Seduced-by-a-Thief-Full-Movie-Sean-Young
**Seduced by a Thief**
**Genre:** Thriller/Romance
**Synopsis:**
In "Seduced by a Thief," Sean Young stars as Veronica Chase, a sophisticated art gallery owner whose life is turned upside down when she crosses paths with the enigmatic and charming art thief, Max Donovan. Max, played by a charismatic actor, is a master of disguise and deception, living a life on the edge as he navigates the dangerous underworld of high-stakes art theft.
Veronica, known for her keen eye and unerring taste, is initially drawn to Max's roguish charm and his encyclopedic knowledge of art. Their mutual passion for fine art creates a magnetic pull between them, leading to an intense and tumultuous romance. However, Veronica soon discovers that Max's world is fraught with danger, betrayal, and moral ambiguity.
As Max plans his most audacious heist yet—a priceless masterpiece from a heavily fortified museum—Veronica finds herself caught between her growing feelings for Max and her ethical boundaries. She must decide whether to aid him in his criminal endeavors or to turn him in to the authorities, risking her own safety and reputation in the process.
The film delves deep into themes of trust, loyalty, and the fine line between right and wrong. Set against a backdrop of glamorous art galleries, opulent parties, and thrilling heists, "Seduced by a Thief" keeps viewers on the edge of their seats with its unpredictable twists and turns. The chemistry between Sean Young and her co-star adds a sizzling layer to the suspenseful narrative, making it a compelling watch for fans of both romance and thrillers.
**Cast:**
- Sean Young as Veronica Chase
- [Co-star] as Max Donovan
**Director:** [Director's Name]
**Release Year:** [Year]
**Notable Elements:**
- Intricate heist sequences with clever twists
- Romantic tension between the leads
- Stunning cinematography showcasing art and high society
- A gripping storyline that explores the moral complexities of love and crime
**Genre:** Thriller/Romance
**Synopsis:**
In "Seduced by a Thief," Sean Young stars as Veronica Chase, a sophisticated art gallery owner whose life is turned upside down when she crosses paths with the enigmatic and charming art thief, Max Donovan. Max, played by a charismatic actor, is a master of disguise and deception, living a life on the edge as he navigates the dangerous underworld of high-stakes art theft.
Veronica, known for her keen eye and unerring taste, is initially drawn to Max's roguish charm and his encyclopedic knowledge of art. Their mutual passion for fine art creates a magnetic pull between them, leading to an intense and tumultuous romance. However, Veronica soon discovers that Max's world is fraught with danger, betrayal, and moral ambiguity.
As Max plans his most audacious heist yet—a priceless masterpiece from a heavily fortified museum—Veronica finds herself caught between her growing feelings for Max and her ethical boundaries. She must decide whether to aid him in his criminal endeavors or to turn him in to the authorities, risking her own safety and reputation in the process.
The film delves deep into themes of trust, loyalty, and the fine line between right and wrong. Set against a backdrop of glamorous art galleries, opulent parties, and thrilling heists, "Seduced by a Thief" keeps viewers on the edge of their seats with its unpredictable twists and turns. The chemistry between Sean Young and her co-star adds a sizzling layer to the suspenseful narrative, making it a compelling watch for fans of both romance and thrillers.
**Cast:**
- Sean Young as Veronica Chase
- [Co-star] as Max Donovan
**Director:** [Director's Name]
**Release Year:** [Year]
**Notable Elements:**
- Intricate heist sequences with clever twists
- Romantic tension between the leads
- Stunning cinematography showcasing art and high society
- A gripping storyline that explores the moral complexities of love and crime
Transcript
00:00:00Physical evidence.
00:00:23Physical evidence is by far the most important element when prosecuting a crime.
00:00:29That might be cellular material like DNA or blood, or as simple as a fingerprint.
00:00:44Whether we find that evidence or not is up to us.
00:00:47The bottom line is this.
00:00:49How well we do our job means the difference between a criminal going free or being prosecuted
00:00:55to the full extent of the law.
00:01:03The forensic evidence is out there, people.
00:01:06It's up to us to make sure we find it.
