La promesa - Temporada 3 - Ep 387
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00:00I've found them. Perfect.
00:03Wait.
00:16Here they are.
00:20Good.
00:23I'll leave them to you.
00:26Smell it.
00:29Do you notice the sweet and sour smell at the same time?
00:32Yes, I do, Mr. Baeza.
00:34That's because of the merlot.
00:36It's the type of grape that is used in the region of Bordeaux, in France.
00:41For me, this is one of Mr. Marquez's best wines.
00:44It's balanced, with a body, not too alcoholic,
00:49and it also has an excellent presence in the mouth.
00:53Will it be difficult without knowing anything else?
00:55Yes, well, you still have a long day ahead to continue learning,
00:59so go do your work.
01:12What's going on, Miss Expósito?
01:15Do you know anything about Mrs. Darre?
01:17I would like to be able to answer you, but I haven't heard from her for days.
01:20Bad news.
01:22She has become my shadow and I can no longer take a step without her looking behind me.
01:26The worst of all is that now she is asking more questions about the account.
01:29What kind of questions?
01:32She has been looking for Vera and me to inquire about the day Mrs. Pío died.
01:36But it has been an unresolved interrogation, Mr. Baeza.
01:39Calm down, sit down, sit down.
01:41Have they told you something that could make you suspicious?
01:45No, nothing out of the ordinary, everything that everyone knows.
01:48And Miss González?
01:50Vera was more convincing than me.
01:52Keep in mind that she thinks that everything that happened is real.
01:54Well, then there is nothing to worry about.
01:57Don't give her more turns than necessary, Mr. Expósito.
02:00Well, I think this is not going to end here.
02:02Petra is not going to stop until she gets the answer she wants.
02:06Of course, Mrs. Alcos is a specialist in suspecting everything and everyone, yes.
02:10I think she will stop arguing when she realizes that she has nothing in her hands.
02:14Trust me.
02:16Well, I don't think so, Mr. Baeza.
02:18She doesn't realize that if she is pressuring her so much, it is because she has nothing against you.
02:22Don't fall for her trap.
02:24What if it's not like that?
02:26What if she knows more than we think?
02:28Impossible.
02:29Do you think that Mrs. Alcos can have the slightest idea of what really happened?
02:33That a specialist caused Mrs. Adar to be dead for a few hours?
02:37Or that she is not even buried in her town?
02:41That she lives in a cave where she can access standing from here?
02:45Listen to me.
02:47What we have to do is not feed Mrs. Alcos's suspicions and see how soon you forget everything.
02:54What's going to happen from now on with Mrs. Adar, Rem?
02:57Because I can no longer bring her the food she needs.
03:00It is getting more and more dangerous and we have no more excuses.
03:03I can't be going to Lujan to give her gifts forever.
03:05No, no, no. I'll go. I'll go.
03:07No matter how much power Mrs. Alcos creates in this house,
03:10there are still hierarchies and she cannot ask me for explanations.
03:14I don't know, Mr. Baeza.
03:16I don't know if it's a good idea.
03:18In the end, you don't know the way to the cave well and you shouldn't go alone.
03:21We could lose what we want.
03:23No, no.
03:24Well, don't worry because we will do everything possible for you to continue going there.
03:28Leave it in my hands.
03:32How long do we have to go on like this?
03:33A little while.
03:34I have already spoken with Mr. Marquez and he has given me permission
03:36to spread that Mrs. Adar died a few days ago.
03:39But finally!
03:41When were you going to tell me this?
03:42I wanted to tell you.
03:43I didn't want to throw the bells on the fly either.
03:46We have to spread this falsehood discreetly.
03:49We have to be more cautious than ever.
03:51Otherwise, we risk that all the effort we have made to get rid of Mr. Castillo
03:55is useless.
04:06It was that taste like cherry.
04:08Between sweet and sour at the same time.
04:10Without a doubt, the best of the wines I have tasted from your winery.
04:14I'm glad.
04:16I'm going to order some bottles for my own house.
04:19I'll talk to the mayors to tell me what it's about.
04:21Or maybe you, Alonso, can help me.
04:24It's a Chateau du Cliat.
04:27I don't know it.
04:29It's a small winery in Bordeaux that the dukes of Gandot recommended to me.
04:33Don Rómulo will have the reference.
04:35I'll talk to him later.
04:37I don't think it's easy to get.
04:39Especially right now.
04:41Why? Has there been a bad harvest?
04:43Why are they at war?
04:45Do you always have to end up talking about that damn war?
04:47Can't you have a little sensitivity?
04:49I was just asking about the wine.
04:51Don't take things out of context.
04:53And you have answered me, Alonso. You have answered me.
04:55Let's change the subject, please.
04:57Yes.
04:59Let's talk about Catalina.
05:01Has something happened to her?
05:04Are you going to make me look like I've gone back to the hangar?
05:07You threw her out of this house.
05:09What I was about to hear.
05:11I only made her walk around with a coat through the palace rooms.
05:15That's not true. I know my daughter well.
05:17Are you going to deny what you saw in my eyes?
05:19You should thank me for watching over the morale of this house.
05:23She would never have left the first time she left, if it weren't for you.
05:27Alonso, you can charge against me whatever you want, dear.
05:30But that's not going to change the reality.
05:32Your daughter Catalina is an immature girl.
