Rose's War
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Transcript
00:00:30You
00:01:00You
00:01:30You
00:02:00I
00:02:07Know I shouldn't be lying on the floor like this
00:02:15In fact, it's the last thing I should be doing right now
00:02:21Thing is
00:02:25Suddenly felt sick
00:02:27It'll pass I just need a minute or two
00:02:38But now that I'm here on the floor in this fine big house
00:02:44It's stretching up a number of memories first, it's 1951
00:02:51I'm 10 and with my parents outside our family home in Devon, England
00:02:58I've just killed my first Fox. I
00:03:02Should be happy
00:03:04Because I'm not
00:03:07As I'm blooded I have this feeling that something is wrong
00:03:13But what poor Fox
00:03:16I
00:03:18Was
00:03:191957 I'm 16. I'm with my mother at a gallery
00:03:24Find ourselves in front of a painting. What do you think about the maid in the painting?
00:03:30I'm drawn to the jug. She's holding I like her positioning in the frame. I
00:03:39Think that's what makes this painting so I
00:03:42I
00:03:44Don't know moving you find it moving
00:03:54In what way my love
00:03:57The truth is I'm not sure exactly I don't have the words
00:04:00It's just a feeling I have to do with the young black girl made
00:04:05There's something about her being the subject of the painting not Jesus and his disciple
00:04:10But her for some reason I find that moving
00:04:16It's a year later, I'm 17
00:04:19Just had an argument with my parents
00:04:21They want me to go to Buckingham Palace to be presented to the Queen as a debutante so I can be married off
00:04:29To my mind. It's a pornographic affair. My parents disagree strongly
00:04:35They suggest that I better accept the invitation or else you've talked about your desire to go to university
00:04:42If we support you to go to university
00:04:47It's not unreasonable for you to reciprocate. I see
00:04:53So this is what they call horse trading
00:04:58This hostility
00:05:01It's anger
00:05:04Where does it come from?
00:05:07Good question
00:05:09Where does all this anger come from I?
00:05:13Wish I knew
00:05:16Anyway, is it really such a bad thing to be angry I?
00:05:21Don't think so. I actually find it. What's the word?
00:05:28Exciting
00:05:33I
00:06:03Don't
00:06:25If I'm lucky I should make it to the safe house by three, I'll call when we have news
00:06:34Take care of me
00:06:51I've got to we
00:07:03I
00:07:33Oh
00:08:03Hello
00:08:27Can I help you
00:08:29Sorry to disturb you but my car broke down and I saw some lights on I
00:08:35Wondered if I could use your phone to call a local garage
00:08:40One moment
00:08:59Ah
00:09:17Okay
00:09:27No
00:09:29Oh
00:09:31Oh
00:09:33Oh
00:09:57You you need with him you you cover the boy come red you come with me
00:10:03Oh
00:10:06Who are you what are you doing here?
00:10:09Okay, I'll move let's go
00:10:12You're doing an excuse. That's gonna be a fucking lot. All right, right?
00:10:15All right, we'll scream and they'll run on the way
00:10:19There
00:10:24Please calm down
00:10:26Tell us what you want, but please please don't harm anyone get on the fucking ground you capitalist pigs
00:10:33No, get down. No
00:10:36Hands in the ear. He's capitalist pigs. No, don't fuck around with me. I'm warning it
00:10:42Take this this this and that and then you round up everyone in the house you tie him up you
00:10:49You come with me
00:10:51You
00:10:56What is now being seen as the biggest artefact in the world
00:11:00International focus has intensified guard the efforts who have mounted the largest manhunt in the history of the state
00:11:05They have not moved out terrorist involvement
00:11:08Guarding are looking for four people three men and a woman the woman has red hair and a distinctive French accent
00:11:15Members of the public are asked not to approach these individuals guarding of stress. They are extremely violent
00:11:21If you see anything suspicious or know something, please get in touch with your local guard station
00:11:29Red hair French accent distinctive French accent stink that might just be another word for bad
00:11:36But you know what? I'm thinking given the scale of what we've just done you throw in phrases like terrorist involvement and extremely violent
00:11:43Kind of raises the stake. So it does
00:11:50I
00:12:20Know
00:12:50Put your arms down
00:13:20You
00:13:32What's this one
00:13:35It's by a painter called Rubens
00:13:38Paintings called Venus supplicating Jupiter. That's Jupiter
00:13:44the Roman King of the Cods
00:13:47and that's Venus and
00:13:49She's pleading with Jupiter to let Rome rule over the world
00:13:55It's like watching the birth of imperialism, what do you think of that Martin fuckers?
