La promesa - Temporada 3 - Ep 389
La promesa - Temporada 3 - Ep 389
Category
📺
TVTranscript
00:00This is for you.
00:15These are some Portuguese sweets.
00:18They're called belém cakes.
00:20Who is this recipe from?
00:22From Lopilla?
00:23It's a traditional sweet from our neighbouring country.
00:26You know Bruna?
00:28The Portuguese woman who lives in Lujan.
00:30She's a very good person.
00:32And how do you make this?
00:34This looks like puff pastry.
00:36That's right, puff pastry filled with pastry cream.
00:39But we don't have a pastry board.
00:42To take advantage of the leftovers, Candela.
00:44Useful kitchen.
00:46You say that if I give you food, that's a mortal sin.
00:49Besides, pastry cream and pastry boards
00:51have milk, sugar, egg yolk...
00:53Who's going to notice the difference?
00:55López, for example.
00:57What have you given me?
00:59This sweet is a flag.
01:03Then give me one.
01:05How are you, daughter?
01:07Well, I hope today is better than yesterday.
01:11It ended like the rosary of the hour.
01:13What happened to you?
01:15At the last hour of the afternoon,
01:17Mrs. Petra sent me to her office.
01:19This woman doesn't get tired
01:22when it comes to making puff pastry.
01:24I think she apologized to Mr. Pellicer yesterday.
01:27For a moment I thought she had relaxed.
01:29She's always willing to upset people.
01:32And what did Marimandra Joss tell you?
01:34Well, our dear keymaker
01:36wasn't very happy with how she had cleaned the stairs.
01:40What nonsense is that? They are very clean.
01:42Well, according to her, she hadn't made them shine
01:44and they were all ruffled.
01:46Did she tell you that word?
01:48She is ruffled every day.
01:50Whatever Petra tells you,
01:52it comes out the other way.
01:53I know.
01:55But I just did the opposite.
01:57I couldn't take it anymore
01:59and I ended up letting go of what I think of her.
02:02God bless you.
02:04Everything?
02:05Well, I don't know if everything,
02:06but of course, a lot.
02:07The truth of the boatman, come on.
02:09And what did she tell you?
02:11That she wasn't going to give me explanations,
02:13because in the short time I have left in the promise ...
02:16Will it be bad and harmful?
02:19Well, I'd better shut up,
02:20because if not, they're going to take me to hell.
02:22But did she say that to annoy you
02:24or is she aware of everything?
02:26Well, I don't know how,
02:27but she found out about my intentions
02:29to go to work at the nurse's house.
02:31What a snitch.
02:32Well, I can imagine.
02:33Who could have heard her with the story?
02:35That's the least of it.
02:36Candela, the important thing is that she is now prevented
02:38and I think she is able to leave me on the street
02:40before she can go to work with the priest.
02:42No, she can't do that.
02:44Yes, she can.
02:45It's Petra.
02:46The girl is right.
02:48Power?
02:49I don't know if she's going to be able to.
02:51But she won't need money.
02:53Mr. Baeza is not going to allow it.
02:55Don't worry, daughter.
02:57I'm afraid of losing my house,
02:59losing my job,
03:01losing the money my in-laws demand of me
03:03and, of course, losing my child.
03:05That's not going to happen, okay?
03:07Look, daughter,
03:08even the darkest day has its ray of sun.
03:13That's very nice, mother.
03:15And a truth like a temple.
03:17Yesterday, Salvador and Hanna
03:19thought that,
03:21among all of us at the service,
03:23we could raise the money your in-laws demand of you.
03:27But how are you going to do that?
03:30Well, putting everything on the line.
03:32And it's not the first time, huh?
03:34We did it a long time ago
03:35for Salvador's eye surgery.
03:38But Salvador is Salvador
03:39and I just got here, who says?
03:41No, you've been here longer
03:43than Salvador when we paid for his eye.
03:47You've been one of us for a long time.
03:51And on top of that, you're Simona's daughter.
03:53Your mother and I love her very much,
03:55and so do you.
03:56Are you serious?
03:59God bless us, you're the most beautiful thing there is.
04:01Well, you and all the service of La Promesa.
04:17¿Se puede saber a qué demonios se está jugando, Ignacio?
04:21¿A qué vino el numerito que montaste anoche?
04:23¿Qué pasa, Petra? ¿No te gustan los retos?
04:26¿Tú eres consciente de lo que te podría haber pasado
04:29si yo llego a hablar?
04:31¿Tú eres consciente de lo que te puede pasar a ti?
04:34Trinidad, dejáis de suberlimpiar los cuartos.
04:37Que no se van a limpiar solos.
04:38¿Vamos?
04:41Sí, señor Conde.
04:42Tendré en cuenta sus instrucciones para el regreso.
04:45Te lo dije.
04:47Sabía que la relación entre tú y Cruz
04:49no anda en su mejor momento y que no hablarías.
04:53Yo que tú vigilaría.
04:56Pues que mi relación con la marquesa
04:57volverá a ser lo que era.
04:59Te lo aseguro.
05:01Eso ya lo has hablado.
