• 3 ay önce
La promesa - Temporada 3 - Ep 388
Döküm
00:00♪
00:03Tell me, please.
00:06♪
00:11I don't love Santos.
00:14And I've never loved him.
00:17He's a coward and a proud man.
00:20♪
00:24Then why do you still date him?
00:28Why can't I have another?
00:30♪
00:32Vera, I don't understand.
00:35What forces you to continue with him?
00:37Lope, please, don't ask me any more questions
00:39because I can't tell you anymore.
00:40Vera, don't you realize that this is crazy?
00:43That you can't be with someone you don't love?
00:45♪
00:48The truth is that I can't do anything else.
00:50♪
00:52That's all you're going to tell me.
00:55You're not going to tell me anything else.
00:57♪
00:59What's wrong? Don't you trust me?
01:01♪
01:02Vera, I'm devastated.
01:05Devastated.
01:07First you left me when I thought
01:09we couldn't be happier.
01:10Kim, you don't know how much that hurts me.
01:12And me.
01:13♪
01:15Why did you leave me this time?
01:17♪
01:19Why do you keep hurting us both?
01:22Why?
01:24♪
01:26It's okay.
01:28But...
01:31But don't ask me to tell you more than I'm going to tell you.
01:34Don't...
01:36Don't try to get in the way.
01:38Don't say anything, Santos.
01:41You promise?
01:43♪
01:50Yes. I promise.
01:54I'm doing all this because...
01:58Because Santos knows something about my past
02:00that no one else can know.
02:03And he has me at his mercy.
02:05♪
02:08Vera, you can't allow him to mistreat you.
02:12I do what I can. I try to stand up to him.
02:14What Santos is doing has a name, Vera.
02:17And it's called blackmail.
02:19That bastard is blackmailing you and you can't allow it.
02:22Much less allow him to take advantage of you
02:24and touch you if you don't want to.
02:27Because all of this is going to go further.
02:29Because a blackmailer is never satisfied, Vera.
02:33Never.
02:34He will always want more.
02:37I've been able to stop him so far.
02:40You said it.
02:41So far.
02:44Vera.
02:52There will come a day when he does something to you
02:54that you will regret for the rest of your life.
02:58And I'm very afraid that day is so close.
03:02♪
03:05♪
03:08♪
03:11♪
03:14♪
03:17♪
03:20♪
03:23♪
03:26♪
03:29♪
03:32♪
03:36No.
03:38No.
03:40Son.
03:41Son. Son.
03:43Manuel.
03:44Manuel.
03:46Manuel.
03:48Ma'am?
03:49No.
03:50Ma'am, are you okay?
03:51Son.
03:53Manuel.
03:58Ma'am.
03:59Ma'am.
04:00Wake up, ma'am.
04:02Manuel.
04:04My son.
04:06You're in the palace right now, in your room.
04:09He was having a nightmare.
04:13I know that.
04:15And what are you doing here?
04:17I heard screams from the corridor and I got scared,
04:19so I decided to come in.
04:21Well, you can go now.
04:23Yes, ma'am.
04:25Bring me breakfast.
04:26I'll have it here.
04:34♪
04:37♪
04:40♪
04:43♪
04:46♪
04:49♪
04:52♪
04:55♪
04:58I brought you a little gift
05:01from my trip to Puebla de Tera.
05:03It's nothing, just a detail.
05:05I thought you'd like it.
05:07So, here.
05:08Open it.
05:15It's made of silver.
05:17Maybe it's not the most luxurious jewel in the world,
05:20but when I saw it, I knew it had to be for you.
05:24It's elegant and delicate.
05:28Like you.
05:31Thank you.
05:33♪
05:36♪
05:39♪
05:42♪
05:45♪
05:48♪
05:51What?
05:53You don't know what I brought you.
05:55Me?
05:57You do.
06:00A gift from your friend.
06:04Don't think I didn't have a hard time getting it.
06:06Juana, thank you so much.
06:08You don't know how good this is for me.
06:10To write to that bitch you love so much.
06:12If only I knew.
06:13Right now I'm doing it, but how did you get it?
06:16I can get almost anything in here.
06:20But how did you do it?
06:22With effort.
06:24Look, if we have something here, it's time.
06:26So tell me in detail.
06:30Okay.
06:31I'll reveal my tricks to you.
06:34I already told you that sometimes my head hurts a lot.
06:37Yes, you told me you even throw up because of the pain.
06:40And sometimes they take me to the infirmary,
06:42they put me on a stretcher and give me a pill to soothe me.
06:45I spend hours there.
06:48I'm not following you.
06:50The point is that when I'm at the infirmary,
06:53a nurse always accompanies me.
06:55But since I fall asleep, sometimes the nurse leaves.
