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01:14You wanted me, Cap?
01:16How are you feeling?
01:17Me? I'm feeling fine.
01:19Know where we're playing tomorrow?
01:22I don't know. Prairie City.
01:25Well, I thought maybe you might not want to face them up there.
01:28So I'll put another act in your place and you sort of take it easy, huh?
01:33That's not necessary, Cap.
01:35It's been five years.
01:37They've probably forgotten about it anyway.
01:40You've got something else on your mind, haven't you?
01:43♪
01:49It's about your father, Betty.
01:51What about him?
01:52He's broken jail.
01:55Did he get in?
01:56No, he's still up.
01:57Happened about a week ago.
02:00I read it in the Prairie City paper.
02:04I'm sorry, darling, but you have to know it sometime.
02:08I'm sorry, too.
02:10I should have done it, Cap.
02:12Well, there's no use worrying about that now.
02:15But you see what I meant when I said about taking the day off tomorrow?
02:19It might be a little embarrassing.
02:20Embarrassing?
02:21Why should it be?
02:26Well, the lab will have a little hard feeling about you up there,
02:29on account of your father, I mean.
02:31And I just sort of figured that...
02:32That's all the more reason I should face them, Cap.
02:34We've got nothing to be ashamed of.
02:38You think I'd let you down.
02:40Well, as a matter of fact, Betty, what you're doing is exactly what I expected you to do.
02:44Now you go hit the hay, you old trooper.
02:47You look worried.
02:51Maybe I am.
03:10Have you ever been in Prairie City?
03:12No, this is my first trip.
03:15You're going to have to show me around.
03:17I sort of dread strange places.
03:20I think I know what you mean.
03:22I dread it, too.
03:24But I thought you knew the place.
03:28That's just the trouble.
03:30I do.
03:45Let's go.
03:47Let's go.
04:13I saw the boats and the narrows.
04:15When does it reach Prairie City?
04:16Maybe two or three hours.
04:18It's going to be awful hard getting on board until after dark, Mr. Wesson.
04:22Tonight will be all right.
04:24I'll give you a note.
04:27Be sure Betty gets it.
04:29But don't let anybody see you give it to her.
04:31Understand?
04:35Get your tickets here for the greatest show that ever hit Prairie City.
04:39Hurry, hurry, hurry.
04:41Get your tickets here.
04:45Get your tickets here for the greatest show that ever hit Prairie City.
04:50It's just about to start, folks.
04:52Thank you, sir.
04:53Thank you.
04:54Hurry, hurry, hurry.
04:55Get your tickets here.
04:56Just a minute, gentlemen.
04:57Get your tickets here.
04:58Official business.
05:01Take over, Lou.
05:02All right, Jeff.
05:07All right, folks.
05:08Step right up and get your tickets.
05:09You seen anything?
05:10Not yet, Sheriff.
05:11I know everybody that's come aboard so far.
05:13I still don't think he'd risk coming up here.
05:15It's a sucker move.
05:16Wesson's no sucker.
05:17He's sharp.
05:18He figures he'll be safer in the crowd than trying to make it alone.
05:21I know that guy.
05:23Well, keep your eyes open, boys.
05:24There you are.
05:25How many for you, sir?
05:26Four?
05:27Yes, sir.
05:28All right, sir.
05:29Step right along, please.
05:31There's plenty of tickets and plenty of room.
05:33Thank you, sir.
05:35All right, lady.
05:36How many?
05:43Five.
05:44Five.
05:45Five.
05:46Five.
05:47Five.
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06:39Five.
06:41Clapped.
07:03There's a yellow rose in Texas, I'm going there to see,
07:09No other fella knows her, no other, only me.
07:14She cried so when I left her, it broke her loving heart.
07:19And if we ever meet again, we'll never, never part.
07:25She's the rose of rarest beauty this fellow ever knew.
07:30Her eyes are bright as diamonds, they sparkle like the dew.
07:35You may sing of other pretty gals from Maine to Tennessee,
07:41but the yellow rose of Texas is the only rose for me.
07:46There's a cowboy back in Texas who said he would be true.
07:51I knew you were from Texas.
07:54Please tell me how you knew.
07:57The way you smile reminds me of the one I used to know.
08:02There's many a rose in Texas if you're looking where they grow.
08:07There's a cowboy back in Texas?
08:09Well, he's really just a friend.
