Al Fondo Hay Sitio 11 Capitulo 61 Completo HD Online

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Al Fondo Hay Sitio 11 Capitulo 61 Completo HD Online
Al Fondo Hay Sitio 11 Capitulo 62 Completo HD Online
Al Fondo Hay Sitio 11 Capitulo 63 Completo HD Online
Al Fondo Hay Sitio 11 Capitulo 61 Completo HD Online
Transcript
00:00Chocas, we will touch the sky with our hands!
00:02Oh!
00:04Good afternoon! I am Chocamandros.
00:07How are you? How are you?
00:09Mr. Choca! It's a pleasure to have you back here.
00:12I can't anymore, Lenny, no.
00:14No, don't torment me, no.
00:16No, no.
00:18No, Lenny, no. No.
00:20Oh, little dove.
00:24Now you don't rest in peace because of me.
00:30With all the pain in my heart,
00:35I have to make a decision.
00:38That millionaire you are working for,
00:40is she really a millionaire, as you say?
00:42Oh, yes, yes, yes, yes.
00:44Yes, yes, yes, yes, yes, yes.
00:46It's easy to clean her nose with a hundred dollar bill.
00:48Really?
00:49Yes, really, really.
00:50And her house is so big.
00:52It's as easy as the Maldives.
00:54Today, on the show,
00:56on the table,
00:59she takes
01:03five chocas!
01:07He gave her five chocas?
01:11He's going to give me something.
01:13In another restaurant that could be yours.
01:15Let's go.
01:17A few hours later
01:27Boss, how are you?
01:29Hi, Jorge.
01:47A few hours later
02:01Hello?
02:02Choca, how are you?
02:04I'm Francesca Maldini.
02:06Who?
02:08The owner of the restaurant Francescas.
02:10How can I help you, Mrs. Maldini?
02:13I would like to invite you to my restaurant
02:16so you can try the most exquisite delicacies
02:18prepared by our Spanish chef,
02:20Laia Sanz.
02:22Thank you for the invitation,
02:24Mrs. Maldini,
02:26but I have a full schedule
02:28until November.
02:30Rather, I'm going to tell my producer
02:32to call you on those dates, okay?
02:34Thank you. Goodbye. Take care.
02:38Oh! The choca blew me away!
02:46A few hours later
02:53I'll just cross, I'm in time.
02:55Boss, but it's in red.
02:57Turn on the light, trust me.
02:59No, but...
03:01Turn on the light!
03:03Boss, there are cameras around here,
03:05they're going to fine you, I don't know.
03:07Joel, nothing's going to happen to me,
03:09I'm Mario Arimanrique.
03:11I told you that Joel's millionaire
03:13seemed familiar to me.
03:16Much better than that.
03:26Gilgarito.
03:28Tortolita.
03:30You haven't spoken to me
03:32since this morning.
03:34Are you okay?
03:36No.
03:40I'm not okay.
03:42The truth is
03:44I'm not okay.
03:46I haven't been able
03:48to close my eyes all night.
03:52And why haven't you been able to sleep?
03:54It's just that...
03:58I don't know how to tell you this.
04:03It's very difficult.
04:07Why is it so difficult?
04:10Uh...
04:13Olindita.
04:19We have to break up.
04:33You spoke very well in front of the cameras,
04:35very carefree.
04:37Oh, thank you, Bobby.
04:39Please, we're a team.
04:43Give me back my light bulb!
04:55What are you telling me, Gilgarito?
04:57That we have to break up?
04:59Yes.
05:03I didn't want to tell you that, but...
05:06But Nelicita
05:10will not rest in peace
05:12while our commitment continues.
05:14But...
05:16we can't pay much attention
05:18to a deceased either.
05:22I know her.
05:24She doesn't want me
05:26with another woman.
05:28You say another woman
05:30as if you were referring to anyone.
05:32It's me, Gilgarito.
05:35It's me, look at me.
05:37I know.
05:39And I'm really sorry.
05:42But Nelly will not rest in peace.
05:46You promised me.
05:49You promised me
05:51that we would take care of each other.
05:53That nothing or no one could separate us.
05:56And now you're telling me
05:58that a ghost decides for our fate?
06:02It's not that.
06:04It's not just any ghost.
06:08It's Nelicita.
06:13You know what I think?
06:15That you really don't love me.
06:18And that all this is an excuse
06:20not to keep your promise.
06:24Oh, my dear.
06:28I am an honorable man.
06:31Nelly.
06:34I would never do something like that to you.
06:36Well, you're doing it.
06:54Bombillo is mine.
06:57No, let him go.
06:59Never!
07:01Do you think he's going to want to come back
07:03after you kicked him out like a dog?
07:05He's mine, period.
07:07I said let him go.
07:09No, he's staying here.
07:11Let him go.
07:13Thank you.
07:15No one has ever fought for me.
07:17Look, I offer you triple what they pay you here.
07:19You're always playing dirty.
07:21And if you play so clean,
07:23what does Nelicita do?
07:25Look, Bombillo, you choose.
07:28And this time they're going to give me 10% of the services?
07:30Don't overdo it.
07:32You see?
07:34They'll never give you everything you want.
