Category
📺
TVTranscripción
00:00:30I look for you, I call you madly, to tell you that I love you, my passionate one.
00:00:50Amapola, dolcissima amapola, la luce dei miei giorni splendente,
00:01:08fai fiorire la passione con il suono della mia canzone.
00:01:39Hey, be careful, don't let her see that she's pregnant.
00:01:47Sorry, did I hurt you?
00:01:51Hey, countryman, do you want to change money? American dollars, eh?
00:01:54Maybe, maybe, thanks.
00:01:56One lira is worth a cent, do you understand?
00:01:59If you have 300 liras, I'll give you 3 dollars.
00:02:02No, a dollar is worth 25 liras.
00:02:05What do you mean 25 liras?
00:02:07What are you saying, Largo?
00:02:08I'm cheating on him.
00:02:10Hey, get out of here.
00:02:12Hey, don't you dare touch this boy.
00:02:15Go back to your disgusting country, starving to death.
00:02:19Italians, yes!
00:02:21One dollar is worth 25 liras, right?
00:02:23Yes, that's right.
00:02:24And can you change us?
00:02:25No, I don't have money, but I know a good person who can.
00:02:30If you want, I'll also look for a house for you, although in exchange for a small percentage.
00:02:35A commission.
00:02:36Have we come this far to find the same thing?
00:02:39The world is a handkerchief. Come on, let's go.
00:02:41Come on, let's follow the boy.
00:02:50Love.
00:02:52It's nothing, it's just that for a moment ...
00:02:54What's going on?
00:02:56I'm just tired.
00:02:57It's normal, come.
00:02:58Come, come this way, we'll look for someone who can help us.
00:03:05We're almost there.
00:03:09Squeeze a little more.
00:03:11You too.
00:03:12Quiet, quiet.
00:03:13We're ready. Are they all there?
00:03:15I'm afraid not. Antonio is missing.
00:03:18As always.
00:03:20I'm here, I'm here.
00:03:21Have you seen?
00:03:22Ah, finally. Come on.
00:03:24Sorry, sorry.
00:03:28Come together.
00:03:29You're always late.
00:03:32Quiet, smile.
00:03:36Come on, smile.
00:03:39Carmela, smile.
00:03:41For the photographer at least.
00:03:44I smile.
00:03:46Ah, finally.
00:03:56What more handsome children do I have?
00:04:05I miss you, Marie.
00:04:08And you, Duri.
00:04:10How much I miss you, Duri.
00:04:12Now they go by the name of Rizzo.
00:04:36They're under that name in the immigration register as well.
00:04:40Rizzo.
00:04:43Maureen!
00:04:44Yes?
00:04:45We found them.
00:04:47That's great.
00:04:49Carmela Rizzo, 475 Monroe Street.
00:04:52Her son, Mikele, works at the Red Hook factory.
00:04:56Her son, Alfredo, Alfredino, goes to the Cabrinian Sisters School.
00:05:00Perfect.
00:05:02I need you to do me the favor of giving this note...
00:05:05Okay.
00:05:07...to someone who speaks my language.
00:05:10Thank you, Maureen.
00:05:11I'll do it right away.
00:05:13Great.
00:05:37Not here, madam. Use the back door.
00:05:40I don't understand. Don't speak...
00:05:42You must use the back entrance around.
00:05:44Don't touch me.
00:05:46How dare you?
00:05:47I'm a friend of Mr. Ferri. Look here. He's Italian.
00:05:51Mr. Ferri, oh!
00:05:52Yes?
00:05:53Welcome to the World War Hotel, Miss Carmela.
00:05:56Thank you.
00:05:57Welcome.
00:05:59Good morning.
00:06:00Who is this lady?
00:06:01No idea.
00:06:07Sorry, I'll call you back.
00:06:15Hello?
00:06:17Hello?
00:06:19Hello?
00:06:21Hello?
00:06:23Hello?
00:06:25Hello?
00:06:26Hello?
00:06:31I'm a friend of Mr. Ferri.
00:06:34Sure. Mr. Ferri is waiting for you. Please come in.
00:06:38Thank you.
00:06:39Please.
00:06:42Miss Carmela, at last.
00:06:44What a pleasure, Mr. Ferri.
00:06:46Come in, come in, please. Thank you, Maureen.
00:06:51Wow, it's very well installed here.
00:06:56And you, have you been able to settle in well?
00:06:59I don't complain.
00:07:04Of course, it has good views.
00:07:06You can see everything from here.
00:07:08The beautiful and the ugly.
00:07:10As he told me that day on the boat.
00:07:12That also happens in Monroe Street.
00:07:17So, do you live in a hotel and work here?
00:07:21Miss Carmela, my house is a trunk, a telegraph, a telephone.
00:07:25I must always be ready to change and leave.
00:07:28That has taught me life.
00:07:31But I see that you are still wearing wrinkled shirts.
00:07:34Yes.
00:07:38Please, sit down.
00:07:40Thank you.
00:07:43It has taken me a long time to find her, I knew it.
00:07:46But you did it.
00:07:47Yes, but it has not been easy because she has changed her last name.
00:07:50Now her last name is Rizzo Inisquiabón.
00:07:53It sounds like a noble last name.
00:07:56What a man, my husband, the one with the peanuts.
00:08:03And your children, are they well?
