Big Jake Full Movie
Big Jake Full Movie
Category
🎥
Short filmTranscript
00:00:001909, the Edwardian Golden Age.
00:00:18Genteel civilization had come to England, the continent, and the eastern United States.
00:00:22New York rivaled London and Paris as one of the great metropolises of the world.
00:00:29Albert Einstein had expounded his theory of relativity back in 1905.
00:00:34And science had brought us the wonders of the modern world.
00:00:44Culture and refinement had arrived on the east coast of America.
00:00:47Caruso was singing Pagliacci at the Met.
00:00:49Arturo Toscanini was conducting.
00:00:52The Barrymores were performing.
00:00:54And the Ziegfeld Girl was the rage.
00:00:571909, in the western part of the 46th United States, was not so refined.
00:01:04The surviving Indian warriors were now being rounded up by the U.S. Army.
00:01:11In Washington, William Howard Taft, 300 pounds of pure Republican, was president.
00:01:15And life was comfortable.
00:01:18In other parts of the country, men were fighting each other and the elements.
00:01:26In the New York department stores, a lady could buy maxis and boots and live in style.
00:01:31Out west, they didn't think about style, just living.
00:01:40Eastern empire builders had secured their fortunes, the Morgans, Vanderbilts, Carnegies.
00:01:45There were empires in the west, too, such as the great McCandles Ranch.
00:01:50But these huge ranches were held together only by having enough men and guns.
00:02:00Notre Dame teams were playing football, with then Newt Rockne catching the forward pass.
00:02:06In the Arizona territory, another team, the Arizona Rangers, were busy just trying to
00:02:10keep the peace.
00:02:13Anna Pavlova, prima ballerina of the Russian ballet, was dancing Swan Lake.
00:02:21The dance hall girl in the Klondike Gold Rush Saloon was somewhat different.
00:02:27By 1909, still photographs had come to life.
00:02:30Motion pictures had been born with a great train robbery.
00:02:38While that make-believe drama was on the movie screens, nine men crossed the Rio Bravo into
00:02:42Texas.
00:02:49The turbulent years between the Civil War and the turn of the century brought out the
00:02:52best in some people, but in others, it brought out the worst.
00:02:57Example, O'Brien, a half-breed Apache born of a Chiricahua mother and Irish father, a
00:03:02professional gunfighter, one of the last of his kind.
00:03:06Pop Dawson rode with the James boys in Kansas and Missouri, said to have murdered more than
00:03:11a dozen men, one for as little as seven dollars.
00:03:16Trooper, name unknown, a back shooter, considered a coward, reputed to have been a cavalry soldier
00:03:24sometime in the past, but not to the personal knowledge of his Confederates.
00:03:28William Fane, younger of the Fane brothers, favors a shotgun, a greener, for its bloody
00:03:32killing effect at short range.
00:03:36James William Duffy, at age 14, killed his first man, who was an admirer of his prostitute
00:03:41mother, dead shot with a rifle.
00:03:44William DeVries, young Billy, not quite 21, this raid was thought to have been his first
00:03:50outlaw act.
00:03:52Walt DeVries, his older brother by 20 years, he looks more like an Iowa farmer than a professional
00:03:57killer.
00:04:00John Goodfellow, maybe the worst of them, an indiscriminate killer, women, children,
00:04:05no consequence at all, prefers to work close, favors a razor-edged machete.
00:04:11John Fane, sometimes peace officer and bounty hunter, served with distinction during the
00:04:16Spanish-American War, professional soldier thereafter, now between wars.
00:04:21Currently, banks, trains, killings, and responsible for organizing the infamous McCandles Raid.
00:04:35Morning, Pancho.
00:04:42Good morning.
00:04:49Child, you need some air.
00:05:05Good morning.
00:05:35Good morning.
00:06:06Time to get up, Mr. Jeff.
00:06:24Delilah, I'm naked.
00:06:25I seen you naked the day you was born and many times thereafter.
00:06:29Rioter's coming.
00:06:38Is you getting up?
00:06:39Yes, ma'am.
00:06:52Grab his head, grab his head.
00:06:55Hold him, hold him, hold him.
00:06:59Chico.
00:07:00That boy.
00:07:03Chico, Chico.
00:07:07Hey, hey, come on.
00:07:12Now, I know you'd like to see Miss Stubby ride that bronc again, but go fetch me them
00:07:16eggs like I asked you to.
00:07:18Go ahead now.
00:07:19Hurry up.
00:07:30Huh.
00:07:32Strange is coming.
00:07:54Mr. Jeff will be a little late.
00:07:55You make sure you have a half a dozen or so fresh eggs for him, Moses Brown.
00:07:58I've already done that, woman.
00:08:01Miss Martha.
00:08:02I'll take care of that boy.
00:08:06Yes, ma'am.
00:08:09Why, this is ridiculous.
00:08:11Breakfast, Miss Martha, nice and hot.
00:08:13Thank you, Delilah.
00:08:14But it's hot.
00:08:15Just a minute, Delilah.
00:08:17Bert, this is 1909.
00:08:20There just can't be rustlers.
00:08:22Can be, Miss McCandles.
00:08:24I'm 42 years old and I fought in the Lincoln County War.
00:08:27It's just not that long ago that...
00:08:30Why, it's just 15 years ago himself, Mr. McCandles hung...
00:08:35Your breakfast is getting cold, Miss Martha.
00:08:39There's some lovely flowers in the garden, Delilah.
00:08:41I wonder would you ask Maria to cut them for me.
00:08:45Yes, ma'am.
00:08:47You were saying, Bert?
00:08:50I'm just saying, Miss McCandles, we're close enough to that Mexican border to...
00:08:55Spit.
00:08:57Yes, ma'am, that close.
00:09:00And we're losing a lot of cattle.
00:09:03Let me think about it.
00:09:05All right, ma'am.
00:09:06Oh, Bert!
00:09:13There are some men riding in.
00:09:15We could use some short help if you like the look of them.
00:09:18Yes, ma'am.
00:09:25Yah!
00:09:27There he is!
00:09:29Whoa!
00:09:31There he is!
00:09:38There he is!
00:09:40Whoa!
00:09:42Whoa!
00:09:44Whoa!
00:09:46Whoa!
00:09:47Time again.
00:09:49Thank you.
00:09:56Yah!
00:09:58Yah!
00:10:25Yah!
00:10:55A ranch sure is a deserted-looking place during a roundup.
00:11:03Can I help you, men?
00:11:05We heard you was hiring.
00:11:07Was.
00:11:09But you're late.
00:11:11Too late?
00:11:13Right so.
00:11:18Now, this place surely does bespeak of a great deal of money, don't it?
00:11:23Anything else I can do for you?
00:11:26Trouble with money, though,
00:11:28is that there is always somebody who wants to take it away from you.
00:11:31I said, is there anything else I can do for you, mister?
00:11:34Steel.
00:11:36That's the only problem with it.
00:11:38And ain't that the awful, bloody truth?
