MHN ARIZEIS TH MOURMOURA | S11 - EPS. 49 HD | ΜΗΝ ΑΡΧΙΖΕΙΣ ΤΗ ΜΟΥΡΜΟΥΡΑ | Σ11 - ΕΠΣ. 49 HD
Category
📺
TV ve DiziDöküm
00:00[♪ Mourmoura by Eleni Anagnostopoulou ♪ ♪ music playing ♪♪♪♪♪♪♪♪♪♪♪♪♪
00:30♪♪♪
00:40♪♪♪
00:50♪♪♪
01:00♪♪♪
01:10Welcome!
01:11What's up? Are we moving?
01:13Well, I have a new pleasure and a lesser pleasure.
01:15Come on, I was just kidding. We are moving.
01:17If we were moving, I would have sent you at least one message to let you know.
01:20Right, right. Then who is moving?
01:22Oh, Ilias?
01:23Why should someone be moving?
01:25I don't know. I have so many suitcases.
01:26So, tell me now. Do you want the pleasure or the lesser pleasure first?
01:29The lesser pleasure.
01:30Good.
01:31My dad called me and told me that he would come from the ship tomorrow night
01:35and asked me if we could host him.
01:36Good, good, good. And why is that a problem?
01:39Because he doesn't know about our relationship yet.
01:41Good. Baby, is it possible for us to tell him? If you want.
01:44No, I want, I want, I really want.
01:46Anyway, he is coming for something personal, for a signature.
01:49And where is the pleasure?
01:51The pleasure is that I went to my sister's in the afternoon
01:53because we had to look in the safe of the whole Savoura
01:55to find a file that my dad wants for the signature.
01:57And is it so pleasant to look for Savoura?
01:59Yes, it is, because I found it too.
02:01Yes. What are all these?
02:03All these are my childhood memories.
02:05These are the white mattresses from school,
02:07my photos from the ship, the DVDs from the parties.
02:10My love, you know that we don't have DVDs, right?
02:12It doesn't matter, I will digitize them.
02:13Isn't it fantastic that I found all these?
02:15Yes, my baby, yes, bravo.
02:16Can I see a photo too?
02:17No, look, look, my dear Fanny.
02:19I think that our relationship hasn't reached this level yet.
02:21So, for example, to see my photos from my childhood, no.
02:24Right, right. I accept it.
02:26I listen to it, I respect it.
02:28I'm going to take a shower.
02:29Okay.
02:31Hey, Fanny, Fanny, come here.
02:33Fanny, come back.
02:34Come on, Fanny, why are you doing this to me?
02:36Why are you doing this to me?
02:37Fanny!
02:41I'm sorry.
02:43You didn't see anything.
02:45No, I didn't see anything.
02:50You will pay for this.
02:51If you didn't know, those glasses were very fashionable back then.
02:54I'm coming.
03:01Zouzou, telephone.
03:08Oh, we have a customer on the phone.
03:11Please.
03:14Of course.
03:16Oh, life for a reason.
03:20Did you get the certificate from the doctor?
03:24Here you are.
03:26Of course, I got it at the game over.
03:28Zouzou Angelou.
03:29What?
03:34Look, our office has many employees.
03:38Maybe someone else will come and take over.
03:43No, I don't deny it.
03:45I just can't promise you that.
03:50What will we do with this case?
03:52What is she telling you?
03:53Nothing, I'm going inside so I don't bother you.
03:55Look, as I told you, I will do everything.
04:00Oh, we're finally here.
04:03Oh, my home, my home.
04:05Welcome, daddy.
04:07Sofoula, my Sofoula.
04:09I'm sorry, dad, you will drown me.
04:11Oh, Sofoula, I missed you, my child.
04:13You said a week, right?
04:14A week, but I missed you.
04:16Oh, you got sick, why did you get sick?
04:18You didn't come, why are you sad?
04:20Where did we go, my child?
04:21We came, my girl, we came.
04:23But she's not sleeping, go back a little.
04:25Oh, my love, my flower, my beautiful daughter, what are you doing?
04:28I'm fine, how are you?
04:30Bad.
04:31Bad? Are you fighting again?
04:32No, we're not fighting between us.
04:34We had a great week.
04:36Yes, yes, yes, we had a great time.
04:38My dad took me to this wonderful hotel.
04:40Wonderful hotel, with our spa, our massages, our beauty, with everything.
04:46Don't you have any complaints?
04:47Yes, yes, yes, what complaints do I have?
04:49We had fun, we went for walks, we went around Hamburg, Berlin.
04:53What did you do then?
04:54Germany?
04:55I don't care.
04:56You didn't like Berlin?
04:57I didn't like Berlin, I didn't like Hamburg either.
05:00It rained for a week, Sofoula.
05:01We got soaked in the rain, my child.
05:03We were about to rot.
05:05And here, look, guys.
05:07Look at the light it has.
05:09It's night.
05:10It's night, but it's bright, my child.
05:12Look, guys, how beautiful.
05:14Oh, my homeland.
05:15There is nothing more beautiful than the homeland, Sofoula.
05:18But as soon as we got off the plane, my heart was in its place.
05:22Oh, Greece.
05:24Oh, Greece, with your beauties.
05:32Look here, my friends, how many weddings we have had in such a short time.
05:37I want to wish from the bottom of my heart, me and my husband,
05:39that you are loved and fit for your wedding.
05:42Only you will find the opportunity for a dream wedding,
05:45and a baptism that will speak for years to friends and relatives.
05:48I want to send my kisses to my friends in Argostoli,
05:51in Kavala, in Komotini, in Xanthi, in Corinth,
05:54now, and to our glorified Arta.