00:01:26Now, almost as important as physical evidence is the existence of one or more witnesses.
00:01:34I say almost because most witnesses are unreliable.
00:01:40Oftentimes they misinterpret or miss what they saw.
00:02:01Even more important, a good cop like you will all be would be able to describe every
00:02:09person in this room after one quick look.
00:02:16A good cop would be able to make each and every one of you.
00:02:37Your weight, your height, your race accurately and dispassionately.
00:03:01And even a bad cop would be able to notice Mr. Franklin once again leaving our class
00:03:07before the bail.
00:03:08Your assignment, Mr. Franklin.
00:03:09Yeah, sorry.
00:03:10I'm going to hurry you.
00:03:11All right, guys.
00:03:12That'll be it for today.
00:03:53I'm sorry I'm going to miss you.
00:04:22I say hindsight's 20-20 and I'll take it from me, that's the understatement of a century.
00:04:28All right, before you jump to any conclusions about me or what I'm doing with my life, just
00:04:33let me explain what happened.
00:04:34Hey, Slim, cover for me?
00:04:36Yeah, right.
00:04:37Too late.
00:04:38Warburton's already here.
00:04:39Man, I should get a life.
00:04:41You should get a watch.
00:04:44Look, the Brinks truck guy's been out there for 10 minutes.
00:05:11Hey, I'm here, I'm here, I'm here.
00:05:39Hey, hey, Mr. Warburton, I'm sorry.
00:05:44I got stuck in traffic again.
00:05:47I'm trying to run a hotel here, Franklin, not a halfway house for the irresponsible.
00:05:52Yeah, I know.
00:05:53I know, sir.
00:05:54Class ran a little later than usual.
00:05:56My teacher tends to be, uh...
00:05:58The Brinks truck was waiting over 15 minutes.
00:06:01Yeah, well, the 405 was just backed up again, you know?
00:06:04Riding you up again, Franklin.
00:06:07What?
00:06:08Is that really necessary, sir?
00:06:10Look, I'll look later.
00:06:11I'll look later.
00:06:12There's only 15 minutes.
00:06:14You know, it's not like I...
00:06:17This will be a second warning for your personnel file.
00:06:20Right.
00:06:21Well, it will not happen again, sir.
00:06:22I guarantee that.
00:06:23It better not.
00:06:37I'll meet you back here at the hotel at 4.30 in the afternoon sharp.
00:06:51Now go about your rounds, if you please.
00:07:08Excuse me.
00:07:09Can I help you?
00:07:10Uh, I was just looking for a way out.
00:07:13Oh, no, no.
00:07:14That's like administration and catering.
00:07:16Uh, no.
00:07:17Lobby is right through there.
00:07:18Actually, my ex-husband is out there, and despite a restraining order,
00:07:22he won't leave me alone.
00:07:24Oh, well, um, I'll walk you out.
00:07:27Well, it'll still be a scene either way.
00:07:30Um, isn't there another way out?
00:07:35Um, yeah, you know what?
00:07:38I'll show you.
00:07:39Yeah, come on.
00:07:41Yeah, so this staircase right here will take you right up and out.
00:07:45I really appreciate this.
00:07:46Oh, that's no problem.
00:07:48Actually, you know, I'm not really what I'd appear.
00:07:52I mean, you know, security guard.
00:07:54Well, you come back after I graduate,
00:07:56I'll arrest that guy who's been hassling you.
00:07:58You're studying to be a cop?
00:08:00Yeah, yeah, getting a degree in police sciences.
00:08:02Well, I wish you all the best.
00:08:04Thank you.
00:08:06Uh, hey, you know, if you ever need help with this situation,
00:08:10um, I don't know, I could, like, I could give you my phone number.
00:08:13That's very sweet of you.
00:08:15So that's a yes?
00:08:17That's a thank you.
00:08:22Officer J. Franklin?
00:08:25Jake, Jake.
00:08:27Goodbye, Jake.
00:08:29Goodbye.
00:08:32What are you doing?
00:08:43Idiot.
00:08:44Idiot.
