ғᴀᴛᴇᴅ ᴛᴏ ᴍʏ ᴄʀᴜᴇʟ ᴄᴇᴏ [ Hot Drama ]
ғᴀᴛᴇᴅ ᴛᴏ ᴍʏ ᴄʀᴜᴇʟ ᴄᴇᴏ [ Hot Drama ]
Category
🎥
Short filmTranscript
00:00:00What if the person you're looking for is me?
00:00:04Don't forget, I'm the one who hired you.
00:00:06Excuse me?
00:00:08I'm here for you.
00:00:10That's gotta mean that Algar is still alive, right?
00:00:12Oh my goodness.
00:00:14Don't forget, you are married too.
00:00:16What are you gonna do?
00:00:21So it was you.
00:00:23All this time.
00:00:26It might ruin him and his family.
00:00:28So be it.
00:00:29Where are you, little rock?
00:00:31I don't know who the fuck you are,
00:00:33but if you think you have a chance against me,
00:00:35you're dumber than I thought.
00:00:37I'm also looking for someone.
00:00:39Do you want to go somewhere more private?
00:00:41We can talk about the script.
00:00:45Stay out of my work
00:00:47and my personal life, Edward.
00:00:49Return.
00:00:59Hey, I want you to take you to my place, baby doll.
00:01:20Sorry, I don't do private dances.
00:01:22You'll strip for money, but you won't fuck a guy?
00:01:24I'm not a hooker. Show some respect.
00:01:27You fucking bitch.
00:01:29I'll show you respect.
00:01:31Mr. Morgan, I am so sorry.
00:01:33She's new here. I've got to train her better.
00:01:35Just have a seat. We'll be with you shortly.
00:01:37Sorry about that.
00:01:43You ungrateful bitch.
00:01:45Remember who saved your ass
00:01:47when you were knee-deep in debt?
00:01:49Me.
00:01:52How are we doing with the search?
00:01:54Not good, boss. I'm still going.
00:01:56Fine, nerd.
00:01:58I don't care what it takes.
00:02:03I found the perfect woman for you.
00:02:05It's about time you settle down and get married.
00:02:07Her name is Carla.
00:02:09She's the daughter of a friend of mine.
00:02:11Dad, we've been over this.
00:02:13I don't need you to find me the perfect woman.
00:02:15Of course I do. You're an artist.
00:02:17I have to make sure my son marries the perfect woman.
00:02:19So now all of a sudden you give a shit about me?
00:02:21You never care when you throw a bomb away?
00:02:23Or when you send me to that orphanage all by myself?
00:02:25Silence! How dare you?
00:02:27It's for the Ardoin family business.
00:02:29You're marrying Carla Jennings.
00:02:31End of discussion.
00:02:33Dad.
00:02:35Dad.
00:02:39I paid your 500 grand debt,
00:02:41and I gave you a job.
00:02:43Now if you want to quit so bad,
00:02:45pay me back!
00:02:47Pay me back!
00:02:49And get the fuck out of my club!
00:02:51As you know, I don't have $500,000.
00:02:53Just give me another chance!
00:02:55Then get the fuck back in there,
00:02:57apologize to that nice gentleman,
00:02:59and do whatever the fuck he tells you to do!
00:03:01Now if I get any more complaints from our clients,
00:03:03you will be sorry.
00:03:05Got it?
00:03:07Is there a problem here?
00:03:09No, sir. Everything's fine.
00:03:13She looks just like her.
00:03:17Will you marry me?
00:03:21Will you marry me?
00:03:27Will you marry me?
00:03:29Now let's tell my father
00:03:31I've chosen a wife for myself.
00:03:33Are you sure, boss?
00:03:35She's a stripper.
00:03:37How about we make a deal?
00:03:39Name any price you want,
00:03:41and we get married.
00:03:43I owe my boss $500,000.
00:03:45He's not going to let me go
00:03:47until I pay it.
00:03:51Anything else?
00:04:01This is your house?
00:04:03It's our house now.
00:04:05Welcome.
00:04:07All right.
00:04:09Sign this agreement,
00:04:11and we'll be contractually married for a year.
00:04:13After that,
00:04:15we'll file for divorce.
00:04:17Until then,
00:04:19you're part of the richest family in the country.
00:04:33That heart belongs to somebody else, though.
00:04:35I want you to know that I'm not attracted to you.
00:04:37We're just going to be married on paper.
00:04:41Is that so?
00:04:43Well, don't worry.
00:04:45I'm not attracted to you either.
00:04:47I just wanted the money.
00:05:01Hey, where are we staying, by the way?
00:05:03In the guest room.
00:05:09Total jerk.
00:05:11This is an ad.
00:05:19It's been over 10 years.
00:05:23I miss you so much.
00:05:33I miss you, too.
00:05:57Nos, I need you to find out everything you can
00:05:59about the woman I just married.
00:06:01The same woman as you.
00:06:17Sorry, I didn't mean to.
00:06:19This is my bathroom.
00:06:21What do you think you're doing?
00:06:23Nice try,
00:06:25but I need your little tricks to get my attention.
00:06:27It's not going to work, though.
00:06:29I wasn't trying to get your attention.
00:06:37Do you mind turning that off?
00:06:41I just thought the carpet needed some cleaning.
00:06:43You're here to be my wife,
00:06:45not a maid.
00:06:49Who are you?
00:06:53Wait, you're that stripper.
00:06:55What are you doing in Edward's house?
00:06:57I am? Who are you?
00:06:59I am Edward's fiancé.
00:07:05Edward, you're marrying a stripper?
00:07:07I thought I was your fiancé.
00:07:09My father arranged for us to get married
00:07:11only for the sake of our families.
00:07:13We wouldn't be happy even if we did get married.
00:07:15But I would be happy, Edward.
00:07:17Carla, you know I have someone that I love.
00:07:21She's the one I'm waiting for.
00:07:27I don't know who the fuck you are,
00:07:29but if you think you have a chance against me,
00:07:31you're dumber than I thought.
00:07:33Yes, get it straight.
00:07:35I'm not competing with you.
00:07:39Stop it.
00:07:41Edward, are you defending her now?
00:07:45I'm not a dumb bitch.
00:07:49Wow, you've got a lot of admirers, huh?
00:07:51Any more than to watch out for?
00:07:53Look,
00:07:55please see me in the living room.
00:07:57Don't show your face.
00:07:59Same will go for me.
00:08:01Your house, your rules. Big deal!
00:08:09Hi, I'm Velma.
00:08:13I've worked a lot of odd jobs
00:08:15in the city.
00:08:17Waitressing,
00:08:19and working in nightclubs.
00:08:21All for a chance
00:08:23to act.
00:08:29I'm also looking for someone.
00:08:35And
00:08:37I hope
00:08:39that one day
00:08:41he sees me on screen.
00:08:43That way he knows
00:08:45that I'm still here.