07:36Instead, here we value you for the artist you are.
07:38And that's why we respect you as such.
07:40Besides, the script
07:42has been messed up with five clashes.
07:44It's impossible because no one in Lima has five clashes.
07:46We do.
07:48You see? We're a team.
07:50Well, look, I'm about to leave and my offer comes with me.
07:52So, Bombillo, you decide.
07:54Hey, don't push him.
07:57You see? That's how you treat your assistants.
07:59Ordering them around,
08:01making them live under your shadow.
08:03Instead, I let them be.
08:05Look, Bessia, I take great care of my assistants
08:07because I'm an equanimous person.
08:09I'm not like you, an explosive, temperamental, impulsive girl.
08:21You stayed quiet.
08:23So, I'm working for a...
08:25Uh-huh.
08:27And does Dad pay for that?
08:29Dad, the government, pays.
08:31Oh, I see.
08:33And how did you get this job?
08:35I applied.
08:37Oh, I see.
08:39And that's it?
08:41Well, you have to be over 25
08:43and be born here.
08:45That's it?
08:47Well, they have to choose you.
08:49Oh, of course, of course.
08:52Do you need to have a degree or anything like that?
08:54No.
08:56Oh, that's why we're the way we are.
08:58What did you say?
09:00Oh, nothing, nothing, nothing.
09:02Just in case, I do have a master's degree
09:04in copy-paste at Oklahoma University.
09:06And my thesis advisor was Dr. Bambarengo.
09:08Oh, really?
09:10It sounds nice, it sounds interesting.
09:12A little carioca, right?
09:14Well, you know, Dad pays.
09:16Well, we're almost there.
09:18You leave me, you take the truck,
09:20and don't worry, Mom.
09:22Of course.
09:24Keep these papers for me.
09:26You want me to keep them?
09:28Yes. I just promoted you.
09:30From driver to assistant.
09:32Oh, damn!
09:34Of course.
09:36These are very confidential documents.
09:38Take care of them with your life.
09:40Don't worry, Mom.
09:42Come on, Bombillo, it's not that hard.
09:44It's very easy. It's much more convenient for you to be at Francesca's.
09:46Bombillo is happy here.
09:48And happiness is worth more than anything.
09:50But what ridiculousness are you talking about?
09:52Hey, don't call me ridiculous.
09:54Oh, well, don't behave like that.
09:56What's going on here?
09:58What is Laia doing with Deco and Michifa?
10:00Look, I won't let you...
10:02You won't let me what?
10:04They're fighting over me.
10:06Laia wanted to take Bombillo to Francesca's.
10:08Never!
10:10I made him a proposal and he has to decide.
10:12Proposal? I'm going to make you a proposal.
10:14If you don't come out,
10:16I'll throw myself on top of your Yolita.
10:18You don't have to come to me either.
10:26Hey, what's that?
10:30Coquisito?
10:32You're not going to believe me.
10:34I think whatever you say, I'm going to believe you.
10:36Marjorie?
10:38Well, that's why his face sounded to me.
10:40And I just got promoted from driver to advisor.
10:42Yes, yes, yes.
10:44Hey, hey, hey, get out, get out.
10:46What's going on?
10:48It's very interesting.
10:50Joel, don't overdo it.
10:56Yes, Joel is an advisor of a...
10:58Uh, and with that we're not going up.
11:04They're fighting over me.
11:08Ouch!
11:12I won again.
11:16Hey, haven't they taught you
11:18to ask for permission before entering?
11:20What can you expect from a mountainous
11:22and immodest gorge?
11:24There I leave you the investment proposal of the advisors
11:26for you to review it and pretend
11:28that you work. Just like the directors
11:30pretend that they listen to you.
11:32But nobody cares about your opinion.
11:34Hey, who do you think you are?
11:36Me? I'm Francesca Maldini's coach.
11:38And soon I'll take her last name.
11:40On the other hand, you are nobody.
11:42I'm going to show you who I am.
11:44Get out of here!
11:46Get out of here!
11:48Get out!
11:50Get out!
12:06Get out!
12:26Olinda?
12:28Joel.
12:30Are you crying?
12:32I'm sorry, but I want to be alone.
12:34Are you leaving?
12:38Your grandfather...
12:42Your grandfather terminated our engagement.
12:44What?
12:48No, Olinda.
12:50I don't believe it. Sometimes the grandfather
12:52talks in his sleep.
12:54He didn't tell me.
12:56He was looking me in the eyes.
12:58He wasn't asleep.
13:00Now he's starting to get it.
13:02He says it's because of your grandmother.
13:04The little girl.
13:06Did he look like a present crow?
13:08No.
13:10He says he's upset
13:12that we're together.
13:16Don't worry.
13:18I'm going to talk to him now.
13:32AND NOW...
13:42Where did I leave this?
13:44Where do I stick this?
13:50I know!
13:52With my socks on.
13:56This way I feel more secure.
13:58I'm in the middle of a secret mission.
14:00What mission?
14:02I can't tell you.
14:04You're not going to tell me? Your brother? Your blood?
14:06Tell me.
14:08Don't you have secrets with your people?
14:10With your serious drums?
