La promesa - Temporada 3 - Ep 389
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00:00THE LAND OF SEA
00:16These are some Portuguese sweets.
00:18They're called Belém cakes.
00:20And whose recipe is it? Lopillo's?
00:23No way. It's a traditional sweet from the neighboring country.
00:27You know that Portuguese girl, Bruna, who lives in Lujan?
00:30She's a very nice person.
00:32How do you make this?
00:34This looks like puff pastry.
00:36That's right. Puff pastry filled with pastry cream.
00:40But we don't have a pastry board.
00:42To make the most of the leftovers, Candela.
00:44A kitchen for the taking.
00:46You say that if I give you food, it's a mortal sin.
00:49Besides, pastry cream and pastry board
00:51have milk, sugar, egg yolk...
00:53Who's going to notice the difference?
00:55López, for example.
00:57What have you given me?
00:58This sweet is a flag.
01:02Then give me one.
01:05How are you, dear?
01:07Well, I hope today is better than yesterday.
01:10It ended like the Rosary of the hour.
01:14What's wrong?
01:15At the last hour of the afternoon,
01:16Mrs. Petra sent me to her office.
01:19That woman doesn't get tired
01:21when it comes to making puff pastry.
01:23Look, she apologized to Mr. Pellicer yesterday
01:26and for a moment, I thought she had relaxed.
01:28She's always willing to make a fuss.
01:31What did Marimandra Hoss tell you?
01:34Well, our dear keymaker
01:36wasn't very happy with how she had cleaned the stairs.
01:40What nonsense is that? They're very clean.
01:42According to her, she hadn't made them shiny
01:44and they were all scratched.
01:46Did she tell you that?
01:47She was really scratched.
01:50Whatever Petra tells you,
01:51it goes in one ear and out the other.
01:53I know.
01:54But I just did the opposite.
01:57I couldn't take it anymore
01:59and I ended up letting go of what I think of her.
02:02God bless you.
02:04Everything?
02:04I don't know if everything, but of course, a lot.
02:07The truth about the boatman, come on.
02:09And what did she tell you?
02:10That she wasn't going to give me explanations,
02:12because, in the short time I have left in the promise...
02:16Will it be bad and harmful?
02:19I'd better shut up,
02:20because if I don't, the devils will take me away.
02:22But did she say that to annoy you
02:24or is she aware of everything?
02:26I don't know how, but she found out about my intentions
02:29to go to work at the nurse's house.
02:30What a snitch.
02:32I can't think of anyone who could hear her with the story.
02:34That's the least of it.
02:35Candela, the important thing is that she is now prevented
02:38and I think she's capable of leaving me on the street
02:40before she can go to work with the priest.
02:42No, she can't do that.
02:44Yes, she can. It's Petra.
02:46The girl is right.
02:48Power? I don't know if she's going to be able to.
02:51But she won't be short of money.
02:53Mr. Baeza won't allow it.
02:55Don't worry, dear.
02:57I'm afraid I'll be left without a house,
02:59without a job,
03:01without the money my in-laws ask me for
03:02and, of course, without my child.
03:05That's not going to happen, okay?
03:07Look, dear,
03:08even the darkest day has its ray of sun.
03:13That's very nice, Mother.
03:15And a truth like a temple.
03:17Yesterday, Salvador and Hanna came up with the idea
03:21that, among all the servants,
03:24we could raise the money your in-laws ask you for.
03:27But how are you going to do that?
03:30Well, putting everything on the line.
03:32It's not the first time, is it?
03:34We did it a long time ago
03:35for Salvador's eye surgery.
03:38But Salvador is Salvador
03:39and I just got here, like who says.
03:41No, you've been here longer than Salvador
03:44when we paid for his eye.
03:47You've been one of us for a long time.
03:50And you're Simona's daughter.
03:53We love your mother very much, and you, too.
03:56Are you serious?
03:59God bless you, you're the most beautiful thing there is.
04:01Well, you and all the service of La Promesa.
04:18Can you tell me what the hell you're playing at, Ignacio?
04:22Why did you set up that number last night?
04:24What's wrong, Petra? Don't you like challenges?
04:27Are you aware of what could have happened to you
04:30if I came to talk?
04:32Are you aware of what could happen to you?
04:34Trinidad, stop cleaning the rooms.
04:37They're not going to clean themselves.
04:39Let's go.
04:41Yes, Mr. Count.
04:43Let's go.
04:46Yes, Mr. Count.
04:47I'll take your instructions into account for the return.
04:50I told you.
04:52I knew that the relationship between you and Cruz
04:54was not at its best, and that you wouldn't talk.
04:58I, who you would watch over,
05:01because my relationship with the Marquise will be what it was again.
05:04I assure you.
05:06You've already talked about that.
05:08Stop humiliating yourself.
05:10Whatever you do will hurt you more than me.
05:13Don't intimidate me.
05:15You don't even scare me, Petra.
05:17Besides, we both know perfectly well
05:20that you don't give a damn what happens to Martina.
05:24You won't risk a hair to help her.
05:27Maybe you're right.
05:30And that Miss Martina is not holy to my devotion.
05:33And that she believes that a little discipline would be good for her.
05:37But I still think she's a young woman.
05:40With her whole life ahead of her.
05:42Full of dreams.
05:45And that makes it easier for me to put myself in her place.
05:50You, putting yourself in someone else's place?