00:14:08Is that your blood
00:14:10See the minor the chefs
00:14:13Either way, we should look at that still bleeding
00:14:16Yeah
00:14:19You
00:14:33You're new I
00:14:35Am what's your name?
00:14:38Bridget
00:14:39Actually, it's Rose. Well, which do you prefer Rose?
00:14:43Bridget's my first name. I haven't used this in a long time. I don't know why I said that
00:14:47That Rose Rose Dugdale
00:14:50So, what have you made of our discussion so far I
00:14:53Agree with what was said. I think that the policies that lead to sexual discrimination need to be addressed and
00:15:01Changed and how would we do that the change part? I mean
00:15:06Writing lobbying and what if that doesn't work? What if words don't bring about this change?
00:15:17Well, I don't know
00:15:20Is he what's about direct action
00:15:24Disruption protest agitation violence even
00:15:29Do you think you would ever be prepared for militant action I
00:15:34Think if I had a bit more courage courage comes out of anger, huh?
00:15:40Tell me what makes you angry being barred from the Oxford Union. Yeah
00:15:46Knowing that because I'm a woman I can't drink there eat there
00:15:51let alone debate there and it really
00:15:55Pisses me off. So
00:15:57Rose Dugdale
00:15:59What are you going to do about it?
00:16:02Down with the patriarchy
00:16:09Oh
00:16:39Oh
00:17:09Oh
00:17:39I
00:17:50Sure, you know what you're doing?
00:17:52Yeah, I've done it before
00:17:54How many times?
00:17:56loads of times
00:17:58Where?
00:18:01Martin where my dad's butcher shop
00:18:09What's up to you but honestly that gets infected you won't have a hand left a stitch
00:18:25Do not fuck this up
00:18:39Hmm
00:18:57I'm truly sorry we to do this, but it can't be avoided
00:19:00We're not here to hurt you as a matter of fact. We stand with you. Don't we come in we do
00:19:05Work in class you can tell that to the press when they interview
00:19:08I'll ask you questions like what did I say?
00:19:10You could tell me very polite and that we talked mainly about the class struggle
00:19:15British colonial rule in particular what Britain is doing in Northern Ireland determined for example, you won't forget to say that when you
00:19:21We mentioned everything come in
00:19:24Pretty much you got it. Yeah good man yourself. No
00:19:28When I ask you a question, and I want you to really really think about your answer here now, okay?
00:19:33Is there anyone else in this house we need to know about I asked because we really hate surprises especially him
00:19:42Answer me
00:19:46Okay, let's move upstairs
00:20:02How are you doing? I'm sorry about all of the carry-on this morning
00:20:14You must think it's all a bit mad
00:20:23I'm hoping things get quieter now
00:20:27I
00:20:31Really hope so
00:20:33You
00:20:53You know one of his lovers was the actor Paolo Carlini
00:20:57from that film Roman Holiday
00:21:00It's quite something isn't it the way they denounce homosexuality or what at the same time fucking each other
00:21:13It's probably nothing you stay here
00:21:29I
00:21:59I
00:22:29I
00:22:47Want you to listen listen carefully, what's the quickest way to the drawing room?
00:22:54Which way that way go
00:23:00I
00:23:02Having them here is quite something
00:23:07Really is
00:23:17My envelope
00:23:30I
00:23:33May be cut don't respond
00:23:37Don't talk just listen
00:23:41Listen carefully
00:23:44Write down exactly what I say
00:23:57Thanks Martin
00:24:00I
00:24:02Martin Turner
00:24:19Don't move
00:24:29I
00:24:59Who is he speaker he's a dead man
00:25:30I
00:25:34I'm gonna go out now have a poke around see what's what Martin?
