First Love (1939)

Combo Film

First Love (1939)

Transcript

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00:01:21 - And so, the pages turn,

00:01:33 and your school days are over.

00:01:37 To you, they have been a small,

00:01:39 and we hope happy, lifetime.

00:01:42 But to us, they have been more like the miracle of a minute.

00:01:46 The mischievous, loving children

00:01:48 who came to us four years ago,

00:01:50 now leave us as charming young ladies

00:01:54 to face the challenge of life

00:01:56 with all the happiness and victories,

00:02:00 and even the disappointments it has in store for you.

00:02:04 No senior class has ever set a higher standard

00:02:06 for succeeding ones to follow.

00:02:09 And I only hope that now,

00:02:10 when you go home to friends and family,

00:02:13 you will carry with you all the courage and idealism

00:02:18 and the sportsmanship that have made us all

00:02:22 so proud to be associated with this graduating class.

00:02:26 Goodbye, girls.

00:02:28 Good luck.

00:02:31 God bless you.

00:02:34 (audience applauding)

00:02:37 (dramatic music)

00:02:41, (audience cheering)

00:02:46, (audience cheering) (audience laughing)

00:03:06 - I can't find mine either.

00:03:15 - If I could get a time like this,

00:03:16 I'd have sense enough to stay put.

00:03:17 Oh, there they are! - Connie!

00:03:19 You've got to meet mother and dad.

00:03:20 Mother, dad, this is Connie.

00:03:24 - Oh, we are so glad to meet you, Connie,

00:03:26 after all nauseous written.

00:03:27 - She gave you quite a build-up.

00:03:29 - Well, look at her.

00:03:30 She's tops that song.

00:03:31 And you ought to hear her sing.

00:03:32 Honestly, when she hits a high note,

00:03:34 it sends chills up and down your back.

00:03:36 - That is that, eh?

00:03:37 Where are your father and mother, Connie?

00:03:38 We'd like to meet them.

00:03:39 - My parents are dead, Mr. Parker.

00:03:41 - Oh, I'm sorry.

00:03:42 - Mother, I have a wonderful idea.

00:03:44 Why can't Connie come with us and spend the summer?

00:03:46 - Could you, Connie?

00:03:48 - We'd be so pleased.

00:03:49 - It's very kind of you,

00:03:50 but I have an aunt and uncle in New York,

00:03:52 and I'm going to live with them.

00:03:54 You see, it's all been arranged that way.

00:03:56 - Her uncle is James F. Clinton.

00:03:57 You know him, dad.

00:03:58 - I owe everything to Uncle Jim.

00:04:00 This school, my music, everything.

00:04:03 I couldn't disappoint him.

00:04:04 - No, of course not.

00:04:05 Jim Clinton, eh?

00:04:06 Well, you're a very lucky girl.

00:04:08 He's a fine man.

00:04:09 - Yes, he is.

00:04:10 Isn't it his daughter we read so much about?

00:04:12 - Yes, that's Barbara.

00:04:13 She's a year older than I am.

00:04:14 Oh, and she's beautiful.

00:04:16 Did you see her picture in the magazine?

00:04:17 She has a picture in every--

00:04:18 - Miss Constance Hardy?

00:04:19 - Yes.

00:04:21 - I'm Mr. Clinton's butler.

00:04:22 We've called for you in the car.

00:04:24 - Then they're here!

00:04:26 - Oh, no!

00:04:26 - Excuse me, please.

00:04:28 - They're not here!

00:04:29 I'm sorry, but only the chauffeur and I are here.

00:04:31 - Then they didn't come?

00:04:34 - No, miss, they were very busy.

00:04:36 - Of course, they couldn't leave New York, could they?

00:04:40 - No, miss.

00:04:42 I'll be back in a few minutes.

00:04:44 - Very good, miss.

00:04:45 - If you'd be so kind as to show me where the car is, please.

00:04:47 - That's the car over there, miss.

00:04:49 The black car with the white wheels.

00:04:51 - I'll go and get my bag.

00:04:55 - Very good, miss.

00:04:56 - Connie!

00:04:59 Connie, they didn't come?

00:05:02 - No.

00:05:03 - Oh, Connie, change your mind.

00:05:04 Spend the summer with us on the lake.

00:05:06 We have a house--

00:05:07 - I'd love to, Marcia, really I would,

00:05:08 but they've done so much for me.

00:05:10 You know?

00:05:11 - Connie, when you go to New York, listen,

00:05:16 there's a boy that--

00:05:17 - I'm sorry, Sally, I have to hurry.

00:05:19 - What do you think you're doing?

00:05:20 - I'm supposed to go up and change my clothes.

00:05:21 - Oh, no you don't.

00:05:22 - Oh, you promised to sing.

00:05:23 - But, Tony, I can't really--

00:05:24 - What do you think of that girl?

00:05:25 She refuses to sing for us.

00:05:26 (all chattering)

00:05:29 - Come on!

00:05:30 (knocking)

00:05:32 - Yes, what is it?

00:05:34 - May we use the piano, Miss Wiggins?

00:05:36 - What for?

00:05:37 - Oh, I don't know.

00:05:37 - I don't know.

00:05:38 - I don't know.

00:05:39 - What for?

00:05:40 - Connie's gonna sing for us.

00:05:43 - All right, go ahead.

00:05:45 - Miss Wiggins says it's all right.

00:05:47 - Come on, Miss.

00:05:48 - The leader of the Glee Club always sings.

00:05:49 - The choir's weeping out, Sasha.

00:05:51 - I don't feel like singing.

00:05:52 - Oh, temperamental, eh?

00:05:54 - See, all that big girls, all those--

00:05:55 - No, girls, no.

00:05:56 - No, I--

00:05:58 - Anything you like, a home sweet home, for instance.

00:06:00 (all chattering)

00:06:02 - All right.

00:06:06 (gentle piano music)

00:06:10 ♪ 'Neath pleasures and palaces ♪

00:06:18 ♪ Though we may roam ♪

00:06:28 ♪ 'Tide heaven's blue skies ♪

00:06:36 ♪ E'er so humble ♪

00:06:39 ♪ There's no place like home ♪

00:06:45 ♪ A charm from the skies ♪

00:06:54 ♪ Seems to hallow us there ♪

00:07:03 ♪ Which seek to the world ♪

00:07:06 ♪ Is merrily met with elsewhere ♪

00:07:14 ♪ Home, home, home ♪

00:07:22 ♪ Home, home, home ♪

00:07:31 ♪ Home, home ♪

00:07:34 ♪ Sweet, sweet home ♪

00:07:39 ♪ There's no place like home ♪

00:07:47 (sobbing)

00:07:59 - Connie.

00:08:00 What is it, Connie?

00:08:03 That's funny, Connie never cries.

00:08:06 - I'm sorry.

00:08:07 - Don't you feel well?

00:08:09 - Get out.

00:08:12 Go on, out.

00:08:13 What's all this?

00:08:28 Look up here.

00:08:29 What's the matter with you?

00:08:36 - Nothing.

00:08:37 It's just that everybody's going home.

00:08:41 And--

00:08:43 - And?

00:08:44 - And I'm leaving mine.

00:08:46 - I thought so.

00:08:50 Crying your eyes out

00:08:52 just because you don't have a home of your own to go to.

00:08:55 Or a mother and father to tell you how pretty and clever you are.

00:08:59 Oh.

00:09:00 Poor little thing.

00:09:03 You've just got a voice

00:09:04 that comes to one in a million.

00:09:07 Straight from God to you.

00:09:09 To you alone.

00:09:11 And you sit there feeling sorry for yourself.

00:09:14 Yes, you are!

00:09:15 Sorry for yourself!

00:09:16 If I were that kind of girl, do you know what I'd do?

00:09:18 I'd stick my tongue out at myself, right there!

00:09:21 Bam!

00:09:23 (sniffling)

00:09:24 - Get away, get away.

00:09:31 That's all it is.

00:09:32 - It's so wonderful to me, Miss Wiggins.

00:09:35 - Now, you go on up there to New York

00:09:40 and make those people love you as much as we do.

00:09:44 And then, maybe, someday you'll meet a prince.

00:09:48 And you'll live happily ever after.

00:09:50 Hmm?

00:09:51 - Those fairy stories haven't come true

00:09:53 for over a hundred years, Miss Wiggins.

00:09:55 - Fiddlesticks.

00:09:58 You just have to dust 'em off.

00:10:01 Streamline 'em a bit.

00:10:02 - They'd still be fairy stories, wouldn't they?

00:10:05 - That's all life is.

00:10:06 A fairy story.

00:10:07 The trouble with you young people is

00:10:09 you don't believe in anything.

00:10:10 You're afraid.

00:10:11 Afraid of hope.

00:10:12 Afraid of happiness.

00:10:14 What's New York?

00:10:15 It's just another town.

00:10:17 It's no bigger than you are.

00:10:18 Go there and laugh in it, love in it, live in it!

00:10:20 Make it yours!

00:10:21 - Hold it, Miss Clinton.

00:10:34 Thank you.

00:10:37 - No, boy!

00:10:39 - Hold it, Miss Clinton.

00:10:40 Thank you.

00:10:42 - No, boy, come on!

00:10:43 - Hold it, Miss Clinton.

00:10:46 Thank you.

00:10:49 - Hold it, Miss Clinton.

00:10:51 Thank you.

00:10:52 - Isn't that wonderful?

00:10:55 Right in the middle of the air.

00:10:57 - What's wonderful about it?

00:10:58 - It's like you were a bird.

00:11:00 - It's terrible.

00:11:01 Throw that white bathing suit out.

00:11:02 It fits like a flower sack.

00:11:03 - Yes, miss.

00:11:04 - Get Mike home.

00:11:05 - Yes, miss.

00:11:06 - Send that editor a telegram

00:11:07 telling him he's a darling for putting me on the cover.

00:11:08 - May I fix that spangle now, Miss Barbara?

00:11:10 - You should have done it before I put the dress on.

00:11:11 - But it wasn't loose then.

00:11:12 - Well, hurry up.

00:11:13 - Pull these curls out.

00:11:14 - Yes, Miss Barbara.

00:11:15 - Ollie!

00:11:16 - It's finished, it's all finished.

00:11:17 Just one more!

00:11:18 - Miss Clinton, hold just a little still, please.

00:11:20 - Give me that comb.

00:11:21 You can pull on it, it won't come off.

00:11:23 - I didn't want to hurt you, Miss Barbara.

00:11:25 - Get my perfume, the clair de lune bleu.

00:11:26 - Yes, miss.

00:11:27 - Is mother ready?

00:11:28 - Yes, I got her done an hour ago.

00:11:30 - What's she wearing?

00:11:31 - A new one from Hendricks.

00:11:32 - What's it like?

00:11:33 - You don't have to worry, miss.

00:11:34 It's nothing like yours.

00:11:35 - Which one did you say, Miss Barbara?

00:11:36 - Clair de lune bleu.

00:11:37 - Yes, clair de lune bleu.

00:11:38 - Bleu.

00:11:39 - Bleu.

00:11:40 - Bleu.

00:11:41 - Bleu.

00:11:42 - That isn't right, but you're getting warm.

00:11:43 - Thank you, miss.

00:11:44 - Here's your coat, Miss Barbara.

00:11:45 - All right, bring it along.

00:11:46 - Which flowers would you like, Miss Barbara?

00:11:48 - I don't care, any of them.

00:11:49 - I think these would look very nice on you.

00:11:52 - They're terrible.

00:11:53 Give me the gardenias.

00:11:54 - Yes, Miss Barbara.

00:11:55 - Call me at noon tomorrow, be sure that I get up.

00:11:56 - Yes, Miss Barbara.

00:11:57 - And you call that Swedish girl, foot massage in the morning.

00:12:00 - You shouldn't dance so much, Miss Barbara.

00:12:02 - If Mr. Warrington calls, tell him to call back.

00:12:04 If Mr. Patton calls, tell him I have smallpox.

00:12:06 - Yes, miss.

00:12:07 A headache for Mr. Patton.

00:12:09 - Where's my bag?

00:12:10 - Oh, I forgot it.

00:12:11 - Well, get it.

00:12:13 - Mother, I'm ready.

00:12:15 Where's Mother Walter?

00:12:17 Are you ready?

00:12:18 - All but one cuff link.

00:12:19 - Mother, please.

00:12:21 - Oh, my darling child.

00:12:24 You look so sweet.

00:12:26 And that color's so good for you, too.

00:12:28 Oh, maybe you're good for the cold.

