English to tamil dubbed Bruce Lee full action Movie _ bruce lee
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PersonnesTranscription
00:00:00You
00:00:30Oh
00:00:55Perfect
00:00:57I'm gonna have a very good billy. Okay, everybody
00:01:07What an AMP do you see the bar billy?
00:01:10What do you mean to get to the end of the camera? We'll do to it. Yeah, baby. It's a pretty
00:01:15Yeah, that's enough. Yeah, that would be good
00:01:18Never really do I go
00:01:21Quite another disability super
00:01:23I
00:01:53Famous are the only one a mother you don't know Naga, so the cake I'm a
00:02:00Adam put it in the hangar lead guitar was to the
00:02:05Silver little
00:02:09Chinna couldn't hang a mother you wanna to know key. Can you need to kill a barrel or Kunal? Yeah, what a man is good?
00:02:17Can you call him one guard that I'm pulling over to come with you, please?
00:02:19I
00:02:23Wanna marker the neighbor Mombata money I think it's a boy
00:02:28Sorry
00:02:30Yeah, that's good time I did you
00:02:34Know when I got a phone pocket, they can't do that. No, I'm ready man. Yeah, I'm at the rather Billy
00:02:50I
00:02:59Had to sell yeah, Billy
00:03:02Rumba
00:03:16Will the piper be paid for the tunes
00:03:24Is this
00:03:28Major minor one in
00:03:33Or will the tune fall from favor
00:03:51To get
00:03:56Will this be the song I'll be singing
00:04:02To
00:04:13Hey, I'm gonna dinner to dinner
00:04:15Apple spaghetti could eat before Yankee. Mm-hmm. You know, whatever song you can get a clown
00:04:19But then you know, I would have gone to Jolly Arkland. I'm gonna party
00:04:31Hmm
00:04:40Boss Mallorca, yes
00:04:49The weaker key sadhana food, but I need to put a mutton to special
00:05:01I
00:05:22Dr. Land
00:05:24Oh
00:05:30Stay in there. Oh
00:05:41Good afternoon
00:05:45Good afternoon doctor
00:05:47I'm gonna New York trip a bit of this. I'm gonna catch up with you today. That's a deal. I think I'm you can open the path
00:05:52I think he'll put it there. Okay, then the wonder that
00:05:55It'll allow Martha to the number. I'll be here to
00:05:58Enter the trip up at the Katie. Yeah, you're here. I'm gonna kick it. Yeah, you know the Berlin trip. I put in this
00:06:03See, you can and it's a mother that I know that
00:06:06if our
00:06:08period star
00:06:09Now, I'm gonna try it on
00:06:12What a little think again, so no
00:06:14Apprentice by Martha. Oh
00:06:20Miss a cadet paper look at it. I'm a
00:06:23Papa Tom
00:06:25Ha ha ha ha ha the deer nature general very agree to this time. Oh
00:06:31dear
00:06:32No, but a yes goddess records. I am a kid deal moody Rishi
00:06:36Beyond a series of a recurrent new record pressing plant lavalier me to sleep
00:06:40I have a very much him a gamma cell at the windy the MCC a will not occur a championship fight. Let's not have a
00:06:47hula-hula patrick a blubber of good touch
00:06:51Airport a calamity. Okay, Ma poses a long. Okay, Erica
00:06:56Blumberg from bottom up and it would not lurk
00:07:00You know gate collection of TV rights where I can
00:07:03It a lump of tuna game to betting at the Margo if the liar cut it up move to the million dollar get it
00:07:10Indicky never a big computer with information is good on the party in the moon warren that I recoup
00:07:16Training a lot correct up and if it doesn't occur. No radio talk a Detroit in a much in a problem with
00:07:23Sill football players number so little cake a Martin grandma
00:07:27Okay, man, you have a boy president easy to game not occur to cool a woman a three-way. I'm doing a bridge in a moody dinner
00:07:33to get there
00:07:34other on the billy matter Luna, I'm a
00:07:37Man, I'm gonna put it on the kitchen thing. I'm gonna get a cake. I never did
00:07:42Management contract look what I was saying, but I'm gonna put it on Cavalier padela. I'm a biological
00:07:47I don't question it. I'm gonna get a chance to do that. I'm gonna get a repacker that will come up and I'm gonna put it in the solution
00:07:53That order our girlfriend
00:07:55And more is that I'll get it. I'm gonna keep a patient
00:07:58I'm Slee in Australia, but I see upon the album Perry and hit contract a party. I will build it up a sit down
00:08:03You don't sell a medium. I keep a sign but I'm gonna be on
00:08:08Number you're under the Priya Vicharama
00:08:11Priya Vicharama, you know, when you time I had to win a path
00:08:14Sorry, but I'll let
00:08:18Billy, you know, he can't a gangler to work the money and get a pace now
00:08:23How many more can I know they're ready America and I know I'm gonna get an area pace, you know, I'm not gonna buy more tip at all
00:08:31Billy now, I'm gonna contract a sign pond line. I'm a career. No, I ain't a career now
00:08:35I'm gonna mosaic on a gumball to kill you but Rick and it will end on the panel
00:08:53You
00:09:01I'm gonna face it on the fire
00:09:17When I get out of it, I know the person you are a man I'll pop
00:09:24I
00:09:25More is he gonna put it on wait, right?
