Hollywood movies

  • 3 months ago
Transcript
00:00:00We're going to need your assistance.
00:00:27We're going to need your assistance.
00:00:57We're going to need your assistance.
00:01:27Let's move! Let's move!
00:01:58Don't look. That's four.
00:02:24On your six!
00:02:27We have two minutes before this place is full of the Patrol's men.
00:02:58We're out of time. Leave him!
00:03:05What you got there?
00:03:06Look at me. Don't look over there. Eyes front.
00:03:10What's he doing?
00:03:18Look, I want you to remember this.
00:03:22You hear me?
00:03:25No matter how much it hurts. No matter how much you want to.
00:03:33You ever seen Gabriel?
00:03:36What you doing?
00:03:37You ever seen Gabriel?
00:03:54What did you just say to me?
00:03:59Hey! Gabriel!
00:04:02He's reaching for his gun.
00:04:25God damn... God... God damn... Bullshit.
00:04:32Dammit, you're out of bullshit.
00:04:39Nice.
00:04:40Nice.
00:04:41Nice.
00:04:42Nice.
00:04:43Nice.
00:04:44Nice.
00:04:45Nice.
00:04:46Nice.
00:04:47Nice.
00:04:48Nice.
00:04:49Nice.
00:04:50Nice.
00:04:51Nice.
00:04:52Nice.
00:04:53Nice.
00:04:58Hey. Hey, I'm talking to you.
00:05:04The Caymans. Are you stupid?
00:05:07Don't you see? Look. The Caymans. Switzerland. It's all there.
00:05:24Here. Let's just take him.
00:05:35All right, listen up.
00:05:39We got the swift codes and the BICs for all the major dealers.
00:05:43Russian mafia, Spanish cartel, Mexican drug lords. All of them.
00:05:48Every major crime syndicate of the past ten years.
00:05:51The ones the government wanted erased.
00:05:55Watch for tails. Everyone do circle backs.
00:05:58We reconvene here in seven days.
00:06:01If anyone doesn't want to accept the risks,
00:06:05take your shares up to the collector.
00:06:07Get your cut. This will be the end of our arrangement.
00:06:09No questions asked.
00:06:12All right. Settled, then.
00:06:27Military training. Discharge.
00:06:30On the way.
00:06:32Military training, discharge for hyper-aggression.
00:06:42No, you don't go after him, it's his sister.
00:07:10Call her the Reaper.
00:07:18The Reaper?
00:07:19Yeah.
00:07:20Saw him in this commission to do a black ops mission in Waziristan.
00:07:23Got double-crossed.
00:07:24Day shelled him for ransom.
00:07:27CIA officially tried to bury the whole story, but the rumor is the person who did the rescue
00:07:32was fluent over 20 languages.
00:08:06Hand-to-hand combat, weapon specialist.
00:08:1012 dead, decapitated, no trace.
00:08:14And once I'm done, she's the one.
00:08:20Shira.
00:08:21Rumor is she lost her brother in a human trafficking ring.
00:08:25East Asia.
00:08:26She was a personal security detail for al-Pektan al-Naw, the richest Saudi sheik in Abu Dhabi.
00:08:33The only woman to ever make it through the ministry's defense system.
00:08:38And literally only sued 11.
00:08:42She's a driver?
00:08:45Putting her behind the wheels for our security.
00:08:53This one's a ghost.
00:08:56Don't know much about him.
00:09:01What do you want?
00:09:17Bats.
00:09:32It's all there.
00:09:39What do you want in exchange for these dossiers?
00:09:43Hey, easy, easy, easy.
00:09:46Michael.
00:09:48Michael.
00:09:53Tell me why I shouldn't kill you right where you stand.
00:10:00Freedom.
00:10:02I want out.
00:10:05I'm tired of doing all the work and only getting fifth.
00:10:08Time to believe your story.
00:10:13I am to fortify all my safe houses across Texas.
00:10:19This is impossible in a week's time.
00:10:26No.
