Salón de té La Moderna - Ep 191
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00:00THE LORD OF THE SKIES
00:11I'm afraid I'm not getting this.
00:14You said you were leaving La Moderna.
00:17What does that mean?
00:19Well, I'm leaving.
00:21It's hard to explain.
00:24But, yes.
00:25Fermin.
00:26Excuse me.
00:27I'm sorry to interrupt, but I wanted to thank you again
00:30for breaking the rule.
00:32I'm sorry, Trini, that you lost it.
00:34Lost what?
00:36Don Fermin has broken the rule
00:38that he forbade his concubines from getting married.
00:42But... but when did that happen?
00:44Right now.
00:45Don Fermin.
00:46I won't keep you any longer.
00:49Thank you.
00:50Wait, I'm going with you.
00:51Yes, me too.
00:52No, no, no.
00:53No one is leaving until I say so.
00:58Let's split up, please.
01:07You first, Trini.
01:09You came into this office a moment ago
01:11saying you were leaving La Moderna.
01:13And you sounded like you were saying goodbye.
01:15I think I expressed myself wrong.
01:18I wanted to say I'm leaving until tomorrow.
01:22Well, I don't know if you remember
01:25that I asked you for permission
01:27to go with my mother to the doctor's.
01:29Of course I remember.
01:31She had a problem with her knees, right?
01:33Is she better now?
01:34Well, no.
01:35To be honest, no, no.
01:36I'm very worried.
01:37And that's why I also have to go look for some things
01:41at the pharmacy.
01:42And that's what I meant when I said I'm leaving.
01:45That I'm leaving with my mother.
01:47Trini, if you say so, I'm going to believe you.
01:50Because I hope I have gained the trust of all these years,
01:53the right for employees to speak to me frankly.
01:57Because there is nothing that hurts me more than lying
02:00or hiding the truth, which in this case would be the same.
02:03And you have always been a clear and transparent person.
02:08And you would never do something like that, would you?
02:11No.
02:15Well, may your mother get better.
02:17Goodbye.
02:20Goodbye.
02:42Excuse me, Mr. Fermin, but I have to go.
02:51And as you can see,
02:53the press is helping us corner Íñigo.
02:56Yes, but it's not enough, mother.
02:58I want to finish with Íñigo and especially with Matilde as soon as possible.
03:03Of course.
03:05We will.
03:06But we can't speed up or lose our cool.
03:10Otherwise, everything will go to hell.
03:14Have you checked the documents I left you from the company?
03:17Oh, mother, please.
03:19I don't have the head for that.
03:23Carla.
03:25If the company continues to give us benefits,
03:27then we will have a problem.
03:30Was Fabio taking care of everything for us?
03:32Yes.
03:33And Fabio is very loyal, you know that.
03:36He has taken everything very seriously.
03:38And his prestige is helping us a lot.
03:42But no one knows the ins and outs of the company like you do.
03:45So tell me what he has to do,
03:48and I'll pass it on to him as if it were my ideas.
03:57Tell him that the construction of the hotels in Bilbao and Barcelona is a priority.
04:01Urgent.
04:04Come on.
04:05Now eat something.
04:16You know that Carlos V was buried in...
04:18In the monastery of Juste?
04:20Yes, I like history.
04:25What are you doing?
04:27Well, this is also history.
04:30Or at least it will be.
04:32I am cutting out all the press articles
04:34in which I have appeared in recent weeks.
04:37Look, for example.
04:40This is when I gave up my job.
04:43This is when I was arrested as a suspect in the murder.
04:48This is from the shooting in Madrid, Cabaret.
04:51And well, this is the one that gets the applause.
04:54The history of the button.
04:57Why do you want to collect all that?
04:59They talk about the famous button,
05:01and that it was found next to Carla's body.
05:03And why not?
05:07I'm not going to get out of this one.
05:10I'm not going to let them sink me.
05:12Besides, Jacobo already told me
05:13that sooner or later I will stop being news.
05:15They have nothing against me.
05:21Is there a more twisted story than the button?
05:27By the way, I'm going to call the police
05:30to find out when I can reopen in Madrid, Cabaret.
05:33What?
05:34And I'm not going to hide.
05:36I'm going to show my face.
05:38And for that, I'm going to organize a party
05:40to celebrate the reopening of Madrid, Cabaret.
05:44What do you think?
05:45Will you support me in this?
05:49I think it's very good.
05:51And of course I support you.
05:55Come here, honey.
05:56Come.
06:04I will never thank you enough
06:05for everything you are doing for me.
06:07And that you have not doubted me for a single moment.
06:23Well, it's not the breakfast they serve at the Ritz,
06:26but it looks like it.
06:27Once I went in to inquire
06:29and I thought that maybe someday I could prepare it at home.
06:31And that day has come.
06:33Thank you, Laurita,
06:34but my throat still hurts when I swallow
06:36and my eyes from crying so much.
06:41I have not slept all night
06:42because I don't know what happened to César.
06:44This uncertainty is unbearable to me.
06:46And it broke my heart when I heard at the police station
06:51that he was accused of the two homicides of Madrid, Cabaret
06:54and that he belonged to a criminal organization.
06:58Do you regret having gone?
07:01No.
07:03No, but if they haven't arrested him,
07:05the most likely thing is that they have killed him.
07:08Well, no, maybe he managed to escape.
07:10César is not one of those who are easily caught.
07:13I hope so.
07:15I'm afraid I'll never see him again.
07:18It's just that I miss him so much.
07:21I understand.
07:23But you knew it.
07:25You knew it was very difficult for you to get away with it.
07:28Yes, but I don't know,
07:29I had the hope that I would solve his problems with Marcel
07:33and get a normal life.