05:57Put me in Eva Ignacio's place.
06:00If Miss Martina doesn't return in a prudent time,
06:04I'll talk and tell her everything I know.
06:08Because I don't care about the consequences.
06:35Miss.
06:39Take it.
06:40I hope no one misses it,
06:42but I thought you'd like to know what's going on in the world.
06:45Thank you, Hanna.
06:46It's good to know what's going on outside of these four walls.
06:49Well, being locked up here, well ...
06:52Well, locked up at your own will, I remind you.
06:55In any case, I wanted to know what was going on in the news.
06:58Well, I don't know.
07:00I remind you.
07:01In any case, I wanted to know what was going on in the news.
07:04I'm sorry if I've offended you with the subject.
07:07It's just that I'm a little sorry that you're back here.
07:11Well, I went to investigate.
07:14To prevent them from locking up my cousin, but I failed.
07:17My position in La Promesa no longer makes any sense.
07:21I'm sorry for you.
07:22The service ...
07:24No, I have nothing to reproach you for.
07:26So I guess you have to reproach your family for discarding you.
07:31That's right.
07:33And there is a particular member who monopolizes most of my reproaches.
07:37Let me guess.
07:39His stepmother.
07:40It wasn't a very difficult riddle, was it?
07:44Well, but I'm still sorry that I stopped seeing the others for her.
07:47I'm very afraid that there is nothing to do about it.
07:51The situation has reached a point where,
07:53the less we come across each other, the better for everyone.
07:56Anyway.
07:58How are things around the palace?
08:00Do you know anything about my cousin?
08:02Well, no, not for now.
08:03There is no news from the sanatorium.
08:05As far as I know, of course.
08:07It's horrible.
08:09Unfair.
08:11I know, and you're right, but ...
08:13At least Mrs. Margarita says that it is beautiful
08:16and that she is already receiving all kinds of attention.
08:19Yeah, that's what they say.
08:21But it's a shame that we can't check it ourselves.
08:25Anyway, apparently they are very strict with visits
08:27and they don't allow them until several weeks have elapsed
08:30since his arrest.
08:32And that doesn't inspire confidence in me either.
08:34But we can't do anything about this either.
08:37Especially if there is no one investigating what happened.
08:40Well, you were doing it until you returned to the hangar.
08:44And there is nothing. I assure you.
08:47But I am convinced that my cousin is innocent.
08:50We all know he didn't do anything.
08:52And I wish we could prove it.
08:56Well, I'll let you read the newspaper.
08:58I'll clean up around there, if you like.
09:00Thanks for everything, Hanna.
09:03Bye.
09:19Hanna?
09:21What's going on?
09:34My God.
09:47What a kitchen, yes.
09:49I ordered a tisana to be prepared for Mr. Márquez.
09:52He read the news in the newspaper
09:54and left him completely upset.
09:59Mr. Pellicer. Mr. Baeza.
10:01I just wanted to ask you how everything is going.
10:04Have you fully adapted to the routines of La Promesa?
10:07I think if it hadn't been like that,
10:09I would have kicked the bucket.
10:12Mr. Baeza, I have you for a man who speaks clearly.
10:15And that's why I think he wants to talk to me
10:17about a matter that he doesn't dare to address.
10:19You are right, Mr. Pellicer.
10:22And I don't know why, but I also have the impression
10:24that someone has come to me with the story
10:26about an incident in which Vera is involved.
10:29You are right again.
10:31And who has been the kind informant
10:33to whom I have to thank for such a disinterested gesture?
10:36My father? Maybe López.
10:39That's the least of it.
10:41He has been in charge of La Promesa for many years
10:44and has found a way to have eyes and ears
10:46in every corner.
10:48I understand. Have they both been?
10:51Look, I'm going to be direct.
10:53Do you want to tell me your version of this matter?
10:57Actually, no.
10:58I already told my father everything in detail
11:00and the matter was settled.
11:02Okay, then. Case closed.
11:05Before you go,
11:07I would like you to remember something.
11:11Do you remember why you are here?
11:14Excuse me?
11:15Do you know who made you call La Promesa here?
11:19Yes, I think it was a commitment of his.
11:22Exactly. And not everyone agreed.
11:26And have you ever wondered why I did it?
11:30Look, if I wanted to have you here at La Promesa,
11:34it was because I always believed that you were a young man
11:37with great potential.
11:39And I thank you for your trust.
11:41Don't thank me with words,
11:44but give me back the trust that I placed in you.
11:47Of course, of course.
11:49What do I have to do?
11:51Well, what you have to do is take advantage
11:53of the opportunities life gives you
11:55and continue with that drive and that courage that characterizes you.
11:58But without forgetting that the path to follow
12:01is probably not the easiest.
12:04Mr. Baez, I advise you to be a little clearer.
12:07A good understander does not need many words.
12:10And you are better than good, Mr. Pellicer.
12:13If so far I have wanted to convey my trust in your worth,
12:17know that this can change at any time.
12:21I will do my best so that does not happen.
12:23Concentrate on avoiding conflict and disagreement.
12:27Disagreement?
12:28Yes, with the rest of the service.
12:31With Mr. Ruiz, with his father
12:34and even with Miss González.
12:37Did I explain myself well?
12:40I think so.
12:41Because otherwise I would be forced
12:44to disregard your services.
12:46And that's something neither you nor I want, right?