00:25:38It's not a poke around
00:25:40You're on night maneuvers. Okay?
00:25:43You surveyed the immediate area check out front suspicious then after four hours you come back here wake me
00:25:48And then it'll be my turn. Okay
00:25:51Come on
00:25:55How do you think today went
00:25:58Well, I mean these things can be messy sometimes real messy so
00:26:03All things considered it went. Okay
00:26:06Why Josh?
00:26:12It's just I want the whole thing to go well, you know
00:26:18You ambitious Martin I guess I am
00:26:21Well, it's nothing wrong with that
00:26:24Surround yourself with winners. That's the key
00:26:34We'll know soon enough
00:26:42Your job was to round up everyone everyone no, we fucked up. I'm sorry. Sorry. So fucking good to me
00:26:47I want no more surprises do a quick sweep check everyone go
00:26:53Oh
00:27:12Where would this one be on the list in terms of value? Yeah
00:27:24Pretty close to the top
00:27:29She looks
00:27:31Sad exactly, but I
00:27:35Don't know interesting
00:27:42She's an actress and there's a clothes borrowed from the local theater tree
00:27:49So
00:27:53She isn't what she seems
00:27:58Maybe that's what's so interesting about her
00:28:05You can leave your gun behind
00:28:08If I come across something
00:28:11Whatever you come across out there. You won't need a gun
00:28:14Your bare hands will do just fine
00:28:19I
00:28:26Don't trust me do you I'm worried that if you take that gun with you you might use it
00:28:35Good night Ross. Yeah
00:28:49You
00:28:59These are our demands
00:29:03The four hunger strikers
00:29:06including the price sisters
00:29:10to be returned
00:29:12immediately to serve
00:29:14the rest of the prison terms
00:29:17In Ireland
00:29:20If this request is granted
00:29:24the paintings
00:29:26the paintings
00:29:28Will be returned on the payment of five hundred
00:29:32thousand pounds
00:29:34If you do not comply with our conditions
00:29:38The paintings will be destroyed
00:29:46I
00:30:16Do I look okay? You look gorgeous. It's not exactly what I meant Martin. I looked the part
00:30:38Careful, okay, I
00:30:42Will
00:30:46I
00:31:17Comrade Rose you wanted to make a statement
00:31:20Thank You comrade Alice today on the March we witnessed the state apparatus in action
00:31:27How it uses violence and brutality on its citizens
00:31:32We can't sit back and do nothing. We must act this government has sanctioned internment in our names
00:31:38It's arrested peaceful political activists and held them without charge without trial. This is happening in our own backyard. I
00:31:45Am
00:31:47Angry, I am so angry with this country and with its disgusting behavior in Northern Ireland
00:31:54and I'm willing to do whatever it takes to put an end to British imperialism in Ireland and
00:31:59you
00:32:00Are you with me? Are you willing to fight to fight and to keep fighting?
00:32:15I
00:32:18I
00:32:40National Gallery of Ireland
00:32:43Put me through to the director mr. White
00:32:57Mr. White
00:32:58Don't talk
00:33:00Just listen
00:33:02Listen carefully and write down exactly what I say
00:33:09Ready
00:33:11I
00:33:13represent the people
00:33:15liberated the paintings from the
00:33:18capitalist pigs
00:33:21These are
00:33:25These are the man
00:33:33Can you
00:33:34Can you please point that gun?
00:33:37somewhere else
00:33:38I'll say this woods you and your lordship here, but I shut the fuck up, sir
00:33:43What's that?
00:33:44He's not a lord. He's a sir. Oh, really
00:33:54The fuckers artwork who else I fucking told you you deal with this
00:33:59Oh
00:34:03So ladies and gentlemen, what seems to be the problem here, huh?
00:34:07Both respect comedy that doesn't look like nothing. These fuckers aren't cooperate. Could I have a quick word comedy?