00:10:28I'm gonna keep the key code on me.
00:10:34If you're wrong,
00:10:37Alvin will deliver your intestines to 1748 Opfenfelder Drive.
00:10:46Maybe.
00:10:50I cut off your tongue
00:10:53and hand it to your sister, Juror.
00:10:58In Croatia.
00:11:06All right, listen up.
00:11:09Thanks.
00:11:10No problem.
00:11:12We are officially burned.
00:11:15Every governmental database from here to the Middle East will have our photo.
00:11:19The direct shoot to kill will attach to it.
00:11:21Our intel has confirmed that Botero's moved over 80 million in cash assets from his safe houses.
00:11:27What's that, 40%?
00:11:31It's enough to know that he's spooked.
00:11:34And that our little snatch and grab job last week got his attention.
00:11:39I wonder if he has a badass shark tank.
00:11:42Bet he'd look good in my shark tank.
00:11:45Botero will move all of his assets into this compound.
00:11:48All right, it's state of the art.
00:11:50I'm talking motion sensors positioned in and around.
00:11:54Fiber optic source embedding that stores data off-site remotely.
00:11:58And it shifts and changes IPs every 15 seconds.
00:12:01The key codes will be stored in an anechoic chamber.
00:12:04What's that?
00:12:06Sound dampening room.
00:12:10No sound in.
00:12:14No sound out.
00:12:1680 million dollars.
00:12:18I say to hell with the key codes. Let's take the shark tank and get out.
00:12:22Good luck spending any of that.
00:12:24Mark Bills will have you tagged and flagged like that.
00:12:28BSE and bank code we took from Botero's safe house was calculated.
00:12:32It was the least guarded, the least likely to be thought of by anyone trying to make a move on Botero.
00:12:37Which is why he felt safe enough to store all the information that's going to lead us to the money that the feds wanted off the books.
00:12:44We're talking one billion. Clean.
00:12:50One billion. Split five ways?
00:12:54No.
00:12:57One billion per account routing number.
00:13:05We get the key code.
00:13:08Which links all the accounts to one central withdrawal.
00:13:11Bitcoin exchange, stocks, bonds.
00:13:14Everything the Mexican cartel and the Russian mob had laundered with the help of the CIA and FBI.
00:13:24I'm going to buy a boat.
00:13:28What's the catch?
00:13:32We take the key codes.
00:13:34Get out clean.
00:13:36If we make it out alive, what's the catch?
00:13:41We have to do this tomorrow night.
00:13:44Suicide.
00:13:45Hey, everybody shut up.
00:13:47We didn't just steal from the cartel.
00:13:50Every governmental agency, ones you know, ones you never knew existed.
00:13:54The entire Flangley gang is headed this way.
00:13:57The only thing we have at our disposal is the element of surprise.
00:14:02Money ain't no good if you ain't allowed to spend it.
00:14:05It's not going to matter. We're all ghosts anyway.
00:14:10What the hell does that mean?
00:14:12Hey, let it go.
00:14:16No, seriously.
00:14:18We've all got pretty goddamn close with you.
00:14:21Don't think about me.
00:14:26I'm just a humble servant.
00:14:32What does that mean?
00:14:33Hey, all right.
00:14:37Look, if y'all are done,
00:14:42the way I see it is there's only two ways you're going to leave this.
00:14:46And that's looking over your shoulder for the rest of your life until you are hunted and killed.
00:14:52Or looking over your shoulder with enough money to buy your way out of hell once your time is up.
00:14:59It's your choice.
00:15:052100.
00:15:07If you're late, don't bother showing up.
00:15:26Keep pressure on this.
00:15:28He's going to bleed out.
00:15:35Stay with us.
00:15:42We have to make it to the pier.
00:15:50What do you want to do?
00:16:00I'm pulling in.
00:16:27Oh.
00:16:39On the ground.
00:17:01We're moving.
00:17:29Solomon.
00:17:51What is this?
00:17:53They haven't moved.
00:17:56I said everyone get on the ground.