12:50Of course not.
12:53No.
12:59The explosions not only affected the center of cities like Nancy,
13:02causing hundreds of civilian victims,
13:05but also the surrounding forests,
13:08where the battalions deployed have registered the highest number of casualties
13:12since the confrontation began.
13:14My God.
13:16And in those forests is Manuel.
13:18From there he wrote the letter, the last one that arrived.
13:22That region is as extensive as the entire province of Córdoba.
13:25It is most likely that neither Manuel nor Curro
13:27have been affected by that bombing.
13:29You can't bomb an entire province, right?
13:31Of course not.
13:36I have the feeling that this news
13:38is only the confirmation of all my feelings.
13:41Hence so many nightmares and bad omens.
13:43Red Cruz.
13:45Please, don't draw conclusions that have no logic.
13:47But I saw it, María Antonia.
13:49I saw my son in danger.
13:51I saw him drown in the rough waters of a river.
13:54But we already talked about it yesterday, Cruz.
13:56There are a thousand reasons that can cause those nightmares.
13:59Do you think that's comfort to me?
14:01The image was very real, María Antonia, very vivid.
14:04My son was dying before my eyes
14:06and I couldn't do anything to help him.
14:08Leave it, Cruz, please.
14:10Manuel will be fine, you'll see.
14:12This is a premonition.
14:14My son is really needing my help right now.
14:17Be reasonable, please.
14:19You can't spend the day
14:21entangled in such funest thoughts.
14:23Come on, let's go for a walk and get some fresh air.
14:26Now?
14:27Why not? It's a great day.
14:29No, no.
14:30The other day I went out and a wasp bit me.
14:32You're going to stop going out
14:33as soon as the wasps bite you.
14:35I said no, please!
14:38Forgive me.
14:41I'm very distressed, I don't feel like doing anything.
14:44This situation is getting out of hand.
14:46But, Cruz, I have a bad feeling
14:48that something bad is going to happen
14:50if it hasn't already.
15:00I don't understand.
15:01They wanted to have a good time with us
15:03and instead of being at the game,
15:05they were arguing all the time,
15:07Vera and Santo.
15:08What's the point of playing without money?
15:10That guy has a bad temper.
15:12He's a bad loser.
15:14Yeah, but he pays for it with his girlfriend.
15:16That's another thing I'll never understand,
15:18that they're together.
15:19Come on, love is blind,
15:21but it's not stupid.
15:23No, it doesn't apply.
15:25And all this time they've been together,
15:27I've never seen them have a good time,
15:29like you and me, for example.
15:31Well, to have a good time like ours,
15:34you have to love each other a lot.
15:36Salvador, that's not what I mean.
15:38We're always thinking about the same thing.
15:42I don't know what they'll do in their privacy,
15:44I don't care.
15:46I just have a knot in my stomach
15:48that tells me something weird is going on.
15:52Especially with Vera.
15:53Well, something weird is going on.
15:56I can't get my head out of my face.
15:58I hate Vera.
16:00Yeah, it didn't look like they were having a good time.
16:03No, he looked at us as if he were a lamb
16:06about to take him to the slaughterhouse.
16:08As if he were looking at his butcher
16:10with a knife in his hand.
16:12Now that you mention it, Maria,
16:14I have to tell you something.
16:16I spoke to Lope...
16:17Salvador, I was looking for you.
16:21Do you need help with any task?
16:23What I need is to thank you.
16:25Well, you and everyone else.
16:28Thank me for what?
16:30Because this morning my mother and Candela
16:32told me about the crutch they made for your operation
16:35and that you're going to do the same
16:37with the 550 pesetas and get my son back.
16:40Yes, well, the truth is that it was more Hanna's initiative,
16:43but I've also put my grain of sand.
16:46Well, and we're all going to put it
16:48until we fill a desert if it's necessary.
16:51What a good idea, Salvador,
16:52if you have a golden heart.
16:54It's not that big of a deal.
16:55If we can get the eye surgery,
16:57what less than gathering quarters
16:59to bring your child, right?
17:01And how nice they left him.
17:02Look at him, just like Ico.
17:05What is clear is that together we can do anything.
17:08That's right.
17:10Thank you.
17:12From the bottom of my heart.
17:15No, if you're going to get excited and you're going to shed a tear.
17:19I'm so excited to think
17:21that I can get my Adolfito back.
17:24Although I prefer to be cautious,
17:27that something always arises that complicates everything.
17:31No, you're going to get it.
17:33You just have to believe it.
17:35You're right, Maria.
17:38I have to make an effort
17:39and start seeing life in a different way,
17:41more positive.
17:43Of course.
17:44Even if it's just to adapt to our height.
17:57550 pesetas is not a piece of cake.
18:00No, but it's not hard for us to try.
18:03I'm going to be a hurricane.
18:05A shining coin, a coin that hits the target.
18:19The press is talking about an intense bombing,
18:21but it doesn't specify the specific areas.
18:24And even if it did, I wouldn't be sure of anything.
18:28That's the way it is.
18:30There's no way to know if my brother and my cousin are also or not.
18:33I see.
18:36Do you know when the bombing was?
18:39Yesterday.
18:41So it's too soon to know about them.
18:46I'm sorry, Catalina.
18:49It must be hell to live with that uncertainty.
18:54And I would like to be able to help you.
18:58No one can do anything to get Manuel back to work.
