La promesa - Temporada 3 - Ep 384
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00:00And it was at that moment, Hanna, when I realized that I got up every morning wanting to cross it through the corridor.
00:30I love talking to her and listening to her voice and her laughter.
00:37I don't know, Hanna.
00:41I'm deeply in love with Vera.
00:48Hanna.
00:50Hanna, where are you?
01:00Vera, are you there? I have to talk to you.
01:22Be careful, don't get hurt. Come on.
01:30Vera.
01:38I'm sorry to introduce myself like this, but you know how hard it is for me to talk about my feelings.
01:43And do you think having your eyes covered will help you?
01:46Well, in the past it did help me, didn't it?
01:50Well, what I wanted to tell you is that I have been behaving like a fool and like a complete idiot.
01:58Well, I don't know if a complete idiot, but the truth is that I kind of know that you have been.
02:04Yes, and that's why I want to apologize.
02:10Can you hear me? Are you there?
02:12Yes.
02:14Well, because I haven't finished. Let's see, I understand that you are angry with me because the only thing you have tried has been to try to help me.
02:21Yes, the truth is that I have tried. I was very worried about you, Lope, and in fact I still am.
02:28And I thank you, really. That's why I'm here.
02:33I want you to ask me whatever you want, whatever it is.
02:37Whatever you think is appropriate in order to earn your forgiveness.
02:40I am willing, if you want, to take care of all your tasks for a full day.
02:45And if you think it's appropriate, I'll wear your uniform.
02:49How did you come up with that accent?
02:52Well, it's something you think of when you blink.
03:04I wanted to thank you from the bottom of my heart, really.
03:08I haven't done anything that a good partner wouldn't have done.
03:12You have done much more, but I was in a very big problem.
03:17You were very worried about me, Lope.
03:20I know.
03:23But here, all the credit goes to Mr. Baeza.
03:27Yes, he has also done his part, and I have thanked him.
03:31Also with your eyes closed?
03:33No, no, I haven't done anything wrong with him.
03:37But with you everything is different.
03:40Well, the important thing is that you don't get involved in one of these messes again.
03:45Okay.
03:47It won't happen again, I assure you.
03:49I hope so.
03:51Because I take your word, and if you do it again,
03:53you're going to have to spend a whole day in my uniform and doing all my tasks.
03:59That's the deal.
04:03What happened?
04:05Before I left the room, I saw you.
04:08Before I left, the relationship between Cruz and the Count of Ayala had already deteriorated,
04:12but it seems that it has gone even worse.
04:14Yes, their meetings are full of hurtful comments and acid phrases.
04:18And what is that about?
04:20I thought that over time they would solve their problems, as they were such good friends.
04:24You know that Cruz never liked the relationship between the Count and Margarita,
04:27and all that has been dragging on.
04:29I understand.
04:31And it all exploded when Cruz wanted to fire him and Margarita opposed him,
04:34making his ownership of 25% of the farm worthwhile.
04:38And that didn't suit Cruz at all, did it?
04:40I assure you it didn't.
04:42He already knows that I don't usually reason with his wife,
04:45but I've seen it, I've seen it, the departure of the Count of Ayala wasn't such a bad idea.
04:49Does it bother you that he's here with Valeciente?
04:51That's not the problem.
04:53Right now, taking care of him seemed to me an almost humanitarian matter.
04:56What worries me is that Martina is involved in all this.
04:59I see.
05:00And now it seems that Ayala is going to call the authorities.
05:04Although maybe it's good.
05:06We trust that the Civil Guard will discover the truth and consider her innocent.
05:10Yes, I know that sometimes your investigations don't go deep and stay in the obvious, but we'll see what happens.
05:17But you don't think that Martina did something like that, do you?
05:20It seems completely inconceivable to me.
05:24And now, if you'll excuse me, I'm going to keep working.
05:28Working?
05:30On the tasks of the farm that I abandoned.
05:35Daughter, you did what you considered appropriate and I'm not going to blame you.
05:40Although, as the saying goes, one does not value what he has until he lacks it.
05:45And that I already valued you a lot.
05:47A lot.
05:57Demonstrating a poisoning is a very complicated thing.
06:01It's already much more complicated for Miss Martina because, in reality, she has all the evidence against her.
06:07It will be very difficult for her to prove that she is innocent.
06:09She doesn't have to.
06:11Do you know Madeline Smith's house?
06:13I don't have the pleasure. I'm not such a traveled woman.
06:14It's that woman who poisoned your lover, right?
06:17Yes.
06:19And what does that have to do with Miss Martina?
06:22Well, she also had a lot of evidence against her, but in the end, in her trial, she turned out to be innocent.
06:27Well, because she would be, right?
06:29Or not. Because it turns out that the lover had been blackmailing her with taking out her dirty rags.
06:35Well, but that doesn't mean she killed him.
06:38Besides, if Gosens knows, what does that have to do with our Miss Martina?
06:41Well, I just wanted to say that it is not so easy to accuse someone of a crime.
06:46Well.
