La vida prometida Cap 2
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TV ve DiziDöküm
00:30Io ti cerco, ti invoco follemente Per dirti che ti amo, appassionato
00:50Amapola, dolcissima amapola La luce dei miei giorni splendente
01:07Fai fiorire la passione Come il suono della mia canzone
01:37Io ti cerco, ti invoco follemente Per dirti che ti amo, appassionato
02:07Amapola, dolcissima amapola La luce dei miei giorni splendente
02:37Amapola, dolcissima amapola La luce dei miei giorni splendente
03:07Amapola, dolcissima amapola La luce dei miei giorni splendente
03:37Per dirti che ti amo, appassionato Amapola, dolcissima amapola La luce dei miei giorni splendente
04:08Hurry up, hurry up. Be careful. These are expensive clothes. Be careful.
04:15Let's see what this one says.
04:17He says this clothes are very expensive. Do you understand? Very expensive.
04:21First class.
04:23Yeah, sure.
04:27I'm Dolores.
04:28Spanish.
04:29And I'm Carmela.
04:31Sicilian.
04:32Married, of course.
04:33Yes.
04:35I had to marry for powers in Naples.
04:40Come here.
04:44With this.
04:47Well, the important thing is that you enter America.
04:52Anyway, I've been coming and going for about three years.
04:57Sooner or later I'll find an American husband.
05:01Well, of course. Sure.
05:07So you've never been to America?
05:11No, but I've heard a lot about it.
05:15They say that as soon as you get there, there's a statue of the goddess of freedom.
05:23That she has in her hand a torch raised up to the sky.
05:26And that this light illuminates the freedom of the world.
05:31Well, and in the other hand she has a board where it's written ...
05:35Dolores, the one who works with me at the laundry, told me that in America there are tall, very tall houses that reach the sky.
05:45And how do you get to the sky?
05:46They have elevators.
05:48Yes.
05:49Elevators? And what is that?
05:51They are boxes that go up and down.
05:53One of the immigrants told me that we have to behave well and learn his language and his currency too.
06:01Don't tell me.
06:02It's not difficult.
06:03Dog is pronounced Do.
06:05Dog?
06:06Yes, that's how it's pronounced.
06:08And bread, bread and cheese, cheese.
06:12Cheese.
06:13Cheese.
06:15Rocco, do you know how to say stone in America? It's Rocco, like you.
06:23Rocco, like me.
06:27Like you, like you.
06:45Are you feeling bad?
06:50What's wrong?
06:51Are you not feeling well?
06:53Here, drink a glass of water.
06:55Don't worry, I'll finish it.
06:56Go to rest.
06:59Are you Italian?
07:00No.
07:01Chinese.
07:03I'm Chiron Parenti.
07:05Michele Carrizzo.
07:06I'm Sicilian.
07:07And you?
07:08I'm from Calvi Resort.
07:10Michele Carrizzo.
07:11I'm Sicilian.
07:12And you?
07:13I'm from Calvi Resort.
07:14In Caserta.
07:16Do you know the Royal Palace?
07:18Of Campania and Communist.
07:20The worst there is.
07:22I'm Bolshevik.
07:24If I stayed, Mussolini would kill me.
07:27Or I would kill him.
07:29Come to this predatory like me.
07:31Go to shit.
07:33Sooner or later I will rule in Italy.
07:36Then I'll go home.
07:38And I'll be able to cultivate my land.
07:41Not the foreign land.
07:43Shut up, fascist.
07:45Or I'll put you in the cauldron.
07:49It will be idiotic.
08:00Good night, Dolores.
08:02Good night.
08:03See you tomorrow?
08:04Yes.
08:05Rest.
08:06Good night.
08:07Good night.
08:17Michele.
08:19You are full of coal.
08:23What are you doing? Are you going to sleep now?
08:26Eat some bread.
08:28No, mom. I don't want anything.
08:30Michele.
08:31Michele.
08:35If you don't eat, how will you survive until America?
08:58Virgin.
09:01Virgin.
09:22My God.
09:23This is money.
09:25American money.
09:31I'm so happy.
09:48Okay, Turi. Okay.
09:51I'll give you the money back.
09:53The Carrizos are not thieves.
09:55We are not thieves.
09:56This is for my friend Carmela.
09:58Come on, Carmela. Let's eat something.