00:08:05Yes, yes, they are very well.
00:08:07I have heard that Alfredo studies and is very applied.
00:08:10Yes.
00:08:12I didn't thank you for what you did for me.
00:08:15In the immigration office, for Rocco.
00:08:21Mr. Ferri, should I ask the driver to wait for you for your appointment with Mr. Brady?
00:08:25Ah, he has an appointment.
00:08:29He is busy, he is busy.
00:08:31Do you speak English?
00:08:33Yes, yes, I'm coming.
00:08:38I'm sorry.
00:08:40No, don't worry, work is work.
00:08:42Ah, by the way, I have heard that they are looking for staff at the Walford Laundry.
00:08:47Well, if you are looking for work, it is a possibility.
00:08:51Are you serious?
00:08:52Yes.
00:08:53Ah, that's great.
00:08:55At least someone will take care that you don't have wrinkled shirts.
00:08:59Well, thank you.
00:09:02Now I'm leaving.
00:09:04I'll go with you.
00:09:12Goodbye.
00:09:13Bye bye.
00:09:17Thank you.
00:09:48No work, no pay.
00:09:52I can't stand it.
00:09:58Mr. Ferri.
00:10:07A job like this for five dollars a week.
00:10:09How was I going to say no?
00:10:11We don't lack food.
00:10:13I bring money home.
00:10:14Miquele works and so does Antonio.
00:10:16All together you earn five dollars a week.
00:10:22I want the best for my children.
00:10:24And what's the problem? I'll take care of it.
00:10:26We're done.
00:10:28We're done with what?
00:10:30Do you think I'm not capable?
00:10:32Do you think that? Do you think I'm a poor idiot?
00:10:35When I arrived, I had twenty pounds in my pocket.
00:10:37And with the peanuts, I bought the cellar.
00:10:40Then you lost it.
00:10:41I lost it.
00:10:42And what have you done to help me get it back?
00:10:44Nothing, only your children.
00:10:45Always your children.
00:10:47I don't exist for you.
00:10:48They only exist.
00:10:49And where are your children now?
00:10:51In the house of Italy, dancing.
00:10:53Everyone except the one up there playing the flute.
00:10:56Your children.
00:10:58Look at me.
00:10:59But listen to me.
00:11:01I'm here.
00:11:03Very well, I'll look at you.
00:11:04I'll look at you.
00:11:05Tell me.
00:11:06Tell me.
00:11:07For your love, I have accepted everything.
00:11:08Until they accused me of having a snitch here.
00:11:10Antonio.
00:11:11Who sent Salvo to the reformatory.
00:11:13He did the right thing.
00:11:14You don't even touch my children.
00:11:16Is that clear?
00:11:17And you can't tell me those things either.
00:11:19If I don't tell you, who do I tell?
00:11:21Besides, it's the truth.
00:11:24It's the truth.
00:11:26Pratos.
00:11:31Do you know something?
00:11:32I'm not going to leave that job.
00:11:34I'm not going to leave it.
00:11:36Period.
00:11:41Period.
00:12:00Rocco.
00:12:01Put that leg in.
00:12:02Come on.
00:12:04Do me a favor.
00:12:05Come inside.
00:12:06It's dangerous.
00:12:07Put that leg in.
00:12:08Please.
00:12:10Come on.
00:12:16Do you like pigeons?
00:12:19They were my wife's passion.
00:12:22She named them.
00:12:23The big black one is Neron.
00:12:25Because she's bad.
00:12:26Another Rodolfo Valentino.
00:12:29Like the actor.
00:12:31Rosa is her usual partner.
00:12:33Always.
00:12:37Do you know that when they choose a partner,
00:12:39they are faithful all their lives?
00:12:42Until death.
00:12:52Esquiabón.
00:12:54What's wrong with you, Esquiabón?
00:13:00What's wrong with me?
00:13:04Well...
00:13:13It's very long and very difficult.
00:13:16It's very long and very difficult.
00:13:21Play.
00:13:33Play.
00:13:55Hey, did you see that?
00:13:56Yes.
00:14:04That's my brother.
00:14:06Well, he's a great dancer.
00:14:11Chiro told me about you.
00:14:12And about me.
00:14:14He told me that you're in the union.
00:14:17You know, my father also defended the workers.
00:14:22So he was a good Christian.
00:14:25We're organizing a strike at the Red Hood Foundation,
00:14:28where you work.
00:14:30It will be the first real protest against the bosses.
00:14:32The biggest of all.
00:14:34There's the job.
00:14:35We'll be there, right?
00:14:36I told you that Miquel was a good guy.
00:14:38Good.
00:14:39Because the more people, the stronger we will be.
00:14:45What's wrong?
00:14:46Are you still thinking about Miquel?
00:14:47What do you care?
00:14:49Then tell me.
00:14:50Tell me what you think of me.
00:14:52Go away, your mouth still smells like milk.
00:14:54You're a brat.
00:14:55What do you mean, a brat?
00:14:57There are good things down here.
00:14:59How dare you?
00:15:02One, two, three.
00:15:08Look how many girls are coming.
00:15:13Joan.
00:15:14Hi.
00:15:15How are you?
00:15:16Fine, and you?
00:15:17Fine, fine.
00:15:18Hi.
00:15:19Carlo and Miquel.
