Category
🎥
Short filmTranscript
00:00:00 Hi! This is amazing, isn't it? Everyone is here. I feel so unbelievably average.
00:00:08 So what did Terri say about the proofs? She loved them, naturally.
00:00:12 Did you know she turned down Victoria's Secret? That is so cool. To be that big someday.
00:00:18 That's her sister. The one in the green shirt. Carrie Spencer.
00:00:23 Five years ago, she was on the cover of every magazine.
00:00:28 Linda Holden is the one with them. She weighs like nothing.
00:00:32 Yeah, this party is murdering my self-esteem.
00:00:36 Julie! Hi! Hi. I'm sorry. Faces I recognize, but names tend to be a little bit of a blur.
00:00:43 Sarah Owens. I'm at the Calvin Goeseys. I'm new at the agency. I just love your house.
00:00:49 Oh, tell Hillary I'm just a privileged quarter here. Well, still, I mean...
00:00:54 Look, I'd love to stay and chit-chat, but really, networking is my priority.
00:00:59 Lovely personality.
00:01:02 Her book is phenomenal. She's got tear sheets from every major magazine. Him, you have to know.
00:01:10 Carrie!
00:01:15 Brian Peterson. Major up-and-coming photographer. Now that's someone I have to be in these.
00:01:20 What a copy. Eric, really, I don't think this is the right time.
00:01:24 No, no, Linda, this is the perfect time. I don't think another day should go by.
00:01:30 Excuse me, Hillary. Oh, hi, Eric, Linda.
00:01:33 I don't mean to step on anyone's toes here, but all the top models have managers. I know this for a fact.
00:01:39 And if I didn't say so earlier, that's a lovely dress.
00:01:44 Cut the snow job, Eric. You know I don't allow any of my models to have managers.
00:01:49 Okay, this is good. This is good. We're opening up the lines of communication.
00:01:54 I suppose, if that's the way you want to look at it.
00:01:58 Would you two excuse me for just a moment?
00:02:05 Eric, are you completely crazy? You pissed Hillary off. She could throw me out of the agency.
00:02:09 Get some spying girl, will you? Aggressive management. That's what you need.
00:02:14 Now go to the bar and get me another drink.
00:02:18 Make it a double, this time.
00:02:30 Who's she?
00:02:32 Someone I found while you were in Europe.
00:02:35 I like the look. Young, all-American. What did the photographer say?
00:02:41 I'm moving her along slowly, like I do everybody else.
00:02:45 Sarah, dear, come here. I don't know, mother. This one seems special.
00:02:48 Maybe we should bypass the usual avenues.
00:02:51 Miss Michaels, this is so great. I'm having a wonderful time.
00:02:56 I'm sorry. I'm Sarah Owens.
00:02:58 Hello.
00:03:00 Sarah, this is my son, David. Vice President of Model Z.
00:03:03 Hi. Welcome back from Europe.
00:03:07 Sarah, you're still living at that place on Melrose, aren't you?
00:03:10 Yeah, until Joe kicks me out.
00:03:13 Or my daughter, Amanda.
00:03:15 Sorry you were in the middle of that mess.
00:03:18 Tell you what, come by my office tomorrow morning at 10 o'clock, and we'll discuss new living arrangements.
00:03:24 Nice meeting you, Sarah.
00:03:26 Likewise.
00:03:34 It's weird. Sometimes I just want to yell at them.
00:03:38 Run, go home, get out now.
00:03:42 David, we take very good care of them.
00:03:45 For the most part, they're happy.
00:03:48 Besides, they make a ton of money.
00:03:51 Get me out of here.
00:03:53 If you move here, where are you going to go?
00:03:54 Someplace where I can breathe.
00:04:03 Whoo!
00:04:07 Ah!
00:04:18 Clary just doesn't get it anymore.
00:04:20 At least as far as I'm concerned.
00:04:21 I mean, she's great with the kids off the street and newcomers, but I think I'm so far beyond that now.
00:04:29 God, you must be so sick of hearing this.
00:04:33 Right now, all I want to do is make love to you.
00:04:38 You always want to make love to me.
00:04:40 Yeah. I'm thinking like from "Heater Eternity" with Burt Lancaster and...
00:04:45 I don't know, what's her name? Knee-deep and... Calvin.
00:04:50 Fantasy fulfillment, my special thing.
00:04:57 [Music]
00:05:09 So what's it like to make love to the most beautiful woman in America?
00:05:14 It's an awesome responsibility, but I think I can handle it.
00:05:18 [Music]
00:05:33 [Music]
00:05:35 [Camera shutter]
00:05:38 [Music]
00:05:39 [Applause]
00:05:43 [Music]
00:05:53 [Music]
00:06:03 [Music]
00:06:13 [Music]
00:06:23 [Music]
00:06:33 [Music]
00:06:43 [Music]
00:06:51 Hi, Sarah Owens.
00:06:53 Oh, hi, Sarah. Oh, I'll pass.
00:06:56 Conference room. They're waiting.
00:06:58 [Music]
00:07:02 Oh, Sarah, you made it.
00:07:05 Sit down. You know everyone?
00:07:08 Hi. Great party last night.
00:07:10 Sarah, I have good news for you.
00:07:12 I've talked to the girls and they have agreed to let you move into the beach house.
00:07:18 There's a room over the garage, a view of the ocean.
00:07:21 As you know, I've kept this house for my top models.
00:07:26 As a reward, I suppose, but also as a sorority of sorts.
00:07:32 You're new and they'll be able to show you the ropes.
00:07:35 Keep you out of trouble.
00:07:36 Get you into trouble.
00:07:38 I can't believe it.
00:07:41 Well, now that's all settled, you can move in right away if you want to.
00:07:44 I don't know what to say. Thank you.
00:07:46 All of you.
00:07:49 That's all then.
00:07:52 There is one more thing.
00:07:54 Yes, Terry.
00:07:56 I'm leaving the agency.
00:08:00 I've given it a lot of thought and I want out of my contract.
00:08:03 You've taken my career as far as you can, Hillary, and I'm very appreciative, but this is a boutique agency.
00:08:10 I need someone bigger, someone with more reach.
00:08:13 If I want to be a real supermodel, then I need a change.
00:08:17 I'll move out of the beach house, of course.
00:08:21 This is your family, Terry. You can't just walk out on your family.
00:08:26 I knew you'd make this ugly.
00:08:31 Well, who is it? Ford, Nina, Elite?
00:08:35 You know you've got a contract. I'm not going to let you do this. I won't allow it.
00:08:38 You are not our mother, Hillary.
00:08:41 When are you going to realize that?
00:08:49 Get our lawyers on the phone, will you?
00:08:53 Perfect. You're moving to Terry's room.
00:09:03 Pretty good.
00:09:07 Okay.
00:09:19 Take five. Take a break.
00:09:26 Hillary!
00:09:29 I didn't know we were working any of your girls today.
00:09:33 Let's go for a little walk, shall we?
00:09:37 I'm sure you've heard about that little self-destructive act of Terry's, haven't you?
00:09:41 Yeah, off of their head.
00:09:44 You think this is some kind of joke?