00:09:27other moody other than a car
00:09:30Nama, I'll remove some of the butter come to a car a bit. Yeah. Yeah, you can get in and I don't know
00:09:36car a bit clear
00:09:44Not a kick our lover to the time to the room
00:09:48need a mother to do what I'm producing in the
00:10:54Village
00:11:09Even if I do you let me out of the bury. I call a lawman. Can you pop on?
00:11:23I
00:11:39Believe
00:11:40We'll get an area that was only
00:11:43near the other moody with the other
00:11:44I'm gonna put the work in a group and a pair of on a car. You're a chitty
00:11:48I'm gonna get a marty Ricker. I reckon I can a VIP list like you pull over. He's a trick on you. You love me. I'm gonna go to them
00:11:56Really, I did the parker. I'm gonna go to another vision
00:11:58I'll tell you a lot to you. I'm gonna go to school. I'm gonna book him
00:12:01I'm gonna stumble on I'm gonna tax. I'm gonna give you the money. They have a butter. I'm gonna go to Ponga
00:12:06conjoined all that
00:12:09I'll deliver a grip if you don't have to put your room
00:12:12Charlie Kwan go to Naluma. You know, it's in the one of the muscle of any of the leverable torture
00:12:16But I'm gonna cut a seal or another or a piece of a gun and cook
00:12:22Additional hard work at our fun and I'll cut it at the same Samyam. I'm gonna sell it to cook it down with custom
00:12:41Oh
00:13:04Need the near the famous ogle a
00:13:07Column of a particle of a really hit out of the even you an international star I reckon when I love you can I get back now. Thank you
00:13:17When I'll get a deep and into my dear clan
00:13:20You know, I'm gonna make a move police like I'm gonna I'm gonna die. I'm a thief boy. Don't put me in what I'm
00:13:27Up on the gang again. I bet there's only
00:13:30I'm gonna sell it to me cake. I know
00:13:33But three gale on your anger safety down
00:13:35I didn't know very well. I don't know. I'll sell it again. We'll get a nary a panoramic
00:13:39I'm gonna take it to be ready. That'll be weird. Oh, yeah, I'll kill him. Thank you. No, sir
00:13:45Now what's good for the land or a veeran a soccer to can I somebody put it over a
00:13:50Calamity, I know they're coming
00:13:53The bar
00:13:54One another to the last over there. I'm gonna get the point. I know you get a little bit better. Yeah, I'm gonna get a bell
00:13:59Oh, no, I'm gonna
00:14:02I
00:14:06Can't even wear a really at that they're cool, but they're not your chip off
00:14:21Chinese drama group in the mother conglomerate. Oh, yeah. I'm on the record. No, no, no, no, but then I like pain. I'm on the parking
00:14:30Move your restaurant
00:14:40Andre New York, they're going to see porcupine. Okay, that's our opportunity. I'll go
00:14:47Better the rating of the record car look at what you know, so look at butter cook on that
00:14:52It's another niche of a fight cancer. I don't go out of it. I don't know that said yes, and I put a moody. I didn't remember that
00:14:56I'm sorry. Yeah, see you
00:15:00Call Melada bedding force. No, I think a mark. Mookie. I'm a London la
00:15:04In this situation, I put a maintaining a good
00:15:08Billy Lowe and I'm Arthur tonight. I'm a matter not see I wanna call a la phone bunny. Moody was Ellis on a
00:15:15Number number a good trick. Oh, how I pay anger. Can I tell you ma?