08:12He lives down by the Rio where the river makes a bend.
08:17Well, you know my rose of Texas lives across on the other shore.
08:22So as long as we're together, we won't see them anymore.
08:27She's the rose of rarest beauty this fellow ever knew.
08:33Her eyes are bright as diamonds, they sparkle like the dew.
08:38You may sing of other pretty gals from Maine to Tennessee,
08:43but the certain one of Texas is the only one for me.
08:53Thank you.
09:03Uh, just a minute.
09:05Hello, Miss Wesson.
09:06How do you do, Sheriff? You wanted to see me?
09:09I'd like to ask you a few questions.
09:11When did you hear from your father last?
09:14Well, about a month ago he wrote me a letter.
09:18But I think I know what you want me to say.
09:21You tell us.
09:22That I know where he is.
09:24I'm sorry, Sheriff, but he didn't let me in on his plans.
09:27Uh, you were figuring on seeing him, weren't you?
09:29Absolutely not.
09:31There's no particular reason you should tell us if you didn't know.
09:35In that case, Sheriff, why do you bother to ask?
09:37Just a minute, young lady.
09:39If you know what's good for you, if you want to save yourself from trouble, you talk.
09:42And talk fast.
09:44Simmer down, mister, you're getting out of line fast.
09:46You too, cowboy.
09:48Suppose you mind your own affairs.
09:50How do you know this isn't my affair?
09:52Please, Roy, I can handle it.
09:54I've got an idea. I'll beat it.
09:56Do you mind? I'd like to talk to the Sheriff alone.
09:59You better stay here, boss.
10:20Long distance, please.
10:37I'd like to place a call to Mr. John Ellis, National Insurance Company in Dallas.
10:43Hello, Roy. How you doing?
10:45Did you contact the girl?
10:47Yes, sir.
10:48She's got a job on the showboat as an entertainer.
10:50I have a hunch she doesn't know anything about the missing money, though.
10:53Well, I hope your hunch is wrong, Roy.
10:56But handle it your own way. Stick close to her.
10:58I still say that she and her father will try to get together.
11:01Right.
11:10In a hurry, mister?
11:11I could be.
11:12What?
11:13Nothing. Only it might be a good idea.
11:16As a matter of fact, I make a move. You leave town right away.
11:19And I second it.
11:20You wouldn't want to get that nice shirt all dirty. It's too pretty.
11:23Well, I'm glad you like it.
11:25But don't worry about it getting dirty.
11:27I have to take things to the cleaners every once in a while.
11:30I like your scarf, too.
11:43That's a little uneven.
11:44Hey, bouncer! Bouncer!
11:46Bouncer!
11:51Throw these fellas out of here.
11:52With pleasure, boss.
11:55Roy!
11:56Buster!
11:57You old son of a gun! How you been?
11:58Well, how you been?
11:59Throw him out of here, I said. Throw him out.
12:00You mean Roy, Mr. Gorse? I can't do that. He's my pal. I haven't seen him in years.
12:03What's that got to do with it?
12:04You're fired.
12:08Come on, baby, please.
12:24They been keeping you busy?
12:25Sure. On the move every minute.
12:27Take us, heel a bend, a rodeo or two, round up.
12:30All you do is talk to Buster.
12:32It's a great life.
12:36Sure is.
12:39Just a minute!
12:42Hey!
12:44Hey!
12:46Hey!
12:47Hey, get me out!
13:01Hey!
13:02Get me out of here!
13:04Bob!
13:05Help!
13:06Bob!
13:07Get me out of here!
13:11All right, break it up. Break it up, I said.
13:14Now, who started this?
13:16Um, him.
13:18Me?
13:19All right, arrest him.
13:29Where's Roy today gone?
13:31It was mighty nice of you fellas pitching in and helping me like that.
13:35We couldn't stand by and see one fella gang up on like that.
13:38I guess we better go in and see if the boss is back yet, huh?
13:40Yeah, about her job.
13:41Job?
13:42Yeah, they sent for us to play and sing in here.
13:44Oh, musicians, huh?
13:46You fellas ain't got any job. That was the boss Roy and I slugged.
13:50What do we do now?
13:52Well, we might as well hightail it back over the ridge where we came from.
13:56Hey, maybe Roy can get you a job in a showboat. How about it, Roy?
14:00All of them?
14:01Yeah, well, we're a deal on them.