07:37If you close your eyes, what do you feel?
07:41What?
07:42Listen to me, close your eyes.
07:47Do you think César is alive?
07:53Who could it be?
07:54I don't know.
08:00Oops!
08:02Well, look, a client has fallen.
08:04And don't think that he has apologized or made a request to pick him up.
08:07I didn't care, but ...
08:09Look, Marta, I'm so happy that the clients have educated me,
08:12they were exactly the same.
08:15I'm glad to see you like this.
08:17That you can only worry about the wedding and nothing else.
08:21Well, yes.
08:22Although time also learns and I have to start sending invitations, really.
08:27I don't even know where to start.
08:28Well, very simple.
08:30Leaving Matilde and me to help you.
08:34Also, the most important thing you already have, which is the dress.
08:37Yes.
08:39By the way, are you sure Pietro doesn't mind
08:42that you wear the same dress as at the wedding with Ramón?
08:45I haven't told him yet.
08:46But, well, so many things have happened to us that I'm going to tell him.
08:50Agree?
08:51Agree.
08:54And what are you doing here, my favorite adornment?
08:58Hey, how did you get Mr. Fermin to change his mind?
09:01You ask her.
09:02Well, I just told him that I didn't understand how such a caval man
09:06kept such an old rule.
09:08And that it would be terrible for Pietro and for me to leave the wedding.
09:11Come on, Marta.
09:15Have you seen how my future wife is a woman of weapons to take?
09:19And very pretty.
09:22Are you thinking that maybe being here and then at home,
09:27working together, is not too much?
09:29Maybe we get tired.
09:31We get tired?
09:32I will never get tired of you.
09:34And that's why we want to open the bakery, right?
09:37To be together all day.
09:39Yes, that's true.
09:40It's true.
09:41Yes, yes.
09:42You have convinced me.
09:43Because we are here with all the clientele,
09:45that if not, I would kiss my future husband.
09:49And you still don't know where he will live?
09:52Not yet.
09:53No? Isn't it one of the pending tasks?
09:55I'll talk to you later.
09:57If you want to accompany me,
09:58maybe I'll let you give me that kiss.
10:14Miss Barbuena?
10:16Which one? Her?
10:18Inés.
10:20It's my sister.
10:21Who are you and what do you want from her?
10:23If you allow me to pass, I am Lieutenant Lorenzo.
10:26Very well, but what do you want?
10:30You must be Inés.
10:32Yes, it's me.
10:35I am the link of the police with the French gendarmerie.
10:38And they have commissioned me to the search for César Morel in Spain.
10:43I'm not going to walk around.
10:46As far as I can see, there are only two possible links.
10:51Either he appears dead or we find him.
10:57And I assure you that we will find him.
11:01I know very well who you are and the relationship you maintained with him.
11:05And I advise you to collaborate with me and tell the whole truth.
11:11If you have received a letter, you may have received others.
11:16I have only received one and I gave it to the police.
11:20In addition, it arrived by mail.
11:22You can check it.
11:23Since César disappeared, he has not contacted us.
11:26Covering up a criminal is not going to do him any good, quite the opposite.
11:33In case you don't know, my sister is recovering from a very serious accident that could cause her death.
11:38So I'm going to call my uncle and I don't doubt we're going to complain about his attitude.
11:43Forgive me if I have been too rude.
11:47But in my profession, sometimes the rush won't let us walk around with flowers.
11:54Well, that's enough for today.
11:56Although this has helped us to get to know each other and face each other.
12:02Although do not hesitate, especially you, Miss Inés, that we will see each other again.
12:09I hope that next time he comes with an order or a court date or whatever.
12:13Because if not, we are not going to open the door.
12:16What I hope is that they don't lie to me.
12:18The obstruction of justice can be a very serious crime.
12:24Good morning.
12:26Good morning.
12:29We can't allow this.
12:32I thank you for taking my call.
12:35Can I offer you something to drink?
12:36No, no, thank you.
12:37I thank you for inviting me here, in a discreet place.
12:40Well, it's the least I could do, Mr. Fermin.
12:43But please, have a seat.
12:44Thank you.
12:47I understand that right now I'm not the most popular person in the city.
12:53And that many people don't want to relate to you.
12:55I understand that.
12:56I understand that right now I'm not the most popular person in the city.
12:59And that many people don't want to relate to me.
13:03It's not my case and you know it.
13:06Tell me, how can I help you?
13:09Well, I intend to reopen Madrid Cabaret.
13:13I'm waiting for the police to tell me when I can do it and I hope it's soon.
13:19But the point of all this, Mr. Fermin, is that a liquor supplier has decided to rescind my contract unilaterally.
13:25I see, I see.
13:26I can imagine the reason, however.
13:28Yes, well, no one wants to do business with a supposed murderer.
13:31I see.
13:32And then I also have clients who are in close contact with the company Morkwenden.
13:37And what can I say about the power of the press?
13:40That no matter how much my innocence is shown, the damage is already done.
13:44Yes, it is completely unfair but understandable that certain people have their reluctance.
13:50Well, that's why I want to reopen.
13:53To prove that I don't want to give up and that no one is going to intimidate me.
13:58Have you contacted other suppliers?
14:00Yes.
14:02And they all gave me the same answer.
14:04Obviously, they have not dared to accuse me as a suspect in the murder of Carla.
14:09But the shooting in Madrid Cabaret has served as an excuse.
14:13And now you want me to talk to my own suppliers, right?
14:18Don Fermín, I just need to be covered for the party.
14:21So that the people who are leaving me right now see that nothing happens.
14:26And I'm sure that after that night everything will return to normal.