05:35Now that she has her brother fighting for her life,
05:37she doesn't even know what to call her.
05:39Shut up, please.
05:41I know you are very excited.
05:43But calm down, for God's sake.
05:45Don't say anything that you might regret later.
05:48We are all nervous.
05:50Especially now that we are very worried about Martina.
05:54But fortunately, we know that she is adapting to a thousand wonders.
05:58Soon she will give birth to her son and she will be back with all of us.
06:02That's what they said about my sister Eugenia.
06:04Don't compare.
06:06Don't tell me what I have to do.
06:08About Martina, it's a crisis.
06:10About your sister, it's very different.
06:12Have you ever been placed in a place like that?
06:15Because I remind you that I have.
06:17You yourself, with your dear German-born baroness,
06:20placed me in a retirement home.
06:23Our niece will never be the same again.
06:26And we will always carry the blame on our consciences.
06:30Mr. Mendista, Cruz, please.
06:32Margarita says that it is a great place.
06:35With large gardens and what is most important, the best professionals.
06:39And they didn't make you lose your sanity when you were in that retirement home?
06:42That's because the place where I was is not even half as murky as the place where Martina is.
06:47But you don't want to see it.
06:48We are not going to let anything bad happen to Martina.
06:51Don't promise anything you can't keep.
06:53Well, come on.
06:55We have all finished with the coffee, right?
06:57Why don't you show me the roses, Cruz? Come on.
06:59Let's go.
07:00Yes, it will be better.
07:15I tell you that Mr. Ricardo is not going to be any problem.
07:19I asked him to wait a few more days to inform Mrs. Petra and he granted it to me.
07:22That's because he knows for sure that he has a foot in the grave.
07:26At least it's a problem less, Candela.
07:28I thank Mr. Pellicer for understanding.
07:32Then there is only the other concern.
07:35That he is not a fool, right?
07:37Before they start skinning my parents-in-law, I tell them that I understand them.
07:41At least in part.
07:42Well, I don't.
07:43I'm not even a friend, come on.
07:45To begin with, because I don't know what that means about economic survival.
07:50Neither do they, Candela. They don't know.
07:52They are simple people like you and me.
07:54Now as a banker.
07:56But you don't see, Virtudes,
07:58that what they want is to look for an excuse to not give you a child.
08:02Oh, I'll explain.
08:04No, it's just that they don't want to give me Adolfito.
08:07It's just ...
08:10that they are afraid.
08:12Afraid to give a child to his mother?
08:14Enough.
08:16In the end, they are right, Candela.
08:18I didn't take care of him as I should.
08:20I disagreed with him and chose the worst life possible.
08:24But that is not the case now.
08:26They just want to make sure that Adolfito is fine with me.
08:29Make sure that I can keep him.
08:31That would be tricky.
08:33Yes, you would have to work with Don Fermín.
08:35And to make sure that I will be able to keep my son.
08:42They want 550 pesetas.
08:45What?
08:47Hasn't your father-in-law lost it?
08:50That money to give back to your son.
08:53But they are selling it as if it were a goat.
08:55A herd of goats, Simona. We are talking about 550 pesetas.
08:58They are not selling me Adolfito.
09:00Look, virtue.
09:02White and in lechera.
09:03And if you cut it, it has cheese.
09:05That money is not for them.
09:07That money would go into a bank and it would be for Adolfito in the future.
09:11But if the child is with you, why do they want to keep that partner?
09:14In case the child stops being with me.
09:16What a galimatia.
09:18They just want to make sure of money in case Adolfito has to be taken care of again.
09:21550 pesetas.
09:23That's it.
09:24For his maintenance, clothes, school supplies, medicine.
09:29550 pesetas.
09:30We have already heard you.
09:32That's why I told them that I partly understand them.
09:35Because it is true that when they took him for the first time, Adolfito was in a very bad state.
09:41And they had to spend a lot of money to get him back.
09:47I think they want to cover up in case it happens again in the future.
09:52If that happens again, we don't want anyone again.
09:58Virtue.
09:59What did I ask for?
10:01So much money?
10:02So happily?
10:03Just for a slap in the face?
10:05As if it were twice as much, Candela.
10:07I have to get that money anyway.
10:10To be back with my son.
10:17I arrived just in time.
10:19López was out of his mind.
10:21And well, you already know my son Santos.
10:23He was going to return all the blows as hard as he could.
10:27But that was not the worst.
10:29No, because I have already separated Santos from many rejects.
10:33And I'm afraid it won't be the last.
10:35So what was the worst?
10:38Vera.
10:40Her eyes.
10:42She was ...
10:45She was ...
10:47She was terrified.
10:49Her whole body was shaking.
10:51And I know it wasn't because of the fight.
10:53It was because of what my son could have done to her before.
10:56But did any of them confirm that your son was forcing her?
11:00López.
11:01López accused him.
11:02And he said that was the beginning of the rejection.
11:06And of course, Santos denied it.
11:08Well, then logically the last word is in Miss González.
11:11She said they were doing things as a couple.
11:14And that Santos wanted to go one step further.
11:17But that he didn't turn around because she refused because of the lack of decorum.
11:21Oh, then my friend, it's all said and done.
11:23I understand your jealousy.
11:24Because Mr. Ruiz's accusation is very serious.
11:27I know.
11:28That's why I regret not having shared it with you before.
11:30But it's just that ...
