess he don't like anybody behind him.
01:34:17Neither do I.
01:34:25All right, that goes for you, too, fatty.
01:34:27Get out where I can see you.
01:34:39You must figure I'm a real dangerous man.
01:34:44Will, come on down.
01:34:54I told you to move, fatty.
01:35:01Dog!
01:35:05Get him off of me!
01:35:08Call your dog off!
01:35:11Get him away!
01:35:15Get him off of me!
01:35:17I'll let Dog off!
01:35:20Fatty!
01:35:23I wouldn't do that.
01:35:25Call your dog off.
01:35:27Get him off!
01:35:29Dog!
01:35:35Now call off yours.
01:35:44Open the box.
01:36:07Open it up.
01:36:09The boy.
01:36:12The boy.
01:36:32Stay.
01:36:43Open it up.
01:36:47Take that hood off.
01:36:49Like to see what I'm buying.
01:37:13I just saw something in your eyes I don't like.
01:37:16I saw a foolish thought.
01:37:19You understand me.
01:37:22Anything happens, anything at all, your fault, my fault, nobody's fault.
01:37:26My little brother will blow that kid's head right off.
01:37:30It's as simple as that.
01:37:32No matter who else gets killed, that boy dies.
01:37:35The shotgun misses him, it don't matter.
01:37:37You already know about the rifle on him.
01:37:39That won't be as messy as a shotgun at three feet.
01:37:42But that boy will be just as dead.
01:37:44You understand me?
01:37:48Say it.
01:37:50I understand.
01:37:55Now open it up.
01:38:09That's the stuff that dreams are made of.
01:38:38What's a million dollars look like, John?
01:38:46Now you understand.
01:38:48Anything goes wrong, anything at all.
01:38:51Your fault, my fault, nobody's fault.
01:38:53It don't matter.
01:38:55I'm gonna blow your head off.
01:38:57It's as simple as that.
01:38:59What'd he say?
01:39:00I can't hear him.
01:39:03No matter what else happens, no matter who gets killed,
01:39:07I'm gonna blow your head off.
01:39:12Something wrong, John?
01:39:21Kill the boy!
01:39:25Dog!
01:39:36Come on, little Jake.
01:39:41Run!
01:39:49Give me that shotgun.
01:40:01Ow!
01:40:22Will?
01:40:26Will?
01:40:29He's dead.
01:40:35I want his shotgun.
01:40:42Jack?
01:40:43Yeah?
01:40:47Put your finger there.
01:40:59You hurt?
01:41:00No.
01:41:01I'm scared.
01:41:04So am I.
01:41:06Well, don't let them know it.
01:41:36Jake?
01:41:42Yes, sir?
01:41:50You ever fire a gun?
01:41:52No, sir.
01:41:54Well, use it if you have to.
01:41:56Yes, sir.
01:41:58Now, when I start firing, you hightail it out there and find James.
01:42:02Yes, sir.
01:42:04Yes, sir.
01:42:09Oh!
01:42:19Oh!
01:42:35Ready?
01:42:36Yes, sir.
01:42:38Go!
01:42:46Boys outside! Kill him!
01:43:08You hear that?
01:43:10They got the boy!
01:43:12Hell, they did.
01:43:13That's my Derringer.
01:43:21James!
01:43:22Uncle James!
01:43:31Jake, get out of here!
01:43:32Hide!
01:43:33The stables!
01:43:36That sound like a Derringer?
01:44:03I wouldn't.
01:44:06Ulster it.
01:44:15Raise your hands.
01:44:19The other's broke.
01:44:21That'll do just fine.
01:44:23Now turn around.
01:44:26Real slow.
01:44:42I hear you killed two good men in a fair fight tonight.
01:44:45Is that right?
01:44:47No.
01:44:48Three, counting you.
01:44:51Prove it.
01:45:21Three, counting you.
01:45:39That sound like a boy screaming?
01:45:44I wonder how he's gonna get it.
01:45:46With a bullet or a machete like the Indian did.
01:46:13Oh!
01:46:24Oh!
01:46:47I wouldn't.
01:47:15Oh!
01:47:27You come close, mister, but no cigar.
01:47:33Oh!
01:47:45Who are you?
01:47:47Jacob McCandles.
01:47:54I thought you was dead.
01:47:58Not hardly.
01:48:06Michael, that's the second time tonight you've saved my life.
01:48:11The first time I was a little slow.
01:48:13You mean that?
01:48:15I was nothing.
01:48:16Jacob here took care of that, didn't you?
01:48:18Yes, sir.
01:48:20Sir?
01:48:21Yes, sir?
01:48:22Are you my grandfather?
01:48:24Yes, sir, I sure am.
01:48:30James?
01:48:31Dad?
01:48:33Sounds better.
01:48:35Let's go home.
01:48:40Good idea.
01:49:10You