Salón de té La Moderna - Ep 189
Salón de té La Moderna - Ep 189
Transcript
00:00I knew you'd be interested as soon as I saw it in the kiosk.
00:10Do you have what you wanted?
00:13Not yet.
00:15That murderer is still free, Fabio.
00:17So no.
00:19I'm very happy to have everything I wanted.
00:21No, the police are doing their job.
00:24The General Directorate of Security will let you know if they arrest him.
00:28You'll find out before the press comes out.
00:30I always find out everything before the journalists.
00:33Would it be necessary?
00:35It was you, wasn't it?
00:40Of course.
00:41Somehow the information must have reached the journalists.
00:45And counting on the discretion of the police...
00:48Of course it was me.
00:50I couldn't sit idly by and watch my daughter's murderer leave Rositas.
00:55That's not true.
00:57Iñigo is still the center of all suspicions.
01:00But I can't wait for those suspicions to become irrefutable evidence.
01:06I don't doubt they were.
01:07But it's okay to give the judges a little push.
01:13What's that all about?
01:15Don't you want them to catch that bastard?
01:17Of course I do.
01:19But I have to let the judiciary do its job without interference.
01:24Iñigo murdered my daughter.
01:26And that makes him a criminal.
01:29If that's the case, a judge will make him pay for it.
01:32But a letter, not a handful of pens.
01:35I don't think it's a good idea to use the press to shake things up.
01:39In no case.
01:42I didn't expect that from you, Fabio.
01:45To side with a murderer.
01:48I hope you don't think Iñigo is innocent.
01:53I don't side with him.
01:55On the contrary.
01:57All I'm saying is that what matters here is the opinion of a judge.
02:01And I will always be on your side, Barbara.
02:04That's not what it seems.
02:08That he supports you doesn't mean he has to agree with everything you do.
02:12And using the sensationalist press doesn't seem right to me.
02:16You say that because it's not your daughter who has been cruelly murdered.
02:20You don't know what I'm going through.
02:24I feel it in my soul.
02:26But you can't understand that.
02:29You're right.
02:31As always, you're right.
02:34I can't even imagine what you must feel.
02:39It seems I haven't been right.
02:43No, you haven't.
02:45But Barbara, for God's sake.
02:47I swear that all I want in this world is to be by your side and make you happy.
02:52It's time to get you out of this pit.
02:55If that were true, you would support me in everything I do to finish off Iñigo Peñalver.
03:02You know perfectly well that I will always help you.
03:06But...
03:09I don't think this is the best time to continue this conversation.
03:15I'm going to go through the office of the company Morcuende
03:18to take care of the last invoices to be paid.
03:22Then I'll be in my office.
03:25If you want anything, call me.
03:36Well, I think it's a horror that the details of Mrs. Carla's case go like this.
03:40I fully agree with you.
03:42And that the press points out Iñigo as a presumed culprit seems to me a low.
03:47Mr. Peñalver can't be a murderer.
03:51I've always said that a good businessman must know first-hand the genre he sells.
03:55Do you want us to bring you an ensaimada?
03:57I appreciate it, Mrs. Lázara, but the newspaper has taken my appetite away.
04:02By the way, I haven't thanked you for the management you did with Pietro to try to get him to stay with us.
04:08An unsuccessful management.
04:10We should look for a substitute as soon as possible, especially for Pietro.
04:13Don't worry, Teresa.
04:15I'll do my best to find some perfect candidates.
04:18I'm the manager for a reason, right?
04:21Mr. Fermin, a disaster has occurred.
04:24A bottle of cognac has disappeared from the reserve's furniture.
04:27And from the faces, as you can imagine.
04:29With pleasure.
04:30What was missing.
04:32Are you sure that bottle is not there?
04:35I swear, Mr. Fermin.
04:36Yesterday I said goodbye to the last customers and I saw it perfectly in the furniture bar.
04:40Yes.
04:41Well, and I was the last one to leave the reserve.
04:44But it is not entirely accurate, Elias.
04:46The reserve is always thoroughly cleaned after its use.
04:49And I think we all know who was in charge of cleaning it yesterday.
05:00Marta, come for a moment, please.
05:09Good morning, ma'am.
05:10Marta, it turns out that a bottle of the reserve's furniture has disappeared.
05:16One of the best and most selected.
05:18Yes, yes, it was a medium-sized bottle of brown glass with a striking golden label.
05:23With red edges.
05:25Unmistakable.
05:26It was in the reserve.
05:27You haven't seen it around?
05:29Maybe they have changed the place.
05:31It may be that I have seen it in the reserve's furniture bar.
05:34When they ask me to remove the dust, like yesterday.
05:37And have you limited yourself to looking at it or have you done something else with it?
05:42I have already told you that I limit myself to passing the cloth.
05:46It hurts me that they still have me like a rat.
05:49Now, if they trust me, I would like to finish cleaning the tables.
05:53Of course, of course, Marta. Get back to work.
05:58In fact, I think everyone should return to their duties.
06:02Excuse me.
06:04Mr. Fermin.
06:05Yes.
06:06If you don't mind, I would like to speak with Esperanza.
06:08After all, she is Marta's direct responsible.
06:11Very well, do it, but I don't think it will help to find the culprit.
06:24You will see how much she will love it. I assure you that she will change her life.
06:27I'm sure she will. Let me know when she returns to the warehouse.
06:30Be careful.
06:31Good, good.
06:32Well, you will tell me what a book that is that changes one's life.