11:32I was embarrassed by my son's procedure.
11:35It was completely inappropriate.
11:38Now we have to keep an eye on both of them so that this doesn't happen again.
11:41Of course.
11:42And I will talk to him.
11:43After all, much of the blame for this happening is mine.
11:46Why?
11:47Because if he's here, it's because I insisted.
11:49But that doesn't hold you responsible for anything.
11:52No, no, no.
11:53But you warned me, literally, against him and I stepped in.
11:56But you did it for his own good, just like you are doing now.
11:59No one could have foreseen this indecorous behavior towards Miss González.
12:02But his fame preceded him.
12:04And sadly well-earned.
12:05Because my son Santos is a picaflor.
12:07A vain Don Juan.
12:09Like a fool.
12:11What a youth he is.
12:13From now on, we are going to take Vera's words.
12:17And in the meantime, be attentive so that this does not happen again.
12:21Very well, I agree.
12:23But I ask you a favor.
12:24Let me talk to Santos.
12:26As you wish.
12:27I'm going to give you some advice, even if you didn't ask for it.
12:30It's more of a caress than a thousand blows to the side.
12:36Oh, really.
12:38Give me that.
12:41What bad luck, hey.
12:44Wait here a moment.
12:45I'm going to let the street know that I'm going to pick you up later.
12:47No, it won't be necessary.
12:48It seems to me that I will be recovering the sensitivity of the foot.
12:52Thank goodness we were close to the palace, huh?
12:54Thank goodness?
12:56Sorry.
12:57It's true.
12:58The idea would have been that I hadn't bitten that wasp.
13:00It's just that more than a wasp, it was the whole hive, that.
13:03Well, it seems that the inflammation is already going down.
13:05Well, come on, come on.
13:06Let's go to your office.
13:07Is it true that I have such bad luck?
13:08Well, luck or fate, whatever you want to call it.
13:10Is it clear?
13:11That it's not on my side.
13:12Don't draw conclusions for a simple bite.
13:15It's the icing on the cake.
13:17What's right in my life?
13:19My son at war.
13:20Martina in the sanatorium.
13:22Catalina, more unbearable than ever, making me suffer.
13:25And Alonso, well, let's not talk about Alonso.
13:28Are you back?
13:29Yes.
13:30An interview made us come back in a hurry.
13:33Are you okay?
13:35Did Alonso warn you?
13:36Please, just a bite of wasp.
13:38You don't have to get things out of your head.
13:40Yes, but it was very painful.
13:41In that case, vinegar is the best thing for his poison.
13:44Another knowledge you've acquired on the front, Captain.
13:47It relieves pain and helps prevent future infections.
13:50Well, we'll also put ice on it to lower the inflammation.
13:53Very good idea.
13:55I'm going to let him know.
13:57Where are you going?
13:58Where are you going?
13:59To my bedroom.
14:00I don't want to go without meaning anymore.
14:03Vinegar and ice?
14:04It's my ankle, not a gazpacho.
14:06And you don't have to come with me.
14:09Wait.
14:13How did you know he was in the hangar?
14:16Well, I didn't know.
14:17But I preferred to try my luck before setting foot in his palace again.
14:21I'm very sorry.
14:24It had to be very unpleasant for you.
14:28I was afraid you wouldn't want to see me again.
14:31Well, you see I don't.
14:34It had to seem like a cage to you.
14:36I shouldn't have visited you there.
14:39It's just my fault, forgive me.
14:41Catalina ...
14:43Miss, I have nothing to forgive you.
14:47And much less you are not to blame for anything.
14:50The one who proved we don't have Dale was his stepmother.
14:54That's a very fine way of saying it.
14:57It was a mess in Regla.
14:59I thought people with titles were given a little ...
15:03education.
15:06You see that some lesson has already been learned.
15:10Do you want some?
15:11It's coffee, not tea.
15:13Yes.
15:16Well, some lesson, no.
15:18All of it.
15:19Now I understand how unfair it was to go with you telling him to return to the palace.
15:23I wouldn't last half a minute in that madhouse.
15:27Well, luckily they are not all the same.
15:31As long as there is only one, I have enough.
15:34And me.
15:35You see how little it took me to return to my refuge.
15:40Miss,
15:41from the one who came here,
15:43I remembered a story that happened to me with my father.
15:46That comes in handy.
15:49I hope my stepmother doesn't appear in that story.
15:51No.
15:54You see, it was in the town market.
15:57I was a child, I accompanied my father to sell fruit.
16:01And what surprised me about all that was that he knew everyone.
16:05Or that's what it seemed to me.
16:07He greeted everyone equally.
16:09No matter if it was the mayor, the priest, or the most humble of the day laborers.
16:15Not even with the beggars he made distinctions.
16:17In fact, he gave them fruit to alleviate their hardships.
16:21Your father had a big heart.
16:27When we were picking up the stall in the afternoon,
16:31I asked him how it was possible that he was a friend of everyone.
16:34And he told me that he didn't even know many of them.
16:37So?
16:39He said that we never know who we can have in front of us.
16:43And the difficulties that may be happening.
16:46A nice word can change their day for the better.
16:52A great advice.
16:54Yes.
16:55He said that respect is a matter of humanity.
16:58That we all deserve it.
17:04Maybe he asks you to repeat that story to my stepmother.
17:07It would be good for you to hear it.
17:09No.
