• 6 ay önce
La promesa - Temporada 3 - Ep 381
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00:00♪♪
00:10♪♪
00:20♪♪
00:25Hey, hey, hey.
00:27Hey, hey.
00:28No, no, no.
00:29Don't get upset.
00:30It was just a slip.
00:31Calm down.
00:32I was about to leave and suddenly I saw him trip and fall.
00:35But he lost consciousness just because of a trip.
00:37Bad luck.
00:38But stop asking, for God's sake.
00:40Give me a hand.
00:41Take him to his room.
00:43I have to go.
00:44I have something important to do.
00:46Come on.
00:47Hey, hey.
00:50Come on.
00:53Look at me.
00:54Look at me.
00:55Look at me.
00:56♪♪
01:06♪♪
01:16♪♪
01:27I still can't believe it was Alonso who told you to leave.
01:31I guess he thinks like me, that I don't need to be here anymore.
01:34I told you that's nonsense, Maria Antonia.
01:37Come on, Cruz.
01:38There's nothing more to see.
01:40You're in a much better mood.
01:41Well, Alonso has nothing to say about this.
01:44He's no one to give an opinion.
01:46Wasn't I the one who invited you to the palace?
01:48Well, I'll have to decide when I don't need you here anymore.
01:51I don't want to abuse your hospitality either, Cruz.
01:53I've been staying here for months.
01:55And you'll stay as long as you need.
01:57Well, as long as you don't have obligations outside.
02:00I offer you my house, but I'm not going to force you to stay indefinitely in it, of course.
02:06I guess this isn't a prison.
02:09And besides, for me the promise is not like my second home, it's almost like the first.
02:14And I have no commitment outside.
02:16I'm here in the holy glory.
02:18Well then, if you're so comfortable, why do you need to leave?
02:23Because of all the stupid things that come to your mind or that my husband says.
02:31What are you doing here awake?
02:35Is everyone resting?
02:39We were talking about you.
02:43I hope I'm right.
02:44Not exactly.
02:46Leave us alone, please.
02:48Good night, I hope you rest. Good night.
02:51Good night.
02:53Good night.
02:58Why are you looking at me like that? What's wrong? Are you afraid of me now?
03:01No, Cruz.
03:03But I don't think it's time to discuss anything.
03:06Let's go to sleep.
03:07You'll see everything tomorrow, anyway, whatever it is.
03:09May I know why you told my friend to leave the promise?
03:12Look, Cruz ...
03:13I found her leaving the palace to Hurtadillas and she told me that you were the one who kicked her out.
03:19Not exactly.
03:21I told her that she saw you better and that her presence here was not so necessary.
03:25But she's my guest.
03:27And it's up to me to decide when I want her to leave.
03:30She came to make you more aware of Manuel's absence and right now ...
03:33Precisely.
03:34Precisely.
03:35And Manuel is still out, right?
03:37But he can't be here without Edie.
03:39He will have his commitments.
03:41You're wrong.
03:42She just confirmed to me that she has nothing better to do than be here with me.
03:46And that honors her as a friend.
03:48But at some point we will have to regain normality.
03:51But what normality are you talking about, Alonso?
03:53How can there be something normal when we have Manuel fighting for his life?
03:58Besides, what do you think?
03:59That it's not good for her to be here?
04:01I remind you that she is a widow and that she is very alone.
04:03So my company is also good for her.
04:07Look, I don't know what your interests are.
04:09But I just ask you not to play with me.
04:11You have tried to throw my best friend out of the promise.
04:14And worst of all, behind my back.
04:16Do you think I wasn't going to find out?
04:18It's okay, it's okay.
04:21I'll talk to her to solve this misunderstanding.
04:23You'd better.
04:24But calm down.
04:26This is a mistake without greater importance.
04:29I'd better shut up.
04:31I'm too angry and only bad things would come out of my mouth.
04:34Come on.
04:45Come in.
04:46Thank you.
04:49I insist, this boy is made of lead.
04:52Wait, I'll help you.
04:53Yes, please.
04:54Come on.
04:56One, two and three.
05:00Bring a pillow, please.
05:04Thank you.
05:20Thank you very much, Vera.
05:22Without your help, I couldn't have brought him here.
05:24But Salvador, he is totally unconscious.
05:26What happened to him?
05:27I don't know.
05:28I haven't found him lying on the floor next to Don Rómulo.
05:31And Don Rómulo hasn't told you anything?