19:03Maybe there is something that can be done.
19:06What?
19:08I could entertain you.
19:11Or try to do it.
19:13I know a few phrases,
19:16and my father taught me a song from a tavern that is not very soft.
19:21I'm sorry, I just wanted to help you.
19:23I'm a jerk.
19:25Thank you for trying.
19:27But hey, tell me something about you that I haven't stopped talking about since you arrived.
19:31I don't know, the only thing I can tell you is that I'm pretty exhausted.
19:35I never imagined that my father's business would involve so much work.
19:39I remember when I was a kid that he got up at dawn and went to bed shortly after sunset.
19:44And not a day did he complain.
19:45And now you arrive ...
19:47And I'm crying like a baby in the first shift.
19:50Come on, I deserve all the stones that Rando finds me.
19:53You'll get used to it.
19:57And the work will be more bearable.
19:59I hope that one day I can take things more calmly.
20:02Even face new projects.
20:05Like ... the songs from the tavern?
20:09No, I meant something more fruitful.
20:14Like ...
20:16resuming your jam business.
20:19I know you don't aspire to much, but I could be one of your fruit suppliers.
20:24Man, you have plenty of fruit trees.
20:26That's right.
20:28You know what?
20:30I'm curious to know how you started your business.
20:33Well, it all started with the talent of one of La Promesa's servants.
20:37Lope.
20:39A lackey who didn't stand out as a lackey, but he has a gift for the kitchen.
20:44And he made the first jams?
20:46That's right.
20:48Although saying that it was all thanks to him would not be fair.
20:51He contributed to the innovation, but without the good work of Simona and Candela ...
20:54making the jams would have been impossible.
20:57I guess you would also do your part.
21:00And then there's how much Lujan's women helped.
21:03Although I guess you'll be aware.
21:05A company is a collective task.
21:17Close the door and sit down, Santos.
21:20Thank you very much for coming so quickly to my call.
21:24I had no choice, given that another rapist was waiting for me.
21:28In this case, you are wrong, Raúl.
21:30I'm not trying to pick a fight or anything like that.
21:34In fact, I would love for us to leave all that behind.
21:39I'm sorry.
21:41I'm sorry.
21:43I'm sorry.
21:45I'm sorry.
21:46I would love for us to leave all that behind.
21:50Like that? Without more?
21:52Yes, and I know it won't be easy.
21:55But if we could start over, at least in this palace,
22:00nothing would make me happier than you stop seeing me as an enemy.
22:07I don't see you as an enemy, Father.
22:10I understand that from time to time you have to keep up with me.
22:14After all, you are my superior and I suppose that goes without saying.
22:18Do you really understand that?
22:21I get the feeling that it shouldn't be easy.
22:25Well, no.
22:27No, it's not.
22:29It's very hard for me to separate my feelings towards you
22:32and forget that, above all, we are father and son.
22:35There is something
22:38that I have never told you
22:39because I didn't dare to share it with you.
22:42It's about your grandfather, my father.
22:44No.
22:45I've never talked about him.
22:47You didn't get to meet him.
22:49And what was he like?
22:51Well, he was a person
22:55with strong principles,
22:57obsessed with hard work
23:00and very marked by the bitter experiences he had in his youth.
23:04I understand that it was in other times.
23:05I understand that it was in other times.
23:07And that's why he was so determined to instill those values in me.
23:11But
23:13our relationship was
23:18complicated.
23:20I didn't know.
23:22Well, that's how it was.
23:24I wasn't in the mood to follow his dictation.
23:27I wanted him to continue working in the family farm.
23:31A farm?
23:32A farm.
23:34Yes, I didn't want to work the land
23:37or milk cows.
23:39If it's good for you, I don't imagine it's good for my father either.
23:42As far as I'm concerned,
23:44my dream has always been to work in a farm like this,
23:47serving great men.
23:49And your father opposed it.
23:51He didn't understand that I
23:54preferred to work for others
23:56having a farm on my property to take care of.
23:59And that's why we argued.
24:02We had a strong argument.
24:06Yes.
24:07Yes, so strong that I ended up leaving forever.
24:10And I left with one hand in front and the other behind.
24:14I never imagined, father, that I could be
24:17rebellious and rebellious.
24:19You've always been so
24:21correct.
24:23Well, you see.
24:25So I went to Cordoba
24:27and soon I started working
24:30on what I wanted.
24:33Yes.
24:35I've always been tenacious and persevering,
24:37just like you.
24:39And that's why I've always done well from the beginning.
24:42And thanks to that, you're where you are now.
24:45Well, the...
24:48The thing is that
24:51being away from home,
24:54I understood that
24:56despite our differences,
24:59my...
25:02my father always...
25:04always wanted the best for me.
25:09So,
25:11some time later, I tried...
25:13I tried to go to him to
25:16reconcile us.
25:18And could you make peace?
25:21No.
25:23No, I can't anymore.
25:25He... He had died.
25:28And...
25:30And I didn't know.
25:33I could never thank him
25:35for all the values he instilled in me.
25:40I'm so sorry, Father.
25:44And I don't want that to happen to me and my son.
25:55I guess Cruz is very affected.
25:58So am I.
26:00How should you be?
26:02After all, it's our children who are in danger.
26:05I'd rather think they're in the front,
26:07carrying out a heroic gesture.
26:09It seems that the bombing was a massacre.