17:10I thought you were keeping something precious from me.
17:16I can't stop thinking about what Cruz told us when he found us hugged.
17:24Miss.
17:26You better forget that.
17:30Let her say that we were doing something indecent.
17:35You and I only hugged each other.
17:38I needed it.
17:40I was heartbroken by my cousin's death.
17:43I know.
17:46And that you and I didn't do anything wrong.
17:49The only sinful thing in that room was the cursed imagination of your stepmother.
17:55You're absolutely right.
17:57The best thing would be to forget it and that's it.
18:12How did you leave Cruz?
18:14Angry.
18:16She's still mad at that bitch.
18:19I told you that he came to attack her.
18:21Well, no.
18:22Don't even remind me.
18:23I insisted so much that she seemed stupid to me.
18:26I admire your work, María Antonia.
18:29Cruz is not an easy woman to deal with.
18:32Well, I do it with pleasure.
18:33Nobody forces me.
18:35That honors you even more.
18:37Although I see that it also has its cost.
18:39You look exhausted.
18:42Well, yes.
18:43A little tired, so I am.
18:44The truth.
18:45And correct me if I'm wrong, but that fatigue has not only to do with my dear sister-in-law.
18:50Right?
18:52It may be.
18:53But hey, that's just my thing.
18:55I don't want anyone to care.
18:56I care.
18:59I care about your well-being.
19:00Especially if that well-being is committed by someone like Alonso.
19:05Good try, Lorenzo.
19:06Good try, yes.
19:07Yes, but ...
19:08You're wrong from head to toe.
19:10Really?
19:12I apologize, then.
19:14Although you understand my mistake.
19:16You have been like this since the night I kept Cruz busy so that you could solve your issues.
19:22You get on my nerves, Lorenzo.
19:25As you have said, those issues only concern the Marquis and me.
19:28I just wanted to show you my support.
19:32I'm going to ask for more water.
19:33I'm thirsty.
19:41Thank you.
20:07Hanna, you are the woman of my life.
20:09I thought we both already knew that.
20:11Please, stop making jokes.
20:15Okay.
20:17What's wrong?
20:19Forgive me, it's just ...
20:20It's just that it's very important.
20:25Okay, then.
20:26I'd rather you tell me now because you're scaring me.
20:39No.
21:04Hanna Expósito.
21:06Do you want to marry me?
21:32Listen to me.
21:35I promise you.
21:38I'll be back before you start missing me.
21:42Don't promise me things you can't keep.
21:51Well, then, I promise you.
21:54When the time comes, we'll get married again.
21:58Yes.
22:01Something tells me we're going to be happy.
22:05Very happy.
22:08As you wish.
22:25Where are you, Manuel?
22:29Why don't you keep your promise and come back soon?
22:35Oh.
22:38What a scare I gave you.
22:45What were you thinking about your Manuel?
22:50You don't know how much I miss him, Maria.
22:55I miss him so much it hurts.
22:58It's okay, it's okay.
23:00How old are you that you have to cry over things like this?
23:04And not put up with it.
23:07I swear I'd go to war if I saw him again.
23:12Well, don't tell me you don't miss Hanna either.
23:14A war is a serious thing.
23:23I'm sorry.
23:25No.
23:27I'd do anything, Maria.
23:29Anything to have him in my arms again.
23:34Well, you know that for the moment that can't be.
23:39But you'll see how soon he'll receive another one of his letters.
23:43Well, I hope so.
23:45Because that means he's alive and that's all I want.
23:50For him to stay alive and come back soon, that's all.
23:52Of course, but while he waits, you can't come down.
23:55That's what I wouldn't want, Manuel.
23:59I know.
24:02But suddenly my worries come over me and overflow.
24:06What other worries do you have apart from your lover?
24:10Well, I run.
24:17All I want is for them both to be alive,
24:19that they come back safe and sound.
24:22And that's it.
24:25Well, let's change the subject.
24:26Everyone knows that if you go to bed with sadness, you dream nightmares.
24:31And I don't want you to wake me up at midnight screaming.
24:38Why did the Marquis require you?
24:40Because he had bitten him once.
24:42I heard that.
24:44But it seemed too much to me, the bite of such a small bug.
24:49So you must have gone to the mountains and come back with two or three bites of that.
24:52Well, it could be lethal.
24:54But not for the Marquis.
24:56No?
24:57Well, the truth is that no, because when I went, I didn't even have a badge.
25:00That's why I say it's an exaggeration.
25:04Come on, I think he has so much poison in his body that a little more is not even noticeable.
25:20I have to admit that it is more comfortable than any of my dresses.
25:24When you return home, you will miss it.
25:26You'll see.
25:34Very good, Martina.
25:35What a great joy to see you already with the uniform on.
25:38At first I needed a little push, but that's what friends are for.
25:41I was sure you two would get along.
25:43No one is perfect.
25:45But that's what friends are for.
25:46I was sure you two would get along.
25:48No one better than Juana to help you integrate here.
25:51Sorry, but I have no intention of integrating here.
25:54What I want is to talk to the doctor, I already told him.
25:57I know.
25:58It's been notified, don't worry.
26:00And he insisted that you take the pill first.
26:04The pill? What pill?
26:05I'm not sick, I don't need any pill.
26:08It's just a very soft tranquilizer.
26:10To flatten the nerves of the arrival.
