La Promesa Episodio 362 Completo
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Short filmTranscript
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02:28 So do whatever it takes to put Catalina in a mental hospital.
02:33 What are you doing here? How dare you?
02:35 I came to remind you of something,
02:37 because it seems you have a bad memory.
02:40 I'm aware of all my debts.
02:42 And also that you have a deadline to meet them.
02:44 Yes. I will pay for everything. Everything.
02:47 You better do it,
02:49 because if I have to come back here,
02:51 it won't be just to make a reminder.
02:53 What can I offer you, Mr. Baeza?
02:54 A letter has arrived from the French front.
02:59 Who are you writing to, Manuel?
03:08 Excuse me, ma'am. It's for the captain.
03:11 Gentlemen.
03:18 It's from the army.
03:21 The French army. The army of the army.
03:24 What's going on?
03:25 It has the official seal. Bad sign.
03:30 These missives are usually carriers of bad news.
03:34 From the fallen in the front.
03:36 Read it, please. Read it. It will give me something.
03:39 I have met with Rómulo.
03:47 There is news from France, right?
03:49 What does Manuel Icurro say?
03:50 No, it's not a letter from Manuel.
03:52 It is an official message from the army.
03:54 What does he say? For God's sake.
04:01 I haven't finished reading it.
04:03 Lorenzo!
04:04 An old friend of mine, Commander Bouton, writes to me.
04:07 A few weeks ago, I asked him to update me on Manuel Icurro's situation.
04:11 Due to his position, he has access to all the information that comes from the front.
04:16 And what does he say?
04:17 Well, I intend to find out.
04:19 Your good French is hard for me to understand.
04:21 He uses phrases and phrases to say pure words.
04:23 Can you tell us what he says there?
04:25 My God.
04:31 What?
04:32 What?
04:39 [Music]
04:41 [Music]
04:44 [Music]
04:47 [Music]
04:50 [Music]
04:52 Las luces que han bailado por nuestro jardín. Los rumores nuevos, entre el corazón y las murales.
05:01 En la promesa, habrá partículas de amor en movimiento. Habrá secretos que nunca saldrán ahí fuera.
05:12 Será tan bello como el vuelo de un avión. En la promesa, las despedidas son girones por el suelo.
05:25 Hasta las flores bailarán a su manera, equilibristas entre el miedo y la pasión.
05:35 Somos como un salto a la D3. Somos el amor cuando se vive o habido muerte.
05:43 Un camino largo a recorrer. En la promesa ya serás cuestión de suerte.
05:52 Somos como un salto a la D3. Somos el amor cuando se vive o habido muerte.
06:00 Un camino largo a recorrer. En la promesa ya serás cuestión de suerte.
06:09 - The battle of Ypres was cruel and ruthless. The dead were counted... - That information is not new. We read it in the press. Go on.
06:23 - After analyzing the death toll, Manuel and Curro... - Manuel what?
06:32 - They are not among the fallen. - Oh...
06:36 - So they didn't fall in combat and they are not dead. - Manuel is alive.
06:40 - I'm sorry for the cold water, but...
06:43 Poultan also comments that due to the high number of deceased, not even a quarter of the real dead have been counted.
06:51 - What?
06:53 - Then they may be dead, but no one knows.
06:58 - So this commander has no idea where my son is. He doesn't know what happened to him.
07:05 - It's a war, Cruz. There is no list of guests for a reception.
07:09 - Well, to say this, it would have been better to keep quiet.
07:12 - It is always better not to know if they are alive or dead than the confirmation that they have fallen in combat.
07:16 Although I would not sin of cynicism, we have to face reality. They may be dead if they have not registered.
07:22 - Manuel is dead.
07:25 - Cruz, right now we cannot lose hope.
07:28 - Don't take me for stupid, Alonso. This letter says it clearly.
07:34 The battle was a carnage. Their corpses are piled up because they have no place to bury them.
07:43 It is such a cruel war that even the commander himself is fearing for his life and is begging Lorento to watch over his wife and children in case he falls.
07:51 So no. Don't take me for stupid.
08:07 - No, Simona. I'm not saying to throw away the food. I just propose that we do the usual.
08:13 The leftovers are for service.
08:15 - But these are not leftovers, Candela. This is the whole banquet.
08:19 - You are right. - No, Mrs. Candela, no.
08:22 It's not like this to steal the food from the gentlemen.
08:26 What we have to do is prepare a new menu with all these leftovers.
08:31 - Or think. She invented it for the boy.
08:35 - What do you think if we prepare a bird's cake with the turkey?
08:39 - Good idea. - And the garnish vegetables.
08:42 - This is to feed the chickens. After all this sluggishness, this is a surprise.
08:47 - In a Kitsch, the texture will not be appreciated.
08:50 - You are a lynx, I get it. And what do we do with the soufflé?
08:54 - This is more deflated than the one of an old cow.
08:58 - What we are going to do is grind it and mix it with the cocoa nuts.
09:02 - This way it will gain thickness.
09:04 - We will have a scandal menu.
09:07 - Better than the birthday menu. - Come on, let's get to work.
09:11 - It's a shame, so many leftovers, huh?
09:18 Of course, what head fits in, to celebrate a birthday without the birthday boy?
09:22 The Marquis, who has been in a bad mood lately.
09:25 - Well, deep down I understand it a bit, because it should not be easy
09:30 for Don Manuel to be in those worlds of God without knowing if he is alive or dead.
09:34 - You know you make a convite in which no one has even liked the crumbs of bread.
09:39 - Because that was the only way the woman has found to calm down a bit the pain she feels inside.
09:45 - Well, the Marquis still has a way, but Mrs. Petra's attitude,
09:49 putting pressure on everything to make it perfect ...
09:52 - Well, you know how she is. She likes to look for us.
09:55 She called me to her office to argue with me.
09:57 - But what did you do to me, you fool?
10:00 - Let's see if it's going to be because of yesterday,
10:02 that you went to Moscow and left her with the word in her mouth.