00:09:47 Well, in case you've forgotten, you were nothing until Terry and I came along.
00:09:51 You're up and coming because of us.
00:09:55 Hell, you're almost there.
00:09:57 What exactly are you saying, Hillary?
00:10:00 I'm saying she is there and you're almost there.
00:10:04 And I'd hate for something to get in the way of such a promising career as yours.
00:10:10 I'm not worried. You know I'm a damn good photographer.
00:10:15 Save from obscurity and destined for obscurity.
00:10:20 Unless you talk some sense into Terry.
00:10:24 I think her being her lover has its advantages.
00:10:30 This time, however, your career is riding on it.
00:10:46 You know, Linda, if I had a guy as good-looking as you or Eric, I'd be talking about him all the time.
00:10:51 Yeah, well, it's complicated.
00:10:53 Please, Eric complicated? The guy who's a simple strapler with sex.
00:10:58 Okay, I'll admit he's pretty good in that department.
00:11:01 It's just we have a past. We have a history.
00:11:04 I know all about histories. I got a book full of them.
00:11:19 So that's it.
00:11:29 Oh, God, I'm sorry. I was I was rushing and not looking.
00:11:32 I'm not too late. Am I?
00:11:35 If you could just make this out to Julie Dante, who am I affectionately remember from elites?
00:11:41 Look at the contest a year ago. You were judging.
00:11:44 I was and also ran. I'm sorry.
00:11:46 I look, Mr. Lang. It's no mystery what one of your test sheets can do for a model.
00:11:50 I do anything for a session.
00:11:56 You know where my loft is. Everyone does.
00:11:59 Thursday morning, ten o'clock. Don't be late.
00:12:05 Unbelievable.
00:12:10 But not at all like my friends back home.
00:12:12 I mean, even though I'm moving in, it's like do not get to know. Do not get near.
00:12:16 Doesn't hurt to be careful.
00:12:18 I just want him to like me.
00:12:20 Listen, it's always weird meeting new people.
00:12:22 When I first moved in here, the last thing I wanted was to know my neighbors.
00:12:24 And now they're my best friends, especially Jake.
00:12:28 Is that a beard you're trying to grow?
00:12:30 No, I just got back from fishing. And don't you start again.
00:12:33 Joe and I are just friends.
00:12:34 Sure. I'm sure Amanda believes that.
00:12:37 Listen, Miss Matchmaker, you have enough things to concentrate on.
00:12:41 If you need anything, if you want to come back, remember, we're always here.
00:12:45 Thanks. You guys have been great. Both of you.
00:12:56 Go forth, become famous.
00:12:59 We're rooting for you.
00:13:04 I'll never forget who discovered you.
00:13:23 So, David, what brings you here?
00:13:25 I'm Sarah's welcoming party. Is she here yet?
00:13:28 How would I know? Why would I care?
00:13:30 I love that subtle touch, Julie.
00:13:32 Oh, once upon a time you did love it.
00:13:34 I was younger then.
00:13:36 You're still a baby.
00:13:38 Oh, so how's it going with Terry? You gonna let her go?
00:13:42 What do you think?
00:13:43 I think that with someone as big as Terry, you'd better watch your step.
00:13:47 We will. And we'd appreciate you doing the same thing around Sarah.
00:13:51 Oh, Sarah.
00:13:53 She's not your type, David.
00:13:55 I see. And you know my type?
00:13:58 Older, more experienced, instructions enclosed.
00:14:11 So let me ask you something, David.
00:14:14 Has there been anyone since me?
00:14:16 I mean, I imagine that Europe was rife with possibilities.
00:14:19 What can I say? I decided not to make the same mistake twice.
00:14:23 It was my mistake, letting you go.
00:14:30 Come on, what do you say to a dance, huh?
00:14:32 Come on. For old times sake.
00:14:44 Oh, sorry.
00:14:46 Here, let me help.
00:14:47 Oh, that's Sarah's sonny report.
00:14:49 I just stopped by to see if you needed any help with anything.
00:14:52 Yes, mommy sent him.
00:14:55 Well, luckily all my possessions fit in the trunk of my car.
00:15:00 Julie, I'll show you to your room.
00:15:02 Also, good news, we booked your first job.
00:15:04 Uh-oh, cycle show.
00:15:06 Hillary starts everyone there.
00:15:08 Yes, the perfect place to hone your skills.
00:15:11 Come on, sunshine. Let me show you to your suite.
00:15:14 Oh, by the way, David, leave those keys on the way out.
00:15:19 Now, first, a little warning about that one.
00:15:45 Whoever you are, don't stop.
00:15:52 How's it going?
00:15:53 I called Elite today to tell them that I'd done it, but no one's returning.
00:15:58 It's got to be Hillary.
00:15:59 You know, she's threatened to sue anyone who signs me.
00:16:02 I swear, Brian, her tentacles reach everywhere.
00:16:09 Mike, bring Brian his martini.
00:16:11 He looks like he needs it.
00:16:13 What's wrong?
00:16:15 Maybe you should think about this.
00:16:17 What, leaving Hillary?
00:16:19 I've been thinking about it for months.
00:16:21 And last night you said, "Quit talking about it and just do it."
00:16:27 What if it isn't temporary?
00:16:28 Look, they'll call, even if she makes me sit out my contract.
00:16:34 You could lose a lot of heat in a year.
00:16:38 My God, so her tentacles reach that far?
00:16:42 I'm sorry, Terry.
00:16:43 You know, you were the one person I thought I could count on.
00:16:45 Come on, babe, sit down.
00:16:47 Now, what am I supposed to do?
00:16:49 This is business.
00:16:50 I have a career, too, you know.
00:16:52 You selfish bastard.
00:16:54 Selfish?
00:16:56 What about you?
00:16:57 I don't have time for this.
00:17:00 No.
00:17:02 You leave.
00:17:03 I was here first.
00:17:04 Just go.
00:17:05 Get out.
00:17:06 She will screw over both of us.
00:17:07 No.
00:17:08 She will screw you over, and you deserve it.
00:17:17 No.
00:17:18 I'll tell you what I deserve, Terry.
00:17:21 Someone a hell of a lot better than you.
00:17:36 I shouldn't, Terry Leigh, and if it doesn't work out for her,
00:17:38 that's less competition for us.
00:17:40 You guys mind if I join you?
00:17:41 Sure, come on in.
00:17:42 How's everything?
00:17:43 Is your room okay?
00:17:44 Everything is great.
00:17:45 I just love it.
00:17:47 My, my, my.
00:17:48 So there's more than sunshine in little Sarah's pocket.
00:17:51 Don't pay any attention to her.
00:17:53 She only lashes out when she's feeling threatened.
00:17:55 Wise old Carrie, our resident sage.
00:17:58 This is all so amazing.
00:18:00 I mean, a month ago, I didn't even have a place to stay,
00:18:03 and now I'm here with all of you.
00:18:06 I followed all your careers.
00:18:08 Sage and a groupie.
00:18:09 I'm blessed.
00:18:11 Oh, look who's home.
00:18:14 She's been drinking.