07:01Not every time I go there, my head hurts.
07:04So sometimes I don't take the pill and I fall asleep.
07:08Uh-huh.
07:10Then they leave me alone and I can wonder about the whole infirmary.
07:14There they have a closet that they keep everything.
07:17Also paper and pencil.
07:19Uh-huh.
07:21But what I've told you stays between you and me.
07:23No, no, don't worry, I'm not going to tell anyone.
07:26What I was thinking is
07:28how I'm going to send the letter once I have it written
07:30if we can't get out of here.
07:34That also has a solution.
07:37The warden here likes pesetas more than a fool.
07:41So if you have any money, everything is arranged.
07:45I don't have a penny, but I'll think about how I do it later.
07:48What I have to do now is write the letter
07:51and get him to get out of here no matter what.
08:01And the river swept away everything that was in its way and I ...
08:04I fell apart.
08:06And Manuel began to embrace
08:08and pull his head out over the water, trying to breathe.
08:13Mrs. Traigo, your breakfast.
08:17And how did that nightmare end?
08:20Thank goodness I woke up.
08:23Well, they woke me up.
08:26Oh, María Antonia, you don't know what it was.
08:29I was ... I was soaked in sweat.
08:32It was horrible, I couldn't stop shaking.
08:36It's normal for you to dream things like that, ma'am.
08:39Your son is at war and we are all living it with a lot of tension.
08:44May I know what tension you have?
08:46Well, I ...
08:47The one of scrubbing the floors or ... or ironing the sheets?
08:54It was just a way of speaking, excuse me.
08:56Well, I hope you learn to speak better.
08:58Or rather, that you learn to be quiet.
09:00Cruz, please.
09:02The girl just wanted to cheer you up.
09:05I don't need the cheer of a baby shower.
09:09Take the breakfast, I don't feel like it anymore.
09:12Okay.
09:13You don't have to come back.
09:15I'll stay with the Marquise.
09:17Yes, it will be better.
09:25Come on.
09:26Leave that bed.
09:28Let's go for a walk.
09:30The fresh air will do you good to forget that nightmare you had.
09:33Yes, it will do me good.
09:36Come on.
09:38Let's go.
09:41Get up.
09:44Get up.
09:50Were you calling me?
09:51Yes.
09:52Close the door and come in.
10:00So?
10:01What do you say?
10:06Petra.
10:07Petra.
10:10I don't want you to go around saying that absurd theory of yours that I poisoned myself.
10:16Absurd?
10:17Yes.
10:18Absurd.
10:19Based solely on your delusions.
10:25I've made you more and more stubborn, Ignacio.
10:28For example,
10:31I've already found out what Miss Martín bought at the boutique.
10:35She only bought some menthol pills.
10:38The pharmacist himself told me.
10:40How naive you are.
10:43Do you really think that man will tell you happily that he sold poison to a young lady?
10:47Don't you think he would get into a huge mess?
10:51But there is something else.
10:53For example,
10:56the mail you received shortly before suffering that horrible poisoning.
11:02Do I get a lot of correspondence?
11:05Yes, Ignacio, but it wasn't a letter.
11:07It was a package.
11:12I don't know what you're talking about.
11:15Yes, you know it well.
11:18It was a package of those in which you receive some of those medicines
11:25that you sometimes take for pleasure
11:28and that, as far as I know, are a bit suspicious.
11:32Especially if you use it for other purposes.
11:35You're an ignorant.
11:37You don't know anything.
11:40Since I've been taking care of your correspondence for a while,
11:45I know much more than you should.
11:50Who you write to, who writes to you and what they tell you.
11:57What do they send you?
11:59And how much do you pay for certain things?
12:02That's the thing I don't understand.
12:04What else do you care about what happens to Martina?
12:08Why are you defending the girl?
12:11You're right.
12:12I don't care what happens to that spoiled brat.
12:14So?
12:15You do all this just to annoy me?
12:18To make my life impossible?
12:21Maybe.
12:23And I assure you that I just started, Ignacio.
12:26What will the Marquises think when they find out about your dealings?
12:30And Margarita?
12:32Margarita will never look at you again.
12:34Never again.
12:38Very well.
12:40I agree.
12:41Speak.
12:42Tell me what you want.
12:44But be clear about one thing.
12:46If I fall, you will fall with me.
12:50Me?
12:52And tell me how you plan to do it.
12:54How?
12:55I will tell everyone that I am the father of your son.
12:57Of Feliciano.
12:59You would throw stones on your own roof.
13:02A nobleman who takes advantage of a poor maid, leaves her pregnant and does not recognize her son.
13:08Tell me.
13:09How would your dear Margarita look at you after that?
13:13And how do you think Cruz will react when I tell her that you asked me to come here to prove that she tried to kill Curro.