00:15:19I'm a mother to the follow-up on it. They're gonna see a or the rava. One Pundit. Oh, yeah. Call me
00:15:25I'm a pescal knee on good book
00:15:32Baskin care of the article and took over
00:15:55Oh
00:16:13No, I appreciate it
00:16:18Billy again, I don't know that I can even take a look at your uncle in the room that I got
00:16:25Oh
00:16:31Billy wobbly, wow, you know, it's a dear new
00:16:35New value for me. What do I know? Yeah, they'll look at her. Look at her
00:16:42Knee period on other than the one I know a park ability a
00:16:46Nine, it's a little cool. You're a little dark. I'm pretty good. You're a busy, Erica
00:16:52And the underworld gang on America love you period idea man, I don't look at the trio
00:17:00Walker, I'm busy with a billy
00:17:02Not a cool to come out. Yeah, no, yeah, I'm cut I put it on the other number. Yeah, I'll pass her market. Yeah, I'm passing
00:17:08Conjo with yes money. Oh see
00:17:11It's cool. I'll eat it. Oh, no, I don't eat it. Yeah, and I could tell you that
00:17:16We enter the netherland. It was a killer. I'm good. I remember custom down
00:17:21Anna, what range up at the new cover up? I don't know in the present a lot room way easier solve Panera
00:17:30People know the movie when I'm so lit
00:17:33Now in the Namika, what is it? Remember? She put her gun?
00:17:36Now, where are you going with it?
00:17:38If I will continue chance could go to one and you might have all of them out. I got more than one knee ID
00:17:44No, no, go listen
00:17:47I need them. I'm going to do a monster to come home with you
00:17:50One of the time you make it well, Anna
00:17:52I think I can you in a cook up on that
00:17:54Yeah, good in the shit that will put no money
00:17:57Now person up on that. Oh, yeah, buddy. Oh, yeah. Yeah, that'll be
00:18:02One of the other with the event now, you know to finish a little bit on a prayer
00:18:07When I got a little bit
00:18:16Oh
00:18:46Ah
00:19:00You the in order to get Billy
00:19:06Chinese underworld alum number could I say Rosetta Ranga
00:19:09Aga, Gaga, which in a carrier conga
00:19:13One a million dollar a potty army to the kuma Nadia could throw on the panel
00:19:20Kandipa on the cake even the syndrome
00:19:23black money Leah, you know
00:19:26Sunday gmail, I'm a Nambi say Allah
00:19:29But on NASA will have the calamity Mexico. Let's get Tommy with a bank. I keep him on their car. No, what's funny?
00:19:34Did they go fine fine?
00:19:37Hey, girl
00:19:39So Linga billy, what's good? Anna? I'm gonna see Kate. Oh, yeah, don't swallow. I'm a Bob Dombly. I
00:19:48Want to be too much? I a lot of kumbaya
00:19:51file a close-up in it
00:19:53I'm a son of the camera. Yeah, dude. I'm done
00:19:56If you do, I'm a walkie-talkie. I'm a moody chicken. I love a hundred
00:20:01Rumba, what's the market?
00:20:04I
00:20:08Mean you can't tell you more than a kid or two and a tuna romba behind the plate now
00:20:12I'm a potato tuna. It's a fun time. I need the harmony to bottle and I'm gonna come to permit
00:20:17I know I'm a passenger section of an army. What do the honey?
00:20:20Okay
00:20:22Billy me now that I can yes when they saw Luna. He put on a concert. I like that
00:20:33You
00:21:03I
00:21:33You
00:21:36You know, you're not a part of it
00:21:40He marvelous wonder I'll America
00:21:43When I'm gonna beat it up
00:21:45You can't get a person in on it. That's all funny. I don't know
00:21:48What a little more massive guitar. I'll bring it to me. I don't know
00:21:52Not for a moment. I'm Billy in a couple part of it, please. It's a part of
00:21:56Nothing, that's all right. Yeah, you're in the end. I'll know when I come back to my room
00:22:00I'm gonna the model value in order to be remodeled. He's a part of the meetings in a mood to do not know that I'm aware
00:22:09Billy neither say a poor egg. I think it didn't even marry cather. No, I didn't marry
00:22:16Now sort of a mutter Kayla
00:22:21And you know, I'm a mutt to win over to your committee, ma
00:22:25You get that
00:22:27Yeah, no, man, I love the guitar
00:22:30You know, I'm a mosaic. I'd let me leave my muscle at the car in the war with a point on the movie
00:22:35We don't know any care. I don't want to go to the middle of the hill. I read the paper. I think I'm gonna do
00:22:39That's what I'm gonna do. I'm gonna tell you
00:22:42I'm gonna go to Motherboard. I'm gonna get Jimmy Nicky Madiana. We're shooting your car
00:22:45Oh, no, I love the varmint ema. Yeah, I'm a chrome Bob. I'm a good man. I should think spot to give them the room stage for okay
00:22:52one third
00:22:54David sir, they love the answer. Okay, sir
00:22:58Ah
00:23:00In the take, okay
00:23:03Okay, I don't think Paula keep a billy what you have a barrier to climb. Okay, sit on your reverse angle a camera
00:23:08I'm gonna make it on camera man see
00:23:14He's a dummy bullets dietic
00:23:16Install a male a part of sugar
00:23:18You know, we'll learn the word paper. Yeah, I'm Lea. That's what I call you
00:23:27I
00:23:57Okay, okay
00:24:04Billy
00:24:08Me and a buddy to the gym, you know, I put a good people Billy
00:24:12You don't happen in the future
00:24:14Okay, I'm the president. Okay, but I'm gonna put a skid. I'm gonna put a skid. I'm gonna put a skid
00:24:19I'll put a skid and put a skid. I'm gonna put a skid. I'm gonna put a skid. I'm gonna put a skid. I'm gonna put a skid
00:24:25Billy
00:24:27Take Pola.
