Brother and Sister (French: Frère et Sœur) is a 2022 French drama film directed by Arnaud Desplechin, starring Marion Cotillard and Melvil Poupaud as estranged siblings who are forced to reunite after two decades following the death of their parents. The film made its world premiere at the 2022 Cannes Film Festival where it competed for the Palme d'Or, and was released in theaters in France on the same day as its Cannes premiere, on 20 May 2022.
Category
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Short filmTranscript
00:01:00What are you going to do to me?
00:01:03When we'll be confronted with this...
00:01:19Good evening.
00:01:20Good evening.
00:01:21Good evening.
00:01:22I'm Jacob's uncle.
00:01:24Can you tell Louis?
00:01:26Is the body here?
00:01:28It's in his bedroom.
00:01:31I came to see Louis.
00:01:38Louis, there's someone for you.
00:01:40What family? What are you talking about?
00:01:43My family is here.
00:01:49What are you doing at my place, Borkman?
00:01:52Did you come to visit?
00:01:54Yes, I came.
00:01:56Don't you want to see my wife?
00:01:58Where is she, Faunia?
00:02:00Faunia!
00:02:05Shit, I'm an idiot.
00:02:07You've never met her.
00:02:09Faunia.
00:02:10She's the mother of my dead son.
00:02:13Louis, leave him.
00:02:15I beg you.
00:02:16I'm sorry, Madam.
00:02:18I just came to offer my condolences.
00:02:21On behalf of our past friendship.
00:02:23Our past friendship.
00:02:25Do you like it? He's dead.
00:02:27You like that, don't you?
00:02:29You didn't want to see my son alive.
00:02:30But when he's dead, you show up.
00:02:31Louis.
00:02:32With your priest look.
00:02:33How did you get my address, you piece of shit?
00:02:35You've been spitting at me for 15 years.
00:02:37Your condolences, I'll kick you in the ass.
00:02:39Fuck me.
00:02:40You're a piece of shit.
00:02:42And I'll wash my hands of touching you.
00:02:44Where's Alice?
00:02:47Oh, you came too.
00:02:51And you think you have the decency not to come in.
00:02:53But you have no decency.
00:02:55Why are you crying?
00:02:58Wipe your red eyes of shit.
00:03:00My son was six years old.
00:03:02You were six years old to meet him.
00:03:04You sent him a gift, a card.
00:03:06You wanted to visit him for Christmas or an anniversary.
00:03:08You didn't know him.
00:03:10Alice.
00:03:12You haven't lost anything.
00:03:14I've lost more than my life.
00:03:17You're a piece of shit.
00:03:20Get out of this building or I'll call the cops.
00:03:23Get out of here.
00:03:29Get out of here.
00:03:31Get out of here.
00:03:54Abel.
00:03:55Yes?
00:03:56We're not late.
00:03:57Be careful.
00:03:58Don't go too fast.
00:04:00Don't worry, my dear.
00:04:02I'm very careful.
00:04:12Shit.
00:04:13She said it.
00:04:19Are you going to die?
00:04:23Shit.
00:04:27But you warned me.
00:04:29Yes.
00:04:37I think there was a woman in the car.
00:04:40I think so too.
00:04:43Call the firemen.
00:04:44I'll go downstairs.
00:04:53Come on.
00:05:00Miss.
00:05:03Miss.
00:05:06Look at me.
00:05:07Look at me.
00:05:09Can you try to lower the window?
00:05:11Turn the handle.
00:05:14Look at me.
00:05:19Yes.
00:05:20You had an accident.
00:05:23What's your name?
00:05:24You have to call my mother.
00:05:26Yes.
00:05:28We'll call her.
00:05:29But my mother is in the car.
00:05:31We'll call her.
00:05:32Don't worry.
00:05:34Calm down.
00:05:35I don't want to die.
00:05:36Calm down.
00:05:38You have to kill my parents.
00:05:40Give me your hand.
00:05:42Give me your hand.
00:05:44Yes.
00:05:50Go back.
00:05:51There's gasoline everywhere.
00:05:54Miss.
00:05:55I can't feel my legs.
00:05:58I can't move my legs.
00:06:00Calm down.
00:06:02Move your feet slowly.
00:06:04Abel.
00:06:05It's going to catch fire.
00:06:06It hurts.
00:06:08Calm down.
00:06:13Calm down.
00:06:32Alice.
00:06:33Are you ready?
00:06:35They have to be on stage in 20 minutes.
00:06:39Alice.
00:06:41I'm coming in.
00:06:44Are you still not dressed?
00:06:51I can't play tonight.
00:06:54What did you do?
00:06:56I didn't know how to behave.
00:06:58I hit myself.
00:07:00Did you read my brother's book?
00:07:02No, I don't read your brother's books.
00:07:07He wrote things again.
00:07:09Alice.
00:07:10I don't care about your brother.
00:07:12You have to get dressed and go on stage.
00:07:15I couldn't stop myself from reading it.
00:07:18It's my name.
00:07:20On the cover of the book.
00:07:23He stole my name.
00:07:26From all the pages of his e-book.
00:07:30He's going to kill me.
00:07:33I'm afraid the audience will see red on my cheeks.
00:07:37In my ears.
00:07:39In my ears.
00:07:43I want to go home.
00:07:45I don't have the strength anymore.
00:07:47It's too much humiliation, Christian.
00:07:49You won't forbid your brother's books.
00:07:52You've already failed once.
00:07:54Get dressed and go on stage.
00:08:05Alice.
00:08:08What are you doing?
00:08:09Nothing.
00:08:10I'm getting dressed.
00:08:12Alice.
00:08:13It's for you.
00:08:14Can you put it in my bed?
00:08:16Of course.
00:08:17And for tonight, I'll take it.
00:08:20You're a chagrin.
00:08:22I'm brave.
00:08:23It's crazy.
00:08:24Christian found you in pieces.
00:08:28So I'll never collapse in front of Christian again.
00:08:31Alice, the wig.
00:08:32Should I walk you to your bed?
00:08:34No, we don't have time to put it here.
00:08:36Will your son be there?
00:08:37No, he's at his uncle's.
00:08:39My parents are coming tonight.
00:08:41They should be here.
00:08:42I tried to call them but they didn't answer.
00:08:44The director will find out.
00:08:45I want to.
00:08:46They're so old.
00:08:47It's okay.
00:08:49I'll tell the operators.
00:08:51I'll send their daughter.
00:08:52Let's go.
00:09:03Shit.
00:09:04I'll take it.
00:09:07Thank you.
00:09:13It's the drag.
00:09:14You should be afraid of them.
00:09:16It's wonderful that you're back in the role.
00:09:18Look at you.
00:09:19I agree.
00:09:25Greta,
00:09:26do you want to dance?
00:09:27Of course.
00:09:28Didn't you see me?
00:09:29I tried to convince Mr. Darcy to sing something for us.
00:09:33And you?
00:09:34Why did you argue with Miss Ivoros?
00:09:36Argue?
00:09:37Why?
00:09:38Did she tell you about an argument?
00:09:39More or less.
00:09:40We didn't argue.
00:09:41She just offered me a trip to the west of Ireland.
00:09:43And I declined.
00:09:46The files are empty.
00:09:47I tried to call your parents but they didn't answer.
00:09:53Call the hospital.
00:09:54Go ahead.
00:09:59Gabriel,
00:10:01the investigation team is asking if you want to cut the law.
00:10:03As usual, I'll take care of the pudding.
00:10:05Okay.
00:10:28Madam!
00:10:29Madam!
00:10:30Madam, I don't want anything to happen to you.
00:10:32I don't want to bother you.
00:10:34Alice can't talk to you tonight, Madam.
00:10:36I just wanted to tell you that you've changed my life.
00:10:39Before I saw you, I was a mess.
00:10:41And you've given me back my right to live.
00:10:43I can't take it anymore, Madam.
00:10:45You have to let me go.
00:10:56Alice.
00:10:58Where are my parents?
00:10:59They're alive.
00:11:05What happened?
00:11:07They were hit by a truck.
00:11:11Mom is in the room.
00:11:17And...
00:11:19And Dad?
00:11:21Did you talk to him?
00:11:23We've been waiting for an hour.
00:11:25He's in shock.
00:11:27Are you okay?
00:11:29Alice, I don't know anymore.
00:11:30I want to see him.
00:11:31Where is he?
00:11:32He's here, but I think he's sleeping.
00:11:34I'm going to see him.
00:11:36You stay here.
00:11:37No, I don't want to see him.
00:11:38I'll stay with you.
00:11:39My sister just woke up.
00:11:40I want her to see my father.
00:11:41It can't be possible.
00:11:42He's sleeping.
00:11:43I have to see him.
00:11:44Okay, wait a minute.
00:11:45Then we'll take him upstairs.
00:11:53Dad, look.
00:11:55Alice is here.