00:08:51Parker?
00:09:03Parker?
00:09:05I hope you see me.
00:09:07That's okay, Sarah.
00:09:09Velma doesn't need to die with me.
00:09:11Bring my food to my room
00:09:13and I'll eat there.
00:09:15Yes.
00:09:17It's fine.
00:09:19I usually don't eat with people anyway.
00:09:21By the way,
00:09:23I'm going out for a bit today.
00:09:25Where you go is none of my concern.
00:09:27I'm not going anywhere.
00:09:29I'm not going anywhere.
00:09:31I'm not going anywhere.
00:09:33I'm not going anywhere.
00:09:35Where you go is none of my concern.
00:09:39Fine.
00:09:43Is he always this big of a jerk?
00:09:45Excuse him, ma'am.
00:09:47He's just used to living alone.
00:09:49I'm sorry, Sarah.
00:09:51It must be difficult dealing with him every day.
00:09:53It's okay.
00:09:59Yeah.
00:10:01I'll be right there.
00:10:05Okay.
00:10:13Okay.
00:10:15Sit.
00:10:17So, I heard a funny little rumor
00:10:19that you married the famous billionaire
00:10:21Edward Arduin.
00:10:23Is it true?
00:10:25I didn't know that he was a billionaire
00:10:27until after our wedding.
00:10:29You're joking.
00:10:31How did you manage that?
00:10:33What?
00:10:35Who cares? What are you waiting for?
00:10:37Seal the deal.
00:10:39I know that I can't think about anyone but Al Gore.
00:10:41T, it's been 10 years
00:10:43since you two escaped the orphanage.
00:10:45Al Gore could be anywhere.
00:10:47He could be dead.
00:10:49He's not dead.
00:10:51Okay.
00:10:53It's okay. I'm sorry.
00:10:55So, what's your plan?
00:10:57Keep things the way they are, I guess,
00:10:59except now I can focus more on acting
00:11:01and not dancing in strip clubs.
00:11:03Hey, that's exciting, right?
00:11:05That's something you've always wanted to do since you were a kid.
00:11:07Is that audition today?
00:11:09Yes.
00:11:17Hi. I'm here for the audition.
00:11:21You think you can just show up like that, you slut?
00:11:27You slut.
00:11:29Are you stalking me?
00:11:31Oh, don't flatter yourself.
00:11:33I'm the lead of this production.
00:11:35She's not auditioning.
00:11:37You can't do this.
00:11:39I worked so hard for this opportunity.
00:11:41Oh, like stripping for men
00:11:43and fucking them in strip clubs?
00:11:45Got it.
00:11:47I was dancing. That's it.
00:11:49What's the fucking difference?
00:11:51I eat girls like you put them on breakfast.
00:11:53Let's go, Eric.
00:11:55No.
00:11:57Please.
00:11:59Wait.
00:12:05Be quiet.
00:12:25Come on.
00:12:45Boss.
00:12:47Get the details.
00:12:49Tell Mom.
00:12:51She went to high school not far from here.
00:12:53This is an audition for films.
00:12:55She worked at nightclubs to make a living.
00:12:57Bad relationship with her parents.
00:13:07But not an orphan.
00:13:09No name changes.
00:13:11And definitely never been to an orphanage.
00:13:13I wanted it to be her so bad.
00:13:15Of course, I can't be on it.
00:13:17You've been looking for this girl for ten years.
00:13:19Who is she?
00:13:21Someone more important to me than life itself.
00:13:23Deva.
00:13:25Of course, I can't be on it.
00:13:27You've been looking for the girl for ten years.
00:13:29Who is she?
00:13:31Someone more important to me than life itself.
00:13:45From the death of it.
00:13:47It is her.
00:13:49Whore house.
00:13:51Find a location where this photo was sent.
00:13:54Got it. Photo's been sent.
00:13:56Good. Where is she?
00:13:58Oh. Out like a light.
00:14:02I guess marrying Edward won't solve everything.
00:14:05How pathetic.
00:14:07Do whatever you want with her. I'm clean about it. Are you done?
00:14:21I've been searching for you for so long and you were right here.
00:14:51Boss, he's gone.
00:14:53Find him. Keep this between us.
00:14:55Got it.
00:14:56Oh, God, save me.
00:14:59Come on. I got you.
00:15:12Oh, God.
00:15:14I'm sorry.
00:15:17I can't tell you who I am. Not yet.
00:15:37We'll need new names once we're out of here, right?
00:15:41Yeah, we're starting a new life.
00:15:43I'll be Thelma. What about you?
00:15:47Algar. Helen, where are you?
00:15:52Let's run quick.
00:15:54Trying to escape again? I warned you it's not gonna work.
00:15:58Looks like I gotta get you out of here first.
00:16:00At least one of us needs to escape.
00:16:02No, you go.
00:16:03She's gonna kill you.
00:16:05I won't let her catch me. Just go. I'll find you.
00:16:08Let's meet at the amusement park.
00:16:14I'll wait for you, Algar.
00:16:20You're not going anywhere.
00:16:22I'll bring her back. Rest assured.
00:16:25After I'm done with you.
00:16:33I'll wait for you, Algar.
00:16:43What happened?
00:16:45Nothing to worry about. Just some issues with the film crew.
00:16:49Why are you being so nice to me?
00:16:52No reason.
00:16:54Here, take this card. It's unlimited. Spend it however you want.
00:16:59Why are you doing this? I don't want your money.
00:17:03Well, if you need money, just let me know and you can stop looking for odd jobs.
00:17:11Odd jobs?
00:17:14Acting is my dream.
00:17:16I danced in strip clubs for a living, but people like you, born from a silver spoon, wouldn't understand that.
00:17:24Then stop doing it.
00:17:26We're in a contract marriage, right?
00:17:29I won't interfere with your life and you can't meddle in mine.
00:17:33Acting is something that I've always wanted.
00:17:37And besides, I'm not going to take your money besides the number that we agreed on.
00:17:44You need to rest now.
00:17:49Do you mind?
00:18:08Look at this mess.
00:18:11Clean it up if you even think about going to bed.
00:18:29Eat up. You must be starving.
00:18:32No. They probably worked hard for this.
00:18:36Come on, take it.
00:18:42I can't believe she locked you up for three days and made you do all this.
00:18:46Did she even feed you at all?
00:18:48You made it easier for me.
00:18:50Now, get back before she sees you here.
00:19:06Excuse me, I'm calling to ask about my audition.
00:19:10I'm sorry, your name has been blacklisted for reproduction.
00:19:14What?
00:19:20This is the due date of the film, I'll send you the script.
00:19:36How about a drink?
00:19:38There are two glasses of scotch there. Pick one.
00:19:42I'm sorry, I'm sorry.
00:19:44It's just a friendly gesture from the boss.
00:19:49One more thing, only one of those glasses is poison proof.