00:18:01Right now.
00:18:21Check this out.
00:18:32Stop the bleeding.
00:18:34But?
00:18:35But there's what?
00:18:36What is it?
00:18:37Look for yourself.
00:18:44Watch them.
00:18:46I'm going to check for traces in the car.
00:18:49We need to find a getaway.
00:18:51I'm going to turn the meter lights.
00:19:18What?
00:19:24He's lost too much blood.
00:19:27Right now.
00:19:29He's going to go into kidney failure.
00:19:34And his body will continue to shut down.
00:20:01He's going to die.
00:20:29He's going to die.
00:20:58He's going to die.
00:21:27He's going to die.
00:21:56He's going to die.
00:22:26What?
00:22:30How are we supposed to get answers now?
00:22:34What should be about answers?
00:22:37I told you not to bring that god damn freak show.
00:22:39I told you.
00:22:40Fooled you.
00:22:41Now you got everyone of us.
00:22:42That's all I know.
00:22:45All I know.
00:23:06Gabriel needs blood, and he needs it within the hour.
00:23:10Ammo?
00:23:12Charlie took locks through magazines, that's it.
00:23:20Sage found a grade two tracker on the car,
00:23:23which means they had us pinned from the very beginning.
00:23:26How is that possible?
00:23:30I don't know.
00:23:31Well, maybe they got to it while we were inside.
00:23:36Now this level of access requires the full sophistication.
00:23:42And the only ones without are the ones in this room.
00:23:46Still doesn't explain how we made out with eight million bills.
00:23:49Five.
00:23:53Five.
00:23:55We're lucky we made it out with any take at all.
00:23:58Five million.
00:24:01The same getaway money, it's very low expenses.
00:24:04Hey, if they made our plates,
00:24:05we need to find a getaway car.
00:24:07A plane.
00:24:11How much time do we have
00:24:13before they come knocking on every door?
00:24:16Couple of hours, max.
00:24:18Five million.
00:24:20How do we even know that there are ever any key codes?
00:24:22If you got something that needs clarifying, ask.
00:24:25No one could have predicted that Watera
00:24:27would lead us into a trap, okay?
00:24:30There's something here, Thomas.
00:24:32This whole thing smells.
00:24:35What do we do with the family in the other room?
00:24:39They've seen our faces.
00:24:43We do nothing until we know where we are
00:24:46and we find a different escape route.
00:24:48That burning will be way for us on the other side.
00:24:51So that's it, they just sit and wait.
00:24:55What about Gabriel?
00:25:00How do we get him out of here?
00:25:04How do we get out of the country?
00:25:09With their help.
00:25:18Stashed him in the trunk.
00:25:31Hey.
00:25:33Hey, look at me.
00:25:35How did you know we were coming?
00:25:42Answer me.
00:25:43That's enough.
00:25:44No, I don't hear what the fuck he has to say.
00:25:46Ah, shit.
00:25:49You okay?
00:25:51Fine, you did it.
00:25:52Settle down, everyone.
00:25:55All right, we're gonna do this my way.
00:25:57Does anyone have a problem with that?
00:26:00No more of this cavalier shit.
00:26:03I'm sorry.
00:26:03You got me?
00:26:04Follow her.
00:26:05What?
00:26:06Help!
00:26:07Help!
00:26:08Help!
00:26:08Help!
00:26:09Help!
00:26:10Must be in shock.
00:26:11Help!
00:26:12Help!
00:26:13Help!
00:26:14Help!
00:26:14Help!
00:26:15Help!
00:26:16Someone's here.
00:26:17Help!
00:26:18Help!
00:26:19Help!
00:26:20Help!
00:26:21Help!
00:26:21Help!
00:26:22Don't make noises.
00:26:23You are going to keep her quiet for the next 15 minutes
00:26:26or I will dissect your head from your body.
00:26:30Do you speak that clearly?
00:26:33How's your hand?
00:26:35Yeah, I'll live.
00:26:38What are we doing about him?
