My Cruel CEO Full Episode Full Movie #DRAMA

  • 3 months ago
My Cruel CEO Full Episode Full Movie #DRAMA
Transcript
00:00:00What if the person you're looking for is me?
00:00:04Don't forget, I'm the one who hired you.
00:00:06Excuse me?
00:00:08I'm here for you.
00:00:10That's gotta mean that Algar is still alive, right?
00:00:12Oh my goodness.
00:00:14Don't forget, you are married too.
00:00:16What are you gonna do?
00:00:21So it was you.
00:00:23All this time.
00:00:26I ruined him and his family.
00:00:28So be it.
00:00:29Where are you, Little Rock?
00:00:31I don't know who the fuck you are,
00:00:33but if you think you have a chance against me,
00:00:35you're done with it, I thought.
00:00:37I'm also looking for someone.
00:00:39Do you want to go somewhere more private?
00:00:41We can talk about the script.
00:00:45Stay out of my work and my personal life, Edward.
00:00:49Return.
00:00:59Hey, I want you to take you to my place, baby doll.
00:01:20Sorry, I don't do private dances.
00:01:22You'll strip for money, but you won't fuck a guy?
00:01:24I'm not a hooker, show some respect.
00:01:28You fucking bitch, I'll show you respect.
00:01:31Mr. Morgan, I am so sorry.
00:01:33She's new here, I've got to train her better.
00:01:35Just have a seat, we'll be with you shortly.
00:01:38Sorry about that.
00:01:44You ungrateful bitch.
00:01:46Remember who saved your ass when you were knee deep in debt?
00:01:49Me.
00:01:54How are we doing with the search?
00:01:56Not good, boss. Still going.
00:01:59Find her. I don't care what it takes.
00:02:05I found the perfect woman for you.
00:02:07It's about time you settle down and get married.
00:02:09Her name is Carla. She's the daughter of a friend of mine.
00:02:12Dad, we've been over this.
00:02:14I don't need you to find me the perfect woman.
00:02:16Of course I do. You're an artist.
00:02:18I have to make sure my son marries the perfect woman.
00:02:21So now all of a sudden you give a shit about me?
00:02:23You never care when you drop mom away?
00:02:25Or when you send me to that orphanage all by myself?
00:02:27Silence! How dare you!
00:02:29This is for the Ardoin family business.
00:02:31You're marrying Carla Jennings.
00:02:33End of discussion.
00:02:35Dad.
00:02:37Dad.
00:02:41I paid your 500 grand debt.
00:02:43And I gave you a job.
00:02:45Now if you want to quit so bad,
00:02:47pay me back!
00:02:48And get the fuck out of my club!
00:02:50Please, you know I don't have $500,000.
00:02:52Just give me another chance!
00:02:54And get the fuck back in there,
00:02:56apologize to that nice gentleman,
00:02:58and do whatever the fuck he tells you to do!
00:03:00Now if I get any more complaints from our clients,
00:03:02you will be sorry.
00:03:04Got it?
00:03:06Is there a problem here?
00:03:08No, sir.
00:03:10Everything's fine.
00:03:12She looks just like her.
00:03:14Will you marry me?
00:03:20Will you marry me?
00:03:26Now let's tell my father
00:03:28I've chosen a wife for myself.
00:03:30Are you sure, boss?
00:03:32She's a stripper.
00:03:34How about we make a deal?
00:03:36Name any price you want,
00:03:38and we get married.
00:03:40Name any price you want,
00:03:42and we get married.
00:03:44I owe my boss $500,000.
00:03:46He's not going to let me go until I pay it.
00:03:52Anything else?
00:04:00This is your house?
00:04:02It's our house now.
00:04:04Welcome.
00:04:11Alright.
00:04:13Sign this agreement,
00:04:15and we'll be contractually married for a year.
00:04:17After that,
00:04:19we'll file for divorce.
00:04:21Until then,
00:04:23you're part of the richest family in the country.
00:04:35My heart belongs to somebody else, though.
00:04:37I don't want you to know that I'm
00:04:39not attracted to you.
00:04:41We're just having a year in our favor.
00:04:43Is that so?
00:04:45Well, don't worry.
00:04:47I'm not attracted to you either.
00:04:49I just wanted the money.
00:05:03Hey, where are we staying, by the way?
00:05:05In the guest room.
00:05:10Wow.
00:05:12Total jerk, this is an ad.
00:05:21It's been over 10 years.
00:05:25I miss you so much.
00:05:39I miss you too.
00:05:57Noss, I need you to find out everything you can
00:05:59about the woman I just married.
00:06:01See if she grew up in the same orphanage.
00:06:09Sorry, I didn't mean to.
00:06:11This is my bathroom.
00:06:13What do you think you're doing?
00:06:15Nice try, but I need your little tricks
00:06:17to get my attention.
00:06:19It's not going to work, though.
00:06:21I'm sorry.
00:06:23I wasn't trying to get your attention.
00:06:25Oh!
00:06:29You mind telling me
00:06:31what I'm supposed to do?
00:06:33Oh!
00:06:39You mind turning that off?
00:06:41I just thought the carpet
00:06:43needed some cleaning.
00:06:45You're here to be my wife, not a maid.
00:06:49Who are you?
00:06:53Wait, you're that stripper.
00:06:55What are you doing
00:06:57in Edward's house?
00:06:59I am? Who are you?
00:07:01I am Edward's fiancé.
00:07:07Edward, you're marrying a stripper?
00:07:09I thought I was your fiancé.
00:07:11My father arranged for us to get married
00:07:13only for the sake of our families.
00:07:15We wouldn't be happy even if we did get married.
00:07:17But I would be happy, Edward.
00:07:19Carla, you know
00:07:21I have someone that I love.
00:07:23She's the one I'm waiting for.
00:07:27I don't know who the fuck you are,
00:07:29but if you think you have a chance against me,
00:07:31you're dumber than I thought.
00:07:33Yes, get it straight.
00:07:35I'm not competing with you.
00:07:39Stop it.
00:07:41Edward, are you defending her now?
00:07:45What a dumb bitch.
00:07:49Wow, you've got a lot of admirers, huh?
00:07:51Any more than you need to watch out for?
00:07:53Look,
00:07:55if you see me in the living room,
00:07:57don't look at my face.
00:07:59Same will go for me.
00:08:01Your house, your rules. Big deal!
00:08:09Hi, I'm Velma.
00:08:13I've worked a lot of odd jobs
00:08:15in the city.
00:08:17Waitressing
00:08:19and working in nightclubs.
00:08:23All for a chance
00:08:25to adapt.
00:08:31I'm also looking for someone
00:08:35and
00:08:37I hope
00:08:39that one day
00:08:41he sees me on screen
00:08:45that way he knows that
00:08:47I'm still here.
00:08:55Okay.
00:09:05I hope you see me.
00:09:19That's okay, Sarah.
00:09:21Velma doesn't need to die with me.
00:09:23Bring my food to my room
00:09:25and I'll eat there.
00:09:27It's fine.
00:09:29I usually don't eat with people anyway.
00:09:31By the way,
00:09:33I'm going out for a bit today.