00:11:57Dad.
00:12:00Actually, there was an accident vehicle with a young woman inside.
00:12:04A little further, there was another vehicle.
00:12:06No occupants.
00:12:07We suppose it was your parents who stopped to help the young woman.
00:12:13However, unfortunately, a truck lost control
00:12:15and ended its race in the accident vehicle.
00:12:20And the young girl?
00:12:21She died in the collision.
00:12:24How old was she?
00:12:2618 years old.
00:12:54Good job!
00:13:07Hello.
00:13:08Hello.
00:13:09Is Richard here?
00:13:11Here he is.
00:13:12He will be here soon.
00:13:14I would like to borrow your horse.
00:13:15Of course.
00:13:17But first, I'll take a glass of water.
00:13:20It is big, this one.
00:13:21Yes, it is big.
00:13:23No, it's not believable. In the evening, like this, two of us.
00:13:27Louis!
00:13:30Louis!
00:13:31Richard!
00:13:32But what are you doing here?
00:13:34I came to see Louis.
00:13:38There is still no road to go there?
00:13:40Ah no, to go there you will need a horse.
00:13:48Very good, my horse. Put me the trowel there.
00:13:51Ah yes, wait.
00:13:53Here.
00:13:56Do you remember how to ride a horse?
00:13:58Barely.
00:14:00All right, go.
00:14:01I'm very afraid, but I'm going.
00:14:04Let him go.
00:14:05Go.
00:14:24Hi, young man!
00:14:26Oh, you! Welcome back.
00:14:29You look like a tramp, my friend.
00:14:31Yes, I am a tramp.
00:14:33Hold me.
00:14:40Hop!
00:14:42Hop!
00:14:43Hop!
00:14:44Hop!
00:14:45Hop!
00:14:46Hop!
00:14:47Hop!
00:14:48Hop!
00:14:49Hop!
00:14:50Hop!
00:14:51Hop!
00:14:59You smell good.
00:15:00Yes, I smell.
00:15:01Bad.
00:15:02I smell strength.
00:15:03Come.
00:15:11It took me a year to get here.
00:15:13You are the ass of the world, my old man.
00:15:15Yes, but when I finish tapping the farm,
00:15:17when there will be a road,
00:15:19I'll sell it and I'll be very rich.
00:15:21Very rich?
00:15:23Rich enough.
00:15:32Why did you come?
00:15:35Your parents had an accident last night.
00:15:40Serious?
00:15:41Serious.
00:15:43I came to get you.
00:15:46If my sister is here, I won't go.
00:15:48Your parents will die.
00:15:52Did my sister tell you that?
00:15:54I never saw your sister again.
00:15:56Your brother gave me a call.
00:16:04How is my nephew?
00:16:06Joseph.
00:16:07He is in Lille with Alice.
00:16:09I saw him at your brother's.
00:16:11He says he misses you.
00:16:14Listen.
00:16:15It's charming.
00:16:16We have the son of a psychopath.
00:16:18But Alice...
00:16:19She will reach me with a carabine.
00:16:22Does my nephew know that?
00:16:24Come home with me tomorrow.
00:16:26I already took your ticket.
00:16:43Thank you.
00:17:01Yes!
00:17:02Fania!
00:17:04Fania, why did you marry a Christian?
00:17:07It's the hospital and charity.
00:17:09Have you never slept with the gypsies?
00:17:11It's not my fault.
00:17:12I'm afraid of the Jews.
00:17:14I'm afraid of nothing.
00:17:20Can you stand being alone with this guy?
00:17:22Badly.
00:17:23But I can stand it.
00:17:25What about isolation?
00:17:27We can move.
00:17:28We have horses.
00:17:29I teach once a month in Toulouse.
00:17:31That's good.
00:17:32What about you?
00:17:33Why don't you teach anymore?
00:17:35I want to.
00:17:37What I liked was the insurrection.
00:17:39What do you mean?
00:17:40I can't shake every word I say.
00:17:43I don't live in a world of restraints.
00:17:45My God, there is such an appetite for censorship.
00:17:47But what ignorance.
00:17:48I was deaf.
00:17:50Louis is angry.
00:17:52Louis is always angry.
00:17:55And you are happy?
00:17:58What?
00:17:59What?
00:18:01No!
00:18:02No.
00:18:03So why not come back among the living?
00:18:05Why?
00:18:09Because here I see my son's father every day.
00:18:13And it's a blessing.
00:18:22Come on, I called the company.
00:18:24There's no seat left for you.
00:18:25No, no, no.
00:18:26I don't want her to come.
00:18:27So you shut up, especially.
00:18:29You leave her.
00:18:30She decides.
00:18:31Come.
00:18:32Come see your parents.
00:18:33They're leaving.
00:18:34But I'm not going.
00:18:36Come on, get in.
00:18:38But why don't you come?
00:18:40Because Louis was a pariah for 20 years.
00:18:42And I want to be the wife of a pariah.
00:18:45I'm not going.
00:18:48Come on.
00:18:50Come on.
00:18:54Have a good trip.
00:19:05Excuse me, I'm terribly late.
00:19:08Clément Rivière.
00:19:09Nice to meet you.
00:19:14The theater didn't tell me you were young.
00:19:17Is that a flaw?
00:19:18No, not at all.
00:19:23Hello.
00:19:25What would you like?
00:19:27A gin with ice and lemon, please.
00:19:30I know, it's morning.
00:19:31There's no need for big eyes.
00:19:34Would you like something?
00:19:36I don't drink.
00:19:38A tea?
00:19:40No, nothing.
00:19:41I'm fine.
00:19:44I can't record our conversation, if you prefer.
00:19:48Will it be long?
00:19:49It will depend on you.
00:19:51I have all my time.
00:19:53It will depend on me.
00:19:54It's a phrase from a journalist.
00:19:56It will depend on me.
00:19:58It's a phrase from a journalist.
00:20:01I know you're going through a lot right now.
00:20:05We can postpone the interview, if you prefer.
00:20:08It will be fine, I think I'll be fine.
00:20:13Thank you.
00:20:23Why did you want to do an interview with me?
00:20:26My editor wanted to do the portrait of an artist woman.
00:20:31And I think I saw all your pieces.
00:20:35You can put your recorder on.
00:20:45I would like to start with a silence.
00:20:47If you don't mind.
00:20:51Have you ever talked about your brother's books?
00:20:57But...
00:20:58I only have one brother.
00:20:59I don't think he's ever written.
00:21:02He's a physics teacher at Roubaix College.
00:21:07I wanted to talk about Louis Vuillard.
00:21:14That's curious.
00:21:18I've always been on the side of the wounded.
00:21:22I don't think I like people who get hurt.
00:21:27Have you been hurt by his books?
00:21:31You love your questions.
00:21:36I don't think you'll be interested in my answer.
00:21:39I think the interview is over.
00:21:42You're bleeding.
00:21:44Wait, I'll give you something.
00:21:48Here, take this.
00:21:56Thank you.
00:22:26Do you have a notebook?
00:22:28I'll get it for you.
00:22:29Thank you.
00:22:39Here you go, sir.
00:22:44Alice, everything started with a bad start.
00:22:48The left one.
00:22:49It's the one you've been writing about since you were born.
00:22:52I should write about my birth.
00:22:56But the left one isn't the right one, it's universal.
00:22:59How could things have been otherwise, between a sister and a brother?
00:23:03Or between two sisters?
00:23:05Or two brothers?
00:23:07Of course things started badly.
00:23:09For everyone.
00:23:12The case would be what we would make of it.
00:23:15Of course things are messy.
00:23:17And you have to be glad that it's messy.
00:23:21But this messiness...
00:23:23You confused it with your bad temper.
00:23:26Hello?
00:23:27My God.
00:23:29That you had a bad temper.
00:23:31Abel sometimes thought it was funny, but it never was.
00:23:35For no one.
00:23:36It was just...
00:23:38painful.
00:23:39And we had collectively stopped hoping you'd make amends.
00:23:44And then...
00:23:45you became an actress.
00:23:48And your marriage turned into a love of good that terrifies me today.
00:23:54Your childhood would have been full of anger.
00:23:57Your maturity has become a disgusting taste for holiness.
00:24:10I love you.
00:24:12My little one.
00:24:15I think I was...
00:24:17with a young woman on the road.
00:24:21She's dead, Dad.
00:24:27Why? I'm alive.
00:24:30I don't know.
00:24:32The firemen didn't understand.
00:24:37I think...
00:24:39I ran.
00:24:46Where is Marie-Louise?
00:24:49No, no.
00:24:51She's in another room.
00:24:53She's in a coma.
00:24:55Marie-Louise isn't dead.
00:24:57He keeps her by his side.
00:24:59You just woke up.
00:25:02I want to see my wife.
00:25:06I...
00:25:08I'll take a picture.
00:25:19Come on.