05:03Deja de humillarte.
05:05Hagas lo que quieras.
05:08Te va a perjudicar más a ti que a mí.
05:10No me intimidas.
05:12Ni siquiera me asustas, Petra.
05:14Además, los dos sabemos perfectamente
05:16que te importa un pledo lo que le pase a Martina.
05:20No arriesgarás ni un pelo por ayudarla.
05:23Puede que tengas razón.
05:26Y que la señorita Martina no sea santa de mi devoción.
05:29Y hasta que crea que un poco de disciplina le vendría bien.
05:33Pero no dejo de pensar que es una mujer joven.
05:36Con toda la vida por delante.
05:38Llena de sueños.
05:41Y eso hace que me sea más fácil ponerme en su lugar.
05:46¿Tú poniéndote en el lugar de otra persona?
05:53Ponme a por Eva Ignacio.
05:56Si la señorita Martina no vuelve en un tiempo prudente,
05:59yo hablaré y contaré todo lo que sé.
06:03Porque ya me dan igual las consecuencias.
06:29Señorita.
06:44Tome.
06:47Espero que nadie lo eche en falta,
06:49pero he pensado que le gustaría saber qué pasa en el mundo.
06:52Gracias, Hanna.
06:53Es bueno saber lo que pasa fuera de estas cuatro paredes.
06:56Bueno, es que estando aquí encerrada, pues...
06:58Bueno, encerrada por voluntad propia, te lo recuerdo.
07:01En cualquier caso me apetecía saber lo que pasaba en las noticias.
07:04Discúlpame si la he violentado con el tema.
07:07Es que me da un poco de pena que haya vuelto a estar aquí.
07:11Bueno, fui para investigar.
07:14Para evitar que encerraran a mi prima, pero he fracasado.
07:17Mi instancia en la promesa ya no tiene ningún sentido.
07:20Me da pena por vosotros.
07:22El servicio...
07:24No, no tengo nada que reprocharos.
07:26Entonces supongo que, por descarte, se lo tiene que reprochar a su familia.
07:31Así es.
07:33Y hay un miembro en particular que monopoliza la mayoría de mis reproches.
07:37Déjeme adivinar.
07:39Su madrastra.
07:40No era una adivinanza muy difícil, ¿no?
07:44Bueno, pero aún así me da pena que por ella deje de ver a los demás.
07:47Mucho me temo que no hay nada que hacerlo al respecto.
07:51La situación ha llegado a un punto en el que cuanto menos nos crucemos la una con la otra, mucho mejor para todos.
07:56En fin...
07:58¿Cómo están las cosas por el palacio?
08:01¿Se sabe algo de mi prima?
08:03Pues no, por ahora no. No hay noticias del sanatorio.
08:05Al menos que yo sepa, claro.
08:07Es horrible.
08:09Injusto.
08:11Lo sé, y tienes razón, pero...
08:13Por lo menos doña Margarita dice que aquello es precioso.
08:16Y que ya está recibiendo todo tipo de atenciones.
08:19I see.
08:20Yes, that's what they say.
08:22But it's a shame that we can't check it ourselves.
08:25Anyway, apparently they are very strict with visits and they don't allow them until several weeks have elapsed since her arrest.
08:32And that doesn't inspire confidence in me either.
08:34But on this matter we can't do anything either.
08:37Especially if there is no one investigating what happened.
08:40Well, you were doing it until you came back to the hangar.
08:44And there is nothing. I assure you.
08:47But I am convinced that my cousin is innocent.
08:50We all know that she didn't do anything.
08:52And I wish we could prove it.
08:56Well, I'll let you read the newspaper.
08:58I'll clean around there if you like.
09:00Thanks for everything, Hanna.
09:18Hanna?
09:21What's going on?
09:33My God.
09:47What a kitchen, yes.
09:49I ordered them to prepare a stew for Mr. Márquez.
09:52He read a piece of news in the newspaper and left him completely upset.
09:59Mr. Pellicer.
10:00Mr. Baeza.
10:01I just wanted to ask you how everything is going.
10:04Has he fully adapted to the routines of La Promesa?
10:07I think if it hadn't been like that, I would have already kicked the bucket.
10:10Yeah.
10:13Mr. Baeza, I have you because of a man who speaks clearly.
10:15And that's why I think he wants to talk to me about a matter that he doesn't dare to address.
10:19You are right, Mr. Pellicer.
10:22And I don't know why, but I also have the impression that someone has come to me with the story
10:26about an incident in which Vera is involved.
10:29Well, you're right again.
10:31And who has been the kind informant to whom I have to thank for such a disinterested gesture?
10:36My father?
10:38Maybe López.
10:39That's the least of it.
10:41I've been at La Promesa's service for many years and, well,
10:44I've found a way to have eyes and ears in every corner.
10:48I understand.
10:49Now it's been both of them.
10:51Look, I'm going to be direct.
10:53Do you want to tell me your version of this matter?
10:57The truth is no.
10:58I already told my whole father with hair and signs and he took the matter lightly.
11:02Okay, well, nothing.