13:19And that by trying to kill him, she ended up killing our son.
13:24I'll tell them it's a lie.
13:25Because you didn't come here because I told you nothing.
13:29Maybe not.
13:30But are you going to deny the rest?
13:33Whatever it is, it would be the word of a maid against that of a count.
13:37And you no longer have Cruz by your side to defend you.
13:41Who do you think they will believe?
13:47Good morning.
13:52Is the lady sick?
13:53Hasn't she tried a bite?
13:55No, she's not sick.
13:56She's just in a dog mood because she had a nightmare that left her very upset.
14:04Well, it seems that you don't have much appetite either.
14:08Well, they don't want to look for me because they don't want to eat.
14:11I have enough with what I have, with what I have.
14:14To get angry at some capricious and clumsy ladies.
14:18And what's wrong with you?
14:20Your in-laws don't make me happy.
14:23It's because of the economic solvency they asked Virtudes, right?
14:27Exactly. Although more than solvency, they should call it soltency.
14:31Because these people, you know what they want?
14:33They want to be released.
14:36But what are you talking about?
14:38My daughter's in-laws have asked my Virtudes to give them 550 pesetas to give back to her son.
14:45But that's the money the in-laws have asked for.
14:48Exactly.
14:49No, Virtudes is not going to get so much money with her in-laws.
14:53Impossible. Not in three lives.
14:56Well, I think in a few weeks I could get it.
15:00What are you thinking? Are you going to steal a bank?
15:02You're not going to realize anything.
15:04Of course she realizes. That's why I'm telling her, Mrs. Candela.
15:07I know Virtudes can't get it on her own, but maybe all of us, if we put our shoulders up, then ...
15:13A collection?
15:15Like the one you made to pay for my eye surgery.
15:18The truth is that if I did it for an eye, what less, right?
15:22Do the same for an innocent creature.
15:24Yes, my dear Adolfito.
15:27Besides, this would be half the money that that surgery was worth.
15:33Do you think everyone will want to help?
15:37Of course.
15:38Even if it's you, his mother and Xavier's grandmother.
15:43How long does Virtudes have to get the money?
15:45Ideally, in two months.
15:47That's when she's going to go to work at the village priest's house.
15:52Well, she'll see how when she has to go to work at Don Fermín's house, she's going to go with Adolfito.
15:58And her father-in-law will see what Virtudes has. Solvency.
16:01Solvency and whatever it takes.
16:05Well, no more talking. Now we have to tell everyone and we have to save too.
16:10Well, all the less Maria Mandrao, huh?
16:13She's capable of talking to Virtudes' in-laws to tell them to ask for 1,000 pesetas instead of 500.
16:20You'll see, Mrs. Simona, how soon she'll be with Adolfito again.
16:30The marmalade business never ceases to give penguins benefits.
16:33And all thanks to the fact that I'm in charge.
16:37I already gave them to you before you took them.
16:41This war is a magnificent business opportunity that we have to take advantage of.
16:47Yes, take advantage.
16:49Are you thinking of investing more money? Don't count on me.
16:53Well, you can always ask for a loan.
16:55I don't see it.
16:56Of course you don't see it.
16:58You should have exploited your business better a long time ago.
17:01For example, if you sold your wheat abroad, I would pay you much better.
17:05And leave our neighbors without flour to make bread.
17:07Or with the prices skyrocketing.
17:09Even if you lose the title?
17:11No, I can't act like that.
17:13If we start playing with people's bread, this is going to end very badly.
17:17But those are not ways to do business.
17:20Look, brother-in-law, in this, as in many other things, we do not agree.
17:24So let's leave it.
17:26Let's change the subject.
17:29What do you think if we talk ...
17:31I don't know ...
17:33About women?
17:35No, about a woman.
17:37About Maria Antonia.
17:40What's going on with Maria Antonia?
17:42I was hoping you would tell me.
17:45I haven't seen her in days.
17:47And why do I have to know what's wrong with her?
17:49Because I haven't seen her since the day I met you.
17:53And why do I have to know what's wrong with her?
17:55Because I haven't seen her since the day I met you arguing in the greenhouse.
18:00What a coincidence, don't you think?
18:02Don't say that, Anderses.
18:03I had the feeling that you were having a higher word than the other.
18:06Lorenzo, I'm tired of your insinuations.
18:08I don't have to give you any explanations.
18:18Well, wait a minute.
18:20Before you start eating,
18:22I want to give you an order from Mr. Márquez.
18:25I want you to comply with the deadline.
18:27No one wins when they comply, Mr. Baeza.
18:29Well, I'm going.
18:32If any of you go to Luján
18:34and ask for Mrs. Darre,
18:36you have to answer that she died in her town.