26:11Because I'm not nervous here.
26:13I also took it at the beginning.
26:15You'll see how it does you a lot of good.
26:22Take it.
26:27I told you to take it.
26:43You have to take it with me in front of you.
27:13Hey.
27:14What's wrong?
27:15Nothing, a puncture.
27:19Really, huh?
27:20Look, I'm not superstitious, but lately it seems to me that I have a black eye,
27:24or that they have cast an evil eye on me, or I don't know.
27:26Maybe you have your head somewhere else.
27:28Well, I'm the same.
27:30I've read the same page of this magazine three times.
27:32I haven't found out anything.
27:34I don't know what's going on.
27:35I don't know what's going on.
27:36I don't know what's going on.
27:37I don't know what's going on.
27:38I don't know what's going on.
27:39I don't know what's going on.
27:40I don't know what's going on.
27:41I haven't found out anything.
27:43That will be the guilt that devours you inside.
27:46Cruz, let's not start.
27:48Well, you know what?
27:50I'm going to ask them to prepare my car.
27:53For what?
27:55You and I are going right now to see Martina at the sanatorium.
27:57No.
27:59That's not going to be possible.
28:01Why not?
28:02It's not that far.
28:03We come back before lunch.
28:04We just go, say hello and make sure she's okay.
28:07No, it can't be, Cruz.
28:09So please sit down.
28:11Why?
28:13Have you forbidden me to visit?
28:16Well ...
28:18Something like that.
28:20I see.
28:21These places all work the same.
28:24It was an express order from the doctor when we admitted her.
28:27No visits for the first three or four weeks.
28:31They did the same to me.
28:33Those morons.
28:34They are all cut off by the same boss.
28:36They just told us that visits cause pain in both patients and families.
28:41They also slow down the patient's adaptation process.
28:44And they told us that they do that so that the patients tell us what they are doing to them.
28:48Always thinking about the best of everyone.
28:50And you still believe that that is no less than a spa.
28:52Well, Cruz, leave that there.
28:54Leave that there.
28:55Please.
28:57If my daughter is there, it is for a reason of weight and you know it.
28:59Yes?
29:01For a blackmail that you have lent yourself?
29:03Without offering a minimum of resistance?
29:05There was no other option.
29:06Don't tell me that, Margarita.
29:08Tell your daughter when you go to see her in three or four weeks.
29:13You are being very unfair.
29:16The truth hurts, dear.
29:36Are you okay?
29:41Call a nurse.
29:42No, no, no.
29:43Don't call anyone.
29:45It was ...
29:47It was the pill.
29:48It's going to pass right away, I'm sure.
29:50You must be right.
29:51It's not the first time I've heard a colleague complain about that.
29:54Dizziness and nausea.
29:57That.
29:58At least they last a little.
30:00Or so they say.
30:01I shouldn't have taken the pill.
30:03You did what you had to do.
30:05If you go by the rules, it's worse, believe me.
30:10What do you mean?
30:13The doctors and nurses are in charge here.
30:15You and I can tell Misa that they don't care.
30:18Yeah.
30:19And what happens if you refuse?
30:24Hey.
30:26What are you going to do?
30:28Hey.
30:29Why don't we take a walk?
30:32The fresh air will help you get over the dizziness.
30:37No, no, no.
30:38I don't know if I'm going to feel good doing this.
30:44Anyway.
30:46Can we go outside?
30:48Of course, woman.
30:49Do you think this is a prison?
30:52Besides, I have to introduce you to the people.
30:54Most of them are very nice.
30:56Most of them?
30:57Of course.
30:58You're not going to try to please everyone, are you?
31:01Let's go.
31:04Wait, I'll stand up.
31:12I think I need five minutes.
31:16No problem.
31:18The gardens won't move from their place.
31:26Neither will the bathrooms.
31:40It's 550 pesetas.
31:43Don't say that again.
31:45It's like they give you money every time you poop like a chicken.
31:48Well, I hope so.
31:49Because that's how I'd give it to Virtute
31:50so she'd give it to your in-laws.
31:53The truth is, it's a lot, partner.
31:56A lot? It's a lot of money.
31:58What do those people think?
31:59That your daughter poops money?
32:01I'd give my daughter everything I have saved.
32:04She can't even start with that.
32:06I'd help her as much as I could, too.
32:08Although, I don't know about you, Simona,
32:10but I think that...
32:12How do you say it?
32:14Financial security.
32:15That's it.
32:16That's what my grandmother has been looking for.
32:18I think these two are well-off.
32:20And what they want is money.
32:22They want your daughter to get her baby back.
32:25No, I don't think so.
32:26Because up to now, those people have taken care of the baby
32:29without asking for a single peseta in return.
32:31Don't you think that's exactly what they want?
32:33That Virtute can't pay for it?
32:35Because that way, they'll keep the baby,
32:37and then glory.
32:39Don't you think that's a bit too much?
32:41How do you know they're asking for that kind of money?
32:43I know that my Virtute won't give up
32:46until she gets the last peseta.
32:48But I don't know where she'll get it from.
32:50From her salary.
32:52Because with how little she gives us here,
32:54when your daughter saves it,
32:56your grandson will have a grandson.
32:58It's not fair that my Adolfito
33:00grows up far from his mother.
33:01I'm telling you,
33:02that's exactly what your in-laws want.
33:04No, Candela, no.