14:03Wait a minute, fellas, I don't own the boat.
14:05I'd like to.
14:06Oh, come on, Roy, we can't let them down.
14:08Where's your instruments?
14:09Well, at the express office where we ship them, I guess.
14:11Well, come on, let's go.
14:12Wait a minute.
14:13We're shoved.
14:14Shoved?
14:15Yeah.
14:16Say, you don't suppose he...
14:17Hey!
14:18Oh, boy!
14:20Hey, get him out of there!
14:23Hey, get it off of him!
14:26Bob, help me here. Somebody get Sally on his head.
14:33Whoa!
14:34Hey!
14:40Let's go get the instruments.
14:46Hey!
14:55Well, we're the sons of pioneers. We came after our instruments.
14:57Yeah, that'll be 480.
14:59Pay him, Shug.
15:00Pay him, Shug.
15:01Our banker.
15:02Hey.
15:03Oh, beat yourself to death.
15:06Hey, now, wait a minute.
15:07Don't tell me you lost all our dough in that fight.
15:10I sure did. It's gone.
15:13Still 480.
15:15That's all right, fellas. I'll stick it.
15:19This is just a loan. We'll pay you back.
15:22Hey, take him up, boys.
15:33Wait a minute, fellas.
15:35How about getting your instruments out and playing us a tune?
15:37We want to see how good you are.
15:39You mean right here?
15:40Sure.
15:41Well, all right, boys.
15:48I'm coming home.
15:55I've been away, but there'll come a day.
15:57So, darling, don't you cry.
15:59I'm coming home.
16:00Here comes your older coming home.
16:03I'm coming home.
16:04Howdy, Kev.
16:06Hey, what sort of a pitch do you call this?
16:08Pretty good, huh?
16:09Pretty good.
16:10Here comes your older coming home.
16:13I'm coming home.
16:14Back to the open range and roping.
16:16One little gal I knew.
16:18I'm coming home.
16:19Back to the waving sage and saving.
16:21All my love for you.
16:22I'm coming home.
16:24Folks, just another attraction of the showboat Yellow Rose of Texas.
16:28A cap?
16:29Oh, yes, yes.
16:30Yes.
16:31Yes, indeed.
16:36I'm coming home.
16:37I've got a yearning.
16:38Home fire's burning.
16:39Darling, don't you cry.
16:41I'm coming home.
16:42Here comes your older coming home.
16:45I'm coming home.
16:46I see the light of your eyes so bright.
16:48And I see a clear blue sky.
16:50I'm coming home.
16:51Here comes your older coming home.
16:55I'm coming home.
16:56Out of the storm cloud into a warm cloud.
16:58Climbing each step to you.
16:59I'm coming home.
17:00Watching the rainbow down by the rainbow.
17:02Climbing to heaven too.
17:04I'm coming home.
17:05One little mile more.
17:06Save me a smile, boat.
17:07Darling.
17:08You two kids better top this number.
17:10Those boys are petty all right, and I know talent when I see it.
17:13You certainly do, Cap.
17:14I'm coming home.
17:15Here comes your older coming home.
17:18I'm coming home.
17:19Here comes your older coming home.
17:41Who was that?
17:43I don't know.
17:56I'll get him for you if you like.
17:57No, don't bother.
17:58Vinnie, Roy, they want an encore.
18:02Watch the matter, darling.
18:03Cap, I can't go on now.
18:05Roy, will you excuse us a minute?
18:06I want to talk to Cap.
18:10Roy, send on the next number, will you?
18:12All right.
18:35Have you unsettled the horses yet?
18:37No, I was just going to.
18:38Well, never mind.
18:39Come on.
19:08Come on.
19:38Dad!
19:39Betty.
19:41Oh, my little gal sure has grown up.
19:44Dad, are you all right?
19:45Don't worry about me.
19:55Drop it, Wesley.
19:58This is quite a surprise, Betty.
20:00But not a pleasant one.
20:02Who is he?
20:03A policeman.
20:05Next time, I'll be more careful making friends.
20:08I suppose you think I planned all this.
20:11It doesn't matter much now, does it?
20:14Ready, Weston?
20:18Take your gun, Betty.
20:20Now, get around there, mister.
20:23And keep your hands up.
20:25That's all, brothers.
20:26Drop it.
20:32You dropped your gun, mister.
20:34You little squirt.