00:09:35Where you go is none of my concern.
00:09:39Fine!
00:09:43Is he always this big of a jerk?
00:09:45Excuse him, ma'am.
00:09:47He's just used to living alone.
00:09:49I'm sorry, Sarah.
00:09:51I'm still dealing with him every day.
00:09:53It's okay.
00:09:59Yeah.
00:10:01I'll be right there.
00:10:15Sit.
00:10:17So, I heard a funny little rumor
00:10:19that you married the famous billionaire
00:10:21Edward Arduin. Is it true?
00:10:23I didn't know that he was a billionaire
00:10:25until after the war.
00:10:27You're joking! How did you manage that?
00:10:29Shh!
00:10:31I just signed a contract.
00:10:33What?
00:10:35Well, who cares? What are you waiting for?
00:10:37Seal the deal.
00:10:39I know that I can't think about anyone but Al Gore.
00:10:41T, it's been 10 years
00:10:43since you two escaped the orphanage.
00:10:45We never could be anywhere. He could be dead.
00:10:47He's not dead!
00:10:49Okay, um, it's okay.
00:10:51I'm sorry.
00:10:53So, what's your plan?
00:10:55Keep things the way they are,
00:10:57I guess, except
00:10:59now I can focus more on acting
00:11:01and not dancing in strip clubs.
00:11:03Hey, that's exciting, right?
00:11:05That's something you've always wanted to do since you were a kid.
00:11:07Is that audition today?
00:11:09Yeah.
00:11:17Hi, I'm here for the audition.
00:11:21You think you can just show up like that, you slut?
00:11:27You slut!
00:11:29Are you stalking me?
00:11:31Oh, don't flatter yourself.
00:11:33I'm the lead of this production.
00:11:35She's not auditioning.
00:11:37You can't do this!
00:11:39I worked so hard for this opportunity!
00:11:41Oh, like stripping for men
00:11:43and fucking them in strip clubs?
00:11:45God, I was dancing!
00:11:47That's it!
00:11:49What's the fucking difference?
00:11:51I eat girls like you fucking do at breakfast.
00:11:53Let's go, Eric.
00:11:57No!
00:11:59Please! Wait!
00:12:05Be quiet.
00:12:07Be quiet.
00:12:15Be quiet.
00:12:45Boss.
00:12:47Get the details.
00:12:49Tell mom she went to high school not far from here.
00:12:51No doubt.
00:12:53That's an audition for films.
00:12:55She worked at nightclubs to make a living.
00:12:57Bad relationship with her parents.
00:13:07But not an orphan.
00:13:09No name changes.
00:13:11And definitely never been to an orphanage.
00:13:15What?
00:13:21I wanted it to be her so bad.
00:13:25Of course it came down to it.
00:13:27You've been looking for this girl for ten years.
00:13:29Who is she?
00:13:31Someone more important to me than life itself.
00:13:33It is her.
00:13:45Find me the location where this photo was sent.
00:13:47Got it?
00:13:49Photo's been sent.
00:13:51Good.
00:13:53Where is she?
00:13:55Oh.
00:13:57Out by the lane.
00:13:59Oh.
00:14:01Out by the lane.
00:14:03I guess marrying Edward won't solve everything.
00:14:07Do whatever you want with her.
00:14:09And clean it up after you're done.
00:14:11Okay.
00:14:29I've been searching for you for so long
00:14:31and you were right here.
00:14:41Boss.
00:14:43He's gone.
00:14:45Find him.
00:14:47Keep this between us.
00:14:49Okay.
00:14:51Save me.
00:14:53Come on.
00:14:55I got you.
00:15:11Oh, girl.
00:15:13Sorry.
00:15:17I can't tell you who I am.
00:15:19I am.
00:15:37You mean your name's also out of here, right?
00:15:41Yeah, we're starting a new life.
00:15:43I'll be...
00:15:45Telma. What about you?
00:15:47Algar.
00:15:49Helen!
00:15:51Where are you?
00:15:53Let's run quick.
00:15:55Trying to escape again?
00:15:57I warned you it's not gonna work.
00:15:59Looks like I gotta get you first.
00:16:01At least one of us needs to escape.
00:16:03No, you go.
00:16:05She's gonna kill you.
00:16:07I won't let her catch me.
00:16:09Amusement park.
00:16:13I'll wait for you, Algar.
00:16:19Oh, you're not going anywhere.
00:16:21I'll bring her back.
00:16:23Rest assured.
00:16:25After I'm done with you.
00:16:33I'll wait for you, Algar.
00:16:39Fuck.
00:16:43What happened?
00:16:45Nothing to worry about.
00:16:47Just some issues with the film crew.
00:16:49Why are you being so nice to me?
00:16:51No reason.
00:16:53Here, take this card.
00:16:55It's unlimited.
00:16:57Spend it however you want.
00:16:59Why are you doing this?
00:17:01I don't want your money.
00:17:03Well, if you need money,
00:17:05just let me know,
00:17:07odd jobs.
00:17:13Odd jobs?
00:17:15Acting is my dream.
00:17:17I danced in strip clubs for a living,
00:17:19but people like you,
00:17:21born from a silver spoon,
00:17:23wouldn't understand that.
00:17:25Then stop doing it.
00:17:27We're in a contract marriage, right?
00:17:29I won't interfere with your life,
00:17:31and you can't meddle in mine.
00:17:33Acting is something
00:17:35that I've always wanted.
00:17:37And besides,
00:17:39I'm not going to take your money
00:17:41besides the number that we agreed on.
00:17:45You need to rest now.
00:17:49Do you mind?
00:18:05Look at this mess.
00:18:07Clean it up if you even think
00:18:09about going to bed.
00:18:25Eat up.
00:18:27You must be starving.
00:18:29No.
00:18:31They probably worked all night.
00:18:33No.
00:18:35They probably worked hard for this.
00:18:37Come on, take it.
00:18:43I can't believe she locked you up for three days
00:18:45and then you're to all this.
00:18:47Did she even feed you at all?
00:18:49You made it easier for me.
00:18:51Now, get back before she sees you here.
00:19:03Excuse me.
00:19:05I'm calling to ask about my audition.
00:19:07I'm sorry.
00:19:09Your name has been blacklisted
00:19:11for reproduction.
00:19:13What?
00:19:19This is the dude that don't come out.
00:19:21I'll send you the pictures.
00:19:23This is the dude that don't come out.
00:19:25I'll send you the pictures.
00:19:35How about a drink?
00:19:37There are two glasses of scotch there.
00:19:39Pick one.
00:19:41I'm sorry, Mr. Hayward.
00:19:43Just a friendly gesture
00:19:45from the boss.
00:19:47One more thing.
00:19:49Only one of those glasses
00:19:51is poison for you.
00:19:53You should have known better
00:19:55about what happened.
00:19:57You could not tell.
00:19:59Here, I'll do it for you.
00:20:01Hold it.
00:20:05Go.
00:20:07Go.
00:20:15Take him away.
00:20:21This
00:20:23is what I've begun,
00:20:25Thelma.
00:20:27I hope you never see me like this.