05:33The only thing he told me is that he wasn't hit by a car,
05:35but by a car accident.
05:36He's just like that because of a car accident?
05:38I know, look, I look just like you.
05:41And the weird thing is that there was a broken glass bottle
05:44right next to Lope.
05:46Are you trying to tell me that he was hit by a bottle?
05:48I'm telling you that I don't know.
05:50That Don Rómulo was in a hurry and he didn't give me any explanations.
05:55And what is that urgent thing that Mr. Baeza had to do?
05:58Vera, I don't know.
05:59You're asking the wrong person.
06:01I see.
06:03Well, I'm going to incorporate it a little.
06:05Let's see.
06:10My God, Salvador.
06:11Salvador, but he's bleeding!
06:13What?
06:14I'm going to get some air to give him a cure.
06:16Run, run.
06:19I'll stay here.
06:33I'll stay here.
06:45I hope you can forgive me, brother.
06:49But it was more in me to seek revenge.
06:54Now...
06:57I'm much calmer knowing
07:00that whoever shot you was just as lucky as you.
07:04I'll always carry you in my heart.
07:08And I swear I'll never forget you.
07:27Forever.
07:33Forever.
07:41We can continue.
07:44We must finish the mission they entrusted us with.
08:03I love you.
08:18I can't comfort a friend.
08:24You are responsible for my brother being inert on the grass.
08:28Me?
08:29Yes, you.
08:30Don't be surprised.
08:31I didn't understand.
08:32I had nothing to do with it.
08:33You and your imprudence.
08:36Look, Curro, I like you very much.
08:38But you've taken all this as a game and this is the result.
08:43José Juan, I understand your pain, but...
08:47I don't think you're being fair.
08:48Manuel, please, don't meddle.
08:51You know perfectly well that I have Rafael.
08:52No.
08:53You don't have Rafael.
08:55Because it had nothing to do with Paco's death.
08:58Curro, you're just a kid playing grown-up.
09:01And all this is too much for you.
09:03I was the one who held your brother until his last breath.
09:07I was the one who hugged him with all his strength.
09:11And I was the one who gave him warmth when he felt that God was taking him away.
09:14And it's me who knows, word for word, the last thing he said.
09:18What?
09:19Come on, hit me.
09:21Or kill me.
09:23Do whatever you want.
09:25Nothing will bring your brother back to you.
09:28You're his shit.
09:29Enough.
09:32Enough.
09:37Enough pain. We're already living.
09:41We're not going to generate any more.
09:44I loved your brother.
09:46He was my friend.
09:47Well, you had to be more aware of where we were and act accordingly.
09:50But it was you who made me come here.
09:54If you hadn't done it, it would have been enough for you.
09:58What are you talking about?
09:59No, none of that.
10:01That's what happened.
10:03And I'm right.
10:04It was you who had to be dead on the grass and not my brother.
10:07That's what you were looking for here.
10:13It's over.
10:16It's over.
10:19We have a mission to accomplish, don't we?
10:23We have to help our allies, don't we?
10:28Yes.
10:31We owe it to Paco.
10:34We owe Paco a life.
10:36Not a mine in Wolframio.
10:39Don't forget that.
11:01I love you.
11:07Hanna.
11:09Where have you been? I've been looking for you since last night.
11:12Well, it's just that ...
11:15I went out last night because there was a full moon and I wanted to see the starry sky.
11:20Why were you looking for me?
11:21It's for you to go up and see Lope. He's gotten worse.
11:24What do you mean he's gotten worse? I thought he was better.
11:26He was better until he tried to leave the palace last night.
11:29But what do you mean he tried? Did he leave or not?
11:31He didn't leave. A setback prevented him.
11:34He fell off a cliff and lost consciousness.
11:38Are you telling me that he lost consciousness because of a setback?
11:41You realize that all this is a bit strange, don't you?
11:43I know, Hanna. Every time I have to explain it, it seems more absurd to me.
11:45But it's what Mr. Baeza told me.
11:48Mr. Baeza was with him?
11:49Mr. Baeza was next to Lope.
11:51He was lying on the floor and he told me to take him to the bedroom.
11:54And then he left in a hurry.
11:56And he didn't help you take him?
11:59Salvador, everything you tell me is even stranger.
12:02Well, if I tell you that there was a broken glass bottle next to Lope
12:05and that he himself had a wound on his head as if someone had hit him with it ...
12:09What are you saying? I don't understand anything.