06:35Let's see, I don't know much about reading, but that book is wonderful.
06:39As you have assured that man, I want one.
06:42Elias, there are many readings that will change your life,
06:45but that man has not actually come to buy a book.
06:48What do you mean? If he had a package.
06:51Let's see, what else can you come to buy in a bookstore that is not a book?
06:55Let's see, what else can you come to buy in a bookstore that is not a book?
07:01Arrea, the sheets.
07:03If you are the master of the disguise, the king of the disguise.
07:07Well, I don't see any cost.
07:09You have to see the artist that you are for the covers, Miguel.
07:12I guess I'm going to take the practice.
07:14Yesterday the same thing happened to me with two other customers who took the cover purchase.
07:17Well, what I don't quite understand is that what problem is there to buy a sheet or a corset openly?
07:23Well, for whatever reason, people prefer to buy the products of Madame Lafagette discreetly.
07:28And for that very reason, thinking of those customers who want even more discretion,
07:32the company has started to send the orders by mail.
07:35By mail?
07:36As you can hear.
07:37Apparently they have enabled a discreet mail section so that we can send the orders there.
07:42People come, look, choose and then pick them up in that mail section.
07:47And for you this doesn't give you much more work, does it?
07:49No.
07:50Quite the opposite.
07:51I only take note of the orders.
07:53Then a waiter comes and takes them by mail.
07:55Ah, now you understand if you can avoid the suspicions of Don Salvador.
08:00If you are getting round the play, Miguel.
08:03The truth is that yes, I have to deny it.
08:05If the customers choose this option, I have less work, the same salary and less risk of getting into trouble.
08:10Well, speaking of everything a little, how are the sales going?
08:14Do you have new merchandise to offer?
08:16Six different products of all sizes and colors.
08:19Ah yes, great.
08:20Could you show me the new products?
08:23Are you going to buy a strip?
08:25Don't insult me, Miguel.
08:26Man, please.
08:27Do you think this slender figure needs any complement to stay slender?
08:32It's worth the redundancy.
08:33I didn't want to insinuate that.
08:35That nothing would happen either.
08:36Let's see, no, I've already told you it's not for me, it's for the husband of the owner of the pension.
08:41He's a man with such a wide waist.
08:43Well, let's improve the life of that good man.
08:47Dear Elias, there are many imitators, but Madame Lazagete, there is only one.
08:51Come in and enjoy our products.
08:54But what a pleasure, it shows that you have studied, Miguel.
08:57Let's see those posters.
09:00I know I was expecting to talk to the heir of Mrs. Morcuende.
09:04But I'm afraid I won't be able to.
09:07Mrs. Barbara has lost a daughter.
09:10I think she deserves a little patience.
09:13Yes?
09:14I will send you a message as soon as possible.
09:17But you must understand the pain she is going through.
09:20Without a little empathy, for God's sake.
09:27Don't worry.
09:28I will allow you that restlessness.
09:31I beg you to do the same with the rest of the tenants.
09:33If you have patience.
09:35Thank you.
09:44I'm sorry to tell you that you are not welcome in this office.
09:47Don't make it more complicated.
09:49And do me the favor of leaving.
09:50Don't worry.
09:51I'm not here to argue with you.
09:53I'm sorry I did it the last time we saw each other.
09:55But we have a conversation pending.
09:58As far as I know, you and I have nothing pending.
10:01I'm sorry.
10:03You haven't told me yet what you think of me.
10:06Do you really think I'm guilty of the vile murder of Carla?
10:11Whoever gives it.
10:13It's what silence has.
10:15When you understand what you want.
10:17I'm sorry to tell you that in this case there is no room for doubt.
10:20The truth is that I did not expect this, Fabio.
10:23He has not interceded for me.
10:25Not even the warmest defense.
10:27But what are you surprised about?
10:29I saw Carla threatened myself.
10:31And days later she appears murdered.
10:35It really scandalizes you to be suspected of you.
10:37And the weird thing would be not to do it.
10:38One thing is to suspect and another thing is to accuse me without evidence.
10:41What are you doing?
10:43You have decided that I am the murderer of Carla.
10:45Without listening to my version of the facts.
10:47Well, the press gives you daily.
10:49I am aware of all the details.
10:51Fabio, please.
10:52You also know like me that the press lies.
10:54It does not tell the whole truth.
10:56Or have you not been able to read in the press that the police tried to accuse me
10:59for a button of a jacket?
11:02But what happens is that this evidence has been underestimated.
11:04Although I think I could have read it in the newspapers.
11:07It is that a common button does not serve to erase the threats
11:10that I know came out of your mouth.
11:12Threats that apparently were not mere wordplay.
11:15Fabio, I tell you that I have not done anything.
11:18Yes, you have.
11:19You have shown your true face.
11:22That unfortunate scene made me see how wrong I was with you.
11:27Listen to me well.
11:29If I have to kill you with my own hands, I will.
11:33Really?
11:35Really, Fabio, are you going to condemn me for a moment that I lost the papers?
11:39We were motivated for the sentence, I gave myself ten.
11:43Well, I think the best thing will be that we end this conversation.
11:46That you leave and that the two of us wait for the police and justice to do their job.
11:51And you're telling me that as a friend or as a diplomat?
11:59The word friendship, at this time, believe me, it comes to us big.
12:04It comes to us big.
12:06Now, if you are so kind.
12:29Come in, there is no one.
12:31Come, sit down.