14:12What serious drums?
14:14The Lesia, the Yulia, Cristobal.
14:16Cristobal is gone.
14:18He stopped with the upper and lower areas.
14:20Well, I'm going to tell you.
14:22But promise me you're not going to say anything.
14:24I'm not going to say anything.
14:26But promise me you're not going to say anything.
14:28I swear.
14:29Swear, skinny dog.
14:30Yes, I swear.
14:31Swear.
14:32Yes, I swear.
14:34Don't cry.
14:36Don't cry.
14:38No!
14:40I swear.
14:42Don't touch her.
14:44She's half dead.
14:46Don't touch her.
14:48Well, I'm going to fulfill another mission.
14:50What mission?
14:52I'm going to talk to Grandpa.
14:53But how are you going to end up with Linda?
14:56What?
14:57Tell me.
15:00What's going on?
15:05Grandpa.
15:06Why did you break up with Linda?
15:08I broke up with her?
15:10What do you mean I broke up with her?
15:12You broke up with her.
15:13You broke the commitment.
15:14I had to do it, Grandpa.
15:16If not, your grandmother would not rest in peace.
15:20No, Grandpa.
15:21It's serious.
15:22Don't pay too much attention to that.
15:24I'm very sad.
15:26I'm sure Nelly doesn't want to see me with another woman.
15:32No, Grandpa.
15:33That's what you're saying.
15:35I think the same.
15:38The fact that Nelly is uncomfortable.
15:42That she can't rest in peace.
15:44You invented it, Gilberto, to get rid of me.
15:47How can you think that?
15:49What do you want me to think?
15:50No, no, no.
15:51It's not like that either.
15:52Grandpa is not like that.
15:53He loves you.
15:54Why would he do something like that?
15:55Reason.
15:56Maybe he doesn't love me as much as he thought.
15:58So that the opinion of a fine lady weighs more.
16:02But don't worry.
16:03I better go to Chihuahua.
16:05I'll be back.
16:06And so.
16:07Final point.
16:09They fire me from the family.
16:11Polina, don't go.
16:12Grandpa, come on.
16:13Stop her.
16:14Stop her, Grandpa.
16:15You have to do something.
16:16Stop her.
16:17Let's go.
16:18Let's go.
16:19No, Grandpa, no.
16:20Even the worms escape, Grandpa.
16:22Polina, what are you looking at?
16:23Are you going on a trip?
16:24Catch her.
16:25Don't let her go.
16:26Why?
16:27What?
16:28Joel, why are you so heavy?
16:29No, no, no.
16:30Don't go.
16:31What's going on here?
16:32Don't tell me that Polina turned out to be as bad as Eva.
16:33What bad?
16:34Hey, what are you talking about, Sonso?
16:35She wants to leave the house.
16:36I don't want to leave the house.
16:38Your grandfather broke up with me.
16:39What?
16:40But what's going on?
16:42Come on.
16:47I don't want you to go either.
16:50But understand me, please.
16:53But, but, excuse me, excuse me.
16:56What are you doing with that suitcase?
16:57Cheer up.
16:58I'm going back to Chalhuanca.
16:59I'm not going to marry your daddy anymore.
17:01What?
17:03They are the designs of your mommy.
17:06Grandpa does it because he wants Grandma to rest in peace.
17:08Oh, well, if it's for my old lady.
17:11Well, I already know that Mr. Yandeli doesn't love the Olindas, right?
17:14Well, let's see.
17:15The Mookie, with the session he gave us,
17:17gave us a lot of things that we could interpret in different ways.
17:20For a moment I thought that maybe my mommy was upset because I was in that ...
17:24I don't want to talk about ghosts or souls in pain that govern the lives of the living.
17:29I better go.
17:30Olinda, please don't go.
17:32Who is going to cook for us?
17:34Do you only think about that?
17:36Yes.
17:38This is what I was expecting to happen and yet ...
17:41Why don't I feel happy?
17:47But what happened to me?
17:49Oh.
17:51Suddenly, since I'm about to become a Maldini,
17:54I feel that nothing can disturb my soul.
17:57Oh.
17:58There is no space for hatred and resentment.
18:00Family.
18:02Let's talk like civilized people.
18:04Let's go to my house.
18:06Come on, let's go.
18:07No, no.
18:08I don't want to go.
18:09I don't want to go.
18:10I don't want to go.
18:11I don't want to go.
18:12I don't want to go.
18:13I don't want to go.
18:14I don't want to go.
18:15I don't want to go.
18:16Let's go, let's go, let's go.
18:18Oh, no more with you.
18:19Huh?
18:20Only Olinda and my dad.
18:22Oh, no more.
18:23Damn.
18:24Oh.
18:25Let's go.
18:32Thank you, Bombillo, for choosing us.
18:34You will not regret it.
18:36Yes.
18:37Your words about creative freedom
18:39moved me a lot, Chef Alessio.
18:41What freedom?
18:42And with your story I'm going to cook in a pot?
18:44Freedom!
18:45Freedom for the pot!
18:47Freedom for me!
18:53Now how am I going to explain to Francesca
18:54that the fool Bombillo doesn't want to come back?