06:47Sorry to bother you.
06:49What's going on?
06:51Nothing. I just wanted to apologize to the three of you.
06:56To us? Why?
06:58Well, because I get the feeling that I've been at odds with all of you for a while.
07:03MarÃa Fernández knows something about this.
07:06Well, Virtudes, you don't have to apologize.
07:07You do need to, Vera.
07:09You tried to make me see that I was being very hard on my mother and I didn't listen to you.
07:14But all that is already forgotten.
07:16Of course. What a strange world we live in and these things happen.
07:19And all of us, all of us go through bad times.
07:21So you forgive me?
07:23Well, of course. You are more than forgiven.
07:25Thank you.
07:27If it weren't for you, I wouldn't have been able to fix things.
07:30All we wanted was for things to be better between your mother and you.
07:34In the end, we value you a lot and we didn't want you to be treated like that.
07:39But helping to fix things with my mother is not the only thing you've done for me.
07:46All of you have given me strength to do something else.
07:51Who's going to say it?
07:54You see, it's something I've talked about with my mother and Candela.
07:58And if all goes well, I'll be able to get my son back, Adolfito.
08:02What a joy!
08:04What a wonder!
08:06Yes, Adolfito was a thorn that you had well stuck.
08:09In the depths of my heart.
08:11I thought I didn't deserve it.
08:13But among all of you, you have shown me that it is not like that.
08:16But how are you not going to deserve to be with your son, Virtudeo?
08:19But tell us, how are you going to do it?
08:22Of course you have decided.
08:24You'll see.
08:26Do you remember the woman who takes care of Don FermÃn, the priest?
08:29Yes.
08:30Do you remember the woman who takes care of Don FermÃn, the priest?
08:33Well, I don't right now, but I'm sure I do.
08:36I do.
08:38Well, Candela has spoken to him ...
08:49Wow, it seems that I am going to enjoy your pleasant company alone.
08:55It seems to me that the pleasure will be mutual.
08:57In my defense of saying that I am here, it is because I have seemed to hear my husband's voice.
09:02He has just left.
09:04I imagine he is not aware, but the management of the farm involves a lot of tasks.
09:08Wow, how strange that you don't take advantage of the fact that you used to carry everything.
09:14And what were you talking about with him, if you can find out?
09:17Well, look, I'll tell you, since you are so interested.
09:21I told my father how surprised I was.
09:23About the relationship between you and Conde de Ayala.
09:27Which is the same or even worse than before.
09:30I didn't know that my affinities or my disdain were something of your incumbency.
09:36No, I have a grudge, that's all.
09:40You are the last person I should explain to, but since I see you so interested,
09:45I will tell you, dear, that friendship does not last forever.
09:48If you had had some, you would know what I'm talking about.
09:50I have had them and I still have them, yes.
09:53Yes, I suppose you are referring to that custom of yours to thank you for the service.
09:58Conde de Ayala came here as a visit.
10:01And you know what they say about visits, that they are like fish,
10:04that they last three fresh days and then they start to smell bad.
10:09Look, that's just what I thought when you came to this house.
10:13Enough, Catalina. I'm not here to listen to your impertinences.
10:16Do you know why I am so interested in your friendship with Conde de Ayala?
10:18Why?
10:20Because I want to know if she is the cause of his poisoning.
10:23Are you insinuating what I think?
10:26I am stating that you wanted to get rid of Ayala, and if you didn't, it was because Margarita ...
10:30Shut up, Catalina. Shut up for your own good.
10:32You are questioning your sanity again and that is not good for you.
10:36Are you threatening me by calling some crazy people again to lock me up?
10:39It didn't go very well the last time.
10:41It is obvious that you need help, but unfortunately we cannot offer it to you here.
10:46I remind you that I do not live in a hangar right now.
10:49What else would I want you to have stayed there?
10:52And if I did, it would be only to lose sight of her.
10:55It is obvious that one of the two will remain in this house.
11:16It's nice to see you like this.
11:20I was just sewing some folds.
11:23It is good that you can dedicate time to your affairs, instead of taking care of Lope's pendent.
11:30That Lope is fully recovered is good news without a doubt.
11:39The best thing is that now we have time to focus on us and our relationship.
11:47Why don't we go out together again in good company?
11:51With MarÃa Fernández and Salvador, for example, we had a great time the other time.
11:55Yes, we could.
11:57Although maybe you prefer that we go out alone without anyone bothering us.
12:03No, no, I don't have any plans.
12:05I just remembered that they are projecting a movie in Villalquino.
12:08Cinderella with Mary Pickford. I don't know if you know her.
12:11Yes, it is called The Bride of America.
12:13Yes, it is called The Bride of America.
12:16Of course you know her.
12:18Because you are not a maid like the others.
12:22Surely before serving here you went to the cinema every week.
12:26Not so much.
12:28The story is based on a popular story.
12:31I know.
12:33The sad story of a young heiress forced to perform the tasks of a maid.
12:40Like you.
12:43I'm not forced at all.