11:03Case closed.
11:05Before you go, I would like you to remember something.
11:12Do you remember why you are here?
11:14Excuse me?
11:15Do you know who made you call La Promesa here?
11:19Yes, I think it was a commitment of his.
11:22Exactly.
11:23And not everyone agreed.
11:26And have you ever wondered why I did it?
11:30Look, if I wanted to have you here at La Promesa,
11:34it was because I always believed that you were a young man with great potential.
11:39And I thank you for your trust.
11:41No, don't thank me with words, but give me back the trust that I placed in you.
11:47Of course, of course.
11:49What do I have to do to ...?
11:50Well, what you have to do is take advantage of the opportunities that life gives you
11:55and continue with that drive and that courage that characterizes you.
11:58But without forgetting that the path to follow is probably not the easiest.
12:04Mr. Baeza warned me to be a little clearer.
12:07Few words are enough for a good understander.
12:10And you are better than good, Mr. Pellicer.
12:13If so far I have wanted to convey my trust in your worth,
12:17know that this can change at any time.
12:21I will do my best because that does not happen.
12:23Focus on avoiding conflict and disagreement.
12:27Disagreement?
12:28Yes, with the rest of the service.
12:31With Mr. Ruiz, with his father and even with Miss González.
12:37Did I explain myself well?
12:40I think so.
12:42Because otherwise I would be forced to disregard your services.
12:46And that is something that neither you nor I want, right?
12:50Of course not.
12:53No.
12:59The explosions not only affected the center of cities like Nancy,
13:03causing hundreds of civilian victims, but also the surrounding forests,
13:08where the battalions deployed have registered the highest number of casualties
13:12since the beginning of the contest.
13:14My God.
13:16And in those forests is Manuel.
13:18From there he wrote the letter, the last one that arrived.
13:22Red Cruz, that region is as extensive as the entire province of Córdoba.
13:26It is most likely that neither Manuel nor Curro have been affected by that bombing.
13:30You can't bomb an entire province, right?
13:32Of course not.
13:37I have the feeling that this news is only the confirmation of all my feelings.
13:41Hence so many nightmares and bad omens.
13:44Red Cruz, please, don't draw conclusions that have no logic.
13:48But I saw it, María Antonia.
13:50I saw my son in danger, I saw him drown in the rough waters of a river.
13:54But we already talked about it yesterday, Cruz.
13:57There are a thousand reasons that can cause those nightmares.
13:59Do you think that this is consolation for me?
14:01The image was very real, María Antonia, very vivid.
14:04My son was dying before my eyes and I couldn't do anything to help him.
14:08Leave it Cruz, please.
14:10Manuel will be fine, you'll see.
14:12This is a premonition.
14:14My son is really needing my help right now.
14:17Be reasonable, please.
14:20You can't spend the day entangled in such funest thoughts.
14:23Come on, we're going for a walk and get some fresh air.
14:26Now?
14:28Why not? It's a great day.
14:29No, no.
14:30The other day I went out and a wasp bit me.
14:32You're going to stop walking as soon as the wasps bite you.
14:34I told you no, please.
14:38Forgive me.
14:41I'm very distressed, I don't feel like doing anything.
14:44This situation is getting out of hand.
14:46But Cruz, I have a bad feeling that something bad is going to happen.
14:50If it hasn't already.
15:00I don't understand.
15:01They wanted to have a fun time with us.
15:03Instead of being at the game, they were arguing all the time.
15:07The wasp and the wasp.
15:08And we play without money?
15:10That bad guy has a very bad mood.
15:12Very bad, but yes.
15:14Yeah, but he pays for it with his girlfriend.
15:16That's another thing I'll never understand.
15:18That they're together, those two.
15:19Come on, love is blind.
15:21But not stupid.
15:23No, it doesn't apply.
15:25And all the time they've been together, I've never seen them have a fun time.
15:28Like the ones you and I have, for example.
15:31Well, to have a fun time like ours, you have to love each other a lot.
15:35Salvador, I don't mean that.
15:37We're always thinking about the same thing.
15:41I don't know what they're going to do in their intimacy, I don't care.
15:45I just have a knot in my stomach that tells me something weird is going on.
15:51And especially with the wasp.
15:53Well, something weird is going on.
15:55I can't get my head off the face of the wasp the day the wasp came.
16:00Yeah, it didn't seem like they were having a great time.
16:03No, they looked at us as if we were a lamb about to take it to the slaughterhouse.
16:07Come on, as if they were looking at their wasp from afar with a knife in their hand.
16:11Now that you mention it, Maria, I have to tell you something.
16:15I talked to Lope and ...
16:17Salvador, I was looking for you.
16:20Do you need help with any task?
16:22What I need is to thank you.
16:25Well, you and everyone else.
16:27Thank me for what?
16:29Because this morning my mother and Candela told me about the crutch that was made for your operation.
16:34And that you are going to repeat the same thing to get the 550 pesetas and get my son back.
16:40Yes, well, the truth is that it was more Hanna's initiative, but I have also put my grain of sand.
16:46Well, and we're all going to put it.
