MHN ARIZEIS TH MOURMOURA | S11 - EPS. 49 HD | ΜΗΝ ΑΡΧΙΖΕΙΣ ΤΗ ΜΟΥΡΜΟΥΡΑ | Σ11 - ΕΠΣ. 49 HD
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00:00[♪ Mourmoura by Eleni Anagnostopoulou ♪ ♪ music playing ♪♪♪♪♪♪♪♪♪♪♪♪♪
00:30♪♪♪
00:40♪♪♪
00:50♪♪♪
01:00♪♪♪
01:10Welcome!
01:11What's up? Are we moving?
01:13Well, I have a new pleasure and a lesser pleasure.
01:15Come on, I was just kidding. We are moving.
01:17If we were moving, I would have sent you at least one message to let you know.
01:20Right, right. Then who is moving?
01:22Oh, Ilias?
01:23Why should someone be moving?
01:25I don't know. I have so many suitcases.
01:26So, tell me now. Do you want the pleasure or the lesser pleasure first?
01:29The lesser pleasure.
01:30Good.
01:31My dad called me and told me that he would come from the ship tomorrow night
01:35and asked me if we could host him.
01:36Good, good, good. And why is that a problem?
01:39Because he doesn't know about our relationship yet.
01:41Good. Baby, is it possible for us to tell him? If you want.
01:44No, I want, I want, I really want.
01:46Anyway, he is coming for something personal, for a signature.
01:49And where is the pleasure?
01:51The pleasure is that I went to my sister's in the afternoon
01:53because we had to look in the safe of the whole Savoura
01:55to find a file that my dad wants for the signature.
01:57And is it so pleasant to look for Savoura?
01:59Yes, it is, because I found it too.
02:01Yes. What are all these?
02:03All these are my childhood memories.
02:05These are the white mattresses from school,
02:07my photos from the ship, the DVDs from the parties.
02:10My love, you know that we don't have DVDs, right?
02:12It doesn't matter, I will digitize them.
02:13Isn't it fantastic that I found all these?
02:15Yes, my baby, yes, bravo.
02:16Can I see a photo too?
02:17No, look, look, my dear Fanny.
02:19I think that our relationship hasn't reached this level yet.
02:21So, for example, to see my photos from my childhood, no.
02:24Right, right. I accept it.
02:26I listen to it, I respect it.
02:28I'm going to take a shower.
02:29Okay.
02:31Hey, Fanny, Fanny, come here.
02:33Fanny, come back.
02:34Come on, Fanny, why are you doing this to me?
02:36Why are you doing this to me?
02:37Fanny!
02:41I'm sorry.
02:43You didn't see anything.
02:45No, I didn't see anything.
02:50You will pay for this.
02:51If you didn't know, those glasses were very fashionable back then.
02:54I'm coming.
03:01Zouzou, telephone.
03:08Oh, we have a customer on the phone.
03:11Please.
03:14Of course.
03:16Oh, life for a reason.
03:20Did you get the certificate from the doctor?
03:24Here you are.
03:26Of course, I got it at the game over.
03:28Zouzou Angelou.
03:29What?
03:34Look, our office has many employees.
03:38Maybe someone else will come and take over.
03:43No, I don't deny it.
03:45I just can't promise you that.
03:50What will we do with this case?
03:52What is she telling you?
03:53Nothing, I'm going inside so I don't bother you.
03:55Look, as I told you, I will do everything.
04:00Oh, we're finally here.
04:03Oh, my home, my home.
04:05Welcome, daddy.
04:07Sofoula, my Sofoula.
04:09I'm sorry, dad, you will drown me.
04:11Oh, Sofoula, I missed you, my child.
04:13You said a week, right?
04:14A week, but I missed you.
04:16Oh, you got sick, why did you get sick?
04:18You didn't come, why are you sad?
04:20Where did we go, my child?
04:21We came, my girl, we came.
04:23But she's not sleeping, go back a little.
04:25Oh, my love, my flower, my beautiful daughter, what are you doing?
04:28I'm fine, how are you?
04:30Bad.
04:31Bad? Are you fighting again?
04:32No, we're not fighting between us.
04:34We had a great week.
04:36Yes, yes, yes, we had a great time.
04:38My dad took me to this wonderful hotel.
04:40Wonderful hotel, with our spa, our massages, our beauty, with everything.
04:46Don't you have any complaints?
04:47Yes, yes, yes, what complaints do I have?
04:49We had fun, we went for walks, we went around Hamburg, Berlin.
04:53What did you do then?
04:54Germany?
04:55I don't care.
04:56You didn't like Berlin?
04:57I didn't like Berlin, I didn't like Hamburg either.
05:00It rained for a week, Sofoula.
05:01We got soaked in the rain, my child.
05:03We were about to rot.
05:05And here, look, guys.
05:07Look at the light it has.
05:09It's night.
05:10It's night, but it's bright, my child.
05:12Look, guys, how beautiful.
05:14Oh, my homeland.
05:15There is nothing more beautiful than the homeland, Sofoula.
05:18But as soon as we got off the plane, my heart was in its place.
05:22Oh, Greece.
05:24Oh, Greece, with your beauties.
05:32Look here, my friends, how many weddings we have had in such a short time.
05:37I want to wish from the bottom of my heart, me and my husband,
05:39that you are loved and fit for your wedding.
05:42Only you will find the opportunity for a dream wedding,
05:45and a baptism that will speak for years to friends and relatives.
05:48I want to send my kisses to my friends in Argostoli,
05:51in Kavala, in Komotini, in Xanthi, in Corinth,
05:54now, and to our glorified Arta.