00:12:30 You know, I always say the woman makes the clothes.

00:12:32 - Mother, let's get started.

00:12:33 - Even Walter's ready.

00:12:35 - All ready and raring to go.

00:12:36 - But it can't go for quite a while yet.

00:12:38 - Oh, good.

00:12:39 - What's the matter now?

00:12:40 - Well, I'm glad you're back.

00:12:41 - I'm glad you're back.

00:12:42 - I'm glad you're back.

00:12:43 - I'm glad you're back.

00:12:44 - I'm glad you're back.

00:12:45 - I'm glad you're back.

00:12:46 - I'm glad you're back.

00:12:47 - I'm glad you're back.

00:12:48 - I'm glad you're back.

00:12:49 - I'm glad you're back.

00:12:50 - I'm glad you're back.

00:12:51 - I'm glad you're back.

00:12:52 - I'm glad you're back.

00:12:53 - I'm glad you're back.

00:12:54 - I'm glad you're back.

00:12:55 - I'm glad you're back.

00:12:56 - I'm glad you're back.

00:12:57 - I'm glad you're back.

00:12:58 - I'm glad you're back.

00:12:59 - I'm glad you're back.

00:13:00 - I'm glad you're back.

00:13:01 - I'm glad you're back.

00:13:02 - I'm glad you're back.

00:13:03 - I'm glad you're back.

00:13:04 - I'm glad you're back.

00:13:05 - I'm glad you're back.

00:13:06 - I'm glad you're back.

00:13:07 - I'm glad you're back.

00:13:08 - I'm glad you're back.

00:13:09 - I'm glad you're back.

00:13:10 - I'm glad you're back.

00:13:11 - I'm glad you're back.

00:13:12 - I'm glad you're back.

00:13:13 - I'm glad you're back.

00:13:14 - I'm glad you're back.

00:13:15 - I'm glad you're back.

00:13:16 - I'm glad you're back.

00:13:17 - I'm glad you're back.

00:13:18 - I'm glad you're back.

00:13:19 - I'm glad you're back.

00:13:20 - I'm glad you're back.

00:13:21 - I'm glad you're back.

00:13:22 - I'm glad you're back.

00:13:23 - I'm glad you're back.

00:13:24 - I'm glad you're back.

00:13:25 - I'm glad you're back.

00:13:26 - I'm glad you're back.

00:13:27 - I'm glad you're back.

00:13:28 - I'm glad you're back.

00:13:29 - I'm glad you're back.

00:13:30 - I'm glad you're back.

00:13:31 - I'm glad you're back.

00:13:32 - I'm glad you're back.

00:13:33 - I'm glad you're back.

00:13:34 - I'm glad you're back.

00:13:35 - I'm glad you're back.

00:13:36 - I'm glad you're back.

00:13:37 - I'm glad you're back.

00:13:38 - I'm glad you're back.

00:13:39 - I'm glad you're back.

00:13:40 - I'm glad you're back.

00:13:41 - I'm glad you're back.

00:13:42 - I'm glad you're back.

00:13:43 - I'm glad you're back.

00:13:44 - I'm glad you're back.

00:13:46 - Get my coat, please.

00:13:47 - In the future, I hope someone will have enough sense

00:13:49 to keep at least one chauffeur around here.

00:13:51 - Ditto.

00:13:52 - Now, now, it's all mother's fault, I know.

00:13:54 But really, here they are.

00:13:56 - Hello.

00:13:59 - Where have you been?

00:14:00 - I'm sorry we're so late, Miss Barbara.

00:14:01 - We had a flat tire, ma'am.

00:14:02 - A flat tire on an $8,000 automobile?

00:14:04 Impossible.

00:14:05 - We almost had to take a taxi.

00:14:07 - I'm very sorry, Mr. Bolton.

00:14:09 - You tell me all about that flat tire in the morning, Terry.

00:14:11 - Yes, ma'am, but I thought I--

00:14:12 - When you're going touring again,

00:14:13 be sure there's somebody here to drive for us.

00:14:14 - Yes, ma'am.

00:14:15 - Oh, Mrs. Clinton, your flowers.

00:14:17 - What's the matter with my--

00:14:18 Connie!

00:14:21 - Hello.

00:14:23 - Oh, my baby, I'm so glad to see you.

00:14:27 Barbara, you haven't said a word to Connie.

00:14:29 - Hello, Connie, so happy you managed to get here.

00:14:32 - Walter, what have you to say to your cousin?

00:14:35 - Hi.

00:14:36 - Hello.

00:14:37 - We have to run some friends away.

00:14:38 - We don't want to be late,

00:14:39 but I'll cast your horoscope the first thing in the morning.

00:14:41 - Do you still sing?

00:14:43 - Yes, I do.

00:14:44 - Oh, I don't know why.

00:14:45 - And George, the minute Mr. Clinton comes in,

00:14:47 be sure and tell him to--

00:14:48 - By the time we get there, there won't be a photographer left.

00:14:50 Goodbye, Connie.

00:14:51 - Say goodbye, goodbye, goodbye, goodbye, goodbye.

00:14:53 - I'll show you to your room, miss.

00:15:00 Please come this way.

00:15:03 - What time do you think Uncle Jim will be home?

00:15:09 - You mean Mr. Clinton, miss?

00:15:11 - Yes.

00:15:12 - You're using coming to this family and none of my affair.

00:15:14 But I might say, if they're out, Mr. Clinton usually is here.

00:15:18 If they're here, Mr. Clinton usually is out.

00:15:21 This way, miss.

00:15:24 Here's your room, miss.

00:15:32 - Thank you.

00:15:33 - Shall I put the window down, miss?

00:15:44 - Mm-hmm.

00:15:45 - I said, shall I put the window down?

00:15:47 - No, thank you.

00:15:48 It's all right.

00:15:49 - May I help you unpack, miss?

00:15:51 - I think I can do it myself.

00:15:53 - Will there be anything else?

00:15:54 - No, thank you.

00:15:55 - Very well, miss.

00:15:56 - There'll be a light supper served in the dining room

00:15:58 just as soon as you are ready for it, miss.

00:16:00 - No, thank you.

00:16:01 - But surely you'll want something.

00:16:03 - I don't feel like eating.

00:16:05 - Very well, miss.

00:16:08 (door closes)

00:16:09 (soft music)

00:16:13 (soft music)

00:16:16 (soft music)

00:16:42 (soft music)

00:16:45 - Pardon me, miss.

00:16:57 - Supper all ready?

00:16:58 You certainly do things quickly around here, don't you?

00:17:00 - I thought you said that--

00:17:01 - Well, I'll be down as soon as I've changed.

00:17:03 - Certainly, miss.

00:17:04 - And don't make that supper too light.

00:17:05 I'm famished!

00:17:07 - Some more chicken, miss?

00:17:09 - Oh, I couldn't really.

00:17:10 - Are you sure, miss?

00:17:11 - Oh, yes.

00:17:12 - Very good, miss.

00:17:13 - There is another little piece of white meat.

00:17:16 - Yes, there is another little piece of white meat, miss.

00:17:19 - I know what you're thinking.

00:17:20 - I hope not, miss.

00:17:21 - You're wondering if I always change my mind.

00:17:23 - I'll get your hot chocolate, miss.

00:17:25 - I wouldn't exactly.

00:17:26 - Will that be all then, miss?

00:17:28 - Mm-hmm.

00:17:29 - Very good, miss.

00:17:30 (soft music)

00:17:32 - Do you think if one makes up one's mind

00:17:34 about doing something, that that really helps one to do it?

00:17:36 - Indubitably, miss.

00:17:37 - Well, here's what I mean.

00:17:38 I made up my mind that I like this supper

00:17:40 and I like everybody in it,

00:17:41 and everybody in it's going to like me.

00:17:43 - Very cheerful thought, miss.

00:17:44 - They didn't have to have me come here to live with them

00:17:46 if they didn't want me, did they?

00:17:47 - No, miss, they did not.

00:17:48 - My Uncle Jim asked me to come here.

00:17:49 - So Mrs. Clinton told me, miss.

00:17:51 - Say, don't you ever smile.

00:17:52 - I'm sorry, miss, but if I may say so,

00:17:55 gay butlers are a trifle rare.

00:17:57 - Do you like singing?

00:18:00 - Yes, I do, miss, and no, I don't,

00:18:03 if you know what I mean.

00:18:04 - I'm sorry.

00:18:05 Either you do or you don't.

00:18:07 - Well, it's this way, miss.

00:18:08 Some people consider, boop, boop,

00:18:10 didum, dadum, wadum, choo, an inspiring cantata.

00:18:14 My preference is for something above that, miss.

00:18:16 - Oh.

00:18:17 - I'm sorry, miss.

00:18:19 - I'm sorry, too.

00:18:21 (singing in foreign language)

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00:20:27 (singing in foreign language)

00:20:31 - You're Connie, huh?

00:20:43 - Yes, Uncle Jim, I--

00:20:46 - Well, what seems to be the trouble?

00:20:48 - It's my fault, Uncle Jim.

00:20:49 - I'm very sorry, sir, but I thought everybody was out.

00:20:51 - They are, Elton.

00:20:52 - They are?

00:20:53 - Yes, sir.

00:20:54 - Good.

00:20:56 - I'll see that there's no more noise

00:20:57 until they get in then.

00:20:58 - Very well, sir.

00:20:59 - Uncle Jim?

00:21:07 Uncle Jim!

00:21:09 I...

00:21:11 I just wanted to thank you for everything.

00:21:16 - No thanks necessary.

00:21:17 - You've done so much for me, and--

00:21:20 - Oh, I signed a few checks.

00:21:21 I do that all the time.

00:21:22 My sister's child, we always take care of our own.

00:21:25 Like to do it.

00:21:26 - And I like being here too, Uncle Jim.

00:21:28 - You like being here?

00:21:29 - Uh-huh.

00:21:30 - You met your cousin?

00:21:31 - Yes.

00:21:32 - You met your aunt Grace?

00:21:33 - Yes.

00:21:34 - And you like being here?

00:21:36 - Oh, yes.

00:21:37 - Hmm.

00:21:38 It's a nice feeling.

00:21:40 Nice feeling.

00:21:43 (somber music)

00:21:49 - Is there anything you want before you go to bed, child?

00:21:53 - We've got a big watermelon in the icebox.

00:21:56 - No, thank you.

00:21:58 - Don't start taking them too seriously, miss.

00:22:00 - You'll get used to them.

00:22:02 - Sure, we did.

00:22:03 Good night.

00:22:07 - Good night, miss.

00:22:08 - And pleasant dreams.

00:22:09 (dramatic music)

00:22:15 - Good afternoon, Miss Barbara.

00:22:20 I've been waiting for you to wake up.

00:22:22 Your pictures are in all the morning papers.

00:22:24 - What time is it?

00:22:27 - It's a little after two.

00:22:29 Which kind?

00:22:30 I brought orange juice, tomato juice,

00:22:32 grapefruit and grapes.

00:22:33 - Sauerkraut.

00:22:34 - Oh, I never seem to be able to guess.

00:22:37 I might have known you'd be in the mood

00:22:38 for sauerkraut today.

00:22:40 When Mr. Drake called, I told him.

00:22:42 - Who called?

00:22:43 - Mr. Drake, he called twice.

00:22:45 - Why didn't you wake me up?

00:22:46 - Well, I tried to both times.

00:22:48 - You did not.

00:22:49 - Oh, yes, I did.

00:22:50 The pillow the first time, and then you threw

00:22:52 the alarm clock the second time.

00:22:53 - Where'd he call from?

00:22:54 - Right here.

00:22:55 Just got back in town.

00:22:56 - What'd he say?

00:22:57 - He just said he was going over to the club

00:22:59 and wanted you to go riding with he and Miss Flory

00:23:01 and Miss Van Everett and a lot of people,

00:23:02 and they were leaving at 2.30 sharp.

00:23:04 - Never be able to get there by 2.30.

00:23:06 - Couldn't you telephone him and ask him to wait?

00:23:08 - And make him think I'm running after him?

00:23:10 - I'd run after him.

00:23:11 The papers say he's the catch of the season.

00:23:13 - If I could only stop him from leaving

00:23:14 till I get there.

00:23:15 - I have an idea how to stop him, Miss Barbara.

00:23:17 - You'd call me when he phoned.

00:23:18 You wouldn't need any of your ideas.

00:23:20 - But it's a good idea, Miss Barbara, really it is.

00:23:22 - I'm sure it is.