16:48Even fill a desert if you do. Come here.
16:51What a good idea, Salvador, if you have a golden heart.
16:54It's not that much.
16:56If we manage to get the eye surgery, what less than to gather quarters to bring your creature, right?
17:01And how nice they left it. Look at it, identical.
17:05What is clear is that together we can do anything.
17:08That's it.
17:10Thank you.
17:12From the bottom of my heart.
17:15I don't know, you're going to get excited and you're going to shed a tear.
17:19It makes me so excited to think that I can get my Adolfito back.
17:24Although I prefer to be cautious, that something always arises that complicates everything.
17:31No, you're going to get it. You just have to believe.
17:35You're right, Maria.
17:38I have to make an effort and start seeing life in a different way.
17:41More positive.
17:43Of course, even if it's just to be up to our level.
17:57550 pesetas is not a piece of cake.
18:00No, but it won't be hard for us to try.
18:03I'm going to be a hurricane.
18:05A coin that shines, a coin that hits the target.
18:19The press is talking about an intense bombing, but it doesn't specify the specific areas.
18:24And even if it did, I wouldn't be sure of anything.
18:28That's how it is. There's no way to know if my brother and my cousin are okay or not.
18:33I see.
18:36Do you know when the bombing was?
18:39Yesterday.
18:41So it's too soon to know about them.
18:46I'm sorry, Catalina.
18:49It must be hell to live with that uncertainty.
18:54And I would like to be able to help you.
18:58No one can do anything to get Manuel back to work.
19:04Maybe there is something that can be done.
19:07What?
19:08I could entertain you.
19:11Or try to do it.
19:14I know some sayings and my father taught me a song from a tavern that is not very smooth.
19:21I'm sorry, I just wanted to help you. I'm a jerk.
19:25Thank you for trying.
19:27But hey, tell me something about you that I haven't stopped talking about since you arrived.
19:32I don't know, the only thing I can tell you is that I'm pretty exhausted.
19:36I never imagined that my father's business would involve so much work.
19:40I remember when I was a kid that he got up at dawn and went to bed shortly after sunset.
19:44And not a day did he complain.
19:46And now you arrive ...
19:47And I'm crying like a baby on the first shift.
19:50Come on, I deserve all the stones that Rando finds me.
19:54You'll get used to it.
19:58And the work will be more bearable.
20:01I hope that one day I can take things more calmly.
20:04Even face new projects.
20:08Like the songs from the tavern?
20:12No, I meant something more fruitful.
20:17Like ...
20:19Restarting your jam business.
20:22Let's see, I know you don't aspire to so much, but you could be one of its fruit suppliers.
20:27Man, you have plenty of fruit trees.
20:29That's right.
20:30You know what?
20:32I'm curious to know how your company started.
20:35Well, it all started with the talent of one of the servants of La Promesa, López.
20:41A lackey who didn't stand out as a lackey, but he has a gift for the kitchen.
20:45And he made the first jams?
20:48That's right.
20:49Although saying that it was all thanks to him would not be fair.
20:52He contributed to the innovation, but without the good work of Simona and Candela,
20:56making the jams would have been impossible.
20:59I suppose you would also do your part.
21:02And then there is how much the women of Lujan helped.
21:05Although I suppose you are aware, a company is a collective task.
21:20Close the door and sit down, Santos.
21:30Thank you very much for coming so quickly to my call.
21:34I had no choice, given that another rapist was waiting for me.
21:38In this case you are wrong, Raúl.
21:40I'm not trying to pick a fight or anything like that.
21:44In fact, I would love for us to leave all that behind.
21:50Like this? Without more?
21:52Yes, and I know it won't be easy.
21:55But if we could start over, at least in this palace,
22:00nothing would make me happier than for you to stop seeing me as an enemy.
22:07I don't see you as an enemy, father.
22:10I understand that from time to time you have to keep up with me.
22:14After all, he is my superior and I suppose that goes implicitly with the position.
22:18Do you really understand that?
22:21Neva, Ronto, it shouldn't be easy.
22:25Well, no.
22:27No, it's not.
22:29It's very difficult for me to separate my feelings towards you.
22:32And to forget that, above all, we are father and son.
22:35There is something that I have never told you.
22:41Because I didn't dare to share it with you.
22:44It's about your grandfather, my father.
22:46No, I've never talked about him.
22:49You didn't get to meet him.
22:51And how was he?
22:52Well, he was a person with iron principles.
22:59Obsessed with hard work.
23:02And very marked by the bitter experiences he had in his youth.
23:05I understand that it was in other times.
23:07And that's why he was so determined to instill those values in me.
23:11But our relationship was ...
23:18complicated.
23:21I didn't know.
23:22Well, that's how it was.
23:23I was not in favor of following his dictation.
23:27I wanted him to continue working in the family farm.
23:32A farm?
23:34Yes, I didn't want to work the land or milk cows.
23:39If it's good for you, I don't imagine it's good for my father either.
23:42As long as I can remember,
23:44my dream has always been to work for a price like this, serving great men.
23:49And your father opposed it.