20:48We need your wagon, mister.
20:50Shall we get started?
20:51Roy, you're making a mistake.
20:52Oh, I don't think so.
20:54He's the one who made the mistake, breaking jail, and before that, stealing the payroll.
20:58But he didn't steal it.
21:00You don't believe that, do you?
21:01Why should I?
21:03You're wasting time, Betty.
21:05All this guy is interested in is collecting the reward.
21:08Say, you're not a regular copper, are you?
21:11No, I'm from the insurance company.
21:13But I still have to uphold the law.
21:15And after that, I'll expect you to tell me what you did with the money.
21:18Which I haven't gotten, which I never saw.
21:20All Dad wants is to prove his innocence.
21:22They framed him.
21:23Honestly, they did.
21:24Well, that's not for me to judge.
21:25Well, at least you can listen, Roy.
21:27It can't do any harm.
21:29Young fella, we're both looking for the same thing.
21:31Only for different reasons.
21:33If you turn me in, you lose the money.
21:35And I lose the last chance to clear myself.
21:37And if I listen to your story, what happens then?
21:40You might change your mind.
21:42And give us both a break.
21:43You game?
21:45All right, Buster.
21:47Put down the gun.
21:49Make yourself comfortable, Weston.
21:51And make the story good.
21:53Go ahead.
21:55Thank you, Roy.
21:57Well, it all started five years ago right here in Prairie City.
22:02Betty and I were strangers.
22:04Our idea was to buy a ranch.
22:06But needing a little money,
22:08I got a job driving for the express company.
22:11It was my first night on the job.
22:13We had to run a payroll shipment up to the Hollister mine.
22:18The express agent sealed the box
22:20and turned it over to me and the regular driver,
22:22a chap named Charlie Goss.
22:25Charlie owns the club ace here now.
22:28Between us, we carried the box off the buckboard.
22:32Being new on the job,
22:34I suggested Goss drive and let me ride guard behind.
22:39But for some reason or other,
22:41he didn't like the idea.
22:43I ain't supposed to.
22:45Your job was to drive.
22:46So we changed places. What's the difference?
22:49Well, none.
22:50I mean, I hired out as guard.
22:52Well, you know the road, Goss.
22:53If I don't, it'll save time.
22:55All right, but stick close.
23:01It was rough going right from the start.
23:04I was riding about 20 feet behind the wagon
23:06when it happened.
23:11Goss fell to the ground unconscious.
23:23He fell to the ground unconscious.
23:25He fell to the ground unconscious.
23:27He fell to the ground unconscious.
23:29He fell to the ground unconscious.
23:31He fell to the ground unconscious.
23:33He fell to the ground unconscious.
23:35He fell to the ground unconscious.
23:37He fell to the ground unconscious.
23:39He fell to the ground unconscious.
23:41He fell to the ground unconscious.
23:43He fell to the ground unconscious.
23:45He fell to the ground unconscious.
23:47He fell to the ground unconscious.
23:49He fell to the ground unconscious.
23:52He fell to the ground unconscious.
23:55And that's the spot I found myself in.
23:58My horse shot from under me,
24:00the wagon gone with the payroll,
24:02and Charlie Goss slugged in the back.
24:04Right after that, the sheriff picked me up.
24:07Yeah, he gave me a trial all right.
24:10But when Goss testified that I shot him
24:12and said I insisted on riding behind,
24:15the jury lost no time in hanging the blame on me.
24:18Now I'll tell you who I think did it.
24:20I'm way ahead of you, Weston. You think Goss had a hand in it, don't you?
24:23Well, who else? I'll admit he didn't rig it right, or he wouldn't have got shot himself.
24:28That slug was intended for me. Somebody was working with him.
24:32But that somebody got his signals mixed.
24:35They counted on killing me, framing it as a hold-up, and then splitting up the money later.
24:41But I got a hunch it didn't work out that way.
24:44Not with Goss shot, and the other fellow gone, and the team running away with the money.
24:50What do you think happened to that box, Weston?
24:52That's exactly what Dad's been trying to find out, Roy. If he could find that box, it would clear him.
24:57Nobody ever found that box. It's around here somewhere.
25:02I don't want to give up now, Rogers. I've got to find it.
25:05That's a pretty big order, isn't it?
25:07Not so easy to think. A couple of weeks ago, Pete here found a piece of the book board in the canyon
25:12about five miles from the place where we were held up.