00:15:21Hi.
00:15:22This is Beth, this is Sofia and this is Pat.
00:15:25Nice to meet you.
00:15:26Nice to meet you.
00:15:28Chiro, you know we have a thing for Italian boys.
00:15:32Do you understand, Miquel?
00:15:33These Americans love Italians.
00:15:36Do you understand?
00:15:38What, are we all going to dance?
00:15:41Hey, you speak our language very well.
00:15:43I study melodramas.
00:15:44Your lyrical operas are beautiful.
00:15:47Verdi, Puccini.
00:15:49Who are those?
00:15:52Miquel, are you taking me out to dance?
00:15:54Or are you going to spend the night looking at me?
00:15:58How do you say?
00:15:59Naked.
00:16:00Naked.
00:16:02Go away.
00:16:04Girl dance.
00:16:06How do you say?
00:16:07Let's dance.
00:16:08Miquel, how do you say?
00:16:10Miqueluzo, let's go.
00:16:21Very good.
00:16:22Let's see what you have down there.
00:16:30Peanuts.
00:16:31Cacahuetes tostados.
00:16:34Roasted peanuts.
00:16:35Fresh roasted peanuts.
00:16:38Peanuts.
00:16:39Twenty cents, please.
00:16:44Thank you.
00:16:46Sir?
00:16:51Sir, my chains.
00:16:59Good morning, Mr. Ferry.
00:17:01How's it going?
00:17:02And the work?
00:17:03Good, good.
00:17:04Are your shirts ready?
00:17:18I just found out that there is a strike at the foundation.
00:17:22A strike at the foundation?
00:17:24I don't want to scare you, Carmela.
00:17:26But apparently the police intend to charge against the strikers.
00:17:31My God.
00:17:32It would be better if Miquel didn't participate.
00:17:34He promised me that he wouldn't be fooled by politics like his father.
00:17:38He promised me.
00:17:40I have to warn him.
00:17:41But what do I do with the work?
00:17:43That Chinese is a hyena and she won't give me permission.
00:17:46Don't worry, Carmela.
00:17:48I'll talk to your boss.
00:17:49Let's go together.
00:18:02BASED ON A TRUE STORY
00:18:15Come on, everybody!
00:18:16All together, come on!
00:18:18Come on, come on!
00:18:25Hey!
00:18:26What are you doing?
00:18:27Let go of that!
00:18:28Chiro, what are you doing?
00:18:29Get out of the way, Miquel.
00:18:30We're being provoked. If we fall, it's over.
00:18:32What do you mean provoked?
00:18:33Carlos, they won't take long to load.
00:18:35We're a lot. It's not good for them either.
00:18:37Who, Carlos?
00:18:39Let's load ourselves before they load.
00:18:41Come on, let's go get them.
00:18:49What are you doing, mother?
00:18:50Are you crazy or what?
00:18:51Mike!
00:18:52Mom, go away.
00:18:53Get in there.
00:18:54Come on, come on, get in there.
00:18:56With just one that gets in there, everything will be over.
00:18:58You have to go to work. You have to get in.
00:19:00But we have the right to strike.
00:19:02But what right, what right?
00:19:04The poor have no rights.
00:19:06And if they're telling you yes, it's because they're lying to you.
00:19:10Get in there.
00:19:11Mrs. Carmela, calm down.
00:19:12Those are beasts.
00:19:13Mom, you have to go.
00:19:15This is not a place for women.
00:19:17Go away.
00:19:18Mom, go away.
00:19:19They're going to load.
00:19:20Go.
00:19:21Mom, go away.
00:19:22What are you doing?
00:19:23What are you doing?
00:19:24Come on.
00:19:25Hold on.
00:19:26Hold on.
00:19:28Come on, Mike.
00:19:29Come with me.
00:19:30Are you forcing me to get in?
00:19:31You're in danger here, Mom.
00:19:45Chiro!
00:19:46Chiro, no!
00:19:47Chiro!
00:19:49Chiro!
00:19:50No, Mike.
00:19:51Chiro!
00:19:52Don't let him!
00:19:53Don't let him!
00:20:00Chiro!
00:20:01No, Chiro, no!
00:20:06Chiro!
00:20:07Mike!
00:20:08What did you force me to do, Mom?
00:20:14I was wrong.
00:20:15My mother was wrong too.
00:20:18She did it to protect me.
00:20:21Now I'm here.
00:20:25And maybe you can't even hear me.
00:20:28Remember what you told me?
00:20:31That we had to fight together.
00:20:35But I'm alone.
00:20:39Carlos has been detained.
00:20:41And you...
00:20:47I swear I can't forgive myself.
00:20:51Forgive me, please.
00:21:01Mike, we have to go.
00:21:04No.
00:21:05The police are here.
00:21:07I won't go this time.
00:21:08Of course you will.
00:21:09Let's go.
00:21:11It's useless to pretend to be a hero.
00:21:13Please.
00:21:15Come on, let's go.
00:21:18Goodbye, friend.
00:21:20Let's go.
00:21:31Doctor!
00:21:46Dr. Wright, we are here for Chiro Malenti.
00:21:49It's too late.
00:21:50I'm sorry.
00:21:54Please, call the other nurse.
00:21:56Yes, Doctor.
00:22:19Mike.
00:22:36Mike.