00:24:30Ready?
00:24:33Ready.
00:24:36Okay, camera ready?
00:24:39Okay, sir.
00:24:42Take Pola.
00:24:45Silence, please.
00:24:48Okay, clap in.
00:24:5112 by 1, take 1.
00:24:54Take 2.
00:24:57Take 3.
00:25:00Take 4.
00:25:03Take 5.
00:25:06Take 6.
00:25:09Take 7.
00:25:12Take 8.
00:25:15Take 9.
00:25:18Take 10.
00:25:21Take 11.
00:25:24What happened?
00:25:27My God!
00:25:30Someone call a doctor!
00:25:33Call an ambulance!
00:25:36Come on, quick!
00:25:44The bullet went through his face and damaged his bones.
00:25:49Is there a way to turn his face back to normal?
00:25:54There is, but the structure of the outer bone will change.
00:25:57There will be a scar on the face.
00:26:00The structure of the face will change, but there won't be any other problem.
00:26:05Thank you, doctor.
00:26:20Hey, Billy. How are you feeling now?
00:26:23I'm fine.
00:26:25I just spoke to the doctor.
00:26:28You have a surgery tomorrow.
00:26:30This is a private hospital.
00:26:32No one knows about this.
00:26:35You agree to this surgery, don't you?
00:26:38Yes.
00:26:40There is a reason why I agreed to this surgery.
00:26:43If you keep your old face, they will try to kill you again.
00:26:49That's true, doctor.
00:26:52You have to prepare fake documents, especially a death certificate.
00:26:57We have to inform all the media that we can't save Billy.
00:27:02We have to think of a new name.
00:27:05I've already thought about it.
00:27:08You have to tell this to Anne.
00:27:12No.
00:27:14I don't want to tell anyone.
00:27:17If she knows about this, she will be in danger.
00:27:20He is a big star.
00:27:22They will believe only if the surgery is done.
00:27:25Don't worry.
00:27:27Think of it as a real surgery.
00:28:11Billy!
00:28:41Why have they come here?
00:28:48Something has happened.
00:29:11Ms. Morris.
00:29:14Come, let's go.
00:29:16I'll take care of you later.
00:29:18No.
00:29:20Give me a way.
00:29:22Please.
00:29:24Thank you.
00:29:26Thank you.
00:29:31Look.
00:29:33They will kill you for 10 dollars.
00:29:36I know how cheap they are.
00:29:38Remember this.
00:29:40Anne, don't waste your life thinking about this.
00:29:44I'm not going to cry for anything.
00:29:47The police are looking for the murderer.
00:29:51But they can't prove it.
00:29:54I know they can't do anything.
00:29:57They have done so much injustice.
00:30:00Look how bravely they are standing here.
00:30:10Let's go.
00:30:21The money they gave to the Chinese is in Macau.
00:30:25Fine, fine.
00:30:27Do you think it's important to talk to her in the sanatorium?
00:30:31We have to convince her now.
00:30:34If she agrees to our contract now...
00:30:37...we can make our enemies understand what we can do.
00:30:58You go, I'll come.
00:31:03How is Anne?
00:31:05She got well soon.
00:31:07It's a little late for me.
00:31:10Three weeks?
00:31:12She lost her limbs because of the shock.
00:31:15Be happy that she got well soon.
00:31:18Can I see her now?
00:31:20Talk to her and come back.
00:31:22She will be very happy to see you.
00:31:25Talk to her about anything.
00:31:36I'll be here for a while.
00:31:42I got this for you.
00:31:45Thank you.
00:31:47They said they will discharge you soon.
00:31:49It's not a lie.
00:31:50Of course not.
00:31:51How can a journalist lie?
00:31:53That's why I can't believe it.
00:31:56I feel much better now.
00:31:59Very good.
00:32:00Now I have the courage to see people.
00:32:06Anne, you have to leave this place.