00:08:46Idiot.
00:08:49Radio chatter.
00:08:59Over there.
00:09:01Over there.
00:09:15Didn't her hanging around the office arouse your curiosity?
00:09:20Well, like I said, she just, she looked like she was lost, you know, so...
00:09:25Well, she obviously knew the position of the camera.
00:09:29All we can see is the top of her head.
00:09:32We're about finished here for now,
00:09:34but I'd certainly like a copy of that video as soon as I can.
00:09:37Absolutely. You'll have the videotape on your desk first thing tomorrow morning.
00:09:41And, uh, if you can remember anything more about this afternoon, call me.
00:09:47Yeah.
00:09:49I'll show you out this way, please.
00:10:00This is a disaster for the hotel.
00:10:02I assume the hotel and Ms. Graham both have the vanderbilt heavily insured.
00:10:07Yes, but this will be a public relations nightmare. Heads will roll.
00:10:10You know, maybe you ought to beef up your security.
00:10:14Yes, I will make note.
00:10:16Yeah.
00:10:17You don't think he was involved, do you?
00:10:20No.
00:10:22I don't think so.
00:10:24I will make note.
00:10:25Yeah.
00:10:26You don't think he was involved, do you?
00:10:29Well, generally, robberies of this kind have someone working on the inside.
00:10:35Oh, so Franklin is a suspect?
00:10:37I wouldn't rule him out.
00:10:38I thought so.
00:10:40Are you going to arrest him?
00:10:43You can't arrest somebody for being stupid.
00:10:47Yes, certainly.
00:10:49Well, our insurance will be in touch for your report.
00:10:58Franklin, you're fired.
00:10:59For what? Look, I didn't steal anything.
00:11:02I have guests to worry about.
00:11:04The police have just informed me that you are a suspect.
00:11:07I can't have you buzzing around here while you're under suspicion.
00:11:10Look, Mr. Warburton, I need this job, okay?
00:11:13I mean, what am I supposed to do without a paycheck?
00:11:17You find the lady with the jewels.
00:11:20She seemed to have been taken by you.
00:11:25Thanks for nothing.
00:11:37I don't know what it is about me and certain women.
00:11:41It's just that this time I was really screwed,
00:11:43and I couldn't believe that I let her do it to me.
00:11:47I'm sorry.
00:12:17I'm sorry.
00:12:47I'm sorry.
00:13:18Okay, guys, that's it.
00:13:20And as they say in that TV program, be careful out there.
00:13:48Uh, Mr. Sheehan.
00:13:52Mr. Franklin, you're still here?
00:13:55Surely this must be a first.
00:13:57Yeah.
00:13:58Well, I actually don't have to be at work so early tonight.
00:14:01Look, I was wondering if maybe you could help me with something.
00:14:07Somebody stole some money out of my uniform, you know,
00:14:10and it was in the same pocket that this badge was on.
00:14:15And I'm just wondering if you could tell me
00:14:17if there are any prints there other than my own.
00:14:20Latent prints?
00:14:22Yeah.
00:14:23Don't you know how to do that?
00:14:25Yeah, I do, but, you know, I just don't want to make a mistake.
00:14:46This one is not yours.
00:14:50All right, so how do I find out whose it is?
00:14:52DMV?
00:14:53Yeah, well, that's where I'd start.
00:14:55If he lives in California, he probably has a driver's license,
00:14:58and if he has a driver's license,
00:14:59his fingerprints would be in the system.
00:15:01I can search most of this through the department's database.
00:15:04Would you?
00:15:06Yeah.
00:15:07Okay.
00:15:08All right.
00:15:09All right.
00:15:10All right.
00:15:12Don't do this, would you?
00:15:15♪♪♪
00:15:22♪♪♪
00:15:32♪♪♪
00:15:38He would appear to be a she.
00:15:41You know her?
00:15:43I don't really know.
00:15:44I can't tell.
00:15:45Can you print it out?
00:15:50Sure.
00:15:52If you think it'll help.
00:15:54Yeah.
00:15:56♪♪♪
00:16:04♪♪♪
00:16:11$16.56.