00:18:16 Isn't it amazing what sisters can tell about one another?
00:18:18 The finest details.
00:18:21 Okay, who erased my messages?
00:18:23 No one's touched the thing.
00:18:24 You shut up.
00:18:25 Hey, Terry.
00:18:26 No, just--
00:18:27 You hate this, that I can do this, I can walk away like this,
00:18:29 and you can't.
00:18:30 You never could.
00:18:32 Nothing like having little sister eclipse
00:18:34 your own struggling career.
00:18:35 That was never part of the plan, was it, Carrie?
00:18:38 I think you know what I gave up for you.
00:18:40 Oh, no.
00:18:41 Don't do this.
00:18:42 I am not the one who gave up--
00:18:43 [slam]
00:18:44 [thud]
00:18:46 I'm sorry.
00:18:47 It's okay.
00:18:48 Come here, come here, come here.
00:18:49 Come here, come here.
00:18:50 Shh.
00:18:52 Come on, let's go inside, okay?
00:18:55 Come on, let's get inside.
00:19:00 What was that?
00:19:02 Welcome to the house that Hillary built.
00:19:14 Hi.
00:19:15 Hi.
00:19:16 Look at you.
00:19:17 You're up so early, you're exercising.
00:19:20 I remember those days.
00:19:22 Did you sleep well?
00:19:23 Yeah, best I ever have.
00:19:26 Look, Sarah, I'm sorry about last night.
00:19:29 I mean, the last thing that you needed on your first night
00:19:31 was a raging case of sibling rivalry.
00:19:36 It isn't easy being this far away from home, is it?
00:19:39 No.
00:19:40 Thank God for phones, though.
00:19:43 I'll probably run up a huge bill.
00:19:45 At least you have someone to call.
00:19:48 Look, we're not usually this self-absorbed.
00:19:52 It is like a sorority when it's working.
00:19:55 Julie hates me, doesn't she?
00:19:57 Well, you're in fine company because she hates everyone.
00:20:01 What's her story, anyway?
00:20:03 Rich, spoiled?
00:20:05 Try from somewhere in the outback of Australia
00:20:09 with an abusive father and an alcoholic mother.
00:20:13 But I wouldn't ask her about it.
00:20:14 It's a very sensitive subject.
00:20:18 I guess you never know about people, do you?
00:20:20 No, you never do.
00:20:24 Yeah, hey, could I speak to Jimmy Kester, please?
00:20:27 Yes, I'll hold.
00:20:29 I'll be out in a minute.
00:20:30 I'll be out in a minute.
00:20:31 Hello, this is Jimmy.
00:20:33 Hey, Jimmy, it's Julie Dante from last year, Models Inc.
00:20:37 Julie, how the hell are you?
00:20:40 The owner gave me a new name this year.
00:20:41 She said you weren't available.
00:20:43 Yeah, well, unfortunately, my cycle show days are over.
00:20:46 Listen, I'm just calling to let you know
00:20:47 that quite a little number's on her way over today.
00:20:50 Very young, very hot stuff.
00:20:53 Sarah, Sarah someone.
00:20:56 Yeah, Sarah Owens.
00:20:58 I just wanted to make sure that you give her
00:21:00 the same treatment that I got.
00:21:01 I appreciate you not saying anything to Hillary about that.
00:21:04 Don't worry, look, it didn't bother me at all.
00:21:07 It didn't even go that far.
00:21:09 However, with little Sarah,
00:21:11 I guarantee you could go the distance.
00:21:14 She's very eager to please, if you know what I mean.
00:21:17 Oh, okay, now you two have a good time, okay?
00:21:21 I've got to go.
00:21:26 Hey, Jules.
00:21:27 Hey.
00:21:28 Morning, Julie.
00:21:29 Morning.
00:21:30 Hey, you go ahead and take the first shower
00:21:31 'cause I know you've got that cycle show today.
00:21:33 By the way, good luck.
00:21:35 Break a leg.
00:21:37 Thanks.
00:21:42 [humming]
00:21:45 [sighs]
00:21:53 May I help you?
00:21:55 Nice office, Hillary.
00:21:58 Eric, I'm afraid I'm going to have to ask you to leave.
00:22:03 I don't know how you do it exactly.
00:22:05 I mean, you have the legal people that can handle it.
00:22:07 I don't.
00:22:08 But I would like you to draw up some papers
00:22:10 for my, uh, new position.
00:22:13 This is fascinating.
00:22:15 But I don't know what the hell you're talking about.
00:22:18 I'm Linda's new personal manager.
00:22:20 From now on, you clear all decisions
00:22:21 concerning her through me.
00:22:23 You know, like we talked about.
00:22:26 Get out, Eric, or I'll call security.
00:22:33 I love a woman in a place hard to get.
00:22:42 Christy?
00:22:43 Yes, Miss Michaels?
00:22:45 I want Linda Holden in here right now.
00:23:02 Hi.
00:23:03 Yeah, what is it?
00:23:05 Julie Dante.
00:23:07 From the book signing.
00:23:09 Right.
00:23:15 So what?
00:23:16 Why don't you, uh, get changed while I call my assistant?
00:23:19 OK, look, I bought several dresses.
00:23:20 I don't know which one you'd like.
00:23:22 Anything's fine.
00:23:24 OK, um--
00:23:26 [phone ringing]
00:23:39 John, it's Josh.
00:23:40 Look, I'm coming a bit late today, all right?
00:23:44 No, no, everything's fine.
00:23:47 Yeah, something's come up.
00:23:51 Right, you know the story.
00:23:53 Same old, same old.
00:23:57 Perfect.
00:24:01 OK, so is, uh, it's OK?
00:24:04 Sure.
00:24:05 Wonderful.
00:24:07 Right, now move over there in the natural light.
00:24:10 OK, how's this?
00:24:12 It's beautiful.
00:24:14 Don't move.
00:24:18 [music playing]
00:24:20 [car engine]
00:24:22 [music playing]
00:24:24 [car engine]
00:24:26 [music playing]
00:24:28 [car engine]
00:24:30 [music playing]
00:24:32 [car engine]
00:24:34 [music playing]
00:24:36 [car engine]
00:24:38 [music playing]
00:24:40 [car engine]
00:24:42 [music playing]
00:24:44 What about your assistant?
00:24:46 He's, uh, he's going to be a bit late.
00:24:49 [music playing]
00:24:51 [car engine]
00:24:53 [music playing]
00:24:55 [car engine]
00:24:57 [music playing]
00:24:59 [car engine]
00:25:01 [music playing]
00:25:03 [car engine]
00:25:05 [music playing]
00:25:07 [car engine]
00:25:09 [music playing]
00:25:11 [car engine]
00:25:13 [music playing]
00:25:15 [car engine]
00:25:17 So, ladies and gentlemen, you've now heard all the specs.
00:25:20 Don't just stand there.
00:25:21 Get out today and test drive a piece of the past.
00:25:24 Everyone's past.
00:25:25 The classic Roadster, the sexiest motorcycle on the road.
00:25:29 [applause]
00:25:31 [applause]
00:25:33 [applause]
00:25:35 [applause]
00:25:37 Great job, kid.