00:19:54You should have known better what would happen if you kidnapped Emma.
00:19:59Here, I'll do it for you.
00:20:01Hold it.
00:20:04Go!
00:20:07Go!
00:20:22This is what I've become, Thelma.
00:20:26I hope you never see me like this.
00:20:30Ruthless, merciless.
00:20:34Both glasses, you silenced the man.
00:20:38I simply can't forgive him for what he did.
00:20:44Thelma, will you forgive me?
00:20:54What the fuck happened to you? How did he find you? What happened?
00:20:59Oh, you can't even talk now?
00:21:01God, you're fucking useless.
00:21:05Inform every production you can reach, Thelma will never be an actress.
00:21:12Make sure of it.
00:21:15Go!
00:21:17Go!
00:21:28Are you okay?
00:21:31I've been blacklisted by every production company, even the Actors Guild.
00:21:36What am I gonna do?
00:21:38Hey, don't lose heart, okay? I happen to know of an audition going on today if you're interested.
00:21:42Since when?
00:21:43A good friend of mine took me on.
00:21:45Let's go.
00:21:46Right, it's better than moping around here.
00:21:51Here it is.
00:21:53So I can just go in there, just like this?
00:21:56Yes, I got everything set up, okay? Just go ahead, go in, and do your thing.
00:22:01You got this.
00:22:02Break a leg!
00:22:15What is she looking at?
00:22:22Who is she?
00:22:24Nobody.
00:22:25She's not here for the audition, too, is she?
00:22:28Well, in that case, we'll ring for a treat.
00:22:34Come on, Jenny, you're up next.
00:22:41Watch it.
00:22:46Ahem.
00:22:54I can't believe it! It was you all along!
00:22:59That's right. I never thought you'd find me, but it must come to an end.
00:23:07Oh, no!
00:23:16Cut!
00:23:20I'm sorry, were you shot, or did someone just step on your toe?
00:23:25Can you just try again? I was just a bit nervous.
00:23:29Miss Jennings, we are making a thriller with a tragic ending.
00:23:33What you just did was borderline comedy.
00:23:36Excuse me, do you know how close I am with your investor?
00:23:41Do you know how close I am with your investor?
00:23:45Sir, she was indeed recommended for the role.
00:23:50May we give her another chance?
00:23:57Oh, no! No, no, no, no, no.
00:24:00We are creating art that appeals to our audience, and she is clearly not right for the role.
00:24:06Next!
00:24:08I'm sorry, Miss Jennings, that was great.
00:24:10Maybe another project, or another...
00:24:15What are you still doing here? I thought you were a blacklist.
00:24:18So it was you. You know, if that's the best you've got, then I'm not that worried.
00:24:23You think you can do better than me? You're nothing.
00:24:29Yeah, show us what you've got.
00:24:32Thelma?
00:24:35Hi.
00:24:40Hi.
00:24:48So it was you. All this time.
00:24:52That's right. I never thought you would find me.
00:24:58But now it must come to an end.
00:25:02No. This can't be it for us.
00:25:11Cut!
00:25:14Well, that was amazing!
00:25:18You fully captured that role.
00:25:21Congratulations, you get the part.
00:25:24What?
00:25:30What about me? You promised me!
00:25:32Oh, come on. You have to admit, she was exceptional.
00:25:35She's perfect for the part.
00:25:37Pearl, you killed it.
00:25:40You were great. I'm Alex.
00:25:43Looks like we're going to be Z-Burgers.
00:25:45Thelma.
00:25:46Hey, do you want to go somewhere more private? We could talk about the script.
00:25:49Yeah, sure.
00:26:03What the fuck? I'm hitting on the wrong girl, buddy.
00:26:06Edward, what are you doing?
00:26:09I need to go talk to Thelma. How about you shoot another day?
00:26:17What are you doing?
00:26:19Can you explain yourself?
00:26:20I don't owe you any explanations.
00:26:23So you're seeing new guys?
00:26:27What? No! We were just acting out a scene.
00:26:30A scene where you two get real close? Like a couple?
00:26:33I was just doing my job. There's nothing wrong with it.
00:26:36And besides, even if I was seeing someone, it would be none of your business.
00:26:48I heard you got the lead role. That's amazing.
00:26:52I knew you'd kill it.
00:26:54What is Edward doing here?
00:26:56Come on, you know who I'm talking about.
00:26:59Oh, um, gosh, you still don't know, do you?
00:27:02Know what?
00:27:05Well, he's actually the investor of this movie. This is his project.
00:27:16Why did you bring me here then?
00:27:18Well, it was actually his idea.
00:27:24Hello?
00:27:26Hi, is this Gene?
00:27:28Who is this?
00:27:29This is Edward Ardowin.
00:27:31I recently invested in a film project, and I want you to take your friend, Thelma.
00:27:35I think she'll be great for a lead role.
00:27:37Wait, you're Edward Ardowin?
00:27:40I wired the payment to your account. Thank you.
00:27:43Wait, wait, wait!
00:27:47I still can't believe I spoke to the legendary Edward Ardowin.
00:27:52I can't believe you knew all this time and you didn't tell me.
00:27:55Oh, don't look at me. I'm just the middleman doing somebody else a favor, okay?
00:28:00And you still have the lead. It's amazing.
00:28:04But, you know, a lot of people say that Edward's not very nice.
00:28:08He's like a stone-cold man.
00:28:10Why is he being so good to you?
00:28:13Yeah, I don't get it either. I mean, women must be throwing themselves at him.
00:28:18Why would he help me?
00:28:26Maybe he's fallen for you.
00:28:29Come on, that's impossible. He said some pretty harsh stuff earlier, so...
00:28:34Wow, is that why you look all gloomy?
00:28:37What happened? Did you guys fight?
00:28:39He saw me doing a scene with another actor, and...
00:28:49Why do you care what he thinks, though?
00:28:53Come on, girl, this does not sound like you.
00:28:56Are you sure you haven't fallen for him, too?
00:28:59No, it's just...
00:29:01There's something about him that's...
00:29:04familiar, like...
00:29:06Like...
00:29:08I've seen him before.
00:29:10Hmm.
00:29:22Hey.
00:29:30Thank goodness you're here, Helen.
00:29:32This place is depressing.
00:29:34I don't know if I can make it without you.
00:29:37You're the one protecting me.
00:29:40I can't stand watching you getting hurt.
00:29:42You're as sweet as a sugar pea.
00:29:44Can I call you sugar pea?
00:29:45Sure, as long as I can call you my little rock.
00:29:49My little rock?
00:29:50Because you make me feel safe.
00:29:52Like a rock I'll never break.
00:29:55Do you?
00:30:03Talker.
00:30:06What have you done to me?
00:30:12I just see your face everywhere.
00:30:21I'm good.
00:30:23Just in time.
00:30:31Dang it.
00:30:34Why are you being so nice to me?
00:30:40Look, I'm sorry about today.