12:35Well, and now, calmly, tell me.
12:39Did they tell you like that, to your face?
12:42Don't even try to hide that they don't trust me.
12:44Whatever I do, everyone thinks I'm a thief.
12:47Not everyone, because Esperanza and I don't think you're a thief, right?
12:50Not a pinch.
12:51I kill for you.
12:52Well, you don't need a bloodshed to solve the issue.
12:55What is needed is a miracle, Antonia.
12:58That I was the last to leave the reservation.
13:00And although the bottle was still there when I left,
13:02and when I left, Don Fermín is not going to believe me.
13:06Maybe not you, but he trusts me.
13:09I can tell you that I came after you to pick up a rag,
13:14and that the bottle was still there.
13:17No, Esperanza, that's a lie.
13:19What we needed was to get into a fight, the two of us.
13:21No, not the two of us, the three of us.
13:22Because I think together with her every word she says.
13:24That that coward can save you.
13:26I thank you very much for the intention, but no.
13:30As you say, Antonia.
13:32Lies have very short legs.
13:34And I have learned that by heart.
13:36Well, but now we are two covering your back, Marta.
13:39No, not two, not three, not twenty-seven.
13:42No one is going to lie here.
13:44I will be telling the truth and only the truth.
13:47Very well.
13:48But that does not mean that the vampire will go looking for you for the crutches.
13:52That here we all know how the manager is.
13:56How is it?
13:59How is it?
14:04A moment that I leave the store and call Diego Fortuna himself.
14:07Or that I would have given for talking to the bullfighter.
14:09He has just inaugurated the bull square in Las Ventas.
14:12Well, don't worry, you will not only have the opportunity to see him,
14:15but also to talk to him.
14:16Ah, and with a French actress who has asked me to make a portrait with the killer.
14:20No, but two famous in our studio, what good news.
14:23It seems that our business is starting to take off.
14:25Laura, I promise you that I will give my best so that this goes well.
14:30In any case, it is an incentive, right?
14:32To give the last touches to the store.
14:34Yes, do you think he will give us time to paint before the bullfighter's session?
14:38Well, we are going to try, so the bull does not spy on us.
14:44Well, in any case, all this is part of the future.
14:47What I want now is to have a chocolate with my friend.
14:51Well, I think I know a place that is ideal.
14:54And by chance it is in this same gallery.
14:58It's a shame, isn't it, that our capitalist partner can't accompany us?
15:02No, no, but we can tell you, I'm sure he will be excited.
15:06And that man who is with you, don't you like him?
15:08I love him, he has a grudge, I don't know what he does with him.
15:13Wow, wow, wow, how good it would be to come here.
15:16Let me introduce you to my companion.
15:19No, no, no need.
15:21Is he an old acquaintance?
15:24What I didn't know is that you had such a relationship with my uncle as to have coffee.
15:28Do you know each other?
15:31I think your niece is a bit confused.
15:33I'm not confused at all, you sold me tickets.
15:35Uncle, I didn't know you were in a relationship with the cashier at Cine Garriluz.
15:38The cashier? No, no, I have never crossed half a word with that man, never.
15:43But how not? Who do you think you are sharing a table with?
15:47With the owner of Cine Garriluz, and I don't believe it, I know for a fact.
15:53I already told you that your niece was a bit confused.
15:55No, for not telling me, you didn't tell me anything.
15:58Do you enjoy laughing at everyone or just me?
16:02Can someone explain to me what's going on here?
16:05If you allow me, I could give you an explanation.
16:07No, no, I won't allow it.
16:10And nothing, enjoy the company of your friend, the owner of Cine Garriluz.
16:15I'm leaving.
16:28Come on, Esperanza, I'm waiting for an answer.
16:30Tell me, how is Mrs. Lázara?
16:33Well, she doesn't trust me much.
16:36I'm telling you this because you're insisting, otherwise I wouldn't...
16:40What you were doing was gossiping, as you always do.
16:43And besides, you were talking badly of a superior.
16:46And that shouldn't be done.
16:48In defense of Esperanza, I'll tell you that...
16:51Shut up, Antonia, shut up.
16:53I've heard her say that she would be willing to lie to save Marta.
16:57And thank God she put a bit of common sense, because, come on.
17:00It seems that's what you lack.
17:02I apologize, Mrs. Teresa.
17:04And it's true that we've said it, but you've also heard that we've discarded the idea.
17:08As much as an injustice is being committed against Marta.
17:10Well, we'll have to deal with that injustice.
17:14Anyway, it's not very smart to try to lie to Mrs. Lázara.
17:17She's smart, and she would have caught them right away.
17:20Don't worry, Mrs. Teresa.
17:22Nobody is going to lie for me.
17:24Neither for you, nor for anyone.
17:26It's known that lies are carried by the devil.
17:28That's why.
17:29I don't want anyone to get into trouble because of me.
17:32I'll get out of here telling the truth, and only the truth.
17:35The truth is that the girl didn't steal that bottle.
17:37Although, honestly, Mrs. Teresa, it hurts me that they have distrusted me.
17:42It's not fair.
17:44Well, Marta.
17:45Don't get so proud, because if you hadn't stolen in the past,
17:49now that there's a theft again, no one would look at you.
17:51You're right.
17:53But that doesn't mean I'm not relieving myself.
17:56I try to redeem myself, but I don't know if I can,
17:58if they try to lock me up again and again.
18:00Well, but we're not making you fall, Marta.