12:13What I suspect is that Mr. Rómulo surprised Lope
12:16leaving the palace, from Rondón,
12:18and that he hit him with the first thing he had in hand, a bottle.
12:21That doesn't make any sense to me.
12:23Besides, Mr. Rómulo is more about using arguments than strength.
12:27Well, I would think what better argument than to hit him in the head with a bottle
12:30to avoid a bigger evil.
12:32Whether this hypothesis is true or not,
12:35the fact is that Lope is convalescent.
12:37And now he has a gap in his head.
12:39I see.
12:41Go up to see him when you have a minute, please.
12:45Well, the truth is that I don't have time, but ...
12:48I'll go up now.
12:49Thank you, Hanna.
12:58Manuel.
13:00Do you think it's true?
13:03Do you think I'm to blame for Paco's death?
13:08No.
13:11Absolutely guilty.
13:15Irresponsible?
13:17No.
13:19I'm not responsible for Paco's death.
13:22Absolutely guilty.
13:26Irresponsible?
13:30Neither, cousin.
13:32The fault is this damn war.
13:38But coming here has consequences.
13:42And I don't know if you thought about them when you did it.
13:47Now that Paco is gone, I know I didn't.
13:52Well, you are guilty of that.
13:56You're right.
13:59Holding Paco between my arms, I understood many of the things you were telling me.
14:03And you were right.
14:04Almost all of them.
14:07I feel guilty.
14:08That's no use anymore.
14:15Lesson learned?
14:19Lesson learned.
14:22Lesson learned.
14:24Well, now the important thing is to get out of here alive.
14:27Yes.
14:28And go home with our people.
14:30Yes.
14:35Although Paco won't be able to do it anymore.
14:40He won't be able to see his parents.
14:43Nor marry Mati.
14:47And my soul breaks, Manuel.
14:51I'm sorry.
15:11Sometimes life has to shake you hard.
15:15Very hard.
15:16I'm sorry.
15:19So you realize that no matter how bad it is, it's always worth moving on.
15:26Because there will always be people by your side.
15:31But Paco deserved to live.
15:36We all deserve to live.
15:39Even those who fight against us.
15:43No matter how wrong they are, they deserve to live.
15:47Jose Juan will be able to forgive me.
15:55When time passes and he manages to overcome his brother's death,
16:00I'm sure he'll realize that you were there when he most needed you.
16:09I hope so.
16:13I'm very proud of you.
16:17Why?
16:20Because helping someone die,
16:23and being with him in those last moments is...
16:29It's from very generous and brave people.
16:32And not everyone has the guts to do it.
16:36His own brother couldn't.
16:42I'll never forget it.
16:44I'll never forget it.
16:47Manuel...
16:49I saw him turn off in my arms.
16:53And I felt a sense of helplessness because I couldn't do anything.
16:58I couldn't.
17:02Paco was very lucky to meet you.
17:08And me to him.
17:13I'm sure he would have done the same.
17:18And me.
17:27But I can't stop thinking
17:31that if I hadn't seen Sarroyo,
17:34if I hadn't played him...
17:36Would you be with him?
17:40I wouldn't be.
17:43That German had been following me in the dark for days.
17:49And possibly now there are others doing it.
17:54So it would have happened anyway.
17:58Maybe not him, but...
18:03Listen to me.
18:07It will happen.
18:10It will take a while.
18:13But it will.
18:15The blame will go to Curro because you don't have it.
18:20Nobody has it.
18:44I'm back, Candelilla. How's the cook?
18:46I don't know what to tell you, daughter, because he's gone.
18:48He left me here, alone, with all the cookers.
18:51Here, on the fire.
18:53And when one of them had burned, the other one started to boil.
18:56And the other one, there, had to pour a little bit of white wine.
18:59So the truth is, I don't know if he was right.
19:03I'm sure he was, Candela.
19:06I don't know.
19:08I don't know.
19:10I don't know.
19:11Hey, Candela!
19:14I didn't expect you there.
19:17Well, I was chatting with my mother.
19:20You were chatting?
19:22And what about the fight?
19:23That's right, Candela.
19:25The quarrels and reproaches are over.
19:28Well, yes.
19:29It's very tiring to be bad with the people you love the most.
19:33You don't know how happy I am to see you both in such good harmony.
19:37Now, you two look like mother and daughter.
19:41Really.
19:43And, in part, it's thanks to you, my friend.
19:47I want to apologize for how badly we've made you go through lately.
19:51And me.
19:52You just wanted to help.