14:34Unless you also doubt me.
14:37No, no, I have no doubt about you.
14:41But what happened to my niece, that fatal accident where she burned her throat
14:46and the subsequent shooting.
14:48Understand that your place right now does not generate the best feelings for me
14:54so that I can access what you ask of me.
14:57I understand perfectly, Don Fermín.
15:00And I'm very sorry about what happened to my niece, really.
15:04When I began to suspect that Cesar was not to be trusted, I tried to investigate him.
15:10But I'm afraid I didn't have time.
15:12No, it's not your fault, because I didn't do things the way I should either.
15:19May I use your phone?
15:23Well, thank God Pietro came in, because if not, I swear I would have kicked him to the bottom.
15:29Trini, I don't know how you came in like that, like crazy, starting with the end.
15:34Well, you had insisted so much that in the end all I wanted was, I don't know,
15:38to get this off me as soon as possible.
15:41And what happened?
15:43Well, nothing, I had to get my foot out of where I had put it.
15:46And luckily I came up with my mother's problem with her knees.
15:51Well, Trini, now you don't have to leave the modern one.
15:55And you can also tell him that you are married to Miguel.
15:57In a release after so many years.
15:59I wish it were that easy.
16:01It's just that after this, when Pietro left,
16:04Don Fermín started to say what he expects from his employees,
16:07that he needs us to go head-on and not hide anything from him.
16:12Very reasonable.
16:13Because in the end, the devil carries the secrets and they turn against you.
16:17Well, that's what I'm telling you.
16:18You know how many years it's been since we've been lying to him.
16:21So, I don't know, imagine what he'll think if I tell him that,
16:25on top of being married, I'm also pregnant.
16:28Don't worry, he'll think it's in the past and that you've done it on purpose.
16:33I don't know, I don't see it, of course, really.
16:35Because neither Antonia nor Pietro have ever lied to him.
16:37And you always say that Don Fermín is a very fair man,
16:40for the good and for the bad.
16:42So I'm sure he's going to fire me when he finds out that I've been laughing in his face.
16:47And imagine if, on top of that, he talks to Don Salvador,
16:51and Miguel also gets out of all this.
16:53No, no, no.
16:54At this precise moment, it's not convenient for me to have more problems with Don Salvador
16:58than I have enough with his son.
17:01He hasn't told you about Elias?
17:03No.
17:04Don Salvador has asked me to teach him about the business.
17:07And you know what that means.
17:10That as soon as you teach him everything, he kicks you.
17:13After leaving me for this bookshop.
17:18Well, look at it from the side.
17:19Well, Miguel, now that you're an expert in stripes and corsets,
17:22it won't be hard for you to put them on your waist,
17:24both the son and the father.
17:26Ha, ha, ha.
17:32No, Miguel, we'll figure something out.
17:34If in the end you're experts, you can get out of your own mess.
17:37Well, you already know that we're great at spoiling things.
17:41The truth is that it's wonderful to get you in trouble.
17:49I'll tell you again, Alfonso.
17:51I owe you.
17:52A hug.
17:56It was Alfonso Centeno, my long-time supplier.
18:00He tells me that there will be no problem
18:02to supply you with everything you need for your party.
18:07I have no words to thank you for everything you're doing for me.
18:11And I need them.
18:12When Matilde Garcés' brother was arrested
18:15for the murder of Don Jaime Morcuende,
18:17the press was completely ruthless with him and his family,
18:21just as they are now with you.
18:23And I also remember that at that time
18:25Matilde worked with us at La Moderna
18:27and many clients refused to be served by her.
18:30It was very unpleasant and very unfair.
18:33And you also know how it all ended,
18:35showing that Pablo was innocent, like me.
18:37That's right.
18:38Anyway, if I can help you with anything else.
18:42Well, you'll see.
18:44I know that the party is going to be a success,
18:47but for it to be a success, I need the public to know.
18:51Please explain yourself.
18:52Well, look, I mean that right now
18:54I don't get along very well with the press.
18:56They prefer to have me as a suspect of murder
19:00to accept my money to publish an ad.
19:03Yeah, but I don't know if I can help you with that.
19:07However, you know Celia,
19:10my niece Laurita's partner.
19:12I think she could help you promote the party.
19:16Well, I assure you that I will pay a good sum of money.
19:18Well, great, because they are about to open their business.
19:20Tell them that it's on me.
19:23I'll do it that way.
19:26I just wanted to congratulate you for your work.
19:29You have pleasantly surprised me, Medina.
19:31It is possible that my daughter did not value you as she deserved.
19:36No, not for now, I will not need your help.
19:39It is time for the police to do their job
19:42and stop Íñigo Peñalverde once and for all.
19:46Okay, I'll call you back in a few days.
19:52How are you today, dear?
19:54If it weren't for you, I would never get tired of repeating it.
19:59I wouldn't be able to get out of bed.
20:01I wouldn't get tired of repeating it either.
20:03I'm here for what you need
20:05because my motivation to get up is you.
20:09But taking care of you also has its demands.
20:12But taking care of you also has its demands.
20:14Today we have to work.
20:16I was doing my homework.
20:19What is it about?
20:20About the Bilbao and Barcelona hotels?
20:23That was a priority for my daughter.
20:25Yeah, well, but she'll have to wait for that.
20:27First we have to take care of something much more urgent.
20:31More urgent?
20:32Indeed, the rental contracts that the company has in several buildings in Seville.
20:36They are about to expire
20:38and it is necessary to study the renovation conditions.
20:43No, it is a management that we cannot delay.
20:46Well, if you say so, it is because it will be so.
20:50But I see myself unable to deal with all that.
20:53My daughter had a very good hand in business.
