• 6 months ago

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00:00The very world itself seems sick.
00:27A most ungenial summer.
00:29I've never known air as dank and frigid.
00:33Oh.
00:35Dank and frigid.
00:36What does that remind me of, I wonder?
00:39Oh.
00:41Sleep well, sweet boy.
00:46Perhaps Lord Byron or Dr. Polidori would read to us.
00:52What would Miss Claremont wish to hear?
00:55Something to awaken thrilling horror.
00:59Yes, Mrs. Shelley.
01:02To make us dread to look around.
01:04To curdle the blood and quicken the beatings of the heart.
01:09I have just the thing.
01:20Tales of the dead.
01:30At midnight, we took a torch to the chapel.
01:35With pallid countenance and trembling limbs,
01:38we descended to the vault.
01:42Hildegard's leaden coffin loomed before us.
01:48The count was seized with the sensations of terror.
01:51He opened the coffin with a stifled cry of dread.
01:59And inside, we saw.
02:04I shall send whoever calls away, my lord.
02:07No, Fletcher.
02:09What if it is she?
02:12Hildegard, the Death Bride.
02:15If something infernal is on my doorstep,
02:18I should be the one to go and greet it.
02:20Infernal?
02:22Surely not.
02:25Who is brave enough to come and see?
02:35I'll wager it's Shelley.
02:36Amusing himself with a trick.
02:38Shelley is no one for tricks.
02:41There is nothing to be afraid of.
02:44Ah!
02:53Woo!
02:57Woo!
03:02Woo!
03:11Woo!
03:15Woo!
03:29Good evening.
03:30Not quite the welcome I was hoping for,
03:32but I'll admit, we've looked better.
03:34It's a pleasure to make your acquaintances.
03:37I'm...
03:41Nothing?
03:43Weird.
03:44Might need a blow-dry.
03:46I've got a bit caught in the downpour.
03:48Yes, because it is a truth universally acknowledged...
03:51Wrong writer!
03:54...that one's driver will pull up one's carriage
03:57imprudently too far from whence one is going.
04:01Can we please just come in before we drown to death?
04:04Please?
04:06Oh!
04:09Ah!
04:16One hour, tops.
04:18Plus drying time.
04:19OK, so there was a spot of rain,
04:21and gale-force winds,
04:22and a super-long walk by got us here, didn't I?
04:24And Mary, waltz-and-crap-God-wind-soon-to-be-Shelley,
04:27screamed in your face.
04:28Quality historical experience, that.
04:30Gold.
04:31Gold on the night that spurred Frankenstein.
04:35If you'd be so kind.
04:38Blimey.
04:40Excuse me, Yas, I was very clear about the rules.
04:42Nobody mention Frankenstein and don't interfere.
04:45And nobody snog Byron.
04:48In, out, soak up the atmosphere.
04:50Witness some of the most enlightened minds of a generation
04:54at the pinnacle of the absolute zenith of their creativity.
05:01Ah!
05:06What would you all care to drink?
05:08We shall teach them the dance.
05:19I detest all gossip, you understand?
05:22Utterly abhorrent.
05:24Mary goes by Mrs. Shelley,
05:26except she and Percy are not married.
05:28It really is quite the scandal.
05:30Lord Byron is separated from his wife.
05:32The rumours are so disastrous he can't return to England.
05:36Now he keeps company with Mary's stepsister, Miss Clarewater.
05:40We have an exceptionally strong attachment.
05:43I mean, she scrambled 500 miles from England to come and see me here.
05:48Couldn't exactly turn her away.
05:51Please, excuse me, fair lady.
05:54I must pop in to the little boy's room.
05:58So, that was marvellous.
06:01Is anyone up for, I don't know, a spitball in here?
06:04How about writing the most gruesome,
06:07spine-chilling ghost story of all time?
06:12Dormez bien, Monsieur William.
06:27You know, a bit of blood and guts,
06:29throwing a corpse for good measure.
06:31It's like anyone's boat.
06:33Mary?
06:34Or perhaps another quadrille.
06:36I just don't choose the music.
06:38Excuse me, Doctor.
06:39You broke a rule.
06:41Next you'll be snogging Byron.