00:34:15Your capacity for balance Martin can be both an asset and a liability right now, it's the latter. Okay, I need to look at that
00:34:22Meantime, I'll see the road back in their leadership and you go and help Eddie. Okay
00:34:27I'm coming. Come the fuck down. He's a sword. Oh lord
00:34:44Fuck fucking idiot
00:34:56A
00:35:04Pack of 20, please
00:35:09So 29 and 5 is 34
00:35:23Not so nice today
00:35:26No
00:35:30Are you on holiday?
00:35:33Yes, no, I'm working oh
00:35:37Really what kind of work would that be?
00:35:43My writer Oh novel is it
00:35:48Yes, my husband he's not so keen on the books, but I quite like them
00:35:57And if you don't mind me asking what's the story about
00:36:04Well
00:36:06It's I
00:36:09Don't really like to talk about the story. Oh, it's a secret then
00:36:19Yes, well just started it so you don't want to change
00:36:26Yes
00:36:28understood
00:36:31Sorry about all the small change, but it might come in handy if you're making another phone call
00:36:57I
00:37:07I've been thinking about that conversation we had
00:37:10Remind me they've been quite a few on
00:37:14About the time you spent at the seminary. Oh, I
00:37:20Haven't yeah, what about it? Did it come on much?
00:37:24Did actually quite a lot
00:37:29What did you conclude
00:37:31You mean is it a thing a real thing?
00:37:38What is it
00:37:40Well, the jury is still very much out in that one, but personally I came to the conclusion that it is not a real thing
00:37:49It's really a thing
00:37:52So, this is it then right, this is all there is
00:38:00You disappointed
00:38:06Well, she getting said she'll be back soon just stay a little longer
00:38:21You
00:38:34Now you'll survive
00:38:36You okay
00:38:39No, I am NOT I
00:38:44Ask you a question
00:38:46Go on
00:38:49Do you really think you'll get away with this comrade?
00:39:05What we're doing here is justified I don't expect you to understand that but it's a fact
00:39:12And that's your question I do think we'll get away with it
00:39:17Come read
00:39:27Good morning
00:39:29Is it mrs. Mary me me that's correct
00:39:35It's my daughter's house. You're staying at. Oh
00:39:39Okay
00:39:42Donal nice to meet you don't know
00:39:47I understand you're a writer. I am I'm trying to be you've come to the right spot. I
00:39:57Left some eggs at the door for you. It's very kind of you. I'm not at all. I
00:40:02Thought I saw you out the back with the friends. So
00:40:05That's why I called over. It's odd
00:40:08It's just me here. I'm on my own and I was at the village
00:40:16Must've been mistaken. So
00:40:19Well
00:40:21I'd better carry on no rest for the wicked
00:40:26If you want or need anything at all, just call by and ask
00:40:33Thank you, I will right so
00:40:38Slaw
00:40:47Oh, yeah
00:41:03And put those down he's gone
00:41:06He's a local farmer. It's called Donal
00:41:09He left us some eggs
00:41:12Do you think he suspects anything? I don't think so
00:41:16Are you sure?
00:41:17pretty sure
00:41:21He said he saw two people out the back is that true no
00:41:31That's true we were
00:41:33I
00:41:43Say is the Jan Vermeer's woman right in the letter what I made is one of the most
00:41:50valuable paintings in the world
00:41:54To since the two in private ownership and one's on by the Queen
00:41:59And
00:42:02We have this one
00:42:06Honey, yeah
00:42:11You okay
00:42:13Think about your mom
00:42:16No, I'm
00:42:18Thinking about the paintings
00:42:21What about them? There's an outside chance that we might need to destroy them
00:42:30I
00:42:31Hopefully won't come to that
00:42:33But if it does
00:42:36I'm prepared to do it
00:42:40Yeah, I don't like that for a second
00:42:49That must have been frightening for you
00:42:55But you have nothing to worry about
00:42:59Just do as you're told and you won't get out
00:43:02Your father's going to be fine
00:43:06It looked worse than it was
00:43:09What's your name Patrick Patrick, I love that name
00:43:17Tell me where do you go to school?
