Rose's War

Asif Ali TV

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Transcript

00:00:30You

00:01:00You

00:01:30You

00:02:00I

00:02:07Know I shouldn't be lying on the floor like this

00:02:15In fact, it's the last thing I should be doing right now

00:02:21Thing is

00:02:25Suddenly felt sick

00:02:27It'll pass I just need a minute or two

00:02:38But now that I'm here on the floor in this fine big house

00:02:44It's stretching up a number of memories first, it's 1951

00:02:51I'm 10 and with my parents outside our family home in Devon, England

00:02:58I've just killed my first Fox. I

00:03:02Should be happy

00:03:04Because I'm not

00:03:07As I'm blooded I have this feeling that something is wrong

00:03:13But what poor Fox

00:03:16I

00:03:18Was

00:03:191957 I'm 16. I'm with my mother at a gallery

00:03:24Find ourselves in front of a painting. What do you think about the maid in the painting?

00:03:30I'm drawn to the jug. She's holding I like her positioning in the frame. I

00:03:39Think that's what makes this painting so I

00:03:42I

00:03:44Don't know moving you find it moving

00:03:54In what way my love

00:03:57The truth is I'm not sure exactly I don't have the words

00:04:00It's just a feeling I have to do with the young black girl made

00:04:05There's something about her being the subject of the painting not Jesus and his disciple

00:04:10But her for some reason I find that moving

00:04:16It's a year later, I'm 17

00:04:19Just had an argument with my parents

00:04:21They want me to go to Buckingham Palace to be presented to the Queen as a debutante so I can be married off

00:04:29To my mind. It's a pornographic affair. My parents disagree strongly

00:04:35They suggest that I better accept the invitation or else you've talked about your desire to go to university

00:04:42If we support you to go to university

00:04:47It's not unreasonable for you to reciprocate. I see

00:04:53So this is what they call horse trading

00:04:58This hostility

00:05:01It's anger

00:05:04Where does it come from?

00:05:07Good question

00:05:09Where does all this anger come from I?

00:05:13Wish I knew

00:05:16Anyway, is it really such a bad thing to be angry I?

00:05:21Don't think so. I actually find it. What's the word?

00:05:28Exciting

00:05:33I

00:06:03Don't

00:06:25If I'm lucky I should make it to the safe house by three, I'll call when we have news

00:06:34Take care of me

00:06:51I've got to we

00:07:03I

00:07:33Oh

00:08:03Hello

00:08:27Can I help you

00:08:29Sorry to disturb you but my car broke down and I saw some lights on I

00:08:35Wondered if I could use your phone to call a local garage

00:08:40One moment

00:08:59Ah

00:09:17Okay

00:09:27No

00:09:29Oh

00:09:31Oh

00:09:33Oh

00:09:57You you need with him you you cover the boy come red you come with me

00:10:03Oh

00:10:06Who are you what are you doing here?

00:10:09Okay, I'll move let's go

00:10:12You're doing an excuse. That's gonna be a fucking lot. All right, right?

00:10:15All right, we'll scream and they'll run on the way

00:10:19There

00:10:24Please calm down

00:10:26Tell us what you want, but please please don't harm anyone get on the fucking ground you capitalist pigs

00:10:33No, get down. No

00:10:36Hands in the ear. He's capitalist pigs. No, don't fuck around with me. I'm warning it

00:10:42Take this this this and that and then you round up everyone in the house you tie him up you

00:10:49You come with me

00:10:51You

00:10:56What is now being seen as the biggest artefact in the world

00:11:00International focus has intensified guard the efforts who have mounted the largest manhunt in the history of the state

00:11:05They have not moved out terrorist involvement

00:11:08Guarding are looking for four people three men and a woman the woman has red hair and a distinctive French accent

00:11:15Members of the public are asked not to approach these individuals guarding of stress. They are extremely violent

00:11:21If you see anything suspicious or know something, please get in touch with your local guard station

00:11:29Red hair French accent distinctive French accent stink that might just be another word for bad

00:11:36But you know what? I'm thinking given the scale of what we've just done you throw in phrases like terrorist involvement and extremely violent

00:11:43Kind of raises the stake. So it does

00:11:50I

00:12:20Know

00:12:50Put your arms down

00:13:20You

00:13:32What's this one

00:13:35It's by a painter called Rubens

00:13:38Paintings called Venus supplicating Jupiter. That's Jupiter

00:13:44the Roman King of the Cods

00:13:47and that's Venus and

00:13:49She's pleading with Jupiter to let Rome rule over the world

00:13:55It's like watching the birth of imperialism, what do you think of that Martin fuckers?