00:25:38 Great.
00:25:39 Hour break and you're back on.
00:25:41 [chatter]
00:25:43 [chatter]
00:25:45 [chatter]
00:25:47 [chatter]
00:25:49 [chatter]
00:25:51 [chatter]
00:25:53 [chatter]
00:25:55 [chatter]
00:25:57 [chatter]
00:25:59 You know, in all my years, I never had anyone like you.
00:26:02 [chatter]
00:26:04 Stop it. What are you doing?
00:26:05 I know all about you and your appetite.
00:26:07 Julie told me everything.
00:26:08 Julie?
00:26:09 You're the least you should be.
00:26:10 You're a real spit.
00:26:11 [scream]
00:26:12 [music playing]
00:26:17 What's going on in here?
00:26:18 Personal business.
00:26:20 Who the hell are you?
00:26:21 Wait outside.
00:26:23 I asked who you were.
00:26:26 David Michaels, VP of Models, Inc.
00:26:29 First, let's take care of business.
00:26:30 She quits.
00:26:31 Right, you'll pay her every cent you owe her.
00:26:33 Firstly, she presses charges.
00:26:34 Secondly--
00:26:35 Yeah, secondly, what else?
00:26:36 Big shot.
00:26:38 Never call Models, Inc. again.
00:26:40 [music playing]
00:26:55 I better go touch up my makeup.
00:26:58 That's a great idea.
00:26:59 Why don't you do that?
00:27:00 [music playing]
00:27:12 Hurry up in there.
00:27:14 Hang on a second.
00:27:15 I gotta do my hair.
00:27:16 It doesn't matter.
00:27:17 We're running out of time.
00:27:18 Josh, what are you doing?
00:27:19 You got Cindy coming here in 20 minutes.
00:27:22 Plenty of time.
00:27:23 Josh, man, just set up a balance.
00:27:27 All right.
00:27:29 OK, back where we started, in the natural light.
00:27:32 Is my hair OK?
00:27:33 It's great.
00:27:35 Beautiful.
00:27:36 OK, now, straight into the camera.
00:27:45 Love it.
00:27:46 Great.
00:27:47 Now give me some attitude.
00:27:48 Love it.
00:27:49 That's it.
00:27:50 Great.
00:27:51 Give me a little power.
00:27:53 Love it.
00:27:54 Yes.
00:27:55 Great, that's it.
00:27:56 You can pick up the prints tomorrow.
00:27:58 [music playing]
00:28:06 Are you sure you got enough?
00:28:08 I never shoot more than I need.
00:28:10 And I always know when I've got what I need.
00:28:14 You can change over there.
00:28:15 Don't I get a kiss goodbye?
00:28:21 Do I have to take a cigar out my mouth?
00:28:23 Models.
00:28:29 Put that thing down.
00:28:38 I want to talk to you.
00:28:39 In a second.
00:28:40 I want you out of here.
00:28:42 Pack your bags and just get out.
00:28:44 This again?
00:28:46 I'm not going to let you go.
00:28:48 I'm going to let you go.
00:28:51 I'm going to let you go.
00:28:53 I'm going to let you go.
00:28:55 I'm going to let you go.
00:28:57 I'm going to let you go.
00:28:59 I'm going to let you go.
00:29:01 I'm going to let you go.
00:29:03 I'm going to let you go.
00:29:05 I'm going to let you go.
00:29:07 I'm going to let you go.
00:29:09 I'm going to let you go.
00:29:11 I'm going to let you go.
00:29:13 I'm going to let you go.
00:29:15 I'm going to let you go.
00:29:17 I'm going to let you go.
00:29:19 I'm going to let you go.
00:29:21 I'm going to let you go.
00:29:23 I'm going to let you go.
00:29:25 I'm going to let you go.
00:29:27 I'm going to let you go.
00:29:29 I'm going to let you go.
00:29:31 I'm going to let you go.
00:29:33 I'm going to let you go.
00:29:35 I'm going to let you go.
00:29:37 I'm going to let you go.
00:29:39 I'm going to let you go.
00:29:41 I'm going to let you go.
00:29:43 I'm going to let you go.
00:29:45 I'm going to let you go.
00:29:47 I'm going to let you go.
00:29:49 I'm going to let you go.
00:29:51 I'm going to let you go.
00:29:53 I'm going to let you go.
00:29:55 I'm going to let you go.
00:29:57 I'm going to let you go.
00:29:59 I'm going to let you go.
00:30:01 I'm going to let you go.
00:30:03 I'm going to let you go.
00:30:05 I'm going to let you go.
00:30:07 I'm going to let you go.
00:30:09 I'm going to let you go.
00:30:11 I'm going to let you go.
00:30:13 I'm going to let you go.
00:30:15 I'm going to let you go.
00:30:17 I'm going to let you go.
00:30:19 I'm going to let you go.
00:30:21 I'm going to let you go.
00:30:23 I'm going to let you go.
00:30:25 I'm going to let you go.
00:30:27 I'm going to let you go.
00:30:29 I'm going to let you go.
00:30:31 I'm going to let you go.
00:30:33 I'm going to let you go.
00:30:35 I'm going to let you go.
00:30:37 I'm going to let you go.
00:30:39 I'm going to let you go.
00:30:41 I'm going to let you go.
00:30:43 I'm going to let you go.
00:30:45 I'm going to let you go.
00:30:47 I'm going to let you go.
00:30:49 I'm going to let you go.
00:30:51 I'm going to let you go.
00:30:53 I'm going to let you go.
00:30:55 I'm going to let you go.
00:30:57 I'm going to let you go.
00:30:59 I'm going to let you go.
00:31:01 I'm going to let you go.
00:31:03 I'm going to let you go.
00:31:05 I'm going to let you go.
00:31:07 I'm going to let you go.
00:31:09 I'm going to let you go.
00:31:11 I'm going to let you go.
00:31:13 I'm going to let you go.
00:31:15 I'm going to let you go.
00:31:17 I'm going to let you go.
00:31:19 I'm going to let you go.
00:31:21 I'm going to let you go.
00:31:23 I'm going to let you go.
00:31:25 I'm going to let you go.
00:31:27 I'm going to let you go.
00:31:29 I'm going to let you go.
00:31:31 I'm going to let you go.
00:31:33 I'm going to let you go.
00:31:35 I'm going to let you go.
00:31:37 I'm going to let you go.
00:31:39 I'm going to let you go.
00:31:41 I'm going to let you go.
00:31:43 I'm going to let you go.
00:31:45 I'm going to let you go.
00:31:47 I'm going to let you go.
00:31:49 I'm going to let you go.
00:31:51 I'm going to let you go.
00:31:53 I'm going to let you go.
00:31:55 I'm going to let you go.
00:31:57 I'm going to let you go.
00:31:59 I'm going to let you go.
00:32:01 I'm going to let you go.
00:32:03 I'm going to let you go.
00:32:05 I'm going to let you go.
00:32:07 I'm going to let you go.
00:32:09 I'm going to let you go.
00:32:11 I'm going to let you go.
00:32:13 I'm going to let you go.