00:25:35Why didn't they put us in the same room?
00:25:38Because it was impossible.
00:25:50It's beautiful in the woods.
00:25:58You know, I called Svee.
00:26:02He's gone to get Louis.
00:26:20I'll go with you to the hospital.
00:26:22I'd rather be alone.
00:26:25I'll leave you some money for the taxi.
00:26:28No, I'll take the bus and the subway.
00:26:38I recognize him.
00:26:40You're at the foot of the hill, my friend.
00:26:49Come on.
00:26:51Come on.
00:27:16Louis.
00:27:21We missed you.
00:27:23Isn't she here again?
00:27:25Not like that.
00:27:27Alice is at the theater.
00:27:29Take my bag. I'm going to see Belle.
00:27:31No, not now. We'll give him the money.
00:27:38Joseph.
00:27:42Look.
00:27:43Louis.
00:27:46How are you?
00:27:49You're beautiful.
00:27:54Why didn't we come to your place this summer?
00:27:56I was at work.
00:27:58Is your house finished?
00:28:00Soon.
00:28:03The holidays were boring without you.
00:28:08Every time I see you,
00:28:10I see my son's face.
00:28:19Don't wake him up.
00:28:26He'll get over it.
00:28:29It's funny, his face doesn't change.
00:28:31But he's old.
00:28:37How long have you not seen him?
00:28:39Five years, I think.
00:28:42In the previous years, Belle and Marie-Louise didn't want to kiss Alice.
00:28:46Now it's Alice.
00:28:54Can I hold her hand?
00:28:56Be careful.
00:28:58Her parents wanted to help a young woman on the road.
00:29:01She had hit a tree.
00:29:04So they were heroic?
00:29:06Yes.
00:29:07They were heroic.
00:29:09What did the girl's name?
00:29:13I didn't ask.
00:29:17I'd like to be alone with her.
00:29:39Broch.
00:29:46Bless me.
00:29:48I want you to bless me.
00:29:54I want you to beat me, Dad.
00:29:57Now you have to win.
00:30:11Do you want something to eat on the plane?
00:30:13No.
00:30:14What makes you happy?
00:30:16Doesn't matter.
00:30:17I'll make you something to eat.
00:30:33You have to go. Alice is on the way.
00:30:35No, I'm going.
00:30:37Where are you going to sleep?
00:30:39I don't know.
00:30:41I'll drop you off at my parents'.
00:30:43No, don't worry.
00:30:45I'll take the tram.
00:30:50Take this letter to Alice.
00:30:52I wrote it on the plane.
00:30:55What?
00:30:57What did I say?
00:30:59You know I'll never take this letter.
00:31:01If you don't take it, I'll put it in a book.
00:31:05Come and kiss me.
00:31:11You'll make me buy it.
00:31:24Good evening.
00:31:25Who are you?
00:31:26What are you doing here?
00:31:28A young man gave me your address.
00:31:30You can't come in like that.
00:31:32There are codes here.
00:31:34You can't do what you want.
00:31:36I'm looking for an opium.
00:31:3850 euros a gram.
00:31:39Get out.
00:31:40I'll take it.
00:31:41Do you have delicacies?
00:31:42This is not a pharmacy.
00:31:47Here, 0.3.
00:31:48Great, thank you.
00:31:50Do you have heroin?
00:31:51Morphine?
00:31:52No, no.
00:31:53Tell me next time.
00:31:54If we meet again, give me a snap.
00:31:56I don't have a phone anyway.
00:31:58We'll wait for you.
00:32:00Thank you, gentlemen.
00:32:08I'm waiting for you.
00:32:31Hello?
00:32:32It's me.
00:32:33Oh, fuck.
00:32:35I'm afraid it's my father's mess.
00:32:37Stop it, you idiot.
00:32:40You're already getting on my nerves.
00:32:44Don't drink too much, my love. Not when I'm away from you.
00:32:47How did you get the number?
00:32:48I called him. It's Fidel who gave it to him.
00:32:51Why didn't you stay at your brother's?
00:32:54Did you want to be alone to drink?
00:32:56No, I wanted to see the apartment I grew up in.
00:32:59And how is it?
00:33:01Listen, it's pretty ugly.
00:33:04There are a lot of bookshelves, and it's very small.
00:33:07I think we lived there when we were five.
00:33:09So, what does it do to you to find your children's room?
00:33:14It's like an office.
00:33:16That's a shame.
00:33:18I'd like to imagine you in your young man's bed,
00:33:20where you used to bring all your conquests.
00:33:23I was a very lonely young man, miss.
00:33:26Your voice sounds weird.
00:33:28Are you drunk?
00:33:30Yes.
00:33:33And where are you now? In which room?
00:33:36I'm in the living room.
00:33:37Describe it to me.
00:33:40Listen, there are things in rattan.
00:33:43And then, a low table.
00:33:46And on this low table, a photo album.
00:33:50Did you open it?
00:33:52Yes.
00:33:53I drink while looking at the photos of my childhood.
00:33:56And what do you see?
00:34:00My sister.
00:34:04My darling.
00:34:11Have you heard from the hospital?
00:34:14No.
00:34:18You didn't stay at Fidel's tonight?
00:34:20No.
00:34:22Does it bother you?
00:34:23Not at all.
00:34:26Fidel is the best of uncles.
00:34:28Yes.
00:34:30I'm not the best of mothers.
00:34:32I'm not the best of mothers.
00:34:34You're good enough.
00:34:36Did you talk to dad on the phone?
00:34:38This afternoon.
00:34:40He kisses you.
00:34:42He kisses me.
00:34:43Do you miss him?
00:34:44Of course.
00:34:46Dad couldn't live without you.
00:34:48Not without you either.
00:34:49That's not what I mean.
00:34:51He protects us.
00:34:53Yes. He's afraid of nothing.
00:34:55I'm afraid of everything.
00:34:59Go to bed.
00:35:03How was your first night?
00:35:06Bad.
00:35:08I missed you.
00:35:10I wanted to play for you, but you weren't there.
00:35:12You don't have a theatre?
00:35:15No, I'm next to you.
00:35:18My little girl.
00:35:21Abel.
00:35:24I never dared to ask you.
00:35:26Why didn't you dare to ask me?
00:35:33I'm afraid it'll hurt you.
00:35:35You can't hurt me, my dear.
00:35:38Ask me the question.
00:35:42I never understood why you never studied.
00:35:46I want to pull the curtains, please.
00:35:57Thank you.
00:35:59You've worked so hard.
00:36:03So young.
00:36:06You've had a hard life.
00:36:09You've had a lot of books.
00:36:11I liked books.
00:36:13I was a good girl.
00:36:15I never finished my studies.
00:36:17Just like you.
00:36:20I studied for a year and then I gave up everything.
00:36:23To become an actress.
00:36:26You're a wonderful actress.
00:36:29My mother hated that.
00:36:33She thought it was impudent.
00:36:35My daughter.
00:36:37Full of glorious impudence.
00:36:40I wish you had a better life.
00:36:45I'll give you a glass of water.
00:36:54My dear.
00:36:56Where is your brother?
00:36:58Fidel will come tonight.
00:37:00He's working today.
00:37:02No, Louis.
00:37:05Did you tell Louis?
00:37:09I think Fidel called him.
00:37:13You look so sad when you say that.
00:37:19Tell me, what happened with Louis?
00:37:22Do you know at least?
00:37:25What matters is that you get well.
00:37:29And that Mom gets out of the coma.
00:37:31You can't leave me in prison.
00:37:33You're locked up.
00:37:36Then set me free.
00:37:42I'll never forgive Louis.
00:37:54Where are you going?
00:37:56You can't go in there.
00:38:00Wait for us.
00:38:10You can't stay here. You'll catch a cold.
00:38:13I'm sorry, ma'am.
00:38:15I didn't have to see you again.
00:38:17Don't apologize. You're shaking.
00:38:21You're going to catch a cold.
00:38:23I don't have any money.
00:38:25But I invite you.
00:38:27Can we have two grogs, please?
00:38:29Yes, of course.
00:38:33Undress. It's soaked.
00:38:35I don't want to.
00:38:37Are you passionate about theater?
00:38:39I'm passionate about you.
00:38:44What's your name?
00:38:46Lucia.
00:38:48Lucia.
00:38:50My parents had three children.
00:38:52I'm the eldest.
00:38:54After me, they had two sons.
00:38:57Do you have two brothers and a sister?
00:38:59Yes, six brothers and a sister.
00:39:02Do they live in Romania?
00:39:04Yes, in Romania.
00:39:06All five?
00:39:08All five children.
00:39:09What do they do?
00:39:11We sit apart. I order a drink, then another.
00:39:15The young woman didn't touch hers.
00:39:17I tried to get rid of her fear.
00:39:19Did you run away?
00:39:21I invited her to get to know her better.