00:20:29Ruthless.
00:20:31Merciless.
00:20:33Both glasses.
00:20:35You silenced the man.
00:20:37I simply
00:20:39can't forgive him for what he did.
00:20:43Thelma, will you forgive me?
00:20:51What?
00:20:53What the fuck happened to you?
00:20:55How did he find you?
00:20:57What happened?
00:20:59Oh, you can't even talk now?
00:21:01God, you're fucking useless.
00:21:05Inform every production
00:21:07you can reach.
00:21:09Thelma will never be an actress.
00:21:11Make
00:21:13sure of it.
00:21:15Go.
00:21:21Go.
00:21:27Are you okay?
00:21:31I've been blacklisted by every
00:21:33production company, even the Actors Guild.
00:21:35What am I gonna do?
00:21:37Hey, don't lose heart, okay?
00:21:39I happen to know of an audition going on today
00:21:41if you're interested.
00:21:43A good friend of mine took me off.
00:21:45Now come on, let's go.
00:21:47It's better than moping around here.
00:21:51Here it is.
00:21:53So I can just go in there,
00:21:55just like this?
00:21:57Yes, I got everything set up, okay? Just go ahead, go in.
00:21:59And do you think
00:22:01you got this?
00:22:03Break a leg.
00:22:15Nice shot.
00:22:22Who is she?
00:22:24Nobody.
00:22:26She's not here for the audition, too, is she?
00:22:28Well, in that case,
00:22:30we'll ring for a treat.
00:22:34Carla Jenny, you're up next.
00:22:41Watch it.
00:22:52I can't believe it.
00:22:54It was you all along.
00:22:58That's right.
00:23:00I never thought you'd find me.
00:23:02But it must come to an end.
00:23:05Oh, no!
00:23:07Oh, no!
00:23:20Cut!
00:23:24I'm sorry, were you shot
00:23:26or did someone just step on your toe?
00:23:28Can you just try again?
00:23:30I was just a bit nervous.
00:23:32Miss Jennings,
00:23:34we are making a thriller
00:23:36with a tragic ending.
00:23:38What you just did was borderline comedy.
00:23:40Excuse me,
00:23:42do you know how close I am
00:23:44with your investor?
00:23:46Sir,
00:23:48she was indeed recommended for the role.
00:23:50May we give her another chance?
00:23:58Oh, no!
00:24:00No, no, no, no.
00:24:02We are creating art that appeals to our audience,
00:24:04not right for the role.
00:24:06Next!
00:24:08I'm sorry, Miss Jennings.
00:24:10That was great.
00:24:12Maybe another project or another...
00:24:14What are you still doing here?
00:24:16I thought you were a blacklist.
00:24:18So it was you.
00:24:20You know, if that's the best you've got,
00:24:22then I'm not that worried.
00:24:24You think you can do better than me?
00:24:26You're nothing.
00:24:30Yeah, show us what you've got.
00:24:32Thelma?
00:24:36Hi.
00:24:48So it was you.
00:24:50All this time.
00:24:52That's right.
00:24:54I never thought you would find me.
00:24:58But now it must come to an end.
00:25:02No!
00:25:04This can't be it for us.
00:25:12Cut!
00:25:14Well,
00:25:16that was amazing!
00:25:18You fully
00:25:20captured that role.
00:25:22Congratulations, you get the part.
00:25:24What?
00:25:26Girls.
00:25:30What about me?
00:25:32You promised me!
00:25:34Oh, come on, you have to admit,
00:25:36she was exceptional.
00:25:38She's perfect for the part.
00:25:40Girls, you killed it!
00:25:42You were great.
00:25:44I'm Alex.
00:25:46Looks like we're going to be scene partners.
00:25:48Thelma?
00:25:50Hey, do you want to go somewhere more private?
00:25:52We can talk about the script.
00:25:54Okay.
00:26:04What the fuck?
00:26:06You're hitting on the wrong girl, buddy.
00:26:08Edward, what are you doing?
00:26:10I need to go talk to Thelma.
00:26:12How about you shoot another day?
00:26:18What are you doing?
00:26:20Can you explain yourself?
00:26:22What?
00:26:24So you're seeing new guys?
00:26:26What?
00:26:28No, we were just acting out a scene.
00:26:30A scene where you took it real close?
00:26:32Like a couple?
00:26:34I was just doing my job, there's nothing wrong with it.
00:26:36And besides, even if I was seeing someone,
00:26:38it would be none of your business!
00:26:48I heard you got the lead role.
00:26:50That's amazing.
00:26:52I knew you'd kill it.
00:26:54Jim, what is Edward doing here?
00:26:56Come on, you know who I'm talking about.
00:27:00Gosh, you still don't know, do you?
00:27:02Know what?
00:27:06Well, he's actually the investor of this movie.
00:27:08This is his project.
00:27:16Why did you bring me here then?
00:27:18Well, it was actually his idea.
00:27:24Hello?
00:27:26Hi, is this Gene?
00:27:28Who is this?
00:27:30This is Edward Arduin.
00:27:32I recently invested in a film project,
00:27:34and I want you to take care of Thelma.
00:27:36I think she'll be great for a lead role.
00:27:38Wait, you're Edward Arduin?
00:27:40I wired the payment to your account.
00:27:42Thank you.
00:27:44Wait, wait, wait!
00:27:48I still can't believe I spoke to
00:27:50the legendary Edward Arduin.
00:27:52I can't believe you knew all this time
00:27:54and you didn't tell me.
00:27:56Don't look at me.
00:27:58I'm just the middleman doing somebody else a favor, okay?
00:28:00And you still got the lead.
00:28:02It's amazing.
00:28:04But, you know,
00:28:06a lot of people say that Edward's not very nice.
00:28:08He's like a stone-cold man.
00:28:10Why is he being so good to you?
00:28:12Yeah, I don't get it either.
00:28:14I mean, women must be
00:28:16throwing themselves at him.
00:28:18Why would he help me?
00:28:28Maybe he's fallen for you.
00:28:30Come on, that's impossible.
00:28:32He said some pretty harsh stuff earlier.
00:28:34Wow.
00:28:36Is that why you look all gloomy?
00:28:38What happened? Did you guys fight?
00:28:40He saw me doing a scene with another actor
00:28:42and...
00:28:44It's whatever.
00:28:50Why do you care what he thinks, though?
00:28:54Come on, girl, this does not sound like you.
00:28:56Are you sure you haven't fallen for him too?
00:28:58No, it's just...
00:29:02There's something about him that's
00:29:04familiar, like...
00:29:08I've seen him before.
00:29:10Hmm.
00:29:14Hmm.
00:29:30Thank goodness you're here, Helen.
00:29:32This place is depressing.
00:29:34I don't know if I can make it without you.
00:29:36You're the one protecting me.
00:29:40I can't stand watching you getting hurt.
00:29:42You're as sweet as a sugar pea.
00:29:44Can I call you sugar pea?
00:29:46Sure, as long as I can call you my little rock.
00:29:48My little rock?
00:29:50Because you make me feel safe.
00:29:52Like a rock I'll never break.
00:29:54Deal.