00:14:08Is that your blood

00:14:10See the minor the chefs

00:14:13Either way, we should look at that still bleeding

00:14:16Yeah

00:14:19You

00:14:33You're new I

00:14:35Am what's your name?

00:14:38Bridget

00:14:39Actually, it's Rose. Well, which do you prefer Rose?

00:14:43Bridget's my first name. I haven't used this in a long time. I don't know why I said that

00:14:47That Rose Rose Dugdale

00:14:50So, what have you made of our discussion so far I

00:14:53Agree with what was said. I think that the policies that lead to sexual discrimination need to be addressed and

00:15:01Changed and how would we do that the change part? I mean

00:15:06Writing lobbying and what if that doesn't work? What if words don't bring about this change?

00:15:17Well, I don't know

00:15:20Is he what's about direct action

00:15:24Disruption protest agitation violence even

00:15:29Do you think you would ever be prepared for militant action I

00:15:34Think if I had a bit more courage courage comes out of anger, huh?

00:15:40Tell me what makes you angry being barred from the Oxford Union. Yeah

00:15:46Knowing that because I'm a woman I can't drink there eat there

00:15:51let alone debate there and it really

00:15:55Pisses me off. So

00:15:57Rose Dugdale

00:15:59What are you going to do about it?

00:16:02Down with the patriarchy

00:16:09Oh

00:16:39Oh

00:17:09Oh

00:17:39I

00:17:50Sure, you know what you're doing?

00:17:52Yeah, I've done it before

00:17:54How many times?

00:17:56loads of times

00:17:58Where?

00:18:01Martin where my dad's butcher shop

00:18:09What's up to you but honestly that gets infected you won't have a hand left a stitch

00:18:25Do not fuck this up

00:18:39Hmm

00:18:57I'm truly sorry we to do this, but it can't be avoided

00:19:00We're not here to hurt you as a matter of fact. We stand with you. Don't we come in we do

00:19:05Work in class you can tell that to the press when they interview

00:19:08I'll ask you questions like what did I say?

00:19:10You could tell me very polite and that we talked mainly about the class struggle

00:19:15British colonial rule in particular what Britain is doing in Northern Ireland determined for example, you won't forget to say that when you

00:19:21We mentioned everything come in

00:19:24Pretty much you got it. Yeah good man yourself. No

00:19:28When I ask you a question, and I want you to really really think about your answer here now, okay?

00:19:33Is there anyone else in this house we need to know about I asked because we really hate surprises especially him

00:19:42Answer me

00:19:46Okay, let's move upstairs

00:20:02How are you doing? I'm sorry about all of the carry-on this morning

00:20:14You must think it's all a bit mad

00:20:23I'm hoping things get quieter now

00:20:27I

00:20:31Really hope so

00:20:33You

00:20:53You know one of his lovers was the actor Paolo Carlini

00:20:57from that film Roman Holiday

00:21:00It's quite something isn't it the way they denounce homosexuality or what at the same time fucking each other

00:21:13It's probably nothing you stay here

00:21:29I

00:21:59I

00:22:29I

00:22:47Want you to listen listen carefully, what's the quickest way to the drawing room?

00:22:54Which way that way go

00:23:00I

00:23:02Having them here is quite something

00:23:07Really is

00:23:17My envelope

00:23:30I

00:23:33May be cut don't respond

00:23:37Don't talk just listen

00:23:41Listen carefully

00:23:44Write down exactly what I say

00:23:57Thanks Martin

00:24:00I

00:24:02Martin Turner

00:24:19Don't move

00:24:29I

00:24:59Who is he speaker he's a dead man

00:25:30I

00:25:34I'm gonna go out now have a poke around see what's what Martin?