06:43I was trying to get them back on track.
06:45Something's wrong here.
06:47This night, June 1816,
06:49Byron challenges Mary Polidori and Percy Shelley
06:52to come and see me.
06:54Byron challenges Mary Polidori and Percy Shelley
06:57to come up with a ghost story.
06:58Spot the difference.
07:00Not much writing going on.
07:03And there's no Shelley.
07:05Bingo.
07:06They're a man down.
07:08Why?
07:15Sorry, love.
07:17What?
07:18Crikey, I'm sorry.
07:19A bit lost.
07:20Looking for the lavatory?
07:22It's demonic, sir.
07:24It's terrible.
07:28Never mind, I can hold it.
07:31A big house like this, there's got to be a lamp somewhere.
07:52I'm going round in circles, yeah?
08:23BABY CRYING
08:41This is impolite not to announce oneself, Miss Kahn.
08:44Breaking and entering's worse.
08:46I'm not at fault if Lord Byron selfishly keeps it locked.
08:49What are you after?
08:52Letters.
08:55If he's written about me, I can ascertain his true sentiments.
09:05Or...
09:08you could try asking him.
09:10I have.
09:11His answers only increase the enigma.
09:16I know someone like that.
09:22Mary reproaches me.
09:24Insists I should find a more reliable prospect.
09:28Not that she can talk.
09:32Perhaps she's right.
09:34His eye does seem to wander.
09:38This enigmatic person of yours...
09:42would you trade them for reliable and dull?
09:46My person's a bit different.
09:49Did you see that?
09:52What?
09:57Nothing.
09:59Trigger the light.
10:11She walks in beauty like the night.
10:14Of cloudless climes and starry skies.
10:19I'm intensely flattered you're familiar with my work, Mrs. Doctor.
10:23Just Doctor. It's fine.
10:25I'm quite into Shelley's stuff, too. He about.
10:28Indisposed, I'm afraid.
10:31He won't be joining us.
10:34May I be candid?
10:35Go for it.
10:37I sent my man out to fetch your carriage, but...
10:40he seems to have disappeared.
10:49PIANO PLAYS
11:01Such a jaunty air!
11:03Is it popular in the colonies?
11:05Er, yeah.
11:07My nan taught me, but I always get the keys wrong.
11:10But she always said there's no reason not to try.
11:14I should practise more, but I confess...
11:17I prefer to write.
11:19Even though my efforts are weak,
11:21I could never hope to match the achievements of my parents.
11:24Your nan would say stick with it.
11:27Hm.
11:31What's his problem?
11:33Oh.
11:34Paid Doctor Polidori no heed.
11:36He's bad-tempered because he does not sleep.
11:40He walks at night.
11:42A terrible affliction.
11:44Never being able to truly rest.
11:47I'm fully aware of what you want.
11:49Please, reveal all.
11:51My third canto.
11:55Of child Harold Spilgovich, my work in progress.
11:58Nah, it goes on a bit, that one. No offence.
12:02Nice mention of Ada, though. Big fan of hers.
12:05You know of my daughter?
12:07Will do. Gorgeous brain.
12:09Why are you here?
12:11For a quick visit, supposedly.
12:13But I'm getting this really weird vibe off your house.
12:16Vibe?
12:17Yeah.
12:19I don't want to worry you.
12:21But I'm sensing that it's sort of...
12:23unrelentingly evil.
12:28Right.
12:29Right.
12:30It's like a maze out there.
12:32And they're a few years shy of a toilet.
12:34Sir?
12:35Blimey!
12:36You've got to stop doing that.
12:38Splendid.
12:40Very convenient.
12:41Very convenient.
12:42Ryan?
12:43Not a car seat for love nor money,
12:45and a French woman's got to write up about something.
12:47Mrs. Shelley seems fatigued.
12:50Only of waiting to dance.
12:52You're the one who looks like death.
12:54Do you insult my visage, sir?
12:55Might want to stop shooting daggers and maybe take a nap, all right?
12:58I beg your pardon?
12:59He means perhaps you should take a rest.
13:01I'm a physician. I'm in rude health.
13:03Whatever you say, mate.
13:05Did I say choose, sir?