00:22:38Where are you going at this hour?
00:22:40With all that on your mind.
00:22:43I'm leaving.
00:22:44You're leaving?
00:22:46Where?
00:22:47When are you coming back?
00:22:48I don't know.
00:22:50Since when do you leave your family?
00:22:52Since when do you leave like this?
00:22:55I haven't given you any worries, Mom.
00:22:57I've never asked you for anything.
00:22:59I've always thought about you and the family.
00:23:01About you and the family.
00:23:05But you can't treat me like a man when you feel good
00:23:07and like a kid when you feel bad.
00:23:10Mike, forgive me.
00:23:12Forgive me, Mike.
00:23:14I was wrong.
00:23:15I was wrong.
00:23:16Things happen.
00:23:17Chiro is dead, Mom.
00:23:19Those are things that happen.
00:23:22He's dead?
00:23:24He's dead, poor thing.
00:23:26I'm sorry, Mike.
00:23:28I'm sorry.
00:23:30But don't you see that if I hadn't been wrong,
00:23:32you could be in his place now?
00:23:34Maybe it would be better.
00:23:43Thank you.
00:23:44Thank you.
00:23:46Now it's easier.
00:23:48Forgive me, son.
00:23:49Forgive me.
00:23:50Forgive me.
00:23:56Mike.
00:24:14It's never, it's never your fault.
00:24:17Come on.
00:24:30It's working.
00:24:44It's working.
00:24:46It's never, it's never your fault.
00:24:50Come on.
00:25:13Let's see, Skip.
00:25:15Let's do a test.
00:25:16If everything goes well,
00:25:18maybe the business will be yours again.
00:25:20But it has to go well.
00:25:23Don't worry about anything.
00:25:25Everything will go very well.
00:25:28Well, here.
00:25:30There you go.
00:25:33Thank you.
00:25:34Go, go.
00:25:37Goodbye, Antonio.
00:25:48Chivato.
00:25:50You're an imbecile.
00:25:51What the hell are you doing?
00:25:53I've already cleaned everything.
00:25:55I'm sorry, I'm sorry.
00:25:56I've already cleaned everything.
00:25:57Sit down, Salvo.
00:25:58Come on.
00:25:59It's okay.
00:26:01It's part of the family.
00:26:02They're all cowards.
00:26:04And chivatos.
00:26:05When did you get out?
00:26:06This morning.
00:26:07Good.
00:26:08You know you got out thanks to me.
00:26:09I paid for the bail at the reformatory.
00:26:11If you were in debt with me before,
00:26:13now you are even more.
00:26:15Very well.
00:26:16Thank you, Mr. Matranga.
00:26:17You're useless.
00:26:18Bring him another glass, Salvo.
00:26:19We're going to toast.
00:26:20Hurry up.
00:26:21And don't break anything.
00:26:28Goodbye, Rocco.
00:26:31Goodbye.
00:26:34Goodbye, Mom.
00:26:36Behave yourself at school.
00:26:37Yes.
00:26:44Good morning, Mom.
00:26:46Hello, Antonio.
00:26:48Hey, is it true that Salvo has already left the reformatory?
00:26:52Oh, yes.
00:26:54What a Christmas gift.
00:27:01Antonio, there are three dollars missing here.
00:27:03Are you telling me?
00:27:06I'm telling the one who bought a shirt and a new jacket this week.
00:27:09Of course.
00:27:10Because whenever something happens here,
00:27:12I know who's to blame.
00:27:13Antonio's criminal.
00:27:16Why do you always give me reasons?
00:27:17But why?
00:27:18What have I done?
00:27:19I work, right?
00:27:20I make money, just like Mikele.
00:27:22But he's your favorite, even if he's gone home.
00:27:24But what are you saying?
00:27:26This time, you shouldn't look at me.
00:27:28Only at me.
00:27:29And who should I look at?
00:27:30Tell me.
00:27:31We'd better leave it.
00:27:32Who should I look at?
00:27:39Esquiavón.
00:27:40Esquiavón?
00:27:42Esquiavón.
00:27:47What does he have to do with it?
00:27:49Do you know what he sold the cart?
00:27:51The cart?
00:27:53I think he wants to get the business back.
00:27:56He's been talking to Matranga in the warehouse for a long time.
00:27:59About the Black Hand.
00:28:00What's that about the Black Hand?
00:28:01I'm also interested.
00:28:03It's not about women, Mom.
00:28:05Antonio!
00:28:06Antonio!
00:28:07Where are you going?
00:28:08When we talk about something serious, you always leave.
00:28:10Can you explain to me what the Black Hand is?
00:28:12Is it like a mafia?
00:28:14Have we crossed the whole ocean to find ourselves in the same situation again?
00:28:18Can you explain it to me?
00:28:20Mom, forget it.
00:28:21Antonio!
00:28:22You have to listen to me when I talk to you.
00:28:24It's too long, Mom.
00:28:27It's, it's, it's, it's very long.
00:28:29And very, very difficult.
00:28:34Pastorcillo.
00:28:38Oveja.
00:28:41Sorry!
00:28:43But what are you doing?
00:28:44You're always here.
00:28:47This is my place.
00:28:49Where else would a fool like me be if they insult and slap everyone?
00:28:54Come on, you hit me too?
00:28:56Shut up.