12:45And you don't need to go to any dance to meet your prince charming.
12:49Because you already have me.
12:52I'm sure you're going to have a great time with me watching that movie.
12:57I don't like that story so much either.
12:59Am I interrupting?
13:01No, no.
13:03Of course not, Virtudes.
13:05I was in a hurry to bother you watching ...
13:07You bother, Virtudes. Of course you bother.
13:10Don't you see that Vera has a lot of pending tasks?
13:11But it's nothing urgent, Santos.
13:14How can I help you?
13:16Well, I have to hang some carpets in the yard to shake them and ...
13:22I can't do it alone.
13:24Sure, I'm coming with you right now.
13:26Vera.
13:28Santos, you have to help the others.
13:30And besides, I've already told you that this is not in a hurry.
13:32Shall we go?
13:34Let's go.
13:42It's not like that, Martina.
13:44Well, I don't know.
13:46I can see doubts in his eyes.
13:48That's not true.
13:50Most of us in this house know that you didn't poison Yala.
13:53And as I told you, I am very clear that you are innocent.
13:56Thank you, cousin.
13:58In fact, I think the only one who really thinks so is the count.
14:01Well, and the captain.
14:03He just wants to generate discord.
14:06But even so, like the ...
14:08But even so, like the poison bottle, they found it in my room.
14:12In the eyes of the authorities, I will also be guilty.
14:14But that bottle is yours.
14:16No.
14:18And you have no idea how I got to your drawer, and the most remote one.
14:21I know they saw you leave on your way to the boutique.
14:26Actually, I didn't want to do anything at the boutique.
14:30What happened was that, after months of doubts,
14:34I decided to send a letter to Curro.
14:38But what does that have to do with it?
14:41Well, I wanted to take it myself from this feta, but without anyone finding out.
14:45But I didn't know all this was going to be generated either.
14:48And did you go to the boutique or not?
14:50Yes, yes, to save appearances, in case someone asked me.
14:53But I went to buy menthol pills for my throat, but not Cicuta.
14:58And do you keep the bottle of pills?
15:01Yes, yes, it has to be around here.
15:02And apart from writing the letter and buying those pills, did you do anything else?
15:07Uh ...
15:10Yes, I went to the fabric store
15:13and ...
15:15to put a candle on the Virgin to ask for Curro and Manuel.
15:19But since it was the RomerÃa, it was all full of people and I couldn't go.
15:24Look, here it is.
15:27Good.
15:28Here it is.
15:30Good.
15:32Now I want you to remember in detail everything that happened that morning.
15:36Who you crossed paths with, who you spoke to, everything is important.
15:40We will also review what happened in the following days.
15:44There has to be an explanation for that bottle to appear in your drawer.
15:47And we'll deal with her.
15:52Does the article talk about how that woman was able to reach that state of degradation?
15:56Well, apparently yes.
15:58The woman said her name was Vicenta and that she had been very beautiful for a long time
16:01and that she had a deflated situation.
16:03So she didn't always lead a wild life.
16:05No, she met a bad man who ruined her life.
16:07She was so disturbed that she decided to isolate herself from everyone in the mountains.
16:10Oh, amazing.
16:12Well, apparently she lived inside a cave and only fed on roots and small rodents that she hunted.
16:17Holy, my God.
16:19The point is that ...
16:21when I read her story ...
16:23I couldn't help but think ...
16:24About whom?
16:26About Miss Catalina, of course.
16:29Yes, living locked up in that hangar without talking to anyone.
16:32Who knows what would have happened to her if she didn't get out of there.
16:35Well, it's logical that you remember Miss Catalina, right?
16:40And now, if you'll excuse me, I don't want to dispatch you, but I have to check some accounts.
16:45No, no, no, for God's sake, forgive me.
16:48Excuse me.
16:50Come in, Mrs. Carranza.
16:54I would like to discuss an issue with you, if you'll excuse me.
16:57Go ahead.
16:59This afternoon I'm going to my parents-in-law's house.
17:01And if everything goes well, I'll be able to take Adolfito with me.
17:05Oh, we didn't know, but come on.
17:08I think that both Mr. Pellicer and I think it's good, right?
17:11Of course.
17:13If I achieve my goal, I will move to Lujan with my son.
17:15And I will do everything possible to start working as soon as possible at Mr. Fermin's house.
17:19Well, then we'll regret not having her here with us, but well, if that's your wish.
17:25More than my wish, it's the only way I have to take care of my son.
17:29Yes, we understand, yes.
17:31I don't know for sure when I'll leave.
17:33In the meantime, I intend to continue with my tasks.
17:36Well, very responsible on your part.
17:38Yeah, unless Mrs. Arcos opposes, of course.
17:42She hasn't told you yet?
17:44I confess that I haven't dared yet.
17:45I'm afraid she'll go against me or something worse, which prevents me from carrying out my plans.
17:50But I think that now it will be inevitable for her to find out.
17:53Leave it to me.
17:55I'll talk to her.
17:57Really?
17:59Don't worry.