23:51He didn't understand that I preferred to work for others,
23:56having a farm on my property to get ahead.
24:00And that's why we argued.
24:03We talked about a strong argument.
24:06Yes.
24:07Yes, so strong that I ended up leaving forever.
24:10And I left with one hand in front and the other behind.
24:14I never imagined, father, that I could be rebellious and rebellious.
24:19It has always been so ... correct.
24:23Well, you see.
24:25So I went to Cordoba.
24:27And soon after, I started working on what I wanted.
24:31Serving?
24:33Yes.
24:35I was always tenacious and persevering, like you are.
24:38And that's why I've always done well from the beginning.
24:41And thanks to that, where are you now?
24:44Well, the ...
24:48The thing is that ...
24:51Being away from home,
24:54there I understood that, despite our differences,
24:59my ...
25:02My father always ...
25:04He always wanted the best for me.
25:09So, some time later, I tried ...
25:13I tried to find him to reconcile us.
25:18And could you make peace?
25:21A moment.
25:23No, I can't.
25:25He ... He had passed away.
25:28And ... And I didn't know.
25:33I could never thank him for all the values he instilled in me.
25:40How sorry, father.
25:44And I don't want that to happen to me with my son.
25:50I'm sorry.
25:56I guess Cruz is very affected.
25:58Me too.
26:00How should you be? After all, it is our children who are in danger.
26:05I prefer to think that they are at the front carrying out a heroic gesture.
26:10It seems that this bombing has been a massacre.
26:13What do you think, as a soldier?
26:15No matter how much experience you have, it is difficult to shed some light on this matter,
26:19only from the information of the newspapers.
26:23And do you have more data?
26:25Silence.
26:27Although judging by the ammunition used by German aviation,
26:31I intuit that the consequences have been devastating.
26:36I feared it.
26:38Although I also tell you that it takes many horses to destroy the forests of Alsace and Lorena.
26:43But a single projectile to end the lives of our children.
26:49Not knowing anything else makes me feel very powerless.
26:53Couldn't you find out something?
26:55Let's do one thing.
26:57I'm going to put you in contact with the superior I had dinner with the other night.
27:01Maybe when he notices your desperation, he will come to tell you something else.
27:05Yes, give me the signs. I'll call him.
27:08And do we know anything about Martina?
27:11No.
27:13I hope her stay in that sanatorium is less regrettable than Cruz says.
27:18She, better than anyone, should know that those places are not as terrible as they seem.
27:23Maybe I should take notes on the matter.
27:26Do you also want to know my opinion?
27:28No. But you're going to give it to me anyway.
27:31You see, as I see it, one has to breastfeed with what he does.
27:36And that girl has tried to poison Ayala.
27:39I'm here to prove it.
27:40Whatever you say.
27:41Whether it is proven or not, what is true is that Ayala was right to say that
27:45that place is much better for Martina than jail.
27:48Any place is better than jail.
27:51Better than the French front?
27:54Not everything is black or white, Alonso.
27:56At this point, you should know.
27:59Fuck.
28:06So much effort trying to get that business going and you put it in the hands of that captain
28:12who, from what I see, doesn't trust a bit of him.
28:15That's right. Things are like this, Adriano, but I prefer to leave it be.
28:20I don't want to stir it up anymore.
28:23As he did with the management of his farm, which you used to take care of, right?
28:29Yes, as you said, that was before.
28:33Past water does not move mills, as the saying goes.
28:36That's right.
28:38But he also says that the waters return to their course.
28:42And in his case, it seems inevitable.
28:45What do you mean?
28:48Well, sooner or later he will be in charge of the management of his farm
28:52as well as the marmalade business.
28:55Now I see it complicated.
28:59Oh my God, I think I'm a little late.
29:03I'm sorry to have entertained you. I just wanted you to take a book to read.
29:07A book? You know that books and I are not good friends.
29:12Well, it's time for you to start doing them.
29:15Any recommendation?
29:17Do you intend to fill the whole hangar with books?
29:22I don't like all the books I brought on my last visit to the palace.
29:26I don't know how to keep them like this, but the shelf has broken and I don't know where to put them.
29:30So, I insist, take one.
29:33If I can think of something better, let me set up a shelf.
29:37You have so little desire to read that you prefer to set up a shelf?
29:41It will be more practical. Let me do it. It's my way of helping you.
29:46Okay.
29:48You'll see how I do it in a moment.
29:50And in the meantime, you can keep telling me things.
29:53Well, go ahead if you think I'm going to let you do it alone.
30:04As I told you, Santos was very cordial and willing to start over.
30:10Without so much friction.
30:12But that's great news, Ricardo. I'm very happy for you.
30:16Yes, of course. But the funny thing is that I had already tried to get close to him many times.
30:21And I had never succeeded. What could have changed in his attitude?
30:24What else? Today was the day and that's it.
30:27Yeah, but I don't quite understand why.
30:30Well, I don't know. Did you tell him something that made him reconsider?
30:33I told him about my father. I had never told him about him before.
30:37And I told him about all our differences and how things ended.