20:57A talent that she did not inherit from me.
20:59I am overwhelmed, Fabio.
21:01Well, I will review that documentation.
21:04Did you take it from the office as I asked you?
21:06Yes, yes.
21:13I think it's this one.
21:17Yes, this is it.
21:19Very well, I'll leave it in your hands.
21:22But when you finish with the contracts in Seville,
21:24don't forget about the Bilbao and Barcelona hotels.
21:27My daughter had decided to build them in El Solar.
21:30Do you know where they demolished the galleries?
21:32But there was a municipal license that prevented it.
21:36Carla was very concerned about that matter.
21:39Well, I will talk to the lawyers and I will find out.
21:42But if that is the obstacle, I am afraid that little can be done.
21:45Except change it.
21:47Do you think it would be possible?
21:50Can you talk to someone from the administration?
21:52Someone who owes you a favor?
21:54What they ask me is not easy, Barbara.
21:57But hey, I have promised you that you can count on me for whatever you need.
22:02For whatever it is.
22:03And I'm not going to say no.
22:05Fabio.
22:08That's what I expected to hear from you.
22:13But I never dared to ask you.
22:15What?
22:17That if I could take care of the reins of my life.
22:21Or of ours.
22:38Oh.
22:44Is something wrong with the windows, Esperanza?
22:46I just cleaned them.
22:48They are clean, huh?
22:50They could be even mirrors.
22:52Vinegar doesn't smell here.
22:54That's why they are not as shiny as they should be.
22:57Have you already forgotten the commandments?
22:59No, no, Esperanza, God forbid.
23:01No, no.
23:02I already knew that I had forgotten something, the vinegar.
23:05Look, I have cleaned them with soap and water, and consciously.
23:08But the vinegar ...
23:09But that would do any half-haired cleaner.
23:12But we are not like that, right?
23:15Right?
23:16No, no, no.
23:17Ah, that's it.
23:18Let's see, what commandment are you fed up with?
23:20The sixth?
23:23No, no, the fourth.
23:25The fifth.
23:26The fifth.
23:28To leave the windows impure?
23:30Vinegar is used from ancient times.
23:32They had it at the tip of their tongue.
23:35The thing is that ...
23:37When I was going to get the vinegar, something else got into my head.
23:41More important than the vinegar?
23:44Let's see how I explain it so that Esperanza understands me.
23:47It is that when Antonia and Pietro meet at the altar,
23:51the most normal thing is that they go to live together.
23:54Well, of course.
23:55Naturally.
23:56The husband marries and loves.
23:59Oh, Marta.
24:01Antonia considers you like a daughter.
24:03She will surely take you to live with them.
24:05Why don't you ask her?
24:06No, no, no, no, no.
24:07I wouldn't ask her or allow her.
24:09No.
24:10What I was thinking when I forgot the commandment is that ...
24:13Maybe it's time for me to go on my own.
24:17Ah, and are you afraid?
24:19Not afraid, Esperanza.
24:20But I don't know.
24:22It will be different.
24:23Look, if it's a consolation, I've been living alone for many years.
24:27And you know what? I didn't have to explain it to anyone.
24:31Sometimes, when it's very hot,
24:33I even walk naked alone around the house.
24:37And so wide.
24:39Naked.
24:40Ah.
24:41In ball.
24:45It didn't matter if he was lieutenant or general.
24:47What he can't do is go in like an elephant in a street stall
24:50and accuse Inés of being an accomplice to Cesar,
24:52to leave impunity.
24:54It's absurd.
24:55If that were true, you wouldn't have given him the letter.
24:57That's what I think.
24:58But it seemed that all he wanted was to make her feel bad.
25:01And he got it.
25:02He even threatened her.
25:03He threatened her, you say?
25:05That's intolerable.
25:06Yes.
25:07I already told him that next time we would put a formal complaint on him.
25:09You did well.
25:10And if he shows up again, let me know and I'll go right away.
25:13I will not allow anyone to harass you.
25:15No one.
25:16And Inés, how is she?
25:17Well, bad.
25:18She doesn't finish raising her head.
25:20If it's not for one thing, it's for another.
25:22And the last thing we needed was the lieutenant's visit.
25:27Hey, Laura, how did you say his name was?
25:29Lieutenant Lorenzo.
25:31He was an arrogant and insensitive man.
25:34I see.
25:35Well, look, no matter how much Cesar has done what he has done,
25:38Inés is not to blame for anything.
25:40No.
25:41Instead, he treated her as if she were an accomplice
25:43or as if she were hiding something.
25:45It was horrible.
25:46Fortunately, Inés no longer has a relationship with him.
25:48Right now, Cesar Morel is a matter of the police, not ours.
25:51We only have to take care of Inés' well-being.
25:54Okay?
25:55You're right.
25:57In addition, we have come to talk about the store and its current situation.
26:00So, if you don't mind, let's sit down.
26:02Yes, yes, of course.
26:03Let's start.
26:04Well, tell me all the news.
26:07Tell me.
26:10Don't be ashamed, Miguel.
26:11Just ask and with reason.
26:13Because having more bookstores in the city,
26:16I have decided that my son will start his career precisely in this, our dear Goleta.
26:22Well, the truth is that yes.
26:24Although you know, Don Salvador, that any decision you make, I will accept it with great pleasure.
26:30Even so, I owe you an explanation.
26:32And that explanation that I owe you, I'm going to give it to you.
26:36My son Salvita not only needs to learn a trade.
26:40He needs to learn about the life of a man made and right like you.
26:44But wasn't he studying to be a lawyer?
26:47Study?
26:48That's a lot to assume.
26:51Since he has not passed even a miserable degree.
