La Promesa Episodio 360 Completo - La Promesa Capitulo 360 Completo - La Promesa RTVE Serie

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La Promesa Episodio 360 Completo - La Promesa Capitulo 360 Completo - La Promesa RTVE Serie

La Promesa Episodio 360 Completo: https://dai.ly/x8yuc6e
La Promesa Capitulo 360 Completo
La Promesa Capitulo 360
La Promesa Episodio 360 La Promesa Episodio Completo
La Promesa 360 Completo
La Promesa Completo
La Promesa RTVE
Transcript
00:00:00I'm going to accept the job offer, so you have the new personal maid of the Duchess of Abronten ahead of you.
00:00:11What have you told them?
00:00:12The pure truth.
00:00:13A bunch of lies is the only thing you can tell.
00:00:16You are a liar and you can see it.
00:00:19My father does it on purpose to give me the hardest and most complicated tasks.
00:00:23Well, if that's the case, it's something very serious.
00:00:26Look, don't give me that sword. You know perfectly well that all my problems in the past have to do with you and your supposed honesty.
00:00:32You told me you didn't start off on the right foot with the captain.
00:00:35I'm afraid I made it easy for him to refuse when I asked him to give me back the money for the weapons.
00:00:40Pack your things and get out of this palace. From now on, you are no longer here.
00:00:44Fate, by accident, put us in front of each other.
00:00:48And I only have one thing clear, that I want to spend the rest of my life with you.
00:00:52I'm leaving tomorrow, almost dawn, when everyone is asleep.
00:00:55Please, Manuel, please. Promise me you'll talk to him and you won't let him go.
00:01:00But Manuel, life is not a game anymore.
00:01:03What do you mean?
00:01:04That we can't turn our backs on that war.
00:01:07Hanna, I've made one of the most difficult decisions of my life. I'm also going to war.
00:01:17Martina asked me to talk to Curro and to get the idea of going to war out of his head.
00:01:23Martina?
00:01:24Yes.
00:01:26And I've tried, Hanna.
00:01:30I've tried, but it's impossible.
00:01:33Manuel, but I don't understand.
00:01:35I don't understand how you can try not to go to war and end up getting yourself involved.
00:01:41Precisely.
00:01:42Precisely what?
00:01:44It's crazy and you know it.
00:01:46And since you can't stop it, you decide to add to his mess too.
00:01:50Hanna, what can I do?
00:01:52I don't know.
00:01:54But you don't.
00:01:57Hanna.
00:01:59Manuel, for God's sake, how are you going to go to war too?
00:02:02It's not enough for Curro to go, you have to go too.
00:02:06Hanna, it's the only way I have to protect him.
00:02:09To protect him?
00:02:13My cousin is a cannon fodder.
00:02:15And he knows it.
00:02:17But he still wants to go forward.
00:02:20He thinks he's doing the right thing.
00:02:24And if I can't avoid it, at least I have to be with him.
00:02:28Accompany him.
00:02:30Protect him.
00:02:37If there's a way for my cousin to come back safe and sound, it's this.
00:02:41It's me.
00:02:45You could also die, Manuel.
00:02:49But I have to do it.
00:02:52I feel that if I don't do everything I can to protect my cousin from death,
00:02:56and this one ends up coming, it's as if I had killed him myself.
00:03:03I know you don't understand me.
00:03:05Of course I understand, but it still hurts, Manuel.
00:03:11The only thing I can do right now is to accompany him and protect him within my possibilities.
00:03:18Keep him away from the first line of fire, and when I have the chance, bring him back.
00:03:23But you don't even know if you're going to be together or not.
00:03:26I'll do everything in my power to make it happen.
00:03:34I can't believe you told him about all this.
00:03:42I made him believe that his approach was irrefutable and that...
00:03:46I felt obliged to follow his example.
00:03:51That I couldn't allow the scale to tilt to the wrong side.
00:03:56And you think he believed you?
00:04:01All I know is that he feels...
00:04:04I think more relief for not going to war alone.
00:04:16I'm sorry.
00:04:19I know.
00:04:24I hope you understand my reasons.
00:04:28The reason behind it, and I feel I have to postpone our wedding.
00:04:31Forget about that, Manuel.
00:04:35All I want you to think about is surviving and getting both of them back safe and sound.
00:04:41Because if they kill you, I won't be able to bear it.
00:04:46Of course I'm going to come back.
00:04:49And I'm going to do it because my love for you is so strong, Hanna.
00:04:53What's going to make me come back so I can marry you?
00:04:56Don't talk nonsense, please.
00:05:16I love you.
00:05:28I need you to keep this a secret.
00:05:32My family can't find out.
00:05:36If they find out, they'll find out no matter what.
00:05:39I can't even imagine what will happen if they find out that I'm going too.
00:05:43Manuel, you can't hide something like this from your parents and your brother.
00:05:49I'll leave them a note.
00:05:54Don't cry. Don't be sad.
00:05:58Please.
00:06:13I love you.
00:06:43I love you.
00:07:13I love you.
00:07:16I love you.
00:07:19I love you.
00:07:22I love you.
00:07:25I love you.
00:07:28I love you.
00:07:31I love you.
00:07:34I love you.
00:07:37I love you.
00:07:40I love you.
00:07:43I love you.
00:07:51What is clear is that if someone can do something, it is my brother.
00:07:54Curro has always loved him very much and has greatly respected his opinion.
00:07:58God bless you, niece. Give Manuel the gift of persuasion.
00:08:01Or enlighten Curro because that boy has lost his mind.
00:08:07How can I help you, ma'am?