10:05 That I noticed that she didn't even make a pinch of grace.
10:07 - No, Mrs. Simona, no. She recriminated me that I hadn't prepared the dessert in the morning.
10:11 - What are you saying? She scares me in everything and the soufflé is made on time.
10:15 - Well, that's why I got rid of the fact that Rapa Polvo was much older.
10:17 But still, I got some good screams.
10:20 - Boy, you have ...
10:22 the wound on your face has enchanted me a lot.
10:26 - Well, Mrs. Candela, she must have been sleeping.
10:28 I would have dreamed and I would have touched her and she would have come back to me.
10:31 - Anyway, López, what you have told us about Mrs. Petra is that we are with her with a thousand eyes.
10:37 - Nothing new, Bájar.
10:39 - Well, yes, because she is used to jumping neck at the minimum.
10:44 And if you don't ask Mrs. Darrella, poor thing.
10:46 She is paying the duck every time the other one gets in the whim.
10:50 - I don't know how she is holding up so much.
10:52 I would have left the first week that Petra started to handle keys.
10:54 - Yeah, but you don't have a child to support.
10:57 - That's right, López.
10:59 While Mrs. Pia is here in the palace, the Marquise covers the expenses of Dieguito.
11:05 - If it's not what a mother does for a return.
11:10 [Door bell]
11:12 - Leave, Alonso. I don't want to see you.
11:29 - Mrs. Marquise, I'm here to bring you a tisana.
11:32 - Come in.
11:38 - Mr. Alonso asked me to bring him a tisana of pasiflora and tila.
11:42 - Serve it and leave.
11:45 - He also asked me to offer him a shoulder massage to relieve tension.
11:49 - Didn't you hear me? I told you to serve the tisana and leave.
12:07 - Wait.
12:09 Come on, give me that massage.
12:14 But be careful and don't hurt me.
12:17 - If I hurt him, he just has to tell me.
12:20 - Wait, you don't have to do it. It's about you taking this pain away from me.
12:24 Not that you make me worse than I am.
12:27 - I want him to know that I can relieve the pain but I can't take it away forever.
12:32 It's the pain that's holding him back.
12:35 - How can I not feel sorry when my son may be dead?
12:39 According to that letter ...
12:43 He may be rotting in a trench far from here.
12:48 - What letter are you talking about?
12:52 - One from a French commander, a friend of Lorenzo.
12:57 - And in that letter it says that Don Manuel has died.
13:04 - Not explicitly but ...
13:06 - So why are you so pessimistic?
13:10 - Because I'm not a fool without understanding.
13:15 According to that letter, the last battle in which Manuel was was barbaric.
13:31 And they haven't even been able to identify all the corpses.
13:36 - Look, Mrs. Cruz.
13:44 I think I can understand your pain and suffering but ...
13:50 You have to have faith. And you have to think that both Don Manuel and Mr. Curro will return.
13:56 - Mr. Curro?
13:59 - You ingrate, bastard.
14:01 It's better if he doesn't come back.
14:04 - Mrs. ...
14:07 - No.
14:09 It was because of his whim that my son is at war.
14:12 He dragged him into that madness.
14:14 So I'm not going to let anyone in this palace feel sorry for that brat.
14:19 Understood?
14:25 - And now he continues ... but in silence.
14:29 He has already left my family many times.
14:33 How am I going to have to bear yours too?
14:36 [Music]
14:46 - Daughter.
14:59 The mail has arrived.
15:01 - And is there any letter from Curro or Manuel?
15:03 - No. Not that I know of.
15:05 But your brothers have written.
15:08 - Wow.
15:10 - Well, I thought you would be more excited to hear from them after so long without receiving a letter.
15:16 - Yes.
15:17 - It seems that the war in Europe is also affecting Canada.
15:22 - And how is that?
15:24 - Because Canada continues to be a colony of the British Empire and as such, it has obligations to its motherland.
15:30 - But does that mean they have called Felipe and Juan Carlos in rows?
15:33 - No, no, no. Thank God no.
15:35 Luckily, there is mandatory military service and your brothers have known how to keep their distance.
15:41 - And what do they say in the letter then?
15:43 - Well, that some of his friends have enlisted and it seems that the Canadian army is doing a great job in the war.
15:50 - A great job.
15:52 - Yes. They call them "les durs à cuire".
15:57 - The hard ones to cook?
15:59 - Well, I guess it means hard guys.
16:02 - Very good pun, yes.
16:05 You go to war, there, to be killed, but you are comforted that they will remember you as a hard guy.
16:11 - Martina, if I tell you all this, it is precisely ...
16:13 - I just don't want you to tell me anything about this, because I don't want to keep talking about this damn war.
16:17 - Daughter, I know you are suffering.
16:19 We all do.
16:20 Apart from Manuel and Curro, to the war, the lack of news ...
16:24 And I know perfectly well that you miss them, but I'm sure they miss you too.
16:28 - Yeah.
16:30 - Martina, please.
16:32 - Don't worry. I'm really fine.
16:36 - Isn't it good to shut up?
16:38 Retaining all that pain.
16:40 - No, it's no use recreating that pain.
16:43 - No, but taking things out of you can always help.
16:47 - I feel that the only thing that can help me right now is for them to come back.
16:50 And that they are here, safe.
16:52 - Well, let's not lose hope.
16:54 I'm sure a letter will soon arrive from both of them, telling us that they are fine and that they will soon return home.
16:59 - Only God knows.
17:01 - Yes. Because everything has a beginning and an end, daughter.
17:04 This war cannot last forever.
17:07 And I'm sure that sooner or later that letter will arrive.
17:10 You'll see.
17:12 - Margarita, Martina.
17:14 - Mail from France.
17:17 - How much is left?
17:26 - It's left, it's left. This is bigger than the well of your life.
17:28 - It's like throwing a stone and it sounds like a stork.
17:31 - Come on, put it on. I don't have all day.
17:36 - Thank you, cousin.
