ғᴀᴛᴇᴅ ᴛᴏ ᴍʏ ᴄʀᴜᴇʟ ᴄᴇᴏ [ Hot Drama ]
Category
🎥
Short filmTranscript
00:00:00What if the person you're looking for is me?
00:00:04Don't forget, I'm the one who hired you.
00:00:06Excuse me?
00:00:08I'm here for you.
00:00:10That's gotta mean that Algar is still alive, right?
00:00:12Oh my goodness.
00:00:14Don't forget, you are married too.
00:00:16What are you gonna do?
00:00:21So it was you.
00:00:23All this time.
00:00:26It might ruin him and his family.
00:00:28So be it.
00:00:29Where are you, little rock?
00:00:31I don't know who the fuck you are,
00:00:33but if you think you have a chance against me,
00:00:35you're dumber than I thought.
00:00:37I'm also looking for someone.
00:00:39Do you want to go somewhere more private?
00:00:41We can talk about the script.
00:00:45Stay out of my work
00:00:47and my personal life, Edward.
00:00:49Return.
00:00:59Hey, I want you to take you to my place, baby doll.
00:01:20Sorry, I don't do private dances.
00:01:22You'll strip for money, but you won't fuck a guy?
00:01:24I'm not a hooker. Show some respect.
00:01:27You fucking bitch.
00:01:29I'll show you respect.
00:01:31Mr. Morgan, I am so sorry.
00:01:33She's new here. I've got to train her better.
00:01:35Just have a seat. We'll be with you shortly.
00:01:37Sorry about that.
00:01:43You ungrateful bitch.
00:01:45Remember who saved your ass
00:01:47when you were knee-deep in debt?
00:01:49Me.
00:01:52How are we doing with the search?
00:01:54Not good, boss. I'm still going.
00:01:56Fine, nerd.
00:01:58I don't care what it takes.
00:02:03I found the perfect woman for you.
00:02:05It's about time you settle down and get married.
00:02:07Her name is Carla.
00:02:09She's the daughter of a friend of mine.
00:02:11Dad, we've been over this.
00:02:13I don't need you to find me the perfect woman.
00:02:15Of course I do. You're an artist.
00:02:17I have to make sure my son marries the perfect woman.
00:02:19So now all of a sudden you give a shit about me?
00:02:21You never care when you throw a bomb away?
00:02:23Or when you send me to that orphanage all by myself?
00:02:25Silence! How dare you?
00:02:27It's for the Ardoin family business.
00:02:29You're marrying Carla Jennings.
00:02:31End of discussion.
00:02:33Dad.
00:02:35Dad.
00:02:39I paid your 500 grand debt,
00:02:41and I gave you a job.
00:02:43Now if you want to quit so bad,
00:02:45pay me back!
00:02:47Pay me back!
00:02:49And get the fuck out of my club!
00:02:51As you know, I don't have $500,000.
00:02:53Just give me another chance!
00:02:55Then get the fuck back in there,
00:02:57apologize to that nice gentleman,
00:02:59and do whatever the fuck he tells you to do!
00:03:01Now if I get any more complaints from our clients,
00:03:03you will be sorry.
00:03:05Got it?
00:03:07Is there a problem here?
00:03:09No, sir. Everything's fine.
00:03:13She looks just like her.
00:03:17Will you marry me?
00:03:21Will you marry me?
00:03:27Will you marry me?
00:03:29Now let's tell my father
00:03:31I've chosen a wife for myself.
00:03:33Are you sure, boss?
00:03:35She's a stripper.
00:03:37How about we make a deal?
00:03:39Name any price you want,
00:03:41and we get married.
00:03:43I owe my boss $500,000.
00:03:45He's not going to let me go
00:03:47until I pay it.
00:03:51Anything else?
00:04:01This is your house?
00:04:03It's our house now.
00:04:05Welcome.
00:04:07All right.
00:04:09Sign this agreement,
00:04:11and we'll be contractually married for a year.
00:04:13After that,
00:04:15we'll file for divorce.
00:04:17Until then,
00:04:19you're part of the richest family in the country.
00:04:33That heart belongs to somebody else, though.
00:04:35I want you to know that I'm not attracted to you.
00:04:37We're just going to be married on paper.
00:04:41Is that so?
00:04:43Well, don't worry.
00:04:45I'm not attracted to you either.
00:04:47I just wanted the money.
00:05:01Hey, where are we staying, by the way?
00:05:03In the guest room.
00:05:09Total jerk.
00:05:11This is an ad.
00:05:19It's been over 10 years.
00:05:23I miss you so much.
00:05:33I miss you, too.
00:05:57Nos, I need you to find out everything you can
00:05:59about the woman I just married.
00:06:01The same woman as you.
00:06:17Sorry, I didn't mean to.
00:06:19This is my bathroom.
00:06:21What do you think you're doing?
00:06:23Nice try,
00:06:25but I need your little tricks to get my attention.
00:06:27It's not going to work, though.
00:06:29I wasn't trying to get your attention.
00:06:37Do you mind turning that off?
00:06:41I just thought the carpet needed some cleaning.
00:06:43You're here to be my wife,
00:06:45not a maid.
00:06:49Who are you?
00:06:53Wait, you're that stripper.
00:06:55What are you doing in Edward's house?
00:06:57I am? Who are you?
00:06:59I am Edward's fiancé.
00:07:05Edward, you're marrying a stripper?
00:07:07I thought I was your fiancé.
00:07:09My father arranged for us to get married
00:07:11only for the sake of our families.
00:07:13We wouldn't be happy even if we did get married.
00:07:15But I would be happy, Edward.
00:07:17Carla, you know I have someone that I love.
00:07:21She's the one I'm waiting for.
00:07:27I don't know who the fuck you are,
00:07:29but if you think you have a chance against me,
00:07:31you're dumber than I thought.
00:07:33Yes, get it straight.
00:07:35I'm not competing with you.
00:07:39Stop it.
00:07:41Edward, are you defending her now?
00:07:45I'm not a dumb bitch.
00:07:49Wow, you've got a lot of admirers, huh?
00:07:51Any more than to watch out for?
00:07:53Look,
00:07:55please see me in the living room.
00:07:57Don't show your face.
00:07:59Same will go for me.
00:08:01Your house, your rules. Big deal!
00:08:09Hi, I'm Velma.
00:08:13I've worked a lot of odd jobs
00:08:15in the city.
00:08:17Waitressing,
00:08:19and working in nightclubs.
00:08:21All for a chance
00:08:23to act.
00:08:29I'm also looking for someone.
00:08:35And
00:08:37I hope
00:08:39that one day
00:08:41he sees me on screen.
00:08:43That way he knows
00:08:45that I'm still here.
00:08:51Parker?
00:09:03Parker?
00:09:05I hope you see me.
00:09:07That's okay, Sarah.
00:09:09Velma doesn't need to die with me.
00:09:11Bring my food to my room
00:09:13and I'll eat there.
00:09:15Yes.