18:03No, but they don't let me get up either.
18:05No matter how hard I try, the thief's snout I carry on my back.
18:08And they don't give me a chance to take it off.
18:13But don't worry.
18:14I'm going to try to find out what happened.
18:17My name is Esperanza del Carmen Pérez Aragón.
18:26I can't believe what's happening to Íñigo.
18:30Poor Matilde.
18:31How is he going to be a murderer?
18:33Well, the press thinks so.
18:36I don't know.
18:37You don't know what to think.
18:38If what they say in the papers is a lie,
18:40they'll have to publish an apology later.
18:44Tell me.
18:45How's the business with the sluts?
18:47The business with the sluts and the corsets is going well.
18:50Opening a post office has been a success.
18:54If the business is going well, I don't see it.
18:56I don't see you slacking off, doing two jobs at the same time.
18:59Woman, slacking off? Who says slacking off?
19:02You don't understand.
19:03How much have you sold?
19:06So far...
19:10Two corsets, two bras, three women's skirts and one men's.
19:13That adds up to eight.
19:15How much do you make from that?
19:17Not much less than your salary.
19:19But if I keep up this pace and with the commissions I've agreed to,
19:22I'm not saying I can't make it.
19:26Come on, in the end, you're making a lot of money.
19:32So what's the problem?
19:36Miguel, I've been thinking and...
19:41If you get this extra money,
19:44you might be right.
19:46The time has come for me to quit my job.
19:51Are you sure?
19:53You know what I think, but you didn't seem very convinced.
19:56I'm not.
19:58It's getting harder and harder to hide all this.
20:02And a pregnancy should be a source of joy,
20:04not a source of distress.
20:06I'm not enjoying the pregnancy.
20:10So...
20:13Well,
20:15if the bra business is doing well,
20:17I might as well quit it
20:21before this becomes evident.
20:26I think you've already made the decision.
20:29And I can't agree with it anymore.
20:32Well, that's it.
20:35I'll talk to Don Fermin and I'll tell him I'm quitting the bra business.
20:39Have you thought about how you're going to tell him?
20:41No.
20:42I have to hit the jackpot to find out which is the best way.
20:48Have you decided?
20:52I have.
21:03Oh!
21:04You scared me, Mrs. Esperanza!
21:06What are you doing there?
21:08I'm investigating the robbery.
21:10It's not clear.
21:12I'm a fair person.
21:14I won't let my assistant doubt herself.
21:17That's good.
21:18Poor girl.
21:20She doesn't know how bad I felt when Mrs. Lázara pointed it out to me.
21:23I've only informed myself.
21:27Interesting.
21:29Very interesting.
21:30Interesting?
21:31What?
21:32Did you find something?
21:33Here.
21:34There are some spots that shouldn't be there.
21:40I don't see anything.
21:41Look.
21:42And here.
21:43The wall is full of spots.
21:46But what kind of spots?
21:48I don't see anything, Mrs. Esperanza.
21:51Maybe she's having a bad time.
21:53Let me see.
21:58No, no, no.
21:59I don't see anything.
22:00Take it off, man!
22:01Oh, my God!
22:02Let's see.
22:03This is bad.
22:08Does it smell?
22:09Shut up!
22:10I have to use the five senses to detect it.
22:14But it smells, doesn't it?
22:17Yes.
22:20By the touch.
22:22The appearance.
22:24And the smell.
22:25I'd say they're greasy spots.
22:27Are you sure, Mrs. Esperanza?
22:29I don't see anything.
22:31Greasy spots aren't that easy to detect.
22:34Unless you have an expert eye like mine.
22:38Then you can detect them.
22:40Of course.
22:41Let me tell you something.
22:44You haven't been one of the employees.
22:46No.
22:47Because for our own good, we're always impolite.
22:50Yes.
22:51And a client, neither.
22:52Because once you come in, you're very distinct and clean.
22:56Well said, Mrs. Esperanza.
22:58Simply brilliant.
23:00It must be true that you're behind the scenes and you've found something.
23:04Yes.
23:05Tell me, detective.
23:07Now that you have a thread to pull, what are you going to do?
23:11Well, I think I'll keep working.
23:14I'm going to come and take care of it.
23:16Well, although later I'll continue with my research.
23:19Don't touch anything.
23:22Hey, hey.
23:24Don't you need an assistant?
23:26Because you know that I'm very good at research.
23:29And if you don't go to my village, ask me.
23:31When an animal is lost, who do the people come to warn first?
23:34Why? Because you were famous for being a thief?
23:36No, because I'm very good at finding them.
23:38I'm very good at tracking the tracks of the animals.
23:41Yes, the footprints, the hairs, the smells, the urine.
23:43Well, above all, I'm an expert in feces.
23:45You have to touch the temperature here and depending on that, you know.
23:48And if it's cold? 12 days you have to suck it to see.
23:50Oh, how disgusting, for God's sake.
23:52Well, if you need an assistant, here I am.
23:56You have to see that it is trained.
23:59I don't see anything.
24:03It doesn't smell like anything to me.
24:05Is it possible?
24:07Where is there a spot here?
24:11Laura asked me to bring you the specimen.
24:14Thank you.
24:15Well, actually, I offered myself because I wanted to know how you were.
24:19Well, you see me.
24:21I never imagined that I would go through something like this.
24:25Inés, all physical and soul wounds need time to heal.
24:31And you know that you are not going to do this alone.
24:34That here we will be for when you weaken.