19:54And I did nothing but put you in the middle of our quarrels.
19:57And I didn't do anything to prevent all this from spilling on you.
20:02You know, when you're in the middle of something,
20:05you're the one who gets slapped.
20:07You go to one side and to the other.
20:10We didn't realize that we weren't just hurting each other,
20:15but also the people who were worried about us.
20:18Specifically you.
20:19Norma.
20:21Because I don't like to see that people I love are having a hard time.
20:25But I didn't think about that.
20:27I thought I was at the center of the world.
20:29The navel.
20:30More or less.
20:31I'm sorry, Candela.
20:34You're not serious, are you?
20:35No.
20:36Look, I don't want you two to go back to the first exchange.
20:40No, Candela, that's not going to happen.
20:42My virtues and I have talked for a long time
20:44and we've decided to bury our differences in a very deep hole.
20:48And they're going to stay there forever.
20:51I've reflected and I've realized that I can't keep paying for my frustration with anyone.
20:56And much less with my mother.
20:59Yes.
21:02We've already had enough bad luck in life to continue down that path.
21:07Bad luck, nothing.
21:09It's a tremendous luck to have a daughter like you.
21:14Oh, what are you giving me?
21:15Even a little bit of envy.
21:19Hug me, friend.
21:21What a joy.
21:25Oh, and there's something else I haven't told you, Candela.
21:28Thank you for your advice.
21:30Oh, come on.
21:32I don't want to get excited.
21:34It's because of people like you that I've been able to get my son Adolfito back.
21:40Really?
21:41Yes.
21:42I was also very happy when she told me.
21:45Well, now she knows that you have me here for whatever you need.
21:48Between the three of us, we'll get Adolfito to come back to me.
21:55I've been examining Lupe.
21:57And how is he?
21:59Fine, he's fine.
22:00In the end, it wasn't a serious injury, but ...
22:02Well, he has a gap, even if it's small.
22:04Well, if you don't know how relieved I am to hear that, Miss Expósito.
22:09Anyway, you shouldn't feel guilty for a slip-up.
22:14Or was it not a slip-up?
22:16What are you implying?
22:19Well, look, Mr. Baeza, I'll make it clear to you.
22:21Salvador told me that there was a bottle next to Lupe and that he thinks you hit his head with a bottle.
22:26But I told him that's impossible.
22:28Well, almost nothing in this life is impossible.
22:32He didn't tell me it was like that.
22:33Yes, and I'm not proud of it.
22:35But the bottle was the only thing I found on hand to prevent Mr. Ruiz from going back on his feet.
22:40And a minor evil, right?
22:42That's how I understood it.
22:43But a bottle on his head?
22:45I already told you that I'm not proud of it, but I couldn't find another option.
22:50Well, let's go to the subject that concerns us.
22:52Were you with Mrs. Darre last night?
22:54Yes.
22:55And how is she?
22:57Well, I would like to tell you something else, but the truth is that her condition is worrying.
23:01Yeah, she must not be eating as she should.
23:03I'm not just talking about her appearance, which is obviously very improved, but she also has a very low mood.
23:09Yeah.
23:11I'm sorry for all this she's telling me.
23:13What can we do to cheer her up?
23:15Well, I don't know, I guess I'll keep acting like we're doing, visit her more and ...
23:20show us how cheerful you are with her, so that everything is clearer.
23:23She has already said that Mr. Castillo has not returned to give signs of life.
23:26Yes, she has already said that.
23:28Yeah, and that hasn't made her happy?
23:30Well, actually, she doesn't trust me at all.
23:33And I don't blame her for that, no.
23:35The truth is that it is worrying that that bastard has not given signs of life, it is not reassuring.
23:40Rather, it resembles the calm that precedes the storm.
23:43Man, of course we were much calmer when we knew where he was and when he was going to appear.
23:49I think the time has come for us to start spreading the rumor that Doña Pia died in her town.
23:54So, finally, Gregorio will leave her alone.
23:57Don't you think it's too soon?
23:59Maybe it is, yes, but I think we have to move Ficha as soon as possible because I don't know if Doña Pia will be able to take it anymore.
24:05Yeah, I understand.
24:07In fact, as we speak, I think I will spread ambiguous information so that no one knows exactly what happened,
24:13but that Gregorio is convinced that he has died.
24:15I warned you once and for all, Mrs. Adarre.
24:18That yes, I have to talk to Mr. Marqués first to see if he gives us his good opinion.
24:24Mrs. Arcos.