18:41I've already been asked.
18:43And what did he say?
18:44Well, I acted stupid and I went the other way.
18:47From now on, you have to answer what I'm telling you.
18:50Without going into details.
18:52I'm not going to say a word about it.
18:55I get sad just thinking about it.
18:58And what do we do if they ask for details, Mr. Baeza?
19:00The people of Luján are very curious.
19:02Well, against the vice of asking, the virtue of keeping quiet.
19:06You only know what I'm telling you,
19:08so you don't have to tell me anything else.
19:11It's very difficult for me to talk about Mrs. Pia
19:13knowing that we will never see her again.
19:15For everyone.
19:17Yes.
19:18She has left a very big void.
19:22It is true that that was very sad,
19:24but not all are sorrows.
19:26In fact, now we have an opportunity
19:28to bring some joy to the promise.
19:32We could help Virtudes to get her son back.
19:36Explain yourself, Miss Expósito.
19:38You see, the grandparents of the child
19:40have asked Virtudes a lot of money
19:42as a guarantee.
19:44No more, no less than 550 pesetas, one after the other.
19:49And my poor daughter doesn't have or will have.
19:53But we could collect it to help them.
19:56Ah, well, I think it's an excellent idea.
19:58Well, you're not going to get me a dog.
20:01Well, it's not mandatory either, anyone can do it.
20:06Of course I will help, Hanna.
20:08She too.
20:10Count on me.
20:11And with me, of course.
20:12And me too, of course.
20:13And I want Simona to be able to enjoy her son soon.
20:18I don't know what to say.
20:21Thank you very much from the bottom of my heart.
20:33I see that everyone is very hungry today.
20:36Eat and shut up.
20:44Well, I ...
20:48I wanted to apologize.
20:50Can we know why, Mrs. Alcos?
20:53Yes, of course you can.
20:56I know that Mr. Bellicer and I have our differences.
21:01And well, sometimes one gives an order and the other the opposite.
21:06Well yes, unfortunately it has happened several times.
21:10That's right.
21:11And with that, what we have achieved is to confuse the service.
21:16And I have been forced to intervene to avoid unnecessary harm.
21:21Of course, I am aware that we cannot continue like this.
21:24And from now on, I would like Mr. Bellicer and I to reach an agreement.
21:32I also want the same.
21:35Well, it seems very sensible of you, Mrs. Alcos.
21:39I appreciate the initiative.
21:41And how it would also be sensible for us to start eating the lentils because they are starting to get cold.
21:48I miss you.
22:01You have no idea what I miss you for, Curro.
22:04And the desire I have to hug you.
22:08I pray every day for you to return soon from that healthy and safe war.
22:13When that day comes, we can lead a life like the one before, but happier.
22:18Because now we will know how to love each other better.
22:22I will know how to love you better.
22:26My life without you is boring and lonely.
22:29I hardly talk to anyone.
22:31I remember every moment how lucky I was to have you by my side
22:34and how blind I was for not knowing how to see my luck.
22:38I ... Curro, I don't know if I should tell you this because you will have enough with your problems, but ...
22:46I need you to know, I can't hide something like this from you.
22:53My life, Curro, is now very different from the one I had when I wrote to you for the last time.
22:58And that's only a few weeks ago, but everything has gotten worse.
23:03I'm not even alive in the promise, but locked up in a sanatorium where they treat me like a madwoman capable of committing any barbarity.
23:11And they force me to take pills every day.
23:17I guess you can't imagine how I ended up here.
23:20Sometimes I think about it and it seems to me to be in a nightmare that I will one day wake up from, but ...
23:26Unfortunately, this is my reality.
23:29It all started because someone poisoned Conde de Ayala.
23:33And who do you think they accused?
23:36Yes, me.
23:39They accused me of wanting to kill him for wanting to marry my mother.
23:42I know that if you had been in the promise, you would have defended me, but you were not.
23:47Or I would have accepted to be admitted to this center or Conde de Ayala would accuse me in front of the Civil Guard.
23:52I don't know what would have been worse, because in front of justice I could have tried to kill him.
23:57Because in front of justice I could have tried to prove my innocence, but here ...
24:02I am surrounded by women who have lost the Oremos and there are days when I ...
24:08I ...
24:10I remember your poor mother.
24:12Of everything you told me about her.
24:15And I'm afraid that if I'm still locked up, I'll end up like her, but ...
24:19But I want to be strong.
24:21Get out of here.
24:23And that when you return from that war, we will be together forever.
24:27That is why I will fight to prove that I am innocent.
24:32You fight to get out of that war alive and that we can love each other as we deserve.
24:42I have been told that when the king went to rest at the farm,
24:45the queen accompanied the princess of Salsal on a horse ride to sound the horn.