00:23:23 - I could hurry out to the club, see Mr. Drank and faint.

00:23:26 That would stop him.

00:23:27 - Have this shine.

00:23:28 - Or I could throw myself under his horse's hoof.

00:23:30 - It wouldn't hurt me.

00:23:31 I wouldn't mind doing it for you because I--

00:23:32 - Get that cousin of mine.

00:23:34 - Yes, Miss.

00:23:35 She isn't here by the time I count 10, you're fired.

00:23:36 - Yes, Miss.

00:23:37 - Miss Connie.

00:23:42 - What is it?

00:23:43 - Miss Barbara wants you this minute.

00:23:44 Please hurry.

00:23:45 - Oh, yes, all right, Agnes.

00:23:47 - Miss Connie, you'll be right in.

00:23:49 - Oh, I am?

00:23:50 - Oh, you are.

00:23:52 Never mind.

00:23:53 Yes, Barbara?

00:24:01 - I want you to do something for me.

00:24:02 Some friends of mine are going riding at the country club

00:24:03 in a half hour, and I want you to delay their start

00:24:05 till I get there, understand?

00:24:06 - Well, you mean stop them?

00:24:08 - Yes, at least stop Ted Drake.

00:24:09 - But I don't even know him.

00:24:10 - Well, you know what he looks like.

00:24:12 - No?

00:24:13 - Only the most notable young man in New York.

00:24:14 You must have seen his picture.

00:24:15 - I don't think so.

00:24:16 - Well, you'll find one in that drawer.

00:24:18 - Which one?

00:24:19 - The top drawer.

00:24:21 - In the dresser?

00:24:22 - Yes, in the dresser.

00:24:23 Just open it, you'll find it.

00:24:25 - I don't see any picture here.

00:24:28 - Oh, you don't see any picture.

00:24:29 I told you it was there.

00:24:30 Why don't you look for it?

00:24:31 What do you think this is?

00:24:33 - Oh, I guess--

00:24:34 - Then please hurry.

00:24:35 - Well, what'll I say to him?

00:24:37 - I don't care what you say, as long as you keep him there.

00:24:39 And be sure he doesn't know I sent you.

00:24:42 - I don't think I can do it, Barbara.

00:24:45 - All right, don't then.

00:24:46 Oh, I mean, after all this family's done for you,

00:24:48 the first time we ask you to do something for us, you refuse.

00:24:52 - Well, I'll do it then, but I don't know what to do.

00:24:55 - Faint and make him revive you.

00:24:57 Fall in front of him, steal his horse.

00:24:58 I don't care what you do, as long as he's there when I get there.

00:25:01 And hurry!

00:25:02 - Off a little stroll, Miss Connick?

00:25:08 - Yes, I mean, no.

00:25:09 Oh, I'll need the car.

00:25:10 Oh, my hat.

00:25:11 I left it in there.

00:25:12 - I'll get the car, Miss Connick.

00:25:13 - Thank you, will you?

00:25:14 I'm in an awful hurry.

00:25:15 - Why?

00:25:16 - I have to stop Ted Drake's horse at the country club for Barbara.

00:25:18 Oh, not his horse, him, but he'll be on it.

00:25:21 You know what I mean?

00:25:22 - Oh, perfectly.

00:25:23 - Well, I have to run now.

00:25:24 Goodbye.

00:25:25 - Connie, give me a cigarette, please.

00:25:27 - Yes, a cigarette.

00:25:29 - When were you born, Connie?

00:25:30 - December the 4th.

00:25:31 - Sagittarius.

00:25:32 - Oh, how interesting.

00:25:34 What time of day?

00:25:35 - Oh, I don't remember.

00:25:37 - I'm going to do your horoscope for you.

00:25:38 So hurry back, and I'll tell you all about yourself.

00:25:40 - Yes, Aunt Grace.

00:25:42 - You'd better wait here.

00:25:43 They might recognize the car.

00:25:44 - I'll keep the motor running in case we have to make a quick getaway.

00:25:47 - Thank you, Terry.

00:25:48 I'm awfully nervous.

00:25:49 - Don't worry.

00:25:50 - Mr. Drake, the horse is ready to end.

00:25:52 - Yes, sir.

00:25:53 All 13 of them.

00:25:54 - 13's bad luck.

00:25:55 - Oh, but we're not superstitious, are we?

00:25:56 - Oh, let's wait for Barbara.

00:25:57 - Sure, it's all a little after 2:30.

00:25:58 - Well, let's go.

00:25:59 Barbara's a dear, but if we wait for her,

00:26:00 we'll have to make this a moonlight ride.

00:26:02 - She'll probably just arrive by the time we get back.

00:26:04 - All right, let's go.

00:26:05 - Oh, I think if we go off with her, it'll be good.

00:26:07 - Get it, get it, get it.

00:26:08 - I still think we should wait for Bob.

00:26:10 - Oh, I'm sorry.

00:26:11 [music playing]

00:26:13 - Uh, uh.

00:26:14 [music playing]

00:26:17 [footsteps]

00:26:19 - Hey!

00:26:20 [music playing]

00:26:23 - Does Barbara know about this trip you're taking?

00:26:25 - Oh, I didn't even tell her family about it this morning.

00:26:27 - When do you leave?

00:26:28 - About a month.

00:26:29 We don't start up the Amazon in late September.

00:26:30 - The Amazon's a river, isn't it?

00:26:31 Named after the river.

00:26:32 - Well, I don't know.

00:26:33 - Well, I don't know.

00:26:34 - Well, I don't know.

00:26:35 - Well, I don't know.

00:26:36 - Well, I don't know.

00:26:37 - Well, I don't know.

00:26:38 - Well, I don't know.

00:26:39 - Well, I don't know.

00:26:40 - Well, I don't know.

00:26:41 - Well, I don't know.

00:26:42 - Well, I don't know.

00:26:43 - Well, I don't know.

00:26:44 - Well, I don't know.

00:26:45 - Well, I don't know.

00:26:46 - Well, I don't know.

00:26:47 - Well, I don't know.

00:26:48 - Well, I don't know.

00:26:49 - Well, I don't know.

00:26:50 - Well, I don't know.

00:26:51 - Well, I don't know.

00:26:52 - Well, I don't know.

00:26:53 - Well, I don't know.

00:26:54 - Well, I don't know.

00:26:55 - Well, I don't know.

00:26:56 - Well, I don't know.

00:26:57 - Well, I don't know.

00:26:59 - The same paper race in the same bag, huh?

00:27:02 - Mr. Drake, what another telephone!

00:27:09 - That must be Barbara.

00:27:11 - Maybe it's Dad.

00:27:12 You go on along.

00:27:13 - Oh, we'll wait.

00:27:14 - No, no, go ahead.

00:27:15 I'll meet you at the Willows.

00:27:16 - Don't be long.

00:27:17 - I won't.

00:27:18 - Very safe.

00:27:19 Love you, too.

00:27:20 (upbeat music)

00:27:23 - Hi, Teresa.

00:27:40 Don't be afraid, now.

00:27:41 I'm not gonna hurt you.

00:27:42 I just wanna undo this.

00:27:44 No, I'm not gonna hurt you, see?

00:27:46 Sure, sure.

00:27:47 See, I just wanna undo this, see?

00:27:49 Just...

00:27:50 There, that's it.

00:27:51 Come on, get the sugar now.

00:27:53 Come on.

00:27:54 Got some more in here.

00:27:55 You can have that when you get to the barn.

00:27:56 Here, see the sugar?

00:27:58 Now, come on, come on, get the sugar.

00:27:59 See, I have a whole lot of it here,

00:28:00 and you can have it all if you just come to the barn.

00:28:02 Now, come on.

00:28:03 Come on, I got some more for you.

00:28:08 You like sugar, don't you?

00:28:10 So do I.

00:28:12 Come on.

00:28:13 Come on, get the sugar.

00:28:14 That's a good horse, see?

00:28:16 Come on, come on.

00:28:18 Say, did you call me to the phone?

00:28:20 No, Mr. Drake.

00:28:21 There was nobody on it, and somebody called.

00:28:23 I'm sorry, sir.

00:28:24 What's going on with that horse?

00:28:26 Come on.

00:28:28 Come on, I got some more for you.

00:28:29 Come on, I got more where this came from.

00:28:30 Come on.

00:28:31 Come on, there, that's it.

00:28:32 I don't like my horse to have sugar.

00:28:34 Oh, well, he likes it, here.

00:28:35 Hey, Chevron, come here, boy.

00:28:40 Hey!

00:28:41 Come on, over here.

00:28:43 Hey, Chevron, here.

00:28:45 Come back here.

00:28:47 Come on, take it.

00:28:48 Hey!

00:28:53 Come on, the horses have enough trouble with this jump

00:29:01 without looking out for you.

00:29:03 Oh, Chase, please.

00:29:04 Listen, Chase, you're not chasing a horse, not that way.

00:29:06 Look out!

00:29:07 Let's get out of here before another horse takes after you.

00:29:11 What are you trying to do, kill yourself?

00:29:13 Between stuffing my horse with sugar

00:29:16 and making yourself a steeplechase,

00:29:17 you'd have had a pretty busy day, hadn't you?

00:29:19 If one of those jumpers had been short out there,

00:29:20 you'd really have something to worry about.

00:29:22 Now, run along and try and keep out of mischief.

00:29:24 You're a sauceless thing running around the park

00:29:26 before I can get you to get out of my face.

00:29:28 Oh, come on, you're all right now.

00:29:37 Is there a handkerchief in there?

00:29:38 Let me get it for you.

00:29:39 It's nothing, it's just the natural react--

00:29:41 Oh, I'll get it.

00:29:42 This white horse is an awful lot.

00:29:48 No, I don't, I just--

00:29:49 You carry a lot of sugar around for them, then.

00:29:51 Oh, that--

00:29:52 Could you show me the way out of here, please?

00:29:55 You can get out the same way you got in.

00:29:56 I'm sorry, I got some friends waiting.

00:29:57 But it'd only take a few minutes.

00:29:59 I'm a little dizzy.

00:30:00 Well, that young lady is a masterpiece of understatement.

00:30:04 You're the dizz--

00:30:10 Now I wonder what's happened to her.

00:30:12 That's fine.

00:30:13 Go ahead.

00:30:15 Nurse.

00:30:16 Ted!

00:30:17 What are you doing?

00:30:21 Kid's fainted, she had a bad scare.

00:30:23 You get some water, I'll take care of it.

00:30:25 Who is she?

00:30:26 I don't know, you better run down to the barn and get some water.

00:30:28 All right, I'll be right back.

00:30:29 All right, thanks.

00:30:34 You didn't have to kill yourself.

00:30:38 But you told me to keep him here, Barbara.

00:30:39 I didn't tell you to hang on his neck.

00:30:41 Oh, but I didn't.

00:30:42 He just held me up.

00:30:43 All right, now go on home and don't let anybody see you.

00:30:45 Well, I just wanted to thank him, he was awfully nice.

00:30:48 Do you want to spoil everything now?

00:30:50 Oh, no, no, but I--

00:30:51 Then get out of here before he gets back and hurry up.

00:30:53 But Barbara, if you'd only let me see him--

00:30:55 Would you do what you're told for a change?

00:30:56 But I only want to thank him, Barbara.

00:31:00 All right, Barbara, now go on home before he sees you again.

00:31:02 But--

00:31:03 Will you get my horse out, Frankie?

00:31:08 Oh, yes, Miss Clifton, right away.

00:31:09 What's happened to our patient?

00:31:10 Oh, that little brat, the minute you left,

00:31:12 she ran off like a rabbit.

00:31:14 She's a funny kid.

00:31:15 Who do you think she is?

00:31:16 You mean to say you don't know?

00:31:17 Now, wait a minute, the first time I ever saw her in my life

00:31:19 was when I caught her feeding sugar to my horse.

00:31:21 I like your story.

00:31:22 Your trouble is girls just will chase you around.

00:31:24 Hello, Wilma.

00:31:25 Barbara, I'm so glad you finally got here.

00:31:27 The gang went on, Ted.

00:31:28 I'll get my horse and be right back.

00:31:30 You look lovely, Barb.

00:31:31 If I slept this late, I'd be a sight.

00:31:33 You're priceless, Wilma.

00:31:34 You always look the same no matter what you do.

00:31:36 The man was out of Bristol, says that whenever

00:31:38 she gives me a facial.

00:31:39 You ought to try her for that frown.

00:31:40 She's marvelous taking bad lines out.

00:31:42 She must be miraculous.