00:43:21St. Joseph's
00:43:23Please
00:43:25Study out getting good rates is fairly important. It gives you options in life
00:43:35Will you do that
00:43:46Do you like this painting? Yes me too
00:43:52When you look at it
00:43:56What do you see I
00:43:59See a woman
00:44:02On a table riding
00:44:05She looks rich behind her
00:44:09There's this other woman
00:44:12Mate
00:44:14That's good, I
00:44:17Think she might be daydreaming. I
00:44:21Think she's daydreaming about
00:44:25What her life would be like if she wasn't a maid
00:44:31She didn't have to wait hand and foot on someone else
00:44:37How she's daydreaming about
00:44:41Being somewhere else
00:44:46Living a different life more
00:44:48A more
00:44:53Worthwhile one
00:44:58Where she's she's really valued
00:45:07Would you agree with that
00:45:10I
00:45:12Trick when I spoke in an English accent just now don't mention it to anyone ever
00:45:21Now tell me
00:45:24Which way to the music room
00:45:35You know when I was fundraising for weapons in America we used to go to these diners
00:45:40And you could have your eggs all different kinds of ways
00:45:43poached
00:45:44Scrambled sunny-side up over easy or hard
00:45:49What kind of this
00:45:52These are just the eggs
00:45:55In what is now being referred to as bloody Sunday British soldiers shot 26
00:46:01Civilians during an anti internment protest in Northern Ireland today
00:46:0513 people died including seven teenagers over to our reporter
00:46:11First body I saw was that of a youth being carried out by other civilians with a priest in the lead
00:46:17Waving a bloody handkerchief as a white flag
00:46:22Yet more evidence
00:46:24I
00:46:33Spoke to one of their priests father Edward Daly
00:46:46Sure, why the girl we filmed you leading the way with a white with a white handkerchief. Yes for a
00:46:52Party will carry the boy who was dead or dying now. How is he sure that little boy was shot when he was running away?
00:46:58He was just a little bit behind me when he fell. I heard the shot. I looked around I saw him
00:47:03But I know yes, and he was shot with a gun man. He was just a young boy with 15 years
00:47:07He was running I was running through soon after I saw general Ford commander land forces and asked him for his version of what?
00:47:14It happened
00:47:22Information
00:47:52I
00:48:23I
00:48:35Think we just butter Patrick. I'm sorry, but he'll have to tell you
00:48:41Please
00:48:48Why is she
00:48:50Things got out of hand earlier. Can't you just stay there now? No, no, Martin
00:48:54You stick to the plan everyone in a different part of the house. It buys us more time get on
00:48:59Let's start getting these canvases in the car got a comrade
00:49:11I
00:49:36Morning sickness
00:49:41How do you know thin walls
00:49:48It's a lousy family plan
00:49:55Does Eddie know tell him when I'm ready
00:50:00How'd you feel about bringing a child into this world I
00:50:06Feel afraid
00:50:11I don't see the good in it
00:50:21Speak to the child sometimes to reassure it I
00:50:29Think if I'm being honest, I'm just trying to reassure myself
00:50:32I
00:50:39Does that sound mad
00:50:43No
00:50:45No, it's a good thing
00:50:51You want my advice just keep talking
00:51:02No
00:51:32I
00:51:54Think all right, actually, I'm not sure something happened
00:52:03Martin and Dominic to leave go to Baltimore join you at the safe house
00:52:10Just one of those feelings ears
00:52:14Yeah
00:52:18You're on your own
00:52:21Looks that way. I know you're gonna hit this but I have to ask
00:52:28Will you be okay
00:52:30I'll be fine
00:52:34Stay strong comrade
00:53:00I
00:53:30Hope mother
00:53:32father
00:53:34What are you doing, darling? And who is this gentleman? This is Walter
00:53:39Pleased to meet you both. He's my friend my comrade and he's also my lover
00:53:46Who's my love why are you stealing from your own home? We're fundraising
00:53:51What for the IRA and the Republican movement for the oppressed nationalist communities in Northern Ireland for the reunification of Ireland?
00:54:00And for an end to British rule
00:54:02Who's that effect?