13:07Sorry. He does this rather a lot.
13:10Choose your weapon!
13:11What?
13:12Isn't it obvious?
13:14He's challenging you to a duel.
13:16Oh, look. Hey, look.
13:17I'm not here to fight anyone, all right?
13:18So everyone just calm down.
13:19Fletcher, you will be my second.
13:22Will Mr. O'Brien be yours?
13:24No.
13:25Cheers, mate.
13:26No, no. I mean, no.
13:27Because there's going to be no duel,
13:28I absolutely forbid it.
13:31What's up? What's up?
13:32I shall return with my pistol.
13:36He's getting a gun. He's getting a gun. He's getting a gun.
13:45Whatever is that?
13:47No. I think it's a...
13:51It's definitely a hound.
13:53Get the offensive.
13:54Don't!
13:55It's so strong!
13:57And ferocious!
13:59Great shot!
14:08Hmm. Fourteenth.
14:10No. Fifteenth century.
14:12Touch more Amami.
14:13She licked it.
14:14She is the most baffling creature I've ever been acquainted with.
14:17Human?
14:18Protein, collagen, and...
14:22What?
14:23What?
14:24What?
14:25What?
14:26What?
14:27And nothing abnormal.
14:30What kind of implement is that?
14:32One that zaps people's heads off with threatened people with guns.
14:36I don't think they're really from the colonies.
14:38No. She is from somewhere much, much stranger.
14:43The North.
14:45How did it come to life, then?
14:47Was it haunted or something?
14:49Unlikely.
14:50Well, you did say their house was evil.
14:53Well, that's a development.
14:54I've been getting a vibe.
14:56It's evil here.
14:57I know who brought it in.
15:03Very well. I may have a skeleton in my chamber.
15:07Right. You keep an eye on Trigger Happy.
15:11Me and you need to take a squiz at your skeleton.
15:26It's a collection.
15:28Of what? Dead stuff?
15:30Relics of war.
15:32From my travels.
15:35Reminders that we tread on the dust of empires.
15:40Crops now grow where blood was spilt.
15:43An innocent fascination, I assure you.
15:45Waterloo.
15:47I love a good plume.
15:50What do you think?
15:52A 15th century soldier.
15:57From the battle?
15:58A rat.
16:01His final remains.
16:04One hand gone.
16:06Both hands gone.
16:08Great. There's another on the loose.
16:10Keep your eyes peeled.
16:11Anything else strange happens since you've been here?
16:15When the weather turned,
16:17Shali began having visions.
16:20He's prone to them.
16:22What did he see?
16:24An apparition of a figure,
16:26floating above the lake.
16:29When you said he was indisposed,
16:31what did you mean?
16:32Well, when he didn't join us,
16:34my mind naturally wandered to the idea of some
16:37torrid assignation in town.
16:41Shali often retires to our chalet.
16:44To right.
16:47Maison Chapuis, on the shore.
16:49We should probably pop down and have a chat.
16:54Snoring.
17:00Snoring.
17:05You're like ninjas, you lot.
17:07Oh, fair play to you, though, love.
17:09Food.
17:10There's never any food.
17:12Cheers.
17:13You're a belter.
17:14Yeah.
17:16Baby-sitting duty.
17:17Yeah.
17:18You'll be no trouble now, though.
17:20Dead to the world.
17:21This apparition,
17:22did Shali describe it in any more detail?
17:24Dark, charred by fire,
17:28suspended over the water like a death god
17:31rising from Hades.
17:34Right.
17:35Nothing too sinister, then.
17:41You can ask him more questions when we get to the chalet.
17:47Did we just go down to the top?
17:52What reanimates bones and leaves no trace?
17:55Why just the hands?
17:56Why only parts?
17:57However, my collection's not demonic.
17:59Correct.
18:00But I'll probably come back for this, though.
18:03Strictly for safety purposes.
18:05Not because it really suits me or anything.
18:08This vibe you mentioned,
18:11is it still there?
18:12Yeah.
18:13I can't...
18:15It's like it won't let me think.
18:17I need to get out of this house.
18:22What?
18:28Easier said than done, apparently.
18:33Oh, how many times now?