17:38 - It's been a long time since this closet was cleaned, right?
17:42 - Well, not so much.
17:44 You see, sometimes you need a good check-up so that the nails don't go wrong.
17:47 - What surprises me is the urgency of having to do it now.
17:50 - No. Not even the ways to ask for it.
17:53 - Well, if you want explanations, you already know who to ask.
17:56 - No, no. I prefer to empty this a thousand times before going to Mrs. Petra.
17:59 - Of course not. So that the precipice is ahead, come on.
18:03 Don't even think about asking Mrs. Petra for an opinion.
18:05 - I thought that Don Romulo was going to be able to contain her.
18:08 - What's up? He's on the run if he doesn't stop her now or the Holy Inquisition.
18:12 - For years he has been chasing that job like a stray dog.
18:15 - Well, and in the end he got the prey.
18:17 - And you're not going to report us now, are you?
18:22 - I laugh at you complaining about working.
18:24 You criticize Mrs. Petra because she wants to do things right.
18:27 - Sorry, but we always bend our backs here.
18:30 - Yes, because here, lazybones, we have nothing at all.
18:33 - Well, you would have bent it little if you complain so much.
18:35 - Hey, you just got here and you don't even know half the mass.
18:38 - Well, but I have enough time to know what foot each one takes.
18:41 - A lot has always been worked on in this palace. A lot.
18:45 But it's not the same for you to say things with respect and a smile on your face,
18:49 as Mrs. Pia did, than with Mrs. Petra's vinegar face.
18:52 - I mean, you complain because they ask us for things, please.
18:56 And what else do you want? A pat on the back after each task?
18:59 - Well, look, I wouldn't be wrong.
19:01 Because we are free people, not slaves.
19:04 And what the hell is going on now?
19:06 - It's just that every word you say, you give Mrs. Petra more reason to do things the way she does them.
19:10 And she does them very well.
19:12 - Well, I'm with Maria.
19:14 And I think the task is done more lightly with a "please" and a "thank you" than with shouts.
19:18 - You are all heart, honey.
19:21 But the bosses have us here to work, not to be our friends.
19:25 - Well, is everything ready?
19:27 - Yes.
19:31 Uh ... finish taking this to the laundry.
19:35 Please.
19:36 And we'll take the stairs to the warehouse.
19:40 [Footsteps]
19:42 - Look how difficult it was, huh?
19:55 But I almost hated the student more than the teacher.
19:57 - Yes. She has all the worst of Mrs. Petra.
20:00 - And much more of her own harvest.
20:02 - What did Vera see?
20:04 - Look, I'm going to tell you something.
20:06 The teacher has less sight than you when you returned from Africa.
20:09 I'm telling you right now.
20:10 - But hey ...
20:12 - I trust that this hell will end as soon as possible.
20:21 Pray for me, my friend.
20:22 Say goodbye to Hiboukton.
20:25 Commander of the 1st Army.
20:27 - But that's terrible.
20:32 - As far as I can read, it's good news.
20:35 - Well, but that commander can't even make sure they're alive.
20:39 - He doesn't say they're dead either.
20:41 Neither Manuel nor Curro are on any record of casualties.
20:44 - But that record is useless.
20:46 - I would be a little more grateful, Martina.
20:49 You don't know how difficult it has been to gather this information.
20:52 - Sorry, Lorenzo.
20:53 But with all this anguish, we were expecting something more.
20:56 - I understand, yes.
20:58 What no one seems to understand in this damn palace
21:00 is that Manuel and Curro are at war, not at a garden party.
21:03 - I don't think it's time to make chances.
21:05 - It's the last thing I want, Martina.
21:07 All I want is for you to open your eyes.
21:10 In a war like the one that is taking place in the middle of Europe,
21:13 to have news that Manuel and Curro are not dead is a real miracle.
21:30 - I see you're very busy with the accounts, do I interrupt?
21:33 - You are our guest, María Antonia.
21:36 You can interrupt whenever you want.
21:38 - I thought that among the rules of a good guest
21:40 was not to bother the hosts.
21:42 - I don't mind having read that in any protocol.
21:45 Besides, I need to rest.
21:49 Carrying only the accounts of the promise is making me hard.
21:53 - And who was in charge before that?
21:56 Manuel?
21:57 - Manuel?
21:59 No, no, no.
22:01 To Manuel, the only numbers that interested him
22:04 were the ones he needed to make his plane fly.
22:07 The accounts were Catalina's thing.
22:11 Anyway, then what is the interruption due to?
22:17 - I wanted to know how you were.
22:20 You know, after the letter from France.
22:23 - Cruz sends you?
22:26 - No. Your wife is sleeping.
22:28 A maid brought him an infusion of pasiflora and tila
22:31 and that helped to calm her down since she reconciled the sleep.
22:34 - Well, you know I'm very happy to hear it.
22:38 - Has it been your thing?
22:41 - Hanna has golden hands and knows a lot about herbs and herbs.
22:46 - I would never have told her about a maid.
22:49 - She is a somewhat particular maid.
22:51 The important thing is that Cruz has not rejected her and has let her attend.
22:57 - And why would she do such a thing?
22:59 - It's a very long story.
23:01 But I have been aversion to that girl since the day I met her.
23:06 - Well, you will have your reasons.
23:08 - Let's say that Hanna has so much predisposition and ambition, which is a lot,
23:13 as rebellious and stubborn.
23:15 - That explains everything.
23:19 And how are you, Alonso?
23:23 - Me?
23:25 I don't know.
23:27 I try not to pass away.
23:32 I know that every day that passes,
23:36 one more in which my son or my nephew may have been snatched away
23:39 life in that damn war.
23:41 - You see, my words may sound hollow, but ...
23:47 that effort you are making is not in vain.
23:50 Cruz is supported thanks to your faith
23:52 that the two of them will return to the promise.
23:55 So if there is something I can do so that you do not lose hope, tell me.
24:00 Tell me and I will.
24:02 - You already have enough homework taking care of my wife day by day.