00:32:15 I'm going to let you go.
00:32:17 I'm going to let you go.
00:32:19 I'm going to let you go.
00:32:21 I'm going to let you go.
00:32:23 I'm going to let you go.
00:32:25 I'm going to let you go.
00:32:27 I'm going to let you go.
00:32:29 I'm going to let you go.
00:32:31 I'm going to let you go.
00:32:33 I'm going to let you go.
00:32:35 I'm going to let you go.
00:32:37 I'm going to let you go.
00:32:39 I'm going to let you go.
00:32:41 I'm going to let you go.
00:32:43 I'm going to let you go.
00:32:45 I'm going to let you go.
00:32:47 I'm going to let you go.
00:32:49 I'm going to let you go.
00:32:51 I'm going to let you go.
00:32:53 I'm going to let you go.
00:32:55 I'm going to let you go.
00:32:57 I'm going to let you go.
00:32:59 I'm going to let you go.
00:33:01 You walk out that door, and you walk out forever.
00:33:07 Everything is lost.
00:33:09 It already is.
00:33:12 Then goodbye, Terry.
00:33:19 And good luck.
00:33:21 [Music]
00:33:35 God, what a beautiful morning.
00:33:38 I tell you, when it comes to ocean breezes, L.A. has it all over Iowa City.
00:33:43 What is it with you now?
00:33:44 I try and be nice, bring you out to run with me, give you a few tips on working out, pacing yourself.
00:33:49 But, oh, no, you've got to go and turn this thing into a blood sport.
00:33:52 I thought it would be fun to race.
00:33:54 You cut me off on purpose, Sarah.
00:33:55 I felt that.
00:33:56 I'm lucky I didn't sprain my ankle.
00:33:58 Honest, I wasn't trying to do anything to --
00:34:00 Look, you were getting even with me.
00:34:02 That's fine.
00:34:04 But please cut it with this young, innocent actor already.
00:34:06 We've all seen it before.
00:34:08 Oh, yeah, you used it for years, Jules.
00:34:10 Yes, but you see, now, Carrie, in my case, it was the real thing.
00:34:13 I resisted being a calculating viper for as long as I could.
00:34:16 Oh, yeah, you put up a real fight.
00:34:20 Oh, and that reminds me.
00:34:22 When you were out, Hillary called, and she's added you to the audition for the Gerard Monti show in New York.
00:34:27 Me?
00:34:28 Her. Big time.
00:34:30 Maybe you two could go together, and you could help her with that viper thing.
00:34:34 I'd love to, but I've got some shots I've got to go pick up.
00:34:37 Too bad.
00:34:38 Anyway, I am late for a job.
00:34:40 Good luck, Sarah.
00:34:42 Thanks.
00:34:43 I can't believe this. This is great.
00:34:46 It's an audition, sweetheart.
00:34:48 I doubt very much that you'll be going to New York.
00:34:52 Well, I guess we'll see.
00:34:54 Mm-hmm.
00:34:56 I guess we will.
00:35:00 Where do you get off cancelling my long-time relationship with Jimmy Kester?
00:35:05 He says you ruined his motorcycle show.
00:35:08 Did he tell you what he tried to pull with Sarah?
00:35:11 He said she sits on a motorcycle. It's a learning experience.
00:35:14 Jimmy didn't want her to sit on a bike. He wanted her to sit on him.
00:35:17 Took her in the back and tried to get a little on the side. He's scum, okay?
00:35:21 I didn't know that.
00:35:23 Is she all right?
00:35:24 Yeah, she's fine.
00:35:27 Okay, so, um, we don't use him anymore.
00:35:33 But we still have a problem here, David.
00:35:38 Sarah's just a kid.
00:35:41 And you weren't much older than her when Julie got her hands on you.
00:35:45 Remember how you felt when you two broke up?
00:35:48 I am a guy. We don't have feelings.
00:35:50 True.
00:35:52 But I'm serious here.
00:35:54 I want you to keep your relationship with Sarah strictly professional.
00:36:00 This is my shop, David.
00:36:02 And you'll take over when I say you're ready. Not before.
00:36:08 You really can be tough, can't you, Mom?
00:36:11 You bet I can.
00:36:16 What we need is another party. Let's throw one.
00:36:19 When?
00:36:20 Right now. Well, tonight.
00:36:23 A goodbye to Terry, no hard feelings, one big happy family, be nice to everybody party.
00:36:29 Great idea.
00:36:30 I'll get on the phones right after I take you to lunch.
00:36:33 You're taking me to lunch?
00:36:35 Let's go before you change your mind.
00:36:37 You have enough money? I eat a lot.
00:36:39 Come on.
00:36:40 Come on, Stephanie. She's going to let me in.
00:36:42 I'm sorry. I know it's unfair, but if she stays here, she's going to go nuclear.
00:36:45 I'll just take care of this, Stephanie.
00:36:48 May I help you with something?
00:36:51 I just wanted you to know that I'm sorry about what happened with Terry.
00:36:55 I talked to her.
00:36:57 I tried to get her to stay, but she's pretty pig-headed.
00:37:01 You know.
00:37:03 Anyway, I just wanted you to know that I did my best.
00:37:06 Did you, Brian?
00:37:07 Yes, Hillary, I did.
00:37:09 And now I find that I've been bumped from two accounts, and I know you've had something to do with it.
00:37:15 Well, I do try to keep my promises.
00:37:16 Damn it, Hillary! This is my life you are playing with!
00:37:19 Enough, Brian. Now get out of here and cool down.
00:37:27 This stinks, David.
00:37:29 And you know it.
00:37:35 Make sure he's not at the party.
00:37:40 Let's go.
00:37:41 You love me, and I've had enough.
00:37:43 Just give it up.
00:37:45 All right.
00:37:51 Hi.
00:37:52 Hi. Can I help you?
00:37:53 I have to pick up some proofs.
00:37:54 Where's Josh?
00:37:55 This is not a good time.
00:37:57 Julie.
00:37:58 Josh?
00:37:59 Yes?
00:38:00 Great.
00:38:01 I'm okay.
00:38:02 Okay, Josh, come in. Hi.
00:38:04 What I want.
00:38:07 Beautiful, sweetheart.
00:38:09 You're incredible.
00:38:10 Look, the proofs aren't ready yet.
00:38:12 It's going to be a while.
00:38:13 He's busy, but I'll get them to you.
00:38:15 Look, I don't get it. He knows this is important to me.
00:38:17 He promised me I'd have them today.
00:38:19 Sweetheart, at that point, he would have said anything to get you out of the studio.
00:38:22 That is a load of crap.
00:38:23 Look, I want to speak to him.
00:38:24 Josh? Josh? Look.
00:38:26 John, get that garbage out and close the door.
00:38:28 I'm trying to work here.
00:38:34 Look, Julie.
00:38:37 Look, I'm sorry.
00:38:41 But the truth is, there are no proofs.
00:38:44 There never will be.
00:38:46 There wasn't even any film in the camera.
00:38:49 Why would he do that to me?
00:38:52 I don't know. He's a pig.
00:38:54 [Music]
00:39:20 Girls, you must have your name and number cards with you when you walk into the audition.