00:08:10Nothing, Maria.
00:08:12He doesn't understand.
00:08:13Yes, they told me they sent me a call.
00:08:15Yes, it's true, but we don't want anything from you.
00:08:19We thought that instead of asking you for everything, as always,
00:08:22it made more sense for us to give you something this time.
00:08:27As a farewell, you know?
00:08:33Not much.
00:08:36We wanted to thank you for how well you have served us all this time.
00:08:42We didn't want you to leave without knowing that we are going to miss you a lot.
00:08:46And your joy, and your gossip, and your advice ...
00:08:49Your advice, well ...
00:08:51But your joy and your gossip, yes.
00:08:54I'm sure that if Leonor were here, she would also like to show you her gratitude.
00:08:59Your sister has always been very generous with me.
00:09:02All of it. I envy her.
00:09:07To me?
00:09:08What do you think?
00:09:11Thank you very much.
00:09:13But, woman, open it.
00:09:15Yes.
00:09:21Some pearls.
00:09:23Well, it looks like you like them, yes.
00:09:25I'm not going to like them.
00:09:27If I could buy something like that in life ...
00:09:31Good luck.
00:09:32And have a good time at the Duke's house soon.
00:09:35Thank you very much, miss.
00:09:38Good luck.
00:09:39Good luck, Maria.
00:09:41Thank you very much.
00:09:43And you know, if you feel nostalgic, you can always come back.
00:09:46I'm sure we'll make room for you.
00:09:48Thank you, miss.
00:09:51Well, I'm going to put them on you. Let's see how they are.
00:09:56And well, Mrs. Marquesa also wanted to come say goodbye to you.
00:10:00The thing is, she said she was very busy.
00:10:02And that we would send you a hug on her behalf.
00:10:05What a detail.
00:10:07Yes, a whole detail on her behalf.
00:10:12What's going on?
00:10:14Well, it's not true, Maria.
00:10:16The Marquesa was not busy.
00:10:18Cruz has simply considered that she did not have to be here.
00:10:21We will not miss her either.
00:10:24I'm not going to say no, because I'm still at your service.
00:10:27We can imagine.
00:10:29Well, you look beautiful.
00:10:32Thank you very much, Atre.
00:10:34Don't mention it.
00:10:36Well, I think so.
00:10:39And now, if ...
00:10:41If you don't need anything else ...
00:10:44Yes, I'm sure you have a lot of work.
00:10:47And a lot of desire to cry too.
00:10:51Excuse me.
00:11:02Look, let's see, these are ...
00:11:04The indisposition of Miss Tabrada has generated these chain changes,
00:11:08only marked in red.
00:11:10All that is very good, Mr. Baeza.
00:11:12But Mrs. Darre should not be here to take care of her part of the job.
00:11:16Mrs. Darre is taking care of another matter.
00:11:18I see.
00:11:19Let me imagine, and that matter has a lot to do with it.
00:11:22That is irrelevant, Mr. Arcos.
00:11:24Mrs. Darre has consulted Mr. Pellicer and me.
00:11:27We have agreed, right, Mr. Pellicer?
00:11:30Yes, Mr. Baeza.
00:11:31I see.
00:11:32But in any case, none of those changes should affect me.
00:11:35And why is it a three rule, Mr. Arcos?
00:11:38You know perfectly well, Mr. Baeza.
00:11:40I only take care of the needs of Mrs. Marquesa.
00:11:43Look, every rule has an exception.
00:11:45And you're going to have to fix your shoulder.
00:11:47It will happen.
00:11:49Because if I don't shut up, Lenin ...
00:11:51And who has given you a candle in this matter, Mrs. Marquesa?
00:11:55And who has given you a candle in this matter, this woman?
00:11:58Please, Mrs. Arcos, behave.
00:12:00We've already talked about it.
00:12:02And him?
00:12:11Well, Mrs. Darre.
00:12:12I'm glad you can give us a little of your time, even if it's just to say hello.
00:12:17Anyway, I'm sorry to interrupt you.
00:12:19I wanted to tell you that Diego is much better now.
00:12:23And that I'm taking him back to Beni's house.
00:12:27He already has the same face as always.
00:12:29Yes.
00:12:30Well, I'm taking him now.
00:12:31The truth is that this pothead entertains anyone, even asleep.
00:12:34Blessed entertainment.
00:12:36And first of all, I wanted to ...
00:12:38I wanted to thank you all.
00:12:40From the bottom of my heart.
00:12:42For having helped me so much.
00:12:44All these days.
00:12:46And you, Mrs. Arcos.
00:12:48I hope you don't get too irritated.
00:12:50Because finally everything went well.
00:12:52I'd say goodbye.
00:12:53But sleep.
00:12:55Goodbye.
00:13:00Wow.
00:13:01Here everyone goes to the glory of maintaining discipline.
00:13:05But when I lack respect, he looks the other way.
00:13:08Seriously, Mrs. Arcos?
00:13:10You have been trying to kick that boy out of the palace for days, despite his condition.
00:13:15And you have the audacity to recriminate the lady, to give her nothing.
00:13:19Didn't your comment, Mr. Baeza, go with bad faith?
00:13:23And if it has been short, you have been lucky.
00:13:26That the reaction of the lady has been simply a comment in bad faith.
00:13:31You're not insinuating that I would justify any action against me, are you, Mr. Baeza?
00:13:36No, of course not.
00:13:38But let me tell you that I'm finally going to talk to Mrs. Marquesa about your behavior.
00:13:46And now let's go back to the paintings.
00:13:49Let's go.
00:14:00What I see is almost a smile.
00:14:03Well, I'm happy.