19:03Confirmed what Joel is doing.
19:05He is working for a...
19:09Assistant of a...
19:12We doubled!
19:14Don't mess with anyone.
19:20Do you mean that we have lost
19:22one of our best kitchen assistants?
19:25I told him everything to convince him,
19:26but he didn't want to.
19:28I think he's had it much worse
19:29with the five fights.
19:30Don't tell me about the fights,
19:31that's going to give me something.
19:33And now what do we do?
19:34You fired him.
19:35You'll see how you do it
19:36so that his absence is not felt.
19:38Without hiring anyone else.
19:40Is that clear?
19:42Yes, Francesca.
19:45Without hiring anyone else,
19:46does that mean
19:47more work for me?
19:56Cousin!
19:57Leo.
19:58Aren't you going to work today?
19:59I have a night shift.
20:00Ah.
20:01Hey,
20:02Felix says Olinda is leaving.
20:04Ah, Chimoso, yes, yes.
20:07What do you mean, Chimoso?
20:08I heard you!
20:09I'm not Chimoso!
20:10You fooled me.
20:11Ah, I'm not Chimoso!
20:12You fooled me.
20:14Well, yes, it's true.
20:16Olinda wants to go to Chahuanga
20:17because her grandfather finished her.
20:19What?
20:20Don Gilberto finished her?
20:21And why?
20:22Because of the ghost of Doña Nelly!
20:25Cousin, let's talk upstairs.
20:27There are only toads here.
20:28Oh, come on.
20:30But look how he keeps fooling me,
20:32that I'm not Chimoso.
20:33How many times do I have to repeat?
20:35I have to be attentive
20:36to everything that happens
20:37here in the neighborhood
20:38of the New Loma.
20:39Come on, come on.
20:40But this office
20:41is very lonely there
20:42with the old man.
20:45No, you can't go.
20:46Not even to Diabainas.
20:48The house would be a chaos.
20:49Yes.
20:50It is already quite unfortunate
20:51that Charo has left.
20:52All because of that bastard.
20:54But he will return
20:55and we will find him.
20:56Damn Professor Chavi.
20:59Since Charo left,
21:00my underpants have never been the same.
21:01Oh no,
21:02that the soap of my mother
21:03was unique.
21:04Well, guys.
21:05It's true.
21:06We have another problem.
21:07What, what?
21:08Olinda saw it.
21:09I hope Mr. Gilberto
21:10has finished it.
21:11Are you sure he understood well?
21:12He says that the grandmother
21:13is jealous of Olinda.
21:15But Mrs. Nelly
21:16died a long time ago.
21:18That old woman is able
21:19to continue screwing
21:20from the past.
21:21I should censor
21:22what you just said, compadre.
21:23But my old woman
21:24can expect anything.
21:26And are you sure
21:27you have the friendship?
21:29Well,
21:30we have to have faith.
21:32Yes.
21:33Exactly.
21:34Let's see.
21:35I'm leaving, right?
21:36I leave it.
21:37I'm going to continue
21:38with my work.
21:39There are some books.
21:40Here, here, here.
21:44What is he doing?
21:45And what important work
21:46are you talking about?
21:47Is he still the driver
21:48of that millionaire
21:49that his father pays him everything?
21:50Let's see, family, family.
21:51I'm going to tell you,
21:52but you have to swear to me
21:53that you are not going to tell anyone.
21:54We swear.
21:55Wait for me.
21:58No.
21:59No, really.
22:00Let's see.
22:01And what else?
22:02What?
22:03Your father was very clear.
22:05He does not want to mortify
22:06the one who was his wife
22:07and that is why
22:08our commitment does not go.
22:09No, it's just that
22:10I don't want to bother her.
22:12What worries me
22:13and worries me
22:15is that because of me
22:16I cannot rest in peace.
22:19Let's see.
22:21A series of strange things
22:22have happened
22:24that we cannot overlook.
22:26Nelicita was always
22:27possessive and jealous.
22:29But your wife
22:30is no longer in this world
22:32and I don't understand
22:33how she can continue
22:34exercising power over your life.
22:36All I can think of
22:37is that you still love her
22:38even more than me
22:40and I can't compete
22:41with a spirit.
22:42Let's see.
22:43Stop.
22:45I, as Teresita,
22:46the godmother of love,
22:47have to say something.
22:49I must confess
22:50that at first
22:51all these paranormal events
22:53I thought
22:54they had to do with me,
22:55but I realize that not.
22:57My mommy,
22:58to be a woman
22:59who rests in peace,
23:00needs to know something.
23:02She was
23:03a little possessive woman
23:04at first.
23:05It's true.
23:06And also a little jealous.
23:07But above all,
23:08she loved with her heart.
23:10Completely.
23:11And she,
23:12I'm sure,
23:13to rest,
23:15would like to know
23:17if you are happy, daddy.
23:20That was more beautiful.
23:23Then I ask you
23:24the million dollar question.
23:26Daddy,
23:29if your engagement
23:30with Olinda ends
23:32and she goes to Chalhuanca,
23:35would you be a happy man?
23:38I could never be happy
23:40the rest of my life.
23:52Don't say anymore.