00:11:43Billy, you stay close to me, you hear? Real close.
00:11:52No!
00:12:23Ah!
00:12:25Run, Billy Jake, run!
00:12:29Miss McCandles, you want that kid alive?
00:12:33Won't you be a damn fool?
00:12:52Yah!
00:13:06Hey, sonny!
00:13:14Hey, trooper!
00:13:16Yah!
00:13:23Yah!
00:13:33Hey, old friend!
00:13:35The boy!
00:13:53Yah!
00:14:17Ah!
00:14:22Why, he means you better.
00:14:24Breed!
00:14:28You know good to us, Dad.
00:14:32I can wait.
00:14:36Vane, I don't like the name Breed.
00:14:40I'll try and remember that.
00:14:44Give me that! Come here!
00:14:52Come here!
00:15:11All right.
00:15:23Lay down! Come on!
00:15:25Let me down!
00:15:29Ah!
00:15:41Yah!
00:15:43Yah!
00:15:45Yah!
00:15:52Get the doctor, then find my son.
00:15:54And himself, your husband?
00:15:56I have no husband.
00:15:58Yah!
00:16:01Take him to my bed.
00:16:04Please, be careful with him.
00:16:15Yah!
00:16:46Oh, Mexico!
00:16:48There ain't nothing they can do to us here.
00:16:50The Mexicans can.
00:17:04Jeffrey McCandles, can you hear me?
00:17:09This fool doctor says you're going to die.
00:17:11This fool doctor says you're going to die.
00:17:13But I say you are not.
00:17:23I taught you better manners than to make a liar out of your mother, Jeffrey McCandles.
00:17:32He's just sleeping, Martha.
00:17:34I know that.
00:17:37Delilah?
00:17:39There's a big red strong box in the attic.
00:17:42I want it.
00:17:44Yes.
00:18:07We are seeking permission from the Mexican government at the highest possible levels, Mr. McCandles.
00:18:12When we receive that permission, we are prepared to enter Mexico with howsoever many troops as are acceptable to the Mexican government...
00:18:19...and to deliver the ransom wherever and to whomever directed.
00:18:26I am told that there is one man who is capable of delivering the ransom.
00:18:31Whomever directed.
00:18:34I am told that there is one million dollars in that box.
00:18:40Buck? What about you?
00:18:43Speaking for the Rangers or for myself?
00:18:45For yourself.
00:18:47I get ten of my best men with me.
00:18:50I'd like to go after the boy myself. If you say so, Martha, I'll take that box.
00:18:56I am grateful to you both.
00:18:59But I don't think this is a job for the Rangers, Buck.
00:19:02Nor for the army, sir.
00:19:07It is, I think, going to be a very harsh and unpleasant kind of business.
00:19:13And will, I think, require an extremely harsh and unpleasant kind of man to see to it.
00:19:30No, sir.
00:19:32No, sir, I ain't.
00:19:34I haven't butted into anybody's business since I was 18 years old.
00:19:38At which time it almost got me killed.
00:19:41I ain't going to start that again.
00:19:44What's the matter?
00:19:50Oh, what do you have to go and do that for?
00:19:54Oh, what do you have to go and do that for?
00:19:57You got any last words, Scotsman?
00:20:00Aye. Give me my bonnet. My head's cold.
00:20:18All right, now, let's get on with the hanging.
00:20:21All right, now, let's get on with the hanging.
00:20:26Howdy.
00:20:28Got you kind of surrounded, haven't they?
00:20:36This your business, mister?
00:20:38What, is he a murderer or a horse thief?
00:20:40He's a sheep farmer.
00:20:42Phew, that's where that horrible odor comes from.
00:20:47That's right.
00:20:49How about the boy? You going to hang him, too, or just beat him up some more?
00:20:54Mister, you shouldn't butt into something that's none of your business. You really shouldn't.
00:20:58I think you're right, friend.
00:21:00A man shouldn't butt into anything that ain't his own affair.
00:21:04Sheep farmer, you want to sell them sheep?
00:21:07Yes, sir.
00:21:10Well, let's see. I'll give you a hundred now and three hundred when I get them to market.
00:21:16Well, that's highway robbery.
00:21:19Well, maybe you think you're going to get a better offer for them today.
00:21:23I'll take it. With one proviso.
00:21:26What's that?
00:21:29I'll go with the sheep.
00:21:31Good. You're working for me.
00:21:35You go ahead. You go right ahead.
00:21:39If there's anything I enjoy more than hanging a sheep, it's hanging somebody who sticks his nose into my business.
00:21:45Go on. You try to cut that rope.
00:21:49No, you got me scared.
00:21:54You do it.
00:21:58Dog!
00:22:02Get him off! Get him off!
00:22:05Dog, just who in the hell do you think you are?
00:22:08Jacob McCandles.
00:22:11Oh, I, uh...
00:22:14I thought you were dead, Mr. McCandles.
00:22:17Not hardly. You gonna cut him down?
00:22:31Now his hands.
00:22:39Two hundred miles south. Bar M.C.
00:22:43Foreman's name's Gonzalez. Tell him I sent you.
00:22:46Take the boy with you.
00:22:48Thank you, sir. Come along, son.
00:22:55You follow him. I'll hunt you down and kill you.
00:22:58Every mother's son of you.
00:23:02Come on, Dog.
00:23:08Come on.
00:23:19Mr. McCandles!
00:23:23Hola, Chihuahua.
00:23:25¿Para usted, señor?
00:23:38¿Para usted, señor?
00:24:09Here you are, Mr. McCandles.
00:24:11Thanks, Joe.
00:24:17Hank! She's in there, Mr. McCandles, waiting.
00:24:21What happened to your spurs?
00:24:23Oh, they don't work on these new-fangled velocipedes.
00:24:27They don't work on spurs?
00:24:29They don't work on spurs.
00:24:31They don't work on spurs.
00:24:33They don't work on spurs.
00:24:35They don't work on these new-fangled velocipedes.
00:24:38Oh.
00:24:40Well, see that they get my gear out of that car.
00:24:42Yes, sir.
00:24:59Martha?
00:25:02It's been a long time.
00:25:05It's good to see you again.
00:25:08You've changed, Jacob.
00:25:10Not you.
00:25:13You're as young and lovely as ever.
00:25:20I called you, Jacob, because your grandson has been kidnapped.
00:25:24You didn't know you had a grandson?
00:25:26You have, by your son, Jeffrey.
00:25:28And Jeffrey has been badly wounded by the kidnappers.
00:25:30Will he live?
00:25:32This is the ransom note.
00:25:34The blood on it is Jeffrey's.
00:25:36Will he live?
00:25:38Yes. I will not contemplate otherwise.
00:25:53Do we have...
00:25:55You have a million dollars?
00:25:57Yes, and many times that.
00:25:59Hank?
00:26:01Yes, ma'am?
00:26:03Will you bring in the strongbox, please?
00:26:11Set it down here on the table.
00:26:13That's all.
00:26:15Yes, ma'am.