00:14:06I managed to get the money back from the guns, but I admit that I didn't have much hope either.
00:14:12Which shows that you are not completely stupid.
00:14:15I'll keep Seba from the promise.
00:14:17I think his departure is a blessing for the future of all of us.
00:14:20Of course.
00:14:22Evil moves away from the palace like a dark shadow and the empire of goodness begins.
00:14:27Anyway, I wish you good luck with Pelayo and with your flourishing jam business.
00:14:32Stop being mean, man.
00:14:34You have won this ending yourself.
00:14:36Do you think so?
00:14:37Yes, I am convinced.
00:14:40Well, you see, I'm going to tell you something that I shouldn't tell you because I don't gain anything from it.
00:14:45But so you can see that I'm not so bad after all.
00:14:50Thank you very much.
00:14:52Catalina, you don't know the people you have closer to you.
00:14:55And that's what you tell me without having to tell me?
00:14:58What I'm telling you is that the Count of Añil, your Pelayo, gave me money, indeed.
00:15:04But it was a smaller sum compared to what he won with the guns business.
00:15:08Jerónimo also took his share.
00:15:10I'm not talking about Jerónimo.
00:15:13What I'm telling you is that Pelayo gave the rest of the money to Cruz.
00:15:19That's impossible.
00:15:21Why would he do something like that?
00:15:23Who knows?
00:15:25I guess he would have a good reason to do it.
00:15:28And not to tell you.
00:15:42I need you to help me.
00:15:44I need you to do a little miracle.
00:15:48But it's so small that it's not even a miracle.
00:15:52I'm asking a little.
00:15:56It's a little what I ask of you.
00:15:58Please.
00:16:03What's wrong with you, girl?
00:16:12No.
00:16:17It's for me.
00:16:20Look, you think that even if I break my promise, you and I will continue to be friends.
00:16:27That what's ours is forever.
00:16:29No.
00:16:31I'm telling you yes.
00:16:33It's not for you, Maria.
00:16:36I didn't mean to say that I'm not sad because you're leaving.
00:16:39I know, silly.
00:16:41It's for work, isn't it?
00:16:43Neither.
00:16:45No.
00:16:46That's why I didn't expect it.
00:16:48And it's to be scared.
00:16:50Because if your best friend leaves and your only brother goes to war too,
00:16:55and you're like this, it must be very serious.
00:17:02I don't know what to say either.
00:17:07It's for Manuel.
00:17:08What?
00:17:12It's for Manuel.
00:17:15What has he done?
00:17:17He hasn't done anything to me, but ...
00:17:20He has decided to go to war with Curro.
00:17:23What?
00:17:24But what about the wedding?
00:17:26Wasn't he desperate to get married?
00:17:29What a shame.
00:17:31Do you know what happened to her?
00:17:33That she got into a fight at the wedding and wants to get out of the way anyway.
00:17:37What are you saying, Maria?
00:17:38She's not afraid of the wedding.
00:17:40That's very strange.
00:17:42Maria, how is she going to be more afraid to marry me than to go to war?
00:17:45I don't know, ask him.
00:17:47Let's see if he answers you.
00:17:50Manuel wants to go to war because ...
00:17:53Because he is convinced that without Curro's help he would not be able to live for two days.
00:17:58And deep down I think the same.
00:18:06And then what?
00:18:08Well then, now you can have the wedding and ...
00:18:12And I accept it.
00:18:16You accept it, but look at yourself.
00:18:19Because I accept it, but I'm devastated.
00:18:24Do you know what happens?
00:18:25That maybe that damn war, which neither goes nor comes, makes me lose both of them.
00:18:31But I can't say anything to Manuel either, because he's right.
00:18:34Maybe the only way for Curro to survive is for Manuel to be there.
00:18:48I guess it would be better if I told him that he is my brother.
00:18:52Well ...
00:18:54Don't worry, Hanna.
00:18:57I don't think you're in a position to decide that now.
00:19:00Maria, I think it's for the best.
00:19:01No, Hanna, no.
00:19:02I don't think so.
00:19:04Why not?
00:19:05Why not?
00:19:07How are you going to tell Manuel that Curro is your brother?
00:19:09You would make everything much more difficult for him.
00:19:11It would be difficult, why?
00:19:12Because you would put more pressure on him, Hanna.
00:19:14And if he has been able to forget himself, he will go to protect Mr. Curro, who he will not be,
00:19:18knowing that he is your brother.
00:19:21He is capable of not sleeping in the trenches, just in case.
00:19:29So you think it's better if I don't tell him now?
00:19:32Of course not.
00:19:36Hanna, in the end, it's a war.
00:19:40And everyone says that wars are scary.
00:19:43The first one saved me.
00:19:47So if you tell him that, he won't have the head he needs.
00:19:52And he's going to be asking himself a thousand questions.
00:19:54And who's going to be there to answer them?
00:19:56Mr. Curro?
00:19:58Why not you?
00:20:00With everything you've been through, I think you have to be the one to tell him everything with hair and signs.
00:20:08Do you understand what I mean?
00:20:10Perfectly.
00:20:14And I think you are very much right, but ...
00:20:19I don't know what to do.
00:20:23Hey, yes.
00:20:26First dry those tears.
00:20:30Second, adjust yourself, you have a lot of hair here.
00:20:35Get dressed.
00:20:37And let's go to the service area.
00:20:39Before Mr. Pellicer or Mrs. Pia scold us.
00:21:00I didn't know he was leaving.
00:21:04I have things to solve far from here.
00:21:07Anyway, it's a shame not to be there when you go to the front.