00:09:17It's fine.
00:09:19I usually don't eat with people anyway.
00:09:21By the way,
00:09:23I'm going out for a bit today.
00:09:25Where you go is none of my concern.
00:09:27I'm not going anywhere.
00:09:29I'm not going anywhere.
00:09:31I'm not going anywhere.
00:09:33I'm not going anywhere.
00:09:35Where you go is none of my concern.
00:09:39Fine.
00:09:43Is he always this big of a jerk?
00:09:45Excuse him, ma'am.
00:09:47He's just used to living alone.
00:09:49I'm sorry, Sarah.
00:09:51It must be difficult dealing with him every day.
00:09:53It's okay.
00:09:59Yeah.
00:10:01I'll be right there.
00:10:05Okay.
00:10:13Okay.
00:10:15Sit.
00:10:17So, I heard a funny little rumor
00:10:19that you married the famous billionaire
00:10:21Edward Arduin.
00:10:23Is it true?
00:10:25I didn't know that he was a billionaire
00:10:27until after our wedding.
00:10:29You're joking.
00:10:31How did you manage that?
00:10:33What?
00:10:35Who cares? What are you waiting for?
00:10:37Seal the deal.
00:10:39I know that I can't think about anyone but Al Gore.
00:10:41T, it's been 10 years
00:10:43since you two escaped the orphanage.
00:10:45Al Gore could be anywhere.
00:10:47He could be dead.
00:10:49He's not dead.
00:10:51Okay.
00:10:53It's okay. I'm sorry.
00:10:55So, what's your plan?
00:10:57Keep things the way they are, I guess,
00:10:59except now I can focus more on acting
00:11:01and not dancing in strip clubs.
00:11:03Hey, that's exciting, right?
00:11:05That's something you've always wanted to do since you were a kid.
00:11:07Is that audition today?
00:11:09Yes.
00:11:17Hi. I'm here for the audition.
00:11:21You think you can just show up like that, you slut?
00:11:27You slut.
00:11:29Are you stalking me?
00:11:31Oh, don't flatter yourself.
00:11:33I'm the lead of this production.
00:11:35She's not auditioning.
00:11:37You can't do this.
00:11:39I worked so hard for this opportunity.
00:11:41Oh, like stripping for men
00:11:43and fucking them in strip clubs?
00:11:45Got it.
00:11:47I was dancing. That's it.
00:11:49What's the fucking difference?
00:11:51I eat girls like you put them on breakfast.
00:11:53Let's go, Eric.
00:11:55No.
00:11:57Please.
00:11:59Wait.
00:12:05Be quiet.
00:12:25Come on.
00:12:45Boss.
00:12:47Get the details.
00:12:49Tell Mom.
00:12:51She went to high school not far from here.
00:12:53This is an audition for films.
00:12:55She worked at nightclubs to make a living.
00:12:57Bad relationship with her parents.
00:13:07But not an orphan.
00:13:09No name changes.
00:13:11And definitely never been to an orphanage.
00:13:13I wanted it to be her so bad.
00:13:15Of course, I can't be on it.
00:13:17You've been looking for this girl for ten years.
00:13:19Who is she?
00:13:21Someone more important to me than life itself.
00:13:23You got it.
00:13:25Of course, I can't be on it.
00:13:27You've been looking for this girl for ten years.
00:13:29Who is she?
00:13:31Someone more important to me than life itself.
00:13:45Oh, my God.
00:13:47It is her.
00:13:53I'm not sure where this photo was sent.
00:13:54Got it.
00:13:55Photo's been sent.
00:13:56Good.
00:13:57Where is she?
00:13:58Oh.
00:13:59Out like a light.
00:14:00I guess marrying Edward won't solve everything.
00:14:01How pathetic.
00:14:03I've been searching for you for so long and you were right here.
00:14:04I'm sorry.
00:14:05I'm sorry.
00:14:06I'm sorry.
00:14:07I'm sorry.
00:14:08I'm sorry.
00:14:09I'm sorry.
00:14:10I'm sorry.
00:14:11I'm sorry.
00:14:12I'm sorry.
00:14:13I'm sorry.
00:14:14I'm sorry.
00:14:15I'm sorry.
00:14:16I'm sorry.
00:14:17I'm sorry.
00:14:18I'm sorry.
00:14:19I'm sorry.
00:14:20I'm sorry.
00:14:21I'm sorry.
00:14:22I'm sorry.
00:14:23I'm sorry.
00:14:24I'm sorry.
00:14:25I'm sorry.
00:14:26I'm sorry.
00:14:27I'm sorry.
00:14:28I'm sorry.
00:14:29I'm sorry.
00:14:30I'm sorry.
00:14:31I'm sorry.
00:14:32I'm sorry.
00:14:33I'm sorry.
00:14:34I'm sorry.
00:14:35I'm sorry.
00:14:36I'm sorry.
00:14:37I'm sorry.
00:14:38I'm sorry.
00:14:39I'm sorry.
00:14:40I'm sorry.
00:14:45Boss, he's gone.
00:14:55Find him.
00:14:56And keep this between us.
00:14:57I got it.
00:15:00I got you.
00:15:12I'm sorry.
00:15:17I can't tell you who I am.
00:15:20Not yet.
00:15:30We'll need new names once we're out of here, right?
00:15:41Yeah, we're starting a new life.
00:15:43I'll be...
00:15:45Telma, what about you?
00:15:47Algar.
00:15:49Helen!
00:15:51Where are you?
00:15:53Let's run quick.
00:15:54Trying to escape again?
00:15:56I warned you it's not gonna work.
00:15:58Looks like I gotta get out of here first.
00:16:00At least one of us needs to escape.
00:16:02No, you go.
00:16:03She's gonna kill you.
00:16:05I won't let her catch me.
00:16:06Just go, I'll find you.
00:16:08Let's meet at the amusement park.
00:16:14I'll wait for you, Algar.
00:16:20Oh, you're not going anywhere.
00:16:22I'll bring her back, rest assured.
00:16:25Come back or I'm done with you!
00:16:34I'll wait for you, Algar.
00:16:44What happened?
00:16:46Nothing to worry about.
00:16:47Just some issues with the film crew.
00:16:49Why are you being so nice to me?
00:16:52No reason.
00:16:54Take this card.
00:16:56It's unlimited.
00:16:58Spend it however you want.
00:16:59Why are you doing this?
00:17:00I don't want your money.
00:17:04Well, if you need money, just let me know,
00:17:06and you can stop looking for odd jobs.
00:17:13Odd jobs?
00:17:15Acting is my dream.
00:17:17I danced in strip clubs for a living, but
00:17:21people like you, born from a silver spoon,
00:17:23wouldn't understand that.
00:17:24Then stop doing it.
00:17:27We're in a contract marriage, right?
00:17:29I won't interfere with your life,
00:17:31and you can't meddle in mine.
00:17:34Acting is something that I've always wanted.
00:17:38And besides, I'm not gonna take your money
00:17:40besides the number that we agreed on.