26:54And do you know why?
26:56Because when he is not doing the lazy, he is gambling with the tuna, which is the same thing.
27:03And when would you like to start?
27:05I have already started.
27:07Officially, I leave it in your hands.
27:10All yours.
27:14Miguel.
27:17Forget that he is my son.
27:19Do everything you can to put him in truth.
27:24And you, Salvita.
27:26From now on, Miguel is your mentor.
27:30Treat him with due respect.
27:33We are?
27:44No.
27:49Hey, Salvita.
27:50I can call you Salvita.
27:52I think your father has exaggerated a little about my abilities.
27:56The truth is that I do not see myself as his mentor.
27:58Relax, Miguel.
27:59And don't talk to me about you, please, I'm only 20 years old.
28:02If you think it's okay, we'll talk.
28:06Hey, do you want to know why I'm here?
28:09Because actually, my father does not trust you at all.
28:13He asked me to keep an eye on you.
28:17You had to see your face.
28:19Let's see, all we have to do is agree.
28:22I don't bother you and you don't bother me.
28:26Is there a sofa in another store?
28:28Why?
28:30Because this morning I had to get up early and that can't be healthy.
28:34I need to get a head start before I start.
28:38Excuse me, boss.
28:42I'm sure we're going to get along very well.
28:55We were already talking about the bullfighter Diego Fortuna and the photos he asked us for.
28:58I had the opportunity to see him in the Plaza de las Ventas accompanied by Doña Lázara.
29:03Yes, go on, go on.
29:06Yes, we have also done a job for a French actress who is shooting a film here in Spain.
29:11Well, that means that the studio is ready.
29:13Yes, yes, yes.
29:14What happens is that since the two of them were in such a hurry to take the photos,
29:17I had to settle for clothes and fabrics.
29:20But hey, the important thing is that it was our first official entry.
29:24Perfect. What about the office, Laurita?
29:26We are finalizing the details of the other store, but this week it will be ready.
29:32And well, that's all.
29:34Actually, no.
29:35I wanted to tell you something.
29:38I have been offered to work as a co-sponsor in an international press agency.
29:42Oh, really?
29:43But when did this happen? You hadn't told me anything.
29:46Just before entering.
29:47But they were so worried about Inés that I didn't want to bother them.
29:51It would give me prestige as a photographer and access to the press, which is never bad for us.
29:56So we have to think about how to make the most of all this for our business.
30:00Well, my most sincere congratulations, Miss Celia.
30:04Then we count on the fact that next week we can open the store.
30:09Yes, that's right.
30:11Oh, one more thing, one more thing.
30:13This concerns you, Miss Celia, and your relationship and access to the press.
30:21A good friend needs our help.
30:30And it's been a week since I asked the employees to be more incisive in offering the most expensive products.
30:36So soon we're going to have to balance.
30:38Mrs. Alacera, before ...
30:39I know what you're going to tell me, Cañete.
30:41That a week is not enough time, but I'm sorry, I don't agree.
30:45No, what I wanted to tell you ...
30:46Please.
30:47If you don't let me talk, we'll never finish.
30:50Why don't you just listen, like Teresa does?
30:54Thank you.
30:55In short, what I expect from you, Teresa, is that you are very attentive to the accounts.
30:59The same for you.
31:00But I also want you to be aware of your waiters.
31:04I don't want them to lower their guard.
31:06The equation is very simple.
31:07More expensive products equal greater benefits.
31:11Yes?
31:13I'm done.
31:14Now you can tell me all the ideas that come to mind.
31:18Surprise me.
31:20Don Fermin is waiting for you in his office.
31:22He's been looking for her, but since he couldn't find her, he asked me to send her the message.
31:26That's what I wanted to tell you.
31:28Why didn't you tell me before?
31:29Because she didn't let me.
31:34Was it urgent?
31:35She told me she wanted to see her immediately.
31:46And why didn't you tell me before?
31:49I know we have a conversation pending.
31:52But this time we'll finish it.
31:55When I asked you if your intention was to go to La Moderna, you made me go through the forum.
32:02Have you already made a decision?
32:06If I tell you the truth, it would be very painful for me if you left.
32:10No, don't worry, I'm not going.
32:12At least until he discovers what Mrs. Lázara intends to do against Don Fermin.
32:17Against Don Fermin?
32:18What do you mean?
32:20Well, look, I don't know exactly.
32:22But I think I can guess where the shots are going.
32:25And look, sooner or later this woman's head will end up falling off,
32:28and Don Fermin will need someone by his side to help him open his eyes.
32:32So you're just staying for that?
32:36Well, if I left, it would be like leaving Don Fermin.
32:42Well, in any case, I'm glad you've decided to stay.
32:45And if what you say is true, if Mrs. Lázara is trying to hurt Don Fermin,
32:48you can count on me to avoid it.
32:52Thank you, Lore.
32:54I'll be back.
33:04Let's see, Carlos I of Spain and V of Germany
33:07was buried in the monastery of Juste in 1588.
33:11Matilde, what if I tell you I don't care where he was buried?
33:16Why do I have to learn that, Matilde? Who cares?
33:19Clarita, one thing is that you don't go to school,
33:22and another thing is that you don't do your homework,
33:24that for some reason I went to pick them up.
33:26Besides, it's not about...
33:27It's almost time for you to take me to my friend Susana's house.
33:30Will you take me?
33:34Now we talk, huh? Look at me.
33:36Now we talk.
33:38Hello.
33:39Matilde, well, I'm sorry I came without telling you,
33:42but I wanted to give you a surprise and I wanted to see Clarita.
33:45Of course, come in, Marta.
33:52Marta.