30:42It must have been that. For the first time, he put himself in your shoes.
30:45And he understood that it is not easy to be a son, but it is not easy to be a father either.
30:49Much less to be welcome.
30:52Yes, I think so. I think for the first time he looked at me in a different way.
30:59And that smile?
31:01Nothing, I'm happy for you.
31:03Well, it seems to me that you have surprised yourself quite a bit.
31:06Considering how Santos always makes me difficult things.
31:09Well, it's a matter of time for him to fix your differences.
31:13Well, it doesn't always happen. My father and I are not far away.
31:15For me, that would be fine.
31:17Well, but the fact that he listened to me without interrupting me, scares me.
31:22You don't have anything to do with it, do you?
31:24Me?
31:25Have you talked to him?
31:26Not at all, at all.
31:27This desire to deny it makes you suspicious, doesn't it?
31:30No.
31:31It's over, Ramos.
31:33It seems to me that I have just caught the impeccable Romulo Baeza in a lie.
31:40Come on, confess it. Have you talked to him?
31:42The only thing I told you was that I had to soften things with the service, including you.
31:47Despite the fact that I asked you, I would take care of it.
31:51Thank you very much, Romulo. You are a very good friend.
31:54Now the important thing is that we recover that good boy who is under that armor of pride.
32:24Thank you for waiting for me with the lights on, Hanna.
32:35If I don't pee before going to bed ...
32:38I know.
32:41And what's wrong with you? I already feel sad.
32:45I'm tired.
32:48Because of the news of the bombing in Sasia and Loretta, right?
32:53The truth is that it has me with my soul in my belly.
32:55The newspaper has said that ... that it was an authentic caricature, so ...
33:02How eager to scare people.
33:04Couldn't they put more beautiful news in the newspapers?
33:08Well, it must have been terrible, really.
33:11All wars are, Hanna.
33:13But don't get into the worst of it, I'm sure Manuel and Mr. Itocurren won't be there.
33:17Maybe yes.
33:19Because the last time I wrote a letter to Manuel, he came from that area.
33:24Well, don't be so dramatic, because if I don't turn off the light and we both go to sleep.
33:28If you dare to turn off the light, I don't want to close my eyes.
33:30In the end I'm going to end up imagining horrible things.
33:33Do you know what I'm going to do? I'm going to go down to the kitchen for a glass of milk.
33:37They say it's Santa's hand.
33:39You shut up and obey.
33:41Because you'll agree with me that you can't spend the whole night in the candlelight.
33:44No.
33:46Well, then you stay here quiet and I'll be right back with the glass of milk.
34:09And have you managed to find out anything about what I told you?
34:18That's right.
34:20And well?
34:23You're right.
34:25Really?
34:28I went to the town of Pia and visited the cemetery.
34:34His grave had the earth removed.
34:37Pia?
34:39I waited for it to get dark to make the relevant checks.
34:44Please, this is his grave.
34:48No, Mrs. Narcos, I didn't dig any grave.
34:53Because when I opened the coffin ...
34:57it was empty.
34:58No.
34:59Jesus, Mary and Joseph.
35:03Yes.
35:04For being extravagant, everything indicates that you were right.
35:10Pia lives.
35:13And she will be hidden somewhere near here, probably taking care of that intruder Hanna.
35:21And what do you plan to do now?
35:24Follow that maid, of course.
35:27Find out where she goes when she leaves the palace and give her my wife's whereabouts.
35:33For that I need your help.
35:35Count on it.
35:36No.
35:38I have already begun to do my part.
35:40What do you mean?
35:42Well, yesterday I apologized to everyone for my attitude lately.
35:48But as you will understand, I only intended to lower the guard.
35:51It seems to me that I was right.
35:54I need you to be my eyes and my ears in the promise.
35:59Count on them, Mr. Castillo.
36:02But now leave.
36:03It is convenient that no one sees you around here.
36:06Yes.
36:24Hanna.
36:28Hanna.
36:29What are you doing, Maria?
36:30Don't you see that you are not letting me sleep quietly?
36:32What surprised Petra on the garden stairs?
36:35Talking to Gregorio.
36:37What? Gregorio is here?
36:39Yes, I saw it with my own eyes. They were talking in the dark.
36:41And those two can't get any closer.
36:44But where are you going in such a hurry?
36:45To talk to Don Ramulo.
36:47But are you crazy until now?
36:49Maria, there is no time to lose. This is very serious.
36:51I'm coming.
36:57It will hardly be an escape.
36:59A few days away from the promise, away from all this noise.
37:02I don't know if it's appropriate, Ignacio.
37:05I think that after everything that has happened, you and I deserve it.
37:08I just don't feel like going on a leisure trip when my daughter is hospitalized in a sanatorium.
37:13Precisely.
37:15This trip is to compensate you for so much suffering.
37:18Oh yeah? And who compensates her?
37:21You know she can't receive visitors the first few weeks.
37:24Your suffering does not help her at all.
37:27Let's go far away.
37:28We recover energies. You will need them when they finally let you visit her.
37:33I don't know, maybe you're right.
37:36It's just that this topic is driving me crazy.