00:17:45You need to rest now.
00:17:49Do you mind?
00:18:10Look at this mess.
00:18:12Clean it up if you even think about going to bed.
00:18:20Eat up.
00:18:21You must be starving.
00:18:24No.
00:18:25You can probably work hard for this.
00:18:28Come on, take it.
00:18:33I can't believe she locked you up for three days
00:18:35and made you do all this.
00:18:37Did she even feed you at all?
00:18:40You made me do all this.
00:18:42I don't know what you're talking about.
00:18:44I can't believe she locked you up for three days
00:18:46and made you do all this.
00:18:48Did she even feed you at all?
00:18:50You made it easier for me.
00:18:52Now, get back before she sees you here.
00:18:56Excuse me.
00:19:12I'm calling to ask about my audition.
00:19:15I'm sorry.
00:19:16Your name has been blacklisted for reproduction.
00:19:19What?
00:19:26I'll send you the specifics.
00:19:36How about a drink?
00:19:38There are two glasses of scotch there.
00:19:41Pick one.
00:19:42I'm sorry.
00:19:45Just a friendly gesture from the boss.
00:19:49One more thing.
00:19:51Only one of those glasses is poison proof.
00:19:54You should have known better how it would happen
00:19:57when you kidnapped Emma.
00:19:59Here, I'll do it for you.
00:20:01All right.
00:20:05Go.
00:20:08Go.
00:20:16Take him away.
00:20:23This is what I've become, Thelma.
00:20:27I hope you never see me like this.
00:20:30Ruthless, merciless.
00:20:34Both glasses, you silenced the man.
00:20:38I simply can't forgive him for what he did.
00:20:44Thelma, will you forgive me?
00:20:53What?
00:20:54What the fuck happened to you?
00:20:56How did he find you?
00:20:57What happened?
00:20:59Oh, you can't even talk now?
00:21:02God, you're fucking useless.
00:21:06Inform every production you can reach.
00:21:08Thelma will never be an actress.
00:21:12Make sure of it.
00:21:16Go.
00:21:28Are you okay?
00:21:31I've been blacklisted by every production company,
00:21:34even the Actors Guild.
00:21:36What am I going to do?
00:21:37Hey, don't lose heart, okay?
00:21:39I happen to know of an audition going on today,
00:21:41if you're interested.
00:21:42Since when?
00:21:43A good friend of mine took me on.
00:21:45Let's go.
00:21:46All right, it's better than moping around here.
00:21:51Here it is.
00:21:53So I can just go in there, just like this?
00:21:56Yes, I got everything set up, okay?
00:21:58Just go ahead, go in, and do your thing.
00:22:01You got this.
00:22:02Break a leg.
00:22:06Okay.
00:22:16What is she looking at?
00:22:23Who is she?
00:22:25Nobody.
00:22:26She's not here for the audition, too, is she?
00:22:29Well, in that case, we'll ring for a treat.
00:22:35Come on, Jenny, you're up next.
00:22:55I can't believe it!
00:22:57It was you!
00:22:58Mom!
00:23:01That's right.
00:23:02I never thought you'd find me.
00:23:04It must come to an end.
00:23:08Oh, no!
00:23:21Cut!
00:23:24I'm sorry.
00:23:25Were you shot, or did someone just step on your toe?
00:23:29Can you just try again?
00:23:31I was just a bit nervous.
00:23:33Miss Jennings, we are making a thriller with a tragic ending.
00:23:37What you just did was borderline comedy.
00:23:40Excuse me, do you know how close I am with your investor?
00:23:46Sir, she was indeed recommended for the role.
00:23:50May we give her another chance?
00:23:58Oh, no!
00:24:00We are creating art that appeals to our audience,
00:24:03and she is clearly not right for the role.
00:24:06Next!
00:24:08I'm sorry, Miss Jennings.
00:24:09That was great.
00:24:11Maybe another project, or...
00:24:15What are you still doing here?
00:24:17I thought you were blacklisted.
00:24:18So it was you.
00:24:20You know, if that's the best you've got, then I'm not that worried.
00:24:23You think you can do better than me?
00:24:26You're nothing.
00:24:29Yeah, show us what you've got.
00:24:33Thelma?
00:24:36Hi.
00:24:48So it was you.
00:24:50All this time.
00:24:52That's right.
00:24:55I never thought you would find me.
00:24:58But now it must come to an end.
00:25:02No!
00:25:04This can't be it for us!
00:25:12Cut!
00:25:15Well, that was amazing!
00:25:19You fully captured that role.
00:25:22Congratulations, you get the part.
00:25:25What?
00:25:31What about me?
00:25:32You promised me!
00:25:33Oh, come on.
00:25:34You have to admit, she was exceptional.
00:25:36She's perfect for the part.
00:25:38Pearl, you killed it.
00:25:41You were great.
00:25:43I'm Alex.
00:25:44It's like we're going to be scene partners.
00:25:45Thelma.
00:25:46Hey, do you want to go somewhere more private?
00:25:48We can talk about the script.
00:25:49Yeah, sure.
00:26:04What the fuck?
00:26:05You're hitting on the wrong girl, buddy.
00:26:07Edward, what are you doing?
00:26:10I need to go talk to Thelma.
00:26:12How about you shoot another day?
00:26:17What are you doing?
00:26:19Can you explain yourself?
00:26:20I don't owe you any explanations.
00:26:23So you're seeing new guys?
00:26:27What? No!
00:26:28We were just acting out a scene.
00:26:30A scene where you took it real close?
00:26:32Like a couple?
00:26:33I was just doing my job.
00:26:34There's nothing wrong with it.
00:26:36And besides, even if I was seeing someone,
00:26:38it would be none of your business.
00:26:48I heard you got the lead role.
00:26:50That's amazing.
00:26:52I knew you'd kill it.
00:26:54What is Edward doing here?
00:26:56Come on, you know who I'm talking about.
00:27:00Gosh, you still don't know, do you?
00:27:02Know what?
00:27:05Well, he's actually the investor of this movie.
00:27:09This is his project.
00:27:16Why did you bring me here then?
00:27:18Well, it was actually his idea.
00:27:24Hello?
00:27:26Hi, is this Gene?
00:27:27Who is this?
00:27:29This is Edward Ardewood.
00:27:31I recently invested in a film project.
00:27:33I want you to take her friend, Thelma.
00:27:35I think she'll be great for a lead role.
00:27:37Wait, you're Edward Ardewood?
00:27:40I wired the payment to your account.
00:27:42Thank you.
00:27:43Wait, wait!
00:27:48I still can't believe I spoke to the legendary Edward Ardewood.
00:27:53I can't believe you knew all this time and you didn't tell me.
00:27:56Don't look at me.
00:27:57I'm just the middle man doing somebody else a favor, okay?
00:28:00And you still have the lead.
00:28:02That's amazing.
00:28:04But, you know, a lot of people say that Edward's not very nice.
00:28:08He's like a stone-cold man.