06:02Oh, my homeland.
06:04Oh, my homeland.
06:06What happened?
06:07What happened?
06:08Did the Turks come in?
06:09What happened?
06:11Are you okay?
06:12Yes.
06:13Are you okay?
06:14Yes, I'm fine.
06:15Look, calm down, calm down.
06:16Oh, oh, oh.
06:17I was scared.
06:18It was a dream, my friend.
06:19Okay, calm down.
06:20Ah.
06:21What did you see and shout?
06:22No, Arta, no, Arta.
06:23Did you see the grandfather in the war?
06:25No, man.
06:26I saw Ketia.
06:27What about Garbi?
06:28Ah, Garbi.
06:30My ex-wife.
06:31But it wasn't my ex-wife.
06:33It was you who was my ex-wife.
06:38But this is impossible, my friend.
06:42You did her show and you, her,
06:46and then, at the end of the show,
06:50you said, you said that you would come to Arta.
06:54Ah.
06:55Did you think about her?
06:57Is that why you saw her?
06:58Oh, why would I think about her?
07:00Maybe because she didn't come to your office wedding?
07:02Oh, I don't have that.
07:05Maybe you missed her, I don't know.
07:07Oh, not at all.
07:08Not at all, not at all.
07:09Not at all.
07:10Now we say not at all.
07:11Not at all.
07:12Oh, think about it.
07:13Not at all.
07:14What do you mean not at all?
07:15Not at all.
07:16I'm sorry, what scared you so much?
07:18That you saw your ex-wife or that I was Ketia?
07:24Whoa, whoa, whoa.
07:25Sorry.
07:26You talked to Ketia about us, didn't you?
07:28Come on, now.
07:29I had a dream.
07:30We were talking all night.
07:32Come on, now.
07:33What now?
07:34Did you tell me or not?
07:35Come on, now.
07:36Let's go to sleep.
07:37Let's go to sleep.
07:38I'll talk to you later.
07:40Sleep.
07:46Oh, good morning.
07:48Oh, honey, look what I found, look what I found.
07:50What is this?
07:51Some family heirloom?
07:52Yes, more or less.
07:53It's my father's old motorcycle.
07:54Oh, I see.
07:55I lost it.
07:56Can I find anything?
07:57Forgotten lyres?
07:58Yes, I haven't told you the best yet.
07:59What?
08:00It's an old, rare model that's very expensive.
08:03I looked it up.
08:04I found out that there are dozens of these,
08:06which are sold by hand for $20 and $30.
08:08We're in luck.
08:09Yes.
08:10They say it has a film inside and has 12 photos taken.
08:13Since when?
08:14I don't know.
08:15Since a long time ago.
08:16You know what?
08:17This film may not live anymore.
08:18Why not?
08:19Because it's old.
08:22Anyway, I want to take more photos, finish the film,
08:25and then go show them.
08:26Why don't you go now to show those that are already taken?
08:29Because it's nice to have an analog machine.
08:31Hipster.
08:32Yes.
08:33It's like a little screen where you can see what you're shooting.
08:35Yes, yes.
08:36Old machines had this problem.
08:38Also, I don't know what these numbers are,
08:40but now I'm going to read and learn.
08:43Yes, my love.
08:44Read.
08:45You study and I'll come in the afternoon to examine you.
08:48Why are you teasing me now?
08:49I'm very happy I found it.
08:51No, my love.
08:52I'm very happy for your happiness,
08:53but the fact that you found it doesn't mean you have to use it.
08:56How?
08:57It's very nice to shoot with friends.
08:59How do you know?
09:00Have you done it before?
09:01No, but I can imagine it.
09:02Yes.
09:03I see.
09:04I don't want to spoil it for you,
09:05but you have to do exactly what you like.
09:07Just don't cry for your money when you go to show your friend.
09:09I'll cry for my money.
09:10I don't have any.
09:12That's right.
09:18Do you have something?
09:19What?
09:20No.
09:22I know by now,
09:24these no's.
09:26What do you know?
09:27That means yes.
09:29Come on.
09:30Tell me.
09:31What do you have?
09:32Look.
09:34It's something.
09:37But...
09:39Don't insist.
09:40You'll tell me in the end.
09:42Are you sure?
09:44Okay.
09:45I won't ask again.
09:48No, look.
09:49It's okay.
09:50Come on.
09:53Yesterday's call...
09:54About work?
09:55Yes.
09:56It was a man who wants us to adopt his mother.
10:01Adopt her?
10:02What's the problem?
10:03The problem is who's going to adopt her.
10:06You or Kouvatsis?
10:07Who else?
10:08He doesn't want us.
10:09He has a special request.
10:11Have you...
10:12done it to him before?
10:13How many times have you buried him?
10:15No, baby.
10:16It's the first time.
10:17Then I don't understand.
10:20He wants you.
10:22Christ!
10:23Don't choke me!
10:24What do you mean he wants me?
10:26He wants you to adopt his mother.
10:29I've never heard such a thing in my life.
10:32See?
10:33And?
10:34What did he tell you?
10:35That I want to adopt Margarita?
10:37Especially Minas Stratelis?
10:39No, no.
10:40He doesn't know your name.
10:41Then?
10:42Minas.
10:44The place here in Crete is...
10:47small.
10:48Small?
10:49What does that have to do with anything?
10:50It has to do with the fact that everyone knows what happened to Archanes.
10:54Ah!
10:55You mean...
10:56Yes!
10:57I mean the death of Chrysotiris.
10:59Yes.
11:00Since you adopted him.
11:01Until what happened.
11:02What happened.
11:03Everyone is talking about you.