00:31:43 She is.

00:31:44 You'd be surprised what she can do for your nerves.

00:31:46 That's where you plump people are lucky.

00:31:47 You have no nerves.

00:31:48 Here you are, Miss Clifton.

00:31:50 Be careful, dear.

00:31:51 That hat might make him a little skittish.

00:31:53 Oh, don't worry about the general.

00:31:54 He has better taste than most people.

00:31:56 They say horses always know more than their riders.

00:31:58 Which path will we take, girls?

00:31:59 The upper one is shorter, but I'm afraid there are

00:32:01 too many jumps for Barbara.

00:32:02 Oh, don't worry about me.

00:32:03 The upper road is at least 10 minutes faster.

00:32:05 Ted and I will accept that challenge.

00:32:06 We'll take the lower one and race you there.

00:32:08 Come on, Ted.

00:32:09 All right, let's go.

00:32:10 Careful of those jumps, dear.

00:32:11 Barbara!

00:32:24 How nice of you to hurry home for tea.

00:32:26 Tea?

00:32:27 Who wants tea?

00:32:28 Why, dear pet, what happened to you?

00:32:30 Wilma Van Everett.

00:32:31 Oh, what did little Wilma do?

00:32:32 Little Wilma?

00:32:33 I'd like to kill little Wilma.

00:32:34 Well, what did she do to you, dear?

00:32:36 Something horrible, I trust.

00:32:37 She just succeeded in making herself utterly ridiculous

00:32:40 in front of everybody at the club this afternoon.

00:32:42 She acted like such a fool over Ted Drake,

00:32:44 it almost made me ill.

00:32:45 That's terrible.

00:32:46 Put them there, Connie, please.

00:32:47 All right.

00:32:48 You certainly covered yourself with joy today.

00:32:50 Well, I only tried--

00:32:51 You tried brilliantly.

00:32:52 Never mind, never mind.

00:32:53 I'll tell you a story, Barbara.

00:32:54 You wouldn't believe it unless you were there.

00:32:56 I would.

00:32:57 She only advertised to everybody present

00:32:58 that she was head over heels in love with Ted Drake.

00:33:00 But silly!

00:33:01 It was revolting.

00:33:02 Why?

00:33:03 Girls do fall in love with Ted all the time.

00:33:05 You don't know what you're talking about.

00:33:07 She only just met him.

00:33:08 Love at first sight.

00:33:09 I've read about it.

00:33:10 It's very rare.

00:33:11 A Leo and Sagittarius might do it if Saturn were in accord.

00:33:14 Let this be her birthday in December the 4th.

00:33:17 How do you know?

00:33:18 I certainly should know.

00:33:20 Oh, you know her, do you?

00:33:21 Well, what do you--

00:33:22 Everybody knows Wilma Van Everett.

00:33:24 She gets twice as much publicity as you do.

00:33:26 She does not.

00:33:27 Does.

00:33:28 Does it?

00:33:29 Does.

00:33:30 Mother!

00:33:31 Walled up?

00:33:32 Well, it's as good as you have, isn't it, Connie?

00:33:35 Yes, yes, that's right.

00:33:37 December the 4th.

00:33:38 I'm going to fix Miss Van Everett, all right.

00:33:40 I'll see her at the Drake's party.

00:33:41 Oh, is the Drake's going to have a party?

00:33:43 On the 29th.

00:33:44 And by that time, I'll have something

00:33:45 very choice figured out.

00:33:46 Everybody in town will know about it

00:33:47 because everybody's going to be there.

00:33:49 Everybody?

00:33:50 Connie, what are you going to wear?

00:33:53 I-- to the party?

00:33:54 You mean-- oh, I haven't been--

00:33:56 I'm not going.

00:33:58 Am I?

00:33:59 Of course you are.

00:34:00 Sister just said everybody's going.

00:34:01 I haven't any.

00:34:02 I'd have to wear-- it's formal, isn't it?

00:34:05 Barbara's probably got something upstairs

00:34:06 in the dress department that'd suit you perfect.

00:34:08 How about it, sister?

00:34:09 And have people say she's wearing my cast-offs.

00:34:11 We wouldn't want that, would we?

00:34:13 No.

00:34:14 No, of course not.

00:34:15 But I could wear my--

00:34:16 Mother, now--

00:34:17 Wait a minute, you're interrupting.

00:34:18 Yes, Connie, you could what?

00:34:19 Well, I was just going to mention that I could

00:34:21 wear my graduation dress.

00:34:22 It's very pretty, and it's long, and white.

00:34:24 All white.

00:34:25 Well, white's a pretty color.

00:34:26 Yes.

00:34:27 This isn't a garden party.

00:34:28 But I-- I could make it into an evening dress.

00:34:30 I just have to fix the sleeves--

00:34:31 See how simple it is?

00:34:32 Well, I'll go up now and start figuring out

00:34:34 just what to do with it.

00:34:35 And thank you.

00:34:36 Thank you very much.

00:34:37 I took sewing in school, you know.

00:34:39 I'll have to fix the skirt a little bit,

00:34:41 and-- and maybe I can fix the-- the neck.

00:34:43 Mother, we're not going to drag her to the ball.

00:34:45 If she fixes her dress and it looks all right,

00:34:47 I'm afraid we'll have to take her now.

00:34:49 You can't get out of it.

00:34:50 You're very smart, but don't think I'm going to be

00:34:51 bothered with her once she gets there.

00:34:53 You must be nice to her at the ball, sister.

00:34:54 Or people have an excuse to say some of the things

00:34:56 they've been thinking about you for years.

00:34:59 I'm going to the Drake's ball.

00:35:00 What are you going to do?

00:35:01 I'm going to the Drake's ball.

00:35:02 No fooling.

00:35:03 Absolutely.

00:35:04 See, I have to cut the sleeves out of this, maybe.

00:35:06 I have to make this into an evening dress, you know.

00:35:08 Does the Duchess know you're going?

00:35:10 Barbara, certainly.

00:35:11 Do you think a tight, loose sash

00:35:12 should add enough color to that?

00:35:13 They only just told me about it, you know.

00:35:15 I didn't dream I was going.

00:35:16 Oh, that's wonderful, Miss Connie.

00:35:17 I'm so happy for you.

00:35:18 Thank you, Agnes.

00:35:19 I do want to look pretty when he sees me this time.

00:35:21 I mean, when people see me this time.

00:35:23 I mean, when people see me this time.

00:35:25 I mean, when people see me this time.

00:35:26 I mean, when people see me this time.

00:35:29 Well, I mean, you know.

00:35:30 When who sees you this time?

00:35:32 Everybody.

00:35:33 Everybody in New York's going to be here.

00:35:35 Let me see, what slippers should I wear?

00:35:37 But who's the he you were just talking about?

00:35:39 I didn't mean any particular person.

00:35:40 I didn't even mean--

00:35:41 do you think these slippers will be all right?

00:35:42 They won't show much with this skirt being long.

00:35:44 Do you think-- well, maybe if I cut the neckline lower

00:35:46 and sort of flare out the skirt.

00:35:47 Miss Ollie could tell you.

00:35:48 She makes all her own clothes.

00:35:50 Do you think she'd mind?

00:35:51 Oh, no, Miss Connie.

00:35:52 Ollie loves it.

00:35:53 I didn't know you knew any he in New York.

00:35:55 I didn't know any he-- I mean, anybody.

00:35:57 Just because you see a person doesn't mean

00:35:59 you know a person, does it?

00:36:00 Don't it?

00:36:01 Certainly not.

00:36:02 Let's go ask Ollie about the dress.

00:36:03 She's in the kitchen.

00:36:05 You know what, Miss Connie, George--

00:36:07 Yes, George told us.

00:36:08 Oh, oh, they tell you about it?

00:36:09 I couldn't help overhearing this.

00:36:10 And I must say, I'm almost as happy

00:36:12 as if I were going myself.

00:36:13 Yes, I've never been to a really big party like this before.

00:36:15 It'll be a great night for you.

00:36:17 Yes, it certainly will.

00:36:18 Is that the dress you want to make over?

00:36:19 Yes, it is, Ollie.

00:36:20 Agnes said you might help me with it.

00:36:21 May I put it down here?

00:36:22 Yes, put it anywhere, Miss.

00:36:23 Thank you.

00:36:24 You see, it still has sleeves in it.

00:36:25 I thought maybe if we'd only use this skirt up to here

00:36:27 and then make a bodice and then sort of flirt this gown.

00:36:30 Don't mind me.

00:36:31 I-- I only eat here.

00:36:33 That's my brother, Mike.

00:36:35 This is Miss Connie.

00:36:36 You know, I told you about her singing.

00:36:38 How do you do?

00:36:39 Go ahead.

00:36:40 Don't let me stop the operation.

00:36:42 I'm used to blood.

00:36:43 Have you any more of this material?

00:36:44 No, but I have a yard of silver lace upstairs.

00:36:46 Maybe you can use that.

00:36:47 Only a yard?

00:36:48 Yes, but it's very pretty.

00:36:49 I'll run up and get it.

00:36:50 It's a yard long and a yard wide,

00:36:51 and the design's lovely.

00:36:52 You'll see what I mean.

00:36:53 It's a good thing it wasn't one of the others

00:36:55 that found you here.

00:36:56 They would have called the police.

00:36:57 Fine crack.

00:36:58 Think you can fix it up all right?

00:36:59 Well, I can try.

00:37:00 I wish the waist was higher.

00:37:01 Here, hold this.

00:37:02 Gotta look beautiful at that ball for a very special reason.

00:37:05 What's his name?

00:37:06 What do you think I am, a tattletale?

00:37:08 How about Hoops?

00:37:09 Never mind the Hoops.

00:37:10 You better watch that rooster.

00:37:11 We'll have a terrible dinner.

00:37:12 Oh, my precious.

00:37:13 Well done might be all right for the family,

00:37:15 but I like my beef rare.

00:37:16 Well, what can I do?

00:37:18 Why don't you put some feathers on it?

00:37:19 How about those things on the shoulders

00:37:21 like football players wear?

00:37:23 I just don't know what to do.

00:37:25 I can tell you.

00:37:26 This ought to be good.

00:37:28 You take this dress, and first you hide it away.

00:37:32 And then you go out and you buy her a whole new outfit.

00:37:35 With what?

00:37:36 With money.

00:37:37 Whose money?

00:37:38 My money and your money.

00:37:39 And mine too.

00:37:40 Count me in.

00:37:41 And me?

00:37:42 Which only goes to show you don't get nothing for nothing

00:37:44 in this world, not even from your own sister.

00:37:46 How much?

00:37:47 [music playing]

00:37:50 Why, it wasn't hard to do at all, miss.

00:38:00 I just go on another yard or two of that base

00:38:02 and change the skirt here and there.

00:38:04 Every bit of it seems different.

00:38:06 Well, when I remodel a dress, Miss Connie,

00:38:08 I really remodel it.

00:38:09 The slippers just arrived, and I had to bring them up

00:38:11 and see how she looked.

00:38:12 Well, it's a perfect fit.

00:38:13 It's really magnificent.

00:38:14 I still can't believe it's a slipper.

00:38:16 Wally did a lot of work on it.

00:38:17 May I put these on, please?

00:38:19 These aren't my slippers.

00:38:21 Well, you see, we took them out to a man

00:38:23 to have some silver put on, you know, like--

00:38:26 Like dyeing.

00:38:27 Yes.

00:38:28 And while he was doing it, he spilled it all inside,

00:38:30 and you couldn't have worn them anyway.

00:38:31 So he only did what was right.

00:38:33 He got you a new pair.

00:38:34 Oh, he shouldn't have done that.

00:38:36 He's insured.

00:38:37 Do they feel all right?

00:38:38 Yes.

00:38:39 Well, they're just a little bit new, but they fit perfectly.

00:38:43 [knocking]

00:38:44 Come in.

00:38:45 I just wanted to see how you looked, miss.

00:38:47 You couldn't even tell it was the same dress?

00:38:48 You really look like a picture.

00:38:50 I don't see how--

00:38:51 Oh, Ollie must have worked day and night.

00:38:53 Oh, turn around a minute.

00:38:54 How does the skirt hang?

00:38:55 Perfect.

00:38:56 Why don't you go in Miss Barber's room,

00:38:57 and see how you really look?

00:38:58 Oh, that's a good idea.

00:39:00 I'll be back in a minute.

00:39:01 Oh, just a second, miss.

00:39:02 Just a second.