10:00You haven't eaten in a long time.
10:01Look, I made you a delicious sandwich.
10:04A sandwich.
10:05No, thank you. No, no, no.
10:07Why?
10:08I don't know what to do.
10:11I found money.
10:13Money. Money.
10:14Do you understand?
10:15Yes, we all understand money, Carmela.
10:22It's a fortune.
10:23Really?
10:24Yes.
10:25With this, you can continue your first-class trip with your family.
10:31Take it.
10:32But I have to give it back.
10:34Give it back.
10:35Who is it?
10:36The 27th.
10:38Mr. Ferry.
10:40You stupid, honest woman.
10:42You should have kept the money.
10:44What does it say?
10:45It says you're an honest woman.
10:47But also a little stupid.
10:49If you kept the money, no one would notice.
10:52No, I have to give it back.
10:54I have to give it back.
10:56I take back to Mr. Ferry.
10:59What does it say?
11:00That he's taking Mr. Ferry.
11:17Good night.
11:26Come in, come in.
11:30Can I come in?
11:36Come in, please.
11:41It must be Carmela, the laundry woman,
11:44who found the money I forgot in my pants and gave it back to me.
11:47That's right.
11:49Do you know how much money it was?
11:51Yes, they told me.
11:54Is there a problem?
11:55No, no, no.
11:56It was just to tell you that anyone in your place would have kept it.
12:00And maybe I would have done the same.
12:05If I'm honest with you,
12:08so am I.
12:09But not because I'm not honest.
12:11Out of necessity.
12:14I understand, you know.
12:17Because when I left...
12:19Were you also an immigrant?
12:21Yes, I've been in America for 25 years.
12:24I've come back to Italy to bury my wife near her mother,
12:28in northern Italy, near Como.
12:30We're from there.
12:31I also buried my husband recently.
12:34And not just him.
12:35I'm sorry.
12:36Sit down, please.
12:38There?
12:39Wherever you want. There, yes.
12:47Do you want a drink?
12:49No, no, please.
12:50I'm getting dizzy.
12:55So you must know America well.
12:58Let's say I've seen the good and the bad,
13:01the good and the bad.
13:04America is many things.
13:06It's like a goddess of abundance.
13:09It gives you opportunities, food, work,
13:12but it only asks for the will to do things.
13:15If you have the will, America says,
13:17take it, it's all yours, it belongs to you.
13:20That's the good part.
13:22The good part.
13:24And the bad part?
13:25The bad part, for example,
13:27is something unpleasant that happened in New Orleans in 1891,
13:32when 11 young Italians were accused of killing a police captain,
13:38a guy named Genesis.
13:4211 boys to kill a single man.
13:44In fact, the court acquitted them,
13:47but the sentence didn't please certain well-meaning Americans
13:51who believe that Italians are all the same,
13:54criminals, murderers.
13:57So, those gentlemen, an army,
14:01there were a thousand, maybe more,
14:03they went to jail and they murdered them,
14:05they killed them one by one.
14:07Holy Virgin, and the guards?
14:09The guards witnessed the lynching,
14:12without moving a finger,
14:14with their arms crossed.
14:17Among those 11 Italians,
14:21there was my brother, who was 24 years old at the time.
14:25I'm sorry.
14:26Me too, but many years have passed.
14:30We all want fortune to smile on us,
14:32and as you can see, I can't complain.
14:34Yeah.
14:35Well, I don't have the same luck.
14:38Nor do my children.
14:42Here, for being honest.
14:44No, no, please, you're offending me.
14:48Dinner is about to be served.
14:52And it's late.
14:54A lonely man never arrives late.
14:56It's the only advantage of loneliness.
14:59I'll walk you to the door.
15:05But this is...
15:07I've never seen one.
15:08It's a gramophone.
15:10Do you like it?
15:12It's pretty.
15:13It's for listening to music.
15:17Goodbye.
15:21Goodbye.
15:26Are you sure?
15:27Of course.
15:28I've been very careful.
15:30I don't understand.
15:32I'm sorry.
15:49Don't be afraid, Mrs. Asunta.
15:51Calm down.
15:53I left the hospital this morning.
15:57But you're alive!
15:59You can see me, right?
16:03Oh, the Virgin!
16:05Did she heal you?
16:07The Virgin is the one who healed me.