24:26Mr. Baeza, Mario and Germán are looking for you on the floor of the gentlemen.
24:30Have you seen the reason?
24:32No. You go up and find out.
24:36Thank you, Mrs. Arcos. I'm coming right now.
24:40This woman is like a ghost. She appears everywhere as if she came out of nowhere.
24:46She is a specter of the Averno, of course.
24:50Hey, Mr. Baeza, you didn't tell me why you were in such a hurry when the incident with Lopez happened.
24:55Salvador told me you were going to escape.
24:57Yes, the truth is that if I was in a hurry, I didn't have time to lose.
25:02Okay.
25:05Let's toast to all the good things that await us.
25:08With lemonade? Shut up, a glass of wine.
25:11I'd rather not, Candela.
25:13Now I have to make a mistela, which is very soft.
25:16Candela has said no.
25:19I haven't said anything. The lemonade is great.
25:23Come on, let's toast to everything that has to come.
25:34I told you I didn't need a gift.
25:36Well, I've seen it, I've remembered you. Hello.
25:39Oh, how beautiful, the love.
25:43That's it, that's it. Beautiful.
25:47And what is this contagious joy for?
25:49So that my mother and I have made peace.
25:54In the end, it was useful that we got so tired and didn't get into where we didn't want to.
25:58Well, yes, you have put my head like a drum, but in the end it was worth it.
26:04Well, what comes is what comes, Cava.
26:10And are you toasting with lemonade?
26:14Well, they won't have a couple of glasses for us, will they?
26:17Of course, Salvador, let the lemonade run.
26:21And not only because these two are good, there is also another great news.
26:27Which one?
26:28One that has to do with a beautiful boy.
26:33Is there someone pregnant?
26:35Where are you going, kid?
26:37If we are already more grandmother than mother.
26:41That boy is already being raised.
26:45I'm going to get my son back, Adolfito.
26:49Well, that does deserve a toast. And I give those who are thirsty.
26:52You know that yes, we have to celebrate. Come on, for Mrs. Simona, for Virtudes, for Adolfito and for everyone.
26:59And for me.
27:01For my little girl.
27:08What are you playing at?
27:11Why did the number come at night?
27:14It was not a pantomime.
27:16I just did what you asked me to do, to leave the promise.
27:19Or do you forget that you kicked me out?
27:21I didn't ask you to leave like that.
27:23You did that freely and out of bad faith.
27:26Bad faith? Really?
27:28Yes, you could have left without creating controversy and saying goodbye to your soul friend, but no.
27:33You did it in secret, without giving any explanation.
27:36Well, if I did it like that, it's because it hurts me to have to leave.
27:39It makes me sick to leave and never see you again.
27:42Don't go there.
27:44It may be uncomfortable for you to hear it, but it is what it is.
27:47I'm in love with you, Alonso de Luján.
27:49How do I have to tell you to make you understand?
27:52We agreed that this was a misunderstanding that we have to forget.
27:55Forget it? I can't forget you.
27:57You are always in my thoughts.
28:00Call it obsession.
28:02Call it obsession or call it love.
28:04I lean more for the second.
28:07But every day that passes is more intense, Alonso.
28:10As I get to know you, I get more attached to you.
28:13Yes.
28:15My husband, may he rest in peace, was a good man.
28:18But he was not like you.
28:20No.
28:21He was not so delicate and so honest.
28:25Nor so honest, nor so ...
28:26I'm flattered that you have me in such high regard.
28:29But ours is impossible.
28:31Even your rejection drives me crazy.
28:33But don't you see that this story ended before it started?
28:35Any other man would have given up.
28:38But not you.
28:39You are different, Alonso.
28:42Don't follow me.
28:44I don't want to be rude to you.
28:46You can't be rude if you love him.
28:48But you won't be able to appease my love.
28:51On the contrary.
28:52Because all that respect and integrity that you feel for your wife,
28:55the only thing it does is make you grow up, Alonso.
28:57Stop saying nonsense, please.
28:59Well, yes.
29:00This love may be nonsense to you.
29:02But I swear it's the most real thing I've felt in a long time.
29:05It's stronger than me, Alonso.
29:08And I'm sorry, Cruz.
29:10I'm sorry.
29:11But I can't fight him.
29:14Please, Alonso.
29:16Please.
29:18Don't fire me.
29:19Let me stay, I promise.
29:24Okay.
29:25But I'll do it for Cruz.
29:27I don't want another fight with her.