23:55I, Teresa Maldini,
23:57godmother of love,
24:00I give you my blessing.
24:04That means
24:06you're going to come back home,
24:08little girl.
24:10No, daddy.
24:11Hold your car,
24:12don't get excited.
24:14I couldn't stand
24:15another heartbreak
24:16from my family.
24:18We miss you so much.
24:22Look,
24:24there you have
24:25the warmth of home.
24:28You're not going to compare that
24:30with
24:31the coldness
24:32of this house.
24:34My Richard Jr. and I
24:35are very well here, daddy,
24:37and I have projects,
24:39I have plans with Francesca,
24:41so
24:42I don't want to disappoint her.
24:45If it's like that, little girl.
24:48Well,
24:49let's go, Olinda.
24:52Thank you for everything,
24:53Teresita.
24:56Let's go.
25:05The end
25:08Daddy, call me
25:18Hug me, honey.
25:21I've missed you so much.
25:23How nice that you two made friends!
25:25Yeah, it's a good thing you didn't leave, Olinda,
25:27because Yuli doesn't know how to cook.
25:29I was going to cook for her, too.
25:30That's what you think.
25:31No te preocupes, porque la bebé no piensa volver.
25:38Bueno, pero si intercedió para que Olinda no se fuera,
25:40es porque ya está de acuerdo con el noveja de ustedes, ¿no?
25:43Teresita es bien complicadita, pero ama a su papito y quiere verlo feliz.
25:48Va a regresar, abuelo. Ya vas a ver.
25:51Ojalá, Jaimito. Ojalá.
25:54Ojalá.
26:01Y aquí en Plus Noticias informamos sobre la desaparición de varios folios
26:06con documentación valiosa para el caso que tiene en vilo al país desde hace unas semanas.
26:12Se trataría de las pruebas que...
26:15Oye, ¿qué fue?
26:18¿Qué ha pasado con esta red? Ayer no me la he puesto fila.
26:21¿Dónde están esos folios? ¿Quién se beneficia con su desaparición?
26:25¿Dónde están?
26:28¿Otra vez?
26:31¿Dónde están?
26:35¿Dónde pues están que no aparecen?
26:42¿Y tu enamorado?
26:43No sé.
26:44¿No han hablado?
26:46Tampoco vamos a estar como chicles, pe, flaca. No te pases, pe.
26:49No somos chicles, pero cuando a uno le gusta a alguien,
26:51quiere pasar el mayor tiempo posible con esa persona, ¿no?
26:54Tú las con conocimiento de causa, ¿no? Mucho te preparas conmigo, creo.
26:57¿Por qué tienes esas expresiones de viejo?
26:59Valentina es un alma vieja, pero de corazón noble.
27:02Ay, qué tonto.
27:04¿Y no le vas a escribir?
27:05¿A quién?
27:06A Maggie, tu enamorada.
27:09No, ¿pa qué? Estamos mal.
27:11¿Estamos mal?
27:12Ah, sí.
27:13¿Por qué?
27:16Porque no se parecen nada a ti.
27:18En un momento apareciste que no me di cuenta
27:23Porque cuando te pienso es como una película en cámara lenta
27:27Qué bueno que pasó la tormenta y tu compromiso con Olinda sigue en pie.
27:31Bueno, me alegro por ello, pero
27:36en el fondo, sé que Olindita sigue resentida conmigo.
27:41No es para menos, Gilberto.
27:43Tú le pediste que venga y le prometiste matrimonio.
27:48¿Y con qué se encontró?
27:50Primero con la oposición de Teresa
27:54y después con el espíritu de Nelly.
27:59No ha sido fácil para mi tortolita.
28:02Ahora vas a tener que hacer méritos para que se le pase el resentimiento a Olinda.
28:07Mira, señora.
28:10Siempre he sabido que usted ocupa un lugar especial en el corazón de Gilberto,
28:14pero usted ya no está en este mundo.
28:17Y no es justo que no quiera que su viudo sea feliz.
28:20Así que voy a decirle algo.
28:22¡Déjenos en paz!
28:37¡Déjenos en paz!
29:00Sigo pensando en mi ex.
29:02¿Ah, sí?
29:03Él también calzaba como tú.
29:05¿Ah, sí?
29:06Pero no hemos venido a hablar.
29:08¿Entonces a qué hemos venido?
29:10A quemarnos en el fuego de la pasión.
29:14¡Ámame, caballero oscuro!
29:16Sí.
29:17¡Ámame como ella! ¡Teresa!
29:21Pero ¿cómo puede ser que la madrina del amor
29:26tenga su vida amorosa hecha un caos?
29:30Es que yo tengo que...
29:32Tengo que hacer algo.
29:36Disculpe, Teresa.
29:38No sabía que estabas acá.
29:39No, Franchis, por favor. Es tu topuar, digo, tu cuarto.
29:42También es mi casa, pero parece que a veces se te olvida.
29:45Claudio me comentó que tu chamán estuvo por aquí.
29:48Sí, mira.
29:50Discúlpame por no haberte avisado, Franchis,
29:52pero todo sucedió de manera intempestiva.