25:15It's true, Roy. Dad wouldn't have broken out of prison if he hadn't had at least a clue.
25:19Won't you help us?
25:21All I need is 48 hours.
25:24Suppose I make you a proposition, Weston.
25:26You said I need that box as badly as you do, and you're right.
25:31If I help you find it, are you willing to remain in my custody, and at the end of 48 hours, give yourself up?
25:37You mean whether we find it or not?
25:38Win or lose.
25:40If the posse tracks you down ahead of time, I'll have to surrender. Take it or leave it.
25:49I'll take it. That's a fair proposition, young fella.
25:52Then it's settled. We can leave tonight and start looking by morning.
25:56I know a few fellas will give us a hand, too.
25:58You won't regret it, Roy.
26:00I hope you're right, Betty.
26:11Ain't found a thing.
26:20The sheriff's coming.
26:21The sheriff?
26:22Yeah, he and his men. I had to come across the ridge to get here first.
26:25You gonna surrender me, Rogers?
26:27Well, that was our bargain, but don't jump the gun. We'll see what he wants first.
26:30Betty, you better stay here with your father. Come with us.
26:41Are you looking for somebody, Sheriff?
26:43Yeah, and don't try to tell me he ain't around here, either.
26:46Come on, boys. We'll search this canyon.
26:48Before you go ahead with this, I'd like to have a few words with you.
26:51Don't trust them. They're stalling.
27:00No use, Buster. Somebody must have tipped them off.
27:05I'll go with you.
27:10Yeah.
27:21What are you covering up for? Where did he go?
27:24I can't answer that.
27:26We're wasting time. They're all in it together.
27:28All right, scatter out, men, and bring him in.
27:32He didn't break his word, Roy.
27:34So he just couldn't have been catching now.
27:36Where is he?
27:38He's going to meet us at Pete's cabin. He promised.
27:42Don't you believe that?
27:44I don't know what to believe.
28:01There he goes.
28:06Look, over there.
28:11All right, get your horses.
28:31Did the boys get back?
28:33Yeah, but they didn't see any signs of Weston, and neither did the sheriff.
28:39Looks like our bird has flew the coop.
28:41I can't understand what's happened.
28:44Get my horse with you.
28:49Well, it's pretty plain to me what happened.
28:51Your dad grabbed the first chance he had to run out on me.
28:54I think you're jumping to conclusions.
28:56Have you any suggestions?
28:58Only that you wait and find out what actually did take place.
29:01I think we already know that.
29:03Your dad agreed to meet us here.
29:05Well, we've waited three hours, and he hasn't shown up yet.
29:09So you think he let you down?
29:13I certainly do.
29:20It's at times like these I get awfully lonesome for those hills we were talking about.
29:24Remember?
29:25All set, Roy.
29:28Let's go.
29:36Well, where do you think you're going?
29:38I'm checking out, Cap.
29:40Oh, now take it easy, Roy.
29:42I want to have a little talk with you.
29:44Betty told me the whole story.
29:47And if you knew that kid like I know her, you wouldn't make such a darn fool of yourself.
29:52I'm afraid if anybody made a fool out of me, it was Betty and her dad.
29:56I think you're wrong.
29:58The point is, I wasn't crazy about having to come here in the first place.
30:01It just happened to be my job.
30:03Looks like my job's done.
30:07And you won't change your mind?
30:10No.
30:26Oh, Timber
30:28When the day is done
30:30Timber
30:31By the Timber's gleam
30:34Let me lie and dream
30:36Dream of Timber
30:40Tall Timbers falling in
30:43And the echoes ring
30:46For all nature sings a song
30:48Along the Timber Trail
30:52Blue shadows falling in
30:55Down the canyon vales
30:58And the whispering pines and wine
31:00Along the Timber Trail
31:03High in the sky above
31:07The love song of the trees
31:10Will blend and blend
31:13Its way along the breeze
31:15Tall Timbers falling in
31:18And the echoes ring
31:21For all nature sings a song
31:23Along the Timber Trail
31:27The Timber Trail
31:30Timber
31:45What's the matter?
31:46You're all under arrest.
31:47Arrest for what?
31:48For obstructing justice.
31:50If you're looking for Weston, he's not here.
31:52Well, we'll take a look around for ourselves, if you don't mind.