00:26:27Is this the way you want it?
00:26:29Yes. They're very dangerous men.
00:26:31They've already killed ten people.
00:26:33Many of them you knew.
00:26:35Juan and his family.
00:26:37Tina and the little boy?
00:26:39Moses Brown.
00:26:41Oh, Moses.
00:26:43How's he cook?
00:26:45Jacob, as I said,
00:26:47they're very dangerous and violent people.
00:26:49And I don't think we've got any other choice
00:26:51than to give them what they've asked for.
00:26:53I agree.
00:26:56But you know that, pay or not,
00:26:58we run the risk of never seeing the boy again.
00:27:02I understand.
00:27:04Well, follow the map until met.
00:27:06That's easy.
00:27:08I'll need food for a week,
00:27:10water for ten days, three packhorses,
00:27:12and a good mule.
00:27:14Waiting for you outside.
00:27:16Martha, you didn't happen to think of my greeners,
00:27:19the double barrels?
00:27:26Ha-ha.
00:27:28Oh!
00:27:30You brought Betsy.
00:27:32Pays to be careful.
00:27:34Well, now let's see if I've forgotten anything.
00:27:36Oh, I'll need a piece of clothing
00:27:39that the boy has worn recently.
00:27:44His?
00:27:46Yes.
00:27:49Hank, who picked the mule?
00:27:51I did.
00:27:52Pack it.
00:27:53Yes, sir.
00:27:54Don't forget the rest of the gifts.
00:27:56No, sir.
00:28:04Hello, Buck.
00:28:06How are you, old horsey?
00:28:08I'm fine, sir.
00:28:10How are you, Buck?
00:28:12I'm fine, sir.
00:28:14How are you, Buck?
00:28:16Hello, old horsey.
00:28:18I thought you was dead for sure by now.
00:28:21That'll be the day.
00:28:22Think of taking a trip.
00:28:24Well, a million dollars is a lot of money, Jacob.
00:28:26I thought we might go with you.
00:28:27In those?
00:28:28They're faster than a horse.
00:28:30They'll go farther and last longer.
00:28:31It's 1909, Jacob.
00:28:33Meaning, in my ways, old-fashioned.
00:28:35Meaning I'm offering my help if you'll have me.
00:28:38Well, thanks, Buck, but I'll go it alone.
00:28:41Well, suit yourself, Jacob.
00:28:43What about me?
00:28:46James?
00:28:48Good morning, Daddy.
00:28:50It's been some time since I've seen you.
00:28:52Ten years, I think.
00:28:56Nine years and four months.
00:28:58But you're welcome to come along, son.
00:29:00I am moved by your faith in someone you haven't seen since he was 16 years old.
00:29:05Daddy.
00:29:07Daddy?
00:29:09Daddy.
00:29:13Daddy.
00:29:17Well, son, since you haven't learned to respect your elders,
00:29:21it's time you learned to respect your betters.
00:29:40Hey, if you weren't my father...
00:29:42Go ahead. I give you leave.
00:29:47If you're going with me,
00:29:49I hope you can use that hog leg better than you can fight.
00:29:53Does that suit you, Daddy?
00:29:57You can call me Father.
00:29:59You can call me Jacob.
00:30:01You can call me Jake.
00:30:03You can call me a dirty son of a bitch.
00:30:05But if you ever call me Daddy again, I'll finish this fight.
00:30:17Tequina.
00:30:19Señor.
00:30:21Tell Sam Sharp knows I want to see him.
00:30:23Tell him the same place as the last time, and all he needs is his saddle.
00:30:28Get yourself a good horse.
00:30:32Oh, Tequina.
00:30:33Si?
00:30:34Bring a horse back.
00:30:36Seguro, señor.
00:30:38Where's your brother? He ought to be here with you.
00:30:41He'll be here.
00:31:09Watch out for that Seguro!
00:31:31I tried to tell you about them horses, Jacob.
00:31:33Now you take these here automobiles...
00:31:35Jacob, this is your son, Michael.
00:31:37Father.
00:31:38Good to see you again.
00:31:40He's a mite skittish, isn't he, Father?
00:31:48The little fella's still alive, Mother.
00:31:50Are you sure?
00:31:51I saw him.
00:31:52The kidnappers were in the Chilicote flatlands...
00:31:5420 miles from Cuyamay Pass, five hours ago.
00:31:57Using the automobiles, I believe the rangers can get to the pass long before the kidnappers and set a trap for them.
00:32:03You want a chance at, Mother?
00:32:05Buck?
00:32:06No matter what happens, I think they'll kill the boy sooner or later.
00:32:10I've got the best riflemen in Texas with me. That means in the world.
00:32:14With luck at, say, 200 yards, I think maybe we can kill every one of those animals before they hear the shots that did it.
00:32:19I think it's worth a gamble.
00:32:22That's very daring.
00:32:24Yes.
00:32:25Yes, I'll chance it.
00:32:27What do you think, Jacob?
00:32:31Suit yourself, Martha.
00:32:36I was asking your opinion, Jacob.
00:32:39No.
00:32:41You made up your mind. You made your decision alone.
00:32:45You live it alone.
00:32:47I was wrong.
00:32:48You haven't changed, have you, Jacob McCandles?
00:32:52Not one bit.
00:32:56Do it!
00:33:01You still want me to take this box in?
00:33:04Yes.
00:33:05If they fail, it falls to you.
00:33:17You coming along?
00:33:19No. I'll go with them.
00:33:27Doc, let's go.
00:33:34Let's go.
00:34:04Let's go.
00:34:34Let's go.
00:35:04Let's go.
00:35:34Let's go.
00:36:04I hear him.
00:36:12I hear him.
00:36:22Sam?
00:36:24Good morning, Jacob.
00:36:34I brought the saddle.
00:36:36There's your horse.
00:36:39Going hunting, Sam.
00:36:41Hunting for what?
00:36:42Men.
00:36:44I don't hunt Apaches.
00:36:46I don't hunt my own people. You remember that, Jacob.
00:36:50They kidnapped my grandson, Sam.
00:36:54I don't know what color they are.
00:36:56And I don't care.
00:36:59I have no gun.
00:37:02Close or far?
00:37:05Close. My eyes.
00:37:07No good.
00:37:15Me too.
00:37:28Me too.
00:37:58Me too.
00:38:28Me too.
00:38:30Keep going.
00:39:01Any sign of the kidnappers, son?
00:39:04Couldn't see anything moving for miles.
00:39:07Good. We must be ahead of them.
00:39:09There's a narrow path at the end of the valley.
00:39:11I think it's a good place for us to trap them.
00:39:16I'm for it.
00:39:20Buck, not knowing where the kidnappers are, we can't chance that path.
00:39:24They're young fools.
00:39:26And I'm an old one.
00:39:28But we're going to get that boy.
00:39:56We'll hide these machines up at the end of the canyon.
00:39:59This is a good place for the ambush.
00:40:27Jump!
00:40:50Police!
00:40:57Stop these damn things!