26:12What do you think, as a soldier?
26:15No matter how much experience you have,
26:17it's hard to shed any light on this matter,
26:19only from the information in the newspapers.
26:23And do you have more information?
26:25Silence.
26:26Although judging by the ammunition used
26:29by the German aviation,
26:31I feel that the consequences have been devastating.
26:36I feared it.
26:38Although I also tell you that it takes many horses
26:40to destroy the forests of Alsace and Lorraine.
26:43But a single projectile to end the lives of our children.
26:49Not knowing anything else makes me feel very powerless.
26:53Couldn't you find out something?
26:56I'm going to do something.
26:58I'm going to put you in touch with the superior
27:00with whom I had dinner the other night.
27:02Maybe he'll come to tell you something else
27:04when he notices your desperation.
27:06Yes, give me the signs. I'll call him.
27:09And do we know anything about Martina?
27:11No.
27:13I hope her stay in that sanatorium
27:15is less regrettable than Cruz says.
27:18She, better than anyone, should know
27:20that those places are not as terrible as it seems.
27:23Maybe she should take notes on the matter.
27:26Well, do you want to know my opinion?
27:28No, but you're going to give it to me anyway.
27:32You see, as I see it,
27:34one has to go all in with what he does.
27:36And that girl has tried to poison Ayala.
27:39That is to prove.
27:40Whatever you say.
27:42Whether it is proven or not,
27:44what is true is that Ayala was right
27:46when he said that this place is much better for Martina than jail.
27:49Any place is better than jail.
27:51Better than the French front?
27:54Not everything is black and white, Alonso.
27:56You should know by now.
28:06So much effort trying to get that business going,
28:09and he puts it in the hands of that captain
28:12who, from what I see, doesn't trust a bit of him.
28:14That's right.
28:16Things are like this, Adriano,
28:18but I prefer to leave it be.
28:20I don't want to stir it up anymore.
28:23As he did with the management of his farm,
28:26you used to take care of it, right?
28:29Yes, as you said, that was before.
28:33Past water does not move mills, as the saying goes.
28:36That's right.
28:38But he also says that the waters return to their source,
28:42and in his case, it seems inevitable.
28:45What do you mean?
28:48Well, sooner or later he will be at the head of the management of his farm
28:52as well as the business of the jams.
28:53Now I see it complicated.
28:57Oh my God, I think I'm a little late.
29:00I'm sorry to have entertained you.
29:02I just wanted you to take a book to read.
29:05A book?
29:07You already know that books and I are not good friends.
29:10Well, it's time for you to start doing them.
29:13Any recommendations?
29:15Do you intend to fill the whole book hangar?
29:20I don't like all the books.
29:22I don't like all the ones I brought on my last visit to the palace.
29:25I don't know how to keep them like this, but the shelf has broken and I don't know where to put them.
29:30So, I insist, take one.
29:33If I can think of something better, let me set up a shelf.
29:37You don't want to read either? Do you prefer to set up a shelf?
29:41It will be more practical.
29:43Let me do it. It's my way of helping her.
29:46Okay.
29:48You'll see how I do it in a moment.
29:49And in the meantime, you can keep telling me things.
29:52Well, go ahead if you think I'm going to let you do it alone.
30:03As I told you, Santos was very cordial and willing to start over.
30:09Without so much friction.
30:11That's great news, Ricardo. I'm very happy for you.
30:15Yes, of course.
30:16Yes, of course, but the funny thing is that I had already tried to get close to him many times
30:21and I had never succeeded. What could have changed in his attitude?
30:25What bad luck. Today was the day and that's it.
30:27Yeah, but I just don't understand why.
30:30Well, I don't know. You told him something that made him reconsider.
30:33I told him about my father. I had never told him about him before.
30:37And I told him about all our differences and how things ended.
30:42It must have been that.
30:43Well, for the first time, he put himself in your shoes.
30:46And he understood that it is not easy to be a son, but it is not easy to be a father either.
30:50Much less to be well-behaved.
30:52Yes, I think so.
30:54I think for the first time, he looked at me in a different way.
30:59And that smile.
31:01Nothing, I'm happy for you.
31:03Well, it seems to me that you have been surprised quite a bit,
31:06considering how Santos always makes things difficult for me.
31:10Well, it was a matter of time for him to fix your differences.
31:13But it doesn't always happen. My father and I are not far apart.
31:16That's good for you.
31:18But the fact that he listened to me without interrupting me scares me.
31:22You don't have anything to do with it, do you?
31:24Me?
31:26Have you talked to him?
31:28Not at all, not at all.
31:30This desire to deny it makes you suspicious, doesn't it?
31:32No.
31:34Come on, let's finish.
31:36It seems to me that I have just caught the impeccable Romulo Baeza in a lie.
31:39Come on, confess it. Have you talked to him?
31:43I told him that I had to soften things with the service, including you.
31:47Despite the fact that I asked you, I would take care of it.
31:51Thank you very much, Romulo. You are a very good friend.
31:54Now the important thing is that we recover that good boy
31:58who is under that armor of pride.
32:13Thank you.
32:33Thank you for waiting for me with the lights on, Hanna.
32:36If I don't pee before going to bed ...
32:38I know.
32:40And what's wrong with you? I already feel sad.
32:45I'm tired.
32:51Because of the news of the bombing in Sasia and Loretta, right?
32:56The truth is that it has me with the soul, Milo.