00:30:43It was stupid of me to react that way.
00:30:48No, I mean...
00:30:50Why did you help me get the role for your film?
00:31:01Well, you won't take my money.
00:31:04And I can't allow the wife of Edward Ardoin to just work a regular job.
00:31:11Oh, okay, so that's why.
00:31:15We're all rich people, that's all.
00:31:17What was that?
00:31:18Nothing.
00:31:19This is great.
00:31:25You know, you can be real sweet sometimes.
00:31:28This is delicious.
00:31:31I'm glad you like it.
00:31:33Sweet pea.
00:31:38Good morning, madam.
00:31:40Edward has left already.
00:31:42Thank you.
00:31:43Oh, I saw you were cooking last night.
00:31:46I watched your utensils.
00:31:48Oh, yeah.
00:31:49It was Edward.
00:31:52He's the cook.
00:31:53Edward.
00:31:54I gotta go.
00:31:56Okay.
00:31:58Okay.
00:32:03What is going on?
00:32:05What are we waiting for?
00:32:06Let's get started.
00:32:07One of our lead roles is not here yet.
00:32:11You know what?
00:32:12I ask everyone here is to be professional.
00:32:17Sorry, guys.
00:32:19Traffic was nightmare.
00:32:21All right.
00:32:22I'm ready to start.
00:32:23Wait, I thought that she didn't get the part.
00:32:26Well, how about that?
00:32:27Looks like I'm going to be playing her.
00:32:32After this, nobody's going to remember you.
00:32:35We'll see about that.
00:32:3842, take two.
00:32:41Ready.
00:32:42And act.
00:32:44You have to leave now.
00:32:46Not without the love of my life.
00:32:48I'll wait for him no matter what.
00:32:55Oh, God.
00:32:57What do you think you're doing?
00:32:59I'm just playing my role.
00:33:03Carla.
00:33:05What the hell was that?
00:33:07That wasn't even in the script.
00:33:09I was just adding some extra touch to it.
00:33:11You know, for the sake of art.
00:33:13Art?
00:33:14This slap doesn't make any sense.
00:33:16And who gave you the authority to change my script?
00:33:21It's fine.
00:33:22She can edit.
00:33:23Oh.
00:33:25Thelma, are you sure about that?
00:33:27It's all good if it's all for the sake of the effect.
00:33:31Wow.
00:33:32I knew I was right in choosing you as my lead.
00:33:36Okay.
00:33:37Back to one, please.
00:33:39Yes, thank you.
00:33:40Can you pick up my script?
00:33:42And action.
00:33:44You have to leave now.
00:33:46Not without the love of my life.
00:33:48I'll wait for him no matter what.
00:33:52Edward.
00:33:57Good to see you here.
00:33:59Were you watching me?
00:34:01You and Thelma make a perfect team, don't we?
00:34:04Jay, have these two switch roles.
00:34:06I want Thelma to do the slapping.
00:34:09Since it's all for the sake of art.
00:34:18But Thelma is the lead.
00:34:20Yeah, that wouldn't make any sense.
00:34:22We can't make more changes to the script, Ed.
00:34:24We're already behind.
00:34:26You better get right to it then.
00:34:28You don't have to do this for me.
00:34:30I'm not doing it for you.
00:34:32I'm doing it for my own investment.
00:34:38All right.
00:34:40We have added a line to the script.
00:34:43So now, Thelma,
00:34:46Carla's new line will be your cue for the slap.
00:34:50Got it?
00:34:52All right. And...
00:34:55Action.
00:34:56You have to leave now.
00:34:58Not without the love of my life.
00:35:00I'll wait for him no matter what.
00:35:02But what if he's dead?
00:35:03What if he finds somebody else?
00:35:05You're just gonna spend the rest of your life
00:35:07waiting for someone who will never come?
00:35:14Then I'll be sure to leave no room for regret.
00:35:19Cut.
00:35:21Oh, bravo.
00:35:24That was perfect, Thelma.
00:35:26You handled that perfectly.
00:35:28Thelma, where are you next
00:35:30when you flush Carla after the line?
00:35:32Uh, no need for that.
00:35:34I think that my character is above that kind of pettiness.
00:35:45I'm going to expose you, Thelma.
00:35:48Sooner or later.
00:35:57Where are you, my little rock?
00:36:01I'm doing fine.
00:36:03Don't you worry.
00:36:07You know it's bad to waste food.
00:36:09Do you think you deserve to be punished?
00:36:11Yes, headmistress, I do.
00:36:14Pam, for heaven's sake, that's what she could have finished.
00:36:17Isn't that sweet?
00:36:19Too bad.
00:36:20She's getting more punishment because of you.
00:36:23Isn't that sweet?
00:36:25Well, if you so insist, you can take it from her.
00:36:28Oh, get off me.
00:36:31Sorry.
00:36:44Found the worker who leaked info to our computer.
00:36:47A manager who's worked with us for 20 years.
00:36:50What do we do with him?
00:36:52Uh, fire him.
00:36:55So, if we need to,
00:36:57we can't have disloyalty in the company.
00:36:59It might ruin him and his family.
00:37:02So be it.
00:37:04All right.
00:37:20All right.
00:37:50Elker?
00:37:56Elker?
00:38:21Where's my...
00:38:33Oh, no, no, no.
00:38:50Morning.
00:38:52What are you doing?
00:38:54Nothing.
00:39:02Nothing.
00:39:07I carried you to your bed last night, and that was it.
00:39:13No, seriously, what are you doing?
00:39:16Nothing, sweet pea.
00:39:18What did she just call me?
00:39:20Uh, sweet pea,
00:39:24you said in your sleep last night.
00:39:29I see. Well, don't ever do that again.
00:39:32Sure.
00:39:35Hi.
00:39:37Could you maybe explain this scene a little bit?
00:39:40I'm not sure if I get it.
00:39:42I mean, it is pretty straightforward.
00:39:44Just do what it says without improvising.
00:39:48Velma,
00:39:50you were so great yesterday.
00:39:53I want to go over this one part of the scene
00:39:56that I want you to do without improvising.
00:39:59Okay.
00:40:01You were so great yesterday.
00:40:03I want to go over this one part.
00:40:05Now, when you say this line about...
00:40:08We'll see who wins.
00:40:11Nurse, what am I doing this afternoon?
00:40:14Well, it's kind of a very important meeting.
00:40:18Did you forget?
00:40:20Cancel. Send her my apologies.
00:40:23What?
00:40:25So, what do you normally do when you're not working?
00:40:28Uh, I do striptease.
00:40:30Oh.
00:40:32I was thinking more along the lines of going to the movies.
00:40:36There's actually a good one out right now.
00:40:38I mean, maybe if you're interested,
00:40:40we could try to catch it together.
00:40:42Sorry, but I really need to focus on this job right now.
00:40:45Oh, yeah. Sure, sure.