24:07 - Well, apparently taking care of my friend also involves taking care of you.
24:11 - I can take care of myself.
24:14 - I'm sure of that.
24:16 And I'm also sure you need a break.
24:20 What do you think if we take a walk and you forget a little about this accounting?
24:24 - No, I don't know.
24:27 - I'm supposed to be an uninvited guest and you can't tell me no, right?
24:31 - Yes.
24:33 Let's go.
24:38 - Let's go.
24:41 (Music)
25:08 - Salvador! I was looking for you.
25:11 - Me? Why? What's up?
25:14 How was the closet cleaning?
25:16 - The ... the ... well ...
25:18 Well, very tedious, as always.
25:21 - What you want to know is how one of the people who cleaned it has been doing, right?
25:28 - Yes.
25:29 - What?
25:31 How has it been?
25:33 - Well, I don't know, Lope. As always.
25:35 We were working, we weren't chatting in the tavern.
25:38 - Salvador, please.
25:39 - What do you want me to tell you? That Santos has been as stupid as always?
25:42 - No, not that. I want to know what Vera was doing.
25:45 - For laughing at the opium, what is she going to do?
25:47 They are dating, Lope.
25:49 - Yes, yes.
25:50 - Hey, look, you have to stop this, huh?
25:55 If you keep going like this, you're going to end up hurting yourself a lot.
25:58 - Salvador, didn't you tell me I had to fight for her?
26:02 - Yes, I know what I told you and I also know when I told you, Lope.
26:04 It's been centuries. And it seems to them that they are doing very well.
26:07 And I'm sorry to tell you.
26:08 - No, don't feel sorry. This is not your fault.
26:10 - But yours neither.
26:12 Don't torture yourself thinking about what could have been and what hasn't been.
26:15 That Vera is adult enough to know where she gets in and why.
26:19 And what you have to do is forget her, because you are going to end up sunk in your own sadness.
26:23 - I'm not sad, Salvador.
26:25 I'm angry because I don't understand anything.
26:27 - There is not much to understand either.
26:29 - Oh, no?
26:30 And because she is kind every time she sees me?
26:32 Or because she treats me with so much affection?
26:34 And?
26:35 - Think that if she treated you with kicks, it would be much worse for you.
26:39 - Well, it would be much easier to forget her.
26:41 - Well, you still have to be the one to put distance between the two, right?
26:43 - I'm trying, Salvador.
26:45 But I still love her.
26:49 - Have you ever heard that a nail pulls out another nail?
26:54 Or that a stain of purple with another green is removed?
26:56 - Yes.
27:00 But that's not true.
27:01 A stain of purple is removed with a barrel full of milk and lemon.
27:04 - Look, López, okay.
27:05 Don't play dumb with me.
27:07 You understood me perfectly.
27:08 - So I picked it up from the newspaper.
27:19 The invitation had to be something worth seeing.
27:21 I know that the farm of the Perlada boys is a real gem.
27:24 - I didn't read the article.
27:26 But I have friends who were invited and they speak wonders.
27:29 - Well, it is said that it is the event of the season.
27:32 Both the Marquis and the men are a hot topic.
27:35 I can't believe that people are still in the mood to celebrate weddings.
27:39 And what are our young people supposed to do, Cruz?
27:42 Endure in solitary until this war is over?
27:45 - Even the royal house advocates for living the normality that allows us to be neutral.
27:50 Queen Victoria Eugenia was invited to that link, although she could not go.
27:56 - Yes, but I have read that she sent them an exquisite silver and gold ribbed blanket.
28:01 - Banalities.
28:03 Nonsense.
28:05 I know what you are trying to do with this absurd talk.
28:10 But I can't get my head off the image of Manuel.
28:15 Dead, abandoned in any trench.
28:18 - Cruz, you have to make an effort and think about more serious things.
28:23 Don't you realize the damage you are doing to yourself?
28:26 - Why? Are you going to deny me the right to worry about my son?
28:30 My son could be dead while you and my husband are talking about blankets.
28:36 - Excuse me, I didn't know you were here and I have been ordered to clean the fireplace.
28:46 - Stop making excuses. Besides, I doubt they have made you clean at this time.
28:50 - Well, I have accumulated the tasks and it is time ...
28:52 - I don't want excuses, Priya.
28:53 - It's enough Cruz, you have already apologized.
28:55 - Don't worry, I'll be back in a moment, Mr. Marquez.
29:00 - There was no need to treat her like that.
29:09 - That woman thinks she can go wherever she wants, whenever she wants.
29:13 She still doesn't understand that she is no longer the keymaker.
29:15 - That's hard to understand.
29:17 - Excuse me?
29:18 - Her performance as a keymaker will be indelible.
29:21 - Alonso, I don't advise you to question my decisions with the service.
29:24 Do I say something about what your day laborers do?
29:28 If she is not happy, she already knows what she has to do.
29:31 She already knows where the door is to leave.
29:33 But she won't do it. And do you know why?
29:36 Because of the treatment I offered her.
29:38 - That treatment for which you relegate her to raise Petra.
29:42 - Petra deserved a reward.
29:47 For her fidelity, so many years.
29:50 She no longer deserved such a degradation.
29:52 - Come on, Alonso, she's not living so badly, huh?
29:54 That we even offered her to take care of her son's maintenance.
29:58 A son who was the result of sin.
30:01 It will be ungrateful. What she should have done is fire her.
30:06 [Music]
30:09 - Good afternoon, miss.
30:23 - Hanna, is that you? - Were you expecting someone else?
30:26 - Yesterday I didn't go to the pantomime Cruz organized for my brother's birthday.
30:31 And I'm surprised that no one has come to bother me yet.
30:34 - Don't worry, because in the end it wasn't celebrated.
30:37 - How is that?
30:38 - Because Mrs. Cruz accused everyone of having gone there on a commitment
30:42 and in the end she left there, spitting at everyone.
30:45 - And what did she expect?
30:46 As if the only way to celebrate my brother's birthday was his ridiculous party.