06:02Oh, my homeland.
06:04Oh, my homeland.
06:06What happened?
06:07What happened?
06:08Did the Turks come in?
06:09What happened?
06:11Are you okay?
06:12Yes.
06:13Are you okay?
06:14Yes, I'm fine.
06:15Look, calm down, calm down.
06:16Oh, oh, oh.
06:17I was scared.
06:18It was a dream, my friend.
06:19Okay, calm down.
06:20Ah.
06:21What did you see and shout?
06:22No, Arta, no, Arta.
06:23Did you see the grandfather in the war?
06:25No, man.
06:26I saw Ketia.
06:27What about Garbi?
06:28Ah, Garbi.
06:30My ex-wife.
06:31But it wasn't my ex-wife.
06:33It was you who was my ex-wife.
06:38But this is impossible, my friend.
06:42You did her show and you, her,
06:46and then, at the end of the show,
06:50you said, you said that you would come to Arta.
06:54Ah.
06:55Did you think about her?
06:57Is that why you saw her?
06:58Oh, why would I think about her?
07:00Maybe because she didn't come to your office wedding?
07:02Oh, I don't have that.
07:05Maybe you missed her, I don't know.
07:07Oh, not at all.
07:08Not at all, not at all.
07:09Not at all.
07:10Now we say not at all.
07:11Not at all.
07:12Oh, think about it.
07:13Not at all.
07:14What do you mean not at all?
07:15Not at all.
07:16I'm sorry, what scared you so much?
07:18That you saw your ex-wife or that I was Ketia?
07:24Whoa, whoa, whoa.
07:25Sorry.
07:26You talked to Ketia about us, didn't you?
07:28Come on, now.
07:29I had a dream.
07:30We were talking all night.
07:32Come on, now.
07:33What now?
07:34Did you tell me or not?
07:35Come on, now.
07:36Let's go to sleep.
07:37Let's go to sleep.
07:38I'll talk to you later.
07:40Sleep.
07:46Oh, good morning.
07:48Oh, honey, look what I found, look what I found.
07:50What is this?
07:51Some family heirloom?
07:52Yes, more or less.
07:53It's my father's old motorcycle.
07:54Oh, I see.
07:55I lost it.
07:56Can I find anything?
07:57Forgotten lyres?
07:58Yes, I haven't told you the best yet.
07:59What?
08:00It's an old, rare model that's very expensive.
08:03I looked it up.
08:04I found out that there are dozens of these,
08:06which are sold by hand for $20 and $30.
08:08We're in luck.
08:09Yes.
08:10They say it has a film inside and has 12 photos taken.
08:13Since when?
08:14I don't know.
08:15Since a long time ago.
08:16You know what?
08:17This film may not live anymore.
08:18Why not?
08:19Because it's old.
08:22Anyway, I want to take more photos, finish the film,
08:25and then go show them.
08:26Why don't you go now to show those that are already taken?
08:29Because it's nice to have an analog machine.
08:31Hipster.
08:32Yes.
08:33It's like a little screen where you can see what you're shooting.
08:35Yes, yes.
08:36Old machines had this problem.
08:38Also, I don't know what these numbers are,
08:40but now I'm going to read and learn.
08:43Yes, my love.
08:44Read.
08:45You study and I'll come in the afternoon to examine you.
08:48Why are you teasing me now?
08:49I'm very happy I found it.
08:51No, my love.
08:52I'm very happy for your happiness,
08:53but the fact that you found it doesn't mean you have to use it.
08:56How?
08:57It's very nice to shoot with friends.
08:59How do you know?
09:00Have you done it before?
09:01No, but I can imagine it.
09:02Yes.
09:03I see.
09:04I don't want to spoil it for you,
09:05but you have to do exactly what you like.
09:07Just don't cry for your money when you go to show your friend.
09:09I'll cry for my money.
09:10I don't have any.
09:12That's right.
09:18Do you have something?
09:19What?
09:20No.
09:22I know by now,
09:24these no's.
09:26What do you know?
09:27That means yes.
09:29Come on.
09:30Tell me.
09:31What do you have?
09:32Look.
09:34It's something.
09:37But...
09:39Don't insist.
09:40You'll tell me in the end.
09:42Are you sure?
09:44Okay.
09:45I won't ask again.
09:48No, look.
09:49It's okay.
09:50Come on.
09:53Yesterday's call...
09:54About work?
09:55Yes.
09:56It was a man who wants us to adopt his mother.
10:01Adopt her?
10:02What's the problem?
10:03The problem is who's going to adopt her.
10:06You or Kouvatsis?
10:07Who else?
10:08He doesn't want us.
10:09He has a special request.
10:11Have you...
10:12done it to him before?
10:13How many times have you buried him?
10:15No, baby.
10:16It's the first time.
10:17Then I don't understand.
10:20He wants you.
10:22Christ!
10:23Don't choke me!
10:24What do you mean he wants me?
10:26He wants you to adopt his mother.
10:29I've never heard such a thing in my life.
10:32See?
10:33And?
10:34What did he tell you?
10:35That I want to adopt Margarita?
10:37Especially Minas Stratelis?
10:39No, no.
10:40He doesn't know your name.
10:41Then?
10:42Minas.
10:44The place here in Crete is...
10:47small.
10:48Small?
10:49What does that have to do with anything?
10:50It has to do with the fact that everyone knows what happened to Archanes.
10:54Ah!
10:55You mean...
10:56Yes!
10:57I mean the death of Chrysotiris.
10:59Yes.
11:00Since you adopted him.
11:01Until what happened.
11:02What happened.