16:11It's a miracle!
16:13That's what the doctor at the hospital said.
16:17And my mother and my siblings.
16:23Your mother.
16:25Your mother...
16:28She went to America with your siblings.
16:35But they left without me.
16:40They thought you were dead, Maria.
16:46Your mother didn't want to leave.
16:49You don't know how many tears she shed.
16:51They thought you were dead, my daughter.
16:53But I left her an address.
16:55No.
16:56She had to send it to me.
16:58I don't know how to read or write.
17:00Neither does your mother.
17:02What a nuisance.
17:04But you don't have anyone there.
17:06I don't know.
17:07A relative?
17:08A friend?
17:09Someone?
17:10You don't know anyone?
17:11Nothing?
17:14What a pity.
17:18Wait.
17:19Wait.
17:20Wait, I'll show you something.
17:24Come, Maria, come.
17:28Come.
17:30Is this?
17:31They're yours.
17:32She gave them to me for you.
17:34I had to sell them for the...
17:37the funeral.
17:38But luckily, I didn't need them.
17:41They're yours.
17:42Here they are.
17:44Ah!
17:45And these rings, see?
17:47Even if they're not made of gold.
17:49Here.
17:50They mean a lot to my mother.
17:52Yes, yes.
17:55And now what do I do?
17:58Stay with me.
17:59You can stay a while.
18:01Do you think I'm going to kick you out?
18:04A young girl who could be my daughter.
18:07Like the daughter I lost.
18:09Not from Bartolo, but from a great love of mine.
18:12Come.
18:13You have the bed.
18:14Let's stay here for a while.
18:16Stay here for a while and then we'll find them.
18:19Even if the sea swallowed them.
18:21All of them.
18:22We'll find them.
18:23Drink, rest.
18:24We'll find them.
18:25Don't worry.
18:26Then, when you wake up,
18:28I'll bring you something good to eat.
18:30You'll see.
18:31Don't worry.
18:32I'll cook.
18:34Ah!
18:35The dish.
18:45Don't worry.
18:48If we leave, we won't have anyone.
18:50I'm not alone.
18:54Please, please.
18:55Let me go.
18:56Dear Alvio, I'm here alone.
18:58They've all gone to America.
19:01Come, please.
19:03Maria.
19:04Maria.
19:06Come, come.
19:07Let us go.
19:08Hey!
19:09Let us pass, hey!
19:11Come on, let us go.
19:12Let us pass.
19:14Please, we have to go.
19:17Let us pass, please.
19:18Come on, let us pass.
19:20Let us pass.
19:23Now, look carefully.
19:26Carmela Carrizo.
19:28Michele Carrizo.
19:30Rocco Carrizo.
19:31Antonio Carrizo.
19:33And Alfredo Carrizo.
19:34I understand.
19:35But if you don't remember the name of the ship
19:37or the day it left here,
19:39what do you want me to do?
19:41Make up your family?
19:43Are you sure they boarded regularly?
19:46Yes.
19:47Because there are a lot of people
19:48who, just to save two cents,
19:49get on a ship and then...
19:50As if such a thing ends at the bottom of the sea,
19:53instead of in America.
19:55Thank you, huh?
19:56What a considerate answer you have.
19:58Thank you very much.
19:59Let's go, Maria.
20:00Come.
20:01Miss.
20:02What's wrong with you?
20:04Miss.
20:07Thank you, it's nothing.
20:08It's just a little dizziness.
20:10Are you sure?
20:11It's already over.
20:13But I don't trust you.
20:14No, because...
20:15I'm afraid you'll say it
20:16to get rid of someone who approaches
20:18and looks like a fool.
20:19But your pale face says something else.
20:22Right?
20:23In the end, you'll really faint, miss.
20:25Excuse me, who are you?
20:27Yes, you're right.
20:28I think...
20:29I can help you.
20:31Ah, can you help me?
20:32Yes.
20:33Can you help me get to America?
20:35How? By buying the ticket?
20:38Can you find my family
20:39that I leave here without money,
20:40without a house, without anything?
20:43Is that all?
20:45I thought it was...
20:47I think I can help you.
20:49How?
20:51I'm also going to America.
20:53He's going to America?
20:57Hey.
20:59Can I have five minutes?
21:02As long as it takes to have a coffee.
21:04Five minutes.