24:50Poor princess. Her husband is in prison and in the hands of the English.
24:56Well, that princess has her husband in Gibraltar.
24:59I mean, nearby. I'm sure they'll let her visit him.
25:02That's why he's around here, in Spain.
25:06Salvador, since you're here,
25:09do you know anything about that rumor that we have heard that Mrs. Darre has died in her town?
25:15Well, we have also heard something, but so far they are rumors without confirming.
25:20Mr. Baeza is trying to find out more.
25:23Well, have me informed.
25:25And tell the rest of the service that we feel a lot about the end of poor Pia.
25:30I guess they will be very affected.
25:32Yes, sir. Mrs. Darre was very loved by everyone.
25:37It has been a great loss, without a doubt.
25:40I'm sure God has already taken her in his bosom and is finally resting.
25:45Shouldn't we hold a mass for her soul?
25:49I don't think Mrs. Darre's soul needs many masses to go up to heaven.
25:54But I'll talk to Mr. Fermin when I go to Wuhan.
25:58I'll see when. I'm not in the mood today.
26:02Are you still upset about that nightmare?
26:04The truth is that I feel better, but I'm still a little impressed, to be honest.
26:09Has something happened?
26:12Nothing, a bad night. A terrible night.
26:17She had a terrible nightmare and woke up screaming.
26:21It is not necessary to go into detail, dear.
26:24And what were you dreaming of? If you can tell me.
26:28With my son Manuel.
26:29And it is natural, given the circumstances you are living.
26:33Well, according to whom. I'm sure Lorenzo doesn't have nightmares, does he?
26:38Well, some or the other, yes.
26:40Although, as I suppose you well know, you don't need to be asleep to have bad dreams.
26:45Cruz, it is normal for a woman to have nightmares.
26:48Even so, you should avoid copious scenes.
26:51And what about my son Manuel?
26:53Well, it is normal for a woman to have nightmares.
26:56Even so, you should avoid copious scenes.
26:59And have dinner at least two hours before going to bed.
27:02So that I have time to digest.
27:04And avoid wine and liqueurs at night.
27:07Exactly. And don't make it too hot in the room.
27:10I've heard that a hot bath before going to bed also helps.
27:13Well, enough! Enough!
27:16Can you get into your business and leave me alone once and for all?
27:20I'm fed up with so much advice.
27:22To tell me how to lead my life or how I have to face the fact that Manuel is at the forefront.
27:26Cruz, everyone does it to help.
27:28Well, it doesn't help me at all, Maria Antonia.
27:30It would help me more if you took care of what really matters.
27:34For example?
27:36For example, find out how the poison got to Martina's room.
27:39Well, that's clear.
27:41No, it's not clear, Ignacio.
27:43You have locked up that poor girl so that they take care of her while you investigate, right?
27:48Who is investigating here?
27:50Huh? Who?
27:53Is there anyone who wants to know what really happened?
27:56Cruz, I think you're exaggerating.
27:58Lorenzo, you don't even need to talk.
28:00I really didn't expect anything from you.
28:03But you, Margarita.
28:05Do you want to do something for your daughter, yes or no?
28:09Of course I do.
28:11Your daughter is locked up in a asylum.
28:13And you're not doing anything to get her out of there.
28:15Stop accusing me, Cruz!
28:17What can I do?
28:19I don't know, I don't know. But do something, Margarita. Do something!
28:23And you, Ignacio?
28:25You don't look too worried about investigating.
28:28Cruz, it's not necessary.
28:30Yes, it is necessary.
28:32It's necessary because I'm at home.
28:34Period.
28:48The next day
28:57It's so cold in here, miss.
28:59You get the cold in your bones.
29:01It's not that bad.
29:03Yes, it is.
29:05You're going to catch something bad here.
29:07Good thing I brought you a hot plate of lentils.
29:10Thank you very much, Simona.
29:12But I have a stomachache that I can't eat anything.
29:15And that?
29:17Well, so many things.
29:20My brother.
29:22The situation at home.
29:25But above all, that my cousin is locked up in an asylum.
29:29And not being able to do anything to avoid it.
29:32I have heard that it is a center of great importance.
29:36Yeah, and who says that?
29:38Ayala?
29:40I don't believe a word of that man.
29:42But I don't think Mrs. Margarita realizes that her daughter is being neglected.
29:47It seems to me that my aunt is losing her mind because of that man.
29:51How can they put an innocent girl in such a place?
29:54I understand that you are angry and upset, but ...
29:57But don't say that because in the end your character will be spoiled.
30:02Yes, it may be.
30:05The truth is that lately I have been going from trouble to trouble.
30:08And with whom do you have problems, miss?
30:12Well, look.
30:13I had it with Cruz for receiving Adriano at the palace.