33:06I don't think so.
33:07The times I've been there,
33:08you can tell they're good people
33:10and they've treated me very well.
33:11And you can tell.
33:12They don't care about the baby.
33:13I don't think it's a bad intention.
33:15I don't know if it's the first or the last
33:17but if it's not,
33:18Pedro Botero's henchmen will.
33:20I just hope that my Virtute
33:22finds a way to get that money.
33:25But it's 550 pesetas.
33:27Candela, please!
33:28Don't overdo it!
33:29No!
33:47Don't you see you're leaving a lot of wrinkles?
33:50You have to iron the garment well
33:51before putting the iron on top.
33:59I'll send someone to give you a hand.
34:02Thank you very much.
34:05By the way, Hanna,
34:06have you heard anything about what's going on in town?
34:10I don't know what you mean.
34:12Well, I was there yesterday afternoon
34:15and I was surprised that not one,
34:17but several of my acquaintances
34:18asked me about Pia.
34:20Because they've heard that Pia is dead.
34:25Did you know anything?
34:28Well, no. I don't know what you're talking about.
34:31Come on, Hanna.
34:32You're a very smart person
34:34and you always know everything.
34:36So, come on.
34:38Tell me who's been talking.
34:40I don't know.
34:41And anyway,
34:42I don't think it's such a strange rumor.
34:44It's what happened.
34:46What does that mean?
34:47That Mr. Marquez has already given the order
34:49that the news about Pia's death can be spread?
34:51Once again, he asks me a question
34:53that I can't answer.
34:55Maybe Mr. Baeza can help you.
34:58Well, yes.
34:59I'll have to talk to him.
35:01Because if the situation gets out of hand,
35:03it would be terrible for the honor of the family.
35:06Indeed, it can't be.
35:08We should avoid it, yes.
35:10If only we could hear the voice that Pia
35:12has died here in the palace,
35:14that she has taken her life.
35:15Mrs. Petra, that's a lot of budget.
35:18And besides, Mr. Marquez did want
35:20to know that she had died in his town.
35:22Yes.
35:23But rumors can't be controlled.
35:25You know where they take us.
35:29I already knew that such a hasty way of acting
35:31was going to bring us problems.
35:32What do you mean by hasty?
35:34That way of taking the body from here
35:36and to that burial.
35:40Well, I think that in this case,
35:42the urgency went hand in hand with discretion.
35:44Well, it's obvious that it hasn't been enough.
35:47Because what he has done has been
35:49to sow doubts in people.
35:51Because who acts in a hurry at night
35:54has something to hide.
35:56Juana, there were other reasons
35:58to act with that diligence.
36:01What other reasons could there be?
36:07Mr. Baeza, do you have a moment?
36:11So?
36:12Look, Mrs. Petra had a doubt
36:14and she hasn't been able to solve it.
36:16Let's see.
36:18It's just that rumors are beginning
36:20to spread around the town that
36:22she has died.
36:24And we were wondering if Mr. Marquez
36:26had given the order to tell the truth.
36:29I understand.
36:31Miss Expósito, you can finish your homework.
36:35Mrs. Arcos, if you don't mind,
36:37come with me to the office.
36:39There is something you should know.
36:46What?
36:59What do you think?
37:01It's wonderful!
37:07I've spent so much time here that
37:09I already distinguish the caterpillars from each other.
37:11I'll have to give them names.
37:14Good morning, Mrs. Maite!
37:21Poor Maitecita.
37:24They say she was more beautiful
37:26than the little Argentine in her youth.
37:28And that's why she pretended to be a duke
37:30very close to the king.
37:32But he left her planted on the altar
37:34and she lost her mind completely.
37:37Martina, you haven't said a word
37:39throughout the walk.
37:41I thought I was listening to you.
37:43Yeah.
37:45You don't know,
37:47because it's a secret that only crazy people share.
37:50What?
37:51What do you mean?
37:53It's about ...
37:55a supernatural power.
37:59Let's read minds, Martina.
38:03Oh.
38:04For example,
38:05right now you're thinking about
38:07what the hell you're doing in this place
38:09and you don't even remember.
38:13What a joke.
38:18Come on.
38:19Do you know why they put us together in the room?
38:23Because we are healthy.
38:25That you and I are in this sanatorium
38:27has nothing to do with our heads,
38:29but with our families.
38:31I was wrong.
38:35Why did they lock you up here?
38:39For falling in love with the wrong person.
38:41My father never accepted it.
38:43He wanted to marry me to a despicable man.
38:45But I had money.
38:47I tried to escape with my lover, but they caught us.
38:50And yet that man no longer wanted to marry me.
38:52So to ruin his business,
38:54my father put me in this place.
38:56And are they going to leave you here locked up forever for that?
38:59No.
39:00No, no, no. Of course not.
39:02I wouldn't allow it.
39:03I guess they'll punish me
39:06when I marry someone else or ...
39:08I don't know, leave town.
39:10It's the way my father has to make sure
39:12I learn the lesson.
39:14How sad.
39:17And you?
39:18How did you end up in this sanatorium?
39:20Have you been for a man?
39:21You don't have to say that.
39:23But ...
39:24What is your story?
39:27Come on.
39:28Be ashamed.
39:35We met
39:37when we were kids.
39:39But we had never considered anything ...
39:42romantic.
39:44Is he poor?