00:28:10Why is he being so good to you?
00:28:13Yeah, I don't get it either.
00:28:15I mean, women must be throwing themselves at him.
00:28:18Why would he help me?
00:28:28Maybe he's fallen for you.
00:28:31That's impossible.
00:28:32He said some pretty harsh stuff earlier, so...
00:28:35Wow.
00:28:36Is that why you look all gloomy?
00:28:38What happened?
00:28:39Did you guys fight?
00:28:40He saw me doing a scene with another actor and...
00:28:45It's whatever.
00:28:50Why do you care what he thinks, though?
00:28:54Come on, girl.
00:28:55This does not sound like you.
00:28:57Are you sure you haven't fallen for him too?
00:29:00No, it's just...
00:29:02There's something about him that's...
00:29:05Familiar, like...
00:29:07Like...
00:29:09I've seen him before.
00:29:11Thank goodness you're here, Helen.
00:29:32This place is depressing.
00:29:34I don't know if I can make you a touch.
00:29:37You're the one protecting me.
00:29:40I can't stand watching you getting hurt.
00:29:42You're sweet as a sugar pea.
00:29:44Can I call you sugar pea?
00:29:45Sure.
00:29:46As long as I can call you my little rock.
00:29:49My little rock?
00:29:50Because you make me feel safe.
00:29:52Like a rock I'll never break.
00:29:55Deal.
00:30:03Talker.
00:30:06What have you done to me?
00:30:12I see your face everywhere.
00:30:24I'm good.
00:30:25Just in time.
00:30:33Dang it.
00:30:36Why are you being so nice to me?
00:30:42Look, uh...
00:30:43Sorry about today.
00:30:45It was...
00:30:46Stupid of me to react that way.
00:30:49No, I mean...
00:30:50Why did you help me get the role for your film?
00:31:02Well, you won't take my money.
00:31:05And I can't allow the wife of Edward Ardwin to just work a regular job.
00:31:11Oh, okay.
00:31:12So that's why.
00:31:15We're all rich people, isn't it?
00:31:17What was that?
00:31:18Nothing.
00:31:19This is great.
00:31:25You know, you can be real sweet sometimes.
00:31:28This is delicious.
00:31:31How'd you like it?
00:31:33Sweet pea.
00:31:38Good morning, madam.
00:31:40Edward has left already.
00:31:42Thank you.
00:31:43Oh, I saw you were cooking last night.
00:31:46I watched your utensils.
00:31:48Uh, yeah.
00:31:49It was Edward.
00:31:52He's the cook.
00:31:53The cook.
00:31:54I gotta go.
00:31:56Okay.
00:31:59What is going on?
00:32:02What are we waiting for?
00:32:03Let's get started.
00:32:04One of our lead roles is not here yet.
00:32:07Oh, I know.
00:32:09The one thing I ask everyone here is to be nervous.
00:32:14Sorry, guys.
00:32:16Traffic was nightmare.
00:32:18All right.
00:32:19I'm ready to start.
00:32:20Wait.
00:32:21I thought that she didn't get the part.
00:32:23Well, how about that?
00:32:26Looks like I'm going to be playing here.
00:32:28After this, nobody's going to remember you.
00:32:32We'll see about that.
00:32:3642, take two.
00:32:39Ready, and act.
00:32:42You have to leave now.
00:32:44Not without the love of my life.
00:32:46I'll wait for him no matter what.
00:32:49Oh, God.
00:32:51What do you think you're doing?
00:32:53I'm just playing my role.
00:32:56Carla.
00:32:58What the hell was that?
00:33:00That wasn't even in the script.
00:33:02I was just adding some extra touch to it.
00:33:04You know, for the sake of art.
00:33:06Art?
00:33:07To slap doesn't make any sense.
00:33:10And who gave you the authority to do that?
00:33:13Art?
00:33:14To slap doesn't make any sense.
00:33:16And who gave you the authority to change my script?
00:33:21It's fine.
00:33:22She can edit.
00:33:24Oh.
00:33:25Thelma, are you sure about that?
00:33:27It's all good if it's all for the sake of the effect.
00:33:31Wow.
00:33:32I knew I was right in choosing you as my lead.
00:33:36Okay, okay.
00:33:37Back to one, please.
00:33:39Yes, thank you.
00:33:40Can you take out my script?
00:33:42Action.
00:33:43You have to leave now.
00:33:45Not without the love of my life.
00:33:47I'll wait for him no matter what.
00:33:51Edward.
00:33:56Good to see you here.
00:33:58Were you watching me?
00:34:00Me and Thelma make a perfect team, don't we?
00:34:03Jay, have these two switch roles.
00:34:05I want Thelma to do the slapping.
00:34:08Since it's all for the sake of art.
00:34:12But Thelma is the lead.
00:34:14Yeah, that wouldn't make any sense.
00:34:17We can't make more changes to the script, Ed.
00:34:20We're already behind.
00:34:21You better get right to it, then.
00:34:23You don't have to do this for me.
00:34:25I'm not doing it for you.
00:34:27I'm doing it for my own investment.
00:34:33All right.
00:34:36All right.
00:34:38We have added a line to the script.
00:34:42So now, Thelma,
00:34:44Carla's new line will be your cue for the slap.
00:34:48Got it?
00:34:50All right.
00:34:51And...
00:34:53Action.
00:34:54You have to leave now.
00:34:56Not without the love of my life.
00:34:58I'll wait for him no matter what.
00:35:00But what if he's dead?
00:35:01What if he finds somebody else?
00:35:03What if he finds somebody else?
00:35:05You're just gonna spend the rest of your life
00:35:07waiting for someone who will never come?
00:35:14Then I'll be sure to leave no room for regret.
00:35:19Cut.
00:35:21Oh, bravo.
00:35:23That was perfect, Thelma.
00:35:26You handled that perfectly.
00:35:29Thelma, where are you next?
00:35:31Uh, no need for that.
00:35:34I think that my character is above that kind of pettiness.
00:35:45I'm going to expose you, Thelma.
00:35:48Sooner or later.
00:36:00Where are you, my little rock?
00:36:03I'm doing fine.
00:36:05Don't you worry.
00:36:09You know it's bad to waste food.
00:36:11Do you think you deserve to be punished?
00:36:13Yes, headmistress, I do.
00:36:16Pam!
00:36:17Helen's sick.
00:36:18That's why she couldn't finish.
00:36:20Isn't that sweet?
00:36:21Too bad.
00:36:22She's getting more punishment because of you.
00:36:25Isn't that sweet?
00:36:27Well, if you so insist,
00:36:29you can take it for her.
00:36:31Oh, get off.
00:36:33Sorry.
00:36:46Found the worker who leaked info to our computer.
00:36:49A manager who's worked with us for 20 years.
00:36:53What do we do with him?
00:36:55Uh, fire him.
00:36:58Well, if we need to,
00:37:00we can't have disloyalty in the company.
00:37:02My own man and his family.
00:37:05So be it.