21:06Okay, just five minutes.
21:09Let's go, Maria.
21:12Please, let me go.
21:18And what was I going to do if I didn't?
21:20My daughter was lost.
21:22I had to choose.
21:25And I chose to leave.
21:28I'm sorry.
21:30But deep down,
21:32in here, I feel like...
21:33Look at me.
21:34I haven't had children.
21:36No.
21:38Why?
21:40I was a flamenco dancer.
21:42And you know,
21:43everyone likes them,
21:45but no one marries them.
21:49Flamenco was born
21:51as a dance
21:53of protest.
21:55To stand up,
21:57to fight.
21:58Come on, come on, dance, Carmela.
22:02Recover your strength, Carmela.
22:04Come on.
22:05No, Dolores.
22:07Carmela.
22:08I'm very sad.
22:26Is this already a vice?
22:28No.
22:32Of the 27th?
22:34Of Mr. Ferry.
22:36That man wants to see you again,
22:38is that clear?
22:40Then I'll give him a surprise.
22:48Come in, come in.
22:53Who are you?
22:55Alfredo Carrizo,
22:56the son of the ironer.
22:58Alfredo Carrizo.
22:59Come, come closer.
23:03How can I help you, Alfredo?
23:06My mother told me it's hers,
23:08but if she keeps forgetting things,
23:10she'll keep them next time.
23:13Your mother is right.
23:16I assure you I care a lot
23:18about this watch,
23:20but lately
23:22I've been a little distracted.
23:26How old are you?
23:27Almost 12.
23:28Ah, you're a little man,
23:30you're big,
23:31you'll go to school.
23:32I was,
23:33but here on the boat.
23:35Yeah,
23:36it's true that since there's no school,
23:37you can't go.
23:38What luck you've had.
23:39No,
23:40I liked going to school.
23:42Really?
23:43Yes,
23:44what I liked the most were the numbers.
23:45The numbers?
23:46Very good.
23:47I liked them too.
23:50And do you like fruit?
23:54Take it.
23:56Really?
23:57Yes, take it, take it.
23:58Come on, don't be afraid.
23:59Take it, take it.
24:02Should I take it all?
24:03I don't know,
24:04the one that fits in your pockets.
24:06If you come back here,
24:07I'll give you more fruit.
24:09And maybe some kind.
24:13I would have liked to have a son like you,
24:15you know?
24:16Brett.
24:17What?
24:18Do you also want bread?
24:19No,
24:20I was reviewing
24:21the American.
24:22Well,
24:23if you come back here,
24:24I'll show you the numbers
24:25and also the American.
24:26We can start
24:28tomorrow,
24:29if you like.
24:32And this afternoon, right?
24:33Okay,
24:34we'll start this afternoon.
24:39Di...
24:40Dier.
24:41Very good.
24:42What does it mean?
24:45Ciervo.
24:49Let's continue.
24:52Let's see, Alfredino,
24:53listen to me.
24:54Write 18 thirds.
24:5918 thirds.
25:0418 thirds.
25:07The stock market, Alfredo,
25:08is the currency market.
25:10And what does the currency do?
25:11It fluctuates,
25:12as they say,
25:13it goes up and down,
25:14it increases in value
25:15and it loses it,
25:16it depends.
25:17It's a bit like sailing,
25:18like we're doing now.
25:20When you're sailing,
25:21sometimes the sea is turbulent
25:23and sometimes it's calm.
25:28The secret is to be ready for everything.
25:30And to prepare,
25:31there are three fundamental things.
25:33The first is to study.
25:35The second is to study.
25:37And the third?
25:38Study.
25:39Don't play chess.
25:41Do I start?
25:42Yes, take the blanks.
25:43Because strategy is important,
25:45do you understand?
25:46And not only in the world of finance,
25:48strategy is important in life.
25:50Remember, Alfredo,
25:51don't make any move
25:53without thinking about the next one.
25:56Let's see how it goes.
26:02Do you understand, Chiro?
26:04That's what my father did.
26:06He faced a guy,
26:07Vincenzo Spano,
26:09who killed him.
26:11Yes, but because he fought alone, Mike.
26:13That was the mistake.
26:15And what was he going to do if he didn't?
26:17Mike,
26:19today injustice is fought in the United States.
26:22In America there is the Federation of Labor.
26:25Do you understand me?