00:25:38It's not a poke around

00:25:40You're on night maneuvers. Okay?

00:25:43You surveyed the immediate area check out front suspicious then after four hours you come back here wake me

00:25:48And then it'll be my turn. Okay

00:25:51Come on

00:25:55How do you think today went

00:25:58Well, I mean these things can be messy sometimes real messy so

00:26:03All things considered it went. Okay

00:26:06Why Josh?

00:26:12It's just I want the whole thing to go well, you know

00:26:18You ambitious Martin I guess I am

00:26:21Well, it's nothing wrong with that

00:26:24Surround yourself with winners. That's the key

00:26:34We'll know soon enough

00:26:42Your job was to round up everyone everyone no, we fucked up. I'm sorry. Sorry. So fucking good to me

00:26:47I want no more surprises do a quick sweep check everyone go

00:26:53Oh

00:27:12Where would this one be on the list in terms of value? Yeah

00:27:24Pretty close to the top

00:27:29She looks

00:27:31Sad exactly, but I

00:27:35Don't know interesting

00:27:42She's an actress and there's a clothes borrowed from the local theater tree

00:27:49So

00:27:53She isn't what she seems

00:27:58Maybe that's what's so interesting about her

00:28:05You can leave your gun behind

00:28:08If I come across something

00:28:11Whatever you come across out there. You won't need a gun

00:28:14Your bare hands will do just fine

00:28:19I

00:28:26Don't trust me do you I'm worried that if you take that gun with you you might use it

00:28:35Good night Ross. Yeah

00:28:49You

00:28:59These are our demands

00:29:03The four hunger strikers

00:29:06including the price sisters

00:29:10to be returned

00:29:12immediately to serve

00:29:14the rest of the prison terms

00:29:17In Ireland

00:29:20If this request is granted

00:29:24the paintings

00:29:26the paintings

00:29:28Will be returned on the payment of five hundred

00:29:32thousand pounds

00:29:34If you do not comply with our conditions

00:29:38The paintings will be destroyed

00:29:46I

00:30:16Do I look okay? You look gorgeous. It's not exactly what I meant Martin. I looked the part

00:30:38Careful, okay, I

00:30:42Will

00:30:46I

00:31:17Comrade Rose you wanted to make a statement

00:31:20Thank You comrade Alice today on the March we witnessed the state apparatus in action

00:31:27How it uses violence and brutality on its citizens

00:31:32We can't sit back and do nothing. We must act this government has sanctioned internment in our names

00:31:38It's arrested peaceful political activists and held them without charge without trial. This is happening in our own backyard. I

00:31:45Am

00:31:47Angry, I am so angry with this country and with its disgusting behavior in Northern Ireland

00:31:54and I'm willing to do whatever it takes to put an end to British imperialism in Ireland and

00:31:59you

00:32:00Are you with me? Are you willing to fight to fight and to keep fighting?

00:32:15I

00:32:18I

00:32:40National Gallery of Ireland

00:32:43Put me through to the director mr. White

00:32:57Mr. White

00:32:58Don't talk

00:33:00Just listen

00:33:02Listen carefully and write down exactly what I say

00:33:09Ready

00:33:11I

00:33:13represent the people

00:33:15liberated the paintings from the

00:33:18capitalist pigs

00:33:21These are

00:33:25These are the man

00:33:33Can you

00:33:34Can you please point that gun?

00:33:37somewhere else

00:33:38I'll say this woods you and your lordship here, but I shut the fuck up, sir

00:33:43What's that?

00:33:44He's not a lord. He's a sir. Oh, really

00:33:54The fuckers artwork who else I fucking told you you deal with this

00:33:59Oh

00:34:03So ladies and gentlemen, what seems to be the problem here, huh?

00:34:07Both respect comedy that doesn't look like nothing. These fuckers aren't cooperate. Could I have a quick word comedy?