29:54Mis parientes querían hacer una sesión al frente,
29:56pero el muki pidió una imagen de mi mamá mucho más grande,
29:59entonces decidimos hacerla acá.
30:02Entiendo, pero debiste consultármelo.
30:04Tienes toda la razón.
30:05Me disculpo nuevamente y estoy muy avergonzada por mi actitud.
30:09Bien.
30:13¿El chamán dijo algo sobre Nelly?
30:16Nosotros pensamos que en realidad
30:18todo se debía a que mi mamá no está de acuerdo
30:20con que yo viva acá al frente,
30:21pero creo que tiene que ver con el compromiso
30:23de mi papá y Olinda, ¿no?
30:25Que por eso terminó él con ella.
30:28¿Tu papá rompió su compromiso con Olinda?
30:30Sí, pero ya se amistaron. Yo ayudé.
30:33Conclusión.
30:34Y no es que yo crea en esas cosas.
30:37¿Pero el chamán comentó algo?
30:40¿Dijo algo para que Nelly no siga penan?
30:44Digo, manifestándose de alguna manera.
30:47No.
30:50Pero algo tenemos que hacer.
30:51Yo no puedo seguir viviendo así.
30:53Lo que tiene que hacer Francesca
30:55es sacar a la cacatua estridente esa de la casa
30:57y botar el cuadro de su madre.
30:59Pero ya falta poco para que llegue a esa conclusión.
31:03Un sustito más y listo.
31:12Qué bueno que haya venido, padre.
31:14Francesca, acudí de inmediato a tu llamado
31:16porque te escuché muy angustiada.
31:18¿De qué se trata?
31:20De Nelly Camacho.
31:24¿De qué?
31:25Ay, ya sé que pareces un tonto.
31:27Pero desde que Teresa trajo el cuadro de su madre a esta casa
31:30han ocurrido cosas bien raras.
31:33¿Quiere decir que Nelly Camacho se ha manifestado?
31:38Y de varias maneras, padre.
31:40Eso es María y José.
31:42No, no, no.
31:43Tenemos que bendecir esta casa de inmediato.
31:46Por favor, empecemos por el segundo caso.
31:48Sí.
31:49Sígame.
31:51¡Ah!
31:52El padre Emanuel está bendiciendo la casa
31:54para que tu madre deje de penar.
31:56¡Ay, Frances!
31:57Pero ni que mi mamá fuera el demonio.
32:01¡Ay!
32:02¿Ese cuadro me parece terrorífico?
32:05¡Mucho cuidado, ah!
32:06¡Estás hablando de mi mamita!
32:08¡Ay, perdón!
32:09¡Silencio, por favor!
32:11¡Ah!
32:12¡Ah!
32:13¡Ah!
32:14¡Ah!
32:15¡Ah!
32:16¡Ah!
32:17¡Ah!
32:18¡Ah!
32:19¡Ah!
32:20¡Ah!
32:21¡Ah!
32:22¡Ah!
32:23¡Ah!
32:24¡Ah!
32:25¡Ah!
32:26¡Ah!
32:27¡Ah!
32:28¡Ah!
32:29¡Silencio, por favor!
32:30Tengo que concentrarme.
32:40Señor, por favor bendice este hogar
32:44y a todos los que aquí habitan.
32:48Llena con tu luz divina esta casa
32:51y aleja a todo espíritu maligno
32:55o energía negativa que pueda estar acechando.
33:00¡Abren!
33:05¡Ah!
33:06¡Ah!
33:07¡Ah!
33:08¡Ah!
33:09¡Ah!
33:10¡Ah!
33:11¡Ah!
33:12¡Ah!
33:13¡Ay, Señor Jesucristo, por favor!
33:16¡Aleja el espíritu de esta casa!
33:19¿Por qué le tengo miedo si es mi mamita?
33:22¡Ah!
33:23¡Ah!
33:29¡Ah!
33:30¿Qué pasa?
33:31¿Hay otro espíritu maligno?
33:35El único espíritu maligno que hay en esta casa
33:38es esta rata de dos patas.
33:41Hacía girar el cuadro
33:44y encontré...
33:46encontré esta peluca
33:48y este vestido de doña Nelly
33:51en su dormitorio.
34:21...
34:46¡Demuéstralo!
34:47¡Demuéstralo cómo lo hacías
34:49As you saw it, and we're scared again.
34:52Francesca, you won't believe this fool.
34:54I completely believe him.
34:56From the first second I saw him, I know you're behind this.
34:59See?
35:00And everyone was thinking my mom was a demon.
35:03Well...
35:04Father!
35:04But why scare us and make us urinate in fear?
35:07Did you urinate?
35:08My mouth is faster than my mind, what a fool.
35:11I think Mr. Diego Montalban has an explanation for us.
35:14Speak, Diego.
35:16I only did it so you would get this cockatoo out of the house.
35:18because she is attempting against family harmony.
35:22Family harmony?
35:23That will not return to this house while you plunge around here.
35:26Get out of my sight!
35:27But where am I going? This is my house.
35:29Get lost!
35:31Get lost! Or do you want me to report you for psychological abuse?
35:34What are you doing to me?
35:36I've been begging for your forgiveness for a long time,
35:38enduring your abuse, your garbage, your nigguneo.