00:39:23But I was the one who talked most of the time.
00:39:26While admiring her youth,
00:39:29I let myself tell her the story of my life.
00:39:33I don't have many memories of my childhood.
00:39:36I don't remember my brother Louis very well.
00:39:40I know he was on my knees.
00:39:42I liked being his heroine.
00:39:45But...
00:39:47I remember the day
00:39:50when anger invaded me.
00:39:53I couldn't stand it anymore.
00:39:56I was already an actress.
00:39:58I came to read a book he had published.
00:40:02He had won a prize.
00:40:03He hadn't given up for ten years.
00:40:06He lived in my shadow.
00:40:09I think...
00:40:11I think he didn't suffer.
00:40:14It would have driven me crazy.
00:40:18But he was very humble and poor.
00:40:22And that day,
00:40:23I saw my brother covered in honor.
00:40:27Later, he came to see me.
00:40:35And I said to my brother,
00:40:38I hate you.
00:40:39I hate you.
00:40:43But I said it with a smile.
00:40:45What did your brother say?
00:40:47Okay.
00:40:49I know.
00:40:50I know.
00:40:51He was very sweet.
00:40:54And I laughed.
00:40:56Did you meet Borkman that day?
00:41:00No, Borkman and I had been friends for a long time.
00:41:04They both wrote in a magazine.
00:41:06No, later,
00:41:08Borkman came to see me at the theater.
00:41:13And then...
00:41:15Louis' notoriety grew.
00:41:19And the more his notoriety grew,
00:41:22the more I was...
00:41:24torn.
00:41:26But was it true that you hated your brother?
00:41:30No.
00:41:31Not that night.
00:41:32It took me ten years
00:41:35to realize that this sentence that had escaped me
00:41:38the night of his funeral,
00:41:41that I think I hate you,
00:41:43contained me completely.
00:41:47For ten years, I loved him.
00:41:49I loved him, I still love him.
00:41:54But one day, the hatred
00:41:56had taken its place.
00:41:59I would hate for you to meet my brother.
00:42:03Why?
00:42:05Because you would immediately fall in love with him.
00:42:09I'd rather you fell in love with me.
00:42:13Your thing is boring. There's one everywhere.
00:42:17Give me your arm.
00:42:18There, you'll be better like that.
00:42:21Open your hospital pajamas.
00:42:22I don't care.
00:42:24You've always been a snob, my son.
00:42:26I was a snob. I'm the snob.
00:42:28I don't know.
00:42:29You weren't a snob. They're easy, anyway.
00:42:33We never knew what we were going to do with ourselves.
00:42:37And your relationship with your mother...
00:42:39Your relationship with your mother...
00:42:42I held her back.
00:42:44I didn't love you much.
00:42:47I know that.
00:42:48I was never there. It was painful.
00:42:51I didn't suffer.
00:42:54You're free. You don't write anymore.
00:42:56That question in my head...
00:42:59I have to admit that I have no excuse.
00:43:02Your wife is right.
00:43:04It's your job to write.
00:43:08Mom will be leaving soon.
00:43:10You know that.
00:43:13And I lost my child.
00:43:17You're not answering.
00:43:19I would have liked to leave before Jacob.
00:43:24One day, you'll die.
00:43:26You'll die.
00:43:28I'd like it to be in a thousand years, but you'll die.
00:43:34Yes, it's been a while.
00:43:37I'm in a mess, my dear.
00:43:42The day you die, I won't come to your funeral.
00:43:46You're not giving me hope.
00:43:51The day I leave,
00:43:54I want you to come to my grave.
00:43:57How can I stand next to Alice?
00:44:01Tell me, how can I do it?
00:44:05Why didn't you try to fix it?
00:44:07You've had so many years.
00:44:09Fix what?
00:44:10My sister! Stop her hatred!
00:44:13She just wanted you to yell at her.
00:44:16How could you be so negligent?
00:44:19It's time for treatment.
00:44:20How are you today, sir?
00:44:26This one.
00:45:26I'm fine.
00:45:46Madam?
00:45:47I'm not going to see my brother.
00:45:49♪
00:45:52How are you, young man?
00:45:54Yes.
00:45:58How was the hospital?
00:46:00I won't talk about it tonight.
00:46:03Later, I'll have to take drugs if I want to bear this burden without your parents.
00:46:07It's so strange.
00:46:09Come on.
00:46:10Where did you find this opium?
00:46:12I didn't ask anyone.
00:46:15Come on.
00:46:18The family album.
00:46:23Wow!
00:46:26Your sister was so beautiful.
00:46:28She would have never wanted you.
00:46:30I was already old and fat.
00:46:33Here.
00:46:35Come on.
00:46:36Come on.
00:46:42Look, your father was very young.
00:46:44Yes, it's Alice in his arms.
00:46:46Really?
00:46:47How old were you when you were a child?
00:46:49Well, at the birth of Alice, Abel started this photo album.
00:46:53Alice was the first born.
00:46:56And my father wrote that she would have loved madly.
00:47:00I loved reading these words when I was little.
00:47:03I was proud of my father's love for his daughter.
00:47:06Alice was a genius.
00:47:08It was the law.
00:47:09And I was willing to do it.
00:47:11But one day, the genius was you.
00:47:13And it killed Alice.
00:47:15Yes.
00:47:19Your parents kept everything about your sister.
00:47:22That's it.
00:47:23There are even posters.
00:47:28What?
00:47:29What?
00:47:30What?
00:47:31What?
00:47:32Come on.
00:47:34I'm going to marry Alice in a month.
00:47:36She said yes.
00:47:42Well, I order you to be happy.
00:47:45Promise?
00:47:46Promise.
00:47:48You know, Alice loves your latest collection.
00:47:51You don't leave her hair anymore.
00:47:53I'm not sure my sister likes it that much.
00:47:55Well, if she wanted to play your old poems.
00:47:59I'm not very spectacular, you know.
00:48:03What are you talking about?
00:48:05You are spectacular.
00:48:07If you want, I can take care of the adaptation.
00:48:12I don't know.
00:48:14You are disappointed.
00:48:17I don't want that kind of dream.
00:48:19I've never read Alice my poems aloud.
00:48:21Even for myself.
00:48:23So...
00:48:25I'm going to be your voice.
00:48:28No, no, no.
00:48:30No, it's not a good idea.
00:48:32It's not good enough for you. You're a real actress.
00:48:35I just write little secrets, very intimate.
00:48:38I don't want to be read aloud.
00:48:40So?
00:48:41So...
00:48:44You won't tell her.
00:48:47Your parents even have a picture of her head.
00:48:50Who?
00:48:51Borgman.
00:48:53You say that because you're jealous.
00:48:55Not at all.
00:48:58Alice married Borgman, and that's great.
00:49:01I'm not criticizing. He's your man.
00:49:03And I introduced him to you.
00:49:05Borgman has been my friend for 15 years.
00:49:07I know him like the back of my hand.
00:49:09But today, he threw up on me.
00:49:11You know I can't tell you anything.
00:49:13I'm asking you to say nothing.
00:49:15Don't defend me.
00:49:17I would like to defend you.
00:49:19Don't ever say those words.
00:49:21Just take care of him. I want you to be happy.
00:49:23I want you to love him.
00:49:24When you had your miscarriage two years ago,
00:49:26we were all so sad.
00:49:28You were as unhappy as the stones.
00:49:30At that moment, Borgman got so angry,
00:49:32it became unbearable for me.
00:49:34Fuck, Alice, I didn't want to kill him.
00:49:36I was with you. I cried with you.
00:49:38Louis.
00:49:41I'm pregnant.
00:49:45Again.
00:49:47Oh, my darling.
00:49:53Good evening.
00:49:55You are André Borgman.
00:49:57I'm late. I came to see Alice Villar.
00:49:59You were expected.
00:50:01The performance is over, but Pierre gave her his notes.
00:50:03André, come.
00:50:05We're going to fix the lights.
00:50:07Good evening.
00:50:09You're from Lyon?
00:50:11I dropped out of the opera.
00:50:13Why?
00:50:14I didn't know what I was doing.
00:50:16I didn't know that.
00:50:18You play every night?
00:50:20Yes, every night.
00:50:22I don't understand how she does it.
00:50:24She's with her parents at the hospital.
00:50:26I don't understand either, but she does it every night.
00:50:28She plays?
00:50:29I swear, she plays.
00:50:30Alice will be very happy to find you.
00:50:31Is she in her right mind?
00:50:32Since the accident, she goes out every night.
00:50:34I couldn't play in front of the audience.
00:50:38I delivered it to my house.
00:50:41Out loud?
00:50:43I'm stupid.
00:50:45No.
00:50:47No, I'd like to hear you play one day.
00:50:50You'll never hear me.
00:50:53I learn lines all the time.
00:50:56It goes in my head.
00:51:00Can I ask how old you are?