00:16:13♪♪♪
00:16:18Mailbox.
00:16:21♪♪♪
00:16:28Oh, fuck.
00:16:30♪♪♪
00:16:40♪♪♪
00:16:50♪♪♪
00:17:00♪♪♪
00:17:10♪♪♪
00:17:20♪♪♪
00:17:30♪♪♪
00:17:41Ah!
00:17:43Stop, stop!
00:17:44I'm sorry!
00:17:45It was a mistake!
00:17:46Police!
00:17:47Police!
00:18:10Fuck.
00:18:40♪♪♪
00:18:50♪♪♪
00:19:00♪♪♪
00:19:10♪♪♪
00:19:20♪♪♪
00:19:30♪♪♪
00:19:40♪♪♪
00:19:50♪♪♪
00:20:00♪♪♪
00:20:10Did I scare you?
00:20:12No.
00:20:15Uh, I'm just gonna look around a little bit.
00:20:18Yeah.
00:20:19Yeah.
00:20:38Um, listen, I'm, uh,
00:20:41interested in pawning that.
00:20:51That's a nice watch.
00:20:53I'm sorry, man, do you work here?
00:20:55Yeah.
00:20:56Yes, I do.
00:20:58I do.
00:21:01Uh-huh.
00:21:02So, uh, so can you help me with that?
00:21:04Yeah.
00:21:05Yeah.
00:21:06Can you help me with that?
00:21:08Yeah.
00:21:09Yeah.
00:21:24Why don't you go clean the sidewalks?
00:21:27Yes, sir.
00:21:37What do you need?
00:21:39Yeah, how you doing?
00:21:40I'm, uh, I'd like to pawn that.
00:21:51You got a receipt?
00:21:53Uh, no, actually, that was my uncle's.
00:21:55I inherited it when he died.
00:21:59Dead uncle, huh?
00:22:00Yeah.
00:22:02Breitling chronograph.
00:22:07That the mark?
00:22:09Yeah.
00:22:14Low ball him, no more than 50.
00:22:16Gotcha.
00:22:18Forty bucks.
00:22:20Forty bucks?
00:22:22Take it or leave it.
00:22:24Look, that's worth at least 400, man.
00:22:27I can always try eBay.
00:22:33I'm sorry.
00:22:34I'm sorry.
00:22:35I'm sorry.
00:22:36I'm sorry.
00:22:37I'm sorry.
00:22:38I'm sorry.
00:22:39I'm sorry.
00:22:40I'm sorry.
00:22:41I'm sorry.
00:22:42I'm sorry.
00:22:43I'm sorry.
00:22:44I'm sorry.
00:22:45I'm sorry.
00:22:47Yeah, well, I will.
00:22:49So long.
00:23:16I'm sorry.
00:23:37Uh, Morgan, could you give me a little space, please?
00:23:40Just looking after my investment is all.
00:23:43Okay, you look after your end of things and I'll look after mine, okay?
00:23:47Really? You used to like it when I looked after your end.
00:23:53Hey!
00:23:55What are you doing in here?
00:23:57Sharon told me to come in and sweep up everywhere.
00:24:00Don't ever come in here when I'm in here, is that clear?
00:24:04Yep.
00:24:06Morgan, the cigar.
00:24:09What? You want one?
00:24:35Okay.
00:25:05Come on.
00:25:19Hey, what's the matter? You lose your way again?
00:25:22What do you want?
00:25:24Oh, you're not the lady from the hotel, huh?
00:25:27I don't know what you're talking about.
00:25:29Alright, so how did your fingerprints wind up on my name tag?
00:25:32You've got me mixed up with somebody else.
00:25:34Mixed up with somebody else, do I?
00:25:35Alright, so this isn't you. That's not you. That's not you.
00:25:40What, are you kidding? This says red hair, blue eyes.
00:25:44An idiot could tell you've got the wrong person.
00:25:46You're so foolish.
00:25:47Whoa, whoa, whoa, whoa, whoa!
00:25:48Is this clown bothering you?
00:25:50No, man, come on. It's like a case of mistaken identity, man.