11:03Everyone is talking about you.
11:04I've understood something.
11:05They don't go back to the village.
11:07There's no telephone in the office.
11:09Everyone wants...
11:11you.
11:12But, baby, I went to make a transfer because you couldn't answer.
11:16What are you talking about?
11:17I don't know.
11:18But...
11:19I can't imagine you thinking that...
11:21I'm going to do it again.
11:24No!
11:27Are you leaving?
11:28Not yet.
11:29I'm going to wake up Vangelis to help me pick up the trash.
11:32I'm going to pick them up today.
11:33Do you want me to help you?
11:34No, no.
11:35Sit down.
11:36Let him work.
11:37He'll get bored of being useless.
11:47Come, Kouvelskis.
11:49Nothing.
11:50Chiffon.
11:51No, man.
11:52I can't get him drunk anymore.
11:54People today don't knock on the door.
11:56Come on.
11:57Come on.
12:02Come, come.
12:03What?
12:04Sofoula brought bougatsa.
12:05You're crazy, kid.
12:07Every day in Germany they were complaining about bougatsa.
12:09See how Sofoula knows me.
12:10So, mom, I brought...
12:11with mince, with cheese, with cream.
12:13What do you want?
12:14I don't want anything.
12:15I'll have coffee.
12:16Let your dad eat.
12:17Sofoula.
12:18They don't have bougatsa.
12:19Really?
12:20They don't have bougatsa.
12:21Okay, it doesn't matter.
12:22They have other things.
12:23What do they have?
12:24Organic.
12:25What can I do with organic if there's no bougatsa to eat for breakfast?
12:27Okay, there's no bougatsa.
12:28There's pretzel.
12:29Yes.
12:30A petal with salt on top.
12:31Leave me alone.
12:32What am I, a drunkard to eat salt in the morning?
12:34It's not breakfast if there's no bougatsa in it.
12:36Are you crazy?
12:37I see.
12:38Tell me, mom.
12:39How did you like the burger after so long since you've seen it?
12:41I liked it.
12:42Nice?
12:43No, nice, nice, nice.
12:44Nice?
12:45Just that?
12:46I didn't like it.
12:47Why?
12:48Because you didn't like it.
12:49Really?
12:50You didn't like the burger?
12:51No, no.
12:52I liked the burger.
12:53Why wouldn't I like it?
12:54Hamburg is a very beautiful city.
12:55To be exact, it's considered one of the most beautiful cities in Germany.
12:56So, what didn't you like, mom?
12:57I imagined that you would be glad to see the city you grew up in again.
12:58What would I be glad to find, Sofoula?
12:59With the big streets they have or with the many parks?
13:00Why do you care about the many parks?
13:01Sit down, baby.
13:02Let's talk about the good ones.
13:03What can I do with the parks?
13:04It's raining, mom.
13:05I can't go there because it's raining.
13:06And you prefer it here, where we don't even have sidewalks.
13:07Oh, Sofia.
13:09Sofoula, the whole city is green.
13:10What are you afraid of, dad?
13:11Did you catch a cold?
13:12There are trees everywhere.
13:13There are many trees.
13:14You can't see the sky.
13:15And when you see it, the clouds are lower than normal.
13:16They are low.
13:17You think they come to your head.
13:18Do you have anything else to say?
13:19No.
13:20No.
13:21No.
13:22No.
13:23No.
13:24No.
13:25No.
13:26No.
13:27No.
13:28No.
13:29No.
13:30No.
13:31No.
13:32No.
13:33No.
13:34No.
13:35No.
13:36No.
13:37No.
13:38My dear Sofia,
13:39you have something else to tell me?
13:40People don't get along.
13:41They have nothing to do.
13:42They can't have fun with humans.
13:43They have nothing to do.
13:44Here?
13:45I am.
13:46Wow!
13:47Wow.
13:48It's so bad there, in Germany.
13:55Very bad.
14:01The old lady of Kourna, Vangelis.
14:07What's that smell?
14:10I'm cooking beans. I can't wait for dinner.
14:13Now that you mentioned beans...
14:16How are you?
14:17You're asking as if I was asleep.
14:18We didn't eat pizza again last night.
14:20The pizza was a mistake.
14:22What are you talking about? We put sausages, sausages, it's suicide.
14:25Why didn't you tell me?
14:26Stop, it's suicide. Come on, have some pasta, you didn't want to.
14:29Stop talking nonsense.
14:30Why didn't you tell me that Ketikitsos doesn't know about us?
14:32Fine, he'll find out.
14:34Because he'll find out.
14:36But these are not things that can be said over the phone.
14:38You went down to the tower three times to see the child.
14:40I did?
14:41Yes.
14:42If I remember correctly, he wasn't there.
14:44He had gone...
14:46Prison?
14:47No, of course, he had gone...
14:49Prison?
14:50Come on, prison.
14:52He had jobs, jobs, a lot of jobs.
14:55And when are you going to tell her?
14:57When Melina will be accompanied by her daughter-in-law to church?
14:59Melina will study first, then she'll get married and she has years ahead of her.
15:04So you're not going to tell her?
15:05Fine, I'll tell her.
15:06Yes, when?
15:07I don't want to hurt her.
15:10A little unprotected little girl was...
15:14tormented.
15:16She had a miscarriage again.
15:19She was unlucky in her life.
15:22By marriage.
15:24And she found a job...
15:26at the port.
15:28She depended on me a lot, I remember.
15:33Ketikitsou?
15:35Ketikitsou.
15:36She was a little girl.
15:39She had a miscarriage again.
15:41Don't tell me that.
15:42Yes, yes, I'll continue.