37:39It will be wonderful for you. You'll see.
37:41Let's go to the coast, near the sea.
37:44Well, it may be fine, yes.
37:46I have some friends, the men of Escañuela, Don Antonio and Doña Bárbara.
37:50They have a palace in Sanlúcar de Barrameda.
37:53I have no taste.
37:54I have no taste.
37:56They are a charm. They recently wrote to me and invited me to spend a few days with them.
38:00It's not far away. What do you think?
38:04I don't know, Ignacio. I have doubts about this whole thing.
38:08Cruz.
38:09Good evening.
38:10What are you doing up so late? We were sleeping at this time.
38:14I can't sleep with you.
38:16I suspect you neither.
38:18You have to rest, dear.
38:20I prefer to be up. I refuse to go around in bed.
38:23Do you want us to make you a herbal tea? Maybe that way you can get some sleep.
38:26No, you don't understand, Ignacio. I don't want to sleep.
38:29For nothing in the world I would like to have one of those nightmares again.
38:33Well, then stay with us.
38:41What were you talking about?
38:43Nothing important. We were making plans.
38:46What kind of plans?
38:47Not much, given the current circumstances with Martina, who has just been admitted.
38:51Have you heard anything else from her?
38:53No.
38:55The truth is, no.
38:57We can't be calling day in and day out.
39:00I already told you.
39:02Until a few days pass and the doctors see how she adapts, they won't be able to tell us anything.
39:06This is another issue that doesn't allow me to continue the dream.
39:10There were no forms.
39:12You took her from here, from the palace, at midnight, and to Hurtadillas.
39:15Without even allowing me to do anything about it.
39:18You shouldn't have done anything, Cruz.
39:20Oh, no? Not even say goodbye to her?
39:22We did the right thing.
39:24You acted without heart and with a lot of selfishness. That's the truth.
39:28Well, enough. I'm a little fed up with so much hypocrisy.
39:31You're a lynx looking at the straw in someone else's eye and not looking at the beam in Cruz's own eye.
39:35Don't talk to me in that tone.
39:37Well, as I've been told, you did exactly the same with your sister Eugenia on the last visit.
39:41You took her out of the palace, to Hurtadillas, in the middle of the night, without letting her say goodbye to her son.
39:46My poor sister has a real disorder.
39:49She has no point of comparison.
39:51That doesn't justify how you behaved.
39:53Well, in our defense, I would say that we follow the recommendations of the specialists.
39:57They advised us to spare Martina the disgust of saying goodbye to her family.
40:01Exactly.
40:03Nothing to do with depriving Curro of a deserved farewell from his mother.
40:06Well, enough. And stop mentioning my Curro.
40:08That spoiled brat.
40:10There's no right for you to talk about him like that.
40:12No, yes, yes, I have the right. And do you know why?
40:15Because if it weren't because that capricious man was put between eyebrows and eyebrows to go to the front,
40:19right now my son would be in La Promesa, safe and sound.
40:33How has Mr. Castillo been in La Promesa?
40:36María Fernández saw him.
40:38When?
40:40A moment ago, he went down to the service platform for a glass of milk and saw him talking to Mrs. Petra,
40:44who was on the stairs leading to the garden.
40:46María Fernández is completely sure that it was him.
40:50She couldn't have confused him with the...
40:52It was him, Mr. Baeza, it was him.
40:54And I think we should wake everyone up to see if they catch him.
40:56No.
40:58I'm sure he's already left.
41:00The same as he came in.
41:01The only thing we're going to get is to give Mr. Arco a warning.
41:04Yes.
41:06Now I understand about his apologies.
41:08If he asked for forgiveness, it was to lower the guard.
41:11That's right, that's right.
41:13And we've got it.
41:15That man has entered a palace, it shows how exposed we are.
41:17But what are we going to do?
41:19Because it is clear that we have to continue bringing him food and supplies to Mrs. Pia.
41:23That is out of the question.
41:25Yes.
41:27But Mrs. Petra is watching us.
41:28And now we know who is going to tell her anything if she finds out something.
41:31We will have to be extremely careful if we are in a jail.
41:36They also have their point of view on me.
41:38And in fact, I'm convinced that Gregorio knows about my whereabouts, so ...
41:42Yes, of course.
41:44You are in grave danger.
41:46That man may be on the lookout to follow you next time.
41:49You don't have to go back to that cave.
41:52No, no, no, no.
41:54Because you are not only putting yourself in danger, you are also putting Mrs. Pia in danger.
41:59And then what is he going to take and supply?
42:02I don't know.
42:04Well, we have to think about it quickly.
42:06Because we are thinking too much about the agreement and Mrs. Pia has neither water nor food.
42:09You are absolutely right.
42:11What are we going to do?
42:13For a moment, take a deep breath and relax.
42:16It is clear that this man is not going to do anything tonight.
42:19It is true that we have to act in haste, but it is essential to do things cautiously.
42:24Tonight I will reflect, tomorrow we will talk.
42:26Come on.
42:52Lope.
42:54Good morning.
42:56Good morning.