00:40:47You're a really interesting person to talk to.
00:40:50You know that?
00:40:52Edward!
00:40:54Are you here to see me?
00:40:57Are you feeling bad?
00:40:59Oh.
00:41:01Edward?
00:41:03It's not for you. I'm sorry.
00:41:05Why is she still talking to me?
00:41:07Go put the snacks in the lounge.
00:41:09Okay, boss.
00:41:15Edward?
00:41:17What's your name again?
00:41:19Actually, it doesn't matter.
00:41:21What were you talking to my wife about?
00:41:28Oh.
00:41:30Thelma, I had no idea that you were married.
00:41:34Um, oh, don't worry about it, man.
00:41:36We were just talking about stuff in the script.
00:41:38Is that right?
00:41:40Hey, so you must be Edward Arwin.
00:41:43I've heard a lot about you.
00:41:45I'm Alex.
00:41:46Cool.
00:41:47Bye, Alex.
00:41:48Great, yeah.
00:41:50I'll see you later, Thelma.
00:41:52No, you won't.
00:41:54Good, you guys are all here.
00:41:56Edward brought snacks.
00:41:58They're in the lounge if anyone wants them.
00:42:00Yes, I'll come.
00:42:03Snacks.
00:42:08Edward doesn't usually come to set this often.
00:42:10He's quite the busy man.
00:42:12I think he's here to see you.
00:42:14He's here to see Carla, not me.
00:42:16Oh, please.
00:42:17Can you not see the way he looks at you?
00:42:19Whatever.
00:42:21Oh, speak of the devil.
00:42:23I will give you two some privacy.
00:42:26No, don't.
00:42:34You're getting out of hand.
00:42:36Don't forget, I'm the one who hired you.
00:42:38Excuse me?
00:42:40Stay away from Alex.
00:42:41Got it?
00:42:42What are you talking about?
00:42:43There's nothing going on between us.
00:42:45Besides, you came here to see Carla.
00:42:50So you're jealous.
00:42:52What are you talking about?
00:42:53I'm not jealous.
00:43:03What are you doing?
00:43:05Carla and I aren't together.
00:43:07I'm here for you.
00:43:09You really expect me to believe that?
00:43:11Don't.
00:43:17Yeah, girl?
00:43:20What?
00:43:24What?
00:43:28Jane, are you absolutely sure?
00:43:30Yes, positive.
00:43:32I used to know this guy from the streets, and he and Algar drifted around for months.
00:43:36So where is he?
00:43:38Well, they later got separated, so he has no idea after that.
00:43:42But that's got to mean that Algar's still alive, right?
00:43:45Oh, my goodness.
00:43:47Thank you so much.
00:43:48You have no idea how much this means to me.
00:43:50It's been ten years.
00:43:53Don't forget, you're married, too.
00:43:56What are you going to do?
00:43:58I'll divorce him once our contract is up.
00:44:01I needed the money.
00:44:03Algar will understand.
00:44:05I know.
00:44:06Edward seemed really into you.
00:44:09Actually, Jane, I think I should keep my distance from him.
00:44:23You okay?
00:44:25Yeah.
00:44:29Want to tell me what happened?
00:44:32I just want to be alone for a bit, okay?
00:44:36Is this about Carla?
00:44:38I told you, I went to see you, not her.
00:44:41Edward, I don't care who you're seeing.
00:44:44We're only married on paper, right?
00:44:48Is this because we're moving too fast?
00:44:57Is this about Carla?
00:44:59I told you, I went to see you, not her.
00:45:02Edward, I don't care who you're seeing.
00:45:05We're only married on paper, right?
00:45:09Is this because we're moving too fast?
00:45:14I just think that we should keep our distance.
00:45:18Please.
00:45:25Thought she was playing hard to get, huh?
00:45:28Maybe she doesn't want to see you.
00:45:30I mean, why would anyone reject you?
00:45:33It's impossible.
00:45:35Come on, let's get to the set.
00:45:39Hey, Phil.
00:45:41You'll be wearing this dress for the next scene.
00:45:44Is that okay?
00:45:45That's fine.
00:45:48So you think you can just take whatever you want?
00:45:55I thought this was my personal changing room,
00:45:58like it's your personal changing room,
00:46:00like it's always been.
00:46:02Carla, this room is for the lead role.
00:46:04Yours is outside.
00:46:07Actually, I'm all done here.
00:46:09Carla loves taking things that aren't hers.
00:46:11Be my guest.
00:46:13Use it.
00:46:16Aren't you quite generous, then?
00:46:19Edward's not here, so you can drop the act.
00:46:21We actually need to get back to work,
00:46:24if there's nothing else.
00:46:25Actually, I can finish my makeup myself.
00:46:32Go on, what do you want to talk about?
00:46:34Let's make a deal.
00:46:35A deal?
00:46:39Who the fuck do you think you are?
00:46:42Well, as far as I know, I'm Edward's wife.
00:46:49Got no deal.
00:46:50Stop picking fights with me.
00:46:52Stop giving me a hard time on set,
00:46:54and I won't take anything away from you.
00:46:56I'll actually help you with whatever you and Edward have going on.
00:47:02Alright, deal.
00:47:04I'm done with this room, by the way.
00:47:06It's yours if you still want it.
00:47:08I don't need your pity!
00:47:23Don't you have, like, business to run?
00:47:25What are you doing here all day?
00:47:28Hey, um...
00:47:30Actually, about what happened,
00:47:32I think that we should talk.
00:47:35Why don't you meet me in the lounge after we wrap up?
00:47:38Why can't we talk now?
00:47:40Why don't we stay at the Espresso?
00:47:42See you later.
00:47:52What is she wearing?
00:47:55What does she want to talk about?
00:47:58Does she not want to see me?
00:48:00Hi, Edward.
00:48:03Carla?
00:48:05Why are you here?
00:48:07Where's Thelma?
00:48:08Where should I be?
00:48:10Maybe we can have a little squirt?
00:48:13What are you doing?
00:48:15Are you trying to set those two up?
00:48:17Yeah, and if they're together,
00:48:19then they'll have nothing to do with me.
00:48:22Sounds like a terrible idea.
00:48:24Well, if you have a better idea,
00:48:26then let's hear it.
00:48:30Edward!
00:48:33If they're together,
00:48:35then they'll have nothing to do with me.
00:48:38Well, as long as you're okay with this.
00:48:41Of course I am.
00:48:43Why wouldn't I be?
00:48:45I mean, now I can just
00:48:47focus on what really matters,
00:48:49and I can try to find Algar.
00:48:52Edward!
00:48:54What the fuck are you doing?
00:49:03Look, whatever games you're playing,
00:49:05you need to stop.
00:49:06What are you talking about?
00:49:08You came here to see Carla, right?
00:49:10Thelma, come on.
00:49:12Edward, we're going to be divorced really soon.
00:49:15So?