15:46She could never get over me.
15:49I'll find an opportunity and I'll tell her everything.
15:54Until then, I'll think about her little heart, which is...
15:59Tormented?
16:00Yes.
16:02I don't see her very tormented.
16:04It's okay, we'll stay in a stupid dream I had.
16:08Dreams warn us about something.
16:10Fine, I'll tell her.
16:11When?
16:12In the afternoon at 7 o'clock.
16:13Is that okay?
16:15Hello, mom.
16:17When is she coming?
16:19Where?
16:20I don't know, mom.
16:22Okay, bye.
16:24Who are you baptizing?
16:25Irene, my cousin.
16:26She's baptizing her child on Sunday.
16:28She sends invitations.
16:29Am I invited?
16:34I'm good, right?
16:35I'm good.
16:36Wait, I have no idea what I'm doing here.
16:38This is my profile.
16:40I don't accept being photographed by others.
16:42If the speed is at 60, where should I put the diaphragm?
16:45My mind is broken, my hair is broken.
16:47I don't like being photographed.
16:50Come on, girls.
16:52Come on.
16:54I don't think you'll ever photograph them.
16:56Why?
16:57Because we won't publish them.
16:59I'll send them.
17:01I follow them both.
17:02I want to be informed about the competition.
17:04What are you doing?
17:06I'm tired of the model.
17:07I don't know where to put the diaphragm.
17:09Put it in the oven with potatoes.
17:10You haven't cooked a meal all day.
17:12Where's the production?
17:13I want to leave.
17:14I want to make the adjustments.
17:16Did you make them?
17:17No.
17:19Let's go.
17:20Yes, but I don't want to ruin the film.
17:22Follow your instinct.
17:24That's what all artists do.
17:26Follow your instinct.
17:28That's it.
17:30Feel what's coming out of you.
17:32Do you feel it?
17:33What?
17:34What's coming out of you.
17:36I don't feel it.
17:37I don't want what's coming out of you.
17:39Don't do this to me.
17:40Inspire.
17:41Inspire yourself.
17:43Connect with your body.
17:46What a machine.
17:48Did you connect?
17:50I think so.
17:51Did you connect?
17:52What do you feel?
17:53I feel...
17:54I feel...
17:56that I have to put it in 8.
17:58Put it in 8 and let's go.
18:00Yes, maybe in 5.6.
18:02I can't watch like this.
18:04What's going on, guys?
18:06It's getting worse.
18:08Foti, no.
18:09I quit.
18:10I can't collaborate with other artists.
18:12And because it's opening, don't call me again.
18:15What happened?
18:16What's going on?
18:18Nothing.
18:19I thought it was his producer.
18:20But he's not doing well.
18:21He's going to take a kick out of here.
18:23I heard that.
18:25Do you want to tell me what's going on?
18:27I'm trying to practice and Ilias doesn't help me.
18:30Baby, if you don't sit down, Ilias will take a picture of you.
18:35Baby.
18:36What?
18:38No, no, no.
18:40Baby.
18:42Did you forget...
18:44that I love you so much?
18:46Is there no way for me to let you take a picture of me?
18:51I'm here.
18:53Welcome.
18:58This is where Vannaki left, right?
19:00Yes, it was Nikolaidis.
19:02He took the trash.
19:03But he came from Athens.
19:05No, baby.
19:06He was in Crete for another job.
19:08And with the opportunity.
19:10Baby.
19:11Maybe we should think about giving them somewhere closer.
19:14Look, Voulas didn't trust anyone else.
19:17And I don't want to change this habit.
19:19Excuse me.
19:21I brought a beer. Are you hungry?
19:22Yes.
19:23Where's Vangelis?
19:24He's sleeping.
19:25I woke him up early to help us collect the trash.
19:27He wants to get some sleep.
19:29What happened with the client?
19:31He went to Kovalis and took over.
19:33Nice.
19:35But I have a new proposal for you.
19:37Again?
19:39It's from Madrid.
19:40A repatriation.
19:42Guess who they asked for it from.
19:44But they took the phone from Madrid and asked for me.
19:48Because you're a firm.
19:50I'm serious now.
19:52I wish I was kidding.
19:54And the client pays double the normal price.
20:00Why?
20:01So you can take over his brother's share from the airport.
20:07Have we gone mad?
20:09Hope dies last.
20:11And what does she think?
20:12If I go, will Makaritis wake up?
20:15Does she think I'm messing with Christos and his brother Lazaros?
20:18In their grief, people are caught wherever they go.
20:21And in Crete.
20:22How did we end up in Spain?
20:24It's a viral story.
20:26What is it?
20:27Viral.
20:29Do you know how people in the Archangels
20:31were dragging their mobile phones
20:32when you returned with the certificate?
20:34Alive!
20:36Alive!
20:37Wait.
20:39Give it to me.
20:40Give it to me.
20:42It's all over the world.
20:50We're in trouble.
20:52How many chocolates has grandpa brought from Germany?
20:56How many?
20:58Come on.
20:59Do you want some chocolate?
21:00Don't give him chocolate.
21:01I don't want him to eat sweets from now on.
21:02We won't eat sweets from now on.
21:04We won't.
21:05But we will eat pitogiro.
21:07No, no, no.
21:08Don't touch it.
21:09Come on, Sofoula.
21:10What won't the kid eat?
21:11He ate his food.
21:12What food?
21:13Are you kidding me?
21:14Let him eat some pitogiro.
21:15Come on, Babis.
21:16You said you'd give pitogiro to the kid.
21:18We couldn't find pitogiro anywhere in Germany.
21:20He's useless.
21:21He eats pitogiro every day.