31:54Before you do, Sheriff, I'd like to talk to you a minute.
31:56About what?
31:58Well, it concerns this problem right here.
32:01Well, go ahead. I'm listening.
32:03This will have to be in private.
32:06Keep your eyes open, boys.
32:07All right.
32:13Does this explain things a little better, Sheriff?
32:17Roger, it's like the devil didn't you come to me in the first place.
32:20As a representative of the insurance company,
32:22you ought to cooperate at my office,
32:24not jam me up.
32:26Jamming you up was an accident.
32:27I had a hunch, but I was wrong.
32:29After listening to Weston's story,
32:31I was about convinced he was telling the truth.
32:33Him taking those potshots of me this afternoon
32:35ought to convince you otherwise, does it?
32:37Let's just say I was following the wrong trail.
32:43There's just one thing that bothers me, Sheriff.
32:45How did you know that we had Weston down there in the canyon
32:47with us this morning?
32:48Got a tip.
32:50Somebody tossed this in my window.
32:57Hmm.
32:58Mind if I keep it?
32:59No, help yourself, Roger.
33:03Sit down.
33:04You better get my bag and guitar and come back to my room.
33:07We're not leaving after all.
33:09Huh?
33:10Oh.
33:11It's all right, boys. Go ahead.
33:13It's all right, boys. Go ahead.
33:22What's the matter, fellas? Something wrong?
33:24I'll take it easy.
33:41Weston!
33:42Hello, Roy.
33:43Is it all right for me to come out?
33:45Yeah.
33:51What made you come back here?
33:53You said I was in your custody, didn't you?
33:55That was before you took a shot at the Sheriff and ran away.
33:58I didn't shoot at the Sheriff, Roy.
34:00Those shots were meant for me, whether you believe it or not.
34:03One of them got me in the arm.
34:05I had to make you get away to save my life.
34:08If I'd have been doing this, I wouldn't have shot myself, would I?
34:11If I didn't get away, I wouldn't have come back here.
34:15Who shot you?
34:17Goss, naturally.
34:19It couldn't have been him.
34:20He was standing out over 20 feet from me when the shots were fired.
34:24Are you sure?
34:25Of course I'm sure.
34:28Well, I don't get it.
34:31Neither do I, but I'm going to find out.
34:33Wait.
34:34Maybe this will help.
34:36Here's the slug I dug out of my arm.
34:40I'll keep this.
34:41But what about me?
34:43Take it easy.
34:44I'll have somebody look after that arm.
34:49Betty, if you don't think I'm too much of a heel,
34:51I want to apologize for this afternoon.
34:53Why?
34:54I was wrong about your dad.
34:56You better get some bandages and go back to the stall where Trigger is.
34:59He's there.
35:03Hey, Buster.
35:06I got something I want to tell you. Come on.
35:09Come on.
35:14Hey, Buster.
35:15See that guy with Goss?
35:21Yeah, his name's Ferguson.
35:23How long has he been around here?
35:24Born here as far as I know.
35:27Hey, you don't think he could have shot Weston?
35:29Anybody could have done it.
35:30He happens to be on Goss' team,
35:32and anybody that's a friend of his is sure an old friend of Weston's.
35:35We've got to figure a way to get a fired slug from his gun.
35:38I want to compare it with this one.
35:47Well, I told you to stay out of here.
35:49Oh, did you? I guess I wasn't listening.
35:51Well, you're listening now.
35:52Get out of here before you're thrown out.
35:54You haven't your gang with you this time.
35:56I wouldn't talk rough to him, Mr. Ferguson.
35:58He's a gunfighter.
36:00Gunfighter, huh?
36:02Well, you two to one, I can out-shoot anyone around here.
36:05You got a bet, cowboy.
36:07You know, 20 says you can.
36:09I'll hold the money.
36:10I'll take some of that easy money.
36:12Here's 10 bucks, says Ferguson can beat you.
36:14Oh, but you're going to be sorry.
36:16Now take five.
36:28What's the name of the horse?
36:35How about that barrel down there?
36:36What about the side of the building?
36:38I mean the floor.
36:39All right with me.
36:59Guys, missed the whole barrel.
37:01I'll say you did.
37:06Let's go.
37:15That be a lesson to you, cowboy.
37:17Yes, sir.
37:20Let's keep it slow.
37:25Carry on, Lucky.
37:28What's the name of the horse?