00:28:57Although they do want to slap you.
00:29:02What's wrong with you now?
00:29:05Again, Matranga?
00:29:08No, no.
00:29:10My mother.
00:29:12What happened?
00:29:13Mikele is handsome and strong.
00:29:15Alfredo, smart.
00:29:17Rocco, a bastard.
00:29:18And me?
00:29:19Me, a thief, a liar and a snitch.
00:29:23How many things!
00:29:25I don't like good guys.
00:29:28You know?
00:29:31And why do you like Mikele?
00:29:32I liked Mikele.
00:29:34But he prefers the Americans.
00:29:38Come here.
00:29:40Come.
00:29:44I think I'm going to make you a gift, boy.
00:29:48A gift?
00:29:49Yes.
00:29:50It's almost Christmas.
00:29:52Do you feel like it?
00:29:53Maybe.
00:30:10Thank you.
00:30:19And Antonio?
00:30:21He's out.
00:30:25And Rocco?
00:30:27He's on the roof with the pigeons.
00:30:31Very good.
00:30:34And Alfredo?
00:30:36At school, like every morning.
00:30:41And what...
00:30:44...does the pot of money do here?
00:30:47I'm watching him.
00:30:49Someone in this family has very long hands.
00:30:52Really?
00:30:54Do you know something, Esquiabó?
00:30:56No.
00:30:57No.
00:30:58I don't.
00:31:01Esquiabó.
00:31:02Let's be clear.
00:31:03I know it was you.
00:31:05So tell me why you sold the cart and then pretend to go to work.
00:31:09Do you think I'm stupid?
00:31:11What happened?
00:31:14Happened.
00:31:15Happened.
00:31:17Nothing happened.
00:31:18I just want to get the business back.
00:31:21The peanuts were provisional until God took a step back.
00:31:25And how?
00:31:27Business.
00:31:28Business.
00:31:29With whom?
00:31:32You can rest assured.
00:31:34I don't know what that is.
00:31:35I want to know with whom you're doing business.
00:31:38I've already made money.
00:31:40I've made money.
00:31:41Look.
00:31:42And I put it in the pot.
00:31:44No, no, thank you.
00:31:45Save it for the winery.
00:31:47With whom do you do business?
00:31:48With the Black Hand?
00:31:51The Black Hand.
00:31:53The Black Hand doesn't exist.
00:31:54It's a children's story.
00:31:55The Black Hand is coming.
00:31:57No, no.
00:31:58No.
00:31:59Trust me.
00:32:00In two months, we'll get the winery back.
00:32:03Mateo's word, Esquiabón.
00:32:06I'll fix everything tonight.
00:32:08I'm busy tonight.
00:32:09I am busy.
00:32:12You're busy.
00:32:18The eggs are very good.
00:32:32Thank you.
00:32:50I'm sorry, Mr. Ferri.
00:32:52Miss Rizzo is waiting for you in your office.
00:32:55In my office?
00:32:56Yes.
00:32:57Okay, thanks.
00:33:03Mr. Ferri, can you explain to me what the Black Hand is that everyone is talking about?
00:33:08Something that is better to stay away from.
00:33:11Kidnappings, extortions, homicides, smuggling.
00:33:16It's a scourge.
00:33:18Today there is an article in La Voz d'Italia.
00:33:21See you this afternoon, Mr. Ferri.
00:33:24See you soon, ma'am.
00:33:25Goodbye.
00:33:28See you later, Maureen.
00:33:33Look.
00:33:35Michele Guarino.
00:33:38The king of New York distilleries.
00:33:41People like him dirty the reputation of the Italians.
00:33:46I'm afraid that Black Hand has already entered my house.
00:33:49That's why I've come to bother you.
00:33:52Because if someone steals, he's in his house.
00:33:55He has serious problems.
00:33:57Who are you referring to?
00:33:59My husband, Esquiabón.
00:34:01He says he's doing business, but he doesn't look good.
00:34:06And since you have so many friends,
00:34:09like that policeman who managed to find us,
00:34:12I don't know if you could ask him to find out what that bastard is up to.
00:34:17You calm down, Carmela. I'll take care of it.
00:34:20Thank you.
00:34:21He's a good friend.
00:34:30Carmela.
00:34:34Why don't you stay and eat with me?
00:34:37When you called me, I was at the restaurant and...
00:34:41For a moment, I got excited thinking you'd eat with me.
00:34:46No, I can't.
00:34:48I have to go home with my children.
00:34:50Besides, my clothes aren't the right ones.
00:34:53You're beautiful, Carmela.
00:34:55Clothes are just an appearance.
00:34:58But appearance matters.
00:35:01I'm fine where I am.
00:35:03Down where the Lord put me.
00:35:05Otherwise, it would be a mess.
00:35:07I see.
00:35:09But thank you.
00:35:12Maybe tonight?
00:35:14My appearance will still be a problem.
00:35:22See you later, Carmela.
00:35:31Appearance.
00:35:55Miss Rizzo?
00:35:57Yes, Rizzo Esquiabón?
00:35:58Yes. This is for you, from Mr. Ferry.
00:36:01For me?
00:36:03Yes.
00:36:05This?
00:36:07He waits for you at 8 p.m. at the Walford Hotel.
00:36:10I don't understand.
00:36:12Tonight, 8 p.m.