39:45No, he's not poor.
39:46But he's from my family.
39:47He's my cousin.
39:49Well, he's the cousin of my cousins.
39:50He's not my blood cousin.
39:52I understand.
39:56One day we realized that we were
39:58madly in love with each other.
40:00But ...
40:01the family situation was complicated,
40:03so we had to hide it.
40:06A clandestine relationship?
40:08How beautiful.
40:11They were the happiest months of my life.
40:17What happened then?
40:21My father died.
40:24I'm sorry.
40:25Thank you.
40:27It was very difficult for me to assume his death
40:29and in fact, to this day,
40:30it still is difficult for me.
40:32And I made the mistake of ...
40:34blaming him.
40:36And now I would like nothing more
40:38than to be able to apologize
40:39and to be able to admit that I was wrong.
40:41And to prevent it from happening.
40:45He went far away
40:46and all I knew about him was
40:48the letters my uncles sent me,
40:50but here I don't even have that consolation.
40:54And now let's stop talking about this
40:55because you know I start crying like an idiot.
41:04Letters.
41:16What's going on?
41:18Didn't you like it?
41:20Yes, yes, I'm thinking.
41:22Thinking about your cousin, right?
41:24I feel like I've failed.
41:27That I haven't done enough to prevent her
41:29from being locked up in that sanatorium.
41:31Miss, the decision to lock her up
41:33has not been hers.
41:34She doesn't have to bear that guilt on her shoulders.
41:38But I promised her that I would discover the truth
41:40and I have nothing.
41:42There is still time.
41:43We are in time.
41:44I already told her that what was in my hand ...
41:47Actually, there is one thing
41:49you could do for me.
41:51Well, you know what I need.
41:54Tadeo and I came to the conclusion
41:56that the cicuta had to leave the pharmacy.
41:58So I told him to try to buy a bottle,
42:00but I haven't seen him again.
42:03Miss, I don't want to discourage you,
42:05but Tadeo has not been able to get anything.
42:09What?
42:11The pharmacist has refused to sell him anything.
42:14But he told me that man would give him anything
42:16in exchange for money.
42:19Yes, but not cicuta.
42:22Tadeo believes that rumors may have reached
42:24the pharmacist's ears
42:26about his cousin Martina and Count Dayala.
42:28That is why it is possible that he is on the lookout.
42:30Well, we'll have to insist then.
42:34It's just that Tadeo is already trying,
42:36that's why he hasn't said anything yet.
42:39Well, I was going to ask you to talk to him
42:41to try to help him.
42:43I am very afraid that it would be of no use, Miss.
42:59With ...
43:03A green ...
43:07Red ...
43:10Red ...
43:12What are you writing?
43:14Nothing.
43:16María, don't come to me again with that nonsense
43:18that these are your homework.
43:21It is exactly what it is, Hanna.
43:23My homework.
43:25And I mean it.
43:28María, do you really think I was born yesterday?
43:31I know you're writing in secret.
43:33And also at night when you think I'm asleep.
43:35Aren't you asleep?
43:37Well, you see I'm not.
43:38So tell me.
43:39Is it a diary or what?
43:41No, Hanna, they're my things.
43:43Only mine.
43:44So don't insist anymore.
43:45Curiosity killed a cat.
43:47Yes, two cats.
43:49I don't know why you're trying to hide it from me.
43:51In the end I'm going to end up thinking
43:52that you're writing something bad about me.
43:54Because I'm ashamed.
43:55But how are you going to be ashamed, María?
43:57Yes, so don't insist anymore.
43:58Elfaboy, don't insist anymore.
43:59Let's see, all I want is for you to tell me
44:00that you're writing about me.
44:01But I don't want to tell you, Hanna.
44:02Do you know what's wrong with you two?
44:04Nothing, so leave me alone.
44:06Hey, hey, I just got here.
44:08Why were you arguing?
44:10Let Hanna tell you, I'm leaving.
44:11Hey.
44:13What, because of what you're writing?
44:14Oh, you know?
44:15Yes, he knows.
44:16And he's not going to tell you anything because they're my things.
44:19But what's wrong with that?
44:20That's what I want to know.
44:22What?
44:23In the end I'm going to be the worst, María.
44:24Well, don't get involved.
44:26María, she doesn't want to know because she's your friend.
44:28Exactly.
44:33Well, look, what you're writing ...
44:34Don't even think about it.
44:36Don't even think about it.
44:41It's a love story book.
44:46Yes, they are love stories.
44:48And don't even think about laughing that I'm looking at you, Hanna.
44:50Why would I do it, María?
44:52I think it's a great idea.
44:55Do you think so?
44:56Well, of course.
44:57Who better than you to write something like that?
44:59You have a gift for the word.
45:01Nice way of telling me that I didn't even fall under the water, huh?
45:04I'm serious.
45:05Why don't you read us something?
45:07That, which I'm also looking forward to hearing.
45:10No, no, no.
45:11No.
45:12What do you mean no?
45:13No.
45:14Are you sure you wrote it for someone to read it?
45:18Well, okay.
45:21I'll let you read it, but when I finish it.
45:23And not before.
45:25And I have to think about it, because I don't have it very clear.
45:27I'll decide later.
45:40Don't you drink the last one?
45:51So, have you finished planting the plots?
45:54Yes.
45:55But it hasn't been easy.
45:58Why?