18:01And I'm sure we'll find a way to match her schedule so that she can continue working here until she starts working with Mr. Fermin.
18:06That would be wonderful.
18:08I thank you very much.
18:10Both Mr. Pellicer and I are very glad that you are going to recover your son.
18:14Thank you very much.
18:21So?
18:24Well, I don't know.
18:26But I'll keep investigating.
18:28And as I told you, I'll find out who put that bottle there.
18:31And I'll help you.
18:33Before the storm passes, I think it's best that you stay out of it.
18:37And stay locked up here as long as possible.
18:40But then I'm going to die of impatience and boredom.
18:43I understand.
18:45And in other conditions I would tell you to continue with your life, but ...
18:48But the count is going to call the civil guard.
18:51Don't worry, Martina.
18:53I'll get to the truth.
18:55Trust me.
18:57There is no one I trust more than you.
19:01Well, then I'll get down to work.
19:13Thank you.
19:19Miss Martina.
19:21I bring you some soda.
19:23Thank you, Hanna, but ...
19:25I'm not very hungry.
19:27Leave it there.
19:29Okay.
19:32It was just an excuse to know how I was.
19:36Anyway.
19:38The truth is that I would be much calmer if I ate a little.
19:41We all at the service think it's better not to get sick.
19:45Are you really worried about me?
19:49From the first to the last member of the service.
19:52Despite what they say?
19:55We don't believe a word of what they say.
19:59We believe that you are innocent and that you would not be able to do something like that.
20:04Well, you don't know how grateful I am that you tell me that now.
20:08Well, don't do it, because I'm telling you the truth.
20:11How are you?
20:17I don't know.
20:21Right now I feel that I miss Curro and Manuel a lot.
20:29I don't know how much I understand you.
20:31And I guess it would be easier for you if they were here.
20:35Yes.
20:37In moments like this I miss them a lot more and ...
20:42And I can't help but think that when they arrive I will no longer be there and that I will never see them again.
20:47Well, you can't think that because ...
20:50I am convinced that everything will go back to normal.
20:53And that you will also be here to receive them when they come back.
20:59And you will be with me.
21:00Like something.
21:02Anyway, like something.
21:04I hope you don't end up thinner than them when they return from the war.
21:16Alonso.
21:18Can I tell you something?
21:20I have already told you that it bothers me that you approach me.
21:23I just want to tell you one thing.
21:24Yes, I guess.
21:25Alonso.
21:26I just want to tell you about a letter that I received from some good friends of mine from Madrid.
21:32What is it about?
21:34They request a donation.
21:36Are they the kind of friends who ask instead of giving?
21:40If they ask me for help it is because they want to create an institution that intends to protect artists and writers.
21:45Protect them from what?
21:47Well, from adversity, I guess.
21:49Many of them need a shelter in old age or lack income when for some reason they stop working.
21:54Like the rest of the mortals?
21:56The situation is not very different from that of many others, but we are talking about the representatives of our culture.
22:02Hence the name they want to give the institution.
22:05What do they want to call it?
22:06Instituto Cervantes.
22:08They highlight their aspirations.
22:11That is why they need our help.
22:13To be able to carry them out.
22:15What you are telling me is very interesting, but right now I cannot help you.
22:19Do you prefer that we talk about it at another time?
22:21I have many matters pending.
22:22I do not promise you anything.
22:27Maria.
22:29I did not know you had to serve lunch to the gentlemen.
22:32Well, yes, things of the Petra.
22:34That woman did not think of a better way than to put me as a backup.
22:37As Leopoldo is still for Chuchillo.
22:39Well, of course.
22:40You are lucky that it did not have to be you too.
22:42Well, I have uploaded some food to Miss Martina.
22:45And how have you seen her?
22:47Well, bad.
22:48Why are we going to fool ourselves?
22:50Well, more.
22:51If I were her, I would be dead of anguish.
22:53That she can end up with her bones in the dungeon.
22:55Well, that's not going to happen, Maria.
22:57Well, yes.
22:59And as I already gave her to the Count for denouncing her to the civilians,
23:03they take her to Grilleta.
23:05Well, we cannot allow that to happen.
23:08Besides, Curro will need her when he returns from the war.
23:11And what are we going to do, Ana?
23:13That we are two hungry dead?
23:15Well, we are going to take her to Grilleta.
23:17And what are we going to do, Ana?
23:19That we are two hungry dead?
23:21Well, I don't know.
23:23But something will have to be done.
23:25Something will have to be done, of course.
23:27Something will have to be done.
23:33And where are you going?
23:36Well, I thought I had told you.
23:39I'm just going to go to church
23:41because I want to put a candle to the Virgin
23:43to ask for Curro and Manuel.
23:45First news?
23:47And are you going to take that walk?
23:49Wouldn't it be easier if I put a candle to the Virgin
23:52and save you the way?
23:54Well, I thought the Virgin would listen to me more
23:58if I do it in church, right?
24:00Besides, to ask you don't have to put on tights.
24:03Don't you think?
24:05What I think is that all this is very strange.