11:04I've understood something.
11:05They don't go back to the village.
11:07There's no telephone in the office.
11:09Everyone wants...
11:11you.
11:12But, baby, I went to make a transfer because you couldn't answer.
11:16What are you talking about?
11:17I don't know.
11:18But...
11:19I can't imagine you thinking that...
11:21I'm going to do it again.
11:24No!
11:27Are you leaving?
11:28Not yet.
11:29I'm going to wake up Vangelis to help me pick up the trash.
11:32I'm going to pick them up today.
11:33Do you want me to help you?
11:34No, no.
11:35Sit down.
11:36Let him work.
11:37He'll get bored of being useless.
11:47Come, Kouvelskis.
11:49Nothing.
11:50Chiffon.
11:51No, man.
11:52I can't get him drunk anymore.
11:54People today don't knock on the door.
11:56Come on.
11:57Come on.
12:02Come, come.
12:03What?
12:04Sofoula brought bougatsa.
12:05You're crazy, kid.
12:07Every day in Germany they were complaining about bougatsa.
12:09See how Sofoula knows me.
12:10So, mom, I brought...
12:11with mince, with cheese, with cream.
12:13What do you want?
12:14I don't want anything.
12:15I'll have coffee.
12:16Let your dad eat.
12:17Sofoula.
12:18They don't have bougatsa.
12:19Really?
12:20They don't have bougatsa.
12:21Okay, it doesn't matter.
12:22They have other things.
12:23What do they have?
12:24Organic.
12:25What can I do with organic if there's no bougatsa to eat for breakfast?
12:27Okay, there's no bougatsa.
12:28There's pretzel.
12:29Yes.
12:30A petal with salt on top.
12:31Leave me alone.
12:32What am I, a drunkard to eat salt in the morning?
12:34It's not breakfast if there's no bougatsa in it.
12:36Are you crazy?
12:37I see.
12:38Tell me, mom.
12:39How did you like the burger after so long since you've seen it?
12:41I liked it.
12:42Nice?
12:43No, nice, nice, nice.
12:44Nice?
12:45Just that?
12:46I didn't like it.
12:47Why?
12:48Because you didn't like it.
12:49Really?
12:50You didn't like the burger?
12:51No, no.
12:52I liked the burger.
12:53Why wouldn't I like it?
12:54Hamburg is a very beautiful city.
12:55To be exact, it's considered one of the most beautiful cities in Germany.
12:56So, what didn't you like, mom?
12:57I imagined that you would be glad to see the city you grew up in again.
12:58What would I be glad to find, Sofoula?
12:59With the big streets they have or with the many parks?
13:00Why do you care about the many parks?
13:01Sit down, baby.
13:02Let's talk about the good ones.
13:03What can I do with the parks?
13:04It's raining, mom.
13:05I can't go there because it's raining.
13:06And you prefer it here, where we don't even have sidewalks.
13:07Oh, Sofia.
13:09Sofoula, the whole city is green.
13:10What are you afraid of, dad?
13:11Did you catch a cold?
13:12There are trees everywhere.
13:13There are many trees.
13:14You can't see the sky.
13:15And when you see it, the clouds are lower than normal.
13:16They are low.
13:17You think they come to your head.
13:18Do you have anything else to say?
13:19No.
13:20No.
13:21No.
13:22No.
13:23No.
13:24No.
13:25No.
13:26No.
13:27No.
13:28No.
13:29No.
13:30No.
13:31No.
13:32No.
13:33No.
13:34No.
13:35No.
13:36No.
13:37No.
13:38No.
13:39The world is not going well.
13:40There is nothing they can do
13:41people can not have fun without doing anything.
13:43And here.
13:44There are no people.
13:45No.
13:46Really.
13:47It's very bad there, in Germany.
13:50Yes, very bad.
14:01Thank you all.
14:07What's that lovely smell?
14:09I'm cooking beans. I can't wait for dinner.
14:12Now that you mentioned beans...
14:15How are you?
14:16You're asking as if I was sleeping.
14:18I don't eat pizza again at night.
14:20So the pizza is to blame?
14:21What do you think? I put sausages, sausages in it. Suicide.
14:24Why didn't you tell me?
14:26Stop, suicide. Take a pasta. You didn't want to, but...
14:29Stop your nonsense. Why didn't you tell me that Ketikitsos doesn't know about us?
14:32He'll find out.
14:34Because he'll find out.
14:36But that's not something you can say over the phone.
14:38You went down to the tower three times to see the child.
14:40I did?
14:41Yes.
14:42If I remember correctly, he wasn't there.
14:44He had gone...
14:46Prison?
14:47No, of course not. He had gone...
14:49Prison?
14:50Come on, prison.
14:52He had jobs, jobs. Lots of jobs.
14:55And when are you planning to tell her?
14:57When Melina will be accompanying her daughter-in-law to church?
14:59Melina will go to school first, then she'll get married.
15:02And she has years ahead of her.
15:04So you're never going to tell her?
15:05Okay, I'll tell her.
15:06When?
15:07I don't want to hurt her.
15:10A little unprotected girl was tormented.
15:16She had a baby again.
15:20She was unlucky in her life.
15:22Because of marriage.
15:24And she found a job at the port.
15:29She depended on me a lot, I remember.
15:33Ketikitsou?
15:35Ketikitsou.
15:37She was a little girl.
15:40She had a baby again.
15:42Don't tell me that.
15:43Yes, yes. I'll continue.
15:46She could never get over me.
15:50I'll find an opportunity and I'll tell her everything.
15:54But until then, I'm thinking about her little heart, which is...
15:59Broken?
16:01Yes.