32:59The newspaper has said that ...
33:01that it was an authentic caricature, so ...
33:05How you want to scare people.
33:06Couldn't they put more beautiful news in the newspapers?
33:10Well, it must have been terrible, really.
33:13All wars are, Hanna.
33:16But don't get into the worst of it,
33:19because I'm sure Manuel and Mr. Itocurren won't be there.
33:21Maybe yes.
33:23Because the last time I wrote a letter to Manuel, he came from that area.
33:28Well, don't say too much, because if not,
33:31I'll turn off the light and we'll both go to sleep.
33:33If you dare to turn off the light, I don't want to close my eyes.
33:34In the end, I'm going to end up imagining horrible things.
33:37Do you know what I'm going to do?
33:39I'm going down to the kitchen for a glass of milk.
33:41They say it's holy water.
33:43To reconcile sleep.
33:44María, I really don't think ...
33:45You shut up and obey.
33:47Because you'll agree with me that you can't spend the whole night in the candlelight.
33:50No.
33:52Well, then you stay here quiet,
33:54and I'll be right back with the glass of milk.
34:04Yes.
34:14And have you managed to find out anything I told you?
34:18That's right.
34:20And well?
34:23I told you the truth.
34:25Really?
34:28I went to the town of Pía
34:30and visited the cemetery.
34:34His grave had the earth removed.
34:37What?
34:39I waited for it to be done at night to make the pertinent verifications.
34:44Did you profane his grave?
34:47No, Mrs. Narcos, I didn't profane any grave.
34:52Because when I opened the coffin,
34:57it was empty.
34:59Jesus Maria and José!
35:00José!
35:03Yes,
35:05for being extravagant,
35:06everything indicates that you were right.
35:10Pía lives
35:13and will be hidden somewhere near here,
35:16probably taking care of that intruder, Hanna.
35:21And what do you plan to do now?
35:24Follow that maid, of course.
35:26Find out where she's going when she leaves the palace
35:28and give her my wife's parade.
35:31I need her help for that.
35:34Count on it.
35:36I've already started doing my part.
35:39What do you mean?
35:41Well, yesterday I apologized to everyone
35:44for my attitude lately,
35:46but as you will understand,
35:47I only intended to lower the guard.
35:50It seems to me that you have succeeded.
35:52I need you to be my eyes.
35:55And my ears.
35:57The promise.
35:59Count on it, Mr. Castillo.
36:01But now leave.
36:03It is convenient that no one sees you around here.
36:05Let's go.
36:24Hanna.
36:28Hanna.
36:29Santa María, don't you see you're not letting me sleep in peace?
36:32What surprised Petra on the garden stairs?
36:35Talking to Gregorio.
36:37What? Gregorio is here?
36:38Yes, I saw it with my own eyes.
36:40They were talking in the dark
36:41and those two can't get any closer.
36:44But where are you going in such a hurry?
36:45To talk to Don Rómulo.
36:47But you're crazy until now.
36:49María, I don't have time to lose, this is serious.
36:51I'll be right back.
36:57It will hardly be an escape.
36:59A few days away from the promise,
37:00away from all this noise.
37:02I don't know if it's appropriate, Ignacio.
37:05I think that after everything that has happened,
37:06you and I deserve it.
37:08I just don't feel like going on a leisure trip
37:10when my daughter is hospitalized in a sanatorium.
37:13Precisely.
37:14This trip is to compensate you for so much suffering.
37:18Really?
37:19And who compensates her?
37:21You know she can't receive visits in the first few weeks.
37:24Your suffering doesn't help her at all.
37:27Let's go far away.
37:28Let's recover energy.
37:29You will need it when they finally let you visit her.
37:33I don't know.
37:34Maybe you're right.
37:36This topic is driving me crazy.
37:39It will be wonderful.
37:40You'll see.
37:41Let's go to the coast, near the sea.
37:44Well, it could be good, yes.
37:47I have some friends.
37:48The men of Escañuela, Don Antonio and Doña Bárbara,
37:50have a palace in Sanlúcar de Barrameda.
37:54I don't have the pleasure.
37:55They are a charm.
37:56They recently wrote to me
37:57and invited me to spend a few days with them.
38:00It's not far away.
38:01What do you think?
38:04I don't know, Ignacio.
38:05I have doubts about all this.
38:08Cruz.
38:09Good evening.
38:10What are you doing up so late?
38:11We were sleeping at this time.
38:13I can't sleep.
38:15I suspect you don't either.
38:17You have to rest, dear.
38:19I prefer to be up.
38:21I refuse to go around in bed.
38:23Do you want us to make you a herbal tea?
38:24Maybe that way you can sleep.
38:26No, you don't understand, Ignacio.
38:27I don't want to sleep.
38:29For nothing in the world,
38:30I would like to have one of those nightmares again.
38:33Well,
38:34stay with us then.
38:41What were you talking about?
38:43Nothing important.
38:44We were making plans.
38:46What kind of plans?
38:48Little.
38:49Given the current circumstances
38:50with Martina, who has just joined.
38:53Have you heard anything else from her?
38:54No.
38:56The truth is, no.
38:57Well,
38:58we can't be calling day after day.
39:01I already told you.
39:02Until a few days pass
39:03and the doctors see how she adapts,
39:05they won't be able to tell us anything.
39:06This is another issue
39:07that doesn't allow me
39:08to continue the dream.