00:51:03I won't say my age.
00:51:06Okay.
00:51:10You're the one blowing out the candles.
00:51:12Your sister's behind it.
00:51:14She's watching you with big eyes.
00:51:16You know, my father worked a lot for a shitty salary.
00:51:20We only saw him on weekends.
00:51:23And on the anniversary of my 7th birthday,
00:51:25at the family table, it was a Saturday.
00:51:27I remember it very well.
00:51:29My father said to me,
00:51:31you see, this year has passed,
00:51:33the year you were 6 years old.
00:51:35Mozart took care of composing the tenor Danerle.
00:51:38And you, you didn't do anything.
00:51:40No.
00:51:42Yes.
00:51:44The following year, my father taught me
00:51:46that at my age, it was Picasso
00:51:48who had already painted his first canvas.
00:51:50And I, I had still failed.
00:51:52For my 9th and 10th birthday,
00:51:54I don't know how my father measured my failure.
00:51:56But we did all the history of art.
00:51:58Rimbaud, of course.
00:52:00Because my father is self-taught, but he is very cultivated.
00:52:03So on every anniversary,
00:52:05he used me as an example, crushing my insufficiency.
00:52:08What's good about this October?
00:52:10This is Roubaix.
00:52:12At least it made me hungry.
00:52:16Louis, where are you going?
00:52:18I'm going to get some air on the balcony.
00:52:20Will you join me?
00:52:22No, it's too cold.
00:52:24So, see you soon.
00:52:26Louis?
00:52:33Louis!
00:52:35Louis!
00:52:40Louis!
00:53:10Louis!
00:53:40Mom.
00:53:42Mom.
00:54:09You're here.
00:54:11You didn't even go up to your room.
00:54:13I don't like to sleep when you're not here.
00:54:18I was worried about you.
00:54:20No, you were worried about yourself.
00:54:22I met a woman who admires me, you know.
00:54:26And you stayed with her until 2 p.m.?
00:54:29Yes.
00:54:31Her name is Lucia.
00:54:33Where does she come from?
00:54:35From Romania.
00:54:37I think she lives there in the countryside.
00:54:39She lives in a house.
00:54:42I don't know how she lives.
00:54:46I lost you when I arrived in Paris,
00:54:48but I've never been as fragile as she was.
00:54:50Yes, you were as fragile as she was.
00:54:54She admires me so much.
00:54:57Way too much.
00:54:59Too much? That's very good.
00:55:01I love you too much.
00:55:04You carry it for her.
00:55:07I'd like to invite her home,
00:55:09to protect her.
00:55:13I'm listening.
00:55:16I can't stand her vulnerability.
00:55:25Sir?
00:55:27No, no, no, sir.
00:55:29You're in a hospital here.
00:55:31You can't stay here.
00:55:33I just fell asleep.
00:55:35There are perfusions, there are pipes.
00:55:41What's that stain on your leg?
00:55:44The stain on your leg.
00:55:46I don't know.
00:55:47Have you ever seen it?
00:55:49No.
00:55:50No?
00:55:56The nurses this morning
00:55:58discovered ischemia on your mother's leg.
00:56:00Ischemia is the blood that no longer passes through the artery.
00:56:03There's a high risk of necrosis.
00:56:05You'll have to undergo surgery.
00:56:08Unfortunately, I can't operate.
00:56:10I can't repair the artery.
00:56:12I'm sorry to tell you this,
00:56:15but you'll have to amputate the leg.
00:56:18Marie-Louise's condition is too fragile.
00:56:20It's to save what's left of her life.
00:56:23You'll have to get together quickly as a family
00:56:26to make a decision.
00:56:29I need time.
00:56:31I'm sorry.
00:56:35I can't stand to see my mother amputated.
00:56:40I don't want her to leave me.
00:56:42It's too much for me.
00:56:49I just want her to live.
00:56:54They'll amputate her.
00:57:02Can I come in?
00:57:04Of course, we have an appointment. Come in.
00:57:11I'm surprised to see you.
00:57:13It's been ten years, Alice.
00:57:16It's been a long time.
00:57:18It's been endless.
00:57:20It's been a long time.
00:57:22It's been a long time.
00:57:24It's been a long time.
00:57:26It's been a long time.
00:57:29It's been a long time. It's been endless.
00:57:32You've been seeing my brother for ten years?
00:57:35Louis is my friend.
00:57:37I'll never forgive you.
00:57:39Are you angry?
00:57:41How do you think I am when I'm angry?
00:57:45Spectacularly beautiful.
00:57:47Again?
00:57:49Again.
00:57:51Can I sit down?
00:57:53It's already humiliating for me.
00:57:56Why did you come?
00:57:59I came to ask you for medication.
00:58:01What kind of medication?
00:58:03Kamel and Marilyn had a terrible accident.
00:58:07I know, it's horrible.
00:58:09I have to play every night.
00:58:11I've never suffered so much.
00:58:14I need support.
00:58:16How long have you felt you need support?
00:58:20The question is funny.
00:58:22Why?
00:58:24A doctor has never had the feeling of needing support?
00:58:28Of course.
00:58:32Why did you come to see me?
00:58:35Because you're the only psychiatrist I know.
00:58:38I was afraid of falling for charlatans.
00:58:41It's easier for me.
00:58:43If it's more complicated, I can handle it.
00:58:46It's easier for me.
00:58:48If it's more complicated, I can handle it.
00:58:50No, everything is fine.
00:58:53What kind of medication would you like?
00:58:56I don't know.
00:58:58I keep crying.
00:59:01I'm getting darker.
00:59:04Do you cry every day?
00:59:07Several times.
00:59:10How many?
00:59:12It depends on the day.
00:59:14To hold on.
00:59:16I don't have any emotional trauma.
00:59:23Existential remanipulation.
00:59:25That's how you say it during the first treatments.
00:59:28Did you look at Manuel before coming here?
00:59:31Yes, of course.
00:59:35Does Bachmann know?
00:59:37No.
00:59:39I would like to keep it private.
00:59:41Your family, the theater?
00:59:43Listen, I don't want to get involved
00:59:46in the ridiculousness of a psychotherapy with you.
00:59:53So either you give me medication or I leave.
00:59:57I need to know if there are other symptoms than these tears.
01:00:02Alcohol?
01:00:05Not bad.
01:00:07Alice.
01:00:10It's an exam too fast.
01:00:20Tertium.
01:00:22Or I can give you Hesperdal.
01:00:25It's a neuroleptic person.
01:00:27Yes.
01:00:29Why don't you prescribe Lysanxia or Tranksen?
01:00:33Because anxiolytics and alcohol don't get along.
01:00:37You could suspend the play.
01:00:41No, it's impossible.
01:00:43I have a depression.
01:00:46Why don't you give me an antidepressant?
01:00:49Because these drugs don't work before 5 or 6 days.
01:00:53And you're in a crisis.
01:00:55Why?
01:00:57I'm afraid of suicidal impulses.
01:00:59And antidepressants favor the passage to the act.
01:01:02That's also true.
01:01:04I don't want neuroleptics.
01:01:06I need light anxiolytics and an antidepressant.
01:01:10I won't commit suicide.
01:01:13You have suicidal impulses?
01:01:15I won't commit suicide.
01:01:22Hello.
01:01:28You're on time.
01:01:30It's awful. It looks like the sun won't rise.
01:01:37Ah.
01:01:39Is it for you or a friend?
01:01:42It's for me.
01:01:44Have you already taken these drugs?
01:01:46You know you can't drive with that.
01:01:48Yes, I know.
01:01:51Can I have your vital card?
01:01:54I don't have it with me.
01:01:56I'll have to pay the bill.
01:01:58It's okay. I'm in a hurry.
01:02:01Please.
01:02:03I don't know what to do.
01:02:05The doctor is a pain in the ass.
01:02:08Can I ask you for an address?
01:02:11I don't have an address.
01:02:17Okay.
01:02:19I'll go get it.
01:02:23You can wait for me.
01:02:35Hello, Pierre.
01:02:37I missed the notes.
01:02:39I left the hospital too late.
01:02:41I'll be on time for the Italian.
01:02:44Alice, you don't have to be Italian.
01:02:46I'm worried about you.
01:02:52Are you crying?
01:02:54No, I'm not.
01:02:56Do you want me to pick you up?
01:02:59No, I'm fine. See you later.
01:03:05There you go.
01:03:08I'll write you an appointment.
01:03:10No, it's not necessary.
01:03:12Can I have a glass of water?
01:03:14I'd like to take my meds right now.
01:03:23Ribotril is two pills a day.
01:03:25You have to be careful.
01:03:27Madam, you can't take your meds like that.
01:03:30It's too much. There are eight of them.
01:03:32Shut up!
01:03:34What do you know about me?
01:03:42You little idiot.
01:03:45What do you know about my health?
01:03:47What do you know about me?