16:03I don't see it as broken.
16:05Okay, we'll stay in a stupid dream I had.
16:08Dreams warn us about something.
16:10Okay, I'll tell her.
16:11When?
16:12At 7.15 p.m., is that okay?
16:15Come on, mom.
16:18When is she coming?
16:20Where?
16:21I don't know if I can, mom.
16:23Come on, tell me.
16:24Who am I baptizing?
16:25Irene, my cousin, who is baptizing her child on Sunday.
16:28She sends invitations.
16:29Am I invited?
16:34I'm good, right?
16:35I'm good.
16:37Wait, I have no idea what I'm doing here.
16:39This is my profile.
16:40I never accept to be photographed from the other side.
16:42If the speed is at 60, where should I put the diaphragm?
16:46I'm going to lose my mind, I'm going to lose my mind.
16:48I don't like being photographed, because they have raised their heads a lot.
16:51Oh, hell, here comes the canard.
16:54Elias, I don't think you'll ever photograph them.
16:56Why?
16:57Because we won't publish them anywhere.
16:59I'll send them to you.
17:01I follow them both.
17:02I want to be informed about the competition.
17:05What are you doing?
17:06I'm tired of the model.
17:07I don't know where to put the diaphragm.
17:09Put it in the oven with potatoes.
17:10You haven't cooked a meal all day.
17:11Put the diaphragm here.
17:12Where is the production?
17:13I want to leave.
17:14Accusation!
17:15I want to make the adjustments.
17:16And you made them?
17:17No.
17:18And in the adjustments, let's go with what we have.
17:20Yes, Elias, but I don't want to ruin the film.
17:22Follow your instincts, Zabetta.
17:24That's what all artists do.
17:26We follow our instincts.
17:28That's what we do.
17:30Feel what comes out of you.
17:32Feel it, do you feel it?
17:33What?
17:34What comes out of you.
17:36Okay, I don't want it.
17:37What comes out of you, I don't want it.
17:39At this point, you give me inspiration.
17:41Feel the inspiration to conquer you.
17:43Right?
17:44Connect with your organ.
17:46Which one?
17:47The mechanical one.
17:48Did you connect?
17:50I think so.
17:51Did you connect?
17:52What do you feel?
17:53I feel...
17:54I feel...
17:55that I have to put it at 8.
17:57Put it at 8 and let's go!
18:00Yes, maybe at 5.6.
18:02I can't watch like this.
18:03What's going on, guys?
18:05This is getting worse.
18:07Foti, no.
18:08I give up.
18:09I can't work with artists.
18:11And because of the opposite sex, don't call me again.
18:13I'm going to sleep.
18:15What happened?
18:16Which opposite sex?
18:17Nothing, baby.
18:18I thought it was his producer.
18:19But it didn't go well.
18:20He's going to kick him out.
18:21He's going to be a diva.
18:22I heard that.
18:23Okay.
18:24Do you want to tell me what's going on?
18:26I'm trying to practice and Ilias doesn't help me.
18:29Baby, if this doesn't work, Ilias will take a picture of you.
18:34Baby.
18:35What?
18:37No, no, no.
18:39Baby.
18:41Forget it.
18:42Forget what?
18:44That I love you so much.
18:46There's no way I'll let you take a picture of me.
18:51I'm here.
18:52Welcome.
18:58This is where Vannaki left, right?
19:00Yes.
19:01Nikolaidis took the trash.
19:03But he came from Athens.
19:05No, baby.
19:06He was in Crete for another job.
19:08And with the opportunity.
19:10Baby.
19:11Maybe we should think about giving them somewhere closer.
19:14Look, Voulas didn't trust anyone else.
19:17And I don't want to change this habit.
19:19Dear.
19:21I brought beer. Are you hungry?
19:22Yes.
19:23Vangelis?
19:24He's sleeping.
19:25I woke him up early to help us collect the trash.
19:27He wants to get some sleep.
19:29What happened to the client?
19:31He went to Kovalis and took over.
19:33Nice.
19:35But I have a new proposal for you.
19:37Again?
19:38Yes.
19:39From Madrid.
19:40Repatriation.
19:42Guess who they asked.
19:44Did they take the phone from Madrid and ask for me?
19:48Since you're a firm.
19:50I'm serious now.
19:52I wish I was kidding.
19:54And the client pays double the normal price.
20:00Why?
20:01So you can take over his brother's share from the airport.
20:07Have we gone mad?
20:08Hope dies last.
20:10What does he think?
20:12If I go, will Makaritis wake up?
20:14Is he confusing me with Christos and his brother Lazaros?
20:18In his grief, people are caught from wherever they find them.
20:21And in Crete.
20:22How did we get to Spain?
20:24It's a viral story.
20:26What is it?
20:27Viral.
20:28Do you know how people in the Archangels
20:30were dragging their mobile phones
20:32when you returned with the certificate?
20:34Alive!
20:35In the Archangels?
20:37Wait.
20:42It's all over the world.
20:50We're in trouble.
20:52How many chocolates has grandpa brought from Germany?
20:56How many?
20:57Come on.
20:58Do you want some chocolate?
21:00I don't want chocolate.
21:01I'll eat sweets from now on.
21:02No sweets from now on.
21:05But we'll eat pitogiro.
21:07No.
21:09What about the kid?
21:11He already ate.
21:12What food?
21:14Let him eat.
21:15Babis, since you want him to eat,
21:17you'll give him some.
21:18In all of Germany,
21:20we couldn't find pitogiro.
21:22It should be eaten in Germany, too.
21:24I don't know where they eat it.
21:26We only have souvlaki.