00:21:10Whenever it is, because you are taking everything with a secrecy.
00:21:13Don't worry.
00:21:14We both know that his farewell is not going to be very affectionate.
00:21:17You're right.
00:21:18As your cousin Catalina says,
00:21:20an old dog does not learn new tricks.
00:21:26What I did want to ask you is that ...
00:21:28you were consistent with your decision.
00:21:31What do you mean by that?
00:21:32That once in front of you you behave like a man.
00:21:36That you don't make a fool of me.
00:21:39You have embarrassed me enough throughout your life.
00:21:44Captain.
00:21:47Despite everything,
00:21:48and as this may be the last time I see him,
00:21:51I have proposed not to leave things pending.
00:21:54So I want him to know that I forgive him.
00:21:57That you forgive me.
00:22:02Boy, good luck at the front.
00:22:05You will need it.
00:22:11Anything else?
00:22:13Well ... no.
00:22:15That's all for now. You can leave.
00:22:23Is there something that worries you, Mr. Romea?
00:22:25Well, yes.
00:22:26The truth is that yes, Mr. Pellicer.
00:22:29I would like to talk to you about a matter ...
00:22:32that I think you won't like too much.
00:22:34Well, it doesn't matter. If it's important, it's important.
00:22:36It is. It is.
00:22:39It has to do with your son, sir.
00:22:44What is it about?
00:22:47He's harassing one of the girls.
00:22:50Vera.
00:22:51He doesn't leave her alone, sir.
00:22:53And ...
00:22:54I thought you might want to know,
00:22:56and not just because he's the mayor.
00:22:58No.
00:23:00You have done well, Mr. Romea.
00:23:03I gave you my word that ...
00:23:05I will take action on the matter immediately.
00:23:08Thank you for your concern.
00:23:09You're welcome, sir.
00:23:23Manuel, tell me ... tell me you got it, please.
00:23:25Tell me.
00:23:26Not at all.
00:23:27What do you mean, not at all?
00:23:28Martina, Curro is very convinced of going to war.
00:23:31Manuel, don't tell me ...
00:23:32No.
00:23:35He is convinced, but not everything is lost.
00:23:39I don't understand.
00:23:43Trust me.
00:23:44What do you mean, I trust you?
00:23:45Are you telling me that you still want to go to the war?
00:23:47No.
00:23:48I don't want to go to the war.
00:23:50Trust me.
00:23:51What do you mean, I trust you?
00:23:52Are you telling me that you still want to go to the war?
00:23:53I know what I'm telling you.
00:23:55But ...
00:23:56Everything is under control.
00:23:58Manuel.
00:24:02Martina, I have given you my word.
00:24:06I will not allow anything bad to happen to Curro.
00:24:10Is that clear?
00:24:12What ...
00:24:13What do you mean by that?
00:24:17Simply what I told you.
00:24:21Are you hiding something from me?
00:24:24Martina, I can't tell you.
00:24:26Yes, yes, you can tell me.
00:24:27You will find out when the time comes.
00:24:29That's not fair, tell me ...
00:24:34Is everything okay?
00:24:39What a question for the situation we are in, right?
00:24:43Well, yes.
00:24:44I wish something was right at the moment.
00:24:48Well, neither.
00:24:49But there are news that last less than others.
00:24:54What?
00:24:56Uncle Lorenzo has finally left the promise.
00:24:59Never a visit if he had made me so long.
00:25:02Well, yes, I'm also glad he left.
00:25:04It is obvious that this man is not clean wheat.
00:25:09Even so, I would have liked to say goodbye to him.
00:25:13It is not good to leave unfinished business.
00:25:16What do you mean?
00:25:21To what I said.
00:25:23That I would have liked to say goodbye to him.
00:25:26You never know when you will see someone again.
00:25:29And in the end, family is family.
00:25:33Yes.
00:25:41Sister.
00:25:43I love you very much.
00:25:48And you too.
00:25:52Both are very important to me.
00:25:56And I would not like you to waste your life with absurd grudges or revenge.
00:26:02Agree?
00:26:05You are very strange.
00:26:13I don't know why you say it.
00:26:16So emotional, so cryptic, so attentive.
00:26:20Yes.
00:26:21Is something wrong?
00:26:25The thing is that he has not managed to convince Curro not to go to war.
00:26:30Or yes, I don't know, why don't you tell me?
00:26:33How?
00:26:35You will find out at the right time.
00:26:37And why?
00:26:39I can't tell you anything at the moment.
00:26:43But ...
00:26:45I can ask you for a hug.
00:26:50Come on.
00:27:12Are you going to ask me why I asked you to come?
00:27:14You are going to tell me anyway.
00:27:18Sit down.
00:27:19I'm fine like this.
00:27:34I have known about your abusive and indecorous behavior towards one of the maids, Vera.
00:27:39As you say.
00:27:41And can you tell me who told that bitch?
00:27:43That is insignificant.
00:27:45The point is that from now on you are going to forget about that girl.
00:27:51You are going to leave her alone and this is an order.
00:27:54And if you don't accept it, I will have to take retaliation against you.
00:27:58It's an order.
00:27:59That's what I said.
00:28:01And can you tell me who you are to give me orders?
00:28:03From now on I am your superior.
00:28:04And also your father.
00:28:06The point is that I do not recognize his authority for one reason or another.
00:28:12As a father, because he never exercised.
00:28:14And as a superior, because I came here answering a call from Mr. Baeza.
00:28:18So he is the only superior I can answer to.
00:28:20And if he has a problem, I can leave the promise.
00:28:22I can find a better job with just snapping my fingers.
00:28:26You are presumptuous.