00:30:02It all occurred.
00:30:06What has he done to me?
00:30:12I see your face everywhere.
00:30:24I'm good. Just in time.
00:30:32Damn.
00:30:36Why are you being so nice to me?
00:30:42Oh. Sorry about today.
00:30:44It was...
00:30:46stupid of me to react that way.
00:30:48No, I mean...
00:30:50Why did you help me get the role for your film?
00:31:02Well, you won't take my money.
00:31:04And...
00:31:06I can't allow the wife of Edward Ardoin to just work a regular job.
00:31:08Oh.
00:31:10Okay, so that's why.
00:31:12We're all rich people this world, that's all.
00:31:14What was that?
00:31:16Nothing.
00:31:18This is great.
00:31:24You know, you can be real sweet sometimes.
00:31:26This is delicious.
00:31:28I'm glad you like it.
00:31:32Sweet pea.
00:31:38Good morning, madam.
00:31:40Edward is left on me.
00:31:42Thank you.
00:31:44I saw you were cooking last night.
00:31:46I watched your utensils.
00:31:48Oh, yeah.
00:31:50It was Edward.
00:31:52He's the cook.
00:31:54Gotta go.
00:31:56Okay.
00:31:58Okay, good.
00:32:02What is going on?
00:32:04What are we waiting for?
00:32:06Get started.
00:32:08One of our lead roles is not here yet.
00:32:10Oh, my God.
00:32:12You know what?
00:32:14I ask everyone here is to be professional.
00:32:18Sorry, guys.
00:32:20Traffic was nightmare.
00:32:22All right, I'm ready to start.
00:32:24Wait, I thought that she didn't get the part.
00:32:26Well, how about that?
00:32:28Looks like I'm gonna be playing her.
00:32:30Hi, Steve.
00:32:32After this, nobody's gonna remember you.
00:32:34We'll see about that.
00:32:40Take two.
00:32:42Ready.
00:32:44And action.
00:32:46You have to leave now.
00:32:48Not without the love of my life.
00:32:50I'll wait for him no matter what.
00:32:56Oh, God.
00:32:58What do you think you're doing?
00:33:00I'm just playing my role.
00:33:03Carla.
00:33:05What the hell was that?
00:33:07That wasn't even in the script.
00:33:09I was just adding some extra touch to it.
00:33:11You know, for the sake of art.
00:33:13Art?
00:33:15This slap doesn't make any sense.
00:33:17Who gave you the authority to change my script?
00:33:20It's fine.
00:33:22She can edit.
00:33:24Oh.
00:33:26Thelma, are you sure about that?
00:33:28It's all good if it's all for the sake of the effect.
00:33:30Wow.
00:33:32I knew I was right.
00:33:34I'm choosing you as my lead.
00:33:36Okay, okay.
00:33:38Back to one, please.
00:33:40Yes, thank you.
00:33:42Can you pick up my script?
00:33:44And action.
00:33:46You have to leave now.
00:33:48Not without the love of my life.
00:33:50I'll wait for him no matter what.
00:33:52Edward.
00:33:55Good to see you here.
00:33:57Were you watching me?
00:33:59You and Thelma make a perfect team, don't we?
00:34:02Jay, I have these two switch roles.
00:34:04I want Thelma to do the slapping.
00:34:07Since it's all for the sake of art.
00:34:16But Thelma is the lead.
00:34:18Yeah, that wouldn't make any sense.
00:34:20We can't make more changes to the script.
00:34:22We're already behind.
00:34:24You better get right to it, then.
00:34:26You don't have to do this for me.
00:34:28I'm not doing it for you.
00:34:30I'm doing it for my own investment.
00:34:36All right.
00:34:38We have added a line to the script.
00:34:41So now, Thelma,
00:34:43Carla's new line will be your cue for the slap.
00:34:47Got it?
00:34:49All right. And...
00:34:52Action.
00:34:53You have to leave now.
00:34:55Not without the love of my life.
00:34:57I'll wait for him no matter what.
00:34:59What if he's dead?
00:35:00What if he finds somebody else?
00:35:02You're just going to spend the rest of your life
00:35:04waiting for someone who will never come?
00:35:11Then I'll be sure to leave no room for regret.
00:35:14Then I'll be sure to leave no room for regret.
00:35:19Cut.
00:35:21Oh, bravo.
00:35:23That was perfect, Thelma.
00:35:26You handled that perfectly.
00:35:28Thelma, where are you next?
00:35:30Carla, I'll get the line.
00:35:32Uh, no need for that.
00:35:34I think that my character is above that kind of pettiness.
00:35:45I'm going to expose you, Thelma.
00:35:48Sooner or later.
00:36:00Where are you, little rock?
00:36:03I'm doing fine.
00:36:05Don't you worry.
00:36:09You know it's bad to waste food.
00:36:11Do you think you deserve to be punished?
00:36:13Yes, headmistress, I do.
00:36:16Ma'am, for God's sake, that's what she should have did.
00:36:19Isn't that sweet?
00:36:21Too bad.
00:36:22She's getting more punishment because of you.
00:36:25Isn't that sweet?
00:36:27Well, if you so insist, you can take it for her.
00:36:30Oh, get off.
00:36:33It's all right.
00:36:44We found a worker who leaked info to our computer.
00:36:47A manager who's worked with us for 20 years.
00:36:51What do we do with him?
00:36:53Uh, fire him.
00:36:56So, if we need to.
00:36:58We can't have disloyalty in the company.
00:37:01It might ruin him and his family.
00:37:03So be it.
00:37:13So be it.
00:37:43Helga.
00:37:49Helga.
00:37:55Helga.
00:38:13Where's mine?
00:38:25Oh, no, no, no.
00:38:43Helga.
00:38:51Morning.
00:38:52What are you doing?
00:38:54Nothing.
00:39:03Nothing.
00:39:08I carried you to your bed last night and that was it.
00:39:13No, seriously, what are you doing?
00:39:16Nothing, sweet pea.
00:39:18What did she just call me?
00:39:20Uh, sweet pea.
00:39:23You said in your sleep last night.
00:39:29I see. Well, don't ever do that again.
00:39:32Sure.
00:39:44Hi.
00:39:46Could you maybe explain this a little bit?
00:39:49I'm not sure if I get it.
00:39:51I mean, it is pretty straightforward.
00:39:53Just do what it says without improvising.
00:39:57Well, now, you were so great yesterday.
00:40:01I want to go over this one part.
00:40:03Now, when you say this line, um, about...
00:40:07We'll see who wins.
00:40:11Lois, what am I doing this afternoon?
00:40:14Well, it's kind of a very important meeting.
00:40:17Did you forget?
00:40:19Cancel. Send her my apologies.
00:40:22What?
00:40:24So, what do you normally do when you're not working?
00:40:27Uh, I do striptease.
00:40:30Oh. I was thinking more along the lines of going to the movies.
00:40:36There's actually a good one out right now.
00:40:38I mean, maybe if you're interested, we could try to catch it together?
00:40:41Sorry, but I really need to focus on this job right now.
00:40:45Oh, yeah. Sure, sure.