00:37:07All right.
00:37:28Help her.
00:37:50Help her.
00:37:52Help her.
00:38:23Where's my...
00:38:34Oh, no, no.
00:38:36Oh, no.
00:38:51Morning.
00:38:52What are you doing?
00:38:54Nothing.
00:39:03Nothing.
00:39:07I carried you to your bed last night,
00:39:10and that was it.
00:39:13No, seriously, what are you doing?
00:39:16Nothing, sweet pea.
00:39:18What did she just call me?
00:39:20Uh, sweet pea,
00:39:23you said in your sleep last night.
00:39:29I see.
00:39:30Well, don't ever do that again.
00:39:32Sure.
00:39:37Hi.
00:39:39Could you maybe explain this to me a little bit?
00:39:42I'm not sure if I get it.
00:39:44I mean, it is pretty straightforward.
00:39:46Just do what it says without improvising.
00:39:50Well, Ma,
00:39:52you were so great yesterday.
00:39:55I want to go over this one part.
00:39:57Now, when you say this line,
00:39:59I want you to say,
00:40:01You were so great yesterday.
00:40:03I want to go over this one part.
00:40:05Now, when you say this line,
00:40:07about...
00:40:09We'll see who wins.
00:40:11Nurse,
00:40:13what am I doing this afternoon?
00:40:15Well, it's kind of a very important meeting.
00:40:18Did you forget?
00:40:20Cancel.
00:40:21Send her my apologies.
00:40:23What?
00:40:25So, what do you normally do when you're not working?
00:40:28Uh, I do striptease.
00:40:30Oh.
00:40:32I was thinking more along the lines of
00:40:34going to the movies.
00:40:36There's actually a good one out right now.
00:40:38I mean, maybe if you're interested,
00:40:40we could try to catch it together?
00:40:42Sorry, but I really need to focus on this job right now.
00:40:45Oh, yeah. Sure, sure.
00:40:47You're a really interesting person to talk to.
00:40:50You know that?
00:40:52Edward!
00:40:54Are you here to see me?
00:40:57Are you feeling bad?
00:40:59Oh.
00:41:01Edward?
00:41:03It's not for you. I'm sorry.
00:41:05Why is she still talking to me?
00:41:07Go put the snacks in the lounge.
00:41:09Okay, boss.
00:41:15Edward?
00:41:17What's your name again?
00:41:19Actually, it doesn't matter.
00:41:21What were you talking to my wife about?
00:41:28Oh.
00:41:30Thelma, I had no idea that you were married.
00:41:34Um, oh, don't worry about it, man.
00:41:36We were just talking about stuff in the script.
00:41:38Is that right?
00:41:40Hey, so you must be Edward Arwin.
00:41:43I've heard a lot about you.
00:41:45I'm Alex.
00:41:47Cool. Bye, Alex.
00:41:49Great, yeah.
00:41:51Well, I'll see you later, Thelma.
00:41:53No, you won't.
00:41:55Good, you guys are all here.
00:41:57Edward brought snacks.
00:41:59They're in the lounge if anyone wants them.
00:42:01Yes, I'll come.
00:42:03Snacks.
00:42:09Edward doesn't usually come to set this often.
00:42:11He's quite the busy man.
00:42:13I think he's here to see you.
00:42:15He's here to see Carla, not me.
00:42:17Oh, please. Can you not see the way he looks at you?
00:42:19Whatever.
00:42:21Oh, speak of the devil.
00:42:23Carla, I will give you two some privacy.
00:42:26No, don't.
00:42:34You're getting out of hand.
00:42:36Don't forget, I'm the one who hired you.
00:42:38Excuse me?
00:42:40Stay away from Alex. Got it?
00:42:42What are you talking about?
00:42:44There's nothing going on between us.
00:42:46Besides, you came here to see Carla.
00:42:50So you're jealous.
00:42:52What are you talking about? I'm not jealous.
00:43:03What are you doing?
00:43:05Carla and I aren't together.
00:43:07I'm here for you.
00:43:09You really expect me to believe that?
00:43:11Thelma.
00:43:17Yeah, girl?
00:43:20What?
00:43:28Jane, are you absolutely sure?
00:43:30Yes, positive.
00:43:32I used to know this guy from the streets,
00:43:34and he and Algar drifted around for months.
00:43:36So where is he?
00:43:38Well, they later got separated,
00:43:40so he has no idea after that,
00:43:42but that's got to mean that Algar's still alive, right?
00:43:45Oh, my goodness.
00:43:47Thank you so much.
00:43:49You have no idea how much this means to me.
00:43:51It's been ten years.
00:43:53Don't forget, you are married, too.
00:43:55What are you going to do?
00:43:57I'll divorce him.
00:43:59Once our contract is up.
00:44:01I needed the money.
00:44:03Algar will understand.
00:44:05I know.
00:44:07Everyone seemed really into you.
00:44:09Actually, Jane,
00:44:11I think I should keep my distance from him.
00:44:17You okay?
00:44:19Yeah.
00:44:23Want to tell me what happened?
00:44:25I just want to be alone for a bit.
00:44:27Okay?
00:44:29Is this about Carla?
00:44:31I told you, I went to see you,
00:44:33not her.
00:44:35I heard I don't care who you're seeing.
00:44:37We're only married on paper, right?
00:44:39Yeah.
00:44:41I heard I don't care who you're seeing.
00:44:43We're only married on paper,
00:44:45right?
00:44:47Is this because we're moving
00:44:49too fast?
00:44:57Is this about Carla?
00:44:59I told you, I went to see you,
00:45:01not her.
00:45:03I heard I don't care who you're seeing.
00:45:05We're only married on paper, right?
00:45:07Okay.
00:45:09Is this because we're moving too
00:45:11fast?
00:45:15I just think that we should keep our distance.
00:45:17Please.
00:45:25Thought she was playing hard to get, huh?
00:45:27Maybe she doesn't want to seem
00:45:29too new. I mean,
00:45:31why would anyone reject you?
00:45:33It's impossible.
00:45:35Come on.
00:45:37Let's get to the set.
00:45:41Hey, Phil,
00:45:43you'll be wearing this dress for the next scene. Is that okay?
00:45:45That's fine.
00:45:49So you think you can just take whatever you want?
00:45:55I thought this was my
00:45:57personal changing room, like it's
00:45:59my personal changing room, like it's
00:46:01always been.
00:46:03This room is for the lead role.
00:46:05Yours is outside.
00:46:07Actually, I'm all done here.
00:46:09Carla loves taking things that aren't hers.
00:46:11Be my guest.
00:46:13Use it.
00:46:15Aren't you
00:46:17quite generous then, hmm?
00:46:19I was not here so you can drop the act.
00:46:21We actually need to get
00:46:23back to work, if there's nothing else.
00:46:25Actually, I can finish my makeup
00:46:27myself.
00:46:29Go on.
00:46:31What do you want to talk about?
00:46:33Let's make a deal.
00:46:35A deal?