33:54Thank you very much for saving me from Carlos V of Spain,
33:58or first of all, Carlos V of Germany.
34:00Thank you, Marta.
34:01You're welcome.
34:03Thank you very much for saving me from Carlos V of Spain,
34:07or first of all... I don't know.
34:08I don't know what you're talking about, but I'm glad.
34:11Well, I wanted to give you a surprise,
34:13but if you're doing your homework, I'd better go,
34:15I don't want to bother you.
34:17No, no.
34:19Besides, we had already finished,
34:21and Matilde was about to take me to my friend's house.
34:23Right, Matilde?
34:25Well, look where you're going,
34:26because the next surprise I was going to give was going to Inés' house.
34:29So if you want me to go with you...
34:31What do you say, Matilde?
34:32Well, what do you want me to say?
34:33That I'm going to pack my things and we're leaving?
34:35No, no, no, no, no.
34:36You're doing your homework.
34:38If you don't do it here, you're going to do it there.
34:40And think about talking to Susana's mother, don't you think?
34:42Not at all, Matilde.
34:44If I'm going to my friend's house, it's to play.
34:47I've been locked up here all day,
34:49just like yesterday and the day before yesterday.
34:51I can't go on.
34:55Okay.
34:59Let's go.
35:17What?
35:18Rubbing the bottle to see if the genius comes out?
35:21Let me see.
35:23It's the same as the one they stole, isn't it?
35:25Indeed, Mrs. Lázara.
35:27You must have heard that our hope,
35:29emulating the great detectives,
35:31has solved the mystery.
35:32But well, the most important thing,
35:33that it has cleared Marta's name.
35:35Because we have to see the poor thing.
35:36She was the only one suspicious.
35:37Poor thing, nothing.
35:39She must have done something.
35:40Well, if I didn't know,
35:42and although my modesty doesn't allow me to claim it,
35:44I also participated in the resolution of the mystery.
35:47I see.
35:48Elias, do you really think I'm interested in the bottle,
35:51hope or what you did or stopped doing?
35:56Mrs. Lázara, taking advantage of the moment,
35:58and now that we are alone,
35:59I would like to remind you of what you promised me.
36:02Mine.
36:03About my promotion.
36:04Do you remember?
36:06Let's see, he said that we would have to wait
36:08for the squad to get used to their new position as manager
36:11and well, just tell him that that's it.
36:13That I have spoken with them and that, well,
36:15that I am the spokesman for everyone
36:17and that we are already adapted.
36:19Mrs. Lázara?
36:21Mrs. Lázara?
36:22Yes, sorry.
36:23Yes.
36:24Yes, yes, it's true, I don't deny what I told you.
36:27But it turns out that now I am the one who has not yet taken the new position.
36:32Also, what would you think if you knew
36:35the degree of confidence that you and I have?
36:38Think about what could happen.
36:40Well, clearly I would be the number two of the waiters behind Cañete,
36:43because this would make me the fourth in the modern scalf,
36:47tea room.
36:48We don't count Don Fermín because he is the owner,
36:50but you would be in first place.
36:51Then Mrs. Teresa.
36:52Then Cañete.
36:53And in that fourth place, me, a waiter.
36:58Something that not everyone would understand.
37:02Listen to me, jealousy.
37:04Jealousy is very dangerous, Elias.
37:07Ah, now I understand.
37:09You have to be prudent.
37:11And you don't have to get up early.
37:13You have to see how cunning you are.
37:15This explains how far you have come.
37:18Mrs. Lázara.
37:23Mrs. Lázara.
37:24I know that Cañete has told you that he wanted to talk to you.
37:27Why didn't you come to my office?
37:29Excuse me, Don Fermín.
37:31It was my intention, but Elias has detained me.
37:34What? Who, me? Detain who? When?
37:38Well, you were telling me about the robbery of the bottle of cognac
37:41and how Esperanza solved the mystery, right?
37:44That's true. Don Fermín, in case you didn't know,
37:46and I also participated in solving the mystery,
37:48the key was in the oil stains.
37:51Leave us alone, Elias, if you don't mind.
37:53Of course.
37:56Yes, excuse me.
38:01Why does he say he's been locked up all day?
38:03He doesn't go to school.
38:05He argued with some classmates and ...
38:08they messed with her and I decided to cut him off.
38:11Because of the subject of Íñigo and the barbarities they say about him, right?
38:14Yes.
38:16The same thing happened to him when they arrested Pablo.
38:19Do you remember?
38:20As if it were today.
38:22He was accused of the murder of Jarme Morcuende.
38:25He was crucified, imagine the hell you lived.
38:29I don't want him to go through something like that again.
38:33You did well getting her out of school.
38:36Well, I don't know, Marta.
38:38Because I don't know how to deal with her.
38:40She doesn't want to do her homework and she's the opposite all the time.
38:44I think that if she's having a bad time,
38:46the most normal thing is that she pays it off with whoever she wants.
38:49And you are a mother to her.
38:51It's normal.
38:52Yeah, but ...
38:54I was used to being her sister, her ally.
38:58Now you have to be bad.
39:01Patience, Matilde.
39:03Really.
39:04The waters will return to their course.
39:06Trust.
39:08Besides, even if we don't remember now,
39:10I'm sure that when we were her age we were just as responsible.
39:16Am I talking too much?
39:17No, on the contrary.
39:20Your visit has done me a lot of good.
39:22I'm glad.
39:24And how are you handling Ñigo?
39:30Well, I don't have a choice but ...
39:33To trust and support him.
39:35And I'm sure you're doing it very well.
39:38Yes, I'm trying.
39:40I'm sure you are.
39:42Besides, the button test next to Carla's body is absurd.