00:28:27Who do you think you are?
00:28:28I know very well who I am.
00:28:29No, you don't know.
00:28:30I'm going to tell you who you are.
00:28:32You are a despicable moron who barely knows how to do anything.
00:28:35And you are so ignorant that you are unable to know how far your incompetence goes.
00:28:40It's not bad at all.
00:28:42But you win.
00:28:44You are the worst father and the worst superior I have ever seen.
00:28:48Mrs. Arcos is right and sooner or later we will all know your impudence.
00:28:52Shut up.
00:28:53It's another order.
00:28:55And who gives it to me?
00:28:56The father?
00:28:57Or the superior?
00:28:58I don't care.
00:28:59Because I will not obey in any of the cases.
00:29:03Come on.
00:29:05Hit me.
00:29:07Hit me.
00:29:17You are a coward.
00:29:29You are a coward.
00:29:50You seem happy.
00:29:51Yes.
00:29:52And for a good reason.
00:29:54The captain of the Mata, my dear uncle Lorenzo, left this afternoon of the promise.
00:29:58Isn't it great news?
00:30:00It's great news.
00:30:03That man has only harmed us and hindered us in the business.
00:30:06Without him, everything will go much better for us. You'll see.
00:30:08I think so too.
00:30:10This deserves a toast. Wait.
00:30:14Before he left, he told me something that ...
00:30:17It's hard for me to believe.
00:30:19What did he say now?
00:30:22Again with his riddles that you were going to hang yourself?
00:30:24No, this time it was much more direct.
00:30:26He told me that with the arms smuggling you had to earn a lot more money.
00:30:31Much more than you gave him or Jerónimo.
00:30:33Sure.
00:30:34And where is that money? Because I don't have it.
00:30:36He also says you don't have it.
00:30:38That's why I'm telling you ...
00:30:39He says you don't have it because you gave it to Cruz.
00:30:44But that's not true, is it?
00:30:51Pelayo.
00:30:52Pelayo.
00:30:55That's not true, is it?
00:31:05More lies?
00:31:07Why?
00:31:09What do you owe Cruz?
00:31:11What are you hiding from me?
00:31:12Can I explain it to you?
00:31:13No, I don't want you to explain anything to me anymore.
00:31:14Give me a chance to clarify things.
00:31:16I promise you that this time I will be honest with you.
00:31:18This time? This time, Pelayo?
00:31:19And what is the good time?
00:31:21There can't be more times. Do you understand?
00:31:23Listen to me, Catalina. Now you're angry.
00:31:25I understand that ...
00:31:26No, you're wrong.
00:31:28I'm not sad or angry.
00:31:31I'm disappointed.
00:31:34You lied to me again.
00:31:37And that was the worst thing you could do to me.
00:31:39In fact, it was the only thing you couldn't do to me.
00:31:49How could I be so stupid?
00:31:52How could I trust you again?
00:31:56Give you another chance?
00:32:00My father warned me against you.
00:32:03My aunt Margarita warned me against you.
00:32:06And they were right.
00:32:09And what had to happen has happened.
00:32:11That you would deceive me again.
00:32:13You're not going to let me explain, are you?
00:32:14No, no.
00:32:16Besides, why?
00:32:17Why?
00:32:19Even if I let you explain, I'm not going to believe you.
00:32:21Do you understand?
00:32:24Your word is worthless, Pelayo.
00:32:47I love you.
00:32:57I'll help you.
00:33:10You know,
00:33:13I just have to close my eyes
00:33:16and I remember perfectly the first time you got on the plane.
00:33:25You seemed calm, but
00:33:28I knew you'd be scared just waiting.
00:33:31I wasn't scared.
00:33:32No.
00:33:34And you were happy.
00:33:37And that day you fell in love with me, didn't you?
00:33:41No.
00:33:43I fell in love with you the first time I saw you.
00:33:48But yes,
00:33:50that day I surrendered at your feet.
00:33:54It was wonderful.
00:34:13I'm sorry about before.
00:34:18It's okay.
00:34:21It's natural for you to take it that way.
00:34:24I shouldn't have left you with the word in my mouth, but
00:34:27I was so disgusted that I couldn't help it.
00:34:30I'm sorry.
00:34:32I'm sorry.
00:34:34I'm sorry.
00:34:36I'm sorry.
00:34:38I'm sorry.
00:34:40I'm sorry.
00:34:42I'm sorry.
00:34:44Hanna, I understand.
00:34:48It was just my first reaction.
00:34:54So now you want to get rid of me?
00:34:58Don't be stupid.
00:35:01I've had time to
00:35:04think about your decision and
00:35:07although it hurts to be without you,
00:35:10I think I can understand it.
00:35:13I'm sorry.
00:35:16I didn't expect that.
00:35:18I hope you understand.
00:35:21And don't ask me to stay.
00:35:26I'm asking you out loud,
00:35:28even if you don't hear me.
00:35:32But I don't want to make it harder for you.
00:35:37Thank you.
00:35:39Because God is helping me to separate from you.
00:35:46I will be waiting for you
00:35:49until the day you come back.
00:35:53And I will pray for you
00:35:55so that nothing bad happens to you.
00:35:59And also for
00:36:01poor Mr. Curro.
00:36:08Thank you.
00:36:19How are you going to tell Manuel that Curro is your brother?
00:36:22It would make everything much more difficult.
00:36:34Listen to me.
00:36:36I promise you
00:36:39that I will come back before you can miss me.
00:36:43Don't promise me things you can't keep.
00:36:52Then I promise you
00:36:55that when I come back, we will get married.
00:36:59Yes.