00:40:59Get out!
00:41:03Take cover!
00:41:21Good place for an ambush, all right.
00:41:23And we're it!
00:41:26Let's go!
00:41:52What happened to that crazy bicycle?
00:41:55Damn!
00:42:08Buck, let's get him out of here.
00:42:10Come on!
00:42:25Come on!
00:42:55Come on!
00:43:07They've had enough, John.
00:43:09They ain't going to be able to follow us anymore.
00:43:12Let's sting them a little more.
00:43:14And they'll come through with the money.
00:43:26The crazy kid!
00:43:28Yeah.
00:43:29The horses!
00:43:31Everybody get to them horses!
00:43:33Move it!
00:43:36Grab that kit!
00:43:47Stop!
00:43:49Stop!
00:43:51Stop!
00:43:53Stop!
00:43:55Stop!
00:43:57Stop!
00:43:59Stop!
00:44:01Stop!
00:44:04Stop!
00:44:05Let me down!
00:44:14Damn it, Pop, the next time I tell you to tie that kid up,
00:44:17don't be worried about hurting him.
00:44:33Get out of here, you!
00:45:03Bark! Bark!
00:45:05Bark!
00:45:20Buck.
00:45:33Buck!
00:45:57A boy?
00:45:59We don't know.
00:46:03My son, Michael?
00:46:06We don't know.
00:46:08There was an explosion southeast of here.
00:46:19Well, do you have any water?
00:46:23No.
00:46:25Well, I'll give you half of ours.
00:46:29As soon as I can, I'll telegraph that...
00:46:32You're walking in.
00:46:34Going south is going to be some time before you get to a telegraph station.
00:46:37I'm going to have to take one of your mounts.
00:46:39Send for help. Some of my men are hurt bad.
00:46:41No, I'll need them.
00:46:43Anything else?
00:46:44No.
00:46:47Oh, you've been more than generous, Mr. McCandles.
00:46:52I think so, Buck.
00:46:54Fifteen years ago, I'd have killed you for risking my grandson's life.
00:46:58If I find him dead, I'll still kill you.
00:47:03You going along?
00:47:06Now, the last time I asked you that question, you said no.
00:47:10And you said it in a loud and clear voice.
00:47:12Now, I'm asking you a question.
00:47:14You coming along?
00:47:16You're damn right I am, Father.
00:47:22Throw a blanket on him.
00:47:24I can ride without a blanket.
00:47:26I'm not worried about your butt. It's his back.
00:47:33Come on.
00:47:48There's something down there. Is that it?
00:47:57That's it.
00:47:59Well, here, you take the mule down the long way.
00:48:02I don't want to lose him even by accident.
00:48:04You go with him.
00:48:06I'm going down there.
00:48:08You'll go where you're told.
00:48:16Do this, do that. I'll do as I damn well please.
00:48:20You do what your father tells you.
00:48:22Every time he tells you, you might come through this thing alive.
00:48:26Maybe even save the boy's life.
00:48:29Otherwise, you're going to get yourself killed.
00:48:33Don't matter to me, but you'll probably get him killed too.
00:48:38That does.
00:48:56Let's go.
00:49:27Oh, Father, am I glad to see you.
00:49:31You ain't dead?
00:49:33No.
00:49:34No broken bones?
00:49:35I don't think so.
00:49:37Take off your glasses.
00:49:39My what?
00:49:40Your goggles.
00:49:48That's for scaring me out of ten years of my life, which I can't spare.
00:49:54I had to be still.
00:49:56I didn't know who was moving around up there.
00:49:59You hurt?
00:50:01No.
00:50:08That's for risking my grandson's life.
00:50:11You do that again and I'll break every bone in your body.
00:50:14Father.
00:50:17The next time.
00:50:20Yeah?
00:50:23The next time, I won't take off my goggles.
00:50:28Whoa.
00:50:39You all right?
00:50:42Was.
00:50:44For an old mule, he's got quite a kick, don't he?
00:50:47I think he was using brass knuckles.
00:50:50Better mount up before we lose him.
00:50:53I wonder what the hell he has in store for us next.
00:51:20You know, that's a dirty habit if you ask me.
00:51:44No, he asked you.
00:51:48Father.
00:51:50Yeah?
00:51:51You need to wear glasses, do you?
00:51:54Just to see with.
00:51:57Father.
00:51:59Hmm?
00:52:01They say that Ma booted you out because you had a weakness for the ladies.
00:52:06Is that true?
00:52:08I mean, no offense, but I find that hard to believe.
00:52:14What do you find hard to believe?
00:52:17James.
00:52:19Cut it out.
00:52:21I mean, maybe before you got old, you was quite a lady.
00:52:28What's the matter with your leg?
00:52:30Nothing.
00:52:32You've been favoring it all day, what's the matter with it?
00:52:35I got hit by some buckshot, that's all.
00:52:38Take down your pants.
00:52:40Are you on the level?
00:52:43You're going to take down your pants or do I have to do it for you?
00:52:46You and who else?
00:52:48Dog.
00:52:53Boy, what a beautiful pattern.
00:52:55He must have been real close to you.
00:52:58Will you shut up?
00:52:59That's a deep one.
00:53:00Sam, you know what he did?
00:53:02Forgot the duck?
00:53:03He stuck his butt up, that's what he did.
00:53:06Boy, when you're in that kind of a gunfight, keep your butt down.
00:53:10That's a thing to remember.
00:53:12There's always some bastard on the other side that's got enough of a sense of humor to shoot you there instead of in the head every time.
00:53:21How about a shot of whiskey?
00:53:23Yeah, where is it?
00:54:06Is that them?
00:54:07Yep.
00:54:09Maybe eight hours ahead of us.
00:54:11All of them?
00:54:12Yep.
00:54:14They're not trying to cover their tracks, that's for sure.
00:54:18Sam, I got a hunch we're being followed.
00:54:21Near or far?
00:54:23Well, far, I feel it more than I know it.
00:54:27I'll go see.
00:54:29Where'd you get those saddles?
00:54:33Found them.
00:54:37All right, you two, grab yourself a saddle.
00:54:41Hurry it up.
00:54:42Wouldn't want to lose you children.
00:55:04We're being followed.
00:55:11You were right.
00:55:12How many?
00:55:13Three or four.
00:55:14Did you see them?
00:55:15No, but I got close enough to hear them.
00:55:17They're still a couple hours behind.
00:55:19A couple hours.
00:55:20You better cool off that horse, Sam.
00:55:22We'll take a break here.
00:55:33Give me a swig of that water.
00:55:34Feed your horses first.
00:55:36I'll take them.
00:55:58What kind of a gun is that you got hanging around your belly, Michael?
00:56:02It's a Bergman, 1911.
00:56:041911?
00:56:06It's only 1909.
00:56:08Pre-production model, Father.
00:56:09We own some stock.
00:56:10Why is it so funny-shaped?
00:56:13The shells load into a magazine, Father.
00:56:15The magazine into the handle of the gun.