24:08Very strange.
24:09What?
24:17Alonso wasn't here?
24:19He was.
24:21Yes, but he just left.
24:23He had urgent matters to attend to.
24:25Wow, what a coincidence.
24:27It's the second time this morning.
24:29Before, I came to the library looking for him too
24:31and Catalina told me the same thing as you.
24:33Well, obviously it has to be a coincidence.
24:35Yes, I guess my husband is not avoiding me.
24:37Avoiding you, Alonso?
24:39Besides, I've had another affair with Catalina.
24:42You really don't know how much I hate her.
24:44I'm getting an idea.
24:46Can you believe that she insinuated to me
24:48that I had poisoned Ignacio?
24:50Did she really suggest that to you?
24:52Without any consideration.
24:54And why did she come to such an extrambotic conclusion?
24:56Well, because she's crazy about Adiata
24:58and because she hates me.
25:00But you have nothing to do with that.
25:03Have you also lost your mind or what?
25:05Of course not.
25:07I'm sorry.
25:09Obviously, Ignacio's presence
25:11bothers me the most.
25:13But from there, to want to poison him with Cicuta,
25:15there is a gap.
25:17Of course, of course.
25:19Don't take me seriously.
25:21You've been asking for asking.
25:23Anyway, it will be better if I go look for Alonso.
25:25And I hope he hasn't let himself be dragged
25:27by this collective hysteria.
25:29Are you sure MarÃa Fernández doesn't suspect anything?
25:32I'm sure because she was very busy with her homework.
25:35Well, then, let's go.
25:37And one moment, Miss Expósito.
25:39That's all she has for our friend.
25:42Well, she couldn't be too busy with food and clothes
25:45because otherwise she would raise suspicions,
25:48especially from our other friend.
25:50Mrs. Fernández,
25:52I don't know if you know this,
25:54but I don't know if you know this,
25:55but I don't know if you know this,
25:57but I don't know if you know this,
25:59but don't worry, everything is ready.
26:01Besides, I've hidden it in the firewood.
26:04Good idea, very good.
26:06And I'm going to buy the blankets in Luján, so...
26:08Perfect, well, good luck.
26:10Be careful, please.
26:12Don't worry, Mr. Baizar.
26:14Before I leave,
26:16I want to give the lady all our support,
26:18all our love.
26:20At this moment, it is very important
26:22that she doesn't feel abandoned like a wild animal.
26:24I don't know if I understand.
26:26Well, about the newspapers,
26:28don't listen to me.
26:30Okay.
26:33Hanna?
26:37Where are you going?
26:39To the village, yes.
26:41I asked her to go pick up an order,
26:44an English potion that Mr. Marqués ordered.
26:47Well, I wasn't that busy.
26:49I am fully aware.
26:50Well, then,
26:52you will also be aware that my obligation
26:54is to distribute the tasks among the maids,
26:56so I must be aware of those movements,
26:58because otherwise,
27:00chaos will reign, Mr. Baizar.
27:02That's right, yes, you're right.
27:04But if I had reviewed the schedule you made,
27:07I would have realized
27:09that Miss Expósito has the afternoon off.
27:11She was going to the village for her own business,
27:14and she has kindly offered to do this errand for me,
27:17so she doesn't have to give you the afternoon off.
27:20You don't have to worry about anything.
27:50I don't know how they're going to take my in-laws.
27:52They have many reasons to distrust me.
27:54They are good people, daughter.
27:56Precisely because of that.
27:58They have taken very good care of Adolfito for a long time.
28:01I'm sure they think that leaving him in my hands
28:04is a fear,
28:06because letting me see him from time to time
28:08is a thing of the past.
28:10I don't know how they're going to take my in-laws.
28:12They have many reasons to distrust me.
28:14They are good people, daughter.
28:16I don't know how they're going to take my in-laws.
28:18I don't know how they're going to take my in-laws.
28:20Because letting me see him from time to time is a thing,
28:22but asking them to give him back to me
28:24is a very different thing.
28:26But what do you say, Virtude?
28:28For the sake of all the saints,
28:30you are his mother,
28:32and they are his grandparents,
28:34and they will love the boy very much.
28:36It won't be easy for them to get rid of him.
28:38No, of course it won't be,
28:40but you, be calm,
28:42and trust God and yourself,
28:44and everything will be fine.
28:45But what if he's with your son?
28:47What if I'm wrong?
28:49How can you be wrong
28:51because he's with your son?
28:53I don't know, but now I think it's a terrible idea.
28:57I think...
29:00I think it's best to let him be.
29:03Adolfito is very happy with his grandparents,
29:05and I don't want to put his life on the line.
29:07No, no, don't say that.
29:09You are his mother, period.
29:11Virtude, everything will be fine.
29:13You are better than a piece of bread.
29:16Next time we see you,
29:18take your churumbe out of your hand.
29:20Okay?
29:22Oh, the anise twigs I promised your in-laws.
29:25I'll bring them to you.
29:30Virtude,
29:32where are you supposed to be going?