26:26Labor?
26:27Exactly.
26:28The workers against the boss.
26:30My cousin Domenico told me
26:31that he is already working in New York.
26:33I'm going to meet him.
26:35Mike,
26:36if all the day laborers
26:37had supported your father,
26:39he would still be alive today.
26:41We have to fight, Mike.
26:43Work and fight.
26:45That is our duty.
26:46Shift 1, back to work.
26:48Shift 2, 15 minutes break.
26:50Come on, let's work.
26:51Turn 1, get back to work.
26:53Turn 2, 15-minute break.
27:01Cough, cough.
27:24Do you want some water?
27:27Thank you, ma'am.
27:30It was for the girl who had it on her chest.
27:33Now,
27:35it's okay, don't pressure me.
27:40Good night.
27:41Good night.
27:43Good night.
27:59Good morning, Mrs. Aso.
28:01Good morning, Mose.
28:03Good morning.
28:04May I come in?
28:05Of course, you are welcome.
28:07Is everything ready?
28:08Yes.
28:09How do I look?
28:11Very handsome.
28:12Thank you.
28:14Where's Maria?
28:15Maria?
28:16Maria!
28:17She went up to the roof.
28:19Here she is.
28:27I wasn't expecting you.
28:28I know.
28:29I went to the synagogue.
28:32It's close by, so I thought...
28:35It's not that close.
28:36Well, close, far away.
28:38Shall we invite Mose to come in,
28:40or shall we leave him here?
28:42I'll make him some coffee.
28:43Come on, come in.
28:44Thank you.
28:45May I?
28:46Come on.
28:47Come on.
28:48Let's go.
28:50Asunta, who's that?
28:52Come on, you want to know everything.
28:53Go away.
28:54Go away!
28:55I'm not coming anymore.
28:57This woman must be an idiot.
28:59Sooner or later, she'll find out.
29:04Tomorrow, the ship will arrive in New York.
29:07This is the Immigration Manual.
29:09It says you have to be...
29:11Honest...
29:13Honest...
29:14Honourable...
29:15Honourable...
29:17Take care of your hygiene and be polite.
29:21I'd love to go down with you, Carmela.
29:25My legs are shaking because I'm going down,
29:27and because you're staying.
29:28We have the best country, the best jobs,
29:30and the best laws.
29:32We know there's work here,
29:33or we would have stayed in our country.
29:36You're going to get to Ellis Island.
29:38They'll check your documents.
29:40They'll ask you how much money you have.
29:43And above all, they'll do a medical exam
29:45to see if you're healthy.
29:48If you pass the exam,
29:49take the ship to New York.
29:50When you get there,
29:51be very careful with the estimators.
29:58Come in.
30:01Am I bothering you?
30:04You're always welcome, Carmela.
30:07I'll bring you the shirts.
30:09Thank you.
30:11My goodness!
30:12What happened?
30:13Did you have a fight with the devil?
30:14You'll have to forgive me,
30:15but as they say,
30:17order is a monologue,
30:18and disorder is a dialogue.
30:20And since I don't have anyone to talk to...
30:24Can I help you?
30:25Maybe with the twins.
30:28Of course.
30:34It smells very good, Carmela.
30:37Like my shirts.
30:40Thank you.
30:46I have the feeling
30:47that you want to talk to me.
30:48Am I wrong?
30:50No, you're not wrong.
30:53Where do I start?
30:56We're disembarking tomorrow.
30:58People are talking,
30:59and I get nervous.
31:01Because if it's true
31:02that we have to go through a medical exam
31:04and that they want us all to be healthy,
31:06it's because my son Rocco is not well.
31:10He's not well from here.
31:12And what do I do?
31:14I can't go back.
31:16Look, I'll tell you something
31:18that I haven't even told the priest in confession.
31:21Because Mr. Ferry has offered me his trust
31:25and also his patience.
31:27My son Rocco was so sick
31:30that he was as healthy as the others.
31:34And if he's like that now,
31:37it's my fault.
31:39Only mine.
31:47Because in my town there was
31:49a man named Vincenzo Espano,
31:51a man without scruples,
31:53of whom when they want something, they take it.
32:01No.
32:12Sometimes the beauty of a woman
32:14can be her condemnation.
32:16But what beauty?
32:17Her inner beauty, Carmela,
32:19which may be even greater.