24:37Thank you, Celia.
24:40You are all supporting me a lot with all this.
24:43You, Laurita, the uncle.
24:45Well, I've even received some unexpected visit.
24:48Let's see, Inés, how unexpected? Don't scare me, please.
24:51No, no, unexpected but good.
24:53Íñigo, the owner of the Madrid Cabaret, has come.
24:56Well, talk very well of him.
24:58That he wants to be interested in the state of health of one of his employees.
25:02Yes.
25:04Yes, more taking into account that his situation is almost worse than mine.
25:08They have accused him of killing the owner of the gallery.
25:11I know, it's terrible.
25:15But do you believe it?
25:19I don't know, Inés. I don't know.
25:22According to the press, he seems guilty.
25:24They found a button of his jacket next to the corpse.
25:27I don't know. I don't think he's guilty.
25:32But well, I already have enough with mine.
25:37It's just that...
25:39It's just that...
25:41I don't know how I'm going to get out of this, Celia.
25:45It's just that suddenly all my dreams have been broken.
25:48No, they haven't been broken.
25:50They will come back and you will chase them with the same zeal.
25:54Besides, your voice already sounds better.
25:56Yes, yes, the inflammation has gone down.
25:59But sometimes I think that everything is lost.
26:02Inés, not everything is lost.
26:04New things will come, you'll see.
26:06I hope so.
26:07Because in the pharaoh's court I've run away.
26:15And what about César?
26:19Well...
26:22César's thing is over.
26:27I never want to see him again, Celia.
26:31Are you sure?
26:33Yes.
26:34Look, sometimes the things we keep quiet about end up poisoning the soul.
26:41Inés, it's never too late to tell him how you feel.
26:44Yes, but it would be very painful.
26:46I already know.
26:50If you don't do it, you'll regret it.
26:54You don't deserve to carry this weight.
27:04I'm sorry.
27:29Mrs. Lázara?
27:31I didn't see you here.
27:33You never miss your job.
27:36Well, I needed a break.
27:39My body is very bad.
27:43I try to get it out of my head, but I can't.
27:46How many times will we have listened to that heartless Iñigo?
27:50Well, I think the press is exaggerating all the accusations that are poured on him.
27:55When the river sounds, it brings water.
27:58Water and the need to sell a lot of newspapers.
28:01I think they're going to print the news because they know he's got a shot.
28:05Yes, it's just that we have not only attended to that murderer a lot of times as if he were a client,
28:12but his wife has worked here in La Moderna.
28:15Alleged murderer.
28:17I think this is a very serious accusation, Mrs. Lázara.
28:20I only say what I read in the press.
28:22Iñigo Peñalver is in the police's line of sight and everyone knows that.
28:26That he's in everyone's mouth doesn't mean it's true.
28:29It's the same. Little by little we'll see how the case progresses.
28:33Well, I don't want to think about that because I have enough to think about.
28:37What do you mean?
28:40The important thing. My things.
28:45And how are you doing with Antonia?
28:48I mean, finding a substitute because she's going to leave a very high bar
28:52and I doubt it's easy to find someone like her.
28:55I disagree. Employees come and go, no matter how efficient they are, like Antonia.
29:00Yeah, but...
29:01No, it's the truth.
29:03A business of renown like this can't go around with little girls when it comes to looking for employees.
29:09If the new girl doesn't work, she fires her and hires another new one.
29:13And doesn't it hurt to leave a girl on the street?
29:16That doesn't depend on me, Trinidad, but on her.
29:19If she fulfills and is up to the task, she has nothing to fear.
29:24Well, I get a chill just thinking about it and losing my job.
29:28Especially when you don't know when you can lose it.
29:32I agree with that.
29:35You can be very disciplined and very professional, but nothing guarantees you your job.
29:41Only the business owner can guarantee continuity.
29:45Come on, Mrs. Lázara didn't know she was going to be an entrepreneur.
29:49Well, today that's a chimera, but who knows what the future holds for us.
29:55What I'm very clear about is that I'm not going to live certain circumstances again.
30:02Anyway, I'll see you in the living room.
30:19I'll see you in the living room.
30:29I'm coming!
30:30I'm coming!
30:40Hello.
30:41Hello.
30:42I'm going to take a look at Marta's case.
30:45Okay.
30:47You've been very unfair to her.
30:50What can I say?
30:52And you haven't seen how she took it.
30:54I've never seen her so upset.
30:56And you're right.
30:57Yes?
30:58They've made a very serious accusation against her.
31:00Yes, yes, and in the living room, no one seems to be willing to turn a page.
31:04Like the robbery incident.
31:05And look, the girls and I have done everything we can to get the thief's hat off to her.
31:09But nothing.
31:10But there's no way.
31:11No.
31:12Don Fermín too.
31:13He looks at her with reluctance.
31:15Well, and Mrs. Lázara?
31:16You can tell from her tongue, it's the version Marta has.
31:19She would have fired her right away.
31:21I can't understand how you can doubt her.
31:25She's an angel.
31:26Yes.
31:27I wish we could do something.
31:29Well, I confess that I thought about lying to Don Fermín to give Marta a quarter, but I didn't.
31:35I didn't.
31:36For what I had left in La Moderna...
31:38We've already talked about it.
31:40You can't sacrifice yourself again for her.
31:43I know.
31:45I didn't do it because she asked me to, but come on.
31:48Now I just have to trust Esperanza.
31:50She's been investigating, and with how smart she is, I'm sure she'll find something.