00:26:40Take him to the back.
00:26:41Keep him quiet.
00:26:50Not empty-handed, huh?
00:26:54Four plays for after we get acquainted.
00:26:56There we go.
00:26:59One hour.
00:27:00One hour.
00:27:01After that, every man for himself.
00:27:04Come on, let's go.
00:27:30Come on, let's go.
00:28:00Don't move until we come get you.
00:28:30Come inside.
00:28:31On me.
00:28:32Moving.
00:28:40Clear.
00:28:47What are you doing here?
00:28:52Do you know us?
00:28:53My name is Luke.
00:28:54I'm a detective.
00:28:55I'm here to help.
00:28:56I'm here to help.
00:28:57I'm here to help.
00:28:58Do you know us?
00:28:59My name is Luther and you're trespassing in my home.
00:29:03Did Potero send you?
00:29:04I don't know anyone by that name.
00:29:07He's lying.
00:29:09Take whatever you need and please leave.
00:29:15Why do you have people chained?
00:29:18Choose your next words very carefully.
00:29:22Shit.
00:29:24This is my squatter's home.
00:29:26People looking to escape their situations come here.
00:29:32Sometimes,
00:29:34families.
00:29:39Check this out.
00:29:51Seems legit.
00:29:52Goddamn sanctuary for obese families.
00:29:56We require a vehicle.
00:29:58Any ammunition you have.
00:30:00Maybe you'll make it to see Dawn.
00:30:02I have a car in the garage.
00:30:05You'll do that for me?
00:30:07It's fully gassed and big enough for all of you.
00:30:11Just take it and go.
00:30:13I don't want any more trouble.
00:30:18Kira.
00:30:19Kira.
00:30:27Take Mr. Luther to the garage.
00:30:31If he's lying,
00:30:33he'll put a bullet in his head.
00:30:38Come on, let's move.
00:30:41Look, we get the car and we load up.
00:30:45Anyone not in the car in half an hour,
00:30:47you're on your own.
00:31:17Keep your hands on your head.
00:31:20Move.
00:31:32I don't know what you've done,
00:31:35but it's not too late to turn around and walk away.
00:31:41I'm sorry.
00:31:42It's not too late to turn around and walk away.
00:31:47I planned on walking away,
00:31:49rich and alone.
00:31:58I have a confession to make.
00:32:00Stop.
00:32:12Stop.
00:32:34Luther?
00:32:35Luther?
00:32:41I'm not around.
00:32:44Where are you?
00:33:05No!
00:33:15We need to figure this shit out.
00:33:26It's Gabriel.
00:33:28I'll go check it out.
00:33:35Kira should have been back by now.
00:33:39Maybe she's up there telling Luther all our little secrets.
00:33:44Maybe.
00:33:47She did what we all should have done and
00:33:50took that car and
00:33:52we're looking out for ourselves.
00:34:00I'm going to go see where our Spanish flag is to offer this potluck.
00:34:03I'm going to go see where our Spanish flag is to offer this potluck.
00:34:15I'm here.
00:34:24Solomon.
00:34:29You need to leave this place, brother.
00:34:33You need
00:34:35to leave.
00:34:39You need to leave this place
00:34:42before it's
00:34:46before it's too late.
00:34:48We got a car.
00:34:49We're going to get you to a hospital.
00:34:52We're going to get you to a hospital.
00:35:01I don't know what to tell you, Solomon.
00:35:06Am I any one of them?
00:35:15Oh, look at you.
00:35:17You must have been one of his top men.
00:35:19Where are the key codes?
00:35:22Where's the drive?
00:35:28I told you full place for later.
00:35:41The codes!
00:35:49The codes!
00:36:01What are you talking about?
00:36:07I couldn't save you.
00:36:09I couldn't.
00:36:16I couldn't save you.
00:36:19I couldn't save you.
00:36:26I couldn't save you.
00:36:32What are you talking about?
00:36:39You were
00:36:41in the shadow
00:36:45of the door.