39:11There were no plans.
39:13You took her from here, from the palace,
39:14at midnight,
39:15and in a hurry,
39:16without even allowing me
39:17to do anything about it.
39:19You shouldn't have done anything, Cruz.
39:21Oh, no?
39:22Not even say goodbye to her?
39:23We didn't do the right thing.
39:24You acted heartlessly
39:26and very selfishly.
39:27That's the truth.
39:28Well, enough.
39:29I'm fed up with all this hypocrisy.
39:31You're a lynx
39:32looking at the straw in someone else's eye
39:33and not looking at the vein in Cruz's own.
39:35Don't talk to me like that.
39:36Well, according to what I've been told,
39:37you did exactly the same
39:38with your sister Eugenia
39:39on your last visit.
39:41You took her out of the palace
39:42in a hurry,
39:43in the middle of the night,
39:44without letting her say goodbye to her son.
39:46My poor sister has a real disorder.
39:48She has no point of comparison.
39:50That doesn't justify
39:51how you behaved.
39:52Well, in our defense,
39:53I'll say that we follow
39:54the recommendations of the specialists
39:57who advised us
39:58to spare Martina
39:59the disgust of saying goodbye
40:00to her family.
40:01Exactly.
40:02It has nothing to do with depriving Curro
40:03of a meaningful and deserved
40:04farewell from his mother.
40:05Well, enough.
40:06And stop mentioning Curro,
40:08that spoiled brat.
40:09There's no right
40:10for you to talk about him like that.
40:11No, yes, yes, I have the right.
40:12And you know why?
40:14Because if it weren't for the fact
40:15that that capricious man
40:16was forced to go face to face,
40:18right now my son
40:19would be in La Promesa
40:20safe and sound.
40:25What do you mean Mr. Castillo
40:26was in La Promesa?
40:28María Fernández saw him.
40:29When?
40:30A moment ago,
40:31he came down to the service platform
40:32to get a glass of milk
40:33and saw him talking to Mrs. Petra
40:34who was on the stairs
40:35leading to the garden.
40:36María Fernández
40:37is completely sure
40:38that it was him.
40:39He couldn't have confused him
40:40with La Promesa.
40:41It was him, Mr. Baeza.
40:42It was him.
40:43And I think we should
40:44discuss this
40:45with Mr. Castillo.
40:46No, no, no.
40:47No, no, no.
40:48No, no, no.
40:49No, no, no.
40:50No, no, no.
40:51No, no, no.
40:52No, no, no.
40:53And I think we should wake everyone
40:54to see if they catch him.
40:55No.
40:57I'm sure he's already left.
40:58The same as he came in.
40:59Giving the voice to the soul,
41:00the only thing we're going to get
41:01is to give Mr. Arco
41:02a warning.
41:04Yes.
41:05Now I understand
41:06about his apologies.
41:07If he asked for forgiveness
41:08it was to lower the guard.
41:09That's right.
41:10And he did it.
41:12That man has entered a palace
41:13shows how exposed we are.
41:17But what are we going to do?
41:19Because it is clear
41:20that we have to continue
41:21bringing him food and supplies
41:22to Mrs. Pia.
41:23That's out of the question.
41:26But Mrs. Petra is watching us.
41:28We already know
41:29who is going to tell her anything
41:30if she finds out something.
41:31We will have to be
41:32extremely careful
41:33if we are in a jail.
41:36They also have me
41:37in their sights.
41:39And in fact, I'm convinced
41:40that Gregorio knows
41:41my whereabouts, so ...
41:43You are in serious danger.
41:45That man may be on the run
41:47to follow you next time.
41:50You don't have to go back
41:51to that cave.
41:52No, no, no, no.
41:53Because you are not only
41:54putting yourself in danger,
41:55you are also putting
41:56the lady in danger.
41:59And then what will
42:00the supply take?
42:01I don't know.
42:02Then we have to think about it quickly.
42:04Because we are
42:05thinking too much about the agreement
42:06and Mrs. Pia has no water
42:07or food.
42:08You are absolutely right.
42:11What are we going to do?
42:13For a moment, take a deep breath
42:14and relax.
42:15It is clear that this man
42:16is not going to do anything
42:17tonight.
42:18It is true that we have to act
42:19with caution,
42:20but it is essential
42:21to do things cautiously.
42:24I'll think about it tonight.
42:25We'll talk tomorrow.
42:26Come on.
42:51Lope.
42:53Good morning.
42:54Good morning.
42:56Can I steal your moment?
42:57Sure.
42:58What do you need?
43:00I haven't been able to get my head
43:01out of the conversation
43:02we had.
43:05And I have come to the conclusion
43:06that you are right.
43:07All the reason.
43:10That I can't go on like this
43:11and that I have to
43:12face Santos.
43:14Are you serious?
43:15Are you serious?
43:19I have been naive
43:20not to want to face him
43:21and I can't delay it any longer.
43:25I agree.
43:26I have to stop him.
43:28Because if not,
43:29all this will go further
43:30and I will end up
43:31going crazy.
43:33So I have decided
43:34that I will try
43:35to solve all this
43:36for good.
43:40And if Santos does not agree?
43:43Well,
43:44he will have to accept
43:45my decision.
43:46And if he doesn't,
43:47he will see.
43:48And if he decides to reveal
43:49the secret of your past,
43:50what?