31:54Come on, for once, we're going to have a good time at Esperanza's tea party.
31:57Yes.
31:58Who was going to say it?
31:59Well, yes.
32:00Oh, I hope this is resolved soon.
32:03Oh, by the way, weren't you going to the loan?
32:05I'm coming there.
32:06They haven't given it to you.
32:09Yes, they have given it to me.
32:10Yes?
32:11Yes.
32:12What a scare, why didn't you tell me before?
32:14They're preparing the papers.
32:15I'm going to sign it tomorrow.
32:17And you think it won't arrive?
32:21We'll have to tighten our belts a bit.
32:24But our business will be a success, Antonia.
32:28Okay, yes.
32:30It may be a bit difficult at first, but it will go well with the bakery.
32:36If everything had been different...
32:42Are you happy?
32:43Yes, yes, yes, I'm just wondering if...
32:48What would happen if...
32:51What would happen if...?
32:54I have to go somewhere.
32:56Somewhere I should have gone a long time ago, but...
32:58Go and prepare dinner, please. I'll be right back.
33:13Shouldn't you be picking up tea already?
33:15It's a last minute order.
33:17As soon as I finish it, I'll go straight to the dressing room.
33:20I don't know what else to do.
33:25How are you doing with yours?
33:27Do you want me to finish this?
33:28But shut up, okay?
33:29If you keep asking me, people will find out.
33:32Don't laugh at me, woman.
33:34I'm just worried about a good friend.
33:36Well, I'm perfectly fine.
33:39Okay.
33:40And you?
33:41How are you doing with yours?
33:43Well, imagine.
33:45You don't know what it's like to be in the middle of the crossfire between the vampire and Mrs. Teresa.
33:49Because one is my superior, but the other is even more superior.
33:53Don't tell me you're on the vampire's side.
33:55Never. Trini.
33:58I'm still faithful to Teresa.
34:00As much as I have nothing to do with her, I'm on her side.
34:04I still think that Teresa is a woman of flag.
34:06My loyalty is with her.
34:08And how is she doing?
34:09I would ask her.
34:11But I'm afraid she'll tell me off.
34:14She must be in a dog's mood.
34:16Well, you'd be surprised how well she's doing.
34:19Come on, another one in her place had armed the one in San Quintín.
34:22Well, and it would be in her right.
34:24That's right.
34:25But instead of messing with Mari Morena,
34:27she continues to work with the same diligence as always.
34:30She doesn't take her feet off the ground.
34:31And that honors her.
34:33And you are honored to be taking care of her like this.
34:35And still be by her side.
34:36Well, anyone would do that, Trini.
34:39No, not at all.
34:41Another person in your situation,
34:42seeing that they have nothing to do, would have misunderstood.
34:44And you don't.
34:45You're still there.
34:46And that means that you are also a man of flag.
34:52Stop complaining, because in the end you won't smile.
34:56And if you have me in such high esteem,
34:58you would listen to your husband and you would leave the job at once.
35:00How do you know that Miguel has been insisting on me to leave the job?
35:06So you've been stabbing me in the back.
35:10Miguel wants the best for you.
35:11And me too.
35:13Well, don't worry, because I'm perfectly fine.
35:16Although, look, your plan has worked.
35:18Because in the end Miguel has finished convincing me.
35:21Really?
35:22Yes.
35:23I'm going to talk to Mr. Fermin tomorrow.
35:26But I'm doing it for me,
35:27so that no one knows that I'm pregnant.
35:29But not for you.
35:31Okay?
35:32Look.
35:34I'm not going to tell you that I'm happy to lose one of the best colleagues of La Moderna.
35:38But I'm glad.
35:39I'm glad you're starting to think about yourself.
35:41Now you just have to focus on the pregnancy.
35:43What a remedy.
35:45Well, I'm going to give this to the client.
35:53Trini.
35:54Hey, I'm fine.
35:55Calm down, calm down.
35:56Besides, it's normal.
35:57Oh my God, I don't know who has the worst pregnancy.
36:00If Miguel or you.
36:04You're so nice.
36:05Of course I would have kicked you in the street.
36:08With the background you have.
36:10I also have my reservations.
36:12But the behavior of that girl is being impeccable.
36:15And I can't forget that she recovered for me the gift Salvador gave me.
36:20Yes, what I say has a very big heart.
36:22Anyway, I'm sorry to insist,
36:24but I hope you didn't rush when you let him run.
36:29We don't have any proof against Marta either.
36:32And I don't want to commit any injustice.
36:35None.
36:36In that, I have to agree with you.
36:38It is true that it was the last one to leave the reservation, but that is not enough.
36:42As soon as I appear guilty, whoever it is, don't put me on the pulse.
36:45But until then, I don't want to put any barrier to any of my workers.
36:51How fair you are.
36:53And equanimous.
36:55He is an example, Mr. Fermin.
36:57I really mean it.
36:58I have a lot to learn.
37:00Sometimes I tend to be a bit impulsive.
37:02Impulsive?
37:04For the little time we know each other, I would not say that you are an impulsive person.
37:08Well, not on a daily basis.
37:10And not at work either.
37:11I know it is very important to keep the temper.
37:14But sometimes I get carried away, believe me.
37:18Well, I can't imagine anything that takes you out of your box.
37:22Well, because he sees me with good eyes.
37:24You don't know how I get every time someone wants to attack the company.
37:28Of course, I recognize your involvement with my tea room.