39:47It's not a shame to think about that nonsense.
39:54I'm really sorry.
39:55And I repeat, it wasn't my intention.
39:57One thing leads to another,
39:59and well, you know I have a lot of responsibilities.
40:01Well, one of them, perhaps the most important,
40:04is to come if I require your presence.
40:09Don't you think?
40:11No.
40:16Mrs. Lázara, yesterday you ...
40:20I was not able to control my tongue, Mr. Fermin.
40:23And again I apologize for ...
40:27For my daring,
40:28even more for my irresponsibility
40:31when crossing a line that I shouldn't have.
40:34And I promise it won't happen again.
40:37Since when?
40:41Since when do I feel attracted to you?
40:48From the beginning.
40:52But well, my ...
40:55My sense of honor, respect and professionalism
40:59have helped me keep my feelings at bay
41:02and make sure you didn't find out anything.
41:04No, no, I didn't.
41:06I assure you, I didn't.
41:09However, I wanted to keep my distance, Mr. Fermin,
41:12but you insist on getting closer and closer.
41:15First you appoint me manager, then you appoint me manager and I ...
41:19Would you rather I didn't do it?
41:21That I hadn't recognized your worth?
41:23No, I would rather not be close to you, do you understand?
41:30Mrs. Lázara, I would like to tell you that ...
41:35And I ...
41:36I'm sorry, Mr. Fermin.
41:37Don't try to be nice to me or to Descendiente.
41:40I ask you, please, to forget that this happened.
41:44And now, if you don't care and if what you have to tell me isn't very urgent,
41:48we'll leave it for another time, okay?
41:50Thank you.
42:05Thank you.
42:19Hello.
42:20Hello.
42:22You can't know what all this is doing here.
42:24We had agreed that you would leave everything in the back room.
42:27That was before.
42:28Before Don Salvador's son settled there to take a nap,
42:32I had to tell him that it was an order from my mother and her friends.
42:34And can I know what you're wearing?
42:37A new model that I'm going to add to my collection.
42:40I hope he believed it and didn't tell Don Salvador.
42:43Because what a piece, Salvita.
42:45And his father wants him to turn him into me.
42:48As if it were me.
42:50And I'll tell you one thing.
42:51The boy ...
42:52He's cool.
42:53I would even like him.
42:54If it weren't because ...
42:56Do you realize the dilemma I'm in?
42:59Because if I turn him into a useful person,
43:02I lose my job.
43:03And if I don't ...
43:04You will disappoint Don Salvador.
43:06But please, can you focus on the important thing right now?
43:08Yes, yes, yes, you're right.
43:10Can you help me tighten my corset?
43:12Because it gives me in the nose that this model is going to be a success.
43:20Hold on tight and hold the nap.
43:24Trini!
43:25What are you doing?
43:27Don't you realize that the important thing is not the straps, man.
43:30That although that rule no longer exists,
43:34our problem has not yet been solved.
43:37But I don't quite understand.
43:39If it is no longer forbidden to be married in La Moderna,
43:41what is our problem now?
43:43Well, we are a couple of gamblers.
43:45And if Don Fermín finds out that I've been laughing in his face all this time,
43:48well ...
43:49Well, he's going to kick me out.
43:50So we can't risk it.
43:52Sure.
43:53Sure, sure.
43:54And it is possible that he would tell Don Salvador about it,
43:56because he joins them in a friendship.
43:58And then he would also know that I am a gambler.
44:02What's the plan?
44:03Look, in the worst case,
44:05the products, the straps, sell very well.
44:09Why do you speak in this voice?
44:11Because I can't breathe, Trini.
44:13Can you loosen my corset, please?
44:16You know what?
44:17What?
44:18I'd better leave you like this for a while.
44:20Trini, I can't reach it.
44:25Come in.
44:26I'm sorry to bother you, Inés.
44:29But, well, I was passing under your house and I wanted to see you.
44:32You never bother me.
44:33I love to see you, Marta.
44:35How are you?
44:38Well ...
44:41Bored.
44:43Bored of myself, really.
44:46So, please, you speak.
44:49And so my vocal cords rest a little.
44:52How is everything going?
44:54Fine, fine.
44:55The truth is that I can't complain.
44:57I'm happy about my job at La Moderna,
45:00because Antonia and Pietro will be able to get married without leaving the job.
45:05But a little sad,
45:07because I won't be able to continue living with Antonio.
45:12I don't know them very well, but I don't think they care that you continue with them.
45:16No, but I do.
45:17I do, because they deserve to live their own life.
45:20Besides, I already have a fixed salary and I can rent a room on my own.
45:25And why don't you go to Pietro's house?
45:27Surely he has moved to Antonia's house and ...
45:30if Pietro's house is empty, you could rent it to him, right?
45:34It's just that, knowing them as I know them, they wouldn't have accepted the money.
45:38I prefer not to put them on that price.
45:45Hey, Inés, is something going on?
45:48Eh ...
45:50They just gave me an appointment to visit a throat specialist that I haven't even asked for.
45:57It was my uncle, I'm sure.
46:00And why do you like that?
46:01Because I wanted to wait for the inflammation to go down to do the tests.
46:05And because my uncle hasn't even consulted me.
46:08Well, I'm sure he did it for your own good.
46:10So that you recover as soon as possible and can sing again, which is what we all want.
46:13Yes, me too, Marta.
46:15That's what I want too, but I'm not ready for that appointment.
46:18And I have such an inflamed throat that they couldn't know what I have.
46:22It would be a waste of time.
46:23Or not.
46:24The important thing is that they see you as soon as possible.
46:32Do you want us to go for a walk?