21:28We have everything.
21:30Pastitsio,
21:31We have moussaka, steaks, pies, sarmadakia, we have everything.
21:36Come here, come to grandpa.
21:38Come here my boy, come here.
21:40Oh my god, he grew up so much.
21:43When did he grow up, dad?
21:45What? In a week he grew up. Yes, yes, he grew up.
21:48Go to mom.
21:49Wow, wow, wow.
21:50As much as we thought we would live in Germany forever
21:52and we wouldn't see our son grow up,
21:54we are talking nonsense.
21:55This is happiness, guys.
21:57What we are living right now, where we are all together.
21:59Where we are in Thessaloniki, where we have everything.
22:01We have the sun, we have the sea.
22:03Our birthplace.
22:04Our birthplace.
22:05The subway.
22:06The subway.
22:07The birthplace of the saint.
22:08The subway will be built in November.
22:09The school that is in operation.
22:10The school.
22:11Unemployment.
22:12The office building.
22:13In order to see the green, you have to go for an hour.
22:15No, we have so many parks.
22:16Where?
22:17Everywhere.
22:18The city is all green.
22:20It's full of trees, we can't see the houses.
22:22What do you say now?
22:23Come on.
22:24We have bicycles.
22:25We have parks.
22:27We have ponds with fish.
22:29We have horses that people go for a walk.
22:31We have everything.
22:33Look now, dad.
22:34What we are saying here, Germany is not compared to these.
22:36Germany is not compared to organization and the rules.
22:39It's not compared to that.
22:40On the other hand, I'm a mess.
22:42Are you going to live there?
22:43No, with nothing.
22:44I'm asking my mom.
22:45With nothing.
22:46Tell me, stranger.
22:47With nothing.
22:48It's good that we went to Germany and changed our minds.
22:52Come on now, what are you saying?
22:54You say you don't want me to come to the baptisms.
22:56I can't, I'm telling you.
22:58Will we go to the fields?
22:59You say you don't know.
23:01Don't worry.
23:02My mom will come with my father.
23:04Yes.
23:05Come on, are you kidding me?
23:08Are you going to do royal baptisms?
23:11Who is going to do them?
23:12The one who got you married?
23:13Tzikas?
23:15Who?
23:18No, I'm happy.
23:19How can I not be happy?
23:21She's the best woman in the world.
23:23What are you saying?
23:24I'm happy.
23:25Yes, bravo.
23:26Bravo.
23:27Bravo.
23:28Yes.
23:29Yes.
23:30My girl, we'll talk again later.
23:31Goodbye.
23:32Bye.
23:33Bye.
23:34And then they tell you not to believe in dreams.
23:43Well, there are no people.
23:45I went next door to the neighbor, Moisyadi.
23:48You know him, right?
23:49He's my boyfriend.
23:50He's your boyfriend, too.
23:51All of them are your boyfriends.
23:52Anyway.
23:53And I made a statement to him.
23:54And I tell him, Tula has made beans.
23:57And he gave me a woman.
24:01Feta, man.
24:02What do you mean?
24:03Do you want me to give you two more?
24:04No, I'm happy because I started coming close to my customers.
24:07And I receive a lot of love now.
24:09And feta.
24:10Now that you said feta, I'm very hungry.
24:12Yes.
24:13My girl, let me tell you.
24:15Irene called me and said she definitely wants me to go to the baptisms.
24:20Your family wants you to go.
24:21Yes.
24:22And she told me that she insists that you come, too.
24:24She insists.
24:25Ah, I'll accompany you, after all.
24:26Nice.
24:27Imagine, she said, if you don't come, I won't go either.
24:29That's it.
24:30Ah, I can't imagine how happy you make me.
24:33And you can't imagine now what the baptisms will do.
24:36They are royal.
24:39A whole son is baptizing.
24:41A daughter is baptizing, but it doesn't matter.
24:43A prince will baptize her, though.
24:45He will have unmarried brides.
24:47The boy will bring him a carriage with pony horses.
24:52And Keti can't imagine what baptisms she did.
24:56Really, huh?
24:57Yes, yes, yes.
24:58And she was very good.
25:00Awesome organization, awesome imagination.
25:02And she said something crazy.
25:06I went and paid her.
25:08Anything crazy you can imagine.
25:10And I kissed her on the cheek.
25:12Imagine.
25:15Once I found her.
25:17Egyptian baptisms.
25:19For the son of Zaha.
25:25And she was crying.
25:26And now look at her.
25:28She will do the royal baptisms, too.
25:30Here they laugh a lot.
25:33Laugh, my bird, now.
25:35Why are you laughing now, my bird?
25:38She went to bed.
25:39How long do I have to stay like this, my love?
25:41Wait a minute.
25:42Why am I trying to focus?
25:44Your father will come and we'll still be like this.
25:46No, we have time for him to come.
25:47And I have my period.
25:49Let me tell you.
25:50Should we take her out with the cell phone and go see her?
25:52No, no.
25:53I want to kiss her.
25:54Take your pants off.
25:56Let me tell you.
25:57Do you think we are at two meters now?
25:59And put it on.
26:00Three?
26:01Cut it.
26:02Two and a half?
26:03I don't know, my love.
26:04My eye is not half.
26:05Wait a minute.
26:06Should I put it down?
26:07Put it down.
26:08Somewhere here I have a meter.
26:09Here it is.
26:11Here it is.
26:13I can't believe it.
26:14Do you think people did all this to take one picture?
26:18What are you saying?
26:19The film is an art.
26:20It's not a piece of cake.
26:21Every picture should have a painting.
26:24Who says that?
26:25I read them.