21:23Shouldn't he eat it in Germany?
21:24I don't know what they eat.
21:25They only have sausages.
21:26We only have souvlaki.
21:28We have everything.
21:30We have pastitsio, moussaka,
21:32brisoles, paidakia, sarmadakia.
21:34We have everything.
21:36Come here.
21:37Come to grandpa.
21:38Come here, my boy.
21:39Come here.
21:40Oh, my God.
21:41How did he grow up like this?
21:43When did he grow up, dad?
21:44What?
21:45He grew up in a week.
21:46Yes, yes.
21:47He grew up.
21:48Go to mom.
21:49Oh, my.
21:50We thought we'd live in Germany forever
21:52and we wouldn't see the kid grow up.
21:54We're talking nonsense.
21:55That's what happiness is, guys.
21:56That's what we're living right now.
21:58We're all together.
21:59We're in Thessaloniki.
22:00We have everything.
22:01We have the sun.
22:02We have the sea.
22:03Our birthplace.
22:04Our birthplace.
22:05The subway.
22:06The subway.
22:07The birthplace of the saint.
22:08The subway will be built in November.
22:09The road that holds.
22:10The road.
22:11Unemployment.
22:12The office building.
22:13To see the green, you have to go for an hour.
22:15No.
22:16We have so many parks.
22:17Where?
22:18Everywhere.
22:19The city is all green.
22:20It's full of trees.
22:21We can't see the houses.
22:22What do you say now?
22:23Come on.
22:24We have bicycles.
22:25We have parks.
22:26We have ponds with fish.
22:29We have horses.
22:30People go for walks.
22:31We have everything.
22:32Look, dad.
22:33When we talk about Germany, it's nothing compared to this.
22:36Germany is nothing compared to organization and the rules.
22:39It's nothing compared to that.
22:40On the other hand, I'm terrible.
22:42Are you going to live there?
22:43No, I'm not.
22:44I'm asking my mom.
22:45I'm not.
22:46Tell me, stranger.
22:47I'm not.
22:48It's a good thing we went to Germany.
22:49It changed my mind.
22:52Come on now.
22:53What are you talking about?
22:54You say you don't want to come to the baptism.
22:56I can't, son.
22:57I can't, son.
22:58I'm telling you.
22:59We'll go to the fields.
23:00You say you don't know.
23:01Don't worry.
23:02My mom will come with my father.
23:04Yes.
23:05Come on.
23:06Are you kidding me?
23:08You're going to have a royal baptism?
23:11Who's going to do it for you?
23:12The one who got you married?
23:13Tzikas?
23:15Who?
23:18No.
23:19I'm happy.
23:20How can I not be happy?
23:21She's the best woman in the world.
23:23What are you talking about?
23:24I'm happy.
23:25Yes.
23:26Bravo, Rena.
23:27Bravo, Rena.
23:28Yes, Rena.
23:29My girl.
23:30We'll see each other again.
23:31Take care.
23:32Bye.
23:33Bye.
23:34And then they tell you not to believe in dreams.
23:43There are no people.
23:45I was next door to the neighbor, Moisyadi.
23:48You know him, right?
23:49I have a friend.
23:50And he's a friend.
23:51Everyone's a friend.
23:52And I made a statement to him.
23:54And I tell him,
23:55Etoula has made beans.
23:57And he gave me a female.
24:01Feta, man.
24:02What do you mean?
24:03What do you want?
24:04Two?
24:05No, I'm happy because I started coming close to my customers.
24:07And I receive a lot of love now.
24:09And feta.
24:10Now that you said feta, I'm very hungry.
24:12Yes.
24:14My girl, let me tell you.
24:15Irena called me and said,
24:17she definitely wants me to go to the baptism.
24:20Your family wants you to go.
24:22And she insisted that you come too.
24:24She insisted.
24:25Ah, I'll accompany you.
24:26Nice.
24:27Imagine, she said,
24:28if you don't come,
24:29I won't go either.
24:30That's it.
24:31Ah, I can't imagine
24:32how happy you make me.
24:34And you can't imagine
24:35what she's going to do at the baptism.
24:36She's going to be a queen.
24:40A whole son is going to the baptism.
24:41A daughter is going to the baptism,
24:42but it doesn't matter.
24:43She's going to be like a princess.
24:45She's going to have embroidered skirts.
24:47The child is going to bring him a cart with pony horses.
24:51And Keti,
24:53she can't imagine
24:54what kind of baptism she did.
24:56Really?
24:57Yes, yes, yes.
24:58And she was very good.
24:59Very organized,
25:00very imaginative.
25:02And she said something like,
25:03papatsi.
25:06I went and paid her.
25:08What a papatsi,
25:09you can't imagine.
25:10And I kissed her on the cheek.
25:12Look at this.
25:13Imagine.
25:16Once she found me
25:17Egyptian baptism.
25:20And the son is a deputy.
25:25And you're crying.
25:27And now look
25:28what she's going to do
25:29at the royal baptism.
25:31The birds are laughing here.
25:33Laugh, bird, now.
25:36Why are you laughing now, bird?
25:38She's gone to the bathroom.
25:40How long do I have to stay like this, my love?
25:42Wait a minute,
25:43because I'm trying to focus.
25:44Your father will come
25:45and we'll still be like this.
25:46No, but we have time for him to come.
25:47And I have half of me.
25:49Let me tell you,
25:50if we take her out with the phone
25:51and go see her,
25:52I'll be fine.
25:53No, no.
25:54I want a film.
25:55Take a pillow.
25:56Let me tell you,
25:57do you think now
25:58we're at two meters?
25:59And put it on.