37:32In the little time you have been here with us, you have become someone indispensable.
37:38Well, that's because you made me feel like nothing else from the beginning.
37:42So now I give it back to you, fighting for the modern as if it were mine.
37:48You don't know how much it flatters me to know that you feel that for my business.
37:54Anyway, I have to go.
37:57I'm sure you want to go too.
37:59I come here to give you the part and in the end I get tangled up.
38:03Oh, sir.
38:05Let's see if he gets there in the summer and we can take off our jackets, which are a hassle.
38:10Let me help you.
38:12Let's see.
38:15Wow, thank you very much.
38:17You are a gentleman.
38:20I'm sure he has a lot of women admiring him.
38:23No, no.
38:25I'm not for those menesteres anymore.
38:28Well, because you say so.
38:30I'm sure many are sighing for you.
38:34Excuse me, I've talked too much.
38:37Too much confidence.
38:39No, no, don't worry.
38:41Nothing happens.
38:43But I confess.
38:45Oh, sorry, Mr. Fermin.
38:48Antonia.
38:49It's been a long time since your shift ended.
38:51What are you doing here?
38:52I came to talk to you, that's why I'm here.
38:57Well, yes, you can leave, Mrs. Lázara.
39:00If Antonia has come from her house, it is that the matter is serious.
39:04Of course.
39:05If you'll excuse me.
39:06Yes, yes.
39:08Antonia.
39:22Well, you're hungry, the table is almost ready.
39:26Well, you know what they say.
39:28What has to be done, better do it soon.
39:31Unless you want to have dinner at the time of the snack.
39:34It's still daytime, love.
39:36And we don't even know what we're going to prepare.
39:38Yes, when I do the homework, I do the homework.
39:41That when I don't do them, I don't do them.
39:44I'm going to need an instruction manual so I don't mess up.
39:47Ah.
39:51And Clarita? She's not coming out?
39:54She's finishing her homework, or so she says.
39:57I know perfectly well that she finished them a while ago and what she wants is to be alone.
40:02Well, let's give her time.
40:04We'll let her know when everything is seen and served.
40:08By the way, I wanted to ask you.
40:10Do you think the article will affect her?
40:14Of course.
40:16Of course it does.
40:17It's a small favor those so-called journalists have done to us.
40:22That's why I thought it might be a good idea to send her to a season with her aunt Concha and Pablo.
40:29So she can get away from all this.
40:32I don't know.
40:35I don't know if she would want, I don't know if I want to get away from her.
40:39Well, it was just an idea.
40:42Although it would be good for her to stop going to school for a while until everything calms down.
40:47I'm afraid it will take more than a few days for all this to calm down.
40:52Considering that Mrs. Bárbara is moving the strings.
40:56Do you think Fabio is using the influences to hurt you?
41:02Well, the truth is that I wouldn't like to think about it.
41:04But after the conversation I had with you, I wouldn't be surprised.
41:08You don't know how much trouble we had, Elia.
41:12I'm sorry to tell you this, love, but maybe he's not as much of a friend of yours as you thought.
41:18Otherwise, I wouldn't have doubted your word.
41:21It's just that maybe I would have thought the same thing.
41:26If I find him threatening someone to death and then it turns out that he appears murdered,
41:32the only thing I hope is that that murderer makes a mistake and the police go after him.
41:38And I would be a relief for both of us.
41:45Well, let's focus our heads on other more important things.
41:51How about dinner?
41:53I'm going to the restaurant.
41:55I'm going to the restaurant.
41:57I'm going to the restaurant.
41:59How about dinner?
42:01I'm going to the restaurant.
42:04How about dinner?
42:23Of course, Mr. Ricardo. We'll close the order tomorrow.
42:25Okay, goodbye, goodbye, goodbye.
42:28I'm sorry, Antonia, but...
42:30You know how these things are.
42:32Well, what did you want to tell me?
42:37First of all, I want to tell you that Marta has told me about the robbery.
42:41Honestly, I think you're being very unfair with her, Mr. Fermin.
42:46Marta is not a thief.
42:48Antonia...
42:49Yes, I know, I've made mistakes.
42:51Like everyone else.
42:52And it happened a long time ago. Marta has changed. We just have to see her.
42:56Antonia, I haven't said my last word about it yet.
42:59And you don't have to swear.
43:01We're going to get to the bottom of the matter, but we're going to let the evidence speak.
43:05And not the rumors.
43:07Yes.
43:12But we could have talked about all this tomorrow.
43:15Why do I have the feeling that you didn't just come to talk to me about this?
43:19Because there's something else.
43:22I'm here to talk to you about the rule that prohibits married women from working in the modern world.
43:26Let's end this, Antonia.
43:28Yes, let's end this, Mr. Fermin.
43:30I just don't understand that a person like you, who has always shown to be a man of his time,
43:35doesn't see it.
43:37That it's an absurd and unfair rule.
43:40Antonia, I'm the owner of this business.
43:42And I think that gives me the right to put in my house the rules you consider, don't you think?
43:46But don't you see that it's nonsense?
43:48Don't you see how terrible it's going to be for Pietro and for me to leave here?
43:50But it's you who have made the decision. I haven't forced you to do anything.
43:54Your rule has forced us to do it.
43:57Mr. Fermin, aren't you really going to regret that we're leaving?
44:00Antonia, you know how much I value you and Pietro.
44:03But there are some rules...
44:05Yes, but the rules change.