26:26On a site for art photographers.
26:29Come on, guys.
26:30Let's get to work.
26:32Liakos, you don't know how happy I am to see you.
26:34Me neither, my friend.
26:35I asked my maid to have a glass of water with hibiscus.
26:38And nothing.
26:39Antigone!
26:40I'm going to pick up model Liakos, right?
26:42No, no.
26:43I don't want him.
26:44What did she say?
26:45What did she say?
26:46What did you just say?
26:47What did you just say?
26:48She worries me and doesn't appreciate my work.
26:50What work, my love?
26:51What work?
26:52We haven't seen a single picture of my work.
26:54What a mess.
26:55Calm down.
26:56Calm down.
26:57Let me remind you that we are doing all this for fun.
26:59Come on, please.
27:00She says this to me.
27:01This to me.
27:02I'm giving an answer to Timotei Salame.
27:04Who was his mother?
27:05Take it.
27:06Who is he?
27:07I don't care.
27:08Who is he?
27:09The most obvious answer is 23.
27:10I said 23.
27:11Antigone!
27:13I got it right!
27:14Well done, my love!
27:15That was so easy!
27:16I was not
27:18making any mistakes.
27:20There is a technique.
27:21Guys.
27:22I think this was the last one.
27:24Finally!
27:25Will we see her?
27:26So, my love.
27:27Will you take a picture of the movie?
27:29And when you get back from school, will you bring her to us?
27:32Of course.
27:33Come on guys, Damiana is still waiting.
27:34She wants pictures.
27:35She's gone crazy.
27:36We have wasted so much time on taking pictures.
27:38I'll be right back.
27:40How's the movie coming along?
27:43You've got a honeycomb.
27:45There you are.
27:47I need something seductive now.
27:50You're still watching this?
27:52I hadn't noticed. It's getting crazy here.
27:55I know.
27:56Listen to me.
27:57A young messiah or a simple liar?
28:01And more.
28:02Is he an alien?
28:05The world has gone crazy.
28:07You're talking to me?
28:08I'm glad the channels didn't cry.
28:11Don't talk to me like that.
28:14Tell me.
28:16How can we get rid of all this?
28:19Unfortunately, we can't.
28:21Once on the internet, forever on the internet.
28:23What a technology.
28:25And it's not just one.
28:27From one publication to another,
28:29it's in thousands of accounts.
28:31And what do we do now?
28:32Patience.
28:33Where will it go?
28:34It will be forgotten.
28:35Every miracle happens three days in a row.
28:38Let's hope so.
28:39Something else will come out of it and blow it up.
28:42That's how it works.
28:43It's your five minutes of publicity.
28:45I don't want that.
28:47And what five minutes?
28:48So many days have passed.
28:50It's not like the first days.
28:52It's starting to blow up.
28:54Now you understand why I don't want to do it again.
28:57Maybe it would help you to do it again.
29:00How would it help, Zizou?
29:02Do you want them to upload a video of you doing it again?
29:05Why?
29:06Do you think the next one will blow up too?
29:17That's the girl.
29:19She plays football, my boy.
29:21And look at her colors.
29:23White, black.
29:25You're a paokara.
29:28Leave him alone.
29:30You didn't tell me.
29:31Did you go to see the school you were going to work at?
29:34Yes, but we didn't know what we were going to lose.
29:37How was it?
29:38Come here, my love.
29:39How was it?
29:40Come here, my love.
29:41Leave him alone and tell me.
29:43What school?
29:44How was it?
29:45A building with windows and doors.
29:48I remember now.
29:49Tell me, did you like it?
29:50It wasn't special, that's why I'm answering.
29:51What are you talking about?
29:53Tell me, mom.
29:54It was nice.
29:55It was nice.
29:56Look, it's not working yet.
29:57They're building the school now.
29:59Outside, they were planting flowers.
30:01They were preparing a yard for the kids to plant vegetables.
30:04Inside, there's a library.
30:06And a gym.
30:08A dance and theater room.
30:10A music room.
30:11A restaurant.
30:12A swimming pool.
30:13There's a swimming pool?
30:14If you don't have a sea, how can you have a swimming pool?
30:16That's why we don't have a swimming pool in our school.
30:18We have a thermal pool.
30:19We have an Ionian sea, an Aegean sea, a Cretan sea, a Corinthian sea, a pool.
30:22There's a sea everywhere.
30:23You can go and swim whenever you want.
30:25You ruined everything in Germany.
30:27It's not even worth it.
30:28You didn't even like this school.
30:30The school was old.
30:31Yes, but it was old.
30:33It was built in 1830.
30:34It was very old.
30:35It's not like ours.
30:36The new ones.
30:37The new ones.
30:38The modern ones.
30:39The modern ones.
30:40What are you talking about, dad?
30:41We don't even have good rooms here.
30:42Why? Do we have books?
30:43Why don't you go to Germany?
30:44I want to go too.
30:45I want Phoebus to go to this school.
30:47Your mother will go.
30:48Do you want to go to Germany?
30:49It's okay, my dear.
30:50I won't go.
30:51Do you want to go to Germany?
30:52Come on, Phoebus.
30:53Come here.
30:54Come here, Phoebus.
30:56Who are you talking to?
30:58Ah!
30:59Ah!
31:00Bravo!
31:01Kiss her.
31:02Kiss her.
31:03I can hear her.
31:04Her voice.
31:05I'm in love.
31:06I'm in love.
31:07Ah!
31:08Look, son.
31:09Tell your mother that I got her because I wanted something and I'll get it back.
31:14She'll take everything.
31:15I'll take it.
31:16I'll take it.