00:49:16So if you're attracted to somebody,
00:49:18go for it. I want you to be happy.
00:49:20The only person I love is you.
00:49:26Edward, how could you?
00:49:30Everything I do for you, Carla,
00:49:32I do for your father.
00:49:34He looked out for me, so this is me
00:49:37paying him back.
00:49:40Thank you.
00:49:45I'm already in love with somebody else.
00:49:48It's never going to be you.
00:49:50But if that man didn't exist, would you consider me?
00:49:53Stop it, Edward. It's never going to happen.
00:50:01What do I do, Algar?
00:50:03I know you're out there.
00:50:05What do I do?
00:50:09What do I do?
00:50:19Boss, you've been here for a while.
00:50:21Is everything okay?
00:50:25Why don't you tell her
00:50:27you're the one she's looking for?
00:50:30Do you remember what I did
00:50:32to return to the Ardwick family?
00:50:40About Algar...
00:50:42Are you telling me
00:50:44that Mr. Ardwyn knows
00:50:46his illegitimate son is Algar?
00:50:49Yes.
00:50:50And now the old man wants him back.
00:50:54Another brat to share their inheritance.
00:50:57If I could only get rid of his mother,
00:51:00getting rid of him shouldn't be a problem.
00:51:03Madam, it's our fault.
00:51:05Please don't withdraw your donation to the orphanage.
00:51:08If we work together on this,
00:51:10I could even help you.
00:51:14Get rid of Algar.
00:51:16For God's sake.
00:51:22Take care of it.
00:51:24But make sure you release it.
00:51:29Shall I go to the Rose Garden?
00:51:31Yes.
00:51:33Shall I go to the Rose Garden?
00:51:35Yes, please, sir.
00:51:37You have to see it, sir.
00:51:43I got rid of the woman who killed my mother
00:51:46and sent me to an orphanage.
00:51:49I eliminated everyone associated with her
00:51:53over the years.
00:52:00I did whatever it took
00:52:02to gain my father's approval,
00:52:05secure my inheritance.
00:52:07My methods were ruthless.
00:52:10My conscience,
00:52:12callous.
00:52:14You did what you had to do.
00:52:17Now I'm a different man,
00:52:19a monster she doesn't even recognize.
00:52:23If she finds out this is the man she's been looking for all these years,
00:52:26it'll drive her away.
00:52:29I can't lose her again.
00:52:34So it was true?
00:52:42Argon and I,
00:52:45we roamed the city for a winter and
00:52:49a lot of people say he made some enemies.
00:52:52One night, under the bridge where we slept,
00:52:55he got stabbed
00:52:57and he died.
00:52:59No.
00:53:01You're mistaken.
00:53:03He always had a ring with him.
00:53:05It was a nice ring.
00:53:07I think it had the letters A and H on it.
00:53:12I told him he could
00:53:14pawn it for a few bucks, but he just kept it with him.
00:53:19No, he can't just be gone.
00:53:21He can't just be gone!
00:53:23It's okay.
00:53:27It's okay.
00:53:33Oh, Belma!
00:53:35Sweetie, what's wrong?
00:53:37Oh my God, baby, you haven't eaten in three days.
00:53:41Can I get you something?
00:53:43Anything?
00:53:45This is not good for you.
00:53:50It's okay.
00:53:54This is my fault.
00:53:57You're burning up.
00:53:58The doctor said it was from emotional distress and not eating.
00:54:04Go make her something to eat.
00:54:06I'll stay with her.
00:54:07Yes.
00:54:15You need to get some rest and let me handle this.
00:54:18No, it's okay.
00:54:19Leave it to me.
00:54:21Look, I know you care,
00:54:23but I've never seen you do this for anyone.
00:54:26You know, later we're here,
00:54:27she'd be heartbroken to see you this exhausted.
00:54:31Don't worry about me, Sarah.
00:54:33You can go now.
00:54:45I'm not hungry.
00:54:50Please eat and get better.
00:54:56Okay.
00:55:19Belma!
00:55:20Oh my God, are you okay?
00:55:22I've been trying to call you for like ten times.
00:55:24You haven't done something stupid, have you?
00:55:26I can't find a reason to go.
00:55:29Stop saying that, okay?
00:55:32Don't listen to what that guy said.
00:55:34He doesn't know what he's talking about.
00:55:36They never found Alger's body.
00:55:38Maybe he's still alive.
00:55:41You've waited ten years, okay?
00:55:44You sure you're gonna give up now?
00:55:46Don't you want to find out the truth for yourself?
00:55:49Yeah, you're right.
00:55:52I should keep going.
00:55:54Good.
00:55:55Now go get some sleep and get back to set, girl, okay?
00:55:58That is something that you've always wanted,
00:56:00and you're not gonna screw it up, alright?
00:56:03Yeah.
00:56:05I understand.
00:56:08I'll keep going for Alger.
00:56:12I want the Fitz 10.
00:56:15You got the thing ready?
00:56:18Sure I would take the job.
00:56:22Great.
00:56:24Don't mess this up.
00:56:26That is perfect.
00:56:28Coming!
00:56:39Uh, you wanted to see me?
00:56:41Yes.
00:56:42It is about the seamer's job.
00:56:44We will be using this as a prop.
00:56:48So once the safety is tipped off,
00:56:50the blade will go back inside itself upon impact.
00:56:53So don't worry, it's not gonna hurt you.
00:56:55See?
00:56:56Nice.
00:56:59Exactly.
00:57:05Thelma, Carla, all set?
00:57:08All departments ready?
00:57:12And action!
00:57:18Wait!
00:57:20Cut, cut, Edward!
00:57:22Are you okay?
00:57:23Oh God, how did this happen?
00:57:27Edward, don't die on me.
00:57:29Please.
00:57:31I know that my past is complicated
00:57:33and I'm not worthy of your time or your love.
00:57:37What makes me so special?
00:57:42Okay, I admit,
00:57:44Okay, I admit,
00:57:46I think somewhere along the way I became attracted to you.
00:57:50And I know that you keep this stone-cold face,
00:57:53but I know that that's not the real you.
00:57:58Please,
00:58:00show me the real you, let me in.
00:58:06Edward!
00:58:14What are you doing?
00:58:15That's not funny, I was worried sick!
00:58:16What's the matter with you?
00:58:18How else could I get such a lovely monologue?
00:58:21Okay, you know what?
00:58:22I'm gonna go get a doctor.
00:58:23No, no, no.
00:58:24I'm fine.
00:58:26No.
00:58:27Look, not even a scratch.
00:58:29Just need a minute.
00:58:30Are you sure?
00:58:31It seemed pretty serious.
00:58:33Yeah, the knife didn't even get to me.
00:58:36Something blocked it.
00:58:38Really?
00:58:39Where is it?
00:58:40Nothing.
00:58:42I'll find out what happened to Dick.