18:35Seven.
18:36Mrs. Tuck just said the house was evil.
18:38She must be right.
18:40It's turning against us.
18:42A house can't do that.
18:44Even an evil one.
18:52Oh, don't worry.
18:53We're great at sorting things out like this.
18:55There's always an explanation.
18:57It touched me.
18:58Ghost.
18:59Ghost. It definitely touched me.
19:00Oh, Ryan.
19:02That was my elbow.
19:04I knew that.
19:05I totally knew that.
19:11Please tell me there's a real baby in here.
19:13My son.
19:14William.
19:15I must get to him.
19:21No.
19:23No.
19:49You're going nowhere, pal.
19:51You're staying right there. I'm on guard.
19:55Hey.
19:56Oh, Polly.
19:58Polly?
19:59Hello?
20:01Polly?
20:03Polly?
20:05Can you hear me, son?
20:07Can you hear me?
20:22The same chamber.
20:24Over and over.
20:26How is it possible?
20:28It's not.
20:29It's...
20:30Like a dream.
20:31Elise?
20:33Can you hear me?
20:35Do you have William?
20:37He'll be okay.
20:39He probably just cried himself out when he fell asleep.
20:42Doc.
20:43Polly.
20:44Doc.
20:45Doc.
20:51There's something seriously wrong with his calf.
20:53Is anyone else trapped?
20:55Yeah.
20:56I think I'm seeing dead people.
21:04Perfect.
21:05We're the same.
21:06I totally saw a ghost.
21:08We're stuck on the stairs.
21:10Please.
21:11How do we move upwards?
21:13I need to check my son as well.
21:16Working on it.
21:17Head's a bit fuzzy.
21:18Normal service will resume shortly.
21:20And ghosts don't exist.
21:22Of course not.
21:24You two just need a spray tan and a kip, eh?
21:26Graham, what sort of dead people exactly?
21:30How can I hear your voice, Doc?
21:32I'm using the fireplace chimney.
21:35Doc?
21:36Graham?
21:38Graham?
21:40Well, they've gone now.
21:42And...
21:44So's Polidori. I've lost him.
21:46You had one job.
21:48It was more challenging by his ability to walk through walls.
21:51Through?
21:52Well, he just turned sort of zombie and...
21:54What do you speak of?
21:56What is a zombie?
21:57Mrs. Doctor?
21:58The kind of dead person walking, but it won't be that.
22:01Mrs. Doctor?
22:02How do you know?
22:03Because Polidori isn't dead for a kick-off.
22:07Mrs. Doctor!
22:08Really, just talk to her. It's fine.
22:09Polidori!
22:11He emerged from the wall like a phantom.
22:15Be gone, demon!
22:19Pulse.
22:21Check.
22:23Breathing.
22:24Check.
22:26May I just say, you are quite lovely in a crisis.
22:29No, you may not.
22:33The lights are on, but he's gone on a mini-break.
22:37Possessed?
22:38Or asleep. He walks in his sleep.
22:41One does not sleepwalk through walls.
22:43Not just through. Up.
22:45He was downstairs a second ago.
22:48What you said before.
22:49About being lovely.
22:50Back a bit.
22:51Uh, demon?
22:55It's like dreaming.
22:58Only we aren't.
22:59And he is.
23:02So he can't see.
23:05The illusion.
23:10But it's more than that.
23:12We're surrounded.
23:13Immersed.
23:15It's sort of like a perception filter.
23:20Close your eyes.
23:21Clear your mind.
23:22We're only experiencing what it wants us to.
23:29I can feel it.
23:31She's right.
23:33Our minds are being deceived.
23:37Here is the door, hidden from our eyes.
23:44Elise?
23:46I'm coming for William.
23:49How are we here now?
23:51This is impossible.
23:54This should be William's room.
23:56This place keeps on changing like a puzzle.
23:59I don't get it.
24:01Why hide a house inside a house?
24:03William?
24:12William!
24:13My darling!
24:23I suspect I must have missed something.
24:27Yes.
24:28But you've shown us how to get out of this room.
24:30This can't be the hallway.
24:31It's at the end of the stairs.
24:36It is.