00:36:49Do you hear me?
00:36:51Do you hear me?
00:36:54There's nothing
00:36:58nothing
00:37:00that you could do
00:37:03nothing.
00:37:10Gabriel.
00:37:12Gabriel.
00:37:19Go in peace, brother.
00:37:27It's on a jump drive.
00:37:39You're going to tell me everything you know.
00:37:49You're going to tell me everything you know.
00:38:07Do it!
00:38:19Do it!
00:38:42I've seen some crazy shit,
00:38:44but I've never fought.
00:38:49As Daya,
00:38:54my grandmother would tell us tales
00:38:58to drown out the screams
00:39:00from people being murdered
00:39:02in the streets of Serbia.
00:39:06It began with tales of the Babaroga,
00:39:10creatures
00:39:12who feasted off the livestock
00:39:14and became about as Daya.
00:39:19The Devil
00:39:21of Three Faces.
00:39:25She used to say
00:39:31as Daya will reveal
00:39:33what you want to see,
00:39:37the evil you want to hide
00:39:41and what evil you truly are.
00:39:46So you're telling me that
00:39:48Daya
00:39:50is that our compadre here?
00:39:53Some sort of monster?
00:39:59In her stories
00:40:02the monsters were always man.
00:40:08As Daya's are penance
00:40:12or punishment for being wicked.
00:40:18Someone's here.
00:40:24Luther?
00:40:25Not sure.
00:40:29Officer Major?
00:40:31Taking on a complaint?
00:40:35Be smart.
00:40:37Officer Major?
00:40:39Anybody home?
00:40:48Sorry to bother you.
00:40:50The neighbors reported hearing
00:40:52large commotions coming from this area.
00:40:54Have you heard anything?
00:40:56Anything suspicious
00:40:58or out of the ordinary?
00:41:04Ma'am?
00:41:06Yeah.
00:41:08Sorry.
00:41:12I'm sorry.
00:41:14Yeah.
00:41:16Sorry.
00:41:18Everything's fine.
00:41:22I was moving a very large table.
00:41:26It must have been louder than I thought.
00:41:36Moving furniture do that to you?
00:41:44This is a shelter
00:41:48for those who need help.
00:41:52For those who can't help themselves.
00:41:54I'm so sorry.
00:41:58It's fine.
00:42:00Just go ahead and keep it down.
00:42:02We don't want dispatch sending more people to disturb you.
00:42:04No, we wouldn't.
00:42:06Keep the radio off.
00:42:14Just one more thing.
00:42:18I used to be one of those women.
00:42:20I will often forget my story as well.
00:42:24Hands up now!
00:42:26You got a gun to her head
00:42:28and a gun to your side.
00:42:30But you can't repeat, Officer Majors.
00:42:36Ma'am?
00:42:38I need you to walk towards me.
00:42:40I can't do that.
00:42:42If she moves, I will shoot her.
00:42:44You gotta listen to me.
00:42:46Trust me. I'm wearing a body cam.
00:42:48I'm gonna count to three.
00:42:50They will not shoot you.
00:42:52Because if they do, every cop
00:42:54in a 20-mile radius
00:42:56will converge on this bus.
00:42:58Ma'am, you have to trust me.
00:43:00Two.
00:43:02Walk towards me now.
00:43:04That's it. That's it.
00:43:06Keep coming. Get behind me.
00:43:08Now we're gonna get into this car.
00:43:10Get behind me.
00:43:12I don't know your names.
00:43:14I haven't seen your faces.
00:43:16We're not getting out of here.
00:43:18Both of us.
00:43:20How about now?
00:43:22Her face clear enough for you?
00:43:28We can't let you take her.
00:43:32She has something very valuable to us.
00:43:34I don't know who you are.
00:43:36I'm gonna take her.
00:43:40We're gonna get into this car.
00:44:02We need to get the fuck out of here.
00:44:04Right now.
00:44:10Sage, are you okay?
00:44:12What are our exit points?