00:40:47You're a really interesting person to talk to, you know that?
00:40:52Edward! Are you here to see me?
00:40:56Are you feeling bad?
00:40:59Aw.
00:41:01Edward?
00:41:02It's not for you. I'm sorry.
00:41:04Why is she so talkative?
00:41:07Go put the snacks in the lounge.
00:41:09Okay, boss.
00:41:15Edward?
00:41:17What's your name again?
00:41:19Actually, it doesn't matter.
00:41:21What were you talking to my wife about?
00:41:31Oh.
00:41:33Thelma, I had no idea that you were married.
00:41:37Oh, don't worry about it, man.
00:41:39We were just talking about stuff in the scripts.
00:41:41Is that right?
00:41:42Hey, so you must be Edward Ardwin.
00:41:46I've heard a lot about you.
00:41:47I'm Alex.
00:41:48Cool.
00:41:49Bye, Alex.
00:41:51Yeah, I'll see you later, Thelma.
00:41:54Yeah, you will.
00:41:55Good, you guys are all here.
00:41:57Edward brought snacks.
00:41:59They're in the lounge if anyone wants them.
00:42:00Yes, I'll come.
00:42:04Snacks.
00:42:08Edward doesn't usually come to set this often.
00:42:11He's quite the busy man.
00:42:12I think he's here to see you.
00:42:14He's here to see Carla, not me.
00:42:16Oh, please.
00:42:17Can you not see the way he looks at you?
00:42:20Whatever.
00:42:21Oh, speak of the devil.
00:42:24I will give you two some privacy.
00:42:26No, don't.
00:42:34You're getting out of hand.
00:42:36Don't forget, I'm the one who hired you.
00:42:38Excuse me?
00:42:40Stay away from Alex.
00:42:41Got it?
00:42:42What are you talking about?
00:42:43There's nothing going on between us.
00:42:45Besides, you came here to see Carla.
00:42:50So you're jealous.
00:42:52What are you talking about?
00:42:53I'm not jealous.
00:43:03What are you doing?
00:43:05Carla and I are together.
00:43:07I'm here for you.
00:43:08You really expect me to believe that?
00:43:11Come on.
00:43:17Yeah, girl?
00:43:20What?
00:43:28Jean, are you absolutely sure?
00:43:30Yes, positive.
00:43:32I used to know this guy from the streets, and he and Algar drifted around for months.
00:43:36So where is he?
00:43:38Well, they later got separated, so he has no idea after that.
00:43:42But that's got to mean that Algar is still alive, right?
00:43:45Oh, my goodness.
00:43:47Thank you so much.
00:43:48You have no idea how much this means to me.
00:43:50It's been ten years.
00:43:53Don't forget, you are married, too.
00:43:56What are you going to do?
00:43:58I'll divorce him once our contract is up.
00:44:01I needed the money.
00:44:03Algar will understand.
00:44:05I know.
00:44:06Edward seemed really into you.
00:44:09Actually, Jean, I think I should keep my distance from him.
00:44:23You okay?
00:44:25Yeah.
00:44:27Do you want to tell me what happened?
00:44:31I just want to be alone for a bit, okay?
00:44:35Is this about Carla?
00:44:37I told you I went to see you, not her.
00:44:41Edward, I don't care who you're seeing.
00:44:43We're only married on paper, right?
00:44:48Is this because we're moving too fast?
00:44:56I just think that we should keep our distance, please.
00:45:06Thought she was going to get mad at you for that?
00:45:09No, I thought she was going to be mad at me.
00:45:11She is.
00:45:13I'm sorry.
00:45:15I'm sorry.
00:45:16I'm sorry.
00:45:17I'm sorry.
00:45:18I'm sorry.
00:45:19I'm sorry.
00:45:20I'm sorry.
00:45:21I'm sorry.
00:45:22I'm sorry.
00:45:23I'm sorry.
00:45:24Thought she was playing hard to get, huh?
00:45:28Maybe she doesn't want to seem too evil.
00:45:30I mean, why would anyone reject you?
00:45:33It's impossible.
00:45:35Come on, let's get to the set.
00:45:42Hey, Phil, I'll be wearing this dress for the next scene.
00:45:44Is that okay?
00:45:45That's fine.
00:45:49So you think you can just take whatever you want?
00:45:55I thought this was my personal changing room,
00:45:58like it's your personal changing room,
00:46:00like it's always been.
00:46:02Carla, this room is for the lead role.
00:46:04Yours is outside.
00:46:06Well, actually, I'm all done here.
00:46:09Carla loves taking things that aren't hers.
00:46:11Be my guest.
00:46:12Use it.
00:46:16Aren't you quite generous then, hmm?
00:46:18Edward's not here so you can drop the act.
00:46:21We actually need to get back to work.
00:46:23If there's nothing else.
00:46:25Actually, I can finish my makeup myself.
00:46:31Go on.
00:46:32What do you want to talk about?
00:46:33Let's make a deal.
00:46:35A deal?
00:46:39Who the fuck do you think you are?
00:46:41Well, as far as I know, I'm Edward's wife.
00:46:49Got a deal.
00:46:50Stop picking fights with me.
00:46:51Stop picking fights with me.
00:46:52Stop giving me a hard time on set,
00:46:54and I won't take anything away from you.
00:46:56I'll actually help you with whatever you and Edward have going on.
00:47:02Alright, deal.
00:47:04I'm done with this room, by the way.
00:47:06It's yours if you still want it.
00:47:08I don't need your pity!
00:47:22Don't you have, like, business to run?
00:47:25What are you doing here all day?
00:47:33Hey, um...
00:47:34Actually, about what happened,
00:47:36I think that we should talk.
00:47:39Why don't you meet me in the lounge after we wrap up?
00:47:42Why can't we talk now?
00:47:44Why don't we just pay a surprise?
00:47:46See you later.
00:47:51Hi.
00:47:57What does she want to talk about?
00:48:00Does she not want to see me?
00:48:02Hi, Edward.
00:48:05Carla?
00:48:07Why are you here?
00:48:08Where's Noah?
00:48:09Where should I meet him?
00:48:15What are you doing?
00:48:16Are you trying to set those two up?
00:48:18Yeah, and if they're together,
00:48:20then they'll have nothing to do with me.
00:48:22Sounds like a terrible idea.
00:48:24Well, if you have a better idea,
00:48:26then let's hear it.
00:48:31Edward!
00:48:34If they're together,
00:48:36then they'll have nothing to do with me.
00:48:39Well, as long as you're okay with this.
00:48:42Of course I am.
00:48:43Why wouldn't I be?
00:48:45I mean,
00:48:46now I can just focus on what really matters,
00:48:50and I can try to find Algar.
00:48:53Edward!
00:48:55What the fuck are you doing?
00:49:04Look, whatever games you're playing, you need to stop.
00:49:06What are you talking about?
00:49:08You came here to see Carla, right?
00:49:10Noah, come on.
00:49:12Edward, we're going to be divorced really soon.
00:49:15So?
00:49:16So if you're attracted to somebody,
00:49:18go for it. I want you to be happy.
00:49:20The only person I love is you.