29:30You'll stay until things calm down and the waters return to their course.
29:33Just until that moment.
29:35Thank you.
29:37Thank you.
29:40Thank you.
29:46Let's see what inspiration you bring me.
29:58Ma'am.
30:00What are you doing here?
30:02Well, I was looking for you all over the palace and I was desperate.
30:06But they told me you had come up to your room.
30:10And why are you interested in looking for me?
30:12Did I do something else?
30:14Yesterday I heard your conversation with Hanna about ...
30:19about Cicuta.
30:25Well, I'm sorry if we said something inconvenient.
30:28I know there are times when we talk too much and no one should have found out
30:32that Mrs. Pia ended up so badly.
30:35Obviously, Pia's death had a great impact on me.
30:39But that's not it, Maria.
30:43Well, then I'm in the dark.
30:46Well, I can't stop thinking about what you were talking about,
30:49about Martina and Conde de Ayala.
30:52Do you think my daughter is capable of being guilty of poisoning?
30:58It was a talk for talk.
31:00You know that the service is very shady sometimes.
31:03But I'm already asking you how Pia's life was taken.
31:08But I'm sure it was out of curiosity.
31:10Oh, God.
31:11A talk for talk, I've already told you.
31:13Well, Maria, let's check it out.
31:17Come on.
31:21Ma'am, please don't tell anyone that I told the secret of Mrs. Pia's death.
31:26That Marquez explicitly told us not to tell anyone and to be very discreet.
31:31Where are we going?
31:33You'll see.
31:40Miss Catalina, it's me, Adriano.
31:43Open up, please.
31:44One moment.
31:45One moment.
32:01I hope I haven't interrupted you.
32:04Not at all.
32:06I'm glad to see that you've come and you don't hold a grudge against me.
32:10Grudge?
32:11Yes, I was afraid that I would have bothered you, that I would have disobeyed your advice to leave this refuge and return to the palace.
32:19Miss, I would never get angry with you for something like that.
32:22I already told you that I wasn't going to insist on that anymore.
32:25In fact, I would feel a little disappointed if you let yourself be manipulated so easily.
32:29The decision to return to the palace is yours.
32:31It's only up to you.
32:33I appreciate that you are so tolerant.
32:36It is not a characteristic that usually predominates in men.
32:38Well ...
32:40Every man is a world.
32:43And you are an unconventional one.
32:48If I have come this far, it has been to tell you that I have finally managed to pay off the debt of the loan that my father asked the bank.
32:55I'm glad.
32:57You have taken a great load off your shoulders.
32:59You know how debts weigh, especially here.
33:02So I've taken a good load off my shoulders.
33:04Congratulations.
33:05Congratulations.
33:06Now you can focus on what is truly important, which are your lands.
33:12I admit that after selling his necklace, I have some money left.
33:16Money that is free of dust and straw.
33:19I don't owe anyone anything anymore.
33:22That's why I feel a sense of freedom that ... that you can't imagine.
33:26I understand you perfectly.
33:28So I don't want to owe you anything either.
33:30That's why ...
33:32I give you ...
33:34the money that was left after selling his necklace.
33:37No, no. I don't want you to give me anything back.
33:39It's yours, miss.
33:42Better invest it in your farm.
33:47Really?
33:48Sure.
33:52I won't insist.
33:54I promise you that I will make good use of this money.
33:57I don't doubt it.
34:00I remember that when Tadeo told me about you, it was to ask for my help.
34:05To give you a hand and get you out of the mess you were in.
34:09And I, like a fool, rejected his hand.
34:14Well, I didn't give it to you either.
34:16I have to be frank.
34:17Yes, but I prejudged her, negatively.
34:20And that's why I apologize.
34:21And I prejudged you too.
34:24If we get something out of each other, it's that you can't judge without knowing, right?
34:28Not in that case.
34:29It's better not to judge at all.
34:33Who was going to tell us a few weeks ago that we were going to be like this,
34:36both of us chatting so amicably?
34:39It was not foreseeable that her mood would change that way either.
34:45I have to tell you that her face has changed since I met her.
34:50I hope for the best.
34:52Much better.
34:54I didn't erase that smile.
35:00You know, I have the feeling that you know me much better than many of my closest family members.
35:07Is it because you have allowed me to meet you?
35:09Which I appreciate.
35:12I also feel happier.
35:14And I see the future with more optimism.
35:17Perhaps it is because I have received news from the front,
35:19and that my brother Manuel and my cousin Curro are safe and sound.