00:39:24 And please, just do what they ask and move out.
00:39:26 We're seeing a lot of people here today.
00:39:34 God, that's a tough room.
00:39:36 He said that my walk was too sportswear.
00:39:38 I mean, what the hell is that supposed to mean?
00:39:40 I don't know.
00:39:41 And the heels they have in there?
00:39:43 He'd be more graceful in stilts.
00:39:45 Great.
00:39:46 I don't know. I should just stick to catalogs.
00:39:48 I know, but your stuff is such a pain in the butt.
00:39:50 Thank you.
00:39:51 Oh, and watch out for the guy in there with the sideburns.
00:39:53 He's a real ass.
00:39:55 See you later, kid.
00:39:57 Thanks.
00:39:58 See ya.
00:40:10 Are you okay?
00:40:18 Look, I know we're not friends or anything.
00:40:21 But if you want to talk at all, I'll keep it between us.
00:40:24 You're right.
00:40:27 I promise.
00:40:32 Look, it's no big deal, okay?
00:40:34 Some jerk in the business used me.
00:40:36 It happens all the time.
00:40:38 It's happened to you, too.
00:40:43 The worst thing is now I'm rattled and my eyes are all puffy.
00:40:46 I've got something for that.
00:40:55 You're kidding, right?
00:40:57 Isn't that for--
00:40:58 Hemorrhoids.
00:40:59 It's a tip I picked up at a Miss Tama County beauty pageant.
00:41:20 I'll be darned, it's working.
00:41:22 65.
00:41:23 Number 65.
00:41:25 In a few minutes, you'll look fine.
00:41:28 Better cover it with some base, though.
00:41:29 It tends to shine.
00:41:34 Thanks, Erin.
00:41:35 You're all right.
00:41:37 65, are you here?
00:41:40 That's me.
00:41:58 David, I guess you're not here to help me pack.
00:42:01 More like I was in the neighborhood.
00:42:03 You know, we had an agreement, but you didn't have the guts to go through with it.
00:42:07 Otherwise, we could have been doing this together.
00:42:09 I guess I grew a conscience.
00:42:11 No, you just grew apron strings.
00:42:13 You know, Terri, unlike everyone else around here, I'm glad you're leaving.
00:42:16 In fact, that goes far to say good riddance.
00:42:19 Thanks, David.
00:42:20 I needed that.
00:42:21 Terri.
00:42:23 See you tonight, guys.
00:42:26 What's tonight?
00:42:28 I've got a runaway party for Terri.
00:42:31 You want to come with me?
00:42:36 I'd love to.
00:42:55 The last going away party I went to was for my father.
00:42:57 Really?
00:42:58 Yeah.
00:42:59 He was going away for five to ten years.
00:43:01 Aggravated assault.
00:43:03 He sounds like a real winner.
00:43:04 Oh, David.
00:43:05 He was in my family.
00:43:10 Well, I'd better go mingle.
00:43:13 You know, Lindy, he has potential.
00:43:30 Wait, wait.
00:43:31 Hold on.
00:43:39 Thank you.
00:43:41 By a gentleman.
00:43:42 And you are a very beautiful young lady.
00:43:47 It must be prom night.
00:43:52 Listen, why don't you head on up?
00:43:54 I'll be right there.
00:43:55 You sure you're okay?
00:43:57 Yeah, I'm fine, really.
00:44:04 Brian, what the hell are you doing here?
00:44:06 You know you're not invited to this party.
00:44:08 Party?
00:44:11 I wouldn't be caught dead in that ball of piranhas.
00:44:15 I want to talk to you.
00:44:18 I need your help, David.
00:44:20 You've got to talk to Hillary for me.
00:44:21 Get her to call off the dogs, man.
00:44:23 I can't get a job anywhere.
00:44:25 She asked you for a favor.
00:44:26 All you had to do was go.
00:44:27 I tried!
00:44:36 I lost Terry over this.
00:44:40 Come on, man to man.
00:44:42 I am asking for a little bit of help here.
00:44:50 It's just all the female races decided to bury me.
00:44:56 All right.
00:44:57 I'll see what I can do.
00:44:59 I'll talk to her, but I'm not promising you anything.
00:45:03 Thanks, man.
00:45:04 Don't worry about it.
00:45:05 We're friends.
00:45:08 Yeah.
00:45:19 Hi.
00:45:20 Hi.
00:45:21 Hi.
00:45:22 Hi.
00:45:23 So you walked out on the Zika cream shoot?
00:45:27 Would you keep it down, please?
00:45:29 I don't know how I'm going to tell Hillary.
00:45:30 Well, easy.
00:45:31 She'll just figure you're getting temperamental, like your little sister.
00:45:33 It had nothing to do with being temperamental.
00:45:35 The director called me a cow, and I called him a pig.
00:45:38 Sort of a barnyard thing.
00:45:41 Look, I'm being serious, okay?
00:45:44 I helped you for years, and now I need your help.
00:45:47 Don't do this.
00:45:49 What?
00:45:50 What am I doing?
00:45:51 You're driving me nuts, all right?
00:45:53 I don't need another one of your guilt trips.
00:45:55 It's just that I've been thinking that maybe you had the right idea,
00:45:57 that maybe it's time for a new agency, and you could--
00:46:01 What?
00:46:02 Take you along?
00:46:04 You want to ride on my little coattails?
00:46:07 You don't get it, do you?
00:46:08 See, I'm not just dumping Hillary.
00:46:11 No, I'm dumping you.
00:46:14 You have a good evening, big sister.
00:46:17 Linda!
00:46:23 Hi.
00:46:24 How are you?
00:46:25 Oh, so you brought your man along.
00:46:29 [laughter]
00:46:31 [chatter]
00:46:33 I'm going to miss this little place.
00:46:52 David, cute little Stephanie,
00:46:55 and especially you, Mommy dearest.
00:46:58 I'm going to go check and see how the caterer's doing.
00:47:00 Why don't you come with me, Christy?
00:47:02 Really? I--
00:47:03 No.
00:47:04 Come on, Christy.
00:47:06 You really shouldn't drink, Terry.
00:47:08 It doesn't help your personality.
00:47:10 I was trying to make it through the night, David.
00:47:12 I just wanted to thank both of you for having the guts to give me a proper send-off.
00:47:17 You know what, Terry?
00:47:19 This is all just a little too painful for me.
00:47:23 [chatter]
00:47:25 I was just joking with her, David. That's all.
00:47:32 This is really tough for me, too.
00:47:35 It's like everybody hates me.
00:47:38 I think you've had a little too much wine.
00:47:40 Maybe you should go into my office and take a little rest on the couch.
00:47:44 Thanks. I will.
00:47:48 You know, I think you're the only one who ever really liked me.
00:47:53 [chatter]
00:47:55 [chatter]
00:48:14 [chatter]
00:48:16 God, I hate people.
00:48:42 [screaming]
00:48:44 Fox, the new home of the NFL.
00:49:05 [sirens]
00:49:07 As you all are painfully aware,
00:49:21 our friend Terry Spencer died last night in a fall
00:49:26 from the balcony of these offices.