01:03:49About what I'm going through?
01:03:51You come with your deaf voice
01:03:53to search my life.
01:03:55Madam, I'll have to call your doctor.
01:03:58You're afraid.
01:04:00You piss on me.
01:04:02Call whoever you want.
01:04:16Hello.
01:04:17Would you sign your books for me?
01:04:19Of course. With pleasure.
01:04:23Where should I sit?
01:04:24Right here.
01:04:28Is this for the library?
01:04:29No, it's for me.
01:04:31For the collection?
01:04:32Yes, I like it a lot.
01:04:33Should I put your name on it?
01:04:34No, your name is fine.
01:04:40Oh, Louis.
01:04:42Oh, Joseph.
01:04:44It's funny to see you here.
01:04:46Well, no, it's normal.
01:04:48It's a library. I'm a writer.
01:04:50And I'm not allowed to go to the hospital.
01:04:52You know I can't go there when your mother is there.
01:04:54No, no, I didn't know.
01:04:56My boy.
01:04:58Are you okay?
01:04:59I was in a car accident.
01:05:01I don't dare to go to see Grandpa and Grandma.
01:05:03Why do you call them that?
01:05:05What?
01:05:06Grandpa, Grandma.
01:05:07Why don't you say Abel and Marie-Louise?
01:05:08We always called them that.
01:05:10I'm sorry, I didn't know.
01:05:12Of course you didn't know.
01:05:14You don't know anything.
01:05:15Stop smiling.
01:05:16Kind people are tender.
01:05:18Your mother, Alice,
01:05:20she's been chasing her hatred for over 20 years.
01:05:22You grew up in this hatred.
01:05:24You hid behind your childhood for a long time
01:05:26and it was legitimate.
01:05:27You came to visit me.
01:05:28You were young.
01:05:29You were fragile.
01:05:30I'm not fragile.
01:05:31But one day you were 13.
01:05:33And you were no longer a child.
01:05:34And today you're 16.
01:05:3516!
01:05:36And I believe with all my heart
01:05:38that not once in your life
01:05:39did you dare to say a word in favor of me, your uncle.
01:05:42And you'd like me to love you.
01:05:43You're angry with me
01:05:44because I didn't come to Jacob's funeral.
01:05:47My mother wanted to protect me.
01:05:48But he was my son!
01:05:50You lived with your parents
01:05:51when they received all of Paris
01:05:52to prosecute me for the fucking case!
01:05:55And what, you wouldn't have known anything?
01:05:56False! False! You knew everything!
01:06:02Marie, go ahead, answer.
01:06:04You're not saying anything, but answer.
01:06:07I don't know what to say.
01:06:08But you have to answer, Joseph.
01:06:11Did I kill myself in front of my mother?
01:06:13No!
01:06:14I fought,
01:06:15from the age of 12,
01:06:16to defend my sister, your mother,
01:06:18my cousins, my companions.
01:06:20Our mother, full of hatred,
01:06:21I know it like the back of my hand.
01:06:23You, you kneel in front of Alice.
01:06:25You think that not dying makes you grow up?
01:06:26No!
01:06:27You've been this way for so many years!
01:06:29It condemns you!
01:06:30Yes.
01:06:54Can I sit down?
01:06:56You look bored.
01:06:58No, no, play with me.
01:06:59Don't you want to smoke a cigarette with me?
01:07:03I'm so drunk.
01:07:05I don't think I'll be able to get up, Miss.
01:07:08Then I'll stay by your side.
01:07:16There's a woman over there.
01:07:18You avoid her gaze,
01:07:20and then later,
01:07:21is she your companion?
01:07:23She's my sister.
01:07:25So what is she doing far from you?
01:07:27That...
01:07:28You know, my sister hasn't greeted me for years.
01:07:31When she sees me in the street,
01:07:33she runs away with horror.
01:07:37But why?
01:07:41I'm not sure it's very moral to answer your question.
01:07:44I'm the object of her hatred,
01:07:46and that's enough for me.
01:07:49So...
01:07:51Are you brave?
01:07:54Very brave.
01:07:59Go talk to her now.
01:08:02Why?
01:08:04To please me.
01:08:06In that case...
01:08:19Alice!
01:08:21Hey, Alice!
01:08:26I'm going.
01:08:38Alice, look at me.
01:08:42Alice.
01:08:48I have nothing in common with you.
01:08:51What do you want from me?
01:08:54I want you to go to jail.
01:08:57I want you to never come out again.
01:08:59I want you to pay for your pride.
01:09:02You're strong, aren't you?
01:09:19Excuse me.
01:09:32I think she took it the wrong way.
01:09:37Now I believe you.
01:09:39Do I have to put your stuff on my head?
01:09:41Yes. Paintings get damaged every year,
01:09:43and I protect them.
01:09:45Here, this is for you.
01:09:48Follow me.
01:10:16Here.
01:10:20A little bouquet,
01:10:22vases, horses...
01:10:25And what are those sticks?
01:10:27Keychains.
01:10:29Letters?
01:10:30Signs.
01:10:32And what?
01:10:33Women, little women.
01:10:37And what's that little house?
01:10:41It's a vulva.
01:10:43A vulva?
01:10:54I'd like you to give me a child one day.
01:10:57My God.
01:11:00But when?
01:11:03They made a vow of silence.
01:11:05You too will make a vow of silence, Freddy.
01:11:08They don't believe you.
01:11:11He never complains of pain.
01:11:13At night, these monks sleep in coffins.
01:11:16In coffins?
01:11:17Yes, absolutely in coffins.
01:11:19Why?
01:11:20Because they live according to the rules of St. Benoît.
01:11:22Very well, but why?
01:11:24The thing is, these monks try to expiate all the sins
01:11:28committed by all the sinners in the world.
01:11:30That's why.
01:11:32Alice, I think you'll have to leave us and go to the hospital.
01:11:41Is it my father or my mother?
01:11:43Your mother.
01:11:45It's the end.
01:12:11She went out just an hour ago.
01:12:17I want her to wear a black robe and shoes.
01:12:21All right.
01:12:23I'm going.
01:12:26Get me out of here.
01:12:29I'm going.
01:12:31I'm going.
01:12:33I'm going.
01:12:35I'm going.
01:12:38Get me out of here.
01:12:51Last night I dreamed she was waking up.
01:12:57You see, now I'm an orphan.
01:13:08I'm going to take your mother to the funeral.
01:13:10We're going to start the care.
01:13:18Do you want the medallion?
01:13:20I'll give it to her later.
01:13:34Who is it?
01:13:36Who is it?
01:13:38I think it's my nephew.
01:13:43His name is Jacob.
01:13:47I've never met him.
01:13:50Come on.
01:14:04Do you need help?
01:14:12Do you need help?
01:14:14Let go of me.
01:14:20Let go of me.
01:14:30It's Mom.
01:14:40My dear, I can't stand what hurts you.
01:14:44Look at what she gave you.
01:14:48Look.
01:14:50Fidel won't force her to go to the funeral.
01:14:52I want to stay with him.
01:14:55Can you bring your mother's towel?
01:14:57Yes, of course.
01:15:09I've got it.
01:15:12Now there are shoes.
01:15:14What?
01:15:15Shoes.
01:15:16What shoes?
01:15:17Black shoes.
01:15:18Here they are.
01:15:20Take this.
01:15:26Hello, sir.
01:15:27Please come in.
01:15:29You must be cold.
01:15:30Yes, it's very cold.
01:15:31Are you here for my friend Vilar?
01:15:32Yes.
01:15:33My condolences, sir.
01:15:34We were waiting for you.
01:15:35Are you Fidel's son?
01:15:37No, I'm the other one.
01:15:39Very well.
01:15:40We're aware of the situation.
01:15:41Don't worry.
01:15:42There's no problem.
01:15:43We'll meet at the back of the building.
01:15:46There's a small door over there.
01:15:47I invite you to go outside.
01:15:49I'll meet you inside.
01:15:51At the back?
01:15:52Right there, on the right.
01:15:53I'll let you go.
01:15:55Thank you.
01:16:03This way, please.
01:16:05This way.
01:16:08Are you from far away?
01:16:09What?
01:16:10Are you from far away?
01:16:11Toulouse.
01:16:12I'll give you a ride.
01:16:13Are you from far away?
01:16:16Would you like a coffee or something?
01:16:20I'll let you sit down.
01:16:22Please.
01:16:24Why are you treating me like this?
01:16:26Sit down.
01:16:27We'll visit you later.
01:16:28I'll pick you up when the visitors are gone.
01:16:31Sit down.
01:16:32Make yourself comfortable.
01:16:33Please.
01:16:36Marie-Louise was older than my father.
01:16:40She had many brothers and sisters.
01:16:43Abel was all alone.
01:16:46He married her because he was all alone.
01:16:53I was a teenager.
01:16:57He was unemployed.