29:35I have my afternoon off.
29:38I was going to enjoy it downtown.
29:40Oh, my God.
29:42Today it seems that you have all agreed.
29:45I don't know what you mean, Mrs. Arcos.
29:48A few days ago, in the box it said...
29:50I'm fed up with that box.
29:53And what are you doing here?
29:55You're going to Lujan
29:57not to discover the Americas.
29:59And what do you want us to say, Mrs. Arcos?
30:03We were just passing by.
30:06Well, come on, let's keep going.
30:09There's a lot of work to do.
30:11Let's go.
30:16Let's go.
30:27And do you know where I was?
30:29Between the sheets of the bed
30:31of the Duchess of Gonzaga.
30:33Imagine, a family with that grouch.
30:36As is logical, I proceeded with the utmost discretion.
30:41What are you doing there, peeling the pava?
30:42Don't you have any work to do?
30:45Yes, Mrs. Arcos.
30:47What a pain in the ass.
30:54Excuse me, Mrs. Arcos.
30:56What do you want?
30:59Just to ask how she is.
31:02And why do you want to know?
31:07Okay, I'll tell you.
31:10I'm very angry.
31:12The devils are taking me away.
31:15Because here, in this palace, no one takes me seriously.
31:18But that's not true.
31:20What do you know?
31:22Here, everything is secrets and knives behind my back.
31:26It wasn't before,
31:28when I served the Marquis.
31:30And now, even though I'm the key master, I'm still the key master.
31:33And why do you say that?
31:35Because it's the truth.
31:38No one takes me seriously.
31:39No one takes me seriously.
31:41They don't even bother to ask me when a maid comes in or out.
31:43They laugh at me.
31:45The first one is Mr. Maeza.
31:47You say that because of the March of Virtues.
31:50Among other things, yes.
31:53I know where he went.
31:55What are you saying?
31:57Actually, it's a secret.
31:59He went to his in-laws' house to get his son back.
32:04But what if he fell?
32:06He's not dead.
32:07That's what made everyone think so.
32:10But they took him away when he was little, I don't know why.
32:13And now, he's trying to get him back.
32:17That's why everyone was saying goodbye to him.
32:20The whole service knows it.
32:22In fact, they were the ones who encouraged him to get him back.
32:26And what are you going to do with him?
32:28Because he can't be here in La Promesa.
32:31Pia tried it with his son,
32:33and the Marquise refused completely.
32:35He hesitated a lot.
32:37But this time, he accepted.
32:43You're doing quite well with your stepdaughter's return to the palace.
32:47It would be better if they locked her up in the hangar again.
32:51Or if she went to a asylum.
32:55I see you better too.
32:57I can't deny that I am.
32:59Although I still have some discomfort.
33:01You've always had a very delicate stomach.
33:03Yes, that's true.
33:05I recognize a certain intolerance to deadly poisons.
33:08Come on, you've been eating it for days.
33:11The body takes a long time to expel it from the body.
33:14Whoever tried to kill me didn't succeed.
33:17Stop dramatizing, Ignacio.
33:19It wasn't you who was standing on one foot in the grave.
33:22I have to say that I was very afraid for your life.
33:26All kinds of thoughts crossed my mind.
33:29Like what?
33:31Like, for example,
33:33if I did the right thing by rejecting you to marry Alonso.
33:38That's what you thought while I debated between life and death?
33:43It's been a long time.
33:45I don't even understand how you remember it.
33:47I remember everything.
33:49When we met shortly after we returned from Cuba.
33:52It's true.
33:54Our families formed a strong friendship.
33:57And my father made it extensive for you.
33:59I don't know why, but he had me as a kind of son.
34:02Well, you were handsome, well-educated and intelligent.
34:06The ideal son-in-law.
34:08But since my sister didn't take long to commit to Lorenzo de la Mata,
34:13I was the only one available.
34:15Available is a poetic way of saying it.
34:18You're right.
34:20The truth is that I only had eyes for Alonso.
34:22And you didn't stop until you married him, against your father's criteria.
34:26Well, in one thing I did listen to him.
34:28He asked me to continue and take care of my relationship with you.
34:32For my father, you were like family.
34:34And family, as he said, is sacred.
34:38Family is always there when you need it.
34:41Those are his words.
34:44And you should never betray anyone in your family.
34:47Because if you do, that betrayal is doubly serious.
34:52Where do you want to go to, Cruz?
34:54You don't regret marrying Alonso, do you?
34:57No, of course not.
34:59If I'm resorting to my father's memory, it's to...
35:02To make you change your mind.
35:04About what?
35:06About that absurd idea of yours,
35:08to report my niece to the Civil Guard.
35:12You want me to forget what happened?
35:14What I want is for you not to subject this family to a new scandal.
35:18There are less painful ways to do it, Ignacio.
35:21Martina can be whatever you want, but she's not a murderer.
35:24And above all, she's your niece.
35:26That's right. She's a Lujan.
35:28If you attack her, you attack me.