00:37:02And something tells me that we will be happy.
00:37:06Very happy.
00:37:09Like the stories.
00:37:29I will write to you when I can.
00:37:30And I will keep you informed of our situation.
00:38:00I love you.
00:38:18It's normal that it's hard for you, Maria.
00:38:20But the opportunity is worth it.
00:38:22Being a personal maid of a duke is not easy.
00:38:26So I hope that
00:38:28the next time we see each other
00:38:30you will be willing to give me your word.
00:38:33I'm not promising you anything.
00:38:37And that hand?
00:38:39So you can kiss it.
00:38:42Come on.
00:38:48Teresa, thank you very much for your advice.
00:38:52You're welcome.
00:38:54Yes, you are.
00:38:56Because
00:38:58without you, I wouldn't have gathered the courage
00:39:01to accept that job offer.
00:39:03I'm sure you would, Maria.
00:39:05Don't believe you.
00:39:07I was very sorry to be separated from all of you,
00:39:10from Salvador.
00:39:12But
00:39:14after talking to you,
00:39:16I realize that I have nothing to lose.
00:39:18On the contrary.
00:39:21And the point is that you're going to do it, right?
00:39:24I mean...
00:39:27Maria, I wanted to ask you to...
00:39:30to please write to me.
00:39:33You know that I'm still
00:39:35a little dizzy.
00:39:37My girl.
00:39:39Don't worry, I'll be fine.
00:39:41But if you tell me all the beautiful things that happen to you,
00:39:45somehow it will be like...
00:39:48as if I could also live them a little.
00:39:51And so I can also get out of this palace
00:39:55that so much misfortune has brought me.
00:39:57But don't worry,
00:39:59I won't stop writing to you and telling you absolutely everything.
00:40:02Well, you write to me.
00:40:04Of course I'll write to you.
00:40:28Do you want some?
00:40:45What did Norberto tell you about me?
00:40:51You know too much.
00:40:53He told us
00:40:55many things and...
00:40:57and many very horrible things.
00:41:01But I'm not someone to judge you, daughter.
00:41:04And I have no intention of doing so.
00:41:08I just ask you to
00:41:10gather enough courage
00:41:12to tell me what happened.
00:41:22It's true
00:41:24that Adolfo
00:41:27my husband
00:41:30died in that unfortunate accident I already told you about.
00:41:37But not my son.
00:41:41My son survived.
00:41:45But I was dragging a very big sorrow, mother.
00:41:48I couldn't with the pain.
00:41:52And...
00:41:54and he gave me to drink.
00:41:57He was the only one who gave me a little peace and made me sleep.
00:42:01That in those days he was the only one who sought
00:42:04to sleep and not live with that pain.
00:42:08How horrible.
00:42:11More and more.
00:42:15I couldn't take care of my son
00:42:19nor of myself.
00:42:22I was without money and...
00:42:23and...
00:42:26and when I gathered four dogs
00:42:29I drank them, mother.
00:42:32I drank them, my poor child.
00:42:47I ended up...
00:42:53I ended up working in a brothel.
00:42:58I think it was the only place where they didn't care if it was a dump.
00:43:03I think they even preferred it.
00:43:07I didn't like that, mother.
00:43:10On the contrary, I hated it.
00:43:13But...
00:43:15it's curious
00:43:17because the pain I lived there
00:43:20was like...
00:43:23the pain I felt for my husband's death was more bearable.
00:43:30It must have been horrible.
00:43:37My in-laws found out what was happening
00:43:42and they came to look for their grandson.
00:43:48I...
00:43:49I...
00:43:52I let them take him, mother.
00:43:55It was the best thing for Adolfito.
00:44:05What happened next?
00:44:09I went from bad to worse, mother.
00:44:12Until I hit rock bottom.
00:44:15And then?
00:44:17I think I would have ended up dead sooner rather than later.
00:44:24I was almost no longer a person. I don't know how to put it.
00:44:28As if I had nothing left.
00:44:31As if you didn't have an identity.
00:44:34Something like that.
00:44:38But then he came.
00:44:41Antoñito.
00:44:44My soul brother.
00:44:47And he got you out of there.
00:44:50He got me out of there and saved my life.
00:44:54He sheltered me in his house
00:44:56and helped me be myself again.
00:44:59Be myself again.
00:45:02I wanted to find a job
00:45:05to have a dignified life
00:45:07and be able to bring Adolfito back.
00:45:10But my son's thing is about to come.
00:45:12Is that what he told you about me, Norberto?
00:45:42No.
00:45:52I have to apologize to you, daughter, because
00:45:56I didn't know any of this.
00:45:58And I figure
00:46:00I've had to be very unfair to you more than once.
00:46:03No, no, no. I think it's the opposite, mother.
00:46:06I've been unfair to you.
00:46:09Forgive me if I didn't know how to love you properly.
00:46:13Don't even think about apologizing.
00:46:17I love you.
00:46:20And I'll always be here
00:46:22to help you.
00:46:30Father.
00:46:32Father.
00:46:40At least you can now discard Miss Blanca, ma'am.
00:46:43What do you mean, at least? That's not even better.
00:46:46I have nothing now, Petra.
00:46:48See?
00:46:50See what?
00:46:52It's the only way to see it.
00:46:54Or don't you get it?
00:46:56I'm more and more exposed to my son suddenly showing up
00:46:58married to some whore
00:46:59who doesn't have a degree or a degree.
00:47:01Come on, man.
00:47:03As if we didn't have enough scandals already.
00:47:06If the lady moves so much, I'll end up hurting her.
00:47:09It's hard to believe that no one down there knows anything about it.