00:49:29 The police have been here most of the night,
00:49:31 and I'm sure a few of you have been questioned by them.
00:49:36 At this point, they feel it was an accident
00:49:41 caused in part by her drinking last night.
00:49:45 I think that's everything except, um,
00:49:52 we know how hard this is for you.
00:49:55 David will be getting in touch with all of you
00:49:59 regarding the memorial services next week.
00:50:02 So, uh, everybody except Julie and Sarah
00:50:08 can go home and get some rest.
00:50:13 If any one of you has a problem, call us.
00:50:22 We love you.
00:50:27 [chatter]
00:50:29 There's some other news that comes in the middle of all this.
00:50:44 You've both been chosen for the Gerard Monti Couture show in New York.
00:50:49 Julie, as you know,
00:50:52 Terry was going to wear the wedding dress for the finale.
00:50:55 In light of what's happened,
00:50:57 Gerard would like you to wear it, all right?
00:51:00 Of course.
00:51:02 I don't believe it.
00:51:04 I mean, everything was so terrible, and now--
00:51:06 This is a big step for you, Sarah.
00:51:08 Do what Terry would do.
00:51:10 Concentrate on doing a good job
00:51:12 and leave the emotions for when you get home.
00:51:15 All right.
00:51:17 When do we leave?
00:51:18 Now. Your plane leaves in two hours,
00:51:20 and we have to be at a reception in New York tonight.
00:51:23 So I'll meet you at the airport.
00:51:25 Okay, we're on our way.
00:51:28 [sighs]
00:51:31 [sad music]
00:51:34 [applause]
00:51:36 [applause]
00:51:38 [sad music]
00:51:42 [applause]
00:51:47 [sad music]
00:51:51 [camera shutter clicks]
00:52:06 [camera shutter clicks]
00:52:08 I know it's a little late, but do you have one more pass?
00:52:11 There are no more passes for the show,
00:52:13 and absolutely no one can come in without one.
00:52:16 But since you're my friend
00:52:19 and in honor of your promotion,
00:52:22 I have one last pass.
00:52:25 Thank you, Gerard. Thank you very much.
00:52:27 It's gonna be a great show.
00:52:29 So I'll see you girls bright and early in the morning
00:52:31 for a run-through, okay?
00:52:33 I'm really looking forward to it.
00:52:35 So why am I here?
00:52:37 I'm here because Gerard always asks for the best.
00:52:39 No question about it. Of course I don't come cheap.
00:52:42 You think you could try and pay some attention to the designer?
00:52:45 This is a big account for us.
00:52:47 Back off, Dick.
00:52:49 Very interesting slice of life.
00:52:51 Right across the board, we got models...
00:52:54 Tag along with her. Try and keep her out of trouble.
00:52:57 [chatter]
00:53:00 Well, the thing is, this supermodel hype, it's just that.
00:53:03 These girls, they're hangers for the clothes.
00:53:05 They walk around. So what?
00:53:07 The truth? Designers make great clothes,
00:53:09 and photographers take great shots.
00:53:11 The models just walk around,
00:53:13 and they gotta be told how to do that.
00:53:15 [chuckles]
00:53:16 This is that jerk I was telling you about.
00:53:19 God, I'd love to get a new hand.
00:53:21 Some pretty models in there. They got nice faces, you know.
00:53:23 But the idea is the concept behind those shots, they're all mine.
00:53:26 These models, you know, we send them to nightclubs,
00:53:28 we give them some money, it keeps them happy, you know.
00:53:30 But beyond that, they're worth nothing.
00:53:32 Come on.
00:53:35 Anyway, it doesn't matter who's wearing what.
00:53:39 The spread I'm shooting for InStyle Magazine
00:53:41 is gonna be the biggest one they've ever done.
00:53:43 That's why Girard specifically asked for me to do the shoot.
00:53:46 You know what you are, Josh?
00:53:48 You're a pompous windbag and an immoral creep.
00:53:51 I remember you.
00:53:53 You posed for me. On your back, right?
00:53:55 [laughs]
00:53:57 Go to hell.
00:53:59 Maybe you'd better get out of here before somebody throws you out.
00:54:02 Let go of me.
00:54:03 I am so sorry, Mr. Ling.
00:54:04 My friend's just had a little too much to drink.
00:54:06 Um, I'll take care of everything.
00:54:07 Just don't call security, okay?
00:54:09 'Cause she can get to a lot of trouble, okay?
00:54:11 All right.
00:54:12 I'll let it go.
00:54:14 And, uh...
00:54:16 maybe I'll see you later.
00:54:18 You gotta love 'em. Temperamental models.
00:54:25 [laughs]
00:54:26 Oh, God.
00:54:27 Josh is gonna have such a miserable life tomorrow.
00:54:30 This is beautiful.
00:54:31 When did you learn to pick pockets, Miss Tammy County?
00:54:34 It's just slight of hand.
00:54:35 I used to have a magic show in my garage when I was a kid.
00:54:38 You know what?
00:54:39 What?
00:54:40 We gotta celebrate right now.
00:54:41 I know a lot of people in the club scene, girl.
00:54:43 And that dress of yours could get you some attention.
00:54:46 Hillary got this dress for me for work, not play.
00:54:50 Besides, we have to get up at 5 in the morning for rehearsal,
00:54:53 and David's gonna be by any minute.
00:54:55 He'll have to check on us.
00:54:56 Please. I'm a little old for a chaperone.
00:54:58 And I can handle anything tomorrow,
00:55:00 now that we've taken care of that slug of the year.
00:55:02 [laughs]
00:55:03 Come on. We won't be out too late.
00:55:05 No, it's my first show. I gotta get some rest.
00:55:08 Mm.
00:55:09 I care for you.
00:55:11 But I gotta go shake off these bad vibes.
00:55:14 Anyway, thanks for your help.
00:55:16 Anytime.
00:55:17 [laughs]
00:55:18 And don't wait up.
00:55:20 [laughs]
00:55:23 [laughs]
00:55:25 [knocking]
00:55:33 Who's there?
00:55:38 It's me, David.
00:55:40 Hi.
00:55:44 Don't worry, the lock's on your side.
00:55:46 You all settled in?
00:55:49 Yeah, it's a great suite.
00:55:51 Separate bedrooms and...
00:55:53 Running water.
00:55:54 Only the best for you guys.
00:55:56 Where's Julie?
00:55:59 Oh, she had to go get something from the store.
00:56:01 Uh-huh.
00:56:02 [scoffs]
00:56:03 Man, I hope she doesn't party too late tonight.
00:56:05 And you're going right to bed, aren't you?
00:56:08 I am, I promise.
00:56:10 [clears throat]
00:56:12 Well, I better head to bed myself.
00:56:15 You handling everything that happened okay?
00:56:18 It's been quite a roller coaster.
00:56:20 Yeah.
00:56:21 And don't worry about tomorrow.
00:56:24 You're gonna be great.
00:56:26 You're a natural.
00:56:29 Thanks.
00:56:30 I don't know if you've noticed, um...
00:56:37 I think you're wonderful.