24:37But there should be a doorway.
24:38Please, can we get out of here?
24:40In theory, yes.
24:42We just have to tell ourselves
24:43that we can walk through the door
24:45we know is right there.
24:55My bones have never caused such mischief before.
24:58I swear.
24:59Things we know.
25:00We can move inside, but not out.
25:03Dead things don't act dead.
25:04People vanish.
25:05Elise?
25:07My poor William.
25:08There's no sign of Fletcher either.
25:09Hey, maybe Shelley didn't turn up
25:11because we couldn't get in.
25:13I've never believed in such things,
25:15but could this be hell?
25:17Could we be deceased?
25:18Nice, blue sky thinking, but no.
25:20This place keeps on folding in on itself as well.
25:24Exactly.
25:26I think we're caught in a security system.
25:28Yes.
25:29It's turned the house into
25:30a sort of giant panic room.
25:32In 1816?
25:36The year without a summer.
25:38They blamed it on volcanic ash
25:40covering the sunlight.
25:42Weather went haywire.
25:43What if something came here
25:45that wasn't supposed to
25:46and caused a major disturbance?
25:48Like what?
25:49That?
25:54That could be a solid option, Mary.
25:56Yes.
25:58What is this?
25:59I don't know.
26:02It's sort of just floating around.
26:04Like a death god rising from Hades.
26:07Shelley's vision.
26:08But we're all having it.
26:10No.
26:11It's pushing through.
26:12That is what Shelley saw.
26:14It was not a vision.
26:16It never was.
26:17It's a traveller
26:19moving through time.
26:29And it's trying to get in.
26:38I knew they'd die.
26:40That is a lone Cyberman.
26:47Chance warning.
26:49Beware of the lone Cyberman.
26:50Don't let it have what it wants.
26:52At all costs.
26:53Yes. Thank you.
26:54Barricade the door.
26:55May I ask
26:57what is a Cyberman?
26:59Someone altered.
27:01Organs.
27:02Flesh.
27:03Surgically replaced
27:04with mechanical parts without consent.
27:06It drives them insane
27:07so they alter the brain
27:08to switch off all emotion.
27:10Never seen one like him before.
27:13He's different.
27:15Unfinished.
27:18Whatever he came for is hidden here.
27:21Explains the security.
27:22What's hidden?
27:23I've no idea.
27:25But I need to be into it.
27:26Quick.
27:39Doctor, what are you doing?
27:40Where are you going?
27:41You're not leaving us.
27:43I have to find out what he's looking for.
27:45Alone.
27:46You need backup.
27:47All of us against one.
27:49One Cyberman,
27:50but then thousands.
27:52Humans like all of you.
27:54Changed into empty solar shells.
27:57No feeling.
27:58No control.
27:59No way back.
28:00I will not lose anyone else to that.
28:03Do not follow me.
28:09Lord Byron?
28:14Is that you?
28:16I feel I've lost my faculties entirely.
28:21Are you the Guardian?
28:23No, sir.
28:24I am the Feller.
28:53Our father who art in heaven,
28:55hallowed be thy name.
28:58Thy kingdom come,
29:00thy will be done,
29:02on earth as it is in heaven.
29:24Mama.
29:39Don't be afraid, little one.
29:42You will be like us.
29:46What if it finds William?
29:47We need to find the child.
29:48And a way out.
29:49We are not safe here.
29:51It could pass through a wall at any moment.
29:53The doctor told us the way.
29:55Technically,
29:56she only told us
29:57not to follow her.
30:01Let's split up.
30:09Tell me what you're after.
30:10I might be able to help.
30:14Well, it was never going to be under there.
30:16Unless you don't actually know what it looks like.
30:19Funny.
30:21This Dark Age is surprising.
30:24You're not as primitive as I expected.
30:26You're not as cyborg-y as I expected.
30:33You've met my kind before.
30:36You could say that.
30:38You appear courageous.
30:40But your vital signs betray a heightened state of anxiety.
30:44Or as I like to call it, Tuesday.
30:47Interesting, look.
30:48What happened? They get bored halfway through or something?
30:50I am complete enough to serve my purpose.
30:58A bit embarrassing.