00:44:16James, walk it off.
00:44:20James, walk it off now.
00:44:28We need to be ready for whenever that thing comes back.
00:44:34Hey.
00:44:38Finish your story.
00:44:44Finish your goddamn story.
00:44:46The beast has dia.
00:44:48It's afraid of sunlight.
00:44:50What else?
00:44:52Garlic.
00:44:56Windstakes.
00:44:58I don't know.
00:45:00I can't remember.
00:45:02Whatever that thing was.
00:45:04I believe Gabriel was trying to warn us.
00:45:06It could have been one and the same.
00:45:08What does that mean?
00:45:12If that thing is what I think it is,
00:45:14then bullets won't do us any good.
00:45:18Like with Gabriel.
00:45:22And unlike Gabriel, we won't have a giant table to throw that thing onto.
00:45:28So I suggest we figure out how to survive till dawn.
00:45:32Great.
00:46:02No.
00:46:06No.
00:46:08You're gonna do it. You're gonna get out.
00:46:10You're gonna get out. You're gonna get out.
00:46:12You're gonna make it. You're gonna make it.
00:46:14Let's take this off.
00:46:22Bye now. Bye now.
00:46:24Hello, James. Bye.
00:46:26Yeah, you're gonna get it.
00:46:28You're gonna do it. You're gonna buy it.
00:46:32You're gonna make it. You're gonna make it.
00:46:44How long have you been here?
00:46:52Who are you?
00:46:54I'm Samarit.
00:46:56Samarit Sage.
00:47:02Sage.
00:47:10What did she say?
00:47:14She wished us luck.
00:47:18Thought so.
00:47:22Get up.
00:47:24Get up.
00:47:26Get up.
00:47:32Go find us as much wood as you can find. You hear me?
00:47:34Go.
00:47:38And hey.
00:47:40You pull that again, and I will put a bullet in your head.
00:47:42Do we understand each other?
00:47:46You two.
00:47:48I want you against the wall with your backs to us.
00:47:52Watch as I got the better of you.
00:47:56Come on.
00:48:08You said we needed her back there.
00:48:12I think she knows what this is.
00:48:20She may be the last link to the money.
00:48:23I hope you're right.
00:48:27Oh, she's definitely right.
00:48:29Now, now.
00:48:31Let's not do anything we'll regret.
00:48:34Put the guns down.
00:48:36Come on.
00:48:38You can do it.
00:48:40Yeah, good boy.
00:48:42That's a good boy.
00:48:44You too, gorgeous.
00:48:47I got a shot.
00:48:49Sage, do what he says.
00:48:51Do what he says, Sage.
00:48:53Drop the gun, Sage.
00:48:57Slide it.
00:49:05Now let's play a little game
00:49:07of finders keepers.
00:49:15I found these in the closet upstairs.
00:49:21With the owners all shredded to pieces.
00:49:25Now I'm going to be around to find out who
00:49:27or what.
00:49:29No.
00:49:31No, I'm getting out of here.
00:49:33Tonight.
00:49:35James, we don't know what's out there.
00:49:37Our best idea is to stay until dawn.
00:49:39Fortify this place and make sure we get out of here alive.
00:49:41Shut up.
00:49:45You.
00:49:47James, you're drunk.
00:49:49The only way out
00:49:51of this is together.
00:49:53You lied to me.
00:49:55You're wasting time.
00:49:57You lied to me.
00:49:59What did you take from Botero's office?
00:50:01I told you we didn't take anything.
00:50:03Give it to me.
00:50:05I told you we didn't take anything.
00:50:07It still made me refreshed.
00:50:13What do you want me to put one in his skull?
00:50:19What do you want me to put one in his skull?
00:50:33You know, I had a chat.
00:50:37A little chat with our angel here earlier.
00:50:41Turns out we have mutual friends.
00:50:43You dimed us out.
00:50:45Oh, act surprised.
00:50:47Suicide mission, remember?
00:50:57This is what 14 billion dollars looks like.