45:59Did you run out of seeds?
46:01Or did you have problems with the plow?
46:04No.
46:05We've had problems with a scarecrow.
46:08Do you know Gerardo?
46:10Yes.
46:11From when I worked with your father.
46:13And do you know his nickname?
46:14No.
46:15No?
46:16They call him Pocamecha.
46:17Because he has a devilish genius.
46:20You can imagine it perfectly.
46:22And that he took it with the scarecrow.
46:24No, no.
46:25On the contrary, scarecrows scare him.
46:27He says they give him bad luck.
46:29You won't say it seriously.
46:31Can you imagine the luck the Macones have?
46:34Poor Pocamecha.
46:36But I came up with an idea that seems to have worked.
46:43What? Covering his eyes to go to the field?
46:45Can you imagine?
46:46No.
46:47What I did was to take my father's old clothes
46:51and I wore the scarecrow.
46:53Gerardo respected him a lot.
46:55I told him it was a tribute.
46:58A strange tribute.
47:00Anyway, the man calmed down.
47:04And now he has lunch with the scarecrow.
47:07He tells him about his life.
47:09And you call it that.
47:11You're making all this up.
47:14No, I swear I'm not.
47:17No.
47:22What's wrong?
47:25Do I have a spot? A beard?
47:26No, no.
47:29I wasn't thinking about how good your job is.
47:34Well, it's too soon to say, isn't it?
47:37Not only do you have to know the field well,
47:39but also the people who have worked with you.
47:43And what you've done for that man is important.
47:45You've helped him overcome his fears.
47:50You see how silly I am?
47:53And that speaks well of you.
47:56You don't even care when you help someone.
48:00Like you did with me.
48:01I love you.
48:13I think it's time for me to give you back your scapulari.
48:22Give it to me.
48:31Give it to me.
49:01Give it to me.
49:07Vera, how are you?
49:09We haven't seen each other all day.
49:13I'm fine.
49:15And you?
49:16Fine, fine.
49:17I'm out of breath, but like everyone else, I guess.
49:20How are you?
49:21Are you busy?
49:24I'm also out of breath.
49:26Good.
49:27With Mrs. Petra, one doesn't even have time for a break.
49:31Yes.
49:35Good night, Lope.
49:37Good night.
49:39Wait a minute.
49:47Is something wrong?
49:49I mean, is something wrong with me?
49:51Because you've been avoiding me all day and you've been doing it since yesterday.
49:55Did I do something that made you angry?
49:58No.
50:00Of course not.
50:01You haven't said anything, Lope.
50:03Vera, you don't have to go through this alone.
50:07Lope, please.
50:08I'm serious.
50:10Vera, if something happens to you, I'll never forgive myself.
50:13Never.
50:16Lope, it's really nothing.
50:18It's all right.
50:19Vera, for God's sake.
50:20I wasn't born yesterday and your face doesn't say it's all right.
50:25Maybe saying that it's a boyfriend thing is useful with Mr. Ricardo, but not with me.
50:33Listen to me.
50:34Look at me.
50:36I don't want to put you in an uncomfortable position,
50:39but it's killing me to see you like this.
50:41Lope, this is not about Lope.
50:43Yes, it is, Vera.
50:44Of course it is.
50:47I'm no one to tell you who you have to be with, but I need you to open your eyes.
50:52Because you're playing with fire and you're burning.
50:53Lope, you don't understand.
50:55No, I don't understand.
50:56Vera, of course I don't understand.
50:57That's why I need you to explain it to me.
51:00Please.
51:02Please, tell me.
51:23Please.
51:53Please.
52:23Yes.
52:32He received my message.
52:33Yes.
52:35Although it still surprises me that you asked me to come here.
52:39At this time, it is the quietest place to talk discreetly.
52:43I hope so.
52:45I don't want to meet anyone.
52:47And I doubt anyone wants to meet me.
52:50What do you want, Mrs. Alcos?
52:54I have information that will surely be of great interest to you, Mr. Gregorio.
53:07The in-laws of my daughter have asked my virtues to give them 550 pesetas to return to their son.
53:13But that's the money the in-laws have asked for.
53:15Isn't she going to enjoy the virtue of so much money with her maid?
53:20Well, I think I could get it in a few weeks.
53:23I don't want you to go around saying that absurd theory of yours that I poisoned myself.
53:32Well, I've been raising her more and more stubbornly.
53:34Are you doing all this just to annoy me?
53:37And I assure you that I just started, Ignacio.
53:39What about Maria Antonia?
53:41I was hoping you would tell me.
53:43I haven't seen her in days.
53:44And why do I have to know what's wrong with her?
53:47Because I haven't seen her well since the day I found you arguing in the greenhouse.
53:52Thank you very much. You don't know how good this is for me.
53:55To write that nonsense you want so much.
53:56If I already knew it.
53:57That right now I'm doing it, but how did you get it?
54:00I can get almost anything in here.
54:02Your daughter is locked up in a asylum.
54:04And you're not doing anything to get her out of there.
54:06What can I do?
54:07I don't know, I don't know, but something, something.
54:09Well, I don't know how Mrs. Darre will be, but I haven't seen her in days.
54:12It was the last time and she brought a lot of water and food, right?
54:16Well, yes, but I've been doing calculations and ...
54:20Maybe I don't have enough.
54:23If it's not the finish line, of course.