37:34I'll get it.
37:37Whoa, whoa, whoa.
37:41Now you've done it.
37:43Wait a minute, wait a minute.
37:47Boy, if you ain't a man.
37:51Well, I've got it.
37:53Well.
37:56Let's go to the express office.
38:02Hi.
38:03Howdy.
38:06Hey.
38:07That's a slow-looking shotgun.
38:09Best in the country.
38:12Nice balance.
38:14Do you do much shooting?
38:15Every chance I get.
38:17What do you think of these?
38:20Nice-looking birds, are they not?
38:21They sure are.
38:22Where'd you get them?
38:23Up in the hills.
38:25What happened to you? Did you fall in the river?
38:28What can I do for you fellas?
38:29I'd like to ship this box by express.
38:32Sure.
38:34National Insurance Company.
38:38Dallas, Texas.
38:40From Roy Rogers.
38:44You work for this outfit, Rogers?
38:46That's right.
38:47But I don't want it generally known around town, if you don't mind.
38:50Don't you worry. Anything that goes through this office is strictly confidential.
38:54Hey, maybe you can be of some help to me.
38:57My company's still working on that hold-up that happened a few years back.
39:00Do you know anything about Goss?
39:01He's nothing special.
39:03Seems to have done all right financially the past few years.
39:06Nobody can tell about where he got the money.
39:09From what I hear, people figure that payroll box was never recovered.
39:13I don't believe that.
39:14Any guy slick enough to stage that hold-up is smart enough to follow through and get the dough.
39:19Of course, I'm only guessing.
39:21So are we.
39:22Here's your receipt.
39:23Thanks.
39:32Any trace of that wagon?
39:34Not a bolt or a sliver.
39:36Wherever it is, it's sure not in that canyon.
39:39This is like looking for a needle in a haystack.
39:41We'd better call it a day.
39:42That's two of us for that idea.
39:44Make it three.
39:50Hello.
39:51Howdy, Pete.
39:52You look unlucky.
39:54We are, a hundred percent.
39:56Say, Pinto.
39:58That's quite a weapon you got there.
39:59A little dangerous, though, isn't it?
40:01Come on, I'll show you.
40:04That don't count.
40:05Something slipped by.
40:07I see.
40:09Say, was the sheriff still in town when you left?
40:29I don't know.
40:59I don't know.
41:30Are you all right?
41:32Yeah, I'm all right.
41:33I wouldn't scare the best.
41:35I'm sure he's all right.
41:37Let's go on down there and salvage some of them supplies out of that wagon.
41:41You stay here.
41:43Keep out of trouble.
41:57Hey, buddy.
41:58Hey, Buster.
41:59Look down there.
42:01Looks like the wreckage of an old wagon.
42:03It sure does.
42:05What?
42:06Do you suppose that could be the lost wagon?
42:08Could be.
42:10It could have come this way.
42:11Hit the same sharp curve and gone over just like Pete did a few minutes ago.
42:24We hit the jackpot.
42:26It hasn't been touched yet.
42:27Even the seal's unbroken.
42:28Let's break it open and see what's inside.
42:30Never mind.
42:31We'll leave it just like it is.
42:32Don't you want to make sure the money's in there?
42:34Not now.
42:35I've got a pretty good idea of what's in there.
42:37This is neither the time nor the place to open it.
42:39Come on.
42:40We're heading back.
42:55I saw a hot one.
42:56What's behind all this, Joe?
42:58Search me.
42:59Sounds interesting, though.
43:00Going over to see what it's all about?
43:01You might as well.
43:03I think it's just a plan to get a bigger crowd at this show.
43:06What do you suppose he's trying to pull?
43:09I don't know.
43:11Somebody said Rogers found that strong box.
43:16Hi, Rogers.
43:17Howdy.
43:18Looks like you've stirred up some excitement.
43:20I figured the town could use a little.
43:22Hey, you mind selling a guy what you've got up your sleeve?
43:24For a buck, sure.
43:25You really going to spill something up there tonight?
43:27Why don't you come out and see the show?
43:28I may take you up on that.
43:30What does he mean, real culprit?
43:31Everybody knows Weston's guilty.
43:33Rogers doesn't seem to think so.
43:35Well, I think Rogers is crazy.
43:37Yeah, crazy as a fox.
43:38That stunt's got to fill the showboat with a dollar a head.