00:50:59This is what 14 billion dollars looks like.
00:51:17I hope you all make it through the night.
00:51:29No!
00:51:33Where did she go?
00:51:35Where did she go?
00:51:37She couldn't have gone far.
00:51:41He must have found another way.
00:51:43He is still inside.
00:51:45Solomon.
00:51:59Where is she?
00:52:01Liz!
00:52:03Liz!
00:52:27Now you can understand me.
00:52:31Something's not right.
00:52:43Hey, Solomon.
00:52:51It's the same as Gabriel.
00:52:53Exactly.
00:52:57And what's with him?
00:53:01Huh?
00:53:17She asked you a question.
00:53:22Where am I?
00:53:26Do you speak English?
00:53:28Where I am
00:53:30cannot be understood.
00:53:36What are you and your daughter doing here?
00:53:46What are we fighting?
00:53:58He shouldn't have come here.
00:54:02He will never let you leave.
00:54:09Santa.
00:54:11We need to get to the car.
00:54:13Right now.
00:54:15Right now.
00:54:27Sage.
00:54:29Get over here.
00:54:31Look.
00:54:33It's taking him.
00:54:45She couldn't have gone far.
00:54:50Let's go back.
00:54:52Find her.
00:54:54Sage.
00:54:58If this goes south
00:55:00you don't look back.
00:55:15I love you.
00:55:17I love you.
00:55:19I love you.
00:55:21I love you.
00:55:23I love you.
00:55:25I love you.
00:55:27I love you.
00:55:29I love you.
00:55:31I love you.
00:55:33I love you.
00:55:35I love you.
00:55:37I love you.
00:55:39I love you.
00:55:41I love you.
00:55:43I love you.
00:55:57People see what they want to see.
00:56:01Projections of a world
00:56:03as they want it to be.
00:56:13You were never
00:56:15going to turn me.
00:56:19Why turn a root
00:56:21into a flower
00:56:23only to watch it perish?
00:56:25You were never going to turn me.
00:56:29Why turn a root
00:56:31into a flower
00:56:33only to watch it perish?
00:56:43And after
00:56:45all this time
00:56:49I can finally sense it.
00:56:52Feel it.
00:56:56Longing to be reunited
00:56:58with its master.
00:57:02She will never
00:57:04stay with you.
00:57:06Never see you
00:57:08for what you truly are.
00:57:16Child.
00:57:18Child.
00:57:22This is why you linger.
00:57:26You have no fate.
00:57:44It's me.
00:57:48What is that thing?
00:57:50I don't know.
00:57:52What are those?
00:57:54Not nearly enough.
00:57:56We should leave.
00:58:12Solomon!
00:58:14Hey.
00:58:16What's happening?
00:58:21You need to move.
00:58:27Get your gun off my brother
00:58:29or I will put one in between your eyes.
00:58:31That is not your brother anymore.
00:58:35I won't ask again.
00:58:43Alright.
00:58:46Huh?
00:58:55Hey.
00:58:57Solomon.
00:58:59Solomon.
00:59:01We're getting across that border.
00:59:05Hey, Solomon.
00:59:07When we're fighting, remember
00:59:09we're still in this battle.
00:59:11After all.
00:59:16Alright.
00:59:20You see?
00:59:22So you can lose the paperweights.
00:59:30Silver hurts like hell.
00:59:36And I'm guessing
00:59:38daylight isn't too fun either.
00:59:40Isn't that right, Ledbet?
00:59:46That's right.
00:59:48Natasha
00:59:50ran away with Ledbet.
00:59:52I bet your grandmother
00:59:54told you more than stories.
01:00:00The streets will remember many names.
01:00:04Botero was but another face
01:00:06to be forgotten over time.
01:00:08And us the devil.
01:00:10Come on.
01:00:14You and I know when to be afraid.
01:00:18It won't be long now.
01:00:24They wanted us to capture you.
01:00:26I never intended
01:00:28on letting my money out of my sight.