35:31So if something serious happens to her because of you,
35:34I assure you that I will do everything I can to destroy you.
35:37Is it a threat?
35:41It's... an announcement.
35:44For the friendship that has brought us together.
35:47My father trusted you, Ignacio.
35:49He had you as one more person.
35:51I opened the doors of his house and his heart to you.
35:54I hope that, despite our recent quarrels, that prevails.
35:59Anyway, this conversation has given me a terrible headache.
36:05I'd better go and rest.
36:07I hope you get better.
36:09And I hope you remember my warnings.
36:29I think you can't, nor should you, ignore me, Mr. Baeza.
36:34I'm sure I'm not, Mrs. Arcos.
36:36I'm paying attention to you.
36:38While the wine rests.
36:43Well, nothing.
36:45If you don't mind, tell me what is it that irritates you so much.
36:50Hanna's departure, to begin with.
36:52Can you tell me why?
36:55Mr. Baeza.
36:57Mr. Baeza, I am the key master of this palace.
37:01And if you decide to send one of my maids to an assignment,
37:05the least you can do is tell me.
37:07It is true that the maids are your responsibility,
37:10but not in your time as an assistant.
37:13I have to ensure the correctness of your behavior.
37:16Are you insinuating that Miss Expósito is doing something inappropriate
37:20to attend to my assignment?
37:22What I want you to understand, Mr. Baeza,
37:23is that I need to be aware of all your movements.
37:27It's not that important.
37:29Don't worry, the next time something like this happens again,
37:32I will have you informed on time.
37:34Hanna's case is one in between, Mr. Baeza.
37:38Look, I am fully aware that the service here despises my authority.
37:43That is only possible thanks to your completeness.
37:47I assure you that I have no idea what you are talking about.
37:51Well, maybe I can refresh your memory with the case of another maid
37:55who also enjoys her afternoon off.
37:57Mrs. Carranza.
37:59I remind you that the distribution of the deliveries is your responsibility.
38:03Look, don't get me wrong, Mr. Baeza,
38:05you know perfectly well that I have gone to get your son back.
38:07And you have something against it?
38:09Yes, that child cannot settle in the promise.
38:12The rules of the palace dictate it.
38:14I know perfectly well the rules of the palace.
38:17Well, I had to remember them when Pia tried to hide her son here.
38:21And I assure you that will not happen again.
38:24It is true that Mrs. Carranza intends to recover her son,
38:27but it is also true that she will settle in the village inn as long as necessary.
38:33Wow, I see that again you know absolutely everything.
38:38Me and practically all the members of the service.
38:41This belongs to Mrs. Carranza's private life
38:44and she decides who and who does not.
38:49You can impose your authority,
38:52but trust is something you have to earn every day.
38:57And who is going to pay for that inn, Mr. Baeza?
39:02What do you mean?
39:04Are you going to pay for it?
39:06As you did with the gambling debts of Lope?
39:08That's none of your business.
39:10Is it your secret?
39:12Buy your affection with money?
39:15What I do or stop doing with my time and with my money is my business.
39:19And regarding the rest,
39:21if what happens down here does not interfere with the good work above,
39:25you have nothing to say.
39:42Mrs. Pia, I'm back.
39:49Wake up, Mrs. Pia.
40:02Mrs. Pia?
40:06Mrs. Pia?
40:11Mrs. Pia, wake up.
40:13Mrs. Pia, please.
40:15Wake up, Mrs. Pia.
40:17I'm cold.
40:19I've brought blankets and a soup, so you'll be fine now.
40:24Hold on.
40:29Yes, yes, yes.
40:32Yes, I know Maria found the bottle.
40:35It's true, but I'm sure someone put it there to blame her.
40:39But who would do something like that?
40:41I don't know, but that's why I came.
40:43To find out what happened.
40:45And in case you have any clues that can help me.
40:48I'm not worried that the poison that was used against Yala is the same that Pia used for ...
40:53for Yala, you know.
40:56So I would like to know what you think about it.
41:00What did I do with Miss Martina the same thing that Mrs. Simona did with you?
41:04Notify her of the truth, Mrs. Pia.
41:07That she had been poisoned.
41:08With the safety that I named her the cicuta.
41:11Ah, now I understand the connection.
41:14And that's why Mrs. Margarita takes me to her room to look for the bottle.
41:18So Margarita believed that her daughter took the idea of ​​the cicuta from Pia's death.
41:22Exactly.
41:24Well, I don't believe it.
41:26I say yes.
41:28The count must have many enemies.
41:30Someone will have to want to get rid of him.
41:32I know who.
41:34Do you know who might want to kill him?
41:36I know who might know who might want to kill him.
41:39Yes.
41:41But where ...
41:45Do you know who I'm talking about?
41:48We have no idea.
41:55The fact is that the disappearance of Count Yala was not a health problem.
41:59He was provoked.
42:01But how provoked? I don't understand.
42:02Well, it turns out that the doctor says it could have been a poison by cicuta.
42:08Cicuta too?
42:11But who could have supplied him with that devil's poison?