26:00Three?
26:01Cut it.
26:02Two and a half?
26:03I don't know, my love,
26:04my eye is not half.
26:05Wait a minute.
26:06Should I put it down?
26:07Put it down.
26:08Somewhere here
26:09I have a meter.
26:10Here it is.
26:11Take it.
26:14I can't, I'm sorry.
26:15I mean,
26:16I can't believe
26:17they did all this
26:18just to take one picture.
26:19What are you saying?
26:20The film is an art.
26:21It's not like
26:22every picture
26:23has a painting.
26:24Who says
26:25these things?
26:26I read them
26:27on a site
26:28for art photographers.
26:29Oh,
26:30I'm so sorry, guys.
26:31Come on,
26:32let's get to work.
26:33Liakos,
26:34you don't know
26:35how happy I am
26:36to see you, man.
26:37Not at all, man,
26:38because I asked my maid
26:39to have clear water
26:40with hibiscus
26:41and nothing else.
26:42Antigone!
26:43I'm going now
26:44to pick up model Liakos.
26:45What did she say?
26:46What did you just say?
26:47What did you just say?
26:48She worries me
26:49and doesn't appreciate my work.
26:50What work, my love?
26:51What work?
26:52We haven't seen
26:53a single picture of my work.
26:54What a mess!
26:55Calm down, calm down.
26:56Let me remind you
26:57that we're doing all this
26:58for fun.
26:59Come on, please.
27:00You're going to say
27:01this to me,
27:02this to me.
27:03I'm going to give an answer
27:04to Timoteos Salame.
27:05Who was their mother?
27:06Take it.
27:07Him again.
27:08Who is he?
27:09I don't give a damn
27:10who he is.
27:11Look, I'm in trouble now.
27:12Why isn't the criminal
27:13at 23?
27:14I caught her!
27:15Well done, my love.
27:16Now she can be caught.
27:17She's an idiot.
27:18She didn't even snore.
27:19How can someone
27:20snore?
27:21Is there a technique?
27:22Guys,
27:23I think it was the last one.
27:24Finally!
27:25Finally,
27:26are we going
27:27to see her?
27:28Well, my love,
27:29you're going to take the film
27:30and take a picture of it
27:31and when you come back
27:32from the gym,
27:33you're going to take it
27:34and we're going to see her.
27:35Of course.
27:36Come on, guys,
27:37Damiano is waiting too.
27:38He wants a picture now.
27:39He's gone crazy.
27:40Oh, I'm so tired
27:41of taking so many pictures.
27:42I'm going to bed.
27:43Tea with honey.
27:46My, my,
27:47you're so good.
27:48I really need
27:49something to relax now.
27:51You still see those?
27:52I hadn't noticed it,
27:54It's getting crazy here!
27:55I know.
27:56Listen, a comment, listen.
27:58Is he a young messiah
28:00or just a Grindr?
28:02And moreover,
28:03is he an alien?
28:06The world has gone crazy.
28:07You're telling me?
28:09Good they didn't
28:10mock the canals!
28:11Don't tell me
28:12Don't talk to me like that.
28:14Tell me, how can we get rid of all this?
28:19Unfortunately, we can't.
28:21Once on the internet, forever on the internet.
28:23What a technology!
28:25And it's not just one.
28:27From one publication to another, it's in thousands of accounts.
28:31And what do we do now?
28:32Patience. Where will it go? It will be forgotten.
28:35Every miracle, three days, the big four, they say.
28:38Let's hope so.
28:39Something else will come out of it and blow it up.
28:42That's how it works.
28:43It's your five minutes of publicity.
28:45Which I don't want at all.
28:47And what five minutes? So many days have passed.
28:50Okay, it's not like the first days, it's started to blow up.
28:54Now you understand why I don't want to do it again, huh?
28:57Maybe it would help you do it again.
29:00How would it help, Zizou?
29:01To make videos of me again, to upload it again, and from the beginning?
29:05Why?
29:06Do you think the next one will come back to life too?
29:16Wow, this girl!
29:19She plays football, my boy, yes!
29:21And look at her colors.
29:23White, black, paokara!
29:26You are paokara!
29:27Come on, let him be, let him be.
29:30But you didn't tell me.
29:31Did you go to see the school you were going to work at?
29:33Yes, we went, but we didn't know what we were going to lose.
29:36And how was it?
29:37Come on, tell me how was it.
29:39How was it, I say.
29:40Come on, tell me how was it.
29:41Come on, tell me how was it.
29:42What do you mean, the school?
29:44Yes, how was it?
29:45Ah, a building with windows and doors, that's it.
29:47I remember, I'm asking.
29:48Tell me, did you like it?
29:49It wasn't anything special, that's why I'm answering.
29:51What are you talking about, Santa Claus, all the time?
29:53Tell me, Mom.
29:54It was nice, it was nice.
29:55Okay, okay, it doesn't work yet, they're building the school now.
29:59Outside, they were planting flowers, they were preparing a yard for the kids to plant vegetables.
30:03Over there, inside, there's a library, a gym, a dance and theater room, a music room, a restaurant, a pool.
30:12There's a pool?
30:13If you don't have a sea, you make pools.
30:15That's why we don't have pools in our school.
30:17We have a thermal pool, we have an Ionian sea, an Aegean sea, a Cretan sea, a Corinthian sea.
30:22There's a sea everywhere.
30:23Whatever you want, you go and dive.
30:24Come on, Dad, you found everything bad in Germany.
30:26Nothing is worth it?
30:27You didn't even like this school?
30:29The school was old, my dear.
30:31Yes, but it was old.
30:32It was built in 1830, very old.