00:36:14Ah, tonight.
00:36:16Yes, yes.
00:36:18And what do I do with Esquiabó?
00:36:20Ah, Esquiabó works tonight.
00:36:22He's busy. Okay.
00:36:24I'm sorry, I don't understand.
00:36:25It doesn't matter.
00:36:27Tell Mr. Ferry that okay.
00:36:29Okay.
00:36:31Okay, thank you. Bye.
00:36:33Bye.
00:36:35What is this? Is it a dress?
00:36:37Come on, hurry up!
00:36:39Pepe, come on, it's for today. Come on!
00:36:41Let's see, take the state one for New Jersey.
00:36:44Come on, be careful, be careful.
00:36:46If there is a checkpoint.
00:36:48You've already told me, I'm not stopping because I'll go slowly.
00:36:50Esquiabón, be careful, you have very valuable merchandise.
00:36:53And above all, it is forbidden.
00:36:55Have you told him, Matranga?
00:36:57Let me introduce you to Mr. Guarino.
00:36:59The one in charge of all this is the boss.
00:37:03It's an honor.
00:37:05Thank you for your trust, Mr. Guarino.
00:37:07Don't worry, now we do business together, right?
00:37:10That's right.
00:37:12Come on, come on, come on, Mateo, move, come on.
00:37:14Get to work, Mateo, get to work.
00:37:18He's a big mouth, a big mouth.
00:37:20I've got him, Balicón, and we'll send him straight to the police.
00:37:34This time, bad luck won't stop me.
00:37:39Everyone will see that the money is made, Esquiabón.
00:37:43And I'll get the business back.
00:37:46Everyone will see it.
00:37:47Guys, hurry up, load another truck, come on.
00:37:50Salvo, move, come on.
00:37:52Come on, come on, come on, come on.
00:37:54Up, up, come on, come on.
00:37:56Come on, come on, hurry up.
00:37:58Come on, come on, come on, hurry up, hurry up.
00:38:01This is the plan, huh?
00:38:03Esquiabón marches south and you north, in the correct direction.
00:38:06Move, come on, come on, come on.
00:38:17Move, move, move.
00:38:47E sei tu sola
00:38:54Io ti cerco
00:38:59Ti invoco follemente
00:39:04Per dirti che ti amo appassionatamente
00:39:14Amapola, dolcissima Amapola
00:39:25La luce dei miei giorni
00:39:30Splende in te
00:39:35E fai fiorire
00:39:41La passione
00:39:47Come il suono della mia canzone
00:39:58E fai fiorire
00:40:04E fai fiorire
00:40:10E fai fiorire
00:40:18E fai fiorire
00:40:24Ti invoco follemente
00:40:29Per dirti che ti amo appassionatamente
00:40:37Let's go.
00:40:39Let's see if he's alive.
00:40:42Take it.
00:40:45Open some of these crates.
00:40:49Definitely a bootlegger.
00:40:51These crates must be full of gin.
00:41:00Mateo, oh Christ, Mateo.
00:41:04Captain O'Connor, what is it?
00:41:09I know this guy.
00:41:11He was called Mateo Esquiabón.
00:41:13He was a good man.
00:41:17These fucking crates are empty.
00:41:18They really got us this time, didn't they?
00:41:23Have you seen them, Mateo?
00:41:25They've fooled us all.
00:41:49Giovanni?
00:41:51Doña Carmen.
00:41:57Your husband...
00:42:05Wait a minute.
00:42:07I have to change.
00:42:09I have to change.
00:42:11I have to change.
00:42:13I have to change.
00:42:15I have to change.
00:42:16I have to change.
00:42:36Mr. Ferris, it's late.
00:42:38I'm leaving.
00:42:40Could you cancel the restaurant first?
00:42:43You're not even going to dinner?
00:42:44No, not even me.
00:42:48Thank you.
00:43:06Twenty-nine, twenty-nine and fifty.
00:43:15No.
00:43:17I don't even have enough for the funeral.
00:43:23And this?
00:43:26How much is it?
00:43:28More than twenty dollars, Mom.
00:43:30I was saving it for school,
00:43:32but you need it more for poor Esquiabón.
00:43:37Holy Virgin,
00:43:39how can a child who I had to buy him glasses from what he studies
00:43:42gather so much money?
00:43:44No, Mom, it's not what you think.
00:43:46It's all legal.
00:43:48I've earned it.
00:43:50How?
00:43:52At the pier, when the Italians arrive.
00:43:54I exchange money for them.
00:43:56You fool those people who are like us?
00:43:58Aren't you ashamed?
00:44:00But what have I taught you?
00:44:02Antonio almost finished high school
00:44:04and you've become a swindler.
00:44:06No, Mom, I'm not a swindler.
00:44:08In fact, I help poor immigrants.
00:44:10Mr. Ferris taught me.
00:44:12Then he also started out badly.
00:44:14But it ended well.
00:44:16I don't want this money,
00:44:18soaked in sweat and tears of all those poor people.
00:44:20I prefer to sell my eyes,
00:44:22which with you only serve me to cry.
00:44:25I'm going to sell it all to the house of Empeños, I'm leaving.
00:44:28Mom, why don't you go to the Jewish neighborhood?
00:44:32And what do you know?
00:44:34In the Jewish neighborhood they do good business.