31:17I'll take it.
31:18I'll take it until I get it.
31:19Isn't that right, son?
31:20Until I get it.
31:21I want to tell her something.
31:22Here.
31:23I talk a lot.
31:24I talk a lot.
31:25I'm sorry, son.
31:26I'm sorry.
31:27Okay.
31:28I get it.
31:29Bye, son.
31:30Bye.
31:31Bye.
31:32Ah!
31:33You're here.
31:34Yes.
31:35Now I got the ticket to tell her and she's gone again.
31:36Some work must have happened.
31:37It's not necessary.
31:38No.
31:39It's necessary.
31:40It's necessary.
31:41Why?
31:42No.
31:43I behaved badly.
31:44Very badly.
31:45That is, I had a very selfish attitude.
31:46Yes.
31:47Yes.
31:48You could just tell me.
31:49I could, but I didn't tell you.
31:50I didn't tell you.
31:51I'm sure she'll be moved when she comes to the baptism.
31:52I'll tell her everything.
31:53I'm sure she'll be moved because she'll see you're an angel.
31:54She may already know.
31:55From where?
31:56From my cousin, Tirena, who told her everything.
31:57Who?
31:58Kalanta.
31:59Why?
32:00Focus, my boy.
32:01He told her everything.
32:02She knows we're a couple.
32:03Why, my boy?
32:04Why?
32:05You'll tell me now.
32:06All your life.
32:07She knows everything.
32:08She can't keep anything in.
32:09You're the only one who can tell her, my boy.
32:10Come on.
32:11Only me.
32:12I'll tell her.
32:13I'll tell her.
32:14I'll tell her.
32:15I'll tell her.
32:16I'll tell her.
32:17I'll tell her.
32:18I'll tell her.
32:19How long have you been keeping secrets?
32:20I have to tell her.
32:21Just tell her.
32:22I'll tell her.
32:23I'll tell her.
32:24I'll tell her.
32:25I'll tell her.
32:26I'll tell her.
32:27You have to tell her.
32:28I'll tell her.
32:29You have to tell her.
32:30I'll tell her.
32:31No way.
32:32Why?
32:33Why?
32:34Because I asked her for some time.
32:35My daughter fell in love with you.
32:36But she's your friend.
32:37She'll get older.
32:38And when she gets to that age, she'll understand.
32:39We're not talking about your daughter.
32:40We're talking about your cousin.
32:41OK, I'll tell her.
32:42What?
32:43Are you afraid that you'll tell her?
32:44I'm not afraid of her.
32:45Talk to her, please.
32:46I don't want to see you in the church in front of my son-in-law.
32:50Come on, come on!
32:54Zoi!
32:55What are you yelling for?
32:56She's out.
32:57I haven't seen my father-in-law yet.
32:58I have no idea what you're talking about.
32:59Are my photos full of mistakes?
33:01Yes, we're talking about them.
33:02It's very touching.
33:03Am I that good?
33:04No.
33:05The most beautiful are the ones with the parents of life.
33:07What is this?
33:08It doesn't matter, it doesn't matter, it doesn't matter.
33:11A little girl here.
33:14It doesn't matter.
33:15Another little girl.
33:17It doesn't matter.
33:18Another little girl.
33:19She's moving.
33:20She's moving.
33:22Ah!
33:23You're here.
33:24What is this?
33:25Am I going to send these to Damiano?
33:26He's been waiting for photos.
33:27Why did you come to destroy me?
33:29The photos are out.
33:30Let me see.
33:31I'm leaving.
33:32Where are you going?
33:36Baby, what time is your dad coming?
33:38I don't know.
33:39I went there.
33:40I got him something.
33:41Baby, it's very touching that we met after so long.
33:44The most beautiful are the ones with your parents, right?
33:47Here.
33:48Look here.
33:49The passion that your mother has.
33:51She's not my mother.
33:55Come here.
33:57She's my grandmother.
33:59My love, what are you saying?
34:01It's obvious.
34:03I think that my dad
34:05kissed my mother with my grandmother.
34:12No, Kovalski.
34:13I can't see him anymore.
34:15Don't piss me off now.
34:17Ah, here.
34:18Let me tell you.
34:19If he were in the village of Minas,
34:21boom, the job is over.
34:23Of course, Minas.
34:25Above all.
34:26So, I was thinking...
34:27Ah, don't talk.
34:28We'll get in trouble.
34:29So, come on.
34:30We're going to the airport.
34:31Come on.
34:32Kovalski?
34:33Yes, yes, yes.
34:34We're going to pick up the Spaniard.
34:35Is he really Spanish?
34:37No, baby.
34:38He's Greek.
34:39He lives there.
34:41Did you want to tell me something?
34:42Yes, I was thinking...
34:46I mean, is it true what your client told you on the phone?
34:50Who?
34:51That if I go to pick him up,
34:54he'll pay you double the normal price?
34:57Yes, it's true, but...
35:00Why are you asking?
35:02I was thinking...
35:04I don't know, maybe...
35:05I was coming, baby, to pick him up.
35:08It's a shame to lose so much money.
35:10To thank the one who wants me to go.
35:14Really, Minas?
35:15Yes, but look...
35:16For the last time.
35:17Yes.
35:18Whatever you say.
35:19Thank you very, very much.
35:21We're not doing it.
35:22It's just that.
35:23For the last time.
35:24Yes.
35:25Okay?
35:26So, let's go?
35:27Let's go.
35:29Unless you really have a hidden gift
35:34for the next time.
35:49Mom?
35:50I'm here, baby.
35:51Where's the baby?
35:52He went for a walk with Grandpa.