30:17He insulted us, humiliated us ...
30:21Who does he think he is?
30:23Always above everyone else.
30:26You know how the Marquise is.
30:29On top of that, he made me face my relationship with Count Daniel.
30:32At this point.
30:34And what did you tell him?
30:36Well, much less than I should have told him.
30:38But he reads me, he made me when I was little and ...
30:42And that eats me up inside.
30:45No, don't get mad, miss.
30:47It is very easy to blackmail someone when you catch him with the scythe.
30:51The difficult thing is to get up when one falls.
30:55And you always do that.
30:58That was before.
31:00And now too. You'll see.
31:02You believe in my strength more than I do, Simona.
31:05I have reasons to do so.
31:08You are not one of those who bow their heads.
31:13If what worries me is Adriano.
31:16That the poor man is not to blame for anything.
31:18He had to be shocked.
31:20Yes, but at least it seems that he did not take it badly.
31:23He even chants with it.
31:27You know what, miss?
31:30Every time you name this boy,
31:33a smile is drawn on his face.
31:35Me?
31:37What's wrong with you?
31:39Miss, we have known each other for many years.
31:47You have me well choked, huh?
31:50Well, you're right.
31:54Yesterday Adriano and I kissed.
31:57I knew it.
32:00But what am I doing, Simona?
32:03This story makes no sense.
32:04And why not?
32:06Because it's crazy.
32:08After what happened to me with Count de Añil.
32:10What do I do with another man?
32:12I wouldn't have to be with him.
32:14Listen to me, miss. I'm going to tell you ...
32:16But I'm a fool.
32:18A hollow head that doesn't know what to do.
32:21Shut up for a moment, miss.
32:23Sorry to talk to you like that.
32:25But I can't stand hearing you speak ill of yourself.
32:30Let's see.
32:31Don't you realize that you can't turn things around so much?
32:35Don't think so much.
32:37And listen only to your heart,
32:40which is very big and very wise.
32:42I'm telling you.
32:54Have you finished writing the letter to Tomás?
32:57Yes.
32:58Yes.
33:00I've written three pages on both sides.
33:04My wrist hurts from writing everything.
33:07And have you thought about how to pay the sealer?
33:18Do you think this bracelet would work?
33:23It's ...
33:25It's beautiful.
33:26It's beautiful.
33:28The young man I sent the letter to gave it to me as a gift.
33:31I really appreciate it.
33:33But right now the important thing is that my letter reaches him.
33:37So do you think it will be useful to pay the sealer?
33:57Well, I don't know how Mrs. Adarre will be, but I haven't seen her in days.
34:02I mean, the last time she brought a lot of water and food, right?
34:06Well, yes, but I've been doing some calculations and ...
34:10She may not have enough.
34:13If she hasn't run out of it already, of course.
34:15She was very down-to-earth and in the end she's there alone.
34:19So I'm afraid she might do something crazy.
34:22No, no. Mrs. Adarre is a very sensible woman.
34:24I know, but in the end she's been there for a long time and she hasn't seen her son for a long time.
34:30So I'm afraid of the worst.
34:32No, don't be greedy.
34:34You'll see how soon we can bring her to a more comfortable place.
34:37And when will that be?
34:39Sooner or later.
34:41In Lujan, people are already talking about how Mrs. Adarre died in her town.
34:44Now we just need this to reach Mr. Castillo's ears.
34:47Well, we also need him to act as we want him to.
34:50And he will. Trust me.
34:52As soon as Mr. Castillo believes that Mrs. Adarre has died, he will go to the town to verify that the tombstone is there.
34:58And when he sees it, Mrs. Adarre will be out of danger.
35:01Yeah, but days can pass for that.
35:04And I need to see her before.
35:06Besides, Pedrán won't leave me and I can't go to the cave.
35:09Now that Mrs. Arcos has settled the mea culpa with Mr. Pellicer,
35:13you'll see how the vigilance goes down and you'll be calmer.
35:16Well, God willing, because if not ...
35:18You'll see how.
35:20María, why have you arrived like this?
35:23Like what? Walking?
35:25It's about putting one foot, then the other, then the other again.
35:28And that's how it works.
35:30Why are you so scared?
35:33You look very pretty.
35:35No, no, nothing has happened. No one is scared.
35:38Well, if you say so, Mrs. Baeza.
35:41Hanna, Mrs. Petre has told you that we have to go to the laundry.
35:44There is a lot of laundry to wash.
35:46I also have to go to the laundry?
35:47We have to wash blankets and napkins.
35:49And this time she said it in a very good way.
35:51Barely without shouting.
35:53Well, that's weird, look.
35:55Well, yes, it's weird, yes.
35:57Because listening to Mrs. Petre apologize is not something that usually happens.