00:32:10If you get better, you can go to America.
00:32:13I've decided to leave.
00:32:15But I'm very confused.
00:32:20What should I do?
00:32:21More importantly...
00:32:23...we have to find out what she's thinking.
00:32:26We have to bring her to our side.
00:32:28No one else wants to deal with this.
00:32:31Who is she, Steele?
00:32:34You want to know who she is, right?
00:32:36She's a newspaper owner, Jim Morris.
00:32:39She comes to our place often.
00:32:41I've been trying to find her.
00:32:49She's the one.
00:33:03Good afternoon, Ms. Morris.
00:33:05I've seen you many times.
00:33:07My name is Steiner.
00:33:08This is Dr. Land.
00:33:09How are you, Ms. Morris?
00:33:11I heard you're getting better.
00:33:13You're really beautiful.
00:33:15Very beautiful.
00:33:17What do you want?
00:33:18We were just passing by.
00:33:20We wanted to see you.
00:33:22If you need any help, let us know.
00:33:24I don't need anything.
00:33:26You said your album was a hit.
00:33:28What do you want?
00:33:30I don't need anything.
00:33:32You said your album was a hit.
00:33:34You must have made a lot of money.
00:33:36Ms. Morris, we don't know how upset you are.
00:33:39We just want to help you.
00:33:42We want to help you get a good career.
00:33:46Get out of here!
00:33:48Get out of here!
00:33:50Dr. Land is trying to help you.
00:33:53If he wants to...
00:33:54You're killing me.
00:33:56Get out of here.
00:33:58Billy!
00:33:59Get out!
00:34:03She's a pain in the neck.
00:34:06She started it.
00:34:08Now she's scared.
00:34:10If we let this disease go, it will spread.
00:34:15She changed her face when she saw you.
00:34:18Have you seen her before?
00:34:20No, I haven't.
00:34:21We have to go to Waco.
00:34:23We'll come back and see her.
00:34:28She's a pain in the neck.
00:34:40What are you doing, Billy?
00:34:42I'm getting ready for my next birth.
00:34:45First.
00:34:47Now.
00:34:48It's okay.
00:34:50I've already told you that your face isn't as bad as you think.
00:34:54You'll know when you remove the bandages tomorrow.
00:34:59I'll be right back.
00:35:05Billy's next incarnation.
00:35:25Billy!
00:35:26Billy!
00:35:54Hey, mister.
00:35:55We have to follow that boat.
00:35:57Are you coming?
00:35:58We can't follow that hydrofoil boat.
00:36:01It's very easy.
00:36:02We have to go at a speed of 45 km.
00:36:04Do you know where that boat is going?
00:36:06I've seen them in Mecca a couple of times.
00:36:09Then we have to go there.
00:36:11We can leave before they leave.
00:36:13We can leave in an hour, sir.
00:36:15Don't worry.
00:36:55They're going to Mecca.
00:37:04Yes?
00:37:05I saw the man who killed Billy.
00:37:07What?
00:37:08Yes, I know who killed Billy.
00:37:10I don't understand what you're saying.
00:37:12Tell me clearly.
00:37:13They came to the hospital.
00:37:14One of them was in the last day of Billy's shoot.
00:37:16Okay, Ann.
00:37:17We'll go to the police station and file a complaint.
00:37:21Come to my office right now.
00:37:23No.
00:37:24It's a waste to go to the police.
00:37:42Hello, mister.
00:37:43Did you chase him all this way for him?
00:37:46Yes, for him.
00:37:52I'll give you more than what you asked for.
00:37:55If you're going to rob a bank, tell me in advance.
00:37:59No.
00:38:00You'll wait for me, won't you?
00:38:02Don't be too late for that.
00:38:21I'm sorry.
00:38:51Stop!
00:38:52Stop!
00:39:22Stop!
00:39:35They have no other work.
00:39:37Idiots.
00:39:38How are we going to get out of here?
00:39:41Reverse the car.
00:39:42There's a taxi behind.
00:39:44We'll reach the next street soon.
00:39:46Wait for me.
00:39:51Stop!
00:39:57Who are they?
00:39:58They won't leave.
00:39:59Take them away.
00:40:21Stop!
00:40:22Stop!
00:40:50Chinese gold.
00:40:52It's been an hour since they came.
00:40:54We got caught in the middle of the city.
00:40:56That's why there's a lot of tension.
00:41:08Sorry, I'm a little late.
00:41:15How are you, doctor?
00:41:16We came to see you.
00:41:17I'm fine.
00:41:18How are you?
00:41:19I'm fine.
00:41:20Have a seat.
00:41:21You brought me here.