00:56:17Gas-operated, you see.
00:56:19Gas-operated?
00:56:21It shoots real fast.
00:56:23Well, Michael, can you shoot?
00:56:25Proficiently, Father.
00:56:27Now, as many times as you can before this hits the ground.
00:56:32Like maybe once?
00:56:36Well, Michael, you were supposed to shoot.
00:56:39With this?
00:56:40It's a gun, isn't it?
00:56:42Well, yes, of course.
00:56:44Well, shoot it.
00:56:45But, Father.
00:56:55Boy, you need a keeper.
00:56:57Pa, I wouldn't come out just yet.
00:56:59Sam, I want to offer my personal apologies.
00:57:01You can get up now.
00:57:03I'm not coming out.
00:57:05Not until you say I can shoot back.
00:57:07He fired his six shots.
00:57:08Pa!
00:57:10Stop, interrupt!
00:57:16Put that thing away!
00:57:19That damn mule!
00:57:22If he busts up that box, Michael, you'll...
00:57:25Ouch!
00:57:28Until you're used to the safety on this...
00:57:29Being dry, you better help your father.
00:57:31Oh.
00:57:39Father, I...
00:57:40Proficient, eh?
00:57:55Now, what was it you were trying to tell me?
00:57:58That there were eight shots in that gun.
00:58:00Oh, thanks.
00:58:01Give me a hand here.
00:58:03Father, there has been a misunderstanding.
00:58:07When I said that I could shoot proficiently, I meant with this.
00:58:10With that?
00:58:11Yes, sir.
00:58:14Make a target.
00:58:17That tall tree there.
00:58:19The edge of the small broken branch.
00:58:21Son, that's over 400 yards.
00:58:24Nearer five.
00:58:26Well, if you can shoot that far,
00:58:28a quarter of a mile straight along the edge of my nose is a mountain buck.
00:58:32Shoot it.
00:58:34But don't kill to make a point, father.
00:58:38Michael, there's two reasons to kill.
00:58:42Survival and meat.
00:58:44We need meat.
00:58:46Oh, it's too late.
00:58:56That's good shooting.
00:58:59Not bad.
00:59:01Father, you want to try a shot?
00:59:04Scope's set for 500 yards.
00:59:06Son, I couldn't see that far.
00:59:09Sam!
00:59:12Give me a hand packing that mule.
00:59:15Michael, let me see that handgun.
00:59:22That sure is something.
00:59:45Damn.
00:59:46Something wrong, father?
00:59:48I can sleep cold,
00:59:51raw meat, even raw fish,
00:59:53but come evening, I sure miss my hot coffee.
00:59:56Open me up a can of them peaches.
00:59:58Hey, quite an improvement.
01:00:01I'll bet you could almost get that fancy gun out of that fancy holster
01:00:05before some fast gentleman with an old-fashioned six-gun
01:00:09blew a hole in you.
01:00:11You know what I think?
01:00:13A spring.
01:00:14A spring at the bottom of the holster.
01:00:16It might work.
01:00:19Sure spent a lot of time with this thing.
01:00:21Michael, do you really think that little Jake is still alive?
01:00:24What did you call him?
01:00:26He called him little Jake, father.
01:00:28Mom insisted.
01:00:30Well, I'll be damned.
01:00:32You didn't know he was named after you, did you?
01:00:34No, I didn't.
01:00:36Well, I guess it's kind of hard to keep in touch.
01:00:38I mean, you run out on your family that way.
01:00:41You never hear that at home.
01:00:43You're short on ears and long on mouth.
01:00:50Well, you ever learn to count it, James?
01:00:53Well, you sure are respectful of his feelings.
01:00:55I'll say that for you.
01:00:57Me?
01:00:58He was right.
01:00:59Yeah.
01:01:02That's the trouble.
01:01:10Oh, thanks.
01:01:13What's the boy like, Michael?
01:01:16He's like you and James, Pa.
01:01:18Like me and James?
01:01:28Still four or five of them?
01:01:30Yep, but they haven't closed in yet.
01:01:32They're being real quiet.
01:01:34How close?
01:01:36Maybe another hour.
01:01:38There's one closer, though, right behind your head.
01:01:42I don't know whether he's with them or not.
01:01:44He sits his horse out there about 200 yards.
01:01:47He waits.
01:01:49He listens.
01:01:50I wonder what he wants.
01:01:52I could kill him, Jacob.
01:01:54Real easy.
01:01:56In cold blood?
01:01:58Oh, you're squeamish, are you?
01:02:00Well, between your brother's love of pretty toys...
01:02:03and your high moral tone...
01:02:05I hope you don't get killed before this thing's over.
01:02:08We'll wait.
01:02:09You won't have to. He's coming in.
01:02:13James, come on.
01:02:29Hello, the camp.
01:02:31Can I come in?
01:02:33Come on in.
01:02:35And welcome.
01:02:39Thank you.
01:02:50Well, I was hoping for a cup of coffee...
01:02:53but you're running a cold camp here.
01:02:55Yep.
01:02:56How about a peach?
01:02:58No, that hurts my teeth.
01:03:00Well, I got hooked on these when I was a yonker.
01:03:04Could never get my fill.
01:03:06Hell, mister, you don't need that.
01:03:08I'm not a damn fool.
01:03:09I know you got three or four men out there watching me.
01:03:12Can I move my hand?
01:03:14Go ahead.
01:03:20That's my bona fides.
01:03:25Well, I hope that boy don't catch cold.
01:03:28That would cause me great annoyance and displeasure.
01:03:31Mister, that just scares the hell out of me...
01:03:34the thought that you might be annoyed.
01:03:37Glad to hear that.
01:03:39Now, did you come here to give me a message...
01:03:42or just to pass the time of day?
01:03:45From here, you go to Escondera.
01:03:47You wait there till you hear from us.
01:03:49You've been following us two, maybe three days.
01:03:52Why did you wait so long?
01:03:55I haven't been following you.
01:03:57I've been waiting right here, just like the map says.
01:04:00Oh?
01:04:03Hey.
01:04:05That the money?
01:04:10Open her up. I'd like to look at it.
01:04:17Help yourself.
01:04:19Just as soon as you bring in the boy.
01:04:27Who are you?
01:04:29They say I work for the McCandles.
01:04:31The boy mean anything to you?
01:04:33Never laid eyes on him.
01:04:35But I'm being paid to bring him back alive...
01:04:38or you dead, each and every one of you.
01:04:41I'd rather bring the boy back.
01:04:44That's easier.
01:04:46But when it comes right down to it, it don't matter to me.
01:04:50I'll earn my pay one way or the other.
01:04:54Now, how about you?
01:04:57Are you the big chief or one of the little Indians?
01:05:00Oh, just a little Indian, just a messenger boy.
01:05:03Well, you've delivered the message, that's all.
01:05:06There's more.
01:05:08I'm in here alone. You've been followed like the think.
01:05:11You best stay right on your toes.
01:05:13You'll be real tough, real loose.