01:00:30And after your hit
01:00:32on my cash house
01:00:34Botero was no longer a safe alias.
01:00:36What's happening to him?
01:00:40He belongs to him now.
01:00:42Who?
01:00:44Azadiyah.
01:00:48The other vehicle.
01:00:50That's our way out.
01:00:52I don't have another vehicle.
01:00:54The garage.
01:00:56But I won't leave without the coats.
01:00:58Where are they?
01:01:00Third level of the house.
01:01:02With James.
01:01:08If you go near my brother
01:01:10I'll kill you myself.
01:01:28I love you.
01:01:58I love you.
01:02:21You were never going to get away with it.
01:02:25I know.
01:02:28We both know
01:02:30she won't have the heart to do it.
01:02:36There's still one place
01:02:38that remains vulnerable.
01:02:40And judging by the weight
01:02:44there's only one bullet
01:02:46left.
01:02:52You wish to kill me.
01:02:54Show me your face
01:02:56and let's find out.
01:02:58I've waited so long
01:03:00to return the necklace
01:03:02to its rightful owner.
01:03:06I do not wish
01:03:08to harm you.
01:03:10I want to offer you
01:03:12something
01:03:14far greater than death.
01:03:16Stay away from me.
01:03:20I want to save your brother.
01:03:26What are you talking about?
01:03:30He's becoming a familiar.
01:03:34A ghoul.
01:03:36Soon to be blind to this world.
01:03:40He won't even know your name.
01:03:44But
01:03:48if you come with me
01:03:50to me
01:03:52I shall spare his life.
01:04:06You have until dawn
01:04:08to make your choice.
01:04:22Get my sister
01:04:24away from here.
01:04:26Solomon, get up.
01:04:28Get up.
01:04:30The necklace.
01:04:32Solomon.
01:04:34Hey, now.
01:04:36Come on.
01:04:38Sage.
01:04:46There's only an hour
01:04:48until dawn.
01:04:50Solomon.
01:04:52Hey.
01:04:54Don't follow me.
01:04:58It's okay.
01:05:20Sage?
01:05:26I told you not to follow me.
01:05:36No!
01:05:38No!
01:06:08No!
01:06:38No!
01:07:02I have a choice.
01:07:05I have a choice.
01:07:07I have a place
01:07:09for myself.
01:07:13For my brother?
01:07:19Such
01:07:21sacrifices
01:07:25must be made.
01:07:27Sacrifices?
01:07:31Give me your hand.
01:07:35Let me show you
01:07:37a place
01:07:39beyond your limited
01:07:41human vessel.
01:07:47I watched
01:07:49your legend
01:07:51once.
01:07:53Taken
01:07:55from me.
01:07:59I will not watch
01:08:01you perish.
01:08:03There's much
01:08:05to show.
01:08:11Such
01:08:13rhapsody
01:08:15of flesh.
01:08:33I will not
01:08:35watch
01:08:37you perish.
01:09:03Come on.
01:09:33Come on.
01:10:03No.
01:10:33No.
01:11:03No.
01:11:33No.
01:11:53Look
01:11:55at you.
01:11:59It's beautiful.
01:12:01It must
01:12:03be
01:12:05a part
01:12:07of you.
01:12:31It's beautiful.
01:12:33It must
01:12:35be a part
01:12:37of you.
01:13:01It must
01:13:03be
01:13:05a part
01:13:07of you.
01:13:31The angel
01:13:33came rearing
01:13:35from heaven
01:13:37came.
01:13:41His wings
01:13:43as drifted snow.
01:13:47His eyes
01:13:49as flame.
01:13:53Miguel, get inside.
01:13:57Children
01:13:59had a daughter just as heaven.
01:14:03Yeah.
01:14:05It can be a handful.
01:14:09Who did you save
01:14:11from the cancer?
01:14:17El Diablo.
01:14:25Looking for such a man would be
01:14:27dangerous.
01:14:31I am.
01:14:53Welcome to Mexico.
01:14:55Mrs. Helsing.

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