00:41:22I don't think there's a need to think about it.
00:41:34I'm fine.
00:41:42Thank you.
00:41:44Thank you.
00:41:46I'll meet you on the day of the fight.
00:41:51Thank you.
00:42:09Doctor.
00:42:11Dr. Lann.
00:42:14Yes.
00:42:15We got him without losing a dollar.
00:42:17That's what we expected.
00:42:21Thank you.
00:42:41How did you get in?
00:42:42Who are you?
00:42:43How did you get in?
00:42:44Guards!
00:42:45Where are you?
00:42:46Guards!
00:42:47Guards!
00:42:49Guards!
00:42:50Guards!
00:42:51Guards!
00:42:52Guards!
00:42:53Guards!
00:42:54Guards!
00:42:55Guards!
00:43:15Guards!
00:43:18Guards!
00:43:19Guards!
00:43:20Guards!
00:43:21Guards!
00:43:22Guards!
00:43:23Guards!
00:43:24Guards!
00:43:25Guards!
00:43:26Guards!
00:43:27Guards!
00:43:28Guards!
00:43:29Guards!
00:43:30Guards!
00:43:31Guards!
00:43:32Guards!
00:43:33Guards!
00:43:34Guards!
00:43:35Guards!
00:43:36Guards!
00:43:37Guards!
00:43:38Guards!
00:43:39Guards!
00:43:40Guards!
00:43:41Guards!
00:43:42Guards!
00:43:43Guards!
00:43:44Guards!
00:43:45Guards!
00:43:46Guards!
00:43:47Guards!
00:43:48Guards!
00:43:49Guards!
00:43:50Guards!
00:43:51Guards!
00:43:52Guards!
00:43:53Guards!
00:43:54Guards!
00:43:55Guards!
00:43:56Guards!
00:43:57Guards!
00:43:58Guards!
00:43:59Guards!
00:44:00Guards!
00:44:01Guards!
00:44:02Guards!
00:44:03Guards!
00:44:04Guards!
00:44:05Guards!
00:44:06Guards!
00:44:07Guards!
00:44:08Guards!
00:44:09Guards!
00:44:10Guards!
00:44:11Guards!
00:44:12Guards!
00:44:13Guards!
00:44:14Guards!
00:44:15Guards!
00:44:17Don't let him go!
00:44:18Call!
00:44:19Move!
00:44:22Take the doctor inside!
00:44:25Call!
00:44:26Let him go!
00:44:27Call!
00:44:28We have to fight tonight!
00:44:30Listen to me!
00:44:31Come back!
00:44:32Let him go!
00:44:47I don't get it.
00:44:48If some other gang had come to kill you,
00:44:51they wouldn't have sent someone alone.
00:44:54I don't know who he is.
00:44:56But I feel like I've seen him before.
00:44:59I feel the same.
00:45:00I can feel the difference.
00:45:02I can feel the rage in my neck.
00:45:04I feel like I have to be punished.
00:45:17Come on!
00:45:18Come on!
00:45:19Come on!
00:45:20Come on!
00:45:21Come on!
00:45:22Come on!
00:45:23Come on!
00:45:24Come on!
00:45:25Come on!
00:45:26Come on!
00:45:27Come on!
00:45:28Come on!
00:45:29Come on!
00:45:30Come on!
00:45:31Come on!
00:45:32Come on!
00:45:33Come on!
00:45:34Come on!
00:45:35Come on!
00:45:36Come on!
00:45:37Come on!
00:45:38Come on!
00:45:39Come on!
00:45:40Come on!
00:45:41Come on!
00:45:42Come on!
00:45:43Come on!
00:45:44Come on!
00:45:45Come on!
00:45:46Come on!
00:45:47Come on!
00:45:48Come on!
00:45:49Come on!
00:45:50Come on!
00:45:51Come on!
00:45:52Come on!
00:45:53Come on!
00:45:54Come on!
00:45:55Come on!
00:45:56Come on!
00:45:57Come on!
00:45:58Come on!
00:45:59Come on!
00:46:00Come on!
00:46:01Come on!
00:46:02Come on!
00:46:03Come on!
00:46:04Come on!
00:46:05Come on!
00:46:06Come on!
00:46:07Come on!
00:46:08Come on!
00:46:09Come on!
00:46:10Come on!
00:46:11Come on!
00:46:12Come on!
00:46:13Come on!
00:46:15Come on!
00:46:24When he fired at you, he just killed you!
00:46:26One!
00:46:27Two!
00:46:28Three!
00:46:29Four!
00:46:30Come on!
00:46:31Come on!
00:46:32Come on!
00:46:33Come on!
00:46:34Come on!
00:46:35Come on!