01:05:16What you got in that box is too big to keep a secret.
01:05:19And the thing is this.
01:05:21You got to deliver that box to us.
01:05:23You got to put it right in our hands.
01:05:26You understand?
01:05:27Good intentions won't buy you nothing but that boy's corpse.
01:05:31It's just as simple as that.
01:05:33Somebody takes that box away from you...
01:05:36we won't be understanding, we won't wait, we won't try again.
01:05:40I'll just send that boy's body back to you in a basket.
01:05:44You understand?
01:05:49Mister, I said, do you understand me?
01:05:53I understand.
01:05:57I understand.
01:05:59Jacob.
01:06:29What's the matter?
01:06:31I make big mistake.
01:06:34In that stand of trees...
01:06:37there's two men.
01:06:41Tell them where we're going.
01:06:43Kill them.
01:06:45Dog, go with him.
01:06:47Bring in the horses and get that stuff packed.
01:07:18Yeah!
01:07:40Well?
01:07:42I'm getting older.
01:07:43There were two men, I killed one.
01:07:45Damn.
01:07:47It means they'll...
01:07:49It is Escondero for sure.
01:07:52Escondero, where have I heard that name before?
01:07:54Boomtown.
01:07:55Oil.
01:08:16Well, that cuts it.
01:08:18Yeah, must be a celebration.
01:08:25I'll be loaded with strangers.
01:08:45I'll be loaded with strangers.
01:09:09Ain't this a little showy, Pa?
01:09:11You mean that big red box and all the guns out?
01:09:15Never knew one to be kept.
01:09:17They've all heard what's in that red box...
01:09:20and they all want it.
01:09:22What we're doing by this ostentious display...
01:09:25is telling them they can't have it.
01:09:28Hell, we may...
01:09:30may be saving some poor miscreant soul's life by doing this.
01:09:34Maybe even our own.
01:09:38Well, unpack the piggy bank and the rest of our gear.
01:09:40Hey, Chamaco!
01:09:43Kevin, lock the vials.
01:09:55Man, when they fiesta in this town, they really fiesta.
01:10:00What's the matter with you?
01:10:12He's the one who got away, Jacob.
01:10:14Want me to get him?
01:10:16No.
01:10:18We'll keep an eye on him.
01:10:20Probably a lot more.
01:10:22Dog?
01:10:28Feels like it's full of rocks.
01:10:30I'm gonna get me a big private room with a big soft bed...
01:10:33One big room and one big bed for all of us.
01:10:36No money doesn't grow on trees.
01:10:39Give us a room.
01:10:41The dog is all right, but we do not allow Indians.
01:10:44He's with me.
01:10:46No Indians.
01:10:53No Indians?
01:10:55I'll sleep in the barn.
01:10:59Lee Jacob McCandles?
01:11:01That's right.
01:11:02My apologies, Mr. McCandles. I thought you was dead, sir.
01:11:05Dead?
01:11:07Next man says that to me, I'm gonna shoot, so help me.
01:11:10Dog?
01:11:34Bring it up.
01:11:36Put it over there in the corner.
01:11:39Oh, don't tell me it's that heavy.
01:11:41It sure is.
01:11:43I never knew money could weigh so much.
01:11:46What time is it?
01:11:48Can't believe I got two sons who don't own a watch.
01:11:51They're a wonder to throw it out of.
01:11:53We're near dark.
01:11:55Yeah, five o'clock.
01:11:57Man, take a look at Babylon.
01:12:02They're gonna have themselves a real party tonight.
01:12:06I wish I could dance me a jig with a pretty lady.
01:12:09Why not?
01:12:12Oh, because of the box.
01:12:14Yeah, and the men who followed us in.
01:12:17We're walking into trouble.
01:12:19What do you do when cockroaches get in the woodwork, Michael?
01:12:22Smoke them out?
01:12:24That's right.
01:12:25Why not wait until they make a move?
01:12:27Because waiting is good for them and bad for us.
01:12:30You get impatient, nervy, careless, maybe dead.
01:12:34I've seen it.
01:12:36Besides, you two children haven't had the experience for that sort of thing.
01:12:40And I don't have the patience.
01:12:42So we're gonna invite them here tonight.
01:12:44Now, Father, I think that...
01:12:46You think?
01:12:48Michael, your thinking's already cost us some lives.
01:12:51I intend to hang on to mine.
01:12:53Your father got us this far because he knows what he's doing.
01:12:56So for the next 24 hours,
01:12:58why don't you both just keep your mouths shut and listen to him?
01:13:02That's more words than I spoke since I know you.
01:13:05Gentlemen, agreed?
01:13:08All right, Sam.
01:13:09I want you to go down and take a look at the horses.
01:13:12Make yourself seen around the stables.
01:13:14And tonight, James, you go out and have yourself a real good time.
01:13:19And when I leave this room, Michael, you'll be the sitting duck.
01:13:23With only you between them and that box,
01:13:25they'll think it's gonna be like taking candy away from a baby.
01:13:29Tonight, Sam, there's gonna be a disturbance out on the street.
01:13:33I want you to come over the roof and into the window.
01:13:36But you tell him not to shoot me, not even by accident.
01:13:40I heard him.
01:13:42Father, you know what you're letting yourself in for.
01:13:45There's a little eight-year-old boy somewhere out there.
01:13:50Scared and lonely and probably wondering what's happened to his world.
01:13:56We came here to find him and take him home, alive if possible.
01:14:01That's what I intend to do.
01:14:04He's right about one thing.
01:14:07He'll be all alone down there.
01:14:09No sweat.
01:14:12All right, Sam, you better pick up another shotgun, a greener if possible.
01:14:18Now, I'm gonna take myself a nap.
01:14:21You wake me up, 9 o'clock for sure.
01:14:24Now, you two young fools be careful tonight.
01:14:27Because if you get yourself killed,
01:14:30your mother'd never let me hear the end of it.
01:14:55Por favor, amigo.
01:15:06Pardon me.
01:15:08Are you of these horses?
01:15:10No, sir.
01:15:12I'm not one of them.
01:15:14I'm not one of them.
01:15:16I'm not one of them.
01:15:18I'm not one of them.
01:15:20I'm not one of them.
01:15:23Are you of these oil drillers?
01:15:25Yep.
01:15:26Well, could you tell me which one is the orneriest in your outfit?
01:15:31Oh, that's easy. Mr. Sweet.
01:15:34The latter pointily, gentlemen. Right over there with the beard.
01:15:41Thank you.
01:15:48Mr. Sweet?
01:15:50May I?
01:15:55You shouldn't have done that.
01:16:01You were right.
01:16:16You're a little over-biased, aren't you?
01:16:19Do you want some help?
01:16:21No.
01:16:25You better quit being unfriendly, mister.
01:16:33Sam's made it, Pa.
01:16:35Well, it's about time.
01:16:37Hold it a minute, friend.
01:16:39I think there's been a mistake.
01:16:41Have you ever been to Nacogdoches?