32:21It's not your fault.
32:22Destiny is not always in our hands.
32:24But my son's is.
32:26Because I brought him here.
32:28If the Americans don't love him and won't let him go,
32:30what do I do?
32:31Throw myself into the sea with all my children?
32:33Drown?
32:35Everything will be fine, Carmela.
32:39They'll get him.
32:45I haven't thanked you for everything you've done for Alfredo.
32:50What have you taught him?
32:52I don't know.
32:53Several things.
32:55A little English.
32:57A little arithmetic.
33:00A little chess.
33:02I've also told him about my job,
33:05my profession.
33:06Finances, the stock market.
33:08What's that?
33:09It's about making money from other money.
33:12It's like a game, but it's dangerous.
33:14You can lose.
33:15Then why did you teach him?
33:17Because he's a smart and intelligent boy.
33:20Even if he's small, I've planted the seed.
33:22And who knows, maybe tomorrow we'll harvest the fruits.
33:28Mr. Ferry knows so many things.
33:31And he knows the rules.
33:34He could simply tell me what I can do.
33:37What can I do so they won't close the doors of this paradise on my face?
33:42Rocco!
33:43Where are you?
33:44Rocco!
33:50Rocco!
33:51How could you?
33:52Come down!
33:53You have to stay close to me.
33:55Mikele!
33:56Mom!
33:57Mom is here!
33:59Mikele!
34:02Rocco, come down.
34:04Come on, come down.
34:05You can't run away like that.
34:08And don't make that face, I know you understand me.
34:10You have to listen to me.
34:13Otherwise, they won't let you in.
34:16You must be calm, because we're taking care of it.
34:20Mikele, inside the immigration office,
34:23you take him from here, and you, Antonio, from here.
34:25Hold him tight.
34:28Do you understand?
34:31And if they ask you, say that you're dizzy on the boat.
34:36Say yes with your head, to know that you understand.
34:39I'm dizzy on the boat.
34:43Very good, like that.
34:48I have to tell you something else.
34:51This trip has been very expensive.
34:56And not only because of what happened to Mariuzza.
35:01Also because of this.
35:04This alliance is not your father's.
35:07Mine and his, I left them to Mrs. Asunta for Mariuzza's funeral.
35:14In Naples, I had to get married.
35:17With another man, for power.
35:19But when?
35:21And who is that man?
35:22That doesn't matter.
35:24He's a good man.
35:28If a woman is not married,
35:30with a man who has citizenship, she can't enter.
35:33So I had to do it.
35:36I did it for us.
35:39He's also Italian.
35:41Well, he's Lombardo.
35:43Well, he's Lombardo.
35:46And a widow.
35:47Why didn't you tell me?
35:52Because you would have prevented it.
35:55And we had to leave.
36:01Now we can't look back.
36:04No.
36:13Mom, look, we're arriving.
36:15You can see America.
36:24Look, look, we're here.
36:27Have you seen that we have arrived, Rocco?
36:44Let's start a new life.
36:48Start there.
36:56May the Lord help us.
37:13May the Lord help us.
37:25Welcome to the United States.
37:27Here you must take care of your hygiene and speak with good manners.
37:33Let me through.
37:38Have you seen?
37:40What have they written on me?
37:45I've been left alone.
37:47I sold everything to come.
37:49The house, the land.
37:51Maria, Maria, Maria, Maria.
37:55I have to feed three children.
37:57Please, please.
37:59Don't go, don't go.
38:01Maria, Maria.
38:03Maria.
38:05No, please.
38:07Please.
38:09Please.
38:11Please.
38:13Please.
38:14I'm not sick.
38:18Mom, why does he have a C on his back?
38:20No idea.
38:21Because he's sick.
38:22The C is for cardiopathy.
38:24The sick are returned to Italy.
38:26Or they are left on the island of Elis in quarantine for 40 or 50 days.
38:38Welcome, Mr. Ferry.
38:40Thank you very much.
38:42Look, this is from that family.
38:47And this is for you.
38:50For the inconvenience.
38:51Thank you.
38:52Listen to me, Rocco.
38:54What do you have to say in the exam that you have?
38:57That I'm dizzy on the boat.
38:59I'm dizzy on the boat.
39:01I'm dizzy on the boat.
39:02Yes, Rocco, but say it just once.