42:58Can I steal your moment?
43:00Sure, what do you need?
43:02I haven't been able to get my head out of the conversation we had.
43:07And I have come to the conclusion that you are right.
43:10All the reason.
43:12That I can't go on like this and that I have to face Santos.
43:16Are you serious?
43:19I have been naive not to want to face him and I can't delay it any longer.
43:24I agree.
43:26I have to stop.
43:28Because if not, all this will go further and I will end up going crazy.
43:33So I have decided that I will try to solve all this for good.
43:40And if Santos does not agree?
43:43Well, he will have to accept my decision.
43:46And if he doesn't, Vera?
43:48And if he decides to reveal the secret of your past, what?
43:50Well then I will have to assume the consequences.
43:53If only you told me what it was about.
43:58Lope, I appreciate that you have supported me so far without knowing it and at the moment I prefer it to continue like this.
44:05Okay.
44:07As you prefer.
44:10You know you have me for what you need.
44:13You know that, right?
44:15I know.
44:21I am glad of that decision you are making with respect to Santos.
44:25You are being very brave, Vera.
44:28I am really very proud of you.
44:32Well ...
44:34I wouldn't have achieved all this if it weren't for your help.
44:39In fact, I haven't achieved anything yet.
44:43But you will.
44:46You will see.
44:51And ...
44:53If you want ...
44:55After I solve all this ...
44:59We can get back what was between us.
45:03Of course.
45:07Because I need you to breathe, Vera.
45:13But I'm very afraid.
45:20I'm with you.
45:41So you didn't have isolator problems then?
45:44I'm telling you no.
45:46Come on, the eyes were beating when they saw the bear's pussy.
45:48You don't know how much I appreciate it.
45:50It's been a pleasure helping you, friend.
45:52You can't imagine how happy I am to know
45:54that letter is on its way. Thank you so much.
45:56It's only a matter of time before it reaches its destination.
45:59Well, now, with all this war,
46:01things are going slower than usual, but...
46:03But it will get there. You'll see.
46:06That's what matters.
46:08God will hear you.
46:09And when that letter reaches Curro's hands,
46:11he'll know where you are and that you still want to tell him everything.
46:15I hope so.
46:18Um...
46:21Wait a minute.
46:23Do you know his name?
46:27Curro? That's his name, right?
46:30Yes.
46:31Yes, but I didn't tell you. How do you know his name is Curro?
46:35He must have run away.
46:37Otherwise, how would I know? No, he didn't run away.
46:39How do you know?
46:41Maybe I read it in the envelope.
46:43When you gave it to me, to send it.
46:45Yes, I know you wrote Francisco,
46:47but Curro is a diminutive of Francisco, right?
46:49Yes, and it's also Fran, and Cisco, and Paco...
46:53How do you know it's Curro?
46:55I tried my luck.
46:57You'll introduce him to me, right?
47:00Let's continue with the walk.
47:08It's my bracelet.
47:10No, it's mine.
47:11No, it's the bracelet you were going to give the jailer
47:13so he could send the letter to Curro.
47:15What are you talking about? This bracelet is mine.
47:17It's Martina's.
47:19Yes, and Martina is me.
47:21That's not true. I'm Martina.
47:22I'm Martina, and Curro is my boyfriend.
47:24Juana, please give me the bracelet.
47:26It's mine. I'm Martina.
47:29You can't imagine how much I miss you, Curro,
47:31and how much I want to hug you.
47:34I pray every day that you end that war
47:37and come back safe and sound.
47:38Did you read my letter?
47:39It's my letter. No, it was an intimate letter.
47:42It was my letter. What's this game? I don't get it.
47:44My letter. Martina's letter.
47:46My bracelet. Martina's bracelet.
47:49What? Curro, my boyfriend.
47:50Martina's boyfriend. What are you doing? Are you crazy?
47:56Juana, stop. Juana, look at me, please.
48:01Juana, please.
48:10Since Martina is recovering in the sanatorium,
48:14you and I should seal our love.
48:17Are you talking about getting married?
48:20Yes.
48:21Are you rejecting a gift from me?
48:24I could accept it, on one condition.
48:26And what is that condition you want to put?
48:29That she accepts my invitation to dinner.
48:31When I call to explain what happened,
48:33they kick me out.
48:35It torments me to think what will happen to my niece locked up.
48:38How did it happen that Gregorio came back?
48:40Has he made any decision about it?
48:42He has decided that María Fernández and you will leave.
48:47And me? What do you mean we're leaving?
48:49Where are we going?
48:50And those days you say, how many days are they?
48:52And above all, Jana, why are we leaving?
48:54No matter how hard you try to hide it,
48:56you notice more and more that something happens to you.
48:58Well, even if it is, I ask you, please, not to meddle.
49:02There are things that it is better not to meddle.
49:04I'm offering myself to help you.
49:06Maybe it would be good for me to vent.
49:09Of course it would be good for you.
49:10It seems that there have been several attacks
49:13of the enemy in the place where Curro and Manuel were.
49:17And there are many dead.
49:21The problem is that many of them are unidentified.