00:54:04Yes, it is if you just
00:54:08Put everything back
00:54:10We won't press charges. I still love you both
00:54:15But the IRA need the money
00:54:22I've alerted the staff. They're on their way
00:54:26Police
00:54:56I
00:55:27I
00:55:40Think the three of us being here is a mistake we make too big of a target. I
00:55:49Think you should take the car early tomorrow morning and go and join Eddie at the safe house in Baltimore
00:55:57I
00:55:59Was it our uninformed comments about the aesthetic value of art
00:56:04It'll be safer
00:56:08Maybe you're right
00:56:10Maybe can I ask why?
00:56:14woman in the shop
00:56:15Where she looked at me where she talked to me that man don't know. Oh, so you do think you suspect something
00:56:23possibly well
00:56:27When I met him I may have spoken in a French accent in French
00:56:33Was that a fact did he spot it?
00:56:38I'm not sure
00:56:42I have to pay him a visit. I make it messy. I
00:56:46I
00:56:53Need you to to get some shovels
00:56:57Dig a grave here
00:57:02Not too deep
00:57:06Understood
00:57:16I
00:57:47I
00:57:57Rose
00:58:01This is me, huh, my Belfast contact I was telling you about
00:58:06The Marxist training camp in Cuba
00:58:09How did you find it life-changing?
00:58:12After
00:58:14The robbery at your parents house your accomplice was sentenced to six years in prison
00:58:20Yet you walked free
00:58:23Why
00:58:26The British class system in action a
00:58:30Working-class man gets sent down while the rich girl walks away
00:58:36You sold a flat you owned in Chelsea and gave all the money away
00:58:42My parents had given me the flat. I didn't work for it. I hadn't earned it in any way
00:58:48It was gifted to me and as a Marxist, I believed it was important to give this money to people who needed it more than I did
00:59:01Oxford nice place. Yes
00:59:05You
00:59:07Did a master's degree on Wittgenstein I
00:59:10Did so he'll be familiar with his tractatus then and what he wrote about the world being the totality of facts and not things
00:59:17I would
00:59:19What facts can you tell me about the British in Northern Ireland?
00:59:35I
01:00:05I
01:00:19Nice work for a beginner
01:00:35Oh
01:01:00God no
01:01:05I
01:01:12Really is nice around here
01:01:16Cheers
01:01:18Nice to come back one day for a holiday
01:01:22Have some nice walks picnics swims
01:01:27I'd like that
01:01:30Be careful
01:01:32There'll be roadblocks. We won't
01:01:36You take care comrade I
01:01:40Think what we've done and what we're doing is very important
01:01:44And we'll help bring about the change. We're fighting for I
01:01:48Just wanted to say that
01:01:50It's wrong. It's longer fall. We'll be fluent in no time
01:02:05I
01:02:35I
01:03:05Ah
01:03:07I was wondering who it was. I came to return your basket. Come in. Come in and have a cup of tea
01:03:31Keep moving
01:03:35I
01:03:52See
01:04:00The other day
01:04:01when we met I
01:04:04May have accidentally spoken in the French accent, which must have struck you as odd considering on English
01:04:10Did seem a bit odd
01:04:13That's why I wanted to see you just to clear that up. Ah
01:04:16That's okay. There's no need I think it needs clearing up
01:04:22In the novel that I'm writing
01:04:26One of the characters she's French ah
01:04:31I understand
01:04:34Good
01:04:40And
01:04:43What is it you're writing about I'm
01:04:47Writing about the class system
01:04:51it's about rich people people who have lots of things and
01:04:55In contrast people who don't have anything at all
01:04:58I
01:05:01Last week potty Casey got a fridge and
01:05:06He asked me to drop it and look at it so I went wrong
01:05:12He poured me a glass of milk
01:05:15Try that no potty says so I drank it and to know what?
01:05:22It was the coldest glass of milk I ever tasted
01:05:28I'd love a fridge
01:05:36Can I use your bathroom, of course you can it's just through there
01:05:58I
01:06:13Thought a record I
01:06:15hope was to avoid any unnecessary violence, but
01:06:22Sometimes things can get a bit out of control
01:06:28I want to apologize for that
01:06:33Don't bother
01:06:45You and your husband have an interesting family history, don't you think?