00:49:26Edward, how could you?
00:49:30Everything I do for you, Carla,
00:49:32I do for your father.
00:49:34He looked out for me, so this is me paying him back.
00:49:41Thank you.
00:49:43I'm already in love with somebody else.
00:49:46It's never going to be you.
00:49:49But if that man didn't exist, would you consider me?
00:49:51Stop it, Edward. It's never going to happen.
00:49:59What do I do, Algar?
00:50:02I know you're out there.
00:50:04What do I do?
00:50:13Boss, you've been here for a while.
00:50:15Is everything okay?
00:50:19Why don't you tell her you're the one she's looking for?
00:50:24Do you remember what I did to return to the Edward family?
00:50:43About Algar...
00:50:46Are you telling me that Mr. Ardwin knows his illegitimate son is Algar?
00:50:52Yes.
00:50:53And now the old man wants him back.
00:50:57Another brat to share their inheritance.
00:51:00If I could only get rid of his mother,
00:51:03getting rid of him shouldn't be a problem.
00:51:06Madam, it's our fault.
00:51:08It's our fault.
00:51:09Please don't withdraw your donation to the orphanage.
00:51:13If we work together on this, I could even help you.
00:51:19Get rid of Algar.
00:51:21For God.
00:51:27Take care of it.
00:51:29But make sure no one uses it.
00:51:31Oh.
00:51:34Shall we go to the Rose Garden?
00:51:36I just had to see it struck.
00:51:43I got rid of the woman who killed my mother and sent me to an orphanage.
00:51:49I eliminated everyone associated with her.
00:51:53Over the years...
00:52:00I did whatever it took to gain my father's approval
00:52:05to secure my inheritance.
00:52:07My methods were ruthless.
00:52:10My conscience...
00:52:12callous.
00:52:14You did what you had to do.
00:52:17But now I'm a different man.
00:52:19A monster she doesn't even recognize.
00:52:23If she finds out this is the man she's been looking for all these years,
00:52:26it'll drive her away.
00:52:30I can't lose her again.
00:52:33So it was true?
00:52:41Argon and I...
00:52:44we roamed the city for a winter and...
00:52:47a lot of people say he made some enemies.
00:52:51One night, under the bridge where we slept,
00:52:54he got stabbed and he died.
00:52:58No.
00:53:00No.
00:53:02You're mistaken.
00:53:04He always had a ring with him.
00:53:06It was a nice ring.
00:53:08I think it had the letters A and H on it.
00:53:13So I told him he could want it for a few bucks,
00:53:16but he just kept it with him.
00:53:20No, he can't just be gone.
00:53:22He can't just be gone!
00:53:24It's okay.
00:53:31Oh, Delma!
00:53:34Sweetie, what's wrong?
00:53:36Oh, my God.
00:53:38Baby, you haven't eaten in three days.
00:53:40Can I get you something?
00:53:42Anything?
00:53:44This is not good for you.
00:53:47Oh, my God.
00:53:49It's okay.
00:53:51It's okay.
00:53:53This is my fault.
00:53:56She's burning up.
00:53:58The doctor said it was from emotional distress and not eating.
00:54:04Go make her something to eat.
00:54:06I'll stay with her.
00:54:07Yes.
00:54:15You need to get some rest and let me handle this.
00:54:18No, it's okay.
00:54:19Leave it to me.
00:54:21Look, I know you care,
00:54:23but I've never seen you do this for anyone.
00:54:26The whole night we're here,
00:54:28keeping your heart broken,
00:54:30to see you this exhausted.
00:54:32Don't worry about me, Sarah.
00:54:34You can go now.
00:54:45I'm not hungry.
00:54:50Please eat and get better.
00:54:56Okay.
00:55:19Thelma!
00:55:20Oh, my God, are you okay?
00:55:22I've been trying to call you for like ten times.
00:55:24You haven't done something stupid, have you?
00:55:26I can't find a reason to go.
00:55:29Stop saying that, okay?
00:55:32Don't listen to what that guy said.
00:55:34He doesn't know what he's talking about.
00:55:36They never found Alger's body.
00:55:38Maybe he's still alive.
00:55:41You've waited ten years, okay?
00:55:44You sure you're going to give up now?
00:55:46Don't you want to find out the truth for yourself?
00:55:49Yeah, you're right.
00:55:52I should keep going.
00:55:54Good.
00:55:55Now go get some sleep,
00:55:56and get back to set, girl, okay?
00:55:58That is something that you've always wanted,
00:56:00and you're not going to screw it up, all right?
00:56:03Yeah.
00:56:05I understand.
00:56:08I'll keep going for Alger.
00:56:12I want the fit.
00:56:15Get the thing ready.
00:56:18Sure it would take the job.
00:56:22All right.
00:56:24Don't mess this up.
00:56:26Perfect.
00:56:28Coming!
00:56:39Uh, you wanted to see me?
00:56:41Yes.
00:56:42It is about the same.
00:56:44We're strapped.
00:56:45We will be using this as a prop.
00:56:48So once the, uh, safety is tipped off,
00:56:50the blade will go back inside yourself upon impact.
00:56:53So don't worry.
00:56:54It's not going to hurt you.
00:56:56See?
00:56:57Nice.
00:56:59Exactly.
00:57:05Uh, Thelma, Carla, all set?
00:57:09All departments ready?
00:57:13And action!
00:57:18Wait!
00:57:20Cut, cut!
00:57:21Edward, are you okay?
00:57:23Oh, God, how did this happen?
00:57:25Edward, don't die on me.
00:57:27Please.
00:57:29I know that my past is complicated,
00:57:31and I'm not worthy of your time or your love.
00:57:35What makes me so special?
00:57:41Okay, I admit,
00:57:43I think somewhere along the way,
00:57:45I became attracted to you.
00:57:47And I know that you keep this stone-cold face,
00:57:50but I know that that's not the real you.
00:57:55Please, show me the real you.
00:57:58Let me in.
00:58:03Edward!
00:58:10What are you doing?
00:58:13What are you doing?
00:58:14That's not funny.
00:58:15I was worried sick.
00:58:16What's the matter with you?
00:58:18How else could I get such a lovely monologue?
00:58:21Okay, you know what?
00:58:22I'm going to go get a doctor.
00:58:23No, no, no.
00:58:24I'm fine.
00:58:26No.
00:58:27Look, not even a scratch.
00:58:29Just need a minute.
00:58:30Are you sure?
00:58:31It seemed pretty serious.
00:58:33Yeah, the knife didn't even get to me.
00:58:36Something blocked it.
00:58:38Really?
00:58:39Where is it?
00:58:42I'll find out what happened to Dick.
00:58:44Meanwhile, be more careful on set.
00:58:47Yeah?
00:58:48No, don't worry about it.
00:58:50You're the patient.
00:58:51Just rest up now.
00:58:54I heard everything you were saying, by the way.
00:58:57Okay, you know what?
00:58:58I'm really getting you a doctor now.
00:58:59Just shut up.
00:59:02You know what?
00:59:04You saved my life.
00:59:09How are you doing, boss?
00:59:11Oh, not too shabby.