00:34:15Your capacity for balance Martin can be both an asset and a liability right now, it's the latter. Okay, I need to look at that

00:34:22Meantime, I'll see the road back in their leadership and you go and help Eddie. Okay

00:34:27I'm coming. Come the fuck down. He's a sword. Oh lord

00:34:44Fuck fucking idiot

00:34:56A

00:35:04Pack of 20, please

00:35:09So 29 and 5 is 34

00:35:23Not so nice today

00:35:26No

00:35:30Are you on holiday?

00:35:33Yes, no, I'm working oh

00:35:37Really what kind of work would that be?

00:35:43My writer Oh novel is it

00:35:48Yes, my husband he's not so keen on the books, but I quite like them

00:35:57And if you don't mind me asking what's the story about

00:36:04Well

00:36:06It's I

00:36:09Don't really like to talk about the story. Oh, it's a secret then

00:36:19Yes, well just started it so you don't want to change

00:36:26Yes

00:36:28understood

00:36:31Sorry about all the small change, but it might come in handy if you're making another phone call

00:36:57I

00:37:07I've been thinking about that conversation we had

00:37:10Remind me they've been quite a few on

00:37:14About the time you spent at the seminary. Oh, I

00:37:20Haven't yeah, what about it? Did it come on much?

00:37:24Did actually quite a lot

00:37:29What did you conclude

00:37:31You mean is it a thing a real thing?

00:37:38What is it

00:37:40Well, the jury is still very much out in that one, but personally I came to the conclusion that it is not a real thing

00:37:49It's really a thing

00:37:52So, this is it then right, this is all there is

00:38:00You disappointed

00:38:06Well, she getting said she'll be back soon just stay a little longer

00:38:21You

00:38:34Now you'll survive

00:38:36You okay

00:38:39No, I am NOT I

00:38:44Ask you a question

00:38:46Go on

00:38:49Do you really think you'll get away with this comrade?

00:39:05What we're doing here is justified I don't expect you to understand that but it's a fact

00:39:12And that's your question I do think we'll get away with it

00:39:17Come read

00:39:27Good morning

00:39:29Is it mrs. Mary me me that's correct

00:39:35It's my daughter's house. You're staying at. Oh

00:39:39Okay

00:39:42Donal nice to meet you don't know

00:39:47I understand you're a writer. I am I'm trying to be you've come to the right spot. I

00:39:57Left some eggs at the door for you. It's very kind of you. I'm not at all. I

00:40:02Thought I saw you out the back with the friends. So

00:40:05That's why I called over. It's odd

00:40:08It's just me here. I'm on my own and I was at the village

00:40:16Must've been mistaken. So

00:40:19Well

00:40:21I'd better carry on no rest for the wicked

00:40:26If you want or need anything at all, just call by and ask

00:40:33Thank you, I will right so

00:40:38Slaw

00:40:47Oh, yeah

00:41:03And put those down he's gone

00:41:06He's a local farmer. It's called Donal

00:41:09He left us some eggs

00:41:12Do you think he suspects anything? I don't think so

00:41:16Are you sure?

00:41:17pretty sure

00:41:21He said he saw two people out the back is that true no

00:41:31That's true we were

00:41:33I

00:41:43Say is the Jan Vermeer's woman right in the letter what I made is one of the most

00:41:50valuable paintings in the world

00:41:54To since the two in private ownership and one's on by the Queen

00:41:59And

00:42:02We have this one

00:42:06Honey, yeah

00:42:11You okay

00:42:13Think about your mom

00:42:16No, I'm

00:42:18Thinking about the paintings

00:42:21What about them? There's an outside chance that we might need to destroy them

00:42:30I

00:42:31Hopefully won't come to that

00:42:33But if it does

00:42:36I'm prepared to do it

00:42:40Yeah, I don't like that for a second

00:42:49That must have been frightening for you

00:42:55But you have nothing to worry about

00:42:59Just do as you're told and you won't get out

00:43:02Your father's going to be fine

00:43:06It looked worse than it was

00:43:09What's your name Patrick Patrick, I love that name

00:43:17Tell me where do you go to school?