30:35It's not like ours.
30:36The new ones.
30:37The new ones.
30:38The modern ones.
30:39The modern ones.
30:40What are you talking about, Dad?
30:41We don't even have good rooms here.
30:42Why, do we have books?
30:43Why don't you go to Germany?
30:44I want to go, too.
30:45I want Fyfas to go to this school.
30:47Your mother will go, don't you want to go to Germany?
30:49Okay, my dear, I won't go, I want you to go to Germany.
30:52Come here, my dear.
30:53Come here, my dear.
30:54Come here, my dear.
30:57Who are you with now?
30:59Ah!
31:01Ah!
31:02Bravo!
31:03Kiss her, kiss her.
31:05I hear her, I hear her voice.
31:06I'm with Eni.
31:09Ah!
31:10Look, son, tell your mother
31:12that I got her because I want her and I'll get her back.
31:15She'll take everything from me, I'll take her.
31:17And I'll get her, I'll get her, I'll get her,
31:18until I finally get her.
31:20She's crazy.
31:21I don't want to get her, I want to tell her something.
31:23Here you are.
31:24I'm talking a lot.
31:25I'm sorry, my child, I'm sorry.
31:26Okay, I understand.
31:27Bye, my baby, bye, bye.
31:30Ah, you're here.
31:31Now I got the ticket to tell her,
31:33and she's gone again.
31:34Some work must have been done.
31:36It's not necessary.
31:37No, it's necessary, my dear, it's necessary.
31:39Why?
31:40No.
31:41I behaved badly, very badly.
31:43I had a very selfish attitude.
31:45Yes, you could just tell me.
31:47I could, but I didn't tell you.
31:49I didn't tell you.
31:50I didn't tell you.
31:51But now that she's coming to the baptism,
31:53I'll tell her everything,
31:54and she'll be moved, I'm sure,
31:56because she'll see how angelic you are.
31:59She might already know.
32:01From where?
32:03From my cousin, Tirena, who tells her everything.
32:05Who?
32:07Kalanta.
32:08Why?
32:09Concentrate, my boy, she told me everything.
32:11She knows we're a couple.
32:12Why, Tula, why?
32:13You're going to tell me now.
32:14I love your life.
32:15She knows everything.
32:16She can't keep anything inside.
32:18You should have told me first, my boy.
32:20Come on.
32:21You should have told me first,
32:22so that the world would know.
32:23Come on, Tula, say it.
32:24Slowly, slowly, my boy.
32:25Step by step.
32:26No.
32:27Yes, no, and what else?
32:28Why?
32:29Because...
32:32I asked for some time, I can't tell you.
32:34My daughter liked you.
32:36As a friend, though.
32:37She'll grow up, and when she does, she'll understand.
32:39My boy, we're not talking about your daughter,
32:41we're talking about your cousin.
32:42Fine, I'll tell her.
32:43Are you afraid you'll tell her?
32:44I'm not afraid.
32:45Tell her, please, before the baptism.
32:47I don't want to see you in the church in front of my son-in-law.
32:49I've seen enough to accept you.
32:50Come on, bravo.
32:51Come on.
32:55Zoi!
32:56What are you yelling for?
32:57She's out.
32:58Where's my cousin?
32:59I have no idea what you're talking about.
33:00Are my photos full of mistakes?
33:01Yes.
33:02We're talking.
33:03It's very touching.
33:04Am I that good?
33:05No.
33:06They're the best parents in the world.
33:08What's this?
33:09It doesn't matter.
33:10It doesn't matter.
33:11It doesn't matter.
33:12It doesn't matter.
33:13It doesn't matter.
33:14It doesn't matter.
33:15It doesn't matter.
33:16Another broken one.
33:17Another broken one.
33:18Another broken one.
33:19Another broken one.
33:20Impeccable!
33:21Impeccable!
33:23Ah!
33:24What are you doing here?
33:25What is that?
33:26Should I tell Damiano,
33:27that he's coming to ruin me?
33:28He's waited on his own for photos.
33:29The photos are out.
33:30Let me see.
33:31I'm leaving.
33:32Where are you going?
33:37My dear, what time is your dad coming?
33:39I just went out for a while.
33:41I made some delivery fastest.
33:42My dear, it's really touching
33:44that we were able to see each other after so long.
33:45Your parents are the prettiest, right?
33:47Look at your mother's passion.
33:51She's not my mother.
33:55Come on.
33:57She's my grandmother.
33:59What are you saying, my love?
34:01Fanny...
34:03I think my father...
34:06...kissed my mother with my grandmother.
34:09A few days later...
34:13No, Kovalski. I can't stand him anymore.
34:16Don't piss me off now.
34:18Oh, by the way...
34:19...if you're in the village of Minas, the job is done.
34:24Of course it's Minas, Panopoula.
34:27I was thinking... Oh, don't talk. We'll talk later.
34:30Come on, we're going to the airport.
34:32Kovalski?
34:33Yes, we're going to pick up the Spaniard.
34:36Is he really Spanish?
34:38No, he's Greek. He lives there.
34:41Did you want to tell me something?
34:42Yes, I was thinking...
34:46I mean, is it true what your client told you on the phone?
34:50Who?
34:51That if I go and pick him up...
34:54...he'll pay you double the normal price?
34:57Yes, it's true, but...
35:00Why are you asking?
35:02I was thinking...
35:04I don't know, maybe...
35:05I was coming to pick him up.
35:08It's a shame to lose so much money.
35:10I should thank the one who wants me to go.
35:13Really, Minas?
35:15Yes, but look...
35:16...for the last time.
35:17Whatever you say. Thank you very much.