35:59No, it surprises me too.
36:01Well, as soon as I finish the rooms, I'll go to the laundry.
36:04Very good, Miss Expósito.
36:06Then we will finish clarifying this matter.
36:08Good.
36:10Shall we go?
36:12Let's go.
36:14What are you doing alone?
36:16Nothing important.
36:30Hello.
36:32Are you going to think that I am a bit heavy with so many visits?
36:36No, never.
36:38I really like your visits.
36:41What are you wearing there?
36:43A game of tabas that I made for a friend's daughter.
36:46Do you want to see it?
36:48Yes.
36:57They are not as sophisticated as a suitcase,
37:00but they have a lot of fun.
37:02I'm going to go to the laundry.
37:04I'm going to the laundry.
37:06I'm going to the laundry.
37:08I'm going to the laundry.
37:10It is a little done, but ...
37:18They seem made of bone.
37:20These are made with bone.
37:22With the hind legs of a lamb.
37:24And you also painted them?
37:26Yes.
37:28As you can see, I'm not very good with the brush,
37:30but I have done what I could.
37:32Well, they are very beautiful.
37:35And is the game very complicated?
37:36the game? Not as much as you, Hedrés. For me for sure. Have you never played the
37:42tabas? No, I've heard about them, but I've never played or seen them play. Well, it's easy.
37:49In short, you have to pick up the tabas and throw them, and as they fall, that's how they will go in the game.
37:55Like with the dice? Not at all, because you also have to pick them up as they have fallen.
38:00But they don't have six sides, like the dice. No, they have four. Look, this is GT.
38:13Panza, Verdugo and Rey. Here, the chance doesn't matter, but the player's ability.
38:21So it's like chess. I wouldn't say so. You know what? I challenge you.
38:32But miss, what need does it have to be defeated if you told me a minute ago that you've never played this?
38:37Defeated? Well, we'll see. I'll be the first to throw. Let me finish explaining the rules better.
38:44You're already explaining it to me while we play, so you learn better. I throw.
38:50Well, what? Have I won?
38:54I better explain the rules to you, because this doesn't make any sense.
38:57Whenever you want, Mr. Understood.
39:04Well, you know that Queen Elena of Montenegro has ordered the construction of a hospital with 300 beds
39:09for war victims. Those are many beds, but of course, thousands die in that war.
39:14I'm sorry, Hanna. Are you sure nothing happens to the young ladies?
39:23Maybe it can happen to them. I know it and everyone knows it. Including Mrs. Marquesa, who was unbearable today.
39:32Today, nothing bad?
39:33Today, always. But today I was about to tell you that I also had the right to be destroyed,
39:39because in the end Manuel is my fiancé.
39:43What?
39:44Well, in the end I didn't tell you, Maria.
39:47Well, thank goodness, because with how weird you are, I see you capable.
39:50What do you mean weird? I'm not weird.
39:52No, Nina. You are weirder than a green dog.
39:58Well, if I'm weird, what? What do you want me to do to Maria with everything I'm going through?
40:03Mrs. Pia just passed away. Manuel and Curro are at war.
40:07Yes, that's the reason to be sad. But I'm talking about you being very weird.
40:14What do I do weird? Tell me. Come on.
40:17Well, look. To begin with, you are very thoughtful. You eat snacks. You are gossiping with Mr. Baeza.
40:23And you do mysterious errands for him.
40:25Maria, I'm not gossiping with anyone. I talk to Mr. Baeza from time to time because it comforts me to talk to him, nothing more.
40:32And what about the errands?
40:35They are simple orders. I am behaving exactly the same as anyone would behave in my situation.
40:42I don't know if I believe you. You are weird. Come on, you are weird.
40:48Well, think whatever you want.
40:57But do you think the stairs at the service entrances are very clean?
41:02I have given them until they shone.
41:06What will they shine? It doesn't even seem that you have given them water.
41:09But if I have brought them shine step by step ...
41:12Well, you don't notice. They are ruffled.
41:15I don't care how I do the things that you are always going to stick to my work.
41:19How dare you, foolish?
41:21What I hear. It seems to me that you enjoy scolding me. Have I done something to you?
41:27But do you really have the audacity to ask me for explanations?
41:32They wouldn't be too much.
41:35Well, I'm not going to bother answering you.
41:39For two reasons.
41:43The first, because I don't give explanations to the maids.
41:46Understood?
41:48And the second, because I know that you are not going to last long in this house.
41:54I know that you are going to go to the village to work for the priest.
41:57What did you think? That he was not going to find out?
41:59No, no, it's not safe. It's just a possibility.
42:03First I have to get my son back.
42:04My son?
42:06Do you want to leave here? Don't worry, no one is going to stop you.
42:10You can pick that door for me right now.