43:51Well then,
43:52I will have to assume
43:53the consequences.
43:54If only you told me
43:55what it is about.
43:58Lope,
43:59I appreciate that so far
44:00you have supported me
44:01without knowing it
44:02and at the moment
44:03I prefer it to continue
44:04being like this.
44:06Okay.
44:07As you prefer.
44:10You know you have me
44:11for what you need.
44:12You know that, right?
44:15I know.
44:21I am glad about that decision
44:22you are making
44:23with respect to Santos.
44:25You are being very brave.
44:26Look,
44:28I am really
44:29very proud of you.
44:31Well,
44:34I wouldn't have achieved all this
44:35if it weren't for your help.
44:38In fact,
44:39I haven't achieved anything yet.
44:42But you will.
44:45You will.
44:51And
44:53if you want,
44:55after I solve all this,
44:59we can get back
45:00what was between us.
45:03Of course.
45:07Because I need you
45:08to breathe,
45:09Vera.
45:11I love you.
45:12I love you.
45:40You didn't have problems
45:41with the isolator, then?
45:43I already told you I didn't.
45:44Come on,
45:45my eyes were shaking
45:46when I saw the bracelet.
45:48You don't know how much
45:49I appreciate it.
45:50It has been a pleasure
45:51to help you, friend.
45:52You can't imagine
45:53how happy I am
45:54to know that letter
45:55is traveling now,
45:56please.
45:57It's just a matter of time
45:58for it to reach its destination.
45:59Well,
46:00now with all this war,
46:01things are going slower
46:02than usual,
46:03but...
46:04but it will get there.
46:05You'll see.
46:06That's what matters.
46:08God hears you,
46:09and when that letter
46:10reaches Curro's hands,
46:11he'll know where you are
46:12and he'll know
46:13you still love him
46:14despite everything.
46:15I hope so.
46:21Wait a minute.
46:23Do you know his name?
46:27Curro?
46:28That's his name, isn't it?
46:29Yes.
46:31Yes, but I haven't told you
46:32what his name is.
46:35He must have escaped you
46:36or you wouldn't have known.
46:37Vera, no.
46:38He hasn't escaped me.
46:39How do you know?
46:41Maybe I read it
46:42in the envelope
46:43when you gave it to me
46:44to send him.
46:45Yes,
46:46I know you put Francisco,
46:47but Curro is a diminutive
46:48of Francisco,
46:49isn't it?
46:50Yes.
46:51And it's also Fran
46:52and Cisco and Paco.
46:53How do you know
46:54it's Curro?
46:55I tried my luck.
46:57You'll introduce him to me, won't you?
47:00Let's continue with the walk.
47:08Is it my bracelet?
47:10No, it's mine.
47:11No, no.
47:12It's the bracelet you were going to give
47:13to the jailer
47:14so he could send the letter to Curro.
47:15What are you talking about?
47:16This bracelet is mine.
47:17It's Martina's.
47:19Yes, and Martina is me.
47:20That's not true.
47:21I am Martina.
47:22I am Martina
47:23and Curro is my boyfriend.
47:24What?
47:25Juana, please give me the bracelet.
47:26It's mine.
47:27I am Martina.
47:29You can't imagine
47:30what I miss you, Curro,
47:31and the desire
47:32I have to hug you.
47:34I pray every day
47:35that you end that war
47:36and come back safe and sound.
47:37Have you read my letter?
47:38It's my letter.
47:39No, it was an intimate letter.
47:40It was my letter.
47:41What's this game about?
47:42I don't understand it.
47:43My letter.
47:44Martina's letter.
47:46My bracelet.
47:47Martina's bracelet.
47:48What?
47:49Curro, my boyfriend.
47:50Martina's boyfriend.
47:51What are you talking about?
47:52Are you crazy?
47:55Juana, please stop.
47:56Juana, look at me, please.
48:00Juana, please.
48:08Get out of here.
48:10Since Martina is recovering
48:12in the sanatorium,
48:14you and I should seal
48:15our love for good.
48:17Are you talking about
48:18getting married?
48:20Yes.
48:21Are you rejecting
48:22a gift from me?
48:24I could accept it
48:25on one condition.
48:27And what is that condition
48:28you want to put?
48:29For her to accept
48:30my invitation to dinner.
48:31When I call
48:32to explain
48:33what happened,
48:34they kick me out.
48:35It torments me to think
48:36what will happen
48:37to my niece locked up there.
48:38How did it happen
48:39that Gregorio came back?
48:40Did he make
48:41any decision about it?
48:42He decided
48:43that María Fernández and you
48:45will leave.
48:47And me?
48:48What do you mean we're leaving?
48:49Where are we going?
48:50And those days you say,
48:51how many days are they?
48:52And above all, Jana,
48:53why are we leaving?
48:54No matter how hard you try
48:55to hide it,
48:56every time you notice more
48:57that something happens to you.
48:58Well, even if it is,
49:00I ask you, please,
49:01not to meddle.
49:02There are things
49:03that it is better not to remove.
49:04I am offering myself
49:05to help you.
49:07It would be good for me
49:08to vent.
49:09Of course it would be good for you.
49:11It seems that there have been
49:12several attacks
49:13by the enemy
49:14in the place where
49:15Curro and Manuel were.
49:18And there are many dead.
49:21The problem is that
49:22many of them
49:23are unidentified.