00:56:39 And, uh...
00:56:41 I was thinking...
00:56:43 Maybe when we got back, you and I could go out again.
00:56:47 If you wanted to, I mean...
00:56:50 I'd love to.
00:56:56 Great.
00:56:59 Great.
00:57:00 Bye.
00:57:02 I really better get going now.
00:57:05 I'll see you tomorrow.
00:57:07 Tomorrow.
00:57:09 Tomorrow.
00:57:10 Excuse me.
00:57:28 Press.
00:57:29 Thank you.
00:57:30 Can we get through there?
00:57:31 Thank you.
00:57:32 Excuse me.
00:57:33 Coming through.
00:57:34 Thanks.
00:57:35 Josh Lang, InStyle magazine.
00:57:36 Your pass, sir.
00:57:37 What?
00:57:38 No, okay.
00:57:39 I've got it right here.
00:57:42 Look, I don't have it, but it's alright.
00:57:51 Just ask Gerard.
00:57:52 I'm Josh Lang, okay?
00:57:53 Sorry, sir.
00:57:54 No pass, no admittance.
00:57:55 And no exception.
00:57:57 Believe me, you don't want to make this mistake.
00:58:00 Now get Arthur, Gerard's assistant.
00:58:02 He knows me.
00:58:03 He arranged it with the magazine.
00:58:04 You just tell him that Josh Lang...
00:58:05 Can't do that, sir.
00:58:06 Now please, back away from the door.
00:58:08 Listen to me, you steroid freak.
00:58:10 I'm vital to this collection.
00:58:12 If I don't take the shots, the whole thing could fall apart.
00:58:14 Gerard Monty could lose millions.
00:58:16 Do you want that on your tiny little head?
00:58:19 You should really watch your behavior, sir.
00:58:22 Stay away from me.
00:58:24 You're gonna lose your job.
00:58:26 Get your hands off me!
00:58:28 Get away from me!
00:58:30 Hey, everybody, five minutes.
00:58:31 Let's get ourselves together.
00:58:33 God, my eyes are a mess.
00:58:34 Give me some of that butt cream, will you?
00:58:36 What? Oh.
00:58:39 So how did I worry about last night?
00:58:41 I'm on the 5 a.m.
00:58:43 Don't worry about me. I'm gonna be fine.
00:58:49 Gerard, we have a major emergency.
00:58:51 Josh Lang in Style Magazine isn't here.
00:58:53 No one knows where he is.
00:58:55 Arthur, who cares? He's overrated anyway.
00:58:58 Gerard!
00:58:59 Okay, boys and girls.
00:59:01 Let's do it.
00:59:03 Gerard.
00:59:06 Thank you.
00:59:09 [applause]
00:59:13 [music]
00:59:16 [applause]
00:59:19 [applause]
00:59:22 [applause]
00:59:25 [applause]
00:59:27 [applause]
00:59:29 [applause]
00:59:35 [applause]
00:59:39 [applause]
00:59:42 [applause]
00:59:46 [applause]
00:59:49 [applause]
00:59:52 [applause]
00:59:56 [applause]
00:59:58 [applause]
01:00:01 [applause]
01:00:04 Can I just sit down for a second, please? I'm not feeling too great.
01:00:07 Sorry, sweetheart. This dress is an extra.
01:00:09 [applause]
01:00:12 [applause]
01:00:15 [applause]
01:00:18 [applause]
01:00:21 [applause]
01:00:25 [applause]
01:00:27 [applause]
01:00:30 [applause]
01:00:33 [applause]
01:00:36 [applause]
01:00:39 [applause]
01:00:42 Julie is out there in my best cocktail dress like she's asleep.
01:00:47 I won't have it.
01:00:49 Sarah's the same size. Put her in the wedding dress.
01:00:53 All right, it's under control.
01:00:55 Renee, Sarah, the wedding dress. Now. No questions.
01:00:59 [applause]
01:01:02 [applause]
01:01:05 [applause]
01:01:08 Gerard, no. This is my year for the finale.
01:01:12 I earned it. I deserve it.
01:01:15 No.
01:01:17 [applause]
01:01:21 [applause]
01:01:23 [applause]
01:01:26 [applause]
01:01:29 [applause]
01:01:32 [applause]
01:01:35 [applause]
01:01:38 [applause]
01:01:41 [applause]
01:01:44 [applause]
01:01:47 [applause]
01:01:50 You forget the sun in its jealous sky
01:01:55 As we walk in tears alone
01:01:58 So she took a run, thought she'd blaze around
01:02:11 Upon the fields of starling
01:02:15 In his arms she fell as her hair grew long
01:02:20 Upon the fields of gold
01:02:24 You just stood there, free, you looked me by the way
01:02:30 Upon the fields of starling
01:02:34 You forget the sun in its jealous sky
01:02:39 As we walk in tears alone
01:02:42 (I'm crying)
01:02:44 See them listen, rock 'em with a show
01:02:55 Fall in love with you, fall in love
01:02:59 Feel the garden rise when you kiss 'em
01:03:04 Fall in love with you
01:03:10 No matter where you come, you stay in line
01:03:15 No matter what you do, you're so good, I hope
01:03:19 You're finished, bitch
01:03:21 You just stood there, free, you looked me by the way
01:03:27 Fall in love with you, fall in love
01:03:31 Feel the garden rise when you kiss 'em
01:03:34 Gerard, I am so glad the show went well.
01:03:37 And it's wonderful that Sarah did such a good job for you.
01:03:40 Yes, I think she'll be a big star too.
01:03:44 The Paris show!
01:03:46 Absolutely!
01:03:48 Fine, we'll talk later. Bye-bye.
01:03:52 Gerard loved Sarah.
01:03:55 Replace Terry's photo with Sarah's by tomorrow, would you?
01:04:00 It's sad, but life goes on.
01:04:05 Certainly is sad, Miss Michaels.
01:04:08 A young life like that, ending so prematurely.
01:04:12 Who are you?
01:04:14 Lieutenant Soto, LAPD.
01:04:18 I'll catch up with you later, Stephanie. Thanks.
01:04:21 If this is about Terry, I've already made a complete statement about the accident.
01:04:29 Well, I'm afraid you're gonna have to start all over with me.
01:04:31 Because Terry Spencer's death wasn't an accident.
01:04:35 It was murder.
01:04:37 And whoever did it was at your party that night.
01:04:41 Don't forget, Models Inc. moves to its regular time at 9/8c next Wednesday.
01:05:02 I just watched the show. I don't know who did it, but why would you want to kill a supermodel?
01:05:05 Well, it seems like it always helps if you ask yourself these three questions.
01:05:08 Question number one is who was close enough to commit the murder.
01:05:10 Question number two is who could benefit by it.
01:05:12 And question number three is, who the hell is my pudding?
01:05:14 Pudding? What do you mean, just pudding?
01:05:16 Question number three is, who had the motive to commit the murder?
01:05:19 See, that's what we'll find out next Wednesday at 9/8c for another episode of Models Inc.
01:05:23 Now stay tuned for a special presentation of Living Single, next on Fox.
01:05:26 [music]