00:46:39Who the fuck do you think you are?
00:46:41Well, as far as I know,
00:46:43I'm Edward's wife.
00:46:49Got a deal.
00:46:51Stop picking fights with me. Stop giving me a hard time
00:46:53on set, and I won't take anything away
00:46:55from you. I'll actually help you
00:46:57with whatever you and Edward have going on.
00:47:01Alright, deal.
00:47:03I'm done
00:47:05with this room, by the way. It's yours
00:47:07if you still want it.
00:47:09I don't need your pity!
00:47:23Don't you have, like, business to run?
00:47:25What are you doing here all day?
00:47:33Hey, um, actually,
00:47:35about what happened, I think that we should
00:47:37talk.
00:47:39Why don't you meet me in the lounge
00:47:41after we wrap up?
00:47:43Why can't we talk now?
00:47:45Why don't we just pay a surprise? See you later.
00:47:55Hello?
00:47:57What does she want to talk about?
00:47:59Does she not want to see me?
00:48:01Hi, Edward.
00:48:03Carla?
00:48:05Why are you here?
00:48:07Where's Noah?
00:48:09Where should I meet him?
00:48:11Maybe we can have a squeeze?
00:48:15What are you doing? Are you trying to set those two up?
00:48:17Yeah, and
00:48:19if they're together, then they'll have nothing
00:48:21to do with me.
00:48:23I don't like a terrible idea.
00:48:25Well, if you have a better idea, then let's hear it.
00:48:31Edward!
00:48:35If they're together, then
00:48:37they'll have nothing to do with me.
00:48:39Well, as long as you're okay with this.
00:48:43Of course I am. Why wouldn't I be?
00:48:45I mean,
00:48:47now I can just focus on what really matters.
00:48:49I can try to find Algar.
00:48:51Edward!
00:48:53What the fuck are you doing?
00:49:03Look, whatever games you're playing, you need to stop.
00:49:05What are you talking about?
00:49:07You came here to see Carla, right?
00:49:09Noah, come on.
00:49:11Edward, we're going to be divorced
00:49:13really soon.
00:49:15So?
00:49:17If you're attracted to somebody, then go for it.
00:49:19I want you to be happy.
00:49:21The only person I love is you.
00:49:27Edward, how could you?
00:49:31Everything I do for you, Carla,
00:49:33I do for your father.
00:49:35He looked out for me, so this is me
00:49:37paying him back.
00:49:41Thank you.
00:49:44I'm already
00:49:46in love with somebody else.
00:49:48It's never going to be you.
00:49:50But if that man didn't exist, would you consider me?
00:49:52Stop it, Edward.
00:49:54It's never going to happen.
00:50:01What do I do, Algar?
00:50:03I know you're out there.
00:50:05What do I do?
00:50:13Boss, you've been here for a while.
00:50:15Is everything okay?
00:50:19Why don't you tell her
00:50:21you're the one she's looking for?
00:50:23Do you remember when I did?
00:50:25To return to the Ardwick family.
00:50:43About Algar...
00:50:45Are you telling me
00:50:47that Mr. Ardoin knows
00:50:49his illegitimate son is Algar?
00:50:51Yes.
00:50:53And now the old man
00:50:55wants him back.
00:50:57Another brat to share their inheritance.
00:50:59If I could only
00:51:01get rid of his mother,
00:51:03getting rid of him
00:51:05shouldn't be a problem.
00:51:07Madam, it's our fault.
00:51:09Please don't withdraw your donation
00:51:11to the orphanage.
00:51:13If we work together on this,
00:51:15I could even help you.
00:51:19Get rid of Algar.
00:51:21For God.
00:51:27Take care of it.
00:51:29But make sure he leaves us.
00:51:33Shall I go to the Rose Garden?
00:51:35Yes, please, sir.
00:51:37You have to see it, sir.
00:51:39Yes.
00:51:43I got rid of the woman who killed my mother
00:51:45and sent me to an orphanage.
00:51:49I eliminated everyone associated with her
00:51:53over the years.
00:51:59I did whatever it took
00:52:01to gain my father's approval,
00:52:05secure my inheritance.
00:52:07My methods were ruthless.
00:52:11My conscience,
00:52:13callous.
00:52:15You did what you had to do.
00:52:17But now I'm a different man,
00:52:19a monster
00:52:21she doesn't even recognize.
00:52:23If she finds out this is the man
00:52:25she's been looking for all these years,
00:52:27it'll drive her away.
00:52:31I can't lose her again.
00:52:33So it was true?
00:52:41Argon and I,
00:52:43we roamed the city for a winter
00:52:47and a lot of people say
00:52:49he made some enemies.
00:52:51One night,
00:52:53under the bridge where we slept,
00:52:55he got stabbed
00:52:57and he died.
00:52:59No.
00:53:01You're mistaken.
00:53:03He always had a ring with him.
00:53:05It was a nice ring.
00:53:07I think it had the letters
00:53:09A and H
00:53:11on it.
00:53:13I told him he could
00:53:15pawn it for a few bucks, but he just kept it with him.
00:53:19No, he can't just be
00:53:21gone. He can't just be gone.
00:53:23It's okay.
00:53:31Oh,
00:53:33damn.
00:53:35Sweetie, what's wrong?
00:53:37Oh, my God. Baby, you haven't
00:53:39eaten in three days.
00:53:41Can I get you something?
00:53:43Anything?
00:53:45This is not good for you.
00:53:51It's okay.
00:53:53This is my fault.
00:53:57She's burning up.
00:53:59She's from emotional distress
00:54:01and not eating.
00:54:03Go make her something to eat.
00:54:05I'll stay with her.
00:54:07Yes.
00:54:15You need to get some rest and let me handle this.
00:54:17No, it's okay.
00:54:19Leave it to me.
00:54:21Look, I know you care,
00:54:23but I've never seen you do this for anyone.
00:54:25And if the old lady were here,
00:54:27she'd be heartbroken
00:54:29to see you this exhausted.
00:54:31Don't worry about me, Sarah.
00:54:33You can go now.
00:54:45I'm not hungry.
00:54:49Oh, please eat and get better.
00:54:57Okay.
00:55:19Thelma!
00:55:21Oh, my God, are you okay?
00:55:23I've been trying to call you like ten times.
00:55:25Something stupid, have you?
00:55:27I can't find a reason to go.
00:55:29Stop saying that.
00:55:31Okay?
00:55:33Don't listen to what that guy said.
00:55:35He doesn't know what he's talking about.
00:55:37They never found Alger's body.
00:55:39Maybe he's still alive.
00:55:41You've waited ten years.
00:55:43Okay?
00:55:45You sure you're gonna give up now?
00:55:47Don't you want to find out the truth for yourself?
00:55:49Yeah, if you're right.
00:55:51I should keep going.
00:55:53Good.
00:55:55Now go get some sleep and get back to set, girl.
00:55:57Okay?
00:55:59That is something that you've always wanted
00:56:01and you're not gonna screw it up, all right?