35:54They'll be back soon.
35:56How are you?
35:57I'm fine.
35:58I'm trying to get some cash out of my father's wallet, but it won't come out.
36:01It's a catch-up.
36:02Are you sure?
36:03Yes, I'm sure.
36:04He got it from a sausage.
36:05He ate it in Hamburg.
36:06Besides, I don't like sausages.
36:07If you're sure, I'm asking nicely.
36:08I'm nice.
36:09Why don't I believe you?
36:10I don't know.
36:11Why don't you believe me?
36:12How come you don't like Hamburg?
36:14Who says I don't like Hamburg?
36:16I never said I liked it.
36:18I was just talking about life there.
36:20Anyway, it's a bit boring.
36:22We would have found another job.
36:24While here, you're in the bouzouki every day.
36:26Okay, Sofie.
36:27But if I want, I can go to the bouzouki.
36:29I can go to a tavern, a bar.
36:31I can go to Mykonos, where I'm not interested in anything else.
36:34Where else should I go, Sofie?
36:36The pirates?
36:37Is that why you couldn't live there?
36:39He got the fall-out, and all I asked for was a says it on his resume.
36:44What are you trying to tell me?
36:45I'm being honest.
36:46It was wonderful.
36:47Did you get to the point?
36:48It was all wonderful.
36:51Hamburg, the weather, the parks.
36:53But you won't say anything to your father.
36:55I won't say anything either, because Sofie will be disappointed.
36:58Because this taxi driver made all these plans for me.
37:02Especially after our visit to the school.
37:05My heart left me.
37:07So you were really going to stay there.
37:08I went crazy.
37:11Oh, Salonica, my beautiful.
37:13Where are you?
37:14You're back!
37:15Okay, guys, it's been an incredible night.
37:18Everyone has gone out, I'm telling you.
37:21Come on, get ready, we're going too.
37:23Not now.
37:24Yes, when?
37:25It's not possible, daddy, I have to go to put the child to sleep.
37:27What do you mean put the child to sleep?
37:28Are you kidding me?
37:29It's going to be great.
37:30We're going to eat at a tavern, we're going to have a good time.
37:33Come on, with this Germany.
37:35We're exhausted from the rain.
37:36Didn't you like this Germany that much?
37:38We didn't like it.
37:39Not even a million of us were sitting there.
37:41Right, Xenia?
37:42Yes, yes, not even a million of us.
37:47What are you looking at?
37:49Beauties.
37:50Children's clothes for the baby and the baby sitter?
37:52No, I'm looking at how beautiful our Greece is.
37:56Why? Are you going to buy it?
37:58Especially this Monemvasia is excellent.
38:02I like Amorgos better.
38:05They call it Amorgos.
38:06I know why they call it Monemvasia.
38:08Monemvasia, because it says...
38:12Oh, it's in English, I go to Toyota.com and I say...
38:16How they say it, where it is, you know, it's nice.
38:18Do you remember I told you once,
38:21my love, the two of us should definitely go to Monemvasia.
38:25Yes, it was a long time ago, I don't remember exactly.
38:27Did you remember to say what you had to say somewhere in the back?
38:30Ah, especially Monemvasia, it's...
38:33I can't tell you.
38:34Especially in the spring, it must be amazing.
38:36It's not for us farmers.
38:37We now run with the fruits.
38:39I found an amazing offer for the three-day.
38:41For which three-day are you talking about?
38:42Here, here, here, look, look, look, look.
38:45Here, look at the boot that has been sitting on the windows, do you see it?
38:49For which three-day are you talking about?
38:50Shall I close it?
38:51For which three-day are you talking about?
38:52Hey, I'll drive her crazy!
38:54Hey, for which three-day are you talking about?
38:55You don't tell me and I'll tell you again.
38:57What did you say?
38:58My love, my sweet boy.
39:00This three-day is canceled.
39:02Why?
39:03Because we have Vena's baptism.
39:05What, what baptism?
39:07Xanderphi's.
39:08Xanderphi's?
39:09Yes.
39:10Come on, I can't see you, Thea, we're going to get lost.
39:12It doesn't matter, we'll see Ketoula.
39:14Don't call her ugly, Thea, she's a woman.
39:17Wait, I'm a little confused.
39:19Which Sunday are we talking about?
39:20The Sunday of the fasts.
39:22Oh, it's over, so...
39:23Don't worry.
39:24Take the phone right now because you're going to get a punch from me and from Keti.
39:26Take the phone.
39:27Take the phone now.
39:31A girl...
39:32Go again.
39:33Take the phone.
39:36She knows the number.
39:37She has a sense of humor.
39:45Good.
39:46Good.
39:49She won't pick it up.
39:50You'll wait.
39:54Keti?
39:57Keti?
39:59What are you doing?
40:04Keti?
40:07I have an affair with Toula.
40:12What?
40:14Do you know?
40:15With Toula?
40:16Hey, Toula!
40:17Come here.
40:18I've been waiting for you.
40:19Come here, Ketoula.
40:20Come here, my girl.
40:21You were right, my child.
40:22I didn't see him again.
40:23He made up with his mother.
40:24They're both making fun of us now.
40:26Please.
40:27You tell me now what I need for the dive.
40:29Yes, the tractor.
40:30Yes, the tractor.
40:31Two legs.
40:33I have to find another one now.
40:35Yes.
40:36Toulia?
40:37Toulia, will you bring it?
40:38Okay, my love.
40:39Whatever you remember, call me.
40:40Stay.
40:41Yes, my love, yes.
40:42I'll be waiting.
40:43Lots of kisses.
40:44You see how easy it was?