00:39:03 [whimpering]

00:39:05 Oh, thank you.

00:39:06 These just came for you, miss.

00:39:07 Oh, a corsage.

00:39:08 How lovely.

00:39:09 Who sent it?

00:39:10 There wasn't any card in it.

00:39:11 Probably some admirer who knew you were going to the ball.

00:39:14 What do you mean?

00:39:15 No.

00:39:16 How could he?

00:39:17 Oh, I don't think so.

00:39:18 Well, they just match your dress.

00:39:19 Now, isn't that nice?

00:39:20 Ollie!

00:39:21 Oh, I've been expecting that.

00:39:22 Ollie, where have you been?

00:39:23 Well, I just--

00:39:24 I want a large chiffon handkerchief, black.

00:39:25 I'll get back the bracelet.

00:39:26 Yes, miss.

00:39:29 Pardon me a minute, Barbara.

00:39:30 Excuse me.

00:39:31 I just want to see how the skirt hangs in the back.

00:39:34 I think it's all right, don't you?

00:39:35 What school did you graduate from in that dress?

00:39:38 We fixed it all up.

00:39:39 You like it?

00:39:40 I think the skirt hangs perfectly.

00:39:41 Oh, thank you.

00:39:42 You look very nice too, Barbara.

00:39:44 Thanks.

00:39:45 Only, I don't think I'd look so good in black.

00:39:47 Oh, you'd better hurry, Barbara.

00:39:49 We don't want to be too late.

00:39:52 Did you see that?

00:39:53 Yes, miss.

00:39:54 I think she looks very nice.

00:39:55 What's the matter with her?

00:39:56 She gone crazy, storming in here patronizing me.

00:39:58 Oh, no, miss Barbara.

00:39:59 She's just so thrilled about going to the Drake's and all.

00:40:01 She's taking an awful lot for granted.

00:40:03 She isn't there yet.

00:40:04 Bring my rag.

00:40:05 Yes, miss.

00:40:06 [music playing]

00:40:09 Did you hear that?

00:40:10 Yes.

00:40:11 What's she say?

00:40:12 Mother, are you ready?

00:40:14 Yes, dear.

00:40:15 I'm looking up the stars for tonight,

00:40:16 and we're going to have a really marvelous evening.

00:40:18 I doubt that.

00:40:19 Oh, you mustn't doubt the stars, dear.

00:40:20 They control your destiny, whether you like it or not.

00:40:22 Well, are we ready?

00:40:23 That's a very smart gown you have on, I suppose.

00:40:25 Oh, thank you.

00:40:26 Have you seen my new vest?

00:40:27 No, but Connie, it's amazing.

00:40:29 My rag, please.

00:40:30 Yes, can we go?

00:40:31 Certainly.

00:40:32 George, is the car waiting?

00:40:33 Yes, Miss Connie.

00:40:34 Your cigarette case, please.

00:40:35 Where did you find it, George?

00:40:36 I found it at the clipper.

00:40:37 Oh, dear, well, I'll leave it next.

00:40:39 I'll go on to your house.

00:40:40 Have you seen the newspaper?

00:40:41 The society page is full of details about the ball.

00:40:43 Really?

00:40:44 It mentioned the names of all the famous people

00:40:46 who are going to be there and lots of--

00:40:48 It's sure to be a brilliant affair.

00:40:49 Oh, yes, I hope they don't just play rumbus.

00:40:51 You'd prefer a waltz, then.

00:40:52 I like waltzes.

00:40:53 I do, too.

00:40:54 So do I.

00:40:55 Dreamy ones.

00:40:56 My rag.

00:40:57 This one, Miss Barbara?

00:40:58 No, the other one.

00:40:59 Mother, I think I'll wear your pearl bracelet.

00:41:01 It goes better with the black dress.

00:41:03 Certainly, dear.

00:41:04 This isn't mine.

00:41:05 It is tonight, Miss.

00:41:07 Tomorrow, it goes back in Cousin Eggbutt's show window.

00:41:09 Oh, but really, I--

00:41:10 Shh.

00:41:11 If Mr. Clinton comes, tell him we'll be late.

00:41:13 Yes, ma'am.

00:41:14 Mother, suppose Uncle Jason comes in from Washington

00:41:16 tonight and we're all out.

00:41:17 Well, what makes you think he's coming tonight?

00:41:19 Oh, nothing, except Aunt Louise said yesterday that he might.

00:41:21 She did?

00:41:22 Yes, I forgot to tell you about it when she called.

00:41:24 Oh, let's all hope he doesn't arrive until tomorrow.

00:41:26 But if he does come and there isn't even

00:41:27 one member of the family at home,

00:41:28 we'll never hear the end of it.

00:41:29 I'll be glad to stay and welcome him, sister.

00:41:31 He hates the sight of you.

00:41:32 Can't say that I blame him.

00:41:33 How about Father?

00:41:34 Well, your father won't be home until all hours.

00:41:36 Well, it's no great problem.

00:41:37 Connie can stay and sing to him or something.

00:41:40 You don't mind, do you, Connie?

00:41:42 Tonight?

00:41:43 Now?

00:41:44 Your debts do it, Connie.

00:41:46 You mean I-- I'm to wait here?

00:41:48 Just make our excuses.

00:41:49 Then fuss over him when he arrives.

00:41:51 No.

00:41:53 No.

00:41:54 No, you're not really going to make me miss the party.

00:41:57 You can't.

00:41:58 That-- that isn't fair.

00:41:59 You-- you could have told me sooner, so I wouldn't have

00:42:02 planned and-- and waited.

00:42:04 You're going to argue about everything

00:42:05 we ask you to do, Connie.

00:42:06 I'll stay myself.

00:42:07 Well, no, you can't do that.

00:42:08 The Drakes would be offended.

00:42:09 We'll make it up to you, Connie.

00:42:12 Barbara, you're only--

00:42:13 I sure think you'd be happy to do something

00:42:15 for us once in a while.

00:42:16 I could have told you a week ago this would happen.

00:42:18 Just wanted to see if I guessed right.

00:42:20 I did.

00:42:21 Night.

00:42:22 Harry!

00:42:28 Sorry, madam.

00:42:29 [door slams]

00:42:30 Harry!

00:42:31 Sorry, madam.

00:42:32 [door slams]

00:42:33 What was the problem?

00:42:35 [door slams]

00:42:36 [engine starts]

00:42:37 [engine revs]

00:42:38 [music playing]

00:42:42 [music playing]

00:42:45 [music playing]

00:42:48 [music playing]

00:42:51 [music playing]

00:42:54 [music playing]

00:42:57 [music playing]

00:43:00 [music playing]

00:43:03 [music playing]

00:43:06 [music playing]

00:43:09 [music playing]

00:43:12 [music playing]

00:43:15 [music playing]

00:43:18 [music playing]

00:43:21 [music playing]

00:43:24 [music playing]

00:43:27 [music playing]

00:43:30 [music playing]

00:43:33 [music playing]

00:43:36 [music playing]

00:43:39 [music playing]

00:43:41 All right.

00:43:43 I'll stay home.

00:43:45 I'll say you will.

00:43:49 Going to the ball wasn't my idea in the first place.

00:43:51 You were pretty anxious.

00:43:53 I like to dance.

00:43:54 Is there anything wrong with that?

00:43:56 Who would you dance with?

00:43:57 Ted Drake?

00:43:58 Oh, that's silly.

00:43:59 Of course it's silly.

00:44:01 That's who you mean.

00:44:02 And it's twice as silly to be getting

00:44:04 any foolish ideas about him.

00:44:06 I'm not getting any foolish ideas.

00:44:08 Oh, no?

00:44:09 What about that picture you cut out of the newspaper?

00:44:11 Who was that?

00:44:12 Ted Drake.

00:44:13 That's who.

00:44:14 Well, I just cut it out.

00:44:16 There wasn't any reason for cutting it out.

00:44:18 I suppose there isn't any reason for keeping

00:44:20 it hidden in that book either.

00:44:22 In what book?

00:44:23 In what book?

00:44:24 In that book.

00:44:26 That?

00:44:27 Now, stop being a silly girl.

00:44:29 Get that picture and tear it up and throw it away

00:44:31 this very minute.

00:44:32 That's just exactly what I'm going to do.

00:44:34 I'll throw it away.

00:44:35 Here, see?

00:44:37 I'm tearing it up.

00:44:38 I don't want to hear anymore about him

00:44:39 or think anymore about him or have any more

00:44:41 silly ideas about myself or anybody.

00:44:42 And I--

00:44:43 Georgia, I didn't know you.

00:44:48 I knocked twice, miss.

00:44:49 And when I heard you talking to someone,

00:44:51 I-- I thought I'd better step in.

00:44:53 Well, there's no one in here.

00:44:55 Talking?

00:44:56 Oh.

00:44:57 Oh, I must have been talking to myself.

00:45:00 I'm sorry to interrupt, miss, but everything's been arranged.

00:45:02 And you're going to the ball after all.

00:45:04 I am?

00:45:05 Indeed you are, miss.

00:45:06 Uncle Jason is still in Washington.

00:45:07 Oh, but Aunt Grace-- well, they'll be there.

00:45:09 They won't arrive until you get there.

00:45:10 They won't be there.

00:45:11 They won't arrive until midnight, miss.

00:45:12 Midnight?

00:45:13 Oh, they'll be there long before that.

00:45:14 They've been gone for--

00:45:15 Oh, no, they won't, miss.

00:45:16 Everything's been changed about.

00:45:17 You'll be there and back before they even arrive.

00:45:19 Oh, I go, miss.

00:45:20 In your car, and it's a fitting.

00:45:22 Well, who'll take me?

00:45:23 You'll have an escort of six white bikes.

00:45:24 Six white what?

00:45:25 Bikes, miss, the motor police.

00:45:29 And there they are, miss.

00:45:30 You mean I'm to go with them?

00:45:35 They'll get you there before you can see Jack Robinson.

00:45:37 Mike told me you were in a hurry.

00:45:38 Mike?

00:45:39 He's my brother, miss.

00:45:40 These lads worked with him.

00:45:41 They even borrowed the commissioner's car.

00:45:43 Now, remember, miss, you're not to stay

00:45:45 a minute later than 12 o'clock.

00:45:47 I won't.

00:45:48 And the boys will be waiting for you to bring you back.

00:45:51 I-- I just want to tell you all how much I appreciate all of you.

00:45:55 I'll never forget you.

00:45:56 I'll never forget you guys, not unless you have heart attack.

00:46:03 I don't think I can sleep if you go on like this.

00:46:05 That's all right.

00:46:06 You have the time of your life.

00:46:07 I'll never forget you.

00:46:09 You have the time of your life.

00:46:10 Remember 12 o'clock.

00:46:11 I'll never forget you.

00:46:12 I'll never forget you.

00:46:13 [siren]

00:46:14 Everybody gone?

00:46:32 Everybody, sir.

00:46:33 That's good.

00:46:34 What time will they be back?

00:46:35 Very late, I'm quite sure, sir.

00:46:36 That's good, too.

00:46:38 Motorcycle.

00:46:41 What will that family think of next?

00:46:42 I really don't know, sir.

00:46:44 See that there's no noise around here until they get back.

00:46:46 Very well, sir.

00:46:47 Will that be all, sir?

00:46:48 That'll be all.

00:46:50 Police, escort, servants.

00:46:55 No one.

00:46:57 [music playing]

00:46:59 Well, have you got it or ain't you got it?

00:47:11 I know I had it yesterday.

00:47:12 I usually keep it in the pocket in the store.

00:47:14 I don't want to know anything about your personal habits,

00:47:16 fellow.

00:47:17 All I want is to see the owner's license.

00:47:19 Terry, tell the young man we have to go now.

00:47:21 Yes, ma'am, just as soon as--

00:47:22 I think the whole thing is ridiculous.

00:47:23 Maybe it is and maybe it ain't, sister.

00:47:25 But I got to stop all cars of this make and model

00:47:27 and see the owner's license or else take him in.

00:47:29 This is my father's car.

00:47:30 Maybe.

00:47:31 Come on, come on, buddy.

00:47:32 You're making a big mistake, officer.

00:47:33 This is Mr. Clinton's car.

00:47:35 This is Mr. Clinton's family.

00:47:36 That ain't my mistake, bud.

00:47:37 That's Mr. Clinton's.

00:47:38 Now, officer, we can't stay here all night.

00:47:40 People are waiting for us and we're all going to a party.

00:47:42 Ah, none of that.

00:47:43 I got to work till 2:30.