00:59:14So, what do you plan to do with Carla?
00:59:18Carla?
00:59:20Almost forgot.
00:59:22She's going to be back.
00:59:24Oh, good.
00:59:27Almost forgot.
00:59:29She's going to be back.
00:59:32I'm not sure what we're going to do after your little incident.
00:59:37I'm sorry.
00:59:38I wasn't thinking.
00:59:39It won't happen again.
00:59:40I promise.
00:59:41Jay, get a replacement for her room.
00:59:43She's done.
00:59:49Edward, what are you saying?
00:59:51I told you to stop pulling these tricks behind my back.
00:59:54I didn't do anything.
00:59:56Don't listen to her.
00:59:57She's making it all up.
00:59:58Carla had someone on the prop team switch the fake knife with a real one.
01:00:02She almost killed Thelma and myself.
01:00:05Edward, I'm sorry.
01:00:07I messed up.
01:00:08Please, please give me another chance.
01:00:10I've given you plenty of chances.
01:00:14Really, Edward?
01:00:16After all these years?
01:00:18Please stop embarrassing yourself.
01:00:22Hey, babe.
01:00:23Doing all of this for a man?
01:00:25I hope it's worth it.
01:00:28Edward, you know everything I did is because I love you.
01:00:33If you try hurting her again, you will be sorry.
01:00:42Hand her over to the police.
01:00:48Well, now that that's over,
01:00:50we should talk about what you said to me earlier.
01:00:52Which is what?
01:00:54That you were attracted to me.
01:01:15What if the person you're looking for is me?
01:01:20Don't be ridiculous.
01:01:24Besides, you come from a rich and powerful family.
01:01:27And he's an orphan, like me.
01:01:32And he's incredibly kind.
01:01:34He wouldn't even step on an ant.
01:01:38I can't say the same thing about you.
01:01:43People can change.
01:01:45And I'll never stop searching for him.
01:01:47I'm afraid that you can't stop me.
01:01:56Am I even worthy of love?
01:02:03Am I even worthy of love?
01:02:06You're a billionaire.
01:02:08I'm sure that there's plenty of women fighting over you.
01:02:11Plus...
01:02:14I stand by what I said.
01:02:18I don't think that this Edward is the real you.
01:02:23Do you remember when we first met?
01:02:26You saved me.
01:02:28You're a good person.
01:02:30You're kind to Nos, to Sarah.
01:02:36You'll find the love that you deserve.
01:02:44He's gone.
01:02:49I waited ten years and he's just gone.
01:02:56Do you like the man I am now?
01:02:58It doesn't matter. We're getting divorced in a year.
01:03:05If I give you all my properties and assets,
01:03:09can we not get a divorce?
01:03:14No.
01:03:36My head.
01:03:39Do you remember what happened?
01:03:43No.
01:03:48He said something about money and assets.
01:03:53And then after that, not a thing.
01:04:03All right. Okay. Back to work. Come on.
01:04:09Watch me. We'll get a rest.
01:04:11Can we talk?
01:04:13I heard you've been looking for someone.
01:04:16Yes.
01:04:21I believe this could be helpful.
01:04:24This place is reopening soon.
01:04:27I'd like for you to come.
01:04:30What does this have to do with the man that I'm looking for?
01:04:33You'll see.
01:04:37Okay. I'll go.
01:04:39This is good. I don't want this falling to pieces.
01:04:43What does this have to do with Edward?
01:04:45You'll see.
01:04:49Look at that. See?
01:04:51Oh, my God.
01:04:52Yes. I trusted you.
01:04:53Guys, we're blowing up.
01:04:54What do you mean?
01:04:56After we posted the behind-the-scenes, we went viral.
01:05:00Thelma became a sensation.
01:05:02She's now trending number one. Big star.
01:05:05Trending? Does this mean more money?
01:05:07Of course it does, and that is just the easy part.
01:05:11I was thinking about my next movie, and I want you to be in it.
01:05:16Wow. This is a dream come true.
01:05:19And we're having a wrap party at the hottest bar tonight.
01:05:23All right. No wonder who's so generous.
01:05:26Thank you.
01:05:34Boss, about this new contract...
01:05:36Do you think Thelma will be surprised by the party I'm throwing for her?
01:05:39Oh, definitely.
01:05:41So should I pick her up, or do I just show up at the party?
01:05:45You don't do this often, do you?
01:05:57Great party, Edward.
01:05:59It'll only be fitting, right?
01:06:01Not entirely bad.
01:06:04So, thank you.
01:06:07How would you like to thank me?
01:06:09Sorry, everybody. Attention, attention. Thank you, thank you.
01:06:13First off, this has been an amazing three months.
01:06:19I'd like to thank everybody in here.
01:06:21And, well, here is to it huge success.
01:06:26Cheers.
01:06:28Cheers.
01:06:30And now, a few words from Edward, the man, the big boss.
01:06:35Without him, none of this would be possible.
01:06:38Thank you all so much.
01:06:40I just want to say how grateful I am.
01:06:43Out of this world.
01:06:45And I'd like to take this moment to tell her that I'll always be there to support her.
01:06:50Cheers.
01:06:56Thelma!
01:06:58Thelma!
01:07:00Thelma!
01:07:02Thelma!
01:07:04Thelma!
01:07:06Thelma!
01:07:08Thelma!
01:07:10Thelma!
01:07:12Thelma, the superstar!
01:07:15Stop it.
01:07:17By the way, do you think Alker will watch my new show?
01:07:20Do you think he'll recognize me?
01:07:22No.
01:07:24Thelma, I know this is really hard to hear, but you've got to let him go.
01:07:29Alker's gone.
01:07:31I'm not giving up until I know for sure.
01:07:43Hey!
01:07:45Let me out!
01:07:52Thelma?
01:07:54Are you quitting?
01:07:55What are you talking about?
01:07:56Production told me you turned down Jay's new project.
01:07:59And you didn't show up for any of the promo events.
01:08:02What new project is this about?
01:08:04Who told you this?
01:08:05Oh.
01:08:06Oh, no.
01:08:08It couldn't be Edward.
01:08:11Get it?
01:08:13Edward?
01:08:15So, he turned it down and he told everybody that I quit?
01:08:20Maybe he thought it was for your own good?
01:08:22Interfering with my career without telling me?
01:08:25How is that for my own good?
01:08:32Mr. Edward is in a meeting right now.
01:08:34Get out of my way.
01:08:36Apologies, gentlemen.
01:08:37Let's take a break.
01:08:39What happened?
01:08:43Did you turn down the offer for my new film?
01:08:51Can you explain?
01:08:53This will terminate our contract marriage.
01:08:55The deal is over.
01:08:57What do you mean?
01:08:59I'll pay the penalty for breaching our contract.
01:09:02Once it's settled, I don't want you meddling in my life anymore.
01:09:05You almost got hurt on set.
01:09:07I was trying to protect you.
01:09:09I don't need your protection, okay?
01:09:11I can look out for myself.
01:09:12This is my life.
01:09:14You're making a big mistake here.
01:09:17Just stay out of my work and my personal life, Edward.
01:09:21We're done.