00:58:44Meanwhile, be more careful on set, yeah?
00:58:48No, don't worry about it.
00:58:50You're the patient, just rest up now.
00:58:53I heard everything you were saying, by the way.
00:58:56Okay, you know what?
00:58:58I'm really getting you a doctor now.
00:58:59Just shut up.
00:59:01You know what?
00:59:12You saved my life.
00:59:16How are you doing, boss?
00:59:19Not too shabby.
00:59:21So, what do you plan to do with Carla?
00:59:25Carla?
00:59:27Almost forgot.
00:59:29Let's get her back.
00:59:33I'm not sure what we're gonna do after your little incident.
00:59:37I'm sorry, I wasn't thinking.
00:59:39It won't happen again, I promise.
00:59:41Jay, get a replacement for her role.
00:59:43She's done.
00:59:50Edward, what are you saying?
00:59:51I told you to stop pulling these tricks behind my back.
00:59:54I didn't do anything.
00:59:56Don't listen to her, she's making it all up.
00:59:58Carla had someone on the prop team switch the fake knife with a real one.
01:00:02She almost killed Thelma and myself.
01:00:05Edward, I'm sorry, I messed up.
01:00:08Please, please give me another chance.
01:00:10I've given you plenty of chances.
01:00:14Really, Edward?
01:00:16After all these years?
01:00:18Please stop embarrassing yourself.
01:00:24Doing all of this for a man, I hope it's worth it.
01:00:28Edward, you know everything I did is because I love you.
01:00:33If you try hurting her again, you will be sorry.
01:00:43Hand her over to the police.
01:00:48Well, now that that's over, we should talk about what you said to me earlier.
01:00:53Which is what?
01:00:55That you were attracted to me.
01:01:15What if the person you're looking for is me?
01:01:21Don't be ridiculous.
01:01:24Besides, you come from a rich and powerful family, and he's an orphan.
01:01:29Like me.
01:01:32And he's incredibly kind.
01:01:34He wouldn't even step on an ant.
01:01:38I can't say the same thing about you.
01:01:43People can change.
01:01:45I'll never stop searching for him.
01:01:48I'm afraid that you can't stop me.
01:01:56Am I even worthy of love?
01:02:06You're a billionaire.
01:02:08I'm sure that there's plenty of women fighting over you.
01:02:12Yes.
01:02:15I stand by what I said.
01:02:18I don't think that this Edward is the real you.
01:02:23Do you remember when we first met?
01:02:26You saved me.
01:02:28You're a good person.
01:02:31You're kind to Nos, to Sarah.
01:02:36You'll find the love that you deserve.
01:02:44He's gone.
01:02:49I waited ten years and he's just gone.
01:02:56Do you like the man I have now?
01:02:58It doesn't matter. We're getting divorced in a year.
01:03:05If I give you all my properties and assets, can we not get a divorce?
01:03:14No.
01:03:36My head.
01:03:39Do you remember what happened?
01:03:48He said something about money and assets.
01:03:53And then after that, not a thing.
01:04:03Okay, back to work. Come on.
01:04:10Hey, can we talk?
01:04:14I heard you've been looking for someone.
01:04:16Yes.
01:04:21I believe this could be helpful.
01:04:24This place is reopening soon.
01:04:28I'd like for you to come.
01:04:30What does this have to do with the man I'm looking for?
01:04:34You'll see.
01:04:37Okay, I'll go.
01:04:39Good. I don't want this to spoil the place.
01:04:43What does this have to do with Edward?
01:04:45You'll see.
01:04:49Look at that. See?
01:04:51Oh my God.
01:04:52Yes, I trust you.
01:04:53Guys, we're blowing up.
01:04:54What do you mean?
01:04:56After we posted the behind the scenes, we went viral.
01:04:59Selma became a sensation.
01:05:01She's now trending number one, big star.
01:05:04Trending? Does this mean more money?
01:05:06Of course it does, and that is just the easy part.
01:05:10I was thinking about my next movie, and I want you to be in it.
01:05:15Wow, this is a dream come true.
01:05:18And we're having a wrap party at the hottest bar tonight.
01:05:22All right.
01:05:23You'll wonder who's so generous.
01:05:26Thank you.
01:05:34Boss, about this new contract...
01:05:36Do you think Selma will be surprised by the party I'm throwing for her?
01:05:39Oh, definitely.
01:05:41So should I pick her up, or do I just show up at the party?
01:05:45You don't do this often, do you?
01:05:56Great party, Edward.
01:05:58It'll only be fitting, right?
01:06:00Not entirely bad.
01:06:03So, thank you.
01:06:06How would you like to thank me?
01:06:08Sorry, everybody, attention, attention.
01:06:11Thank you, thank you.
01:06:13First off, this has been an amazing, amazing night.
01:06:19Attention, thank you, thank you.
01:06:21First off, this has been an amazing three months.
01:06:26I'd like to thank everybody in here.
01:06:29And up here is to it, you, success.
01:06:34Cheers.
01:06:38And now, a few words from Edward, the man, the big boss.
01:06:43Without him, none of this would be possible.
01:06:46Thank you all so much.
01:06:48I just want to say how grateful I am for the opportunity.
01:06:52Jay is an exceptional director.
01:06:55His casting, remarkable.
01:06:58Selma's performance in particular, out of this world.
01:07:02And I'd like to take this moment to tell her that I'll always be there to support her.
01:07:08Cheers.
01:07:13Selma, the superstar!
01:07:15Stop it.
01:07:17By the way, do you think Alker will watch my new show?
01:07:20Do you think he'll recognize me?
01:07:22No.
01:07:23Selma, I know this is really hard to hear, but you've got to let him go.
01:07:29Alker's gone.
01:07:31I'm not giving up until I know for sure.
01:07:34Hey! Let me out!
01:07:47Selma? Are you quitting?
01:07:55What are you talking about?
01:07:56Production told me you turned down Jay's new project.
01:07:59And you didn't show up for any of the promo events.
01:08:02What new project is this about? Who told you this?
01:08:05Oh. Oh no.
01:08:08It couldn't be Edward.
01:08:11Could it?
01:08:13Edward?
01:08:15So, he turned it down and he told everybody that I quit?
01:08:20Maybe he thought it was for your own good?
01:08:22Interfering with my career without telling me?
01:08:25How is that for my own good?
01:08:32Mr. Ardwin is in a meeting right now.
01:08:34Get out of my way.
01:08:36Apologies, gentlemen. Let's take a break.
01:08:39We'll continue this afternoon.
01:08:44Did you turn down the offer for my new film?
01:08:52Can you explain?
01:08:53This will terminate our contract marriage.
01:08:55The deal is over.
01:08:58What do you mean?
01:08:59I'll pay the penalty for breaching our contract.
01:09:02Once it's settled, I don't want you meddling in my life anymore.
01:09:05You almost got hurt on set.
01:09:07I was trying to protect you.