01:06:52I
01:06:54Look at this house
01:06:57the silverware
01:07:00Antiques
01:07:02the lavish decor the paintings
01:07:06From time to time you must ask yourself. How is it we've accumulated so much West
01:07:15Really
01:07:18You're going to lecture me on morality
01:07:22I
01:07:33Don't want to put this trigger
01:07:36Please don't
01:07:39But
01:07:40consider bloody Sunday
01:07:42And all see other atrocities at Northern Ireland
01:07:46Morally, it would be justified no
01:07:49I
01:07:51People like you you don't listen you're arrogant
01:07:56Everywhere, you've been you live in your way destruction is disgusting really and the worst thing is you can't see it
01:08:18Who is understood to be the gang leader were also involved in January's failed bombing attack on an RUC police station in
01:08:25The Stravall attack for milk churns each packed with a homemade
01:08:30Bomb were placed inside a hijacked helicopter
01:08:33And the pilot was forced at gunpoint to fly the helicopter to the RUC station
01:08:38The bombs were thrown out of the helicopter but failed to detonate on impact and the gang escaped
01:08:44The authorities are in no doubt as to the risk of this violent armed gang poses
01:08:48And are again asking members of the public not to approach these individuals under any circumstance. I never turn that off
01:08:55Not at all. I
01:08:57Hardly ever listen to it
01:08:59Have it on for the bitter company
01:09:05Sure, I wasn't even listening to it. No
01:09:11Can I ask you a favor
01:09:15Fire away, I was wondering if I might borrow your car for day or two
01:09:21Could have it for as long as you want I
01:09:24Can't even drive it anymore
01:09:27How come I
01:09:29Have an eye disease
01:09:32Had the doctor say I'll be
01:09:34totally blind in two to three years time
01:09:40It's um
01:09:42It starts off like a
01:09:46small black dot in the middle of your two eyes and then it
01:09:52It just grows
01:09:54Until it's all black
01:09:56I'm sorry to hear that
01:10:01Have you ever seen this it's Braille come here
01:10:07Here give me your hand Oh
01:10:09Oh
01:10:10Try that
01:10:12it says
01:10:14My brother Jim
01:10:17Got his arm
01:10:19badly broken at the elbow
01:10:24It's to kill a mucking bird
01:10:34I miss being able to look at the land
01:10:37And
01:10:39See
01:10:41My children
01:10:44My grandchildren
01:10:48And I go for a walk now I look at things
01:10:55They seem extra special I
01:11:01Wonder
01:11:02If what you saw at the back of the house wasn't two people but simply the black dots in your eyes I
01:11:11Need you to think very carefully about your answer
01:11:17Yes, it was
01:11:20What I saw was the dots
01:11:23You're certain of that
01:11:26Yes, I am
01:11:28I've never been more certain of anything
01:11:32I
01:12:02I
01:12:32I
01:13:02Oh
01:13:30Fuck
01:13:32I
01:14:03Put me true to mr. White
01:14:12Sorry, what did you say?
01:14:17You need more time are you fucking with me?
01:14:22No, you listen I don't need a lecture mr. White especially from a dilettante like yourself understand
01:14:32Because I know the fucking value
01:14:35You want to talk about value?
01:14:37Can you put a value on the human cost of the continued occupation of Northern Island?
01:14:41What about the innocent lives lost on Bloody Sunday? Do they have a value?
01:14:45well
01:14:48Next time you talk about something you do know about
01:14:54When I call you better have a clear response to our demands
01:15:03This is your last chance
01:15:05What the paintings will be destroyed?