31:00Time hop took a lot of juice.
31:02Now you're fresh out.
31:03You irritate me.
31:05How very human.
31:07Still feel things then?
31:08No inhibitor yet?
31:09Don't demand me to be sterile!
31:11Okay, so here's the thing.
31:13There's a chance I might be the Guardian,
31:16only I don't know what it is I'm supposed to be guarding.
31:18This isn't my time either.
31:19Maybe we're supposed to work together.
31:21Together.
31:22Anything's possible.
31:26The house still shifts.
31:33Whose room is this?
31:35Their ones.
31:36I thought it was empty.
31:37But the writing on the walls, and all of these papers.
31:40Their writing.
31:41It's Shelley's.
31:49A cellar.
31:50We'll give it a miss, eh?
31:51Could the coal hatch be a means of escape?
31:54We should try everywhere.
31:56Is it too late to choose another group?
32:11You ever considered breast milk?
32:13Recharging, not good.
32:16Figuring out how to manipulate the elements
32:18and creating an extremely sophisticated
32:21and probably unlimited external power source.
32:32That's better.
32:38The coal hatch is gone.
32:45Oh, there's no way out.
32:53Claire, you okay?
32:55Miss Claremont?
32:57There's something down here with us.
33:00I can read the energy field now.
33:04You are not the Guardian.
33:07The Siberian have selected another as host.
33:11What's a Siberian?
33:12I'll find it and remove it.
33:16What are we talking here?
33:18A life form?
33:20A weapon of some kind?
33:25What's happening to you?
33:31There's not one atom of yon earth.
33:37But once was living man.
33:43A soul of ecstatic peace.
33:47He cherishes the snakes that ploy his heart.
33:50He raises up the tyrant to his delight.
33:54Is it war?
33:58Shall we?
33:59How does it know them?
34:01Something crept in front of me.
34:03I heard its foul breath.
34:05Listen.
34:13No.
34:22I'm sorry.
34:23I tried to hide it.
34:26I have to keep him out.
34:28Oh, you.
34:30I'm the Guardian.
34:34I am Percival.
34:35Be steady.
34:37He is on my seat.
34:42But he is fortified against me.
34:45Okay, good to know.
34:46So I vote.
34:47We split up and continue the search.
34:49You go this way and I'll go here.
35:05Doctor.
35:06You're here.
35:07Come on in.
35:09William.
35:12Oh.
35:17Dear Fletcher, no.
35:19It cannot be.
35:23Mr. O'Brien needs you in the cellar at once.
35:26We found Shelley.
35:27All of you, find somewhere to hide.
35:30But I must...
35:31Do you want to listen or do you want to end up like them?
35:33None of this is supposed to happen.
35:35They weren't supposed to die.
35:37Neither are you, so please, let's not unravel anything else.
35:40Let's hide and stay there.
35:43History is vulnerable tonight.
35:45I mean it.
35:47Come on.
35:52You're going to take William for me.
35:57Guard him well.
36:00Stay safe.
36:02I need to see Percy.
36:06Shelley in the cellar, hidden away, cloaked.
36:09Too big to register.
36:10That's why my readings have been off.
36:13It's something called a Siberian.
36:16I'm trying to protect him.
36:22Be gone, invader!
36:23Invader?
36:38We moved him.
36:39Is it you changing the house?
36:41Some, but not all.
36:44It has its own will.
36:46Mary!
36:48I cannot hide.
36:50Not while he suffers.
36:54Show me.
36:56What happened to you?
37:02I was out walking alone.
37:05There was a glimmer in the lake.
37:08Exquisite.
37:10Alive.
37:12Like quicksilver.
37:14I fished it out to study it more closely.
37:18But then, it took root within me.
37:24What?
37:35I returned.
37:36Hello?
37:37I was changed.
37:43No one could see me.
37:45It hid itself in me and hid me within the villa.
37:48And when he thought he might be discovered,
37:50it manipulated all of our perceptions.
37:52Since the quicksilver has taken hold of me,
37:54I see symbols.
37:56Symbols and numbers.
37:57They will not leave my head,
37:59no matter how much I transcribe them.
38:01The symbols were all over his room.
38:03All over the walls.