01:09:09I don't need your protection, okay?
01:09:11I can look out for myself. This is my life.
01:09:14You're making a big mistake here.
01:09:17Just stay out of my work and my personal life, Edward.
01:09:21I'm done.
01:09:28Hey, it's Thelma. Can I see you real quick?
01:09:34Thelma, you're very talented.
01:09:37It was such a shame you gave up.
01:09:40But I knew you had it in you from the start.
01:09:44I saw it in you all the way.
01:09:47Thank you.
01:09:49Now I strictly get to make decisions for myself.
01:09:54Now, let's see this next project.
01:09:56Next project. Next project.
01:09:58Here it is.
01:10:02What do you think?
01:10:06Let's just say that it's a pleasure doing business with you, Jay.
01:10:15Congratulations.
01:10:17Thank you.
01:10:29Come on.
01:10:30Please move. I'm making it.
01:10:31You need to calm down.
01:10:32What are you doing? Excuse me. I'm perfectly calm.
01:10:34How about we both compromise?
01:10:36You continue with your acting as long as it's through Ardwin Investments.
01:10:40You still don't get it, do you?
01:10:42I'm not your accessory.
01:10:44I'm not a part of the Ardwin family.
01:10:46Plus, the only person that can make decisions for me is myself.
01:10:49Can't we talk about it for the sake of our relationship?
01:10:54Look, I'm thankful for everything you've done for me.
01:10:59You've crossed the line.
01:11:02Goodbye, Edward.
01:11:07Oh, Thelma.
01:11:08Look, I have rarely seen Edward smile since his father passed away.
01:11:13And he's like a new man now that you're here.
01:11:16I'm sorry, but I can't stay here.
01:11:22It's okay, Sarah.
01:11:24Let her go.
01:11:42Since when did we become stalkers?
01:11:45Where is she?
01:11:47I know she has a bunch of crazy fans trying to get her attention,
01:11:50but if those assholes think they have a shot with my woman...
01:11:52You've not seen the news?
01:11:54Thelma has announced she's single again.
01:11:57What?
01:11:58Yeah, even a bunch of haters have turned into fans now.
01:12:02Especially after watching her show.
01:12:11Damn it.
01:12:12In fact, I was up to no good.
01:12:21Thelma, Thelma, Thelma, Thelma, Thelma.
01:12:23Are you still working with Ardoin Investment Family?
01:12:26The Ardoin family has never officially announced your divorce.
01:12:29Is there something that they're hiding?
01:12:31Was your marriage to Edward out of your constricting business,
01:12:34like the cowboys say?
01:12:40Why don't you ask the man himself?
01:12:51Hey, Mr. Ardoin, you got a second?
01:12:53I don't.
01:12:54It's fine.
01:12:59So, Mr. Ardoin, what brings you here?
01:13:01Thinking of joining the entertainment industry?
01:13:04You know why I'm here.
01:13:06Sorry, I can't help you with that.
01:13:09Uh, so this new film is a romantic drama with some comedy.
01:13:14So you're a big fan of these videos?
01:13:17You ever want any?
01:13:18Let's go.
01:13:19No.
01:13:20Not yet.
01:13:21Please, I would love to thank our amazing director, Jay,
01:13:24for all of his amazing visions,
01:13:27and everyone else who's helped me on this incredible journey.
01:13:31What else does that include?
01:13:34And I'm so excited to get started because I know that this is going to be another hit.
01:13:38All right, ready to check out the set for the new movie?
01:13:41I'll walk you.
01:13:42Uh, actually, do you want to check it out together?
01:13:45Sure.
01:13:48Come on, come on, come on.
01:13:52How do you want to back a woman?
01:13:54Um, flowers?
01:13:56Romance?
01:13:58Gifts are always a good move.
01:14:01Let's get back to the other side.
01:14:07I, uh, got these for you.
01:14:11You can just leave them there.
01:14:18Oh, look, I'm sorry.
01:14:21I was wrong.
01:14:27Just give me another chance.
01:14:31I promise I won't be overbearing.
01:14:34I'll respect all your opinions,
01:14:36and I'll never interfere with your career again.
01:14:43Flowers look good.
01:14:51I guess, uh, we can talk about the rest later.
01:15:02Go! I don't want to see you again!
01:15:06Cut!
01:15:08Well done, everybody. That is a wrap.
01:15:11Great. Here, I got you a cup of coffee.
01:15:14Thanks, Alex.
01:15:15Hey, shoot!
01:15:40I need to know where she is. Now!
01:15:45Uh, I think I might know where she is.
01:15:47Why the hell wouldn't you know?
01:15:48Do you have something to do with it?
01:15:49No, man, look.
01:15:50Carla was talking to some sketchy dude about Carla's basement.
01:15:53I think Thelma might be there.
01:15:55Trust me, man.
01:15:56I don't want anything bad to happen to her either.
01:15:58Believe me.
01:16:05Thelma?
01:16:08Where are you?
01:16:19Let's not do anything stupid.
01:16:21Whatever you want, just name it.
01:16:26AdWord, AdWord, AdWord.
01:16:31How did you find this place?
01:16:38I got it.
01:16:41You didn't seriously believe I would just walk away, did you?
01:16:44You're a coward.
01:16:47Kill her.
01:16:49And AdWord, I want you to watch.
01:16:52If you touch her, I will skin you alive.
01:16:56Thelma, run!
01:17:27It's okay.
01:17:30It's over.
01:17:33It's all over.
01:17:57It's today.
01:17:59I promised Ness I would go.
01:18:13Wait, this is the amusement park I agreed to meet Little Rock at.
01:18:18I thought it closed down years ago.
01:18:21Thelma?
01:18:23AdWord?
01:18:24What are you doing here?
01:18:26Noss told me to come.
01:18:27What are you doing here?
01:18:29Well, now that you're here, I need to tell you a little secret.
01:18:34Be right back.
01:18:36AdWord?
01:18:49Don't be scared, sweetheart.
01:18:51What did you just call me?
01:19:00I told you I'd meet you here, Helen.
01:19:10I told you I'd meet you here, Helen.
01:19:14Algar, but how?
01:19:16Why didn't you tell me after all this time?
01:19:20After I escaped the orphanage, the headmistress sent people after me,
01:19:25so I had to fight my own death.
01:19:28I survived, but the price was becoming a different man.
01:19:33Cold, ruthless, even cruel.
01:19:40And I was so scared that if he found out this was the man I'd become,
01:19:45he wouldn't love me anymore.
01:19:47Besides, the AdWord family erased every trace of my past.
01:19:52If they find out you're the one I'm looking for, they'll use you against me,
01:19:57and I can't risk that.
01:19:59Algar, you know that I love you.
01:20:05You do?
01:20:09Yeah, with you by my side, I'm not afraid of anything.
01:20:14I don't want us to ever be apart again.
01:20:27Yes.