00:43:21St. Joseph's

00:43:23Please

00:43:25Study out getting good rates is fairly important. It gives you options in life

00:43:35Will you do that

00:43:46Do you like this painting? Yes me too

00:43:52When you look at it

00:43:56What do you see I

00:43:59See a woman

00:44:02On a table riding

00:44:05She looks rich behind her

00:44:09There's this other woman

00:44:12Mate

00:44:14That's good, I

00:44:17Think she might be daydreaming. I

00:44:21Think she's daydreaming about

00:44:25What her life would be like if she wasn't a maid

00:44:31She didn't have to wait hand and foot on someone else

00:44:37How she's daydreaming about

00:44:41Being somewhere else

00:44:46Living a different life more

00:44:48A more

00:44:53Worthwhile one

00:44:58Where she's she's really valued

00:45:07Would you agree with that

00:45:10I

00:45:12Trick when I spoke in an English accent just now don't mention it to anyone ever

00:45:21Now tell me

00:45:24Which way to the music room

00:45:35You know when I was fundraising for weapons in America we used to go to these diners

00:45:40And you could have your eggs all different kinds of ways

00:45:43poached

00:45:44Scrambled sunny-side up over easy or hard

00:45:49What kind of this

00:45:52These are just the eggs

00:45:55In what is now being referred to as bloody Sunday British soldiers shot 26

00:46:01Civilians during an anti internment protest in Northern Ireland today

00:46:0513 people died including seven teenagers over to our reporter

00:46:11First body I saw was that of a youth being carried out by other civilians with a priest in the lead

00:46:17Waving a bloody handkerchief as a white flag

00:46:22Yet more evidence

00:46:24I

00:46:33Spoke to one of their priests father Edward Daly

00:46:46Sure, why the girl we filmed you leading the way with a white with a white handkerchief. Yes for a

00:46:52Party will carry the boy who was dead or dying now. How is he sure that little boy was shot when he was running away?

00:46:58He was just a little bit behind me when he fell. I heard the shot. I looked around I saw him

00:47:03But I know yes, and he was shot with a gun man. He was just a young boy with 15 years

00:47:07He was running I was running through soon after I saw general Ford commander land forces and asked him for his version of what?

00:47:14It happened

00:47:22Information

00:47:52I

00:48:23I

00:48:35Think we just butter Patrick. I'm sorry, but he'll have to tell you

00:48:41Please

00:48:48Why is she

00:48:50Things got out of hand earlier. Can't you just stay there now? No, no, Martin

00:48:54You stick to the plan everyone in a different part of the house. It buys us more time get on

00:48:59Let's start getting these canvases in the car got a comrade

00:49:11I

00:49:36Morning sickness

00:49:41How do you know thin walls

00:49:48It's a lousy family plan

00:49:55Does Eddie know tell him when I'm ready

00:50:00How'd you feel about bringing a child into this world I

00:50:06Feel afraid

00:50:11I don't see the good in it

00:50:21Speak to the child sometimes to reassure it I

00:50:29Think if I'm being honest, I'm just trying to reassure myself

00:50:32I

00:50:39Does that sound mad

00:50:43No

00:50:45No, it's a good thing

00:50:51You want my advice just keep talking

00:51:02No

00:51:32I

00:51:54Think all right, actually, I'm not sure something happened

00:52:03Martin and Dominic to leave go to Baltimore join you at the safe house

00:52:10Just one of those feelings ears

00:52:14Yeah

00:52:18You're on your own

00:52:21Looks that way. I know you're gonna hit this but I have to ask

00:52:28Will you be okay

00:52:30I'll be fine

00:52:34Stay strong comrade

00:53:00I

00:53:30Hope mother

00:53:32father

00:53:34What are you doing, darling? And who is this gentleman? This is Walter

00:53:39Pleased to meet you both. He's my friend my comrade and he's also my lover

00:53:46Who's my love why are you stealing from your own home? We're fundraising

00:53:51What for the IRA and the Republican movement for the oppressed nationalist communities in Northern Ireland for the reunification of Ireland?

00:54:00And for an end to British rule

00:54:02Who's that effect?