43:40Sure.
43:43You know the routine?
43:44Yeah, I got it.
43:56Yeah, come on with that surprise.
43:58If you got one.
43:59We paid a dollar to find out who robbed the express wagon.
44:02Yeah, give us something for our money.
44:04We want Rogers!
44:06We want Rogers!
44:08Come on, let's hear that surprise.
44:10I'm not going to let you down, folks.
44:12The strong box which was stolen here five years ago has just been recovered.
44:17Acting in the interest of my insurance company, I've taken possession of it.
44:21I'll give you my reason for this later.
44:22But just to satisfy your curiosity and put the sheriff's mind at ease,
44:27I want to announce that the strong box is right here on this stage.
44:32After the professor finishes his act,
44:34I'm going to ask the sheriff and the committee to come up here
44:37and open the box in plain sight.
44:41And I believe what we find inside the box will be the surprise I promised you.
44:46Search him, Buster.
44:55Do you know what these are, Sheriff?
44:57Sure, they're bullets.
44:59What of it?
45:00I'll explain later.
45:02I'll explain later.
45:04I'll explain later.
45:06I'll explain later.
45:08I'll explain later.
45:10I'll explain later.
45:12I'll explain later.
45:13They're bullets. What of it?
45:15I'll explain later.
45:17But before I do, I suggest you arrest this man for stealing the money in the payroll box.
45:21Don't listen to him, Sheriff.
45:23He's trying to put over a fast one for his company.
45:25Can you back up this charge, Rogers?
45:27Sure, open the box.
45:29All right, put it over here.
45:36Yeah, Sheriff, is this better?
45:38Yeah.
45:39While you're doing it, you might notice that the express company seal is still intact.
45:48Well, it's empty.
45:50Just as I figured.
45:52Funny part about it, Sheriff, there never was any money in that box.
45:55Lucas made away with it before it was ever put into the wagon.
45:58And he staged a holdup to cover up.
46:01Incidentally, Goss, this is a man who shot you in the back, not Weston.
46:05Well, I'll be.
46:07For a while, I figured you did it.
46:09I even thought Ferguson had a hand in it.
46:11That's why I wanted to compare the bullets that hit Weston with the one from your gun, Ferguson.
46:15Obviously, the comparison was never made.
46:18Because we just found the bullets on Lucas.
46:20I guess he opened the package and substituted his own samples.
46:23You can't prove anything with those slugs.
46:26You mind letting me take a look at those bullets, Rogers?
46:29Don't anybody move.
46:39Don't move.
47:09Don't move.
47:39Don't move.
47:40Don't move.
47:41Don't move.
47:42Don't move.
47:43Don't move.
47:44Don't move.
47:45Don't move.
47:46Don't move.
47:47Don't move.
47:48Don't move.
47:49Don't move.
47:50Don't move.
47:51Don't move.
47:52Don't move.
47:53Don't move.
47:54Don't move.
47:55Don't move.
47:56Don't move.
47:57Don't move.
47:58Don't move.
47:59Don't move.
48:00Don't move.
48:01Don't move.
48:02Don't move.
48:03Don't move.
48:04Don't move.
48:05Don't move.
48:06Don't move.
48:07Don't move.
48:08Don't move.
48:09Don't move.
48:10Don't move.
48:11Don't move.
48:12Don't move.
48:13Don't move.
48:19Call the first aid station.
48:21Sure, sir.
48:22I'll go right down in there.
48:23Put those roofing materials in there.
48:24Sit down.
48:25Don't move.
48:26Don't move.
48:27I'll give you permission.
48:28Live.
48:29Don't move.
48:30Don't move.
48:31Don't move.
48:32JONAS!
48:33If you move, I'll kill you, Пончик.
48:34Don't move, don't move.
48:35Just rest.
48:36Sadly never seen you before.
48:37♪
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53:09There's a yellow rose in Texas I'm going there to see
53:14No others fell in old town, no others, only me
53:19You may sing of other pretty girls from Maine to Tennessee
53:24But the yellow rose of Texas is the only rose for me
53:29She's the rose of Texas, you read it, it's now ever new
53:35Her eyes are bright as diamonds, with sparkle like the dew
53:40You may sing of other pretty girls from Maine to Tennessee
53:45But the pretty one of Texas is the only one for me
53:56♪
54:01♪
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54:11♪
54:16♪