00:25:53Alright, just relax. Alright, just put that down.
00:25:55I thought she was somebody else, okay? I don't want any trouble in here, man.
00:25:57It's just a big mistake.
00:25:59Well, that's one mistake you almost didn't walk away from.
00:26:02Now get the hell out of here!
00:26:10Come on.
00:26:32What city, please?
00:26:33Yeah, Los Angeles, please. The number of the LAPD.
00:26:36The 22nd Division, please.
00:26:38Downtown?
00:26:39Yeah.
00:26:40Would you like me to dial that for you?
00:26:41Thank you, thank you.
00:26:47Murphy.
00:26:49Franklin.
00:26:51The security guard.
00:26:56Really?
00:26:57Well, tell me all about it.
00:27:00Uh-huh. A pawn shop.
00:27:02Hey, that's good work, son.
00:27:06Yeah, yeah, yeah.
00:27:07I'm writing it down as we speak.
00:27:11No, no, no, no. Not really, no. We'll get in touch with you.
00:27:15No, not now, but thanks.
00:27:30Here's that background file you asked for.
00:27:32Oh, wait a minute.
00:27:34Put this with the enactos.
00:27:36Sure thing.
00:27:43Anybody know a three-letter word for sub-seat?
00:27:50Anybody?
00:27:59No.
00:28:19Hey, Slim.
00:28:21Where have you been?
00:28:22I left you five messages.
00:28:24I know, I know. I've been running around like an idiot.
00:28:26You really screwed up this time.
00:28:28Well, thanks, Heather.
00:28:29It's always nice to know that I have your support.
00:28:31Look, I got you that job,
00:28:32and now I've got to hear about it from the Warbird every friggin' day.
00:28:35Yeah, but you're backing me up, right?
00:28:40No, actually, I tell him
00:28:42it's brothers like you that give nepotism a bad name.
00:28:46That's cold.
00:28:48Come over and hold this.
00:28:49All right.
00:28:59Heather, I tracked her down.
00:29:02Tracked who down?
00:29:03You know, the thief, the lady with the necklace.
00:29:08Look, Chick, I believe you. I know you're not involved.
00:29:11You know what? I hate it when you do that.
00:29:13Just hear me out on this, okay?
00:29:15So I called the cops, and they just, they blew me up.
00:29:18What are you talking about?
00:29:20Well, I talked to this guy, Detective Murphy.
00:29:23He's, like, in charge of the case, right?
00:29:25And he doesn't even want to bring me in.
00:29:27I mean, Heather, I'm giving him the whole case here,
00:29:29and the guy's treating me like I'm a nuisance caller or something.
00:29:32You don't think he's involved, do you?
00:29:34No, no, no, but there is definitely something wrong.
00:29:36No, no, Jake, I know that look.
00:29:38You're in too deep. Just stay away.
00:29:40Yeah, well, that's easy for you to say.
00:29:42Anyway, listen, I got a favor to ask you.
00:29:44This is my extra set of keys. Just do me a favor.
00:29:46Hold on to them for a second, all right?
00:29:48Jake, no, come on. Now you're scaring me.
00:29:50It's all right. I'm all right. It's all good.
00:29:52I'll call you in, like, a couple of days.
00:29:54Anyway, I'm alive, and I'll talk to you, all right?
00:29:56Yeah.
00:29:58You know what?
00:30:00How much do you need?
00:30:02How much you got.
00:30:25I came here to tell you to stay away.
00:30:27And also to give you this.
00:30:29So what?
00:30:31I'm supposed to be grateful now?
00:30:33Look, I give you a lot of credit.
00:30:35You found me. You're good.
00:30:37This is for you.
00:30:39Thank you.
00:30:41You're welcome.
00:30:44And also to give you this.
00:30:46So what?
00:30:48I'm supposed to be grateful now?
00:30:50Look, I give you a lot of credit.
00:30:52You found me. You're good.
00:30:54This is way over your head.
00:31:02There's $5,000 here.
00:31:04I'm not taking a payoff.
00:31:08Okay, call it what you want.