00:54:04Yes, it is if you just

00:54:08Put everything back

00:54:10We won't press charges. I still love you both

00:54:15But the IRA need the money

00:54:22I've alerted the staff. They're on their way

00:54:26Police

00:54:56I

00:55:27I

00:55:40Think the three of us being here is a mistake we make too big of a target. I

00:55:49Think you should take the car early tomorrow morning and go and join Eddie at the safe house in Baltimore

00:55:57I

00:55:59Was it our uninformed comments about the aesthetic value of art

00:56:04It'll be safer

00:56:08Maybe you're right

00:56:10Maybe can I ask why?

00:56:14woman in the shop

00:56:15Where she looked at me where she talked to me that man don't know. Oh, so you do think you suspect something

00:56:23possibly well

00:56:27When I met him I may have spoken in a French accent in French

00:56:33Was that a fact did he spot it?

00:56:38I'm not sure

00:56:42I have to pay him a visit. I make it messy. I

00:56:46I

00:56:53Need you to to get some shovels

00:56:57Dig a grave here

00:57:02Not too deep

00:57:06Understood

00:57:16I

00:57:47I

00:57:57Rose

00:58:01This is me, huh, my Belfast contact I was telling you about

00:58:06The Marxist training camp in Cuba

00:58:09How did you find it life-changing?

00:58:12After

00:58:14The robbery at your parents house your accomplice was sentenced to six years in prison

00:58:20Yet you walked free

00:58:23Why

00:58:26The British class system in action a

00:58:30Working-class man gets sent down while the rich girl walks away

00:58:36You sold a flat you owned in Chelsea and gave all the money away

00:58:42My parents had given me the flat. I didn't work for it. I hadn't earned it in any way

00:58:48It was gifted to me and as a Marxist, I believed it was important to give this money to people who needed it more than I did

00:59:01Oxford nice place. Yes

00:59:05You

00:59:07Did a master's degree on Wittgenstein I

00:59:10Did so he'll be familiar with his tractatus then and what he wrote about the world being the totality of facts and not things

00:59:17I would

00:59:19What facts can you tell me about the British in Northern Ireland?

00:59:35I

01:00:05I

01:00:19Nice work for a beginner

01:00:35Oh

01:01:00God no

01:01:05I

01:01:12Really is nice around here

01:01:16Cheers

01:01:18Nice to come back one day for a holiday

01:01:22Have some nice walks picnics swims

01:01:27I'd like that

01:01:30Be careful

01:01:32There'll be roadblocks. We won't

01:01:36You take care comrade I

01:01:40Think what we've done and what we're doing is very important

01:01:44And we'll help bring about the change. We're fighting for I

01:01:48Just wanted to say that

01:01:50It's wrong. It's longer fall. We'll be fluent in no time

01:02:05I

01:02:35I

01:03:05Ah

01:03:07I was wondering who it was. I came to return your basket. Come in. Come in and have a cup of tea

01:03:31Keep moving

01:03:35I

01:03:52See

01:04:00The other day

01:04:01when we met I

01:04:04May have accidentally spoken in the French accent, which must have struck you as odd considering on English

01:04:10Did seem a bit odd

01:04:13That's why I wanted to see you just to clear that up. Ah

01:04:16That's okay. There's no need I think it needs clearing up

01:04:22In the novel that I'm writing

01:04:26One of the characters she's French ah

01:04:31I understand

01:04:34Good

01:04:40And

01:04:43What is it you're writing about I'm

01:04:47Writing about the class system

01:04:51it's about rich people people who have lots of things and

01:04:55In contrast people who don't have anything at all

01:04:58I

01:05:01Last week potty Casey got a fridge and

01:05:06He asked me to drop it and look at it so I went wrong

01:05:12He poured me a glass of milk

01:05:15Try that no potty says so I drank it and to know what?

01:05:22It was the coldest glass of milk I ever tasted

01:05:28I'd love a fridge

01:05:36Can I use your bathroom, of course you can it's just through there

01:05:58I

01:06:13Thought a record I

01:06:15hope was to avoid any unnecessary violence, but

01:06:22Sometimes things can get a bit out of control

01:06:28I want to apologize for that

01:06:33Don't bother

01:06:45You and your husband have an interesting family history, don't you think?