39:04Don't get heavy.
39:06All right.
39:07Just once.
39:12They're with me.
39:13Let them pass.
39:14Come on.
39:15Where are you taking us?
39:16The documents first.
39:19Hurry up.
39:20Let's listen to him.
39:23Michele Antonio Agarrada, Rocco.
39:24Hurry up.
39:25Yes.
39:37Five people?
39:41Yes.
39:42Do you have money?
39:49She is married to an American citizen.
39:52These are the documents.
40:02He was seasick.
40:04Seasick?
40:05Yeah.
40:09Officer.
40:34They're approved.
40:35What did he say?
40:36That everything is fine.
40:37You can come in.
40:38Shouldn't we pass the medical exam?
40:39No, ma'am.
40:40There will be a saint in paradise.
40:41You're cleared.
40:42Thank you.
40:43Here it says Ritson.
40:44We call ourselves Carrizos.
40:45Ritson.
40:46Carrizos.
40:47Carrizos.
40:48Carrizos.
40:49Carrizos.
40:50Carrizos.
40:51Carrizos.
40:52Carrizos.
40:53Carrizos.
40:54Carrizos.
40:55Carrizos.
40:56Carrizos.
40:57Carrizos.
40:58Carrizos.
40:59Carrizos.
41:00Carrizos.
41:01Carrizos.
41:02Carrizos.
41:03Carrizos.
41:04Carrizos.
41:05Come on, move on soon, before he thinks twice.
41:08If it reads Ritz, then we'll go.
41:10Let's go.
41:11Thank you.
41:12Come on.
41:13Next one.
41:44What are you saying?
41:45That's how it works here, you know?
41:47Hey, go for a walk, you hear me?
41:49My partner already has a job.
41:51Is it possible?
41:53Well, Mique, Gennarino is my cousin.
41:55Nice to meet you.
41:56Likewise.
41:57Are you looking for workers at the Red Hook Foundation?
41:59Where will I work?
42:00Mique, hey, see you tomorrow at five.
42:02Please, be on time. I'll wait for you.
42:04Goodbye.
42:05Wait, wait, how do I find her?
42:06Ask around, everyone knows her.
42:08There she is!
42:12It's her!
42:13The one with the sign that says Carrizo.
42:15Are you sure it's her?
42:17She's looking at us, but she's not moving.
42:39I'm sorry, but I wasn't sure if it was you,
42:41because it says Esquiabón there,
42:43and my last name is Esquiabón, with an N.
42:46Oh.
42:47Besides, I couldn't believe it was you, ma'am.
42:57Nice to meet you.
42:59Carmela Carri... Carrizo, Rizzo.
43:01A pleasure.
43:02This is my son, Mikele, Antonio, Roberto,
43:06Mikele, Antonio, Rocco, and Alfredo.
43:09Is there anyone else?
43:12Unfortunately, no.
43:14He also had a daughter.
43:16I'm sorry, I didn't know.
43:18I'm sorry.
43:20Say hello.
43:22Good morning.
43:23Good morning.
43:24I've brought the car.
43:26The car...
43:27Because I thought, sorry,
43:28I thought the tram would be uncomfortable.
43:32But Mom is a little tired.
43:34But we're two steps away,
43:36and then I'll take you to see the city.
43:38It's a good opportunity.
43:40Let's go.
43:43Give me this.
43:44Thank you.
43:46Let go, Rocco.
44:00Walford Hotel, please.
44:04Mom?
44:05Yes?
44:06Let's go.
44:07Yes.
44:21Well, are you going to show us America?
44:25Of course.
44:27Let's go.
44:28Antonio, push.
44:30Yes.
44:34Let's go.
45:05Be careful.
45:18Come on.
45:19Walk.
45:21Walk.
45:25Come on, Alfio.
45:27Dear Alfio.
45:28Walk.
45:29I'm here alone.
45:31They've all gone to America.
45:33Come, please.
45:34Maria.
46:03Come on.
46:04Let's go.
46:33Stop, Carmela, please.
46:47What do you want?
46:48Go away.
46:58Stop, Carmela.
47:03Stop.
47:13No.
47:33Stop.
47:34Stop.
47:35Stop.
47:36Stop.
47:37Stop.
47:38Stop.
47:39Stop.
47:40Stop.
47:41Stop.
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