30:50 I also paid tribute to him, but without aspiring.
30:54 - Yeah ...
30:55 No, leave it Hanna, I'll pick it up.
30:58 You do me a lot of favors cleaning this from time to time.
31:02 - And thank you, because without you I would end up swallowing dust.
31:07 - It's my job, miss.
31:09 - I don't know if Cruz would agree.
31:11 And thank you also because you are the only one who does not insist that I return to the palace every time he sees me.
31:20 - Well, I can assure you that if you were in a prison,
31:24 you would be the first one to get her out of there and move heaven and earth.
31:27 But in the end you are here by your own decision, so ...
31:30 - That's right. But it seems that no one understands it.
31:34 Well, beyond them.
31:36 But I would like to advise you not to get comfortable.
31:40 - What do you mean?
31:42 - Nothing, forget it. I shouldn't give him advice he hasn't asked for.
31:46 - Well, now I'm asking you.
31:49 - Well, sometimes putting earth in between is the best way to protect yourself, but ...
31:56 Don't forget that in the end your place is with your family and one day you will have to go back with them.
32:01 Anyway ...
32:06 Did you know that news from France has arrived?
32:08 - And what do they say? How are Manuel and Curro?
32:12 - Well, it's a letter that a military friend of Dolorenzo wrote.
32:16 And the truth is that he doesn't say much, just that ...
32:19 Well, the names of his brother and his cousin Curro do not appear in the record of casualties, in any of them.
32:26 But that doesn't guarantee that they are still alive.
32:29 - Yeah ... There is no certainty.
32:33 - Enough to keep the flame of hope, right?
32:37 - Maybe you're right, but we've been trusting everything to hope for a long time.
32:41 - Like the fable of the little mouse.
32:44 Do you know it? - No.
32:46 - Well, a little mouse called Fermin has spoken.
32:49 Fermin was very comfortable in his mouse trap until one day, after collecting seeds,
32:53 a strong storm broke out in the forest and he could not return home.
32:57 And what's more, he died last night.
33:00 But fortunately, the storm subsided and a firefly appeared in the middle of all the darkness.
33:07 A firefly called Luna.
33:09 She illuminated Fermin's face and said,
33:12 "Don't worry, Fermin. Hope is the last thing to be lost."
33:16 And what happened to Fermin and Luna?
33:19 This is the part of the story that I know the least.
33:22 What I do know is that she, with her light,
33:25 ended up illuminating Fermin's path so that he could return home.
33:29 And with the ink, the fable is over.
33:32 - Yes, that's it, I'm terrible at telling stories.
33:36 - The thing is that that moral always stayed engraved in my mind.
33:39 Hope is a light that appears in the darkest moments
33:43 and that always ends up illuminating the way home.
33:46 - It would be good if then Luna would guide Manuel and Curro to the promise.
33:52 - She will, miss. Sooner or later she will.
33:58 [Music]
34:01 - Oh, how much beauty and beauty descends the staircase.
34:13 I suffer a surge of madness and passion that snatches me away.
34:17 - Well, I didn't know you were a friend of the hippies.
34:20 - It was improvised.
34:22 - It's not a poem by Becker.
34:24 - Although it looks like that, so pamphlet-like at our age.
34:27 - It's your fault.
34:29 Really, this new dress you're wearing feels phenomenal.
34:32 - Do you like it? - I love it.
34:34 - Well, I needed a change. A little fresh air,
34:37 because lately the atmosphere in the promenade has become a bit dense.
34:41 - Winds of war. Unbreathable.
34:44 - Not to mention the mess of yesterday's birthday party.
34:48 - Then we'd better not bring up the subject.
34:51 We better leave as soon as possible.
34:53 - I completely agree with you.
34:55 - Do you know what would be missing to make our walk perfect?
35:00 Well, that we finally formalize our relationship.
35:05 - I don't think it's the time, Ayara.
35:09 Especially since things are like this.
35:11 - Well, it has nothing to do with us.
35:14 It's time for us to give our relationship a serious opportunity.
35:17 - We're not giving it to you.
35:19 But let's enjoy the process, calmly.
35:21 - I agree to enjoy it. But later, sooner we will have ...
35:24 - But this issue is not good for us to bring up if you don't want to make the walk bitter.
35:27 Please.
35:28 What do you need?
35:33 - Mr. Pontejo is waiting for you on the phone.
35:35 Do you want to answer now or do you prefer me to excuse you?
35:38 - No. No, no.
35:40 It's the accounting matter I told you about,
35:42 that I had to deal with the bank director.
35:44 Can you wait a few minutes?
35:45 - Of course. For you, whatever it takes.
35:49 - Thank you.
35:50 - The expenses for the repair are unassumable, at least for now.
36:05 We will address them next month.
36:07 I have asked the carpenter to elaborate a budget for us.
36:11 - Well, thank you, Rómulo.
36:14 And one thing.
36:16 How do you think it is feasible to record casualties in wartime?
36:20 - I don't think I'm the most suitable person to answer that question, sir.
36:24 I understand that your curiosity comes from the letter received by the captain.
36:28 - That's right.
36:30 I would like to believe that it is enough to confirm that they are still alive.
36:33 - Unfortunately, I don't think it is conclusive.
36:36 But taking into account the probabilities,
36:38 there are many possibilities that they are alive.
36:42 - And how is that?
36:43 - Well, it is due to something that has been collected in war literature
36:47 since the time of Julius Caesar,
36:49 which says that a defeat is not produced
36:52 by a great strategy of the enemy,
36:54 but by a feeling of loneliness and abandonment of your own soldiers.
36:58 In this case, Don Manuel and Señorito Curro are holding each other back.
37:02 - I see.
37:03 - And I know they won't let themselves be defeated.
37:05 I am convinced that they will return alive.
37:11 - Do we have anything left to dispatch?
37:13 - Well, yes. Yes.
37:15 The expenses of the month.
37:17 - Anything that worries you?