38:06The house was like shifting sands.
38:10I sought solitude here.
38:13In the dark.
38:14What happened to him?
38:15I'm going with alien parasite.
38:18Cyber technology.
38:19The knowledge of the whole cyber race.
38:21An AI from the future.
38:23Containing the knowledge and future history of all cybermen.
38:27They scorched and split the sky.
38:30Built the army of all armies.
38:32Left behind only pain, rage, fear and death.
38:37How has he seen all this?
38:38The cyberium is burning through his mind.
38:40It will destroy him if it stays in him much longer.
38:43An epic battle.
38:45The cyberium at the heart of it.
38:47Controlling data, strategy, decision making.
38:49Clever.
38:51Very clever.
38:52Someone took it from the cybermen,
38:53sent it back through time here in an attempt to change the future.
38:59In an attempt to protect it from now.
39:02I can't give him away much longer.
39:05Then don't.
39:09Doc.
39:10Stop fighting. It's okay.
39:11Jack's warning.
39:12Jack isn't here now. He's stuck in the house.
39:14Exactly. He didn't warn us near it a minute ago.
39:16I've just been inside his brain.
39:17There's a supercomputer fused to a cerebral cortex.
39:20He's the only one who knows how to get that out.
39:22Don't let the cybermen have what it wants.
39:24I know.
39:25Because armies will rise and billions will die.
39:28Shelly's gonna die if that stuff stays inside him.
39:30Shelly's only one life against all those of us.
39:34What are you saying?
39:36How can you condemn him to death like that?
39:40But is he, Ryan?
39:42His thoughts, his words,
39:43inspire and influence thousands for centuries.
39:46If he dies now,
39:48who knows what damage that will have on future history.
39:53Words matter.
39:57One death, one ripple,
39:59and history will change in a blink.
40:02The future will not be the world you know.
40:04The world you came from,
40:05the world you were created in,
40:07won't exist, so neither will you.
40:11It's not just his life at stake.
40:13It's yours.
40:14You want to sacrifice yourself for this?
40:16You want me to sacrifice you?
40:18You want to call it? Do it now.
40:20All of you.
40:28Yeah.
40:30Because sometimes this team structure isn't flat.
40:33It's mountainous, with me at the summit,
40:36in the stratosphere, alone.
40:39Left to choose.
40:42Save the poet.
40:44Save the universe.
40:47Watch people burn now, or tomorrow.
40:50Sometimes, even I can't win.
40:59Please, help me.
41:07Release what you hold.
41:10Release it!
41:11He doesn't know what that means!
41:12He doesn't know what that means!
41:13You've got to tell him what he's got to know!
41:14I am addressing the Siberian.
41:17It must execute the host to be expected.
41:20It's not obeying you.
41:23Then I shall execute the host.
41:27What is your name, sir?
41:29No, this is not a good time to talk.
41:31Your names?
41:33Are you several men?
41:35A composite of parts?
41:37I am better than men.
41:40Yet I still see a soul in there.
41:44What do you think you see, child?
41:48I see the man who spared my son.
41:56Were you a father before?
42:00I was.
42:03You didn't want to be this way.
42:05They hurt you.
42:07As modern Prometheus.
42:11You loved once.
42:15And were loved in return.
42:18You do not wish to kill.
42:27My name was Ashad.
42:36I did spare your son.
42:40Because he's a useless runt.
42:43Sickly and weak.
42:45And I did have children.
42:47I slit their throats when they joined the Resistance.
42:53In death, we are transformed.
42:55Improved.
42:57Updated.
42:58As you will learn.
43:00Transformed in death?
43:01I'm sorry, Percy Shelley.
43:03So very sorry.
43:07Stop!
43:08What are you doing to him?
43:11Doctor.
43:18The Siberian.
43:19He's leaving his body.
43:24What just happened?
43:25I want him back here.
43:26Let's reset the house.
43:28Shelley needs help.
43:29I think I've freed him from the Siberian.
43:32At what cost?
43:41And it chooses me.
43:43Interesting.
43:44Time Lord Magnetism.
43:46Looks like I'm the true guardian.
43:50Surrender it.
43:52Or I will execute you.