00:46:36Come on!
00:46:37Come on!
00:46:38Come on!
00:46:39Come on!
00:46:40Come on!
00:46:41Come on!
00:46:42Come on!
00:46:43He's got a back kick like he did in the first round.
00:47:13He's got a back kick like he did in the first round.
00:47:43He's got a back kick like he did in the first round.
00:48:13He's got a back kick like he did in the first round.
00:48:33No. What has to happen will happen.
00:48:43No. What has to happen will happen.
00:49:13No.
00:49:43No.
00:50:13No.
00:50:43The winner of the second round is Paul Miller.
00:51:05Girl, give me your hand, please.
00:51:13One second, sir.
00:51:24Sir, please. One more question, sir.
00:51:43Hey!
00:51:46Hey!
00:51:49Hey!
00:51:52One second. I'll go take a shower.
00:51:55I'll be back in five minutes.
00:51:58I'll be back in five minutes.
00:52:01Hey, who are you?
00:52:04My name is June.
00:52:07This is my new girlfriend.
00:52:10Our photo should be in all the newspapers.
00:52:13Hello, ma'am. Look here. We're taking a still.
00:52:16Where are you, ma'am?
00:52:34What are you doing here? Get out.
00:52:37Miller.
00:52:46Billy? You?
00:53:07Billy?
00:53:38Girl!
00:53:41Girl!
00:53:44Girl!
00:53:47I'll see you...
00:53:50I'll see you.
00:54:03Come here.
00:54:37What's going on in there?
00:54:39What's going on in there?
00:54:41Open the door!
00:54:51What's that noise?
00:54:53Open the door!
00:55:07Ah!
00:55:11Ah!
00:55:13Ah!
00:55:15Ah!
00:55:17Ah!
00:55:19Ah!
00:55:21Ah!
00:55:23Ah!
00:55:31Ah!
00:55:33Ah!
00:55:35Ah!
00:55:37Ah!
00:55:39Ah!
00:55:41Ah!
00:55:43Ah!
00:55:45Ah!
00:55:47Ah!
00:55:49Ah!
00:55:51Call Miller!
00:55:53Ah!
00:55:55Ah!
00:55:57Ah!
00:55:59Ah!
00:56:01Ah!
00:56:03Ah!
00:56:05Ah!
00:56:07Ah!
00:56:09Ah!
00:56:11Ah!
00:56:13Ah!
00:56:15Ah!
00:56:17Ah!
00:56:19Ah!
00:56:21Ah!
00:56:23Ah!
00:56:25Ah!
00:56:27Ah!
00:56:29Ah!
00:56:31Ah!
00:56:33Ah!
00:56:35Ah!
00:56:37Ah!
00:56:39Ah!
00:56:41Ah!
00:56:43Ah!
00:56:45Ah!
00:56:47Ah!
00:56:49Ah!
00:56:51Ah!
00:56:53Ah!
00:56:55Ah!
00:56:57Ah!
00:56:59You don't need her anymore, okay?
00:57:04Okay.
00:57:13She has come out, sir.
00:57:14Don't miss her. Follow her.
00:57:16Ask the other two to follow that journalist.
00:57:19Okay, sir.
00:57:20Don't leave that Marshal. We'll take care of her.
00:57:30Steiner.
00:57:32I understand now that the man who hit me was in disguise.
00:57:37He is a very talented man.
00:57:40One more thing, doctor.
00:57:42I can't believe that Billy is dead.
00:57:44Did you see his body at his funeral?
00:57:47I went to see him in person.
00:57:49Once I saw him, he looked like him.
00:57:51The next time I saw him, he didn't look like him.
00:57:53Where did they bury him?
00:57:55In the Buddhist cemetery on Hanshore Road.
00:57:57We'll have to search for him.
00:58:10Yes, Marshal.
00:58:11Hey, Jim.
00:58:12Billy, I heard what happened.
00:58:14Did you tell Anne that you're alive?
00:58:16I saw her near the stage.
00:58:18She was carrying a gun to kill them.
00:58:20She's still alive.
00:58:22She was carrying a gun to kill them.
00:58:24She can kill anyone now.
00:58:26So I bought a gun.
00:58:28If I leave her alone, she'll do something stupid.
00:58:31Okay.
00:58:32I have to meet her at the school in Southampton.
00:58:34When?
00:58:35In an hour.
00:58:37Okay. I'll tell her somehow.
00:58:39I'll call you again at 10 o'clock and tell you the other details.
00:58:42Fine.
00:59:22Come on.
00:59:52Thank you very much.
01:00:22Billy?
01:00:37Billy?
01:00:43Billy?