35:41I will never forgive you.
35:43You represent the worst of human nature.
35:45The vile, the low, the ignominy.
35:47Damn it, now that I've met you, I hate you with all my soul.
35:52Why are you treating my Diego like that?
35:54I missed you too.
35:56The chifera in love.
35:57Yes, I am chifera and much older.
35:59And what are you?
36:00A pituca aunt who is very, very ...
36:01Yes, calm down.
36:02Calm down, Chulisita.
36:03No, calm down nothing. Now this aunt is going to see her.
36:06As Teresa would say, speak with my hand.
36:08Hey, uncle. Hey, come here.
36:10Chulisita.
36:10Come here. Let me brush his hair.
36:12Hey, aunt, come here. I'm going to give you your fortune cookie.
36:15Hey, talk to me, pituca aunt.
36:17Calm down, calm down.
36:19We better go and have a soup to hold on to.
36:21Ay, aunt, let's go, aunt.
36:23Come on, come on.
36:23Already.
36:28But ...
36:28Your cognac, madam.
36:30I still don't think a blessing has come to you badly in this house.
36:34I totally agree with you, father.
36:36How could I think that my mommy
36:38was not going to want me to stay in this house?
36:40If her biggest dream was always that ...
36:42that we were family.
36:44But how did Don Diego make the photo of Doña Nelly
36:47emitting bright rays at night?
36:49That man is the king of the artimañas.
36:51Oh, that's right.
37:01Let's see, let's see, let's see.
37:03Family.
37:05I have gathered because ...
37:06Hey, grandpa.
37:08Come here.
37:09Have you seen each other?
37:12She is still a little resentful of me.
37:15But ...
37:16With perseverance,
37:18I will be able to regain his trust.
37:21Why did you call us?
37:22Well, let's see.
37:25Family, I want to tell you that all this time
37:27that I thought I was working for a millionaire
37:31to pay,
37:32I was actually working for a ...
37:35Yes, yes, yes.
37:37Please.
37:38And did they find out?
37:39A long time ago.
37:41I was the last to find out, grandma.
37:43Oh, did you see a frog, a white dog?
37:46Oh, brother.
37:47Tremendous event, how was I not going to tell you?
37:49Are you crazy?
37:50We have already doubled, nephew.
37:52We can get the route of the Carmelo to be expanded.
37:54That's right.
37:55And that they give us the license to formalize our funeral.
37:59And the hotel with experience tourism included.
38:01That business is fine.
38:03But can Joel's boss do all that?
38:05He can do that and much more.
38:07And no, machero.
38:08You are wrong.
38:09You are wrong.
38:10Marjorie is legal.
38:13And you are already throwing corn, nephew.
38:14No, no, nothing to do.
38:15I'm just his assistant.
38:16I'm his trusted man.
38:17I can't be tempting her with my beauty, man.
38:20You do very well, Joelito.
38:22The job is respected.
38:24Well, now.
38:26Straight to the point, as a dermatologist's son.
38:28Marjorie wants to meet the family.
38:31Yes.
38:32And what did you tell him?
38:33Come tomorrow.
38:34Tomorrow!
38:44The next day.
38:54Beautiful, man.
38:56Let's see.
38:57There, mirror, mirror.
38:59Another thing, man.
39:04Hit it, hit it, hit it.
39:08On the nail.
39:11Beautiful.
39:19Now, yes.
39:20There we are.
39:21With his walk.
39:24Straight, straight, straight.
39:26Where are you taking me?
39:27There, there, there.
39:32How's it going?
39:33I'm at your age, aren't I?
39:34Yes, yes.
39:35Where are you going?
39:36I'm like a little cave, aren't I?
39:37Yes, yes.
39:38How are you?
39:39I'm going to a karaoke with my little boss.
39:42Ah, with your little boss.
39:43Ay, ay, ay.
39:44Isn't nothing wrong, bro?
39:46No, no, nothing's wrong.
39:47Nothing's wrong.
39:48He's just going to a karaoke.
39:49He likes to sing, me too.
39:50You know, you know, right?
39:51I know, I know.
39:52I want to tell you something.
39:54No, no.
39:55I'm a little worried.
39:57I think it's a little suspicious.
39:58That he's going to keep his things here.
40:00What?
40:01Why?
40:02I don't know, bro.
40:03It seems strange to me.
40:04Strange is your thing.
40:05I don't say anything.
40:06What's wrong, bro?
40:07I'm worried about you.
40:08Ay, ay, ay.
40:20Cheers.
40:21Cheers.
40:22Cheers.
40:28Hey, have you really closed all this karaoke just for us?
40:32Of course.
40:33I told you it was going to be like that.
40:38Hey, um.
40:40Don't tell me you're falling in love with me.
40:42I mean, I say it because of my beauty.
40:44Suddenly you kiss me like this.
40:45Oh, come on.
40:46We're not going to get confused, are we?
40:47Please, Joel.
40:48We're here to sing.
40:49And that's what we're going to do.
40:50Ay, ay.
40:51So, music.
40:53I almost love this song.
41:00When I saw her I fell in love, I fell in love.