00:56:03Yeah.
00:56:05I understand.
00:56:07I'll keep going for Alger.
00:56:11I want the Fitch 10.
00:56:13You got the thing ready?
00:56:17Sure I would take the job.
00:56:23Great.
00:56:25Don't mess this up.
00:56:27That is perfect.
00:56:29Coming!
00:56:41Uh, you wanted to see me?
00:56:43Yes, it is about the singer, Stab.
00:56:45We will be using this as a prop.
00:56:47So once the, uh,
00:56:49safety is tipped off,
00:56:51the plane will go back inside itself
00:56:53upon impact, so don't worry,
00:56:55that's not gonna hurt you.
00:56:57See?
00:56:59Nice.
00:57:01Exactly.
00:57:05Uh, Thelma,
00:57:07Carla, all set?
00:57:09All departments ready?
00:57:13And...
00:57:15Action!
00:57:21Wait!
00:57:23Cut! Cut! Edward?
00:57:25Are you okay?
00:57:29Edward, don't die on me.
00:57:31Please.
00:57:33I know that my past is complicated
00:57:35and I'm not worthy of your time
00:57:37or your love.
00:57:39What makes me so special?
00:57:45Okay, I admit,
00:57:47I think somewhere along the way
00:57:49I've been with you,
00:57:51and I know that you keep this stone-cold face,
00:57:53but I know that
00:57:55that's not the real you.
00:57:57Please.
00:57:59Show me the real you.
00:58:01Let me in.
00:58:07Edward!
00:58:13What are you doing?
00:58:15That's not funny! I was wearing sick!
00:58:17I was with you.
00:58:19How else could I get such a lovely monologue?
00:58:21Okay, you know what? I'm gonna go get a doctor.
00:58:23No, no, no. I'm fine.
00:58:25No.
00:58:27Look, not even a scratch.
00:58:29Just need a minute.
00:58:31Are you sure? It seemed pretty serious.
00:58:33Yeah, the knife didn't even get to me.
00:58:35Something blocked it.
00:58:37Really? Where is it?
00:58:39Nothing.
00:58:41I'll, uh,
00:58:43find out what happened to Dick.
00:58:45Be more careful on set, yeah?
00:58:47No, don't worry about it.
00:58:49You're the patient.
00:58:51Just rest up now.
00:58:53I heard everything you were saying, by the way.
00:58:55Okay, you know what?
00:58:57I'm really getting you a doctor now.
00:58:59Just shut up.
00:59:09You
00:59:11saved my life.
00:59:15How you doing, boss?
00:59:17Uh, not too shabby.
00:59:19So,
00:59:21what do you plan to do with Carla?
00:59:23Carla?
00:59:25Almost forgot.
00:59:27She's gonna be back.
00:59:31I'm not sure
00:59:33what we're gonna do after your little
00:59:35incident.
00:59:37I'm sorry! I wasn't thinking.
00:59:39It won't happen again, I promise.
00:59:41Jay, get a replacement for her role.
00:59:43She's done.
00:59:49Edward, what are you saying?
00:59:51I told you to stop pulling these tricks behind my back.
00:59:53I didn't do anything!
00:59:55Don't listen to her, she's making it all up!
00:59:57Carla had someone on the prop team
00:59:59switch the fake knife with a real one.
01:00:01She almost killed Thelma.
01:00:03And myself.
01:00:05Edward, I'm sorry. I messed up.
01:00:07Please, please give me another chance.
01:00:09I've given you
01:00:11plenty of chances.
01:00:13Really, Edward?
01:00:15After all these years?
01:00:17Please stop
01:00:19embarrassing yourself.
01:00:23Doing all of this for a man,
01:00:25I hope it's worth it.
01:00:27Edward, you know
01:00:29everything I did,
01:00:31because I love you.
01:00:33If you try hurting her again,
01:00:35you will be sorry.
01:00:42Hand her over to the police.
01:00:47Well,
01:00:49now that that's over,
01:00:51we should talk about what you said to me earlier.
01:00:53Which is what?
01:00:55That you were attracted to me.
01:01:12What if the person you're looking for is me?
01:01:17Don't be ridiculous.
01:01:21Besides, you come from a rich
01:01:23and powerful family,
01:01:25and he's an orphan.
01:01:27Like me.
01:01:29And he's incredibly kind.
01:01:31He wouldn't even step on an ant.
01:01:35I can't say the same thing about you.
01:01:37I can't say the same thing about you.
01:01:41People can change.
01:01:43I'll never stop searching for him.
01:01:45I'm afraid that you can't stop me.
01:01:53Am I even worthy of love?
01:02:01Am I even worthy of love?
01:02:03You're
01:02:05You're
01:02:07a billionaire. I'm sure that
01:02:09there's plenty of women fighting over you.
01:02:11Plus,
01:02:15I stand by what I said.
01:02:19I don't think that this Edward is the real you.
01:02:23Do you remember when we first met?
01:02:25You saved me.
01:02:29You're a good person.
01:02:31You're kind to Nos,
01:02:33and Sarah.
01:02:37You'll find the love that you deserve.
01:02:45He's gone.
01:02:49I waited ten years
01:02:51and he's just gone.
01:02:57Do you like the man I have now?
01:02:59It doesn't matter. We're getting divorced in a year.
01:03:04If I give you all my
01:03:06properties and assets,
01:03:08can we not get a divorce?
01:03:14No.
01:03:34My head.
01:03:38Do you remember what happened?
01:03:46He said something
01:03:48about money
01:03:50and assets,
01:03:52and then after that,
01:03:54not a thing.
01:03:56All right. Okay.
01:03:58Back to work. Come on.
01:04:04Hey.
01:04:06Can we talk?
01:04:08I heard you've been looking for someone.
01:04:10Yes.
01:04:16I believe this could be helpful.
01:04:18This place is really
01:04:20awkward.
01:04:22I'd like for you to come.
01:04:24What does this have to do with
01:04:26the man that I'm looking for?
01:04:28You'll see.
01:04:32Okay. I'll go.
01:04:34Good.
01:04:36I don't want to spoil the place.
01:04:38What does this have to do with Edward?
01:04:40You'll see.
01:04:44Look at that. See?
01:04:46Oh, my God.
01:04:48Yes.
01:04:50You'll see.
01:04:52Oh, my God.
01:04:54Guys, we're blowing up.
01:04:56What do you mean?
01:04:58After we posted the behind-the-scenes,
01:05:00we went viral.
01:05:02Selma became a sensation.
01:05:04She's now trending number one,
01:05:06big star.
01:05:08Trending? Does this mean more money?
01:05:10Of course it does,
01:05:12and that is just the easy part.
01:05:14I was thinking about my next movie,
01:05:16and I want you to be in it.
01:05:18And we're having a wrap party
01:05:20at the hottest bar tonight.
01:05:22All right. I wonder who's so generous.
01:05:34Boss, about this new contract...
01:05:36Do you think Selma will be surprised
01:05:38by the party I'm throwing for her?