01:16:44Nacogdoches?
01:16:46No.
01:16:48Strange. Pardon me.
01:17:00But I ain't never been to Nacogdoches.
01:17:02Damn it, mister. I believe you.
01:17:13You're next. Please sit down, sir.
01:17:15Thank you.
01:17:17Say, I was looking at... Do I read right?
01:17:19Oh, yes, sir. Genuine hot showers imported all the way from St. Louis.
01:17:24The only one of its kind between Dallas and Mexico City.
01:17:28I highly recommend it, sir.
01:17:30Donde?
01:17:32Over there.
01:17:34Muchisimas gracias.
01:17:48Hey, how about it? Let's get out of here.
01:17:51After we finish this dance.
01:17:53Yes, ma'am.
01:18:17Oh, man.
01:18:19They ought to have one of these in every barber shop in the world.
01:18:23Bastante, maestro.
01:18:27I'll be through in a minute, mister.
01:18:29Take your time, mister.
01:18:34Man, I smell as sweet as lilies in the valley right now.
01:18:39I'm in no hurry, friend. You just take your time.
01:18:43Si, señor. Venga aquÃ.
01:18:50There's a cantina at the far edge of town named Sanchez. You know it?
01:18:53Si, señor.
01:18:54You go there and buy me a bottle of tequila.
01:18:57Pero la cantina está aquà cerca.
01:18:59Nowhere else, mind you.
01:19:00Now, they have a brand special for me. Now, that's what I want.
01:19:03You go fetch it.
01:19:05Si, señor.
01:19:08Well, I guess I'm finished.
01:19:12You stay right where you are.
01:19:15Unless you want to hurry things, take your choice.
01:19:19No hurry. No hurry at all.
01:19:24But I could use those clothes over there. I'm getting a little cold.
01:19:28If you don't shut up and stay where you are, you'll get a lot colder.
01:19:32Here. Protect yourself with this.
01:20:02Thank you.
01:20:03Thank you.
01:20:04Thank you.
01:20:31Why didn't you buy me a drink now?
01:20:33I thought we were leaving.
01:20:34Later.
01:20:36Am I too heavy?
01:20:37No, not at all.
01:20:45Hey, you. That fancy holster on.
01:20:48Yeah, you.
01:20:49You got my woman.
01:20:50Sorry.
01:20:54That's my woman.
01:20:57All right, friend.
01:20:59Hey, don't turn your back on me while I'm talking to you.
01:21:03My apologies, sir. If I have a...
01:21:05Shut up!
01:21:06Yes, sir.
01:21:11Well, you sure don't rattle very easy, sonny.
01:21:14You know something?
01:21:15You are a coward.
01:21:18Yeah.
01:21:19Yeah, you're a coward.
01:21:21A live coward.
01:21:23Now, let's hear you say it.
01:21:25A live coward.
01:21:26Now, let's hear you say it.
01:21:29All right. I'm a coward.
01:21:32Hey, I think I finally said something to rattle the boy.
01:21:35You sure did.
01:21:56Well, friend.
01:21:58That's it.
01:22:00No hard feelings.
01:22:09To hell there ain't.
01:22:15Sam!
01:22:21Sam!
01:22:26Anybody hurt?
01:22:30What's the matter?
01:22:31Shotgun blast broke the lock, Jacob.
01:22:34Newspaper clippings.
01:22:38I killed a man for newspaper clippings.
01:22:41Where's the money, father?
01:22:48Where is it, daddy?
01:22:50You think I stole it?
01:22:52You think I stole it, Michael?
01:22:54Tell the Indian to go for a walk.
01:22:58Go for a walk, Sam.
01:22:59You sure, Jacob?
01:23:00Sure. Take the dog with you.
01:23:02Go with him, dog.
01:23:18Now what?
01:23:19Where's the money, daddy?
01:23:21Where's the money, daddy?
01:23:23You go to hell.
01:23:38James?
01:23:46Now, boys, you know that's...
01:23:48That's no way to treat your old daddy.
01:23:51Jerks!
01:24:19Can I come in now?
01:24:21Come on in.
01:24:26Well, there ain't no money.
01:24:28There never has been.
01:24:32That's right. Never has been.
01:24:34It was your mother's decision and mine
01:24:37that we take the boy and not pay for him.
01:24:41That's right.
01:24:43It was your mother's decision and mine
01:24:45that we take the boy and not pay for him.
01:24:49My mother's decision?
01:24:50I don't believe you.
01:24:52There were seven McCandles people killed,
01:24:55one crippled,
01:24:56your own brother shot, maybe crippled,
01:24:58maybe even dead,
01:25:00and my grandson kidnapped.
01:25:02I ain't gonna pay him for that.
01:25:04Neither's your mother.
01:25:06Thought I knew her.
01:25:07Not hardly.
01:25:08Can't be done, Pa.
01:25:10They'll kill little Jake for sure.
01:25:12Kill him first.
01:25:36There you are, Jacob, just like new.
01:25:39Quiet, dog.
01:25:54What are you snooping around for?
01:25:57I ain't snooping.
01:25:59I come to get you.
01:26:01Your horses are saddled out in back,
01:26:03so let's go.
01:26:04Where to?
01:26:05I'll take you there.
01:26:06I'll take you there.
01:26:07That's all you need to know.
01:26:09Except if you don't have the money,
01:26:11or if I ain't back within 18 minutes from now,
01:26:15or if somebody tries to follow us to the meeting place,
01:26:18or tries to keep us from leaving after we get the money,
01:26:21we'll kill that little boy.
01:26:23Well, I ain't gonna give you the money
01:26:25till I get the little boy.
01:26:26Now, how you gonna do it?
01:26:28We'll have a rifle on him
01:26:30with a real fine sharpshooter behind him
01:26:33for one of them fancy new telescopic sights.
01:26:37From the time you set eyes on him
01:26:39until one hour after we've a moose,
01:26:41you won't know where our man is,
01:26:43and we won't be able to tell him not to shoot
01:26:45even if we were so inclined.
01:26:47If something goes wrong, that little boy's dead.
01:26:50Sure as shooting.
01:26:53Well, uh, give us a couple of minutes
01:26:56to pull ourselves together.
01:26:59Well, the front's being watched.
01:27:01I'll be out in back myself.
01:27:1018 minutes means they're close by.
01:27:13James, give me back my watch.
01:27:15Don't you ever return things you borrow?
01:27:17Full of pictures.
01:27:20Yeah.
01:27:22Michael, the sharpshooter's yours.
01:27:25Kill him.
01:27:26How?
01:27:27Well, get lucky.
01:27:29Or better still, pray that I get lucky
01:27:31and make him miss the first shot.
01:27:33I'll give you about ten seconds
01:27:35to see his powder flare,
01:27:37locate him,
01:27:39and keep him from shooting again.
01:27:42Nothing to it.
01:27:53Well, let's get going.
01:27:56Where's the other one?
01:27:58That ought to be for him.
01:28:00He's dead.