46:35No.
46:36Really?
46:37No, it's just that I don't feel like it.
46:41Thank you for coming, Marta.
46:43But I'm tired and...
46:46And you want me to leave?
46:48I understand.
46:49Thank you.
46:55Very good, Ñigo.
46:57Yes, I'm glad that the provider thing has been resolved, thanks to Don Fermín.
47:02Yes, yes, of course, whenever you want.
47:04Yes.
47:06Yes, I'm celebrating it.
47:09Come on, a kiss.
47:11Goodbye.
47:13Goodbye.
47:30Is this jacket yours?
47:33Well, of course it's mine.
47:36Well, there's a button missing here, you see?
47:39I'm sorry to tell you that the button found in the river is exactly the same as the others in the jacket.
47:46I think you're going to have to give me a lot of explanations.
47:49But a lot of explanations.
47:53Where do you want to go?
47:55Well, the button you found in the river is the most common button model in all of Spain.
48:01Practically half of the jackets of Caballero de Madrid use that button.
48:06Among them, those of many police officers, by the way.
48:13Inspector, that button could be anyone's.
48:36Fábio has just called me.
48:38The matter of the buyers of Seville is already underway.
48:42Wow, it seems that his lover is taking it very seriously.
48:46The proof that what is planted is always picked up.
48:50Yes, I have it in my hands.
48:51And he is willing to do anything for me.
48:53And for himself too.
48:55I'm going to tell him.
48:57I'm going to tell him.
48:59I'm going to tell him.
49:01I'm going to tell him.
49:03I'm going to tell him.
49:05But that's not the only good news I have for you.
49:07Oh no? Am I going to get out of here?
49:10Tomorrow you will have a passport with your new identity.
49:13You just have to tell me what country you want to go to.
49:16I'll buy you the ticket and book the hotel for you.
49:19What are you talking about, mother?
49:21That you leave this room.
49:22You yourself have told me that you can't take it anymore.
49:25It seems to me that he has also forgotten something else that I have told him.
49:27It's just that I haven't been clear enough.
49:30I'm not going to leave here.
49:32Not until Íñigo and Matilde receive their punishment.
49:35But daughter ...
49:36Nothing or no one is going to make me change my mind.
49:39I want to see them dead, mother.
49:40Do you understand?
49:42Dead.
49:48After he made me know what he made me know.
49:53What you say you feel for me.
49:55I don't know how to behave with you.
49:58Oh Antonio.
49:59From his relationship with Pietro to be preparing the wedding for the race.
50:05That's it?
50:08That's what, Trin.
50:09That you have been silent.
50:10Here you can see that he needs painting.
50:13Yes, yes, you are right.
50:16Again, yes.
50:17He needs ...
50:20Vera, tomorrow I want to reopen Madrid-Cabaret.
50:23I need everyone to forget about that happy incident.
50:26And see Madrid-Cabaret as it is.
50:28A safe place where everyone can have a good time.
50:31Well, thank goodness you didn't want to overwhelm me.
50:32Well, overwhelm yourself as a woman.
50:34Because, come on, with the age you have, you don't go home anymore.
50:36And you still don't have the godparents.
50:38No, he does have a godfather.
50:40Giancarlo.
50:42What he lacks is the godmother.
50:43Well, look, I also have that.
50:45It's going to be you, Esperanza.
50:47Can I know where you come from?
50:49From a party to the many with my friends from the tuna.
50:52Ah, very good.
50:54So you come to work without sleeping.
50:56And without breakfast.
50:57If you excuse me.
50:58Quiet there.
51:00Your father doesn't go to that room.
51:02Where are you going to live?
51:03Well, we're just waiting.
51:05Because my house is small and Pietro's is even smaller.
51:08So, well, we'll see.
51:10What's wrong with Marta?
51:11Don't tell me anything, because I've seen how they looked at each other.
51:14And a godmother can't lie to her girlfriend.
51:17The Marseille clan was looking for me.
51:19I didn't want to leave without telling you that I love you.
51:21Go.
51:22Don't leave me.
51:23Go, go, go.
51:28Have you been hurt, miss?
51:29But if you can see who has left all these books here, I almost kill myself.
51:33Why should we lie?
51:34Because it is what we have been doing for months.
51:36Well, with this plan, there would be no need to lie.
51:38With this plan, it would be lies.
51:40Well, what I say, we would have to say one thing or another.
51:43But, well, then not anymore.
51:46Because we are going to start my plan.
51:48The Cupid plan.
51:50Let's see, this doesn't come out of here, huh?
51:52Because Miguel is very discreet.
51:53But apart from being a bookseller, he is a salesman.
51:56Well, I would say that he is a representative.
51:58He has a prestigious boat of bundles called La Fajete.
52:03Mr. Fermin, excuse me.
52:05I saw you this morning having fun with Mrs. Lázara and I think you have something to tell me about it.
52:10Teresa, I consider that what I have fun or stop having fun with Mrs. Lázara is a personal matter that I have no reason to share with you.
52:17Have you thought who could be your godmother?
52:19Oh, yes, yes, yes, I've already told Peraza.
52:22It's a joke, right?
52:23It's a joke, right? It's Spanish humor that I still don't understand.
52:27No, it's not a joke.
52:30I told her, you don't know how excited I am.
52:33How is it not a joke?
52:35Does something happen to you? Do you feel absorbed?
52:37No, no.
52:39It's nothing.
52:40What do you mean it's nothing? You look worried.
52:42I'm telling you it's nothing.
52:43You are not complying with the plan.
52:45Recapacitate, change of attitude.
52:47There is nothing to recapacitate, mother.
52:49I will not leave here until I have executed all my revenge.