44:07I'm sorry, I'm sorry, I'm sorry, Mr. Fermin, I'm a little nervous.
44:10I'm sorry.
44:12Look, neither Pietro nor I want to leave here.
44:16We've been working for many years and...
44:18And we've spent a lot of time, a lot of affection.
44:22This is our second home, you know that.
44:26But if we sign the loan tomorrow,
44:29there won't be a second chance.
44:32We'll leave so we don't have to come back, Mr. Fermin.
44:36Times change.
44:38And of course, you're the owner and you'll have the last word, but...
44:42Maybe you should change too.
44:48Good afternoon.
45:12Hello.
45:14Hello.
45:16Can we talk?
45:19Inés, I can't get it out of my head what happened.
45:24I want you to know that if I didn't go to see you, it's because you asked, but not because I didn't want to.
45:28I was dying to know how you were.
45:31Well, I've had better days.
45:37You're going to get through this.
45:39You're a very strong woman.
45:40You're a very strong woman.
45:46I need to apologize to you.
45:50I'm very sorry about everything that's happened.
45:53And if you think I can do something to...
45:54César, please.
45:56I've come...
45:59I've come to tell you everything I think.
46:07You have every right to.
46:11But I want you to know that you're the best thing that's ever happened to me.
46:18César.
46:20I still love you.
46:23I love you very much.
46:26And that complicates everything because...
46:29Well...
46:31I can't be with you.
46:33I can't be.
46:34Come here.
46:36Let's go.
46:38I can't be going through this.
46:43Are you okay?
46:44Yes.
46:45You're going to solve this like a man.
46:47Listen to me.
46:48As soon as I shoot, you have to go through the back door.
46:50No, I'm not going to leave you here.
46:51Listen to me.
46:54I love you.
46:55I love you.
46:57Now!
47:06This shouldn't have ended like this.
47:11Let's put an end to this.
47:12We'll leave and come back with our lives.
47:15You know I can't.
47:17One of us will get out of here today with our feet in front of us.
47:23We can find a way to get out of this.
47:27That option vanished the moment you reported us to the police.
47:30You didn't leave me another option.
47:32You know what's the most ironic thing?
47:34That it didn't help at all.
47:37Marcel, please, don't force me to do it.
47:39You know I don't want to.
47:40Me neither.
47:41But between killing you or having the people above me kill me, I'd rather live.
48:00Gunshots
49:00Birds chirping
49:30Suspense music
49:40Come on.
49:43I came as fast as I could.
49:45Are you okay?
49:46One shot and two dead.
49:48Cesar?
49:49It's time to do what needs to be done.
49:51Let them feel our pressure.
49:53And let them do justice, now.
49:55Once and for all.
49:56Ah, Mr. Salvador.
49:57Yes, I was with a client just now, but I can talk, yes.
50:00Teresa, if you'll excuse us.
50:02No, wait a minute, Teresa.
50:04I'm the one who's leaving.
50:06If you'll excuse me.
50:10Of course.
50:12Good morning, Mr. Salvador.
50:15I'm lost, Elias.
50:19Look.
50:24What do you see there?
50:26Well, let's see.
50:27I don't want to get my fingers on it, but everything points to that it's an oil stain.
50:32Of course.
50:33Just like the one we saw at the reservoir.
50:35Do you really think you'll find someone better than Pietro or Antonia to work at La Moderna?
50:40You always say we're a family.
50:42Do you really want to break it?
50:44How easy it is to ask all those questions.
50:47No, it's easier to answer them.
50:48Do you know what I'm telling you, Esperanza?
50:50That the police force has lost a great detective like you.
50:54Although for that they should accept women, of course.
50:58There are so many rules that don't make sense.
51:02The decision has been made.
51:04I'm going to leave La Moderna.
51:06I can't say I don't regret your decision, but it's the best thing you could do.
51:09The manager surprised me today with a maneuver that I didn't quite understand.
51:13What did Mrs. Alacera do to you this time?
51:15Well, not me, not me.
51:17Mr. Fermin did it.
51:18Mr. Fermin.
51:20Since he arrived, he hasn't stopped dancing to the water and now suddenly he has stopped doing it.
51:26What do you mean by that?
51:27I've tried not to show the sadness I carry inside, but it looks like you haven't got it.
51:34What do you mean by sadness?
51:37You can tell me if you want.
51:39Why don't you forget about it?
51:41Oh, Cañete, because I can't.
51:43Because this situation is unsustainable.
51:45I have to make a decision and I have to make it now.
51:47What decision?
51:48Aren't you thinking about leaving La Moderna?
51:52Mr. Fermin, I need to talk to you.
51:55I need to tell you something urgently.
51:57Something that, if I don't tell you now, is that in the end ...
52:02I'm leaving La Moderna.
52:07This way, Mr. Fermin.
52:12I'll be brief and concise.
52:17La Moderna
52:18La Moderna
52:19La Moderna
52:20La Moderna
52:21La Moderna
52:22La Moderna
52:23La Moderna
52:24La Moderna
52:25La Moderna
52:26La Moderna
52:27La Moderna
52:28La Moderna
52:29La Moderna
52:30La Moderna
52:31La Moderna
52:32La Moderna
52:33La Moderna
52:34La Moderna
52:35La Moderna
52:36La Moderna
52:37La Moderna
52:38La Moderna
52:39La Moderna
52:40La Moderna
52:41La Moderna
52:42La Moderna
52:43La Moderna
52:44La Moderna
52:45La Moderna