35:24Well, as safe and sound as you can be in a war, of course.
35:27And that is not little.
35:29I am glad that we can finally see some light,
35:33and in the meantime, some darkness.
35:36Both you and me.
35:49Come on, Maria. Search. Search everywhere.
35:52Search the room from top to bottom.
35:54I'm already doing it, ma'am, but come on.
35:56I've already told you that I don't think we're going to find any bottle with any poison.
36:00Well, I hope.
36:02Well, deeper.
36:03That there is nothing left to look at.
36:06Ma'am, I don't know if I think it's a good idea to search for Miss Martina's personal belongings.
36:11Wouldn't it be better if we talked to her?
36:13No, I'm her mother and I'm telling you.
36:15I need to know if my daughter has done anything wrong.
36:18As you will understand, she will not come to tell me, no matter what.
36:20Maria, please.
36:21Brighter.
36:22Brighter, because that way we won't find anything.
36:24Let me do it.
36:27Let's see, how is that circuit?
36:29I don't remember very well, because I've only seen it once,
36:32and because Hanna showed it to me, like that, sharp.
36:34No, but it will be easy.
36:35Easy to recognize, I say.
36:36To recognize the first one, you have to find it.
36:39Maria, and what color is it?
36:41Do you know that, at least?
36:42I don't remember very well.
36:43But come on, it's not here.
36:45How are you going to find it?
36:46I don't remember very well.
36:48But come on, it's not here.
36:49How is Miss Martina going to have a bottle of poison hidden?
36:53Oh my God.
36:54Ma'am, I regret everything I said about Miss Martina's supposed interest in the blissful circuit.
37:00Well, Maria, keep looking, please.
37:03A little more.
37:11Here it seems that there is something.
37:17Oh my God.
37:29Martina.
37:31Martina.
37:45Martina.
37:47I hope you can forgive me for not writing to you all this time.
37:53I know you must be angry with me.
37:57And you're right.
38:01How can you imagine?
38:04Many things have happened here.
38:08And almost none good.
38:13Among the good ones is that I have realized that I miss you.
38:20And I don't want to deceive you.
38:23It has been very difficult for me to assume it.
38:25It has been very difficult for me to assume it.
38:36Maybe I was wrong.
38:40Maybe I never had to come to this stupid war.
38:47Or maybe I did.
38:49Because then I would never have seen so clearly that I have never stopped needing you.
39:07That I have never stopped loving you.
39:19I have never stopped needing you.
39:29I can't, Martina.
39:34I know you must be angry with me, but ...
39:37I don't want it.
39:39I don't want this to be like this.
39:42Through a letter.
39:49A letter for Lopéz.
40:05Between the medication and the beating, Lopéz has to be more there than here.
40:09He's had to bend over to the bed.
40:11He will get well at rest.
40:13Well, at least his wounds will be healed.
40:16By the way, I have to congratulate you.
40:17It was very good of you to do the cures as if you were an expert nurse.
40:21I would simply be your example.
40:23And I have done what I have seen you do to you.
40:25It is not a matter of being attentive, but it has to be skillful and careful.
40:30In fact, if I can't attend the first cure, you could do it, you will do it perfectly.
40:35No, no, don't give me that responsibility.
40:37Let the blood keep giving me chills.
40:40What has left me tingling is that Mr. Baeza hit López in the head to prevent it from coming out.
40:46It is something very violent for him, not typical of the Mr. Baeza we know.
40:51I guess I would not find another solution.
40:54Yes, but solving things by reason is better.
40:57Well, I guess even the best teacher can have a mistake.
41:02It is that López is also more stubborn than a donkey.
41:05And getting to convince him at that time ...
41:07Difficult task, not to mention that almost impossible.
41:10The best argument is to bottle up and the discussion is over.
41:14Well, at least it has not been a very hasty break.
41:16Also, it will be better if López stays asleep for the moment.
41:19If he didn't get upset, he would try to get out of bed by all means.
41:23Or another bottle and Easter.
41:25Come on!
41:28Even so, I'm going to continue to see how it is.
41:31Well, yes, because the same thing has woken up and you find it putting on the mandí.
41:34Oh!
41:41And what's wrong with you? You have a very funny smile.
41:46Nothing happens to me.
41:48It's just that ...
41:50Anyway, I can't stop reading the letter Manuel sent me again and again.
41:55You know it from head to toe, don't you?
41:57And apparently it tells you things in the sea of ​​Bonica.