41:04When I saw her I fell in love, I fell in love.
41:08Dance smiley, she is the most beautiful.
41:11Dance smiley, without a doubt the most beautiful.
41:15Open the bottles to toast for her.
41:19Long live love, there is nothing better.
41:23I sigh all night thinking of you, only for you.
41:26I sigh all night thinking of you, only for you.
41:30How does it go?
41:32That I am falling in love with her.
41:36That my waist is shaking.
41:40Because she is something else.
41:43Because we are seven different things.
41:47That I am falling in love with her.
41:51That my waist is shaking.
41:55Without a doubt she is something else.
41:57Goza que goza
41:59Porque somos siete es otra cosa
42:03En el escenario
42:05Ella es la unica
42:07La espectacular
42:09La riquichichima
42:11Con ustedes
42:13Mi jefa
42:15Marjorie
42:17Marjorie
42:19Marjorie Marjorie Marjorie
42:21Tu voz
42:23Solo si
42:25Te quiero
42:27Y si pensar
42:29Quiero ser solo tuya
42:31Compartiré
42:33Mi corazón siempre contigo
42:35Recuperar
42:37Todo el tiempo perdido
42:39Ay corazón
42:41Corazón
42:43La verdad que no te olvido
42:45Ay corazón
42:47Vuelve pronto te lo pido
42:49Ay corazón
42:51Solo quiero estar contigo
42:53Ay corazón
42:55Corazón
42:57Vuelve pronto te lo pido
42:59Ay ay ay
43:01Ella es
43:03Ella es Marjorie
43:05Otra por ella
43:07Dale su voto
43:09Su voto su voto y el voto y el voto
43:11Y el voto y el voto y el voto
43:13Y el voto y el voto y el voto
43:15Tatatatata
43:17Tu solo si
43:19Podrás saber cuanto te quiero
43:21Ay ay ay
43:23Ay ay ay
43:39Hoy quiero que sepas
43:41Mi corazón
43:43Creo que el amor
43:45Al fin ha llegado
43:47A mi
43:49Me cambio la vida
43:51Al conocerte
43:53Y hoy ya no quisiera
43:55Vivir sin ti
43:57Hoy quiero que
43:59Sepas mi corazón
44:01Creo que el amor
44:03Al fin ha llegado
44:05A mi
44:07Me cambio la vida
44:09Al conocerte
44:11Y ya no quisiera
44:13Vivir sin ti
44:15Cuando estoy contigo
44:17Todo es diferente
44:19No quiero perderte
44:21Siempre te amare
44:23Cuando estoy contigo
44:25Todo es diferente
44:27Yo no quiero perderte
44:29Siempre te amare
44:43Puedo confundirme
44:45Y perder la razón
44:47Soñar que estas aqui
44:49Pero cuando despierto
44:51Vuelvo a recordar
44:55Y no quiero sufrir mas
44:59Siento que no es el momento
45:03Tampoco quiero disimular
45:07Tu eres diferente
45:09Te quiero como eres
45:11Pero se que una vez mas
45:13No es suficiente
45:17Hay que darle tiempo al tiempo
45:21No comprendes
45:25No quiero oír tus sentimientos
45:29No es suficiente
45:33Hay que darle tiempo al tiempo
45:43Todo bien, todo bien
45:45Nada, nada, nada
45:47Ya
45:49Voy a pedirle al otro chofer que nos recoja
45:51Y ya nos vamos
45:53Si ya es tarde
45:55Por famoso
45:57Me traes la cuenta
45:59Y ya sabes una factura con unos ceritos de mas
46:03Puedo confundirme
46:05Y perder la razón
46:07Soñar que estoy feliz
46:09Pero cuando despierto
46:11Vuelvo a recordar
46:13Y no quiero sufrir mas
46:17Siento que no es el momento
46:21Tampoco quiero disimular
46:23Tu eres diferente
46:25Pero Belvio Chino dice
46:27Donde hubo fuego
46:29Cenizas quedan
46:31Bueno en mi caso esas cenizas ya están totalmente apagadas
46:33Jamás volverán a encenderse
46:35Ya lo mejor es que te vayas a vivir conmigo
46:37Y que por usted que mi padre no está
46:39Así estuviera tu papá igual lo harías
46:41¿Qué es de él ah?
46:43No lo sé ni me importa
46:45La casa está mucho mejor sin él
46:47¿Las hermanas Flores?
46:49A ambos lados
46:51Licenciada
46:53¿Llegaron los resultados de la señora Bravo?
46:55Sí
46:57A pesar de su edad se mantiene bastante bien
46:59Gracias
47:01Ahora dime que está pasando en tu casa
47:03¿Qué pasa?
47:05Ahora dime que está pasando
47:07Entre el fisioterapeuta y tu
47:11Quiero que te encargues del mantenimiento
47:13De los carros de mis colegas
47:15¿Alguien? ¿De sus amigos los políticos políticos?
47:17Sí
47:19Pero sin hacer mucho espabiento
47:21En condiciones normales tendríamos que someterlo
47:23A una licitación pero
47:25Esta vez pienso saltarme un poco el proceso
47:27Porque tu taller es bueno y confiable