00:44:36Look at the money, Caco.
00:44:38Save the money for college.
00:44:42I'm leaving.
00:44:57Sorry, pawn shop?
00:44:59In the corner, there.
00:45:01Thank you.
00:45:12Good morning.
00:45:16Good morning.
00:45:19I don't speak English.
00:45:22Don't worry, ma'am.
00:45:24You can speak in your language.
00:45:26Thank goodness.
00:45:28I'm from Naples.
00:45:30My grandfather was from Naples.
00:45:32I wanted to know how much this would cost me.
00:45:43It's gold of eight carats.
00:45:46And it's not good?
00:45:48Let's say it's not top quality.
00:45:50But let's weigh it.
00:45:54Can it be opened?
00:45:56There are two photographs inside it.
00:45:59If it stays, I would like to keep them.
00:46:01I have affection for them.
00:46:02Affection.
00:46:11Is there a problem?
00:46:22Come a moment, ma'am.
00:46:28Come in, come in.
00:46:30Are you worrying me?
00:46:32Come, sit down.
00:46:35Do I sit here?
00:46:37Sit here.
00:46:40I'll be right back.
00:46:43Hey, could it be that I've stolen?
00:46:47Lately, only misfortunes happen to me.
00:46:58Now, don't be scared.
00:46:59Don't be scared.
00:47:01You, calm down.
00:47:03I'm calm, but I'm worried.
00:47:05No.
00:47:13Mom.
00:47:17Mom.
00:47:19Mom, it's me, Mom.
00:47:21Maria.
00:47:23Are you Maria?
00:47:25My daughter.
00:47:27My daughter.
00:47:29Maria.
00:47:31Maria.
00:47:33It's me, Mom.
00:47:35How beautiful you are.
00:47:37How much I've searched for you.
00:47:40I knew you were alive.
00:47:42I knew it, I felt it in here.
00:47:44I told everyone.
00:47:46I told them, Maria is alive, Maria is alive.
00:47:48Because Maria is alive.
00:47:50I knew Maria was alive.
00:47:52My daughter.
00:47:54And this little one?
00:47:56He's our son, Salvatore.
00:47:59Salvatore.
00:48:04Salvatore.
00:48:08You've called him like your father.
00:48:13Now I have to sit down.
00:48:16He's my husband, Moses.
00:48:18A pleasure.
00:48:20Likewise.
00:48:21I told you we'd find her, didn't I?
00:48:23I told you.
00:48:25The truth is, she found us.
00:48:27Salvatore.
00:48:30My daughter.
00:48:34She's the grandmother.
00:48:43She gave this to me when we arrived.
00:48:47Mrs. Carmen,
00:48:48I'm sorry to have to question you
00:48:50right after the funeral of poor Schiavone,
00:48:52but we have to investigate.
00:48:54Don't worry, I understand.
00:48:57But I can tell you little.
00:49:00Because I didn't pay much attention
00:49:02to poor Schiavone.
00:49:05He was a good person,
00:49:07that's for sure.
00:49:09And I did wrong.
00:49:11Because he helped us a lot.
00:49:13And don't you think
00:49:15that now I could help you a little?
00:49:16And how?
00:49:18We have to find out who set you up.
00:49:21He told me he was doing things
00:49:23to get the business back
00:49:25and that he had sold the cart.
00:49:28He was probably doing someone a favor.
00:49:31But I don't know who.
00:49:33I only hear rumors.
00:49:35Matranga.
00:49:37The Black Hand.
00:49:39And what do you know about that?
00:49:41Only that he's also been killed.
00:49:42We could have stayed
00:49:44where we were.
00:49:46What's the difference
00:49:48between these bastards
00:49:50and the murderer of my poor Turi?
00:49:52The difference is that here
00:49:54we do our best to punish the murderers.
00:49:56I'm going to go against Matranga,
00:49:58his accomplices,
00:50:00and Guarino,
00:50:02the king of the distilleries.
00:50:04Mr. Ferry told me about that Guarino.
00:50:07I'm sure there's a connection
00:50:09between the two,
00:50:10trust me, Mrs. Carmen.
00:50:12We're on the right track.
00:50:14This time they have no escape.
00:50:19Let's hope so.
00:50:36Angela!
00:50:38Angela!
00:50:40Angelina!
00:50:51Angela!
00:50:53Ah, hello.
00:50:55What?
00:50:57Are you peeing on me?
00:50:59Come in, you're free now.
00:51:01I also gave him a little present.
00:51:03Anto, what did you think?
00:51:05That you were my boyfriend?
00:51:07I'm going with whoever I want.
00:51:10Me neither.
00:51:12I don't give a shit about you.
00:51:15Do you see this?
00:51:18Give it to me.
00:51:21This was for you.
00:51:23You're so stupid.
00:51:27Anto,
00:51:29we have to talk.
00:51:31Today at Esquiabón's funeral,
00:51:33what did Ardigo want from your mother?
00:51:35I have no idea.
00:51:37Esquiabón was set up
00:51:39and the police are doing their job.
00:51:41Come here.
00:51:43If you find out anything,
00:51:45tell me, okay?
00:51:47You're such a good boy.
00:51:49Yeah, yeah.
00:52:01He's good.
00:52:03I love his music.
00:52:05He's beautiful.