42:00Well, the truth is that it is a sweet and loving letter at the same time.
42:04On the one hand, it talks about the future that awaits us and ...
42:08And on the other hand, it talks about that maybe that doesn't happen and he doesn't come back.
42:13But hey, it's normal, in the end he's in a grip.
42:16I just want all this to happen and that ...
42:19that I can have him back in my arms again.
42:24What are you doing with your fingers? Why are you so nervous?
42:28It's just that I can't get my head off the subject of the cicuta.
42:33Mrs. Margarita has caught me before and she has made me an interrogation that not even the Civil Guard.
42:38An interrogation? About what?
42:41It is known that she did not hear you and me talk about the blessed cicuta.
42:45And she made me go to Miss Martina's room and check it up and down to find the blessed jar.
42:52Yeah, and I guess you didn't find anything, right?
42:56What?
42:59Well, yes, yes, I found something, yes.
43:02There was a jar very similar to the one that Gregorio left to Mrs. Pia.
43:08Are you sure the jar was the same?
43:11Look, of course. If you didn't teach me how to forget it, besides, I made it very clear in the jar.
43:16Cicuta, in big.
43:20Yeah, but what is a jar going to do like that in Miss Martina's room?
43:23Well, that's what I ask myself, that I don't get the question out of my head.
43:26But come on, if before you pointed out that Miss Martina was to blame for the poisoning of Conde Ayala,
43:32now with this, you tell me.
43:36And Mrs. Margarita said she was going to do about it?
43:40The devil took her, so she won't face it.
43:53What?
44:08They told me you were looking for me.
44:11Yes, urgently.
44:13Well, as you can see, I haven't even changed.
44:15Well, I was counting on meeting you at lunchtime, but they told me you had gone to ride.
44:19Yes, yes, I needed to clear myself. In fact, I got to the river, it had been a long time since I had gone so far.
44:26Have you eaten?
44:28Well, I asked the cooks to make me some emparedados.
44:32But talk.
44:36What's going on? You look like something serious.
44:41My mother is making me nervous.
44:47What is that?
44:50Cicuta.
44:51The poison that has caused Ignacio's discomfort.
44:55I don't understand, what are you doing with that bottle?
44:57Well, you tell me, Martina, you tell me.
45:00I found it in your room.
45:02Hidden in one of your boxes.
45:04What were you doing, looking through my things? I don't understand.
45:07I think you're the one who has to give me explanations, not the other way around.
45:10Daughter, please answer.
45:12What were you doing with this bottle?
45:15I have no idea what you're talking about.
45:17Martina!
45:18If what you're insinuating is that I could have something to do with Ayala's poisoning,
45:23I'm telling you, you're completely wrong.
45:25Stop lying, daughter, please.
45:27I'm telling you the truth.
45:29Do you think I'm capable of doing something so terrible?
45:32I don't know what to think.
45:34All I know is that I found this poison in your room.
45:48If I had to discern who in the house has sworn to the count,
46:03well, I can only think of one man.
46:06Miss Martina.
46:07That's why it's wise to investigate.
46:09Yes, but not assuming that Miss Martina is the culprit.
46:13Well, but she's the main suspect.
46:16She had stayed in Lujan last night.
46:18Oh, what a shame. You won't be able to continue with your bets.
46:21Salvador, you don't understand. That agent is not used to you leaving her on the spot.
46:24You're doing me a favor.
46:26But it would have hurt one of those beatings that those people you hang out with have to get used to.
46:31Salvador, I don't need your advice.
46:33Well, you're going to hear them.
46:34Martina had that poison, right?
46:35Stored in her bedroom.
46:37Someone must have put it there.
46:39You know the count of Ayala and the captain of the Mata.
46:43They are two wolves who are going to skin their cousin, who is a lamb.
46:48With your speech, all you've shown is that that kiss you gave us still matters to you.
46:51Well, of course it matters to me.
46:53Because if it reaches my wife's ears, it could be the end of my marriage.
46:57Not a single word is going to come out of my mouth.
46:59I know, but that's not enough.
47:01I'm asking you for time.
47:03I promise I'll bring you the truth.
47:04The truth is clear to me.
47:06If Martina's name is stained, she will never be able to remove that stigma.
47:09Are you listening to yourself, Margarita?
47:11Remove that stigma?
47:13What if it takes my life?
47:15You don't know how much I prayed for you to be alive.
47:20And I prayed that you wouldn't be mad at me.