01:16:59He had a nervous breakdown.
01:17:02He was unemployed.
01:17:03He had a nervous breakdown.
01:17:05He had found her.
01:17:08He said he had known a marriage without a lover.
01:17:12I was horrified to hear him talk about my mother like that.
01:17:17I was his young wife.
01:17:24I don't want to see Louis at the funeral.
01:17:27But if you see Louis at the funeral...
01:17:31I have no defense.
01:17:33You'll see your brother.
01:17:35You'll shake his hand.
01:17:38Everything will be fine.
01:17:39No.
01:17:42I can't do what I did.
01:17:50Here are the clothes for Mrs. Louis.
01:17:53Thank you.
01:17:54Would you like to come back later?
01:17:55No, I won't.
01:17:56Sir?
01:18:03What are you doing here?
01:18:05I'm digging.
01:18:07That's good.
01:18:09I found the book I started when I was 19.
01:18:12No.
01:18:13Yes.
01:18:14How is it?
01:18:16Really bad.
01:18:21Are you going to take it back?
01:18:22No.
01:18:26What are you doing?
01:18:28I'm burning.
01:18:30I found all the letters I wrote to Alice when she was in Paris.
01:18:34What did your parents think?
01:18:36I don't know.
01:18:38I thought she had thrown them away.
01:18:41Do you burn them too?
01:18:42Yes.
01:18:44I burn my ships.
01:18:48Then you have to start writing again.
01:18:55Yes.
01:19:16Here you go.
01:19:17Thank you.
01:19:19You didn't use the kitchen.
01:19:21I can't.
01:19:22Who can?
01:19:24Would you like a coffee?
01:19:26I remind you that you are Catholic.
01:19:28I remind you that you are gay.
01:19:30It should be more tolerant.
01:19:32I will remember.
01:19:34I don't know what to say to your mother.
01:19:36Don't say anything.
01:19:37It's a loss I can't measure.
01:19:39What did you do today?
01:19:41I started a new book.
01:19:42Very good.
01:19:43What is it about?
01:19:45Guess.
01:19:46I think I guess.
01:19:47Did you eat?
01:19:48No.
01:19:49Promise.
01:19:50Are you hungry?
01:19:51No, but I'm thirsty.
01:19:52It's my first trip to the synagogue.
01:19:54You talk too much, my friend.
01:19:55It's a serious danger.
01:19:57Here.
01:19:58Put this on.
01:20:00Wait.
01:20:03You put your shoes in leather.
01:20:07What are you doing?
01:20:08We don't care.
01:20:09You are Christian.
01:20:11You put your shoes in leather.
01:20:12What are you doing?
01:20:13We don't care.
01:20:14You are Christian.
01:20:15You put your shoes in leather.
01:20:16What are you doing?
01:20:17We don't care.
01:20:18You are Christian.
01:20:19You put your shoes in leather.
01:20:20What are you doing?
01:20:21We don't care.
01:20:22You are Christian.
01:20:23You put your shoes in leather.
01:20:24What are you doing?
01:20:25We don't care.
01:20:26You are Christian.
01:20:27You put your shoes in leather.
01:20:28What are you doing?
01:20:29We don't care.
01:20:30You are Christian.
01:20:31You put your shoes in leather.
01:20:32What are you doing?
01:20:33We don't care.
01:20:34You are Christian.
01:20:35You put your shoes in leather.
01:20:36What are you doing?
01:20:37We don't care.
01:20:38You are Christian.
01:20:40You put your shoes in leather.
01:20:41What are you doing?
01:20:42We don't care.
01:20:52What does he say? Translate for me what he says.
01:21:07None of you will approach his parents to discover his nudity.
01:21:12I am eternal. You will not discover the nudity of your father, nor the nudity of your mother.
01:21:19You will not discover the nudity of your sister, daughter of your father or daughter of your mother,
01:21:26born in the house or born outside the house.
01:21:32It was raining so much that we couldn't see anything outside.
01:21:36So I ran downstairs, I was in a nightdress.
01:21:40And this poor boy, he was there.
01:21:44Under the rain, he was shivering.
01:21:47A week later, he died.
01:21:51And we buried him in Oktora.
01:21:54The day Jesus died.
01:21:58He was dead.
01:22:01That day.
01:22:08What a poor role I played in his life.
01:22:11I was only his husband.
01:22:14Now she sleeps as if we had never lived together as husband and wife.
01:22:19But her face is no longer the one for which Michael Furey praised death.
01:22:24Yes, the newspapers are right.
01:22:27The whole of Ireland is under the snow.
01:22:30She falls everywhere on the wild and dark waters of the shallow.
01:22:35Come.
01:22:41So, did you like it?
01:22:43Yes.
01:22:48It was my beautiful work.
01:22:51Today is our last day together.
01:22:55I'm going to bury my mother soon.
01:22:58And the play is over.
01:23:01I'm too young.
01:23:03I can't help you.
01:23:05It's the theater that is too small.
01:23:15I would like you to never have despair.
01:23:20But I would like you to know how to forgive yourself.
01:23:24One day I will pay the price.
01:23:29One day I will pay the price.
01:23:32And that day I will call you.
01:23:44Is this your home?
01:23:49It's time to say goodbye.
01:23:58Goodbye.
01:24:04Lucia, what's wrong?
01:24:07When was the last time you ate?
01:24:10The day before yesterday.
01:24:13I can't buy food.
01:24:16The other night we took all my money.
01:24:18But I'm going to give you a discount.
01:24:24Do you mind, madam?
01:24:26My friend is not feeling well.
01:24:28Do you know where I can find a grocery store?
01:24:30It's behind the station.
01:24:32I want to go with you.
01:24:34You are too faithful. You stay here and I'll come back.
01:24:37Okay?
01:24:38I'll take care of it.
01:24:48Are you on the way to the hotel?
01:24:50Not yet. I have to find a grocery store for my friend.
01:24:52What friend?
01:24:53The girl I told you about.
01:24:55Of course.
01:24:56Where are you?
01:24:57I'm behind the station.
01:24:59I don't like to know where you are.
01:25:01I was born here. Nothing can happen to me.
01:25:04What's that noise?
01:25:05I'll call you back.
01:25:25I'll call you back.
01:25:56Excuse me.
01:26:07Excuse me, but I think you're my sister.
01:26:12I don't recognize you, but I know it's you.
01:26:16It's me.
01:26:20I'm sorry.
01:26:22Thank you for your stuff.
01:26:24There was a fly on the floor. It's disgusting.
01:26:28Sorry.
01:26:30It's okay.
01:26:35I have to bring this grocery.
01:26:52Thank you.
01:27:22Thank you.
01:27:47Sir?
01:27:49Sir?
01:27:51Sir?
01:27:54Thank you.
01:28:05Hello, sir. National Police.
01:28:07Do you have your papers?
01:28:09No. He doesn't want to sleep.
01:28:11I'm sure he has my papers.
01:28:12He's drunk in public.
01:28:14You can't drink like that in the morning.
01:28:15You have to go home, sir.
01:28:16No, I'm going home alone.
01:28:18You have to throw your bottle.
01:28:19No, you have to go home.
01:28:20Have you already lost?
01:28:21Let me go!
01:28:22What did you lose?
01:28:23You only won!
01:28:24What do you know about beer, asshole?
01:28:38Hello?
01:28:39Louis?
01:28:40It's you.
01:28:43I was worried. I kept calling you.
01:28:46Yes, but I was out.
01:28:48I had to get some fresh air.
01:28:51It's good that you're getting some fresh air.
01:28:53Were you at the hospital this morning?
01:28:55No, I can't. My sister is there.
01:28:57I just...
01:29:00Drowned.
01:29:02Did you do something stupid?
01:29:05A lot.
01:29:19Abel is dead.
01:29:22Yes.
01:29:24My love.
01:29:26I remember your parents.
01:29:28A little.
01:29:30They were very nice to me.
01:29:32I didn't know Abel loved his wife that much.
01:29:37When I was little, Marie-Louise used to harass him all the time.
01:29:42My mother used to scare me.
01:29:45I was a bad son.
01:29:47No, you weren't a bad son.
01:29:49No.
01:29:50Your anger will go away.
01:29:52Like a drawing on the sand.
01:30:01You don't talk anymore.
01:30:03I cling to your voice.
01:30:15Tell me, when are you going to leave the camp and go home?
01:30:20I don't know. In three days.
01:30:22It's long.
01:30:24Yes, it's long.
01:30:26I really want to sleep.
01:30:28Me too.
01:30:33How is it at the farm?
01:30:35There was a storm yesterday.
01:30:37When you get home, you'll take care of the house.
01:30:40Yes.
01:30:42Finally, a road.
01:30:44You'll have to help me.
01:30:46I'll help you.
01:30:48I love it.
01:30:56I'm sick of being here.
01:31:00You're sick.