35:20Don't mention it. It's just that.
35:23For the last time.
35:24Yes.
35:25So, shall we go?
35:27Let's go.
35:28Unless you really have a hidden gift...
35:33...and you're the same in the next one.
35:49Mom?
35:50I'm here, honey.
35:52Where's the kid?
35:53He went for a walk with Grandpa, but they'll be back soon.
35:56And you? Is everything okay?
35:58Yes, I'm trying to get some cash out of my father's wallet, but I can't.
36:01He's drunk.
36:02Are you sure?
36:03He drank from a sausage, so he ate a hamburger.
36:07Are you sure?
36:08I'm sure.
36:09Why don't I believe you?
36:10I don't know. Why don't you believe me?
36:12How come you don't like hamburgers?
36:14Who says I don't like hamburgers? I never said I liked them.
36:18I was just talking about life.
36:20It's a bit heavy.
36:22We'd have been in a different house otherwise.
36:24Here, you're in a bouzouki.
36:26Okay, but if I want to, I can go to a bouzouki.
36:29I can go to a bar, a tavern,
36:31and I can go to Mykonos, to Chaki's, Kefina, wherever I want.
36:34Where do you want to go, Sofia? To the pirates?
36:37Is that why you couldn't live there?
36:39You're so naive. I can't think of anything.
36:41I can't think of anything, I can't think of anything.
36:44What do you want me to say, Sofia?
36:45Tell me the truth.
36:46It was great.
36:47Did you have fun?
36:50Everything was great.
36:51The hamburger, the weather, the parks, everything.
36:53But you won't say a word to your father.
36:55I won't say a word to your father either, because you'll be upset.
36:58Because he arranged this trip for me, and he gave me all the tickets.
37:02Especially after our visit to the school.
37:05My heart left me.
37:07So, you were really going to stay there.
37:08I went crazy.
37:11Oh, Salonika, my beautiful.
37:13Where are you?
37:15You're back.
37:16Okay, guys, it's been an incredible night.
37:18Everyone has gone out, I'm telling you.
37:22Come on, get ready, we're going too.
37:23Not now.
37:24Yes, when?
37:26It's not possible, dad, I have to go to put the kid to sleep.
37:27What do you mean, put the kid to sleep?
37:29Are you kidding me?
37:30It's going to be great.
37:31We're going to a tavern, we're going to have a good time.
37:33Come on, with this Germany, we're going to be soaked in the rain.
37:36Didn't you like this Germany that much?
37:38We didn't like it, you know.
37:39Not even me, a million people were sitting there.
37:41Right, Sonia?
37:42Not even me, a million people.
37:47What are you looking at?
37:49Beautiful things.
37:50Children's clothes for the baby and the baby sitter?
37:52No, I'm looking at how beautiful our Greece is.
37:56Why? Are you going to buy it?
37:59Especially this Monemvasia, it's excellent.
38:02I like Amorgos better.
38:05They call it Amorgos.
38:06I know why they call it Monemvasia.
38:09Monemvasia, because it says...
38:12It's in English, I saw it on Toyota.
38:15I was like, how do they call it, where is it, you know?
38:18Do you remember I told you once,
38:21my love, the two of us have to go to Monemvasia.
38:25Yes, it was a long time ago, I don't remember.
38:28Do you remember what you had to say somewhere before you said it?
38:30Oh, especially Monemvasia, it's...
38:34I can't tell you, especially in spring, it has to be great.
38:36For us, it's not spring, we're running with the fruits now.
38:39I found an amazing offer for the three-day.
38:42For which three-day are you talking about?
38:43Here, look, look, look.
38:46Look at the boot that's been sitting on the windows, can you see it?
38:49For which three-day are you talking about?
38:50Shall I close it?
38:52For which three-day are you talking about?
38:53Hey, I'm going to drive her crazy!
38:54Hey, for which three-day are you talking about?
38:56You won't tell me and I'm going to drive you crazy!
38:57What did you say?
38:58My love, my sweet boy,
39:01this three-day is canceled, why?
39:04Because we have Rhena's baptism.
39:06Baptism of...
39:07Of Xanderfis.
39:09Of Xanderfis.
39:10Come on, look at you, we're going to lose our vision.
39:12It's okay, we'll see the kitten.
39:15You don't call her a bad vision, she's a woman.
39:17Wait, I'm a little confused, which Sunday are we talking about?
39:20The Sunday of fasts.
39:22It's over, so...
39:23Karami, pick up the phone right now,
39:25because I'm going to hit you with a stick from me and from the cat.
39:27Pick up the phone.
39:27Pick up the phone now.
39:31A girl...
39:33Go again, bully, pick up the phone.
39:36She knows the number, she's got humor.
39:45She's good.
39:46Well done.
39:49I won't pick it up.
39:50You'll wait.
39:54Keti.
39:57Keti.
39:59What are you doing?
40:04Keti.
40:07I'm in a relationship with Tula.
40:12What?
40:14You know it.
40:15In the house. Hey, Tula!
40:17Wait a minute, I was waiting for you.
40:19Come here, Tula. Come here, my girl.
40:21You were right, my girl. I didn't see him again.
40:24He's in a relationship with Mara, they're both making fun of us now.
40:26Please.
40:27You tell me now what I need for the baptism.
40:29Yes, the tractor, yes, the tractor.
40:31Two legs.
40:33I have to find another one now.
40:36Tula, Tula, will you bring it?
40:38Okay, my love.
40:38Whatever you remember, call me.
40:40Yes, my love, yes, I'll wait.
40:42Lots of kisses.
40:43Bye, bye.
40:45Do you know how easy it was?