43:54I've been very careful with those execution threats.
43:57I can feel it already.
43:58Fusing to me.
43:59Feels very at home.
44:01Recognizing great host material.
44:03Not to big myself up, but I don't think it will vacate me without a fight.
44:11What are you doing?
44:13Transmitting.
44:14My ship will lock on to my signal.
44:17It will tear this reality.
44:19And this planet will remain hungry in shreds.
44:23This world doesn't end in 1816.
44:26It can't.
44:27It will.
44:28He's bluffing.
44:29Don't listen to him.
44:31But I can't be sure.
44:33I can't risk this planet.
44:35I can't win.
44:36We are inert.
44:39Yes.
44:41You are.
44:46What are you doing?
44:47Giving it what it wants.
44:50What are you doing?
44:53Giving it what it wants.
45:11What did you do to Shelly?
45:12Old time lord trick.
45:13Not a nice one.
45:14Pushed his mind to his future death.
45:16Tricked the Siberian into letting go.
45:18Hoped his body would survive the trauma.
45:20I'm sorry.
45:21I hope you can forgive me.
45:22Save Shelly?
45:23But what does that mean for the future?
45:25It means I've put it in the gravest danger.
45:27Please, tell me that was part of the plan.
45:29Yes.
45:30A last minute, imperfect, all I got plan.
45:32Saving Shelly was step one.
45:35What's step two?
45:36Fix the mess I created in step one.
45:42Go to the future.
45:44Find him.
45:45And stop him from rebuilding the cyber army.
45:48Shelly, can you give Yas those symbols and numbers?
45:52We're going to need them.
45:59Well, that was quite the evening.
46:02Indeed.
46:05Perhaps Miss Claremont would care to retire?
46:09A lie down could prove restorative.
46:13You pursued Mrs. Doctor without a care for my presence.
46:17Belittled my thoughts and opinions.
46:21And then proceeded to use my person as a human shield.
46:25And?
46:28And the spell is broken, my lord.
46:43You have returned me to life.
46:45Although I feel as though I have none of it left to live.
46:49Sorry about the sneak peak.
46:51Every moment will be precious.
46:55How can we repay you?
46:56Just don't lose hope.
46:58Yeah.
46:59Keep doing that writing thing, if you like.
47:03So, if all the weirdness was the cyberium,
47:05you know, the bones and Shelly floating about and all that,
47:08why would it reanimate a couple of stiffs just to bring the Asani?
47:12You know, the maid and the creepy little kid.
47:15Uh, no.
47:18We thought you saw Shelly like we did.
47:21Oh, come on, BDIs.
47:23Made the room go all arctic.
47:24Where did they two fit in?
47:25I'm not sure they did.
47:26No, no, no, no, no, no, no, no, no, no, no.
47:29Made the room go all arctic.
47:30Where did they two fit in?
47:31I'm not sure they did.
47:32No, no, come on, Doc.
47:33This is where you jump in with a rational explanation.
47:35I mean, ghosts don't exist, right?
47:37Unless they do.
47:38What?
47:40Inside, you three.
47:41I need to talk.
47:45Listen.
47:46You don't need to come with me.
47:49Cyber war zones and people don't mix.
47:52I'll drop you back in 2020.
47:54Oh, we can use Shelly's numbers.
47:56Coordinates, right?
48:00Yeah.
48:01Wherever you think's a good place to start.
48:03Which step to?
48:06The world was void.
48:08The populous and the powerful was a lump.
48:10Seasonless, herbless, treeless, manless, lifeless.
48:16A lump of death, a chaos of hard clay.
48:20Ships, sailorless, lay rotting on the sea,
48:24and their masts fell down piecemeal.
48:27As they dropped, they slept on the abyss without a surge.
48:32The waves were dead.
48:34The tides were in their grave.
48:37The moon, their mistress, had expired before.
48:41The winds withered in the stagnant air,
48:43and the clouds perished.
48:47Darkness had no need of aid from them.
48:52She was the universe.
48:54She was the universe.
49:25No!
49:30Any ideas what we're walking into?
49:32This planet, this time period,
49:35and the very far future,
49:37immediate aftermath of the cyber wars.