37:19 - Well, I don't want to be indiscreet, but ...
37:22 Mrs. Marquesa's expenses have increased significantly this month.
37:27 - I understand. Anything else?
37:29 - Sorry to insist, but we are talking about thousands of pesetas.
37:32 In expenses of the modist, jewelry, shoes ...
37:35 - Rómulo, if that is the way my wife has found to overcome Manuel's absence,
37:40 I will not oppose. At least not for the moment.
37:43 If those expenses are increased unsustainably, let me know.
37:47 - Of course, sir.
37:49 - With the excuse that some doctors are going to come to give you the report
37:56 of your wife Eugenia's condition,
37:58 you are going to ask them to examine Catalina, since they are here.
38:02 And when they finish, they will tell us all that it is urgent to enter the numericoma.
38:06 - Anything else?
38:08 - Well, yes sir. I am a little worried about Miss Catalina.
38:14 - What has happened to my daughter now?
38:16 - No, no, no, nothing has happened to her.
38:18 She doesn't think that the dismemberment, the hangar, is lasting too long.
38:21 - It is not a dismemberment because it is by will.
38:24 And yes, it has been a nonsense since the first day.
38:28 But as much as I try to make her come to her senses,
38:31 my arguments collide against a wall.
38:33 Do you have any idea how to address her?
38:38 - But I would do nothing without your consent, sir.
38:41 - Well, you have it right now.
38:43 If you get my daughter to come home, I will be eternally grateful to you.
38:47 - How are you doing with that, Candela?
39:04 - Fine, fine.
39:07 And you be careful, don't get so close to him.
39:10 - Give me a hand, please. If you are free.
39:14 - Of course. And two, in case you run out.
39:18 Well, where is our dessert specialist?
39:22 - He has gone to the pantry for chopped almonds.
39:25 - Because of the time he has been there, it seems that he is eating the long one.
39:28 - Leave him alone, Candela. We all have worse and better days.
39:32 - That's what I think. It's no longer a matter of days, it's been a good season.
39:36 Well, there is another one that I know.
39:40 What?
39:43 You're not going to tell me?
39:46 - Do you want me to tell you, Candela?
39:49 That I still don't understand my virtues?
39:51 - This thing doesn't get better.
39:53 - It gets worse. Anyway.
39:55 Yesterday I got angry because I defended her in front of Petra.
39:58 - I don't believe you.
39:59 - Well, you should.
40:01 - It is clear that nothing I do seems good to her.
40:04 And she just wants to put dirt in the middle.
40:07 - It is true that she does not appear around here in Tordillas, huh?
40:10 - Nor will she.
40:11 - Hey.
40:13 This is not your fault, huh?
40:15 - Well, I already have my doubts.
40:18 - You did what you had to.
40:20 Virtue was the one that lied to you the same day I came to the promise.
40:24 - I had my reasons.
40:26 In the end, the one who has spent her whole life apart from Antonito and her has been me.
40:31 It is normal that she does not trust me.
40:33 - And Simona, you did what you did to keep her away from that bad blood.
40:38 That father she had.
40:40 - I did not do it with any bad intention.
40:42 I can swear that to God.
40:44 - Well, that's why you can't bow down to what happened.
40:46 - That's very easy to say, Candela.
40:48 But every time I see that she changes her step so as not to cross paths with me,
40:51 or that she makes me a mess in front of my colleagues ...
40:55 I feel a pain in my soul like a dagger.
40:58 A mother should not suffer the contempt of her children.
41:02 - There you are more right than a saint.
41:05 - I don't know what to do anymore, Candela.
41:08 Everything I do keeps me away from her more and more.
41:12 - Don't stop trying.
41:16 Because one day, she will realize how much she likes being with you.
41:20 And she will come with her tail between her legs, asking you for forgiveness.
41:25 Finish your cake.
41:27 I'm going to see where López has gone to look for the blessed almonds.
41:31 - What are you doing here, Romulo?
41:48 - I didn't want to bother you, miss.
41:50 I came to bring you the dinner that Mrs. Martínez has prepared for you.
41:54 - And why hasn't Hanna come?
41:56 - Well, I preferred to bring it myself.
41:59 I would like to talk to you.
42:02 - And I thank you for the dinner, Romulo, but I don't feel like talking. Good night.
42:08 - Look, miss.
42:11 You and I have enough trust to be able to tell each other things face to face.
42:16 So I ask you to listen to me.
42:19 - Okay. I listen to you.
42:22 But only if you don't insist that I return to the palace.
42:26 - Well, that's just what I wanted to tell you.
42:30 - Very well, you have already said it. So now go. I want to be alone.
42:35 - Miss, locking yourself here does not benefit your family, much less you.
42:41 You must be in the palace.
42:43 - That palace is no longer my home, Romulo.
42:45 - But why don't you want to?
42:46 - That's what I was missing to hear.
42:48 - Miss, if your father returns, he will receive you with open arms.
42:51 - And Cruz?
42:53 Cruz too? Romulo?
42:55 Shut up, right?
42:58 Because you know that woman will not give her arm to twist.
43:02 She feels proud of the evil she is leaving behind.
43:06 And if I return, I will be giving her the reason.
43:09 She wants me to humiliate myself, like everyone humiliates themselves in front of her.
43:12 Well, not this time, Romulo.
43:14 She may think that returning is a defeat, but ...
43:17 It is that giving up does not have to be a symptom of weakness,
43:22 but an act of generosity.
43:25 It is to avoid a sterile confrontation.
43:29 And if I tell you, it is not thinking of the Marquise.
43:34 It is thinking of your father.
43:36 Your father is sunk.
43:39 Without his brother, without you, Miss Leonor, so far from the promise,
43:43 without Miss Tomás.
43:46 Miss ...
43:48 Your father is alone.
43:51 - I know everyone thinks I'm here for whim, Romulo, but it's not like that.
44:02 I can't step foot in that house again until Cruz recognizes his absence.
44:07 Because every time I cross it, I will remember what he did to me.