00:47:45 You're being very insolent.

00:47:46 I don't think you realize who we are.

00:47:48 Oh, yes, I do.

00:47:49 Just three people all dressed up riding around in a car

00:47:51 you ain't even got an owner's license for.

00:47:53 Do we look like the kind of people

00:47:54 who would steal an automobile?

00:47:56 Why should I answer that and make you sore?

00:47:58 You'll pay for this.

00:47:59 We know our rights.

00:48:00 And when I tell my father what you've done--

00:48:02 All I know is, lady, that I got to do my duty and I'm doing it.

00:48:05 How do I know that ain't a dead body?

00:48:08 Why, that's Walter.

00:48:10 Say something to the officer, Walter.

00:48:13 Hello.

00:48:14 See?

00:48:15 He's all right.

00:48:17 Could be ventriloquism.

00:48:19 Make a move.

00:48:21 You think I'm a dummy?

00:48:22 I'll pass that question, too, brother.

00:48:24 You're being deliberately difficult.

00:48:25 You're humiliating us and keeping us here

00:48:27 without any cause at all.

00:48:28 I wouldn't do that for the world, lady.

00:48:29 If you don't want to stay here, we'll go someplace else.

00:48:31 Why don't you cut out doing that St. Vitus dance

00:48:33 and admit you ain't got it?

00:48:34 I guess I left it when I changed uniforms,

00:48:36 or I lost it today.

00:48:38 I've heard that a million times.

00:48:39 May we go now?

00:48:40 Right this minute, lady.

00:48:41 And just because you've been so nice,

00:48:43 I'm going to have the judge check your case

00:48:45 before anybody else, right at 12 o'clock.

00:48:47 12 o'clock?

00:48:48 We won't go.

00:48:49 We'll settle it right here.

00:48:50 You're going, sister.

00:48:51 Do you want to go in the car,

00:48:53 or do you want to go on the bike?

00:48:56 Follow me.

00:48:57 I could have told you this would happen.

00:48:58 I saw it in the stars.

00:48:59 You and your stars.

00:49:00 You told me this was going to be a perfect evening.

00:49:02 I know, and it would have been, except for Venus.

00:49:03 You see, my dear, when Venus--

00:49:04 Tell her to the judge, mother.

00:49:06 [engine starting]

00:49:09 [theme music]

00:49:12 [engine revving]

00:49:15 May I check your wrap, miss?

00:49:41 Oh, yes, please do.

00:49:42 Your check, miss.

00:49:48 Thank you.

00:49:49 Where are you going to put that?

00:49:50 In the checkroom just over there.

00:49:52 It'll be all right there, won't it?

00:49:54 Indeed it will, miss.

00:49:55 Thank you.

00:49:56 [theme music]

00:49:59 [chatter]

00:50:02 [music playing]

00:50:06 [chatter]

00:50:09 [music playing]

00:50:12 [chatter]

00:50:15 [music playing]

00:50:18 [chatter]

00:50:19 Hello, there.

00:50:20 Wonderful party, isn't it?

00:50:21 Hello, glad to see you.

00:50:22 [music playing]

00:50:25 Excuse me.

00:50:27 Solid little group here this evening, isn't it?

00:50:30 Yes.

00:50:31 I tried to think where we met before.

00:50:32 Of course, I know you perfectly well,

00:50:33 but I can't seem to remember your name.

00:50:35 Not Fisher, not Fowler-- Foster!

00:50:37 Wrong.

00:50:38 Follansby, I know.

00:50:39 You're Caroline Follansby's daughter.

00:50:40 Wrong again.

00:50:41 I'm sorry.

00:50:42 I have a remarkable memory for names.

00:50:43 I'll get yours in a minute.

00:50:44 Oh, I don't think you will.

00:50:45 Oh, yes, I will.

00:50:46 And when I do, I'm going to make you pay a forfeit.

00:50:47 All right, but I don't think you'll find out.

00:50:49 I have to go and look for somebody.

00:50:50 Goodbye.

00:50:51 Goodbye.

00:50:53 Hello, Beveridge.

00:50:54 Signorina Catalini.

00:50:55 Oh, Mr. Beverage, you are sweet.

00:50:57 And you're going to sing for us tonight.

00:50:59 Oh, I can't.

00:51:00 I'm in such poor voice.

00:51:01 My tour was so, so trying.

00:51:03 I said to Doug, I will go, but I will not sing.

00:51:06 Oh, you must sing.

00:51:07 I insist.

00:51:08 But I can't possibly.

00:51:09 And I have no music with me except--

00:51:11 Doug, you have it.

00:51:12 It's just a Strauss Waltz.

00:51:14 A Strauss Waltz?

00:51:15 And tell the orchestra that I did mark a change in tone

00:51:17 in the first eight bars in case they do have to play it,

00:51:19 you know.

00:51:20 [music playing]

00:51:22 We'll talk about that later.

00:51:23 I have to hunt up a net.

00:51:25 Oh, I'm sorry.

00:51:27 Mr. Drake.

00:51:28 I should have watched where I was going.

00:51:29 Oh, no, it's all right.

00:51:30 I should have watched where I was going.

00:51:31 Oh, no, it's all my fault.

00:51:32 Having a good time?

00:51:33 Oh, yes, yes, I am.

00:51:34 Fine.

00:51:35 I'm glad you came.

00:51:36 Oh, are you?

00:51:37 Well, I didn't think I was going to get here at all.

00:51:40 That would have been terrible.

00:51:41 How's the rest of your-- how's everybody?

00:51:44 Oh, I don't know.

00:51:45 I haven't seen them since-- well, they're all right, I guess.

00:51:49 How are you-- you're--

00:51:50 You still live at the same place on--

00:51:52 Oh, yes.

00:51:53 Yes, so do we.

00:51:55 Ted, we're dancing this one.

00:51:56 You're going to be around?

00:51:57 Oh, I'll be around somewhere here.

00:51:59 I'll see you later.

00:52:01 Who's that pretty little girl?

00:52:03 I don't know.

00:52:04 Her face is so neat, I can't figure out where I met her.

00:52:06 Oh, good evening.

00:52:15 Oh, you do.

00:52:16 Good evening.

00:52:18 [music playing]

00:52:20 Thank you.

00:52:31 Ladies and gentlemen, we are most fortunate in having

00:52:34 with us tonight a singer whose greatness is exceeded

00:52:38 only by a loveliness.

00:52:40 She truly has the gift of song, a golden voice,

00:52:43 an inspired talent, and a charming personality.

00:52:47 Now, she's a very shy young lady.

00:52:49 And though I know I should not impose upon her

00:52:52 by making this request, I do so in the name

00:52:54 of Mr. Drake, our host.

00:52:56 And because it happens, quite by chance,

00:52:58 that the orchestra has here a Strauss Waltz, which I think

00:53:02 we may persuade her to sing for us.

00:53:04 Shall we ask her?

00:53:05 [applause]

00:53:08 [applause]

00:53:10 Ladies and gentlemen, it is now my great privilege

00:53:23 to introduce to you Signorina Margherita Cotellini.

00:53:27 Wrong again.

00:53:30 I'm afraid someone's made a frightful mistake.

00:53:33 Oh, no, no.

00:53:34 Whoever told you I could sing was right.

00:53:35 But my name is not that Signorina, whatever you say.

00:53:39 [singing]

00:53:42 [singing]

00:53:45 [singing]

00:53:48 # How I want to fly today Under gentle trees

00:53:51 # Walking through the trees Serenade me with music of tender melodies.

00:53:58 # Ah, ah, ah, ah, ah, ah, ah, ah, ah.

00:54:05 # Life is sweet to me So sweet and heavenly.

00:54:09 # Today I'm falling In love with a boy.

00:54:15 # This is Maytime Flowers in bloom Varnish for gloom.

00:54:23 # This is playtime Joy fills the air In the Maytime.

00:54:35 # Ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah.

00:54:46 # And my heart is so light and gay.

00:54:54 # Spring in my heart Is forever and ever to be.

00:55:01 # And I'll sing to the birds As they sing to me.

00:55:10 # Ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah.

00:55:18 # Spring with its song Will forevermore be part of my heart.

00:55:30 # Ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah.

00:55:41 # Spring in my heart Is forever and ever to be.

00:55:48 # And I'll sing to the birds As they sing to me.

00:55:56 # Ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah.

00:56:04 # Springtime I'll never forget.

00:56:10 # Spring is in my heart.

00:56:16 # Every day I feel spring in my heart.

00:56:25 # In my heart.

00:56:33 Bravo, Carolina, bravo!

00:56:36 Bravo, Carolina, bravo!

00:56:40 Bravo, Carolina, bravo!

00:56:42 Great, great!

00:56:43 How about a little song?

00:56:45 My dear young lady, that was a real treat. I want to thank you for it.

00:56:48 Oh, you're welcome. I like to sing.

00:56:50 Gerald, Gerald, this young girl has a great voice.

00:56:52 I thought you'd like her, Mr. Drake. You were splendid.

00:56:55 Oh, are you...

00:56:56 Yes, I'm Ted's father. Just between us, I'm going to tell a young man something.

00:56:59 We're not bringing you around sooner. Where is that boy?

00:57:01 Right over there.

00:57:02 Ted.

00:57:03 Wasn't that great?

00:57:04 I'm glad you liked it.

00:57:06 I was just telling this young lady I was a little disappointed in you and keeping her hidden this long.

00:57:09 All this long, why, I didn't even know that...

00:57:12 Now, now, now, son, I know I'm old, but there's nothing wrong with my eyes.

00:57:15 I can tell just by looking at you two that you're real old friends.

00:57:18 Mr. Drake.

00:57:19 Would you like to dance?

00:57:20 Did you hear that, Bevans? Would she like to...

00:57:22 What's the matter with you young fellows nowadays? She'd love to dance.

00:57:25 Yes, I would.

00:57:26 Lovely young lady, Gerald.

00:57:39 Yes, indeed she is, Mr. Drake.

00:57:40 I wish that boy of mine would get really interested in a girl like that

00:57:43 and stay home instead of hopping off on that South American thing.

00:57:46 Maybe he will.

00:57:47 Yes, maybe.

00:57:48 What did you say her name was?

00:57:50 Now, don't stop that. I don't know.

00:57:52 Oh, I'm sorry.

00:58:01 It's my fault. I'm used to leading.

00:58:04 You know, at school, when it just were girls to ask, one led...

00:58:07 And the other followed.

00:58:08 That's right.

00:58:09 How's your horse?

00:58:10 Shamrock?

00:58:11 Yes. I hope the sugar didn't make him sick.

00:58:17 What's the matter?

00:58:18 I'm sorry. I was just thinking how different you look.

00:58:21 I'm glad of that.

00:58:23 I didn't see my face until I got in the car.

00:58:25 You were in a pretty bad way there for a few minutes.

00:58:27 I didn't thank you for being so nice about everything.

00:58:30 I could tell you I was all right.

00:58:31 I figured you were all right when I heard that you'd run away.

00:58:34 I couldn't help that.

00:58:35 Don't.

00:58:36 Don't ever run away again, Whitney, without saying goodbye.

00:58:39 I mean that.

00:58:40 [music playing]

00:58:43 [music playing]

00:58:46 [music playing]

00:58:49 [music playing]

00:58:53 [music playing]

00:59:21 [applause]

00:59:24 [music playing]

00:59:49 Too many people here.

00:59:51 Yes.

00:59:52 Let's go outside.

00:59:53 All right.

00:59:54 [music playing]

00:59:57 Well, it isn't too cool for you, is it?

01:00:06 Oh, no.

01:00:07 No, not at all.

01:00:08 You'd rather go inside.

01:00:09 No.

01:00:10 Maybe you would, though.

01:00:11 Get your wrap?

01:00:12 Oh, no, no.

01:00:13 Really, I'm all right.

01:00:14 I--

01:00:15 Will you-- go ahead.

01:00:16 No, it's nothing.

01:00:17 What were you going to say?

01:00:18 I was just thinking, I'm--

01:00:19 I'm leaving here next week.

01:00:22 Where are you?

01:00:23 I'm going to South America with Dr. McKenzie.

01:00:26 You've heard of him, haven't you?

01:00:27 McKenzie?

01:00:28 I-- I think I have.

01:00:29 He's the world's greatest authority on rubber trees.

01:00:32 He's been to the Amazon 30 times.

01:00:33 He always says, I'm very, very fond of the Wee River.

01:00:36 And he talks like that and calls me Lottie.