01:15:32Mr. Albert price father of the price sisters who are currently on hunger strike
01:15:39London read aloud a letter from his daughter's
01:15:42Directed specifically at the armed guy pleading with them to return the stolen by paintings unharmed
01:15:51To those comrades who have taken the paintings from the ice
01:15:56We thank you for what you're trying to do to secure our repatriation back to Ireland
01:16:02like you
01:16:03We are all involved in this struggle
01:16:06However, we ourselves have studied art history and it would pain us if anything were to happen to these paintings
01:16:15There are a few beautiful things left in this world
01:16:19It would be a great shame to destroy them
01:16:22The world we believe is better for them being in it
01:16:32I
01:17:00Sorry about your seat
01:17:03These things happen
01:17:07How are you feeling
01:17:10Not too good to be honest
01:17:14No, I guess not
01:17:22Where are we?
01:17:25I'm not sure
01:17:27We thought you might know
01:17:30we
01:17:33I
01:17:41I'm so sorry about everything that happened. Are you?
01:17:49No, actually
01:17:53Interesting we miss those paintings
01:17:58I'm not surprised
01:18:01I'll go after living with them for a few days. I can't grow
01:18:23Fucking
01:18:30I
01:19:01I
01:19:03Lost
01:19:06Hello there
01:19:08No, no, I just wanted to ask a few questions. Oh
01:19:14Have you seen any strangers around specifically a woman and three men
01:19:20No
01:19:22Not really not really I
01:19:27Mean no
01:19:30Right. Well, if you do see anyone or indeed anything suspicious be sure to let us know
01:19:36grandson, I will
01:19:43Before you go my daughter has a rental cottage
01:19:52There's someone staying there at the moment
01:19:56Mrs. Mary me
01:19:58She's writing a novel about the class system, you know rich people poor people
01:20:28I
01:20:59I
01:21:04Sorry to disturb you miss Mary me mrs. Apologies
01:21:08Mrs. Mary me. I got your name from a local farmer
01:21:12donor
01:21:14That's him. How can I help?
01:21:17We're going door-to-door asking if anyone has seen anything suspicious lately
01:21:21No
01:21:23I've just been
01:21:26Writing
01:21:28Busy keeping myself to myself
01:21:33And some gardening
01:21:37The people we are looking for are extremely dangerous mrs. Mary me
01:21:42Not to be approached under any circumstances. Thank you for letting me know
01:21:52Is that it
01:21:54Yes, thanks for your time
01:21:58I'll be on my way
01:22:13Well Richard Rose Stockdale, what are you gonna do?
01:22:28Oh
01:22:54Hello there
01:22:57I know I
01:23:01Was wondering if you ever took people out on your boat
01:23:06Was it a sightseeing thing you had in mind
01:23:12Actually, I was wondering if you might take me to Baltimore
01:23:16I
01:23:29Assume you're not calling for a friendly child. I had a visit from the police earlier
01:23:36Think they were suspicious
01:23:39No good
01:23:42For a moment comrades had me worried that said I think I should leave I
01:23:48You don't have a car. I do have a car from where it doesn't matter
01:23:52I mean, I don't want to drive. I think it's too dangerous too dangerous. You just said they weren't suspicious
01:23:56Eddie give me a break
01:23:58so
01:24:01What will you do I've arranged with a local fisherman to take me on his boat a boat. Have you got a better idea?
01:24:11No, I don't
01:24:14So, when do you get going I plan to leave at 9 in the morning
01:24:22Eddie
01:24:26Yeah
01:24:30Mm-hmm
01:24:41I
01:25:11I
01:25:41I
01:26:11I
01:26:38Know what you're thinking
01:26:42You're thinking
01:26:46She doesn't know what she's doing
01:26:52Am I right
01:26:57Well, you're wrong
01:27:05We get away from here
01:27:07We get to the safe house in Baltimore
01:27:16And then when all this is over
01:27:20I'm thinking we might settle down
01:27:23Just you and me
01:27:25Then we can begin again
01:27:29Clean slate
01:27:33Tabula rasa
01:27:37Wonder what the Irish is for tabula rasa
01:28:07I
01:28:37I
01:29:07You
01:29:37You
01:30:07You
01:30:37You
01:31:07You
01:31:37You
01:32:07You
01:32:37You
01:33:07You
01:33:37You
01:34:07You
01:34:37You
01:35:07You
01:35:37You
01:36:07You
01:36:37You
01:37:07You
01:37:37You