42:12No, Mrs. Arcos. I still plan to stay a while.
42:17You plan. So we are here to fulfill your wishes.
42:22No, it's not that.
42:24Go out that door right now and go scrub the stairs until they shine like a mirror.
42:27Let's go.
42:29And close the door.
42:47Look at him, he looked stupid and he turns out not to be.
42:51But what are you doing?
42:53Don't you see that this letter is not convenient for us?
42:54I thought it was.
42:56You should have thrown something out of the golden stick.
42:58You are an ignorant, Vera.
43:00Well, let's keep playing.
43:02It's better this way.
43:04The truth is that the mayor and the keymaker are arguing all day.
43:08They treat us like cows without fences.
43:10When one says white, the other says black.
43:12Well, it doesn't seem that way to me.
43:14The truth is that when Mrs. Arcos and Mr. Pellicer hook up,
43:17one doesn't know who to obey.
43:19It's a bit of an uncomfortable situation.
43:20And in the end, we always end up paying the same, the ones below.
43:23But well, it seems that they have already signed the peace.
43:26The good thing is when we all work with the same goal.
43:29Right, Salvador?
43:31I love the 40s.
43:33We're on a roll, huh?
43:35I told you you should have thrown out the golden stick.
43:37You're in a bad mood, Vera.
43:39Do you want to leave me alone?
43:41It's just a game.
43:43Well, even if it's a game, you have to play well.
43:45You're in a bad mood, Vera.
43:47Well, what did you want?
43:48Did you want us to come to see you argue?
43:50Do you know what I'm saying?
43:52I'm leaving.
43:54I came to have a good time.
43:56Not to be bitter.
43:58Let's go.
44:19Cruz, I finally find you.
44:21Did you need me for something?
44:23Yes.
44:25I wanted to apologize.
44:27This morning we have all been very unfortunate,
44:29telling you what you should or should not do
44:31so as not to have nightmares.
44:33If only it were this morning.
44:37As if a mother who has a son at war
44:39was able to decide what she wants to dream of.
44:44Are you looking for something, Ignacio?
44:46Because this way of giving me the ears
44:48is a little rude, even for you.
44:50We are friends.
44:52It is normal to support each other among friends.
44:54You and I have not been friends for a long time,
44:56so stop giving me the pilgrimage, please.
44:58I just pretend to be kind.
45:03With some interest, sure.
45:05But from me,
45:07after having admitted Martín to a asylum,
45:09you won't get anything.
45:12I already warned you.
45:13If something bad happens to my niece,
45:15I'll end you.
45:17Come on, Cruz.
45:19I think I have a right to have the main suspect
45:21under control of my poisoning while I investigate.
45:25Investigate, you say?
45:27Well, you'll tell me how you do it
45:29because I don't see you moving a finger.
45:31But what else do you want me to do?
45:33Well, whatever.
45:35Except wait for the answers from heaven to fall on you.
45:44Petra.
45:46Come closer.
45:56Mrs. Marquesa and I were talking
45:58about everything that happened with Martín.
46:00You know, my poisoning.
46:03And what do you want from me?
46:05Well, we both want to get to the bottom of the matter.
46:09And I've heard
46:10that you have some information
46:12about this sad matter.
46:14Me?
46:16Uh-huh.
46:18Well, tell me.
46:20Do you know anything that might interest Mrs. Marquesa?
46:23Or has the cat eaten your tongue?
46:35I can't get my head out of my face.
46:37It's a mess.
46:38I can't get my head out of my face.
46:40It's a mess.
46:42Now that you say it, Maria,
46:44I have to tell you something.
46:46Mr. Baeza, I urge you to be a little clearer.
46:49A good understander doesn't need many words.
46:52And you're better than good, Mr. Pellicer.
46:54If I've wanted to convey my confidence in your worth so far,
46:58know that this can change at any moment.
47:01You acted heartlessly
47:03and with a lot of selfishness.
47:05That's the truth.
47:06You're a hypocrite.
47:08You're a lynx looking at the straw in someone else's eye
47:10and not at your own crotch, Cruz.
47:12When that letter gets to Curro's hands,
47:14he'll know where you are and he'll know
47:16that you still want to tell him everything.
47:18I hope so.
47:21Uh...
47:23Wait a minute.
47:25Do you know his name?
47:27I'm very distressed.
47:29I don't feel like doing anything.
47:31This situation is getting out of hand.
47:33But Cruz, I have a bad feeling
47:34that something bad will happen
47:36if it hasn't already.
47:38Hanna, what's going on?
47:43My God.
47:45I need you to be my eyes
47:47and my ears.
47:49The promise.
47:51Count on it, Mr. Castillo.
47:53But now leave.
47:55It's convenient that no one sees you around here.