01:06:52I

01:06:54Look at this house

01:06:57the silverware

01:07:00Antiques

01:07:02the lavish decor the paintings

01:07:06From time to time you must ask yourself. How is it we've accumulated so much West

01:07:15Really

01:07:18You're going to lecture me on morality

01:07:22I

01:07:33Don't want to put this trigger

01:07:36Please don't

01:07:39But

01:07:40consider bloody Sunday

01:07:42And all see other atrocities at Northern Ireland

01:07:46Morally, it would be justified no

01:07:49I

01:07:51People like you you don't listen you're arrogant

01:07:56Everywhere, you've been you live in your way destruction is disgusting really and the worst thing is you can't see it

01:08:18Who is understood to be the gang leader were also involved in January's failed bombing attack on an RUC police station in

01:08:25The Stravall attack for milk churns each packed with a homemade

01:08:30Bomb were placed inside a hijacked helicopter

01:08:33And the pilot was forced at gunpoint to fly the helicopter to the RUC station

01:08:38The bombs were thrown out of the helicopter but failed to detonate on impact and the gang escaped

01:08:44The authorities are in no doubt as to the risk of this violent armed gang poses

01:08:48And are again asking members of the public not to approach these individuals under any circumstance. I never turn that off

01:08:55Not at all. I

01:08:57Hardly ever listen to it

01:08:59Have it on for the bitter company

01:09:05Sure, I wasn't even listening to it. No

01:09:11Can I ask you a favor

01:09:15Fire away, I was wondering if I might borrow your car for day or two

01:09:21Could have it for as long as you want I

01:09:24Can't even drive it anymore

01:09:27How come I

01:09:29Have an eye disease

01:09:32Had the doctor say I'll be

01:09:34totally blind in two to three years time

01:09:40It's um

01:09:42It starts off like a

01:09:46small black dot in the middle of your two eyes and then it

01:09:52It just grows

01:09:54Until it's all black

01:09:56I'm sorry to hear that

01:10:01Have you ever seen this it's Braille come here

01:10:07Here give me your hand Oh

01:10:09Oh

01:10:10Try that

01:10:12it says

01:10:14My brother Jim

01:10:17Got his arm

01:10:19badly broken at the elbow

01:10:24It's to kill a mucking bird

01:10:34I miss being able to look at the land

01:10:37And

01:10:39See

01:10:41My children

01:10:44My grandchildren

01:10:48And I go for a walk now I look at things

01:10:55They seem extra special I

01:11:01Wonder

01:11:02If what you saw at the back of the house wasn't two people but simply the black dots in your eyes I

01:11:11Need you to think very carefully about your answer

01:11:17Yes, it was

01:11:20What I saw was the dots

01:11:23You're certain of that

01:11:26Yes, I am

01:11:28I've never been more certain of anything

01:11:32I

01:12:02I

01:12:32I

01:13:02Oh

01:13:30Fuck

01:13:32I

01:14:03Put me true to mr. White

01:14:12Sorry, what did you say?

01:14:17You need more time are you fucking with me?

01:14:22No, you listen I don't need a lecture mr. White especially from a dilettante like yourself understand

01:14:32Because I know the fucking value

01:14:35You want to talk about value?

01:14:37Can you put a value on the human cost of the continued occupation of Northern Island?

01:14:41What about the innocent lives lost on Bloody Sunday? Do they have a value?

01:14:45well

01:14:48Next time you talk about something you do know about

01:14:54When I call you better have a clear response to our demands

01:15:03This is your last chance

01:15:05What the paintings will be destroyed?