00:47:13Well, I haven't heard from her, ma'am.
00:47:15And no one has told me anything about it.
00:47:18Well,
00:47:20that's precisely...
00:47:24What do you want to say?
00:47:25What do you want to say?
00:47:27Well, it's getting clearer every day
00:47:29because you haven't heard from the media lately.
00:47:32No one has come to talk to me.
00:47:34It's intolerable
00:47:36that I get complaints about your behavior, Petra.
00:47:39I know.
00:47:41I know that your relationship with the service has never been good, precisely.
00:47:44But this goes much further.
00:47:46And listen to me carefully.
00:47:48If they see you as an enemy,
00:47:50stop being useful to me.
00:47:52Because then they will hide a lot
00:47:53so that you don't find out anything.
00:47:55And then I won't get what I have to get.
00:48:00Of course,
00:48:03the strength of that bitterness and that closeness
00:48:06in which you live lately
00:48:08is turning you into a useless person.
00:48:11I already know that I gave you time
00:48:13for you to be the same as before.
00:48:15But it seems that that will never come.
00:48:17And in the meantime, who pays the consequences?
00:48:19Me, of course.
00:48:24That happens to you for having
00:48:26a useless person as your personal maid, ma'am.
00:48:30What did you say?
00:48:32You are right, ma'am.
00:48:35I am useless.
00:48:38And as useless as I am,
00:48:40I can be wrong
00:48:43and lose my tongue.
00:48:46Because no matter how hard I try
00:48:48to keep the secrets I keep,
00:48:51the normal thing is that I am incapable
00:48:53of keeping them hidden forever.
00:48:57Because I am useless.
00:48:59Do you understand?
00:49:02What are you trying to tell me, Petra?
00:49:04Nothing, ma'am.
00:49:07I will try by all means
00:49:09to make sure that nothing escapes me.
00:49:12Like, for example,
00:49:14the death of Mr. Tomás.
00:49:18That is a closed case.
00:49:19It was proven that Tomás was killed
00:49:21by that maid he was sleeping with.
00:49:24Besides, that girl has also had a better life.
00:49:27So no one will believe anything else,
00:49:29no matter how hard you try.
00:49:33I see.
00:49:37Neither will the Marquis, ma'am.
00:49:49What do you want, Petra?
00:49:51Justice, nothing more.
00:49:54And to honor my loyalty for so many years,
00:49:57now you are the one who helps me
00:50:00and forgets about everyone else.
00:50:08You have one bullet left, ma'am.
00:50:20No.
00:50:38A maid's life.
00:50:41You have to do everything without stopping working
00:50:43until you say goodbye to your best friend.
00:50:47Too many goodbyes, right?
00:50:49You tell me.
00:50:53Have you been able to talk to Mr. Curro and Mr. Manuel?
00:50:57I just have to say goodbye to you.
00:51:03You have to be going through the Decay.
00:51:06Don't you know what it feels like to leave you?
00:51:09In a moment like this.
00:51:10Well, you don't feel it.
00:51:13You say that so I don't feel bad that I know you.
00:51:15No.
00:51:17I say it because I think you deserve to enjoy the good things that are coming.
00:51:22And also, even if we are going to be separated, I am convinced that whenever we can, we will see each other.
00:51:27That's for sure.
00:51:30I don't want to lose sight of anyone.
00:51:33Neither Salvador nor you.
00:51:37Well, if neither of us want to, you know.
00:51:40Omar has to give us, right?
00:51:46Maria, I wanted to tell you something before you leave.
00:51:52Thank you.
00:51:56And thank you for what, Hanna?
00:51:58Well, because I came to La Promesa
00:52:02wanting to know what had happened to my mother and my brother
00:52:06and wanting to take revenge on everything.
00:52:09Well, and no one can blame you.
00:52:12What I want to say is that I was full of hatred and resentment until you showed up.
00:52:16My blessed Laura Palazzo.
00:52:20And you, with your generosity, with your joy and with your ... with your affection,
00:52:25you showed me that La Promesa would not only find revenge,
00:52:28but a friend for life.
00:52:32Well, that's great.
00:52:35And of course I'm still determined to find the truth about my family, but ...
00:52:38It is true that now I no longer have resentment and hatred in my soul and that is thanks to you.
00:52:44Well, I don't know if that will be true.
00:52:47But you speak so well, my girl.
00:52:50Come here.
00:53:09When are you leaving?
00:53:14Tomorrow.
00:53:17And where is Salvador?
00:53:19What?
00:53:22Well, waiting for me.
00:53:25And don't get lost. Where?
00:53:27That he got into one of the unoccupied rooms
00:53:30and made a little secret love nest.
00:53:33Like our last night.
00:53:36Which already has little secret.
00:53:39And neither does the nest.
00:53:41But I'm sure that of love ...
00:53:44There is no complaint about love.
00:53:47But I have already told him not to come up before time,
00:53:50that I still have to finish the job before I go.
00:53:53Well, come on, go.
00:53:55And take advantage of these last hours.
00:53:57I'll take care of all this.
00:53:59Are you sure?
00:54:01Of course.
00:54:02Are you sure?
00:54:04Of course.
00:54:06Run.
00:54:11Hanna.
00:54:14I love you very much.
00:54:17And I love you, husband.
00:54:20And I love you.
00:54:24Run.
00:54:32Run.
00:54:33Run.
00:55:01Do you smell it?
00:55:04It's just dawn and it already smells like coffee.
00:55:08The kitchen must already be running.
00:55:11Yes, you're right.
00:55:21Curro, are you sure you want to do this?