44:12 And I will never be able to get rid of that resentment, do you understand?
44:15 - Maybe that never happened.
44:18 You know that, right? - And I assume it.
44:21 - Well then, I can only ask you to reflect.
44:27 - Don't insist, Romulo.
44:29 If I have something left over here, it's time to reflect.
44:41 - Let's see ...
44:43 Sorry.
44:46 Are you noticing the effect?
44:51 - Well, the truth is yes. Like day and night.
44:55 - It looks like this ointment is magical.
44:58 - Well, thank goodness, because you have the hands more magical than the Christ of Aspiration.
45:02 - Don't exaggerate, Candela. It's still a little red, so it's done.
45:05 - Well, if you want, the evidence. But there is no reason for so much abuse.
45:09 - Well, sometimes it's better to be quiet, believe me.
45:12 - Yes, but this is not one of those times.
45:14 Because Mario has taken it all.
45:17 But especially with you.
45:20 - Well, in this case, Doña Pia is right.
45:22 At this point, it is better not to hurt our blood.
45:25 This is it. - Thank you.
45:27 - Oh, look.
45:29 We all knew she was a two-legged rat.
45:33 But come on. She has such a black soul.
45:37 She doesn't want to reveal all the truths we told her face to face.
45:41 - Yes, you are right, Mrs. Candela.
45:43 But in the end, Petra is the key master and that will not change what we say here.
45:48 - Well, at least it's a relief.
45:51 Because she may think she has more power than the Pope of Rome.
45:55 But what cannot take us away is that we leave the door closed.
46:02 - The thing is that I thought that, over time, she would stop sending us such hard tasks
46:08 and everything would return to normal.
46:10 - If Mari Mandrago doesn't lack imagination, she's a piece of shit.
46:15 - What is not fair is that you, at 12, are already working as a maid.
46:19 - It is not fair that you are working as a maid, Mrs. Pia.
46:23 But hey, at least we can help you.
46:26 - Well, yes. Because if it were for the other, the Holy,
46:29 you would squeeze me like a lemon.
46:31 - And I would let myself be squeezed, Candela.
46:33 - For your little diakito. - Yes.
46:36 It's the only way I have to ensure your future.
46:39 So ask what you want from me and I will do it. Without hesitation.
46:42 - Uh!
46:44 You have the hands, girl. Give me the tray.
46:48 I'm going to embalm you too.
46:50 And you, go to the catering. - Mrs. Pia.
46:54 You know she has to rest. Tomorrow she will be up earlier than the sun.
46:57 - Uh ... No. No. Before ... Before I go to bed, I'm going to Lujan.
47:02 - But you lost the catering.
47:05 What have you been up to now in the village?
47:07 - My son, Candela.
47:09 I haven't seen him in days and that makes me harder than any task they impose on me.
47:14 - You will go to Beni's house tomorrow. - I won't go today.
47:17 Having him in my arms is ... is the only thing that supports me right now.
47:22 To see his smile, his happy eyes, when he sees me arrive.
47:26 - The truth is that I don't know what would be of me without him.
47:29 In that case, wait for Mrs. Candela to finish healing me and I will accompany her to the village.
47:33 - That. You are not on the way to transpose yourself there, alone, huh?
47:37 No matter how many full moons there are.
47:39 - No need, Hanna. Mr. Pellicer has appeared to accompany me. In fact, he must be waiting for me.
47:45 Well, and that before I said that my son is the only thing that supports me and in part it is true, but ...
47:50 It is not the only thing. I also have you.
47:54 - All you have good, you have it as innocent.
47:57 The Marimandrao will not stop until you turn your back and can't lift it again.
48:03 - Thank you, Mrs. Candela.
48:09 - Come in.
48:23 - Thank you for coming.
48:25 If I sent you to call, it is because I wanted to resume the conversation we had yesterday at noon.
48:30 - I assumed so. But for my part I have nothing more to add.
48:34 If you have any complaints, I repeat that you can speak directly with Mrs. Marquesa.
48:39 - Wait.
48:41 Sit down.
48:43 For my part, it is not all said.
48:51 Look, I've been at the head of the promise service for many years now.
48:57 And I have to say that if I have ever been grateful for anything, it is when someone has made me see that I was not doing my job well.
49:05 - I must understand that this was what you and Mr. Pellicer intended yesterday.
49:09 - Yes, but the forms were not the right ones.
49:12 But I don't want that to block the message.
49:16 We agree. Raising my voice and taking it up against me was a mistake.
49:23 But I insist, I'm not doing anything wrong.
49:27 - Look, you have been at the head of the service for a few months. I assure you that the advice I give you is valuable.
49:33 - And what do you want?
49:35 Accusing me of getting the maids and maids of this house to develop their tasks efficiently?
49:42 - The truth is that I did not expect a good honor on your part, Mr. Baeza.
49:46 But a reprimand seems excessive to me.
49:48 - No, I do not complain about the result, no. I complain about the method.
49:52 - And if it works, why do you recriminate it?
49:55 - Because we work with people. For God's sake. Not beasts.
50:00 They have their dignity and deserve their respect.
50:03 That is why you, Mr. Pellicer and I have to watch over them.
50:07 - Yeah. And you assume that I don't.
50:11 - You should know that no one ties those women to this house.
50:14 They can leave when they want.
50:16 And I am convinced that it would not take long to find someone who would like to replace them.
50:20 Women who are not afraid of hard work.
50:23 - You know perfectly well that it is not so easy to leave.
50:26 - So that's what it's about, right?
50:29 All this conversation is for Pia.
50:31 - No, no, no. That's only partially. I have received complaints from other maids and maids.
50:35 - Mr. Baeza, I understand the friendship that you have with Pia.
50:38 But in the same way, I hope you understand that I will not allow any favor to be done to her.
50:43 - No, I am not asking you for any favor.
50:46 But stop the humiliations and humiliation that you are subjecting her to.
50:50 - Now she is a maid and does the tasks of her position.