01:15:32Mr. Albert price father of the price sisters who are currently on hunger strike

01:15:39London read aloud a letter from his daughter's

01:15:42Directed specifically at the armed guy pleading with them to return the stolen by paintings unharmed

01:15:51To those comrades who have taken the paintings from the ice

01:15:56We thank you for what you're trying to do to secure our repatriation back to Ireland

01:16:02like you

01:16:03We are all involved in this struggle

01:16:06However, we ourselves have studied art history and it would pain us if anything were to happen to these paintings

01:16:15There are a few beautiful things left in this world

01:16:19It would be a great shame to destroy them

01:16:22The world we believe is better for them being in it

01:16:32I

01:17:00Sorry about your seat

01:17:03These things happen

01:17:07How are you feeling

01:17:10Not too good to be honest

01:17:14No, I guess not

01:17:22Where are we?

01:17:25I'm not sure

01:17:27We thought you might know

01:17:30we

01:17:33I

01:17:41I'm so sorry about everything that happened. Are you?

01:17:49No, actually

01:17:53Interesting we miss those paintings

01:17:58I'm not surprised

01:18:01I'll go after living with them for a few days. I can't grow

01:18:23Fucking

01:18:30I

01:19:01I

01:19:03Lost

01:19:06Hello there

01:19:08No, no, I just wanted to ask a few questions. Oh

01:19:14Have you seen any strangers around specifically a woman and three men

01:19:20No

01:19:22Not really not really I

01:19:27Mean no

01:19:30Right. Well, if you do see anyone or indeed anything suspicious be sure to let us know

01:19:36grandson, I will

01:19:43Before you go my daughter has a rental cottage

01:19:52There's someone staying there at the moment

01:19:56Mrs. Mary me

01:19:58She's writing a novel about the class system, you know rich people poor people

01:20:28I

01:20:59I

01:21:04Sorry to disturb you miss Mary me mrs. Apologies

01:21:08Mrs. Mary me. I got your name from a local farmer

01:21:12donor

01:21:14That's him. How can I help?

01:21:17We're going door-to-door asking if anyone has seen anything suspicious lately

01:21:21No

01:21:23I've just been

01:21:26Writing

01:21:28Busy keeping myself to myself

01:21:33And some gardening

01:21:37The people we are looking for are extremely dangerous mrs. Mary me

01:21:42Not to be approached under any circumstances. Thank you for letting me know

01:21:52Is that it

01:21:54Yes, thanks for your time

01:21:58I'll be on my way

01:22:13Well Richard Rose Stockdale, what are you gonna do?

01:22:28Oh

01:22:54Hello there

01:22:57I know I

01:23:01Was wondering if you ever took people out on your boat

01:23:06Was it a sightseeing thing you had in mind

01:23:12Actually, I was wondering if you might take me to Baltimore

01:23:16I

01:23:29Assume you're not calling for a friendly child. I had a visit from the police earlier

01:23:36Think they were suspicious

01:23:39No good

01:23:42For a moment comrades had me worried that said I think I should leave I

01:23:48You don't have a car. I do have a car from where it doesn't matter

01:23:52I mean, I don't want to drive. I think it's too dangerous too dangerous. You just said they weren't suspicious

01:23:56Eddie give me a break

01:23:58so

01:24:01What will you do I've arranged with a local fisherman to take me on his boat a boat. Have you got a better idea?

01:24:11No, I don't

01:24:14So, when do you get going I plan to leave at 9 in the morning

01:24:22Eddie

01:24:26Yeah

01:24:30Mm-hmm

01:24:41I

01:25:11I

01:25:41I

01:26:11I

01:26:38Know what you're thinking

01:26:42You're thinking

01:26:46She doesn't know what she's doing

01:26:52Am I right

01:26:57Well, you're wrong

01:27:05We get away from here

01:27:07We get to the safe house in Baltimore

01:27:16And then when all this is over

01:27:20I'm thinking we might settle down

01:27:23Just you and me

01:27:25Then we can begin again

01:27:29Clean slate

01:27:33Tabula rasa

01:27:37Wonder what the Irish is for tabula rasa

01:28:07I

01:28:37I

01:29:07You

01:29:37You

01:30:07You

01:30:37You

01:31:07You

01:31:37You

01:32:07You

01:32:37You

01:33:07You

01:33:37You

01:34:07You

01:34:37You

01:35:07You

01:35:37You

01:36:07You

01:36:37You

01:37:07You

01:37:37You

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