01:00:38 [laughs]

01:00:39 Lottie?

01:00:40 [music playing]

01:00:43 Do you have to go?

01:00:45 I want to.

01:00:46 It's sort of a declaration of independence to Dad.

01:00:48 He's got a lot of ideas about handing me a ready-made future.

01:00:52 Oh, I see.

01:00:55 Look at that traffic.

01:00:56 And it's after 12 o'clock.

01:00:58 Yes, it certainly is.

01:01:00 Will you be away long?

01:01:02 About six months.

01:01:04 Where will you stay?

01:01:05 On our boat.

01:01:06 It's a big sailboat.

01:01:08 An auxiliary diesel engine.

01:01:11 Sailboats are beautiful.

01:01:13 Yes, they are beautiful.

01:01:15 [music playing]

01:01:18 What's a diesel engine?

01:01:28 Well, it's-- it's on the same principle

01:01:30 as a regular gasoline engine, only instead of using crude oil--

01:01:34 I mean, instead of--

01:01:35 Did you say it was 12 o'clock before?

01:01:37 It's after 12.

01:01:38 See the clock down there?

01:01:39 Oh, uh-- well, goodbye.

01:01:41 [music playing]

01:01:45 Wait a minute.

01:01:46 [chatter]

01:01:49 You're not going to run away now, are you?

01:02:12 [chatter]

01:02:15 No matter what you have to do--

01:02:18 Hello, Ted.

01:02:19 Oh, hello, Mrs. Fletcher.

01:02:20 Walter.

01:02:21 Oh, we've had an appalling experience.

01:02:23 We're jailbirds.

01:02:24 What are you doing with that slipper?

01:02:25 Oh, looking for its owner.

01:02:26 I'll be right back.

01:02:27 Who'd he say he was looking for?

01:02:28 I don't know.

01:02:29 Oh, he's probably playing some game.

01:02:31 You certainly seem delighted we were here.

01:02:33 Hello, Griggs.

01:02:34 Oh, we thought you'd never get here.

01:02:35 Well, we were delayed.

01:02:36 On the law.

01:02:37 It wasn't simply horrible, dear.

01:02:38 It wasn't much fun.

01:02:39 I don't know.

01:02:40 I'm sure you enjoyed it.

01:02:41 Well, what happened?

01:02:42 Well, you see, just as we were-- oh, Ted.

01:02:43 Your father knows the mayor, doesn't he?

01:02:45 Mother wants to reform the whole city government.

01:02:47 Good.

01:02:48 Oh, excuse me a minute.

01:02:49 Say, you didn't see a girl go anyplace around here

01:02:50 without a slipper, did you?

01:02:51 No, Mr. Drake, I didn't.

01:02:52 Oh.

01:02:53 Be back in a minute.

01:02:54 I never heard of such inefficiency.

01:02:56 Does anybody know who Ted's looking for?

01:02:58 Probably the girl who was singing.

01:03:00 He's certainly in a dither about her.

01:03:01 Well, let's all go up and help him find her.

01:03:03 [music playing]

01:03:06 [chatter]

01:03:09 Did you see that girl with the white wrap?

01:03:26 She looked just like Connie.

01:03:27 But it can't be Connie.

01:03:28 Connie isn't here.

01:03:29 Did that wrap she was wearing have a hood on it?

01:03:31 I don't think so.

01:03:32 Have you seen Ted running around

01:03:33 with that slipper in his hand?

01:03:34 I thought it was yours until I saw how small it was.

01:03:36 It belonged to some new girl somebody no one ever saw before.

01:03:38 And she just ran away with the party.

01:03:40 Nobody's even seen Ted since she sang.

01:03:42 And when she danced, she just closed her eyes

01:03:44 and lost herself in a dream.

01:03:46 Did that girl wear a silver lace dress?

01:03:48 Mm-hmm, very sweet.

01:03:49 Not severe like your black, just girlish.

01:03:51 Do you know her?

01:03:52 I'll tell you later.

01:03:53 Get my wrap, please.

01:03:54 Yes, miss.

01:03:55 We've been waiting for you, miss.

01:03:59 Oh, good.

01:04:00 Oh, tell us about it.

01:04:01 I don't know where to begin.

01:04:02 Did you have any trouble getting in?

01:04:03 You didn't run into Mrs. Clinton and the Brats, did you?

01:04:05 No, no, but I saw them.

01:04:06 You did?

01:04:07 Did they see you?

01:04:08 No, I hid behind a post.

01:04:09 They got in about midnight.

01:04:10 How did you know--

01:04:11 Oh, a little bird told us.

01:04:12 A little bird named Mike.

01:04:13 Did you dance?

01:04:14 Yes, and I sang.

01:04:15 Good for you.

01:04:16 I'll bet they cheered.

01:04:17 Oh, and Mr. Drake--

01:04:18 Oh, so that's the he.

01:04:21 [whistles]

01:04:22 Agnes, it was--

01:04:23 Well, I wouldn't have given to see you.

01:04:24 He was so nice, Agnes.

01:04:25 Oh, don't ask me.

01:04:26 What did you sing?

01:04:27 The Strauss Waltz, you know.

01:04:28 [singing]

01:04:31 [music playing]

01:04:34 [music playing]

01:04:38 [music playing]

01:04:42 [music playing]

01:04:46 I'm working, and you're making noise.

01:04:48 So we'll have to stop the work or stop the noise.

01:04:51 Nobody saw it.

01:04:53 It's my fault, Uncle Jim.

01:04:55 Maybe theirs.

01:04:56 We won't have any more of it.

01:04:57 [clears throat]

01:04:58 Uncle Jim, George told me to be quiet or go to another room

01:05:07 so I wouldn't disturb you.

01:05:09 Have a nice time at the party.

01:05:11 What?

01:05:12 Oh, yes, wonderful.

01:05:13 Dance, don't you?

01:05:14 Uh-huh.

01:05:15 Met some nice people.

01:05:16 Oh, yes, Uncle Jim, very nice.

01:05:18 What did your cousin say to you when she saw you?

01:05:21 Well, I-- I didn't speak to Barbara or Aunt Grace

01:05:24 or Walter either.

01:05:25 Smart girl.

01:05:27 Run up to bed now.

01:05:28 Good night.

01:05:29 Good night.

01:05:30 The family must have stopped someplace on their way.

01:05:33 Yeah, stopped in jail.

01:05:35 Kept them there till midnight.

01:05:36 Should have kept them there longer.

01:05:38 Jail?

01:05:40 What happened?

01:05:41 Don't know.

01:05:42 They called me to get my lawyer.

01:05:44 Couldn't get him.

01:05:45 Couldn't remember his telephone number.

01:05:48 Couldn't even remember his name.

01:05:50 Couldn't remember anything.

01:05:54 I don't understand.

01:05:56 Had a good time, you said.

01:05:58 You knew about Uncle Jason?

01:06:00 I know a lot of things.

01:06:05 I know Evercloud has a silver lining.

01:06:07 They went to jail.

01:06:08 He went to the ball.

01:06:10 Oh, Jim, you--

01:06:12 Car coming up the driveway.

01:06:15 This is all a secret.

01:06:16 Oh, never tell a soul.

01:06:17 Make my life miserable if you do.

01:06:19 Yours too.

01:06:20 It's Barbara.

01:06:21 You better scat.

01:06:22 Good night.

01:06:23 Hurry up.

01:06:31 Hurry up.

01:06:32 The Duchess is coming in.

01:06:33 [door slams]

01:06:34 Are you asleep?

01:06:55 Uh-huh.

01:06:56 The light hurts my eyes.

01:06:59 Just wanted to see that you were in.

01:07:01 I'm in.

01:07:02 I'm in tonight.

01:07:04 Have you been in all night?

01:07:05 What time is it?

01:07:07 You were home all night.

01:07:08 Uncle Jason didn't arrive.

01:07:10 Sorry if I interrupted your beauty sleep.

01:07:13 Oh, that's all right.

01:07:14 [door slams]

01:07:15 So you were at the party, hm?

01:07:35 Yes.

01:07:36 And you sang.

01:07:37 Mm-hmm.

01:07:38 I sang.

01:07:39 Didn't I tell you to stay here?

01:07:41 I didn't want to.

01:07:43 Oh, you didn't want to.

01:07:45 Nope.

01:07:46 I knew Uncle Jason wasn't coming, and I had a chance to go, so I went.

01:07:48 You mean so you sneaked in.

01:07:50 There's nothing you can do or say that could spoil this night for me.

01:07:53 Would it spoil things if I asked how you turned your graduation dress into a Paris creation?

01:07:57 Ollie made it over out of some silver lace I had.

01:08:00 Not that it's any of your business.

01:08:01 And that wrap, I suppose she made that out of a pair of pet ermine she's been keeping all these years.

01:08:06 A friend of mine said I could, uh--

01:08:07 I'm not going to quarrel with you, Barbara.

01:08:09 I'm so sorry I wasn't there.

01:08:10 You must have been wonderful.

01:08:11 Thank you.

01:08:12 Now, if you're through being sarcastic--

01:08:13 Even Ted said he never had so much fun in his life.

01:08:15 He thought you were a nightclub singer pretending to be somebody important, so he decided to play up to it.

01:08:20 It's so funny, Ted.

01:08:22 And his imitation of you dancing with your eyes shut is wonderful.

01:08:25 People just roll on the floor when he does it.

01:08:27 He does it over and over again.

01:08:29 And leaving your slipper, that was so touching.

01:08:31 Ted's going to use it to try and find you again.

01:08:33 He wants to hire you to play the same joke on a friend of his in Boston.

01:08:36 Now, you get out of here.

01:08:37 This is my room.

01:08:38 Oh, you want to be alone.

01:08:39 You have so much to thank me for.

01:08:41 You have so much to think about and so much to dream over.

01:08:43 Get out!

01:08:44 All right.

01:08:45 I'll go down in the kitchen and tell your chums what a success you were.

01:08:48 Good morning, sir.

01:08:59 Morning.

01:09:00 Your orange juice, sir.

01:09:02 Mm-hmm.

01:09:03 Your coffee, black as usual.

01:09:04 Mm-hmm.

01:09:05 Anything else, sir?

01:09:06 Not a thing.

01:09:08 Then this is goodbye, sir.

01:09:10 Going someplace?

01:09:13 I'm leaving, sir.

01:09:15 Miss Barbara sacked the whole staff last night

01:09:17 when she found out we'd helped Miss Connie get to the party, sir.

01:09:20 What?

01:09:21 Oh, that's all right, sir.

01:09:22 Not one of us would have stayed after Miss Connie left.

01:09:25 Connie left?

01:09:30 Bag and baggage, sir.

01:09:32 We wanted her to stay and have a good time.

01:09:34 Bag and baggage, sir.

01:09:35 We wanted her to stay and have a talk with you, sir.

01:09:38 But she said she had made enough trouble.

01:09:40 And didn't leave a note?

01:09:41 She said she'd write to you, sir,

01:09:43 when she was settled and making her own way.

01:09:45 I do think she was trying to make it easier for us all.

01:09:50 Well, I'd like to talk to the other servants, George.

01:09:54 They've been gone hours, sir.

01:09:55 Jimmy!

01:09:56 Oh, Jimmy, you may have to drive me to town.

01:10:00 We have no chauffeur, you know.

01:10:01 Did you know that Connie had left?

01:10:03 Yes, so has everyone else.

01:10:04 No cook, no butler, no maizer.

01:10:06 And you're not with us anymore, are you, George?

01:10:08 No, madam, I'm not.

01:10:09 Such a pity.

01:10:10 You're such a good butler, too.

01:10:11 It was nothing personal, you know, George.

01:10:13 Just a bad constellation for everybody.

01:10:15 It won't happen again.

01:10:17 Connie's a very young girl.

01:10:18 We'll be out on our own.

01:10:19 It's not right.

01:10:20 I'm going to look up a horoscope and find out

01:10:22 what evil influences brought all this about.

01:10:24 And I'm also going to see if it's a good time to employ new people.

01:10:27 You don't have to wait until the stars are all right.

01:10:29 I'm hungry.

01:10:30 The cook has left, Mr. Walter.

01:10:32 Say, Father, can you make coffee?

01:10:34 Do you know that your cousin has left this house?

01:10:41 I only know I'm hungry.

01:10:43 Don't you think we'd better do something practical about Connie?

01:10:55 I'm doing the most practical thing in the world,

01:10:57 checking her complementary influence against Jupiter's emphasis.

01:11:00 Then there's a trend of depression.