00:55:25You still have time.
00:55:27And if you have any doubts,
00:55:29you just have to tell me and we'll back out.
00:55:31I'm sure no one would blame you.
00:55:35In fact, quite the opposite,
00:55:37they would be happy with your decision.
00:55:41And we could sit down to have a good coffee
00:55:44and eat all kinds of sweets and snacks,
00:55:47like every day.
00:55:51Manuel,
00:55:53I want to leave.
00:55:55If you have doubts,
00:55:57it's okay.
00:55:58I'm not going to blame you.
00:56:01What doubts?
00:56:03For what you were telling me.
00:56:05But that's just in case they came to you.
00:56:07Curro, I want to fight.
00:56:09Besides, the cause deserves it.
00:56:11Remember?
00:56:13And you know what?
00:56:15I can imagine myself as a very old man
00:56:17telling my grandchildren the stories of the front.
00:56:28Let's go.
00:56:58Let's go.
00:57:24It's okay.
00:57:28It's okay, Curro.
00:57:58It's okay.
00:58:23Look, this is all yours, remember?
00:58:25And eat well.
00:58:27Santos,
00:58:28I have to talk to you.
00:58:29Come.
00:58:31I'm everything to you, Idos.
00:58:32And whoever says Idos says whatever he wants.
00:58:34Pretty.
00:58:36Look, Santos,
00:58:37I love Lope with all my soul.
00:58:39And that's not going to change anyone,
00:58:40much less you're going to do it by force or with your blackmail.
00:58:44Ah, no.
00:58:45No.
00:58:46I'm not going to hurt Lope,
00:58:47no matter how hard you try.
00:58:48So forget about it.
00:58:50Forget about what?
00:58:52It seems to me
00:58:53that you have not understood it well, darling.
00:58:56If you don't want the cook to find out who you really are,
00:58:59you're going to have to leave him
00:59:01and you're going to have to do it now.
00:59:03And this is not a proposal.
00:59:05It's a requirement.
00:59:06Your little house.
00:59:08I'm not going to give in to your requirements.
00:59:09I think so.
00:59:11You're wrong.
00:59:13I'm not going to do what you want.
00:59:15I'm not afraid of you.
00:59:27Please.
00:59:29Please.
00:59:33I need you to stay safe, please.
00:59:39I need you to come back to me, please.
00:59:46Please.
00:59:51Please.
00:59:56Please.
01:00:27Please.
01:00:39Good morning.
01:00:44He left.
01:00:46What?
01:00:48Curro left the promise.
01:00:51How do you know?
01:00:52Since he said he would leave without warning.
01:00:55The first thing I do every morning is go to his room.
01:01:02And he's not here, Cruz.
01:01:04He's gone to war.
01:01:06It's your fault, Alonso.
01:01:08Cruz, I...
01:01:10I should have taken that stupid idea out of his head,
01:01:13but I couldn't, I couldn't.
01:01:16Don't worry, darling.
01:01:18Don't worry about it.
01:01:19Don't worry, darling.
01:01:21Don't worry so much.
01:01:23I'm sure...
01:01:25I'm sure you'll come back safe and sound.
01:01:27I don't know.
01:01:30Don't worry.
01:01:32I don't know, Cruz.
01:01:34Look, why don't you ask Romulo
01:01:37to make you a hot water bath before breakfast?
01:01:41I'm sure you'll see it all differently later.
01:01:45You think so?
01:01:47Come on, go.
01:01:49Come on.
01:01:53Come on.
01:02:19Come on.
01:02:49Come on.
01:03:19No.
01:03:25No, Manuel.
01:03:28No, no, no.
01:03:30No, my son, no.
01:03:35My son, no!
01:03:38My son, no!
01:03:45Manuel, no.
01:03:47No, Manuel.
01:03:49No!
01:03:52No, Manuel.
01:03:54Manuel, no!
01:04:00No, my son, no!
01:04:03My son, no!
01:04:05My son, no!
01:04:07No!
01:04:09No!
01:04:16Manuel, no.
01:04:20Manuel, no.
01:04:25Manuel, no.
01:04:26No, no, no.
01:04:43Since Mr. Manuel and Mr. Cruz left La Promesa
01:04:47and went to war, everything has changed a lot.
01:04:50That fool insisted on going to war
01:04:53and dragged my son with him.
01:04:54Mr. Manuel went to war of his own volition.
01:04:57It's not fair that he carries the burden with all his shoulders.
01:04:59I told you not to mention him in my presence.
01:05:01You have to make an effort and stand up for yourself, Alonso.
01:05:04But you think I don't?
01:05:06But sometimes I can't stand it.
01:05:09Manuel is not here.
01:05:12It doesn't make sense to celebrate the birthday of someone who's not here.
01:05:15I hope you dress in your best clothes in his honor.
01:05:18Mrs. Pia is showing a lot of interest.
01:05:21She's holding on like a gavotte.
01:05:22Yes, I have no doubt.
01:05:24But even the most gavottes have a limit.
01:05:27I can't stand the couple, Felice. That's too much, Salvador.
01:05:30I feel bad when I see him kissing her or touching her.
01:05:33All I want is to break his face.
01:05:35That's exactly what he wants, Lope.
01:05:37He wants you to try it first so he can do it to you.
01:05:40All I want is for him not to forget
01:05:42that I was the one who suffered Cruz's humiliation.
01:05:44I know. It's very clear, niece.
01:05:46I won't leave until she fixes what she did and apologizes to me.
01:05:49Is this a declaration of war?
01:05:50No, I'm just saying I won't put up with her forever.
01:05:53What are you going to do?