01:28:01We had to pay a price
01:28:03to keep that box for you and your friends.
01:28:05I was told to bring in all of you or none of you
01:28:08so that we could keep an eye on you, understand?
01:28:11No loose ends.
01:28:12Well, he's dead.
01:28:15I want to see his body.
01:28:25All right.
01:28:27He's laid out with the rest of them
01:28:29down at the jailhouse.
01:28:31Jailhouse?
01:28:32Right over there.
01:28:38Jailhouse.
01:28:39Come on, let's go see him.
01:28:41We haven't got all night.
01:28:42Never mind.
01:28:44It ain't important.
01:28:57Let's go.
01:29:27Let's go.
01:29:41You judges are getting a little nervous, ain't you?
01:29:44Let's go.
01:29:57Let's go.
01:30:17Sam?
01:30:18Wish it were a little lighter.
01:30:21Uh-huh.
01:30:22If it's four grain right now, it'd be in our favor.
01:30:25Might hurt, too.
01:30:55Hey, what's that?
01:31:16Too late to do him any good.
01:31:19There's another one inside.
01:31:21He's dead, too.
01:31:22The knife watchman.
01:31:24Hey, you ain't looking too good.
01:31:26Sight of blood bother you or something?
01:31:28Only my own.
01:31:30Oh.
01:31:31Well, this is where everybody stops.
01:31:33Except you.
01:31:35You take that box and along.
01:31:41You'll be met at the other end.
01:31:52Well, Sam, they say the elk in Montana are as big as buffalo this year.
01:32:01You gotta go hunt them when this is over.
01:32:04I look forward to that.
01:32:07I wish they were buffalo.
01:32:10Yeah.
01:32:12Times change.
01:32:15Give me that mule.
01:32:22James?
01:32:24I see him.
01:32:31Dog?
01:32:41You got him?
01:32:44Yeah.
01:32:47You got him?
01:33:17You got him?
01:33:48You got him?
01:33:52You got him?
01:34:17Good to see you made it.
01:34:19Yeah, we've had a full day.
01:34:33Guess he don't like anybody behind him.
01:34:35Neither do I.
01:34:44All right, that goes for you, too, fatty.
01:34:46Yeah, where I can see you.
01:34:57You must figure I'm a real dangerous man.
01:35:02Will, come on down.
01:35:12I told you to move, fatty.
01:35:17Dog?
01:35:21Get him off of me!
01:35:24Call your dog off!
01:35:27Get him away!
01:35:30Get him off of me!
01:35:33Let that dog go!
01:35:36Beat it!
01:35:39I wouldn't do that.
01:35:41Call your dog off.
01:35:43Get him off!
01:35:45Dog?
01:35:52Now call off yours.
01:36:01The box.
01:36:16Open it up.
01:36:19The boy.
01:36:22Will!
01:36:46Today.
01:36:59Open it up.
01:37:02Take that hood off.
01:37:05Like to see what I'm buying.
01:37:16I just saw something in your eyes I don't like.
01:37:20I saw a foolish thought.
01:37:23You understand me.
01:37:26Anything happens, anything at all,
01:37:28your fault, my fault, nobody's fault.
01:37:31My little boy's fault.
01:37:34You understand me.
01:37:37I just saw something in your eyes I don't like.
01:37:40I saw a foolish thought.
01:37:43Nobody's fault.
01:37:45My little brother will blow that kid's head right off.
01:37:49It's as simple as that.
01:37:51No matter who else gets killed, that boy dies.
01:37:54The shotgun misses him, it don't matter.
01:37:56You already know about the rifle on him.
01:37:58That won't be as messy as a shotgun at three feet,
01:38:01but that boy will be just as dead.
01:38:03You understand me?
01:38:07Say it.
01:38:09I understand.
01:38:13Now open it up.
01:38:44That's the stuff that dreams are made of.
01:38:53What's a million dollars look like, John?
01:39:01Now you understand.
01:39:04Anything goes wrong, anything at all,
01:39:06your fault, my fault, nobody's fault.
01:39:09It don't matter.
01:39:11I'm gonna blow your head off.
01:39:13It's as simple as that.
01:39:15What'd he say? I can't hear him.
01:39:18No matter what else happens,
01:39:20no matter who gets killed,
01:39:22I'm gonna blow your head off.
01:39:27Something wrong, John?
01:39:36Kill the boy!
01:39:42Dog!
01:39:54Come on, little Jake.
01:39:59Run!
01:40:06Give me that shotgun.
01:40:12No!
01:40:14No!
01:40:39Well?
01:40:42Well?
01:40:45He's dead.
01:40:51I want his shotgun.
01:40:58Hurt?
01:41:00Yeah.
01:41:03Put your finger there.
01:41:12You hurt?
01:41:14No. I'm scared.
01:41:18So am I.
01:41:20But don't let them know it.
01:41:41No!
01:42:00Jake?
01:42:02Yes, sir?
01:42:05You ever fire a gun?
01:42:08No, sir.
01:42:10Well, use it if you have to.
01:42:12Yes, sir.
01:42:14Now, when I start firing,
01:42:16you high-tail it out there and find James.
01:42:19Yes, sir.
01:42:35Ah.
01:42:53You ready?
01:42:55Yes, sir.
01:42:57Go!
01:43:00Boys outside! Kill him!
01:43:23You hear that?
01:43:25They got the boy.
01:43:27They got the boy!
01:43:29What the hell they did? That's my Derringer.
01:43:39James! Uncle James!
01:43:48Jake, get out of here!
01:43:50Hide! The stables!
01:43:53That sound like a Derringer?
01:43:58Shh.
01:44:20I wouldn't.
01:44:23Ulstred.
01:44:28Raise your hands.
01:44:32The other's broke.
01:44:34That'll do just fine.
01:44:36Now turn around.
01:44:39Real slow.
01:44:58I hear you killed two good men in a fair fight tonight.
01:45:02Is that right?
01:45:04No. Three, counting you.
01:45:07Prove it.
01:45:27Uh-huh.
01:45:29Uh-huh.
01:45:31Uh-huh.
01:45:57That sound like a boy screaming?
01:46:01Wonder how he's gonna get it.
01:46:03With a bullet or a machete like the Indian did.
01:46:31No!
01:47:01I wouldn't.
01:47:22I wouldn't.
01:47:32No!
01:47:45You come close, mister, but no cigar.
01:48:02Who are you?
01:48:04Jacob McCandles.
01:48:11I thought you was dead.
01:48:15Not hardly.
01:48:23Michael, that's the second time tonight you've saved my life.
01:48:28The first time, I was a little slow.
01:48:30You mean that?
01:48:32I was nothing. Jacob here took care of that, didn't you?
01:48:35Yes, sir.
01:48:37Sir?
01:48:38Yes, sir?
01:48:39Are you my grandfather?
01:48:41Yes, sir, I sure am.
01:48:47James?
01:48:49Dad?
01:48:51Sounds better.
01:48:53Let's go home.
01:48:58Good idea.
01:49:28You