50:54 - Yes, from sun to sun and without rest.
50:56 - I repeat. If Pia is not satisfied, she can leave.
51:00 For me it would be a minor problem.
51:03 - You know perfectly well that Mrs. Adarre cannot leave La Promesa.
51:08 And you have forgotten that thanks to her you regained your position as personal maid of Mrs. Marquesa,
51:14 despite everything she did.
51:16 - The treaties to which she and Mrs. Marquesa came are not my business.
51:22 Nor is it yours.
51:23 - In this case, they are.
51:25 You know perfectly well that Mrs. Adarre would lose her son's maintenance if she left La Promesa.
51:31 That was the deal. You would get your job back and Mrs. Cruz would run with the expenses of the creature.
51:38 - That's right. And once again you are giving me the reason.
51:42 As you have explained so clearly, it is a Pia problem. But not mine.
51:48 [Music]
52:14 - Hanna, you are here.
52:16 - Where did you think I was?
52:17 - Or having breakfast, which is what you deserve.
52:19 - Well, I'm not very hungry. Why are you looking for me?
52:23 - Well, I was actually looking for Luisa.
52:27 - Me? Why?
52:28 - Well, because Mr. Baeza is handing out the mail and he heard that there was a letter for you.
52:33 So you see, I'll cover you with the iron.
52:35 - Don't worry, it will be from my mother.
52:37 - Oh, a mother doesn't make her wait. Come on, I don't care.
52:41 - What's up?
52:46 - Well, first you are going to tell me what is it that keeps your stomach so tight?
52:49 Like not having breakfast?
52:51 - The Marquis lady.
52:56 - What did that Pia do now?
52:59 - Well, yesterday I had to give him a massage by order of the Marquis.
53:04 - And you got a scab from the lizard?
53:06 - No.
53:07 I just realized how much he is suffering for being far from Manuel
53:13 and for not knowing anything about him. He's not even alive.
53:17 - Well, like another one I know.
53:19 Do you realize that your heart and that of the Marquis lady are beating the same?
53:25 - I don't think it's that bad either.
53:28 - Nothing would happen.
53:30 Besides, when Mr. Manuel returns, he will become your father-in-law.
53:36 - That's right.
53:41 Did I say something I shouldn't have?
53:43 - No, no.
53:45 Yes, that's how you have to think. You have to think that ...
53:48 Manuel is going to return, that I work too and ... and that's it.
53:52 But it is true that the letter that Mr. Lorenzo received was like a jar of cold water.
53:57 - Wait, I'm sorry, I forgot why I came to see you.
54:00 - Instead of asking for veal, we bought chicken and pork.
54:06 - But the ladies won't have any complaints because we make a great stew.
54:10 - And what do you want the food for?
54:12 - Well, we have tried to mix it with morta, corn or chickpea and the result of the bread is the same.
54:16 And we have already reduced costs.
54:18 - Romeo, do you think these are ways to enter the palace?
54:23 - No, sorry. - No, sorry, no. Explain yourself.
54:25 - Stop breathing.
54:26 - Salvador, what's going on?
54:27 - What's going on?
54:28 - Come on, Rascasi, I would say that you have seen a dead man.
54:30 - Gregorio, I have seen Gregorio.
54:32 - Impossible. That scoundrel was in Tres Rejas.
54:34 - He was at the door of La Promesa.
54:36 - Isn't that Mrs. Darre's husband?
54:37 - And the one who sends her a little more to the other neighborhood.
54:39 - What's coming?
54:40 - I assure you, nothing good.
54:43 - We want to prevent him from entering as he is, sir.
54:46 - Near La Promesa.
54:55 But no, no, no, he shouldn't be in jail.
54:57 - But he's out. That's why we have to be very careful.
55:00 - That soulless man has returned.
55:01 - Knowing him, he's a good guy.
55:04 - I know the obvious, Ignacio.
55:05 And the obvious thing is that you have been after that woman for months and you cannot formalize your relationship.
55:11 Your words are no longer enough.
55:14 - Well, they were enough with you, dear.
55:16 What happens is that Margarita has a lot more class than you.
55:19 You are not the one to talk to me like that.
55:21 I don't understand why you have those superiority airs.
55:23 Who do you think you are?
55:24 - I'm just Cruz's best friend.
55:26 But being a simple guest doesn't mean that I have to shut up when I see certain things.
55:29 - No, no, if it's about shutting up, it's clear that you don't practice it.
55:32 - You and I must help each other.
55:34 Because we are in the same boat.
55:36 And if we don't do it, no one here will.
55:40 You understand, right?
55:42 - What do you bring us, Lope?
55:46 - It's a very different jam than what people are used to trying.
55:49 - Let's see it. - Sir.
56:01 - But where did you get such a mess?
56:04 This is unedible.
56:05 - I have come back for her and for my son.
56:07 And with them, I will leave.
56:10 - Airey.
56:11 Don't step foot in this house again.
56:14 Neither you nor all the lackeys in this house will be able to stop me.
56:21 - What's going on? Two boyfriends can't kiss in this house?
56:24 - Not here.
56:26 Imagine that Mrs. Petra sees us making out.
56:28 - Well then we will have to find a quieter place where we can kiss.
56:32 - Look, I'm going to give you some advice.
56:34 If you really want to see her, you should be generous and be happy for her.
56:38 Because she is happy with me.
56:41 - Here I am.
56:44 Why did you want us to see each other alone?
56:47 - Well, because ...
56:49 I can't do this in front of everyone.
56:52 - What?
56:55 - I can't stay here and risk it!
56:57 - And what are you going to do then? Risk leaving the promise alone,
57:00 knowing that that German woman is out there?
57:03 Here you are protected.
57:05 You have to cross too many doors and risk too much before meeting us.
57:09 - My God, Mr. Baez, you are here.
57:12 - What's going on, Mr. Ruiz?
57:14 - Something has happened.
57:16 Something terrible.
57:20 Something terrible.
57:22 [To be continued...]
57:25 ♪♪