01:31:02I don't know how I'm going to do the funeral.
01:31:04Then don't go.
01:31:06Do you have something to hold on to?
01:31:08Yes, I have something to hold on to.
01:31:11Do you want me to come?
01:31:13Yes, please.
01:31:30Were you waiting for me?
01:31:32Well, can I take my things now?
01:31:35Were you able to sleep?
01:31:37Like an angel.
01:31:42Yes.
01:31:45You'll have to wash me tomorrow.
01:31:48Okay.
01:31:52Our Father, who art in heaven,
01:31:54hallowed be your name,
01:31:56your kingdom come...
01:31:59Louis.
01:32:02You can come now.
01:32:04No.
01:32:24I can't.
01:32:26Louis, you can't come.
01:32:29It's the burial.
01:32:31I can't. It's beyond my power.
01:32:33I'm sorry.
01:32:35Go away.
01:32:38Amen.
01:33:03Our parents are dead.
01:33:06Louis.
01:33:09The time has come.
01:33:12Before our blood freezes.
01:33:14Our coffee.
01:33:16Tomorrow.
01:33:17Ten o'clock.
01:33:18I'll wait for you.
01:33:24Hey.
01:33:25I'll take you to the airport.
01:33:28I can't go on.
01:33:30We're tired, my friend.
01:33:33Your parents are dead. You have no family.
01:33:35If I talk about Jacob, I'll start crying.
01:33:38Now you have only one country.
01:33:40Go away with Fonia.
01:33:42Go away!
01:34:00I love you.
01:34:30I love you.
01:34:36Excuse me, when is your taxi coming?
01:34:39He'll wait for it.
01:34:44So, who is it?
01:34:47It's you.
01:34:49Please.
01:34:54Why don't you come in with me?
01:34:57Because I can't.
01:35:01Stop it, Louis.
01:35:03That woman killed you.
01:35:05I already lost a child.
01:35:07I don't want to see my son die.
01:35:09I know.
01:35:14Come with me.
01:35:30I love you.
01:36:00It's okay.
01:36:02It's fixed.
01:36:07You were a bit of a bastard, you know.
01:36:13Yeah, but...
01:36:15It's my style.
01:36:24Fonia is a good woman for you.
01:36:28Fonia who laughs.
01:36:30Fonia pregnant.
01:36:33Fonia in despair.
01:36:37Like that.
01:36:40I don't know what happened to me.
01:36:47My poor brother.
01:36:53I always wanted to apologize.
01:36:55For what?
01:37:26How are you, darling?
01:37:32I don't help you much.
01:37:34Not at all.
01:37:36Today you have all the rights.
01:37:38I give them to you.
01:37:40Thank you.
01:37:42My word, but...
01:37:44You're like a Greek god.
01:37:46He doesn't have to bother, my little brother.
01:37:49The man doesn't drag his lost pen.
01:37:56Simon.
01:37:58Yes?
01:37:59Where is my brother?
01:38:01In your parents' room, I think.
01:38:11Fidel, come.
01:38:15Oh shit, he's on the roof.
01:38:17Fidel, come closer.
01:38:19I'll break your face and then I'll jump.
01:38:25Come on.
01:38:28I love you.
01:38:54What are you doing?
01:38:56You're still acting? You want to quit?
01:38:59Well...
01:39:02I was just thinking about it.
01:39:04Can you ask Fidel and Simon to leave, please?
01:39:13Now if you want to jump, go ahead, it's cold. I'm freezing.
01:39:18I'm still waiting a bit.
01:39:21What are you thinking about?
01:39:24I'm thinking about all the years you let me love you.
01:39:30I miss you so much.
01:39:36I'm going back to the apartment.
01:39:53I miss you too.
01:39:55I miss you too.
01:40:22Are you sick?
01:40:23Yes.
01:40:27Come on.
01:40:28You have a fever.
01:40:30Come on.
01:40:41I was terrified.
01:40:43Lie down now.
01:40:45I have to take off my clothes.
01:40:47I'm sick with perspiration.
01:40:50I'm afraid you're cold.
01:40:53It's so cold.
01:40:55Come on.
01:41:17I'm freezing.
01:41:21I'll cover you.
01:41:23Certainly not.
01:41:32It's funny to be naked in a bed with you.
01:41:37Cover yourself.
01:41:42Are you still cold?
01:41:44No, I'm fine.
01:41:45No, you're fine?
01:41:46By the way, you don't know what you missed, my poor girl.
01:41:49Shut up.
01:41:52I slept with so many men.
01:41:54Don't talk about it again, please.
01:41:57I don't care about the performance now.
01:42:00I'm an old lady.
01:42:03When I think you're in love with this Borgman bitch.
01:42:07Didn't you prefer the original?
01:42:10It's very good, André.
01:42:12Yes.
01:42:21I love you.
01:42:31You see, I was funny.
01:42:34I made you a writer.
01:42:39Hello.
01:42:40My name is Louis Vuillard.
01:42:42This year, I'll be your teacher for the Anglo-Saxon translation course.
01:42:48I'll be very clumsy, because I haven't taught for years.
01:42:55I was tired, I didn't want to.
01:42:58And today, I want to talk to you again.
01:43:05I want to talk to you about poetry.
01:43:12I'll start with the poem of an American friend.
01:43:17As I have a terrible accent,
01:43:21I'll read it to you in its French translation.
01:43:25So, I'll start.
01:43:34Where were we?
01:43:36On the pontoon, smoking after a day in bed.
01:43:41Strange oranges and blue velvet around the roofs.
01:43:47It's not the first time that this whistling stops us.
01:43:50The train at twilight.
01:43:55Reminding us, or not,
01:43:57the calls of the old-fashioned brass on the road.
01:44:02Rags, hair,
01:44:05and a rope to guide us.
01:44:10Oh, help me.
01:44:12To not deny these years,
01:44:14I need to stay in my nest,
01:44:17long enough to make a barge outside.
01:44:21I work as a pickpocket,
01:44:23to send other rescue balloons.
01:44:26Something.
01:44:31There.
01:44:44Louis,
01:44:46I write to you from a faraway land.
01:44:49Do you remember the book I used to read about the kingdom of Abomey?
01:44:53Well, here I am.
01:44:58Here, I can forget myself,
01:45:01as we were children.
01:45:05Every day,
01:45:08I erase myself.
01:45:11Yesterday, I went to see the tomb of King Béanzin.
01:45:15Here, we are overwhelmed by history.
01:45:18History with a capital H.
01:45:21Here, I am invaded by history.
01:45:41Here, I am invaded by history.
01:45:44History with a capital H.
01:45:47Here, I am invaded by history.
01:45:50History with a capital H.
01:45:54You see, I left everything behind me.
01:45:58The theater,
01:46:01my man,
01:46:04my son.
01:46:08I left.
01:46:11I left.
01:46:31I remember this book you taught me.
01:46:35Carte.
01:46:37Compas.
01:46:39Carte de support.
01:46:43Je n'ai plus carte,
01:46:46ni compas.
01:46:52Je suis en vie.
01:47:09Je suis en vie.
01:47:39Carte de support.
01:47:41Carte de support.
01:48:09Carte de support.
01:48:11Carte de support.
01:48:39Carte de support.
01:48:41Carte de support.
01:48:43Carte de support.
01:48:45Carte de support.
01:48:47Carte de support.
01:48:49Carte de support.
01:48:51Carte de support.
01:48:53Carte de support.
01:48:55Carte de support.
01:48:57Carte de support.
01:48:59Carte de support.
01:49:01Carte de support.
01:49:03Carte de support.
01:49:05Carte de support.
01:49:07Carte de support.
01:49:09Carte de support.
01:49:11Carte de support.
01:49:13Carte de support.
01:49:15Carte de support.
01:49:17Carte de support.
01:49:19Carte de support.
01:49:21Carte de support.
01:49:23Carte de support.
01:49:25Carte de support.
01:49:27Carte de support.
01:49:29Carte de support.
01:49:31Carte de support.
01:49:33Carte de support.
01:49:35Carte de support.
01:49:37Carte de support.
01:49:39Carte de support.
01:49:41Carte de support.
01:49:43Carte de support.
01:49:45Carte de support.
01:49:47Carte de support.
01:49:49Carte de support.
01:49:51Carte de support.
01:49:53Carte de support.
01:49:55Carte de support.
01:49:57Carte de support.
01:49:59Carte de support.
01:50:01Carte de support.
01:50:03Carte de support.
01:50:05Carte de support.
01:50:07Carte de support.
01:50:09Carte de support.
01:50:11Carte de support.
01:50:13Carte de support.
01:50:15Carte de support.
01:50:17Carte de support.
01:50:19Carte de support.
01:50:21Carte de support.
01:50:23Carte de support.
01:50:25Carte de support.
01:50:27Carte de support.
01:50:29Carte de support.