STAX Soulsville U.S.A. Trailer HD - Documentary series - Story of an underdog, interracial record label that ushered in the groundbreaking music of Otis Redding, Isaac Hayes, Booker T. & the M.G.’s, The Staple Singers, Sam & Dave and many others - Plot synopsis: By 1973, Stax Records was one of the recording industry’s most influential producers of soul music, breaking acts such as Otis Redding, Isaac Hayes, Booker T. & the M.G.’s, Sam & Dave, and many more. In just under two decades, the scrappy outsider had grown from a modest family-owned record store and studio in Memphis, TN to a trailblazing global music label. STAX: SOULSVILLE U.S.A. chronicles the audacious group of individuals who dared to make music on their own terms, smashing racial barriers and defining an era and leaving an enduring musical legacy in their wake. Driven by a striking collection of restored and remastered archival performance footage and intimate interviews with key players in the label’s remarkable history, STAX: SOULSVILLE U.S.A. details the unlikely origin story of Stax Records and pays tribute to its complex music library and the legendary artists that emerged from the iconic studio.
Founded in 1957 by Jim Stewart and co-owned with his sister, Estelle Axton, the company drew upon a mix of young, local talent – musicians, songwriters, and producers – who would create the unforgettable Stax sound. Against the backdrop of the American south of the ‘50s, ‘60s, and ‘70s, white and Black artists worked together, defying segregation, and producing hits such as “(Sittin’ On) the Dock of the Bay,” “Soul Man,” “Green Onions,” and the Oscar®-winning “Theme from Shaft.” At the peak of its success, Stax artists commemorated the Watts Rebellion by playing to over 100,000 African Americans at the 1972 benefit concert Wattstax. During an era of major social turbulence, systemic inequity, and racial tensions, Stax, an integrated company, saw stunning artistic and cultural success, and managed to rebound from repeated business setbacks and tragic losses before the studio ultimately dissolved after fifteen pioneering years.
STAX: Soulsville, U.S.A.Releases on HBO and Streams on MAX on May 20 & 21st 2024
Directed by Jamila Wignot
Produced by Jamila Wignot and Kara Elverson
Executive Produced by Ezra Edelman, Caroline Waterlow, Nigel Sinclair, Nicholas Ferrall, Scott Pascucci, Sophia Dilley, Michele Smith, Jody Gerson, David Blackman, Charlie Cohen, and Ron Broitman
Featuring Otis Redding, Estelle Axton, Al Bell, Steve Cropper, Isaac Hayes, Booker T. Jones, Sam Moore, Deanie Parker, David Porter, Jim Stewart, Carla Thomas
Founded in 1957 by Jim Stewart and co-owned with his sister, Estelle Axton, the company drew upon a mix of young, local talent – musicians, songwriters, and producers – who would create the unforgettable Stax sound. Against the backdrop of the American south of the ‘50s, ‘60s, and ‘70s, white and Black artists worked together, defying segregation, and producing hits such as “(Sittin’ On) the Dock of the Bay,” “Soul Man,” “Green Onions,” and the Oscar®-winning “Theme from Shaft.” At the peak of its success, Stax artists commemorated the Watts Rebellion by playing to over 100,000 African Americans at the 1972 benefit concert Wattstax. During an era of major social turbulence, systemic inequity, and racial tensions, Stax, an integrated company, saw stunning artistic and cultural success, and managed to rebound from repeated business setbacks and tragic losses before the studio ultimately dissolved after fifteen pioneering years.
STAX: Soulsville, U.S.A.Releases on HBO and Streams on MAX on May 20 & 21st 2024
Directed by Jamila Wignot
Produced by Jamila Wignot and Kara Elverson
Executive Produced by Ezra Edelman, Caroline Waterlow, Nigel Sinclair, Nicholas Ferrall, Scott Pascucci, Sophia Dilley, Michele Smith, Jody Gerson, David Blackman, Charlie Cohen, and Ron Broitman
Featuring Otis Redding, Estelle Axton, Al Bell, Steve Cropper, Isaac Hayes, Booker T. Jones, Sam Moore, Deanie Parker, David Porter, Jim Stewart, Carla Thomas
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TVTranscript
00:00 I came to Stax Records because of that sound.
00:03 (guitar music)
00:04 As Hayes, Sam and Dave, Carla Thomas, Otis Redding.
00:08 (guitar music)
00:10 - Oh, we were energized, successful.
00:13 (guitar music)
00:15 That music was where I wanted to be.
00:19 ♪ I know what it lays ♪
00:22 - Jim Stewart and his sister Estelle
00:25 fell in love with black music.
00:27 - Mrs. Axton began to encourage dancing inside.
00:30 It was an anomaly.
00:32 - I was working out at the record shop.
00:33 I got to play on some sessions.
00:35 - Music just brought us together on a real level.
00:39 There was a feeling of permission for that magic to happen.
00:42 - Nobody knew what was happening inside of those doors.
00:45 ♪ I'll take you down ♪
00:46 - If there were blacks and whites
00:47 making the music together, that could have been a problem.
00:50 ♪ Ain't nobody's world without you ♪
00:53 - I knew what Stax was.
00:55 ♪ I know what it lays ♪
00:56 - It was a product of creative and rare people.
00:59 ♪ Ain't nobody's world without me ♪
01:03 - It just blew me away.
01:05 ♪ Oh ♪
01:07 - The time that we were living in, it was hard.
01:12 ♪ Oh ♪
01:13 - You can suppress a person for so long
01:15 and they will rise up.
01:16 ♪ Rise up to the races ♪
01:19 - It was our realization, the importance of Stax
01:23 to the black community.
01:25 (dramatic music)
01:26 - We were reaching another level we had not known existed.
01:30 - We were on top of the world.
01:33 - But because of its successes and what it represented,
01:37 those with the power,
01:38 they wanted Stax to be erased.
01:42 ♪ I'll take you down ♪
01:44 ♪ Oh, I know ♪
01:46 ♪ Oh ♪
01:47 - The attitude in the industry for Stax is over.
01:52 - I didn't accept that though, I couldn't.
01:55 (upbeat music)
01:57 (upbeat music)
02:00 (dramatic music)
02:03 (dramatic music)
02:05 (dramatic music)
02:08 [BLANK_AUDIO]