01:00:53I didn't want to see you.
01:00:55I didn't want you to see me either.
01:00:57Billy is fine now.
01:00:58Why don't you understand that?
01:01:00No.
01:01:01My face hasn't recovered yet.
01:01:03Let it be for a while.
01:01:04Let this face get used to me first.
01:01:06That girl is talking to someone.
01:01:08I think he's Billy.
01:01:09Yes.
01:01:10When I went to the cemetery, I found out that he's still alive.
01:01:13I'll send two or three more people there.
01:01:15They'll be there in a little while.
01:01:18Anne.
01:01:19They won't hesitate to kill you to find me.
01:01:23Please go to America.
01:01:25Please.
01:01:26Do this for me.
01:01:28I can't do it, Billy.
01:01:35Get in the car and leave.
01:01:37They've been following you.
01:01:39Go!
01:01:44Go!
01:01:49Leave Billy and get in the car.
01:01:51Where is he going?
01:01:52I think he's going to that orphanage.
01:01:55Ask two or three people to follow him.
01:01:57The rest of you go and get the girl.
01:02:19Go!
01:02:50Go!
01:03:03Call him.
01:03:05Mr. Marshall.
01:03:08Sir wants to talk to you.
01:03:11Come closer, Mr. Marshall.
01:03:24Morris is with us now.
01:03:26Billy will call you at 10 o'clock in the morning.
01:03:30Did you tap my phone?
01:03:34I don't know where my mother is.
01:03:38I asked your mother to bring Billy to the orphanage.
01:03:42That too, at exactly 1 o'clock in the morning.
01:03:45If Billy comes back, we'll let the girl go.
01:03:48It's better than nothing.
01:03:50How can I trust that you'll let her go?
01:03:52Don't change my mind, Mr. Marshall.
01:03:54It's better than nothing.
01:03:56I won't do anything else.
01:03:58The girl is better than Billy.
01:04:00Simple.
01:04:01Then, Mr. Marshall.
01:04:03You have to be very careful.
01:04:07You could have kept quiet about your job.
01:04:10But now, you've made a lot of enemies.
01:04:15That's why.
01:04:21Hello, who is this?
01:04:23Is Jim here?
01:04:24No, he just...
01:04:25Just a minute, he's here.
01:04:28Yes.
01:04:29Hi, Jim.
01:04:30Billy.
01:04:33They've tapped my phone.
01:04:36Ann is now in their custody.
01:04:43I can't go there now.
01:04:45Did you talk to them?
01:04:46I did.
01:04:47If I let Ann go, you'll have to go there.
01:04:50I can't go there now.
01:04:52Did you talk to them?
01:04:54I did.
01:04:55If I let Ann go, you'll have to go there.
01:04:58They've told me to leave.
01:05:00The only way is to go to the police.
01:05:02No.
01:05:03Then Ann will be in danger.
01:05:06What do you want me to do?
01:05:12Stay.
01:05:14Go there and help our guys.
01:05:17Go now.
01:05:18There are already six of them there.
01:05:21There are a lot of them in Macaulay.
01:05:25Go.
01:05:31I'm coming.
01:05:44He's inside. Let's go.
01:05:50Ann.
01:05:52Ann.
01:05:55Ann.
01:06:14Let's go.
01:06:25We have to get out of here.
01:06:26Billy is on the other side of the street.
01:06:28We have to get out of here.
01:06:29Hurry.
01:06:45There's no other way.
01:06:46Let's go through the window.
01:06:51Okay.
01:06:52Walk slowly.
01:06:53Hurry.
01:06:55Let's go.
01:07:01Ann.
01:07:02Don't come out no matter what they say.
01:07:04Okay.
01:07:26Go.
01:07:27Go and see.
01:07:29Go and see where they are.
01:07:32You go first.
01:07:55Go.
01:08:25Ann.
01:08:55Go.
01:08:57Go.
01:09:10Go.
01:09:12Go.
01:09:14Go.
01:09:15Go back.
01:09:24Shenni, check where the others are.
01:09:41Go back.
01:09:42Go back and check.
01:09:45Remove your helmet.
01:09:46I said, remove your helmet.
01:09:51Shenni, where are you?
01:10:15Go back.
01:10:45Go back.
01:11:15Go back.
01:11:45Go back.
01:12:15Go back.
01:12:16Go back.
01:12:17Go back.
01:12:18Go back.
01:12:19Go back.
01:12:20Go back.
01:12:21Go back.
01:12:22Go back.
01:12:23Go back.
01:12:24Go back.
01:12:25Go back.
01:12:26Go back.
01:12:27Go back.
01:12:28Go back.
01:12:29Go back.
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