01:05:40Oh, definitely.
01:05:42So should I pick her up,
01:05:44or do I just show up at the party?
01:05:46It's all up to you.
01:06:04Great party, Edward.
01:06:06It'll only be fitting, right?
01:06:08Not entirely bad.
01:06:12So, thank you.
01:06:14How would you like to thank me?
01:06:16Sorry, everybody.
01:06:18Attention, attention.
01:06:20Thank you, thank you.
01:06:22First off, this has been
01:06:24an amazing three months.
01:06:26I'd like to thank everybody here.
01:06:28And up here
01:06:30is to
01:06:32ITU's success.
01:06:34Cheers.
01:06:38And now, a few words from
01:06:40Edward, the man, the big boss.
01:06:42Without him, none of this
01:06:44would be possible.
01:06:46Thank you all so much.
01:06:48I just want to say how grateful I am
01:06:50for the opportunity.
01:06:52Jay is an exceptional director.
01:06:54His casting,
01:06:56remarkable.
01:06:58Selma's performance in particular,
01:07:00out of this world.
01:07:02And I'd like to take this moment
01:07:04to tell her that I'll always be there
01:07:06to support her.
01:07:08Cheers.
01:07:12Selma, the superstar!
01:07:14Stop it.
01:07:16Uh, by the way,
01:07:18do you think Algar will watch my new show?
01:07:20Do you think he'll recognize me?
01:07:22No. Selma,
01:07:24I know this is really hard to hear,
01:07:26but you gotta let him go.
01:07:28Algar's gone.
01:07:30I'm not giving up
01:07:32until I know for sure.
01:07:42Hey!
01:07:44Let me out!
01:07:50Selma?
01:07:52Are you quitting?
01:07:54What are you talking about?
01:07:56Production told me you turned down
01:07:58Jay's new project.
01:08:00And you didn't show up for any of the promo events.
01:08:02What new project is this about?
01:08:04Who told you this?
01:08:06Oh. Oh no.
01:08:08It couldn't be Edward.
01:08:10Get it?
01:08:12Edward?
01:08:14So,
01:08:16he turned it down and he told everybody
01:08:18that I quit?
01:08:20Maybe he thought it was for your own good?
01:08:22Interfering with my career
01:08:24without telling me?
01:08:26How is that for my own good?
01:08:32Mr. Arwin didn't mean it like that.
01:08:34Get out of my way.
01:08:36Apologies, gentlemen. Let's take a break.
01:08:38We'll continue this afternoon.
01:08:42Did you turn down
01:08:44the offer for my new film?
01:08:50Can you explain?
01:08:52This will terminate our contract marriage.
01:08:54The deal is over.
01:08:56What do you mean?
01:08:58I'll pay the penalty
01:09:00for breaching our contract.
01:09:02Once it's settled, I don't want you meddling in my life anymore.
01:09:04You almost got hurt on set.
01:09:06I was trying to protect you.
01:09:08I don't need your protection, okay?
01:09:10I can look out for myself.
01:09:12This is my life.
01:09:14You're making a big mistake here.
01:09:16Just stay out of my work
01:09:18and my personal life, Edward.
01:09:20We're done.
01:09:28Hey, it's Thelma.
01:09:30Can I see you real quick?
01:09:32Thelma,
01:09:34you're very talented.
01:09:36It's such a shame
01:09:38you give up.
01:09:40But I knew
01:09:42you had it in you from the start.
01:09:44I saw it in you all the way.
01:09:46Thank you.
01:09:48Now I
01:09:50strictly get to make decisions
01:09:52for myself.
01:09:54Now, let's see this next project.
01:09:56Next project.
01:09:58Here
01:10:00it is.
01:10:02How do you think?
01:10:06Let's just say that it's
01:10:08a pleasure doing business
01:10:10with you, Jay.
01:10:14Congratulations.
01:10:16Thank you.
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01:14:30I promise I won't be overbearing, I'll respect all your opinions, and I'll never interfere with your career again.
01:14:42Flowers, look good.
01:14:50I'll take these then. We can talk about the rest later.
01:15:01Go! I don't want to see you again!
01:15:05Cuts!
01:15:07Well done everybody, that is a wrap.
01:15:10Great. Here, I got you a cup of coffee.
01:15:14Thanks Alex.
01:15:31I need to know where she is. Now!
01:15:36I think I might know where she is.
01:15:38What the hell did you do? Did you have something to do with it?
01:15:40No, man, look, Carla was talking to some sketchy dude about Carla's basement.
01:15:44I think someone might be there.
01:15:46Trust me, man, I don't want anything bad to happen to her either. Believe me.
01:15:51I don't want anything bad to happen to her either.
01:15:54I don't want anything bad to happen to her either.
01:15:57I don't want anything bad to happen to her either.
01:15:59I don't want anything bad to happen to her either.
01:16:05Thelma?
01:16:08Where are you?
01:16:19Let's not do anything stupid.
01:16:21Whatever you want, just name it.
01:16:26AdWord, AdWord, AdWord.
01:16:30How did you find this place?
01:16:38I got it.
01:16:40You didn't seriously believe I would just walk away, did you?
01:16:43You're a coward.
01:16:47Killer.
01:16:48And AdWord, I want you to watch.
01:16:51If you touch her, I will skin you alive.
01:16:55I got it.
01:17:00Thelma!
01:17:03Thelma, run!
01:17:29It's okay.
01:17:31It's over.
01:17:35It's all over.
01:17:57It's today.
01:17:59I promised Nas I would go.
01:18:13Wait, this is the amusement park I agreed to meet Little Rock at.
01:18:18I thought it closed down years ago.
01:18:21Thelma?
01:18:23AdWord?
01:18:24What are you doing here?
01:18:26Nas told me to come. What are you doing here?
01:18:30Well, now that you're here, I need to tell you a little secret.
01:18:35Be right back.
01:18:36AdWord?
01:18:49Don't be scared, sweetheart.
01:18:51Why didn't you just call me?
01:18:59I told you I'd meet you here, Helen.
01:19:09I told you I'd meet you here, Helen.
01:19:13Algarve, but how?
01:19:16Why didn't you tell me after all this time?
01:19:20After I escaped the orphanage, the headmistress sent people after me.
01:19:25So I had to fight my own death.
01:19:28I survived.
01:19:30But the price was becoming a different man.
01:19:33Cold.
01:19:35Ruthless.
01:19:37Even cruel.
01:19:40And I was so scared that if he found out this was the man I'd become,
01:19:45he wouldn't love me anymore.
01:19:47Besides, the AdWord family erased every trace of my past.
01:19:52If they find out you're the one I'm looking for,
01:19:55they'll use you against me.
01:19:57And I can't risk that.
01:19:59Algarve, you know that I love you.
01:20:05You do?
01:20:09Yeah, with you by my side, I'm not afraid of anything.
01:20:14Then I don't want us to ever be apart again.
01:20:18Yeah.
01:20:27Yes.