00:52:09Josephine,
00:52:11have you seen the Gaiteros?
00:52:13Over there.
00:52:15How nice.
00:52:17When is Dad coming?
00:52:19He's coming now.
00:52:21Then we'll go to Grandma's house for dinner.
00:52:27I can't believe it.
00:52:29If it wasn't for Esquiabón's death,
00:52:31I would never have found my María.
00:52:33And look at this.
00:52:35Look at what she has done to me.
00:52:36Alliances.
00:52:38One is mine,
00:52:40and the other is your father's.
00:52:42And Mrs. Carmel,
00:52:44we've been looking for you.
00:52:46We haven't stopped,
00:52:48but how did you change your last name?
00:52:50No, no, that was a mistake
00:52:52from the immigration office.
00:52:54Grandma is beautiful.
00:52:56Do you like Rocco's flute?
00:52:58Rocco will teach you all the songs.
00:53:00Grandma,
00:53:02I'm Grandma Carmela.
00:53:04How do you say Grandma in English?
00:53:06Grandmother.
00:53:08What?
00:53:10Grandmother.
00:53:12That's too long.
00:53:14Very, very long.
00:53:16I've learned a new religion.
00:53:18And you, Mom, will learn English.
00:53:26Is it true that you celebrate Christmas twice
00:53:28because you're a Jew now?
00:53:30Hanukkah is not like Christmas,
00:53:32but it's celebrated on the 24th.
00:53:34We've celebrated Hanukkah
00:53:36at lunchtime,
00:53:38and now we're here.
00:53:40But where's Antonio?
00:53:42We're about to sit down at the table.
00:53:44He went out to get a cake.
00:53:46He's always late.
00:53:48Come on, don't be silly.
00:53:50You'll see.
00:53:52Let's see when he comes back.
00:53:54Mom, are we expecting someone else?
00:53:56No.
00:53:58But weren't Conchita and the policeman coming?
00:54:00No, they're having dinner with their in-laws.
00:54:02Maybe it's a gift, Mom.
00:54:04A Christmas gift.
00:54:07What a surprise!
00:54:09Mrs. Carmela, I hope I'm not bothering you.
00:54:12You're never a bother.
00:54:14It's a pleasure to have you here. Come in.
00:54:16Thank you.
00:54:18I brought you a panettone.
00:54:20Do you know what it is?
00:54:22No.
00:54:24It's a sweet that's eaten at Christmas in my homeland,
00:54:26in northern Italy. Here.
00:54:28Thank you.
00:54:30Alfredo, here.
00:54:32I'll put the coat away.
00:54:34Thank you.
00:54:36You brought my daughter Maria.
00:54:38Yes, Alfredo told me.
00:54:40He invited me.
00:54:42Thank you, Alfredo.
00:54:44I'm very happy.
00:54:46It's clear that sometimes miracles do happen.
00:54:50Yes, if you believe in them.
00:54:55I'm very happy that you've come together.
00:54:57You have a beautiful family, Carmela.
00:54:59Family is important.
00:55:01Especially if you find the right person
00:55:05to be able to form it.
00:55:08But please come in.
00:55:10Come in, Mr. Ferri.
00:55:12Thank you.
00:55:31Giovanni Ardigo!
00:55:34Antonio!
00:55:53Antonio, if you talk to your mother and you're dead,
00:55:55do you understand? Shut up!
00:55:59Antonio.
00:56:01Antonio! It's Antonio!
00:56:02Stay with the girl. I'll be right back.
00:56:09Carmela, wait. Don't go away from me.
00:56:12Mom!
00:56:14Wait, come with me.
00:56:20No!
00:56:22Giovanni!
00:56:24No!
00:56:26No!
00:56:28Why?
00:56:32Antonio, my son.
00:56:34My son.
00:56:36You haven't seen anything.
00:56:38No, Mom.
00:56:40You haven't seen who shot?
00:56:42No, I arrived later.
00:56:44I haven't seen anything, Mom.
00:56:46You have to believe me.
00:56:48Carmela, there's nothing to see here.
00:56:50Let's go home.
00:56:52Let's go home.
00:56:54My husband was murdered.
00:56:56He was killed.
00:56:58Poor Ardigo.
00:57:00He was killed.
00:57:02He was killed.
00:57:17I almost forgot how beautiful our land is.
00:57:22He likes it, huh?
00:57:24And you want to go to New York?
00:57:26Are you sure you want to give up this paradise?
00:57:29For a bigger paradise, yes, cousin.
00:57:33But in America,
00:57:35I'm going to rule.
00:57:37I want you to know that.
00:57:39I'll keep everything.
00:57:41You're so beautiful.
00:57:43You have to be mine.
00:57:45Only mine, Carmela.
00:57:47No!
00:57:49Help!
00:57:53That depends only on you.
00:57:55And how willing you are to play, cousin.
00:57:58Because the stakes are high there, Vincenzo.
00:58:00The stakes are high, Vincenzo.
00:58:02Very high.
00:58:06Come on, your boss is here.
00:58:09Yes, but for a short time.
00:58:20Sooner or later, all this will be mine.
00:58:24Baron, at your service.
00:58:30At your service, Baron.
00:59:00¶¶
00:59:30¶¶
01:00:00¶¶
01:00:30¶¶
01:01:00¶¶
01:01:30¶¶