42:16Well, it seems to be Miss Martina.
42:20What?
42:24My mother, Meludo, how could you do it on purpose?
42:28She has no feet or a head.
42:30And come on, now Miss Martina has gotten into a good mess
42:33because Count Yala wants to report her to the Civil Guard.
42:36No, but I don't think it will get to the river.
42:38Mrs. Marquesa adores her niece, she won't allow it.
42:41I hope so.
42:43Well, I'll tell you how all this ends.
42:45Ana, this soup is delicious.
42:47Thank you.
42:49Don't give me the sweets, Anel.
42:51Give them to Daya Simona, she knows she makes soups that bring back even the dead.
42:54And really, because she has given me back my life.
42:59I was terribly scared when I saw her like that,
43:02seeing that she didn't react.
43:04Well, it's been a very hard few days, Hanna.
43:06And I have felt, frankly, sick.
43:12Let's hope this torture passes soon.
43:15Yes.
43:18Hey, is there any news about Gregorio?
43:22No, not yet.
43:24But where is he hiding?
43:26I don't know.
43:28We have spread a rumor about the town, about Luján.
43:31We have said that you died shortly after arriving in your town.
43:34And that was easy.
43:36Very easy.
43:38As easy as telling someone to keep a secret from you.
43:40No, no, people love gossip and the more truthful they are, the better.
43:44Man, the truth is that people's curse has helped a lot.
43:48Now it only remains for Gregorio to find out about this rumor.
43:51Well, as soon as he knows, he will go straight to the town to look for me.
43:54I hope he goes straight to the cemetery too.
43:56And how are we going to know that?
43:58Because the grave keeper of the town is going to let us know.
44:01Mr. Marqués gave him a good amount so that he would keep us informed.
44:06Thank God, we also have him on our side.
44:09Without him, none of this would have been possible.
44:12He took care of burying your body.
44:15He also took care of the expenses and also made sure that everyone kept the secret.
44:20The truth is that he has a big heart.
44:22And come on, I'm going to be eternally grateful to him.
44:26You will see that when Gregorio sees his tombstone,
44:30you will see that those rumors are true.
44:33And when he thinks that I have died, he will go forever.
44:38And I can finally get out of this hole.
44:42It's just a matter of time.
44:45So you have to be strong.
44:51Yes, MarÃa Fernández, yes, I'm going.
44:53The truth is, I don't understand why I have to ...
44:57Miss Catalina, I didn't know you were here in the kitchens.
45:02You were in charge of the correspondence of Count de Ayala.
45:05Yes, that's right, but that was a long time ago.
45:08Why are you interested now?
45:11Well, because I would like to talk to you about that.
45:13I need your help to prevent Martina from going to jail for a crime she has not committed.
45:19Help me, please.
45:21I don't understand, miss.
45:23I don't know how I could help you.
45:26Maybe you know if Ayala has an enemy who wants to end her life.
45:42Excuse me, but I wanted to take advantage of the fact that we are all gathered to make an announcement.
45:46Your announcements are becoming a nocturnal custom in this palace.
45:50I hope you bring good news.
45:52You will know as soon as Cruz arrives.
45:54Cruz is not going down, he has a strong headache.
45:57I hope I was not the cause.
45:59I have heard that my intention to notify the Civil Guard has created some discomfort.
46:03Well, but if you step back, he will only stay in a distressing moment, at least for Martina and for me.
46:09And for everyone else, including my wife.
46:12The truth is, yes.
46:14I have reconsidered it.
46:16I am for a good person, someone capable of forgiving.
46:20Thank you.
46:22But I still intend to discover the truth.
46:26So what do you intend to do?
46:30I must tell you that I do not intend to notify the Civil Guard.
46:34I think prison would be too severe a punishment, and frankly, sterile for someone like Martina.
46:41But what do you mean?
46:43I want you to be attended to.
46:45And above all, controlled.
46:47At least until we find out what happened.
46:50That is why I think the most sensible thing would be for you to enter a sanatorium.
46:54What?
47:14Can you tell me what those screams are coming from? How does Maria Mandrago hear you?
47:17Simona, let's go!
47:20Virtues? But why? What happened?
47:22Well, that's what I want to find out.
47:24What do you want to find out? Do you suspect something?
47:26I think the constant presence of the Marquise is what makes Alonso not completely relax.
47:31And if you want to have the opportunity to have a normal conversation with Alonso, that happens because ...
47:38Because Cruz disappears.
47:41Leave my girlfriend alone.
47:42What you have with your girlfriend is your business. And if you don't trust her, it's not my fault.
47:47Wouldn't it be better if we lowered our guard and treated each other naturally again?
47:58I am convinced that, precisely during those days, the Count knew that Mrs. Margarita was the owner,
48:04nothing more and nothing less than a quarter of the promise.
48:07Everything had gone according to his calculations and the pieces where he had planned, all but one.
48:15Martina, daughter, the time has come.
48:18The moment of what?
48:29The moment to go to the sanatorium.
48:36To be continued...