01:11:02 That's got to come out.

01:11:04 Jim, what are you doing?

01:11:22 Jim, it's taken me years to work that all out.

01:11:27 I never liked this thing either.

01:11:30 Jim, stop it.

01:11:34 You're losing your mind.

01:11:36 Now you listen to me, gracious youth.

01:11:38 I've had all the twaddle I'm going to have about the heat in the ninth house

01:11:41 and the influence of this and that and Leo being in the library

01:11:44 that I'm going to have.

01:11:45 They only make heat these things.

01:11:47 But if I ever hear another peep out of you

01:11:49 about the sun, the moon, or the stars,

01:11:51 I promise you, brother big and little dipper,

01:11:53 that you'll only be talking about stars

01:11:55 you'll be seeing them.

01:11:57 Now you let the heavens take care of themselves

01:11:59 and you get out on Earth.

01:12:01 Right?

01:12:03 Jim, you're a brute.

01:12:05 Don't flatter me.

01:12:06 I've only just begun.

01:12:08 Father, have you gone crazy?

01:12:10 Oh, you're up.

01:12:11 That's fine.

01:12:12 I was hoping I wouldn't have to go upstairs and pull you out of bed.

01:12:15 Never mind your mother.

01:12:16 Why did you make Connie leave this house?

01:12:17 No, father.

01:12:18 Don't father me.

01:12:19 I know what you did.

01:12:20 And for once in your life, you're going to pay the consequence.

01:12:22 You selfish little dressed up idiot.

01:12:24 Why won't we talk to him like that?

01:12:25 No, we'll stop talking.

01:12:26 You come in.

01:12:27 Father!

01:12:28 You're just a trial and I'm going to treat you like a trial.

01:12:30 What are you doing?

01:12:31 I'm going to--

01:12:32 No.

01:12:33 What are you doing?

01:12:34 [knocking]

01:12:35 What are you--

01:12:36 [screaming]

01:12:39 Help me!

01:12:41 Get out of here!

01:12:43 [screaming]

01:12:45 Get out!

01:12:46 [screaming]

01:12:48 I'll pay you for this.

01:12:50 Oh, no, sir.

01:12:51 This one's on me.

01:12:52 There's one more thing I wanted you to--

01:13:16 Don't you ever do anything but sit sprawled out on that chair?

01:13:19 But father, I have a theory, you know.

01:13:21 Really?

01:13:22 A theory of relaxation.

01:13:23 I worked it all out myself.

01:13:25 In that chair?

01:13:26 Mm-hmm.

01:13:27 It's taken years.

01:13:28 I believe that one, through relaxation,

01:13:30 prolonged and constant, can store up sufficient energy

01:13:33 to surmount any emergency that arises,

01:13:35 where vitality is called for and force is needed.

01:13:39 Simple, isn't it?

01:13:40 Almost too simple.

01:13:41 You see, father, I don't spend energy.

01:13:43 I hoard it.

01:13:44 So, uh, sit on it.

01:13:46 Exactly.

01:13:47 I've already proved that all forms of exercise are wrong.

01:13:50 Say a man gets up in the morning and does his daily dozen.

01:13:53 The first time he stretches, bends over, touches the floor,

01:13:58 he's spent 14 pounds of energy.

01:14:00 Now, to get back to his normal position,

01:14:02 how much do you think he spends?

01:14:04 Uh, from the, uh, position that you were in just now?

01:14:08 Mm-hmm, identical with it.

01:14:10 Just about--

01:14:11 Well, practically none, because I'd help him like--

01:14:14 [thud]

01:14:15 [crash]

01:14:18 Very well bowled, sir.

01:14:20 Now, there's only one more thing we gotta do here,

01:14:23 and that's to find Connie and bring her back here.

01:14:26 Does everybody understand that?

01:14:28 [music playing]

01:14:31 [crash]

01:14:34 This is your station, miss.

01:14:39 Thank you.

01:14:40 [music playing]

01:14:43 [bell ringing]

01:14:46 [music playing]

01:14:49 [knocking]

01:14:52 Oh, Miss Wiggins.

01:14:57 Did you get my telegram?

01:14:59 No.

01:15:00 I meet all the trades.

01:15:01 That's all I have to do.

01:15:02 Did I get your telegram?

01:15:03 Get those bags over here.

01:15:05 It's so quiet and restful here.

01:15:11 It's going through that stage, eh?

01:15:13 Cities are such noisy places.

01:15:15 It's a little dull and full of squealing girls.

01:15:18 Are you surprised that I'm back?

01:15:20 No.

01:15:21 Oh, you must be.

01:15:22 All right, then I will be.

01:15:23 I'm surprised.

01:15:24 Feel better?

01:15:27 I want to teach music.

01:15:28 Most of them want to be missionaries.

01:15:31 Who?

01:15:32 Never mind.

01:15:33 Go on.

01:15:34 You want to teach.

01:15:35 Yes, but I'll have to have more training.

01:15:37 I hope so.

01:15:38 I'd like to get a scholarship at the Teachers

01:15:40 Conservatory of Music.

01:15:42 Mm-hmm.

01:15:44 It's only fair that I tell you why I've made this decision,

01:15:46 Miss Wiggins.

01:15:47 Practiced that little speech on the way up?

01:15:49 Why, I guess I did.

01:15:52 What's that?

01:15:53 I guess I did.

01:15:54 Never mind the rest.

01:15:56 I know the important part.

01:15:57 Your heart's broken.

01:15:58 Your faith's gone.

01:15:59 You want to be independent.

01:16:00 Who told you?

01:16:01 About 40 old maids I know.

01:16:02 It happened to them, too.

01:16:04 Make it 41.

01:16:05 I've forgotten myself.

01:16:08 What's it-- this is so--

01:16:10 well, you don't want to hear about it.

01:16:12 Oh, go on.

01:16:13 I'm just trying to help you.

01:16:14 I'm just trying to help you.

01:16:15 I'm just trying to help you.

01:16:16 I'm just trying to help you.

01:16:17 I'm just trying to help you.

01:16:18 I'm just trying to help you.

01:16:19 I'm just trying to help you.

01:16:20 I'm just trying to help you.

01:16:21 I'm just trying to help you.

01:16:22 I'm just trying to help you.

01:16:23 I'm just trying to help you.

01:16:24 I'm just trying to help you.

01:16:25 I'm just trying to help you.

01:16:26 I'm just trying to help you.

01:16:27 I'm just trying to help you.

01:16:28 I'm just trying to help you.

01:16:29 I'm just trying to help you.

01:16:30 I'm just trying to help you.

01:16:31 I'm just trying to help you.

01:16:32 I'm just trying to help you.

01:16:33 I'm just trying to help you.

01:16:34 I'm just trying to help you.

01:16:35 I'm just trying to help you.

01:16:36 I'm just trying to help you.

01:16:37 I'm just trying to help you.

01:16:38 I'm just trying to help you.

01:16:39 I'm just trying to help you.

01:16:40 I'm just trying to help you.

01:16:41 I'm just trying to help you.

01:16:42 I'm just trying to help you.

01:16:43 I'm just trying to help you.

01:16:44 I'm just trying to help you.

01:16:45 I'm just trying to help you.

01:16:46 I'm just trying to help you.

01:16:47 I'm just trying to help you.

01:16:48 I'm just trying to help you.

01:16:49 I'm just trying to help you.

01:16:50 I'm just trying to help you.

01:16:51 I'm just trying to help you.

01:16:52 I'm just trying to help you.

01:16:53 I'm just trying to help you.

01:16:54 I'm just trying to help you.

01:16:55 I'm just trying to help you.

01:16:56 I'm just trying to help you.

01:16:58 Do you like cats?

01:16:59 No, not much.

01:17:01 You'll get to love them.

01:17:03 They've got sense.

01:17:04 They're like men.

01:17:05 Feed them, pet them, and admire them, and they'll purr.

01:17:09 Every woman wants to make somebody purr.

01:17:12 You want to lock yourself up in a world of women.

01:17:14 A little world, a sheltered world.

01:17:16 A useless, polite, frightened world.

01:17:18 Miss Wiggins, I'm not a child.

01:17:20 I know what I want to do.

01:17:21 Work and support myself and not depend on other people for happiness or anything else.

01:17:26 All right.

01:17:28 Where's your diploma?

01:17:30 I'll have to send it along with the application for the scholarship.

01:17:34 It's right here.

01:17:37 There's a teacher's powwow here on the 6th.

01:17:42 They'll be here from all over the state.

01:17:45 They'll have to line up some votes for you while they're on the ground.

01:17:48 Here's a list of credits.

01:17:50 Hmm.

01:17:51 Pretty separate.

01:17:52 The other one, I suppose, is the one Mr. Blake had.

01:17:55 Mr. Drake.

01:17:56 What you keeping it for?

01:17:58 Just having to pack it.

01:17:59 Something to cry into 20 years from now?

01:18:02 Ready to get rid of it.

01:18:04 Now you will sing at that meeting,

01:18:10 show them a sample of what you know about music,

01:18:12 have them make up their minds right away.

01:18:14 Oh, thank you.

01:18:15 That'll be marvelous.

01:18:16 It'll be terrible, but I'll do it.

01:18:18 You'll get a new dress for it.

01:18:20 I'll have all the girls go to the auditorium

01:18:22 so you'll have an audience.

01:18:24 And you'll sing something that'll be effective.

01:18:26 The spring song.

01:18:27 No, not the spring song.

01:18:29 One Fine Day, Butterfly by Puccini.

01:18:32 Know it?

01:18:33 Yes.

01:18:35 We'll have to work on it.

01:18:37 I'll make them all cry.

01:18:39 All the old maids will sniffle.

01:18:41 You know, one fine day he'll come back to me.

01:18:44 Oh, but I...

01:18:45 I'll make sure he comes back.

01:18:47 Oh, but I'd rather...

01:18:50 Rather what?

01:18:52 Couldn't I sing something else?

01:18:54 Why?

01:18:55 I don't think it's a good idea to make them sad.

01:18:58 Make you sad to sing it?

01:19:00 No, not me.

01:19:02 You just said it'd make them cry.

01:19:04 Old maids are only happy when they cry.

01:19:06 You'll find that out.

01:19:08 Miss Wiggins, we just heard the countess...

01:19:12 Oh, hello, Connie.

01:19:13 Good to see you.

01:19:14 Good to see you.

01:19:16 Come on, all of you.

01:19:17 Stop that chattering.

01:19:18 Come on.

01:19:19 Why didn't you go with Connie?

01:19:28 Oh, I don't know her.

01:19:29 I just came in to see if you'd mark the cuts and his orchestration for me.

01:19:32 Irene told me to...

01:19:33 I'll fix it.

01:19:34 You will?

01:19:35 Oh, thanks a lot, Miss Wiggins.

01:19:36 Goodbye.

01:19:37 I said I'll fix it, didn't I?

01:19:43 Goodbye.

01:19:45 [music playing]

01:19:48 [singing]

01:19:51 Why and why at his face you are looking?

01:20:00 Hear me.

01:20:09 One fine day we'll notice a thread of smoke arising on the sea

01:20:25 in the far horizon.

01:20:30 And then the ship appearing, then the trim white vessel

01:20:44 glides into the harbor.

01:20:52 Thunder's forth and far-off.

01:20:58 See you?

01:21:03 Now he is coming.

01:21:08 I do not go to meet him.

01:21:15 Not I. I stay upon the brow of the hillock

01:21:24 and wait there and wait for a long time,

01:21:32 but never weary of the long waiting.

01:21:42 From out the crowded city there is coming

01:21:49 a little, a little spade in the distance, climbing the hillock.

01:22:03 Can you guess who it is?

01:22:09 And when he's reached the summit, can you guess what he'll say?

01:22:16 He will call Butterfly from the distance.

01:22:24 I, without answering, hold myself quietly concealed,

01:22:30 a bit to tease him, and a bit so as not

01:22:38 to die on earth as a beauty.

01:22:45 And then a little troubled he will call, he will call,

01:22:54 dear baby wife of mine, dear little orange blossom.

01:23:02 The names he used to call me when he came here.

01:23:11 This will all come to pass as I tell you.

01:23:16 Then he shall know nothing, but he shall return, he shall return.

01:23:33 [music]

01:23:39 [music]

01:23:45 [music]

01:23:51 [music]

01:23:57 [music]

01:24:03 [music]

01:24:09 [music]

01:24:15 [music]

01:24:21 [music]

01:24:29 you

01:24:31 [BLANK_AUDIO]

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