01:09:28Hey, it's Thelma.
01:09:30Can I see you real quick?
01:09:34Thelma.
01:09:35You're very talented.
01:09:37It was such a shame you gave up.
01:09:40But I knew you had it in you from the start.
01:09:44I saw it in you all the way.
01:09:47Thank you.
01:09:49Now I strictly get to make decisions for myself.
01:09:54Now, let's see this next project.
01:09:56Next project.
01:09:58Here it is.
01:10:02What do you think?
01:10:06Let's just say that it's a pleasure doing business with you, Jay.
01:10:14Congratulations.
01:10:16Thank you.
01:10:29Please move. I'm making it.
01:10:30You need to calm down.
01:10:31What are you doing? Excuse me. I'm perfectly calm.
01:10:34How about we both compromise?
01:10:36You continue with your acting as long as it's through Ardoin Investments.
01:10:40You still don't get it, do you?
01:10:42I'm not your accessory.
01:10:44I'm not a part of the Ardoin family.
01:10:46Plus, the only person that can make decisions for me is myself.
01:10:50Can't we talk about it for the sake of our relationship?
01:10:54Look, I'm thankful for everything you've done for me.
01:10:59We've crossed the line.
01:11:02Goodbye, Edward.
01:11:07Oh, Thelma.
01:11:08Look, I've rarely seen Edward smile since his father passed away.
01:11:13And he's like a new man now that you're here.
01:11:16I'm sorry, but I can't stay here.
01:11:22It's okay, Sarah.
01:11:24Let her go.
01:11:32Since when did we become stalkers?
01:11:34Where is she?
01:11:36I know she has a bunch of crazy fans trying to get her attention,
01:11:39but if those assholes think they have a shot with my woman...
01:11:41You've not seen the news?
01:11:43Thelma has announced she's single again.
01:11:46What?
01:11:47Yeah, even a bunch of haters have turned into fans now.
01:11:51I don't get it.
01:11:53I don't get it.
01:11:55I don't get it.
01:11:57I don't get it.
01:11:59I don't get it.
01:12:01I don't get it.
01:12:03I don't...
01:12:06I don't get it.
01:12:08I don't get it.
01:12:10I don't get it.
01:12:13I don't get it.
01:12:15What do you mean you don't get it?
01:12:17Thelma, Thelma?
01:12:21Thelma, Thelma, Thelma.
01:12:23Are you still working with Ardogon Investment Families?
01:12:26The Ardogon Families never officially announced your divorce.
01:12:29Is there something that they're hiding?
01:12:31Was your marriage to Edward Edgerton strictly business, like the tabloids say?
01:12:38Uh...
01:12:40Why don't you ask the man himself?
01:12:51Hey, Mr. Edelman, you got a second?
01:12:53I don't.
01:12:54It's fine.
01:12:59So, Mr. Ardavin, what brings you here?
01:13:02Thinking of joining the entertainment industry?
01:13:04You know why I'm here.
01:13:06Sorry, I can't help you with that.
01:13:09Uh, so this new film is a romantic drama with some comedy.
01:13:14So you're a big fan of the two of them?
01:13:17You ever want anything more?
01:13:19No.
01:13:20Not yet.
01:13:21Please, I would love to thank our amazing director, Jay,
01:13:24for all of his amazing visions,
01:13:26and everyone else who's helped me on this incredible journey.
01:13:30Well, that's just great.
01:13:33And I'm so excited to get started, because I know that this is going to be another hit.
01:13:38All right, ready to check out the set for the new movie?
01:13:41I'll walk you.
01:13:42Uh, actually, do you want to check it out together?
01:13:44Sure.
01:13:48Come on, come on, come on.
01:13:52How do you win back a woman?
01:13:53Uh, flowers, romance, gifts are always a good move.
01:13:59All right, where should we go?
01:14:00Let's get back to the other side.
01:14:06I, uh, got to be through.
01:14:10You can just sleep in there.
01:14:17Oh, look, I'm sorry.
01:14:20I was wrong.
01:14:24Please, give me another chance.
01:14:29I promise I won't be overbearing.
01:14:32I'll respect all your opinions,
01:14:34and I'll never interfere with your career again.
01:14:41Flowers, look good.
01:14:43Look good.
01:14:50I'll take these, and we can talk about this later.
01:15:01Go! I don't want to see you again!
01:15:05Cut!
01:15:07Well done, everybody, that is a wrap.
01:15:10Great. Here, I got you a cup of coffee.
01:15:14Thanks, Alex.
01:15:15Oh, shoot!
01:15:40I need to know where she is. Now!
01:15:45Uh, I think I might know where she is.
01:15:47Why the hell wouldn't you know?
01:15:48Do you have something to do with it?
01:15:49No, man, look, Carla was talking to some sketchy dude about Carla's basement.
01:15:53I think Thelma might be there.
01:15:55Trust me, man, I don't want anything bad to happen to her either.
01:15:58Believe me.
01:16:05Thelma?
01:16:07Where are you?
01:16:18Stop doing things stupid.
01:16:20Whatever you want, just name it.
01:16:25AdWord, AdWord, AdWord.
01:16:30How did you find this place?
01:16:37Forget it.
01:16:40You didn't seriously believe I would just walk away, did you?
01:16:43You're a coward.
01:16:47Killer.
01:16:48And AdWord, I want you to watch.
01:16:51If you touch her, I will skin you alive.
01:16:55I got it.
01:17:03Thelma, run!
01:17:07Stop!
01:17:29It's okay.
01:17:31It's over.
01:17:33It's all over.
01:17:56It's today.
01:17:57I promised Ness I would go.
01:18:03Come on.
01:18:14Wait, this is the amusement park I agreed to meet Little Rock at.
01:18:18I thought it closed down years ago.
01:18:22Thelma?
01:18:24AdWord?
01:18:25What are you doing here?
01:18:26Noss told me to come.
01:18:28What are you doing here?
01:18:30Well, now that you're here, I need to tell you a little secret.
01:18:35Be right back.
01:18:36AdWord?
01:18:49Don't be scared, sweet thing.
01:18:51What did she just call me?
01:18:59I told you I'd meet you here, Helen.
01:19:09I told you I'd meet you here, Helen.
01:19:13Algar, but how?
01:19:16Why didn't you tell me after all this time?
01:19:20After I escaped the orphanage, the headmistress sent people after me.
01:19:25So I had to fake my own death.
01:19:28I survived.
01:19:30But the price was becoming a different man.
01:19:33Cold.
01:19:35Ruthless.
01:19:36Even cruel.
01:19:40And I was so scared that if you found out this was the man I'd become,
01:19:45you wouldn't love me anymore.
01:19:46Besides, the Ardewood family erased every trace of my past.
01:19:52If they find out you're the one I'm looking for,
01:19:54they'll use you against me.
01:19:57And I can't risk that.
01:19:59Algar, you know that I love you.
01:20:05You do?
01:20:09Yeah, with you by my side, I'm not afraid of anything.
01:20:14I don't want us to ever be apart again.
01:20:18No.
01:20:27Yes.
01:20:57I love you.
01:20:59I love you.

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