00:31:10As long as I never see or hear from you again.
00:31:14Okay?
00:31:16I don't want your money.
00:31:18Mr. Franklin, this is Detective Murphy.
00:31:21We need to talk.
00:31:23Hey, hey, hey, hey, where are you going?
00:31:25Jake, this is about the conversation we had earlier today.
00:31:29Jake, I know you're in there.
00:31:31And one way or another, we're going to talk.
00:31:34You can do it here or we can do it down at the station.
00:31:37The choice is yours, but make it now.
00:31:39Jake!
00:31:45Oh, shit.
00:31:47Vince, take the front of the building.
00:31:49Vince, take the front of the building.
00:32:19I didn't know what to do.
00:32:21I mean, this woman comes to my apartment,
00:32:23throws thousands of dollars at me.
00:32:25The cop's at the door, and I don't trust him at all.
00:32:28So I did the only thing that made sense.
00:32:30I left her lousy payoff untouched,
00:32:32and I went after her.
00:32:34Well, at least it made sense at the time.
00:32:44I'm sorry.
00:32:46I'm sorry.
00:33:17Hey, Claire.
00:33:19If that is your name.
00:33:21Look, I'm not going anywhere here till you talk to me, all right?
00:33:24What do you want?
00:33:26Well, could you open the door, please?
00:33:32I told you to stay out of this.
00:33:34Look, that cop Murphy was just at my apartment, okay?
00:33:37Now, if I'd have let him in, he would have seen your dirty money
00:33:39all over the place by now.
00:33:41I'm sorry.
00:33:43If I'd have let him in, he would have seen your dirty money
00:33:45all over the place.
00:33:47But he already has, right?
00:33:49Because you guys are framing me here, huh?
00:33:51I don't know what you're talking about.
00:33:53Sure you do. Sure you do.
00:33:55You and Murphy are working together here,
00:33:57and I'm like the patsy, huh?
00:33:59No. You're a dead man.
00:34:03Would you all just shut up for a second here?
00:34:05I'm trying to carry on a conversation with a jewel thief!
00:34:09Would you just... Could you let me in here, please?
00:34:17I can't protect you anymore.
00:34:23Thank you. Don't mind if I do.
00:34:27What, do you think this is a game?
00:34:29Yeah, some game.
00:34:31Cost me my job, and now I'm a suspect in a felony.
00:34:34Oh, come on. You're the worst security guard I've ever seen.
00:34:38Excuse me?
00:34:40You are eight minutes late to work,
00:34:42every Tuesday and Wednesday.
00:34:44You were watching me?
00:34:46Every day for five weeks.
00:34:50I never saw you.
00:34:52Case closed.
00:34:54Jesus, what, did you just wake up one morning
00:34:56and decide to ruin my life?
00:34:58I didn't forget to lock the safe.
00:35:01No, you didn't.
00:35:04Why didn't you let him kill me?
00:35:06What?
00:35:07You know, the goon down there in the alley.
00:35:09Why'd you stop him?
00:35:11I don't know.
00:35:13You know what? That's the first thing you said that I actually believe.
00:35:17And nothing about this makes any sense.
00:35:19You know, that's exactly why you should stay out of it.
00:35:22Because what you don't know can't kill you.
00:35:25Yes, it can.
00:35:27Okay, it can. You're right.
00:35:29Now go.
00:35:32I mean, you know, you could have had me killed.
00:35:34But instead, you try and bribe me.
00:35:36I should have had him kill you.
00:35:38Yeah, but you see, you didn't, and you even tried to protect me.
00:35:40And that's exactly why you're leaving.
00:35:44No, no, no, no, I'm not.
00:35:46I'm not going anywhere until you give me some real information.
00:35:53And if I don't?
00:35:57I go to the feds, then I go to the press.
00:36:01And you think I'd let you do this?
00:36:06You're no killer.
00:36:15Yeah?
00:36:31Yeah.
00:36:43The guy in the alley who nearly whacked you is my partner.
00:36:46We're going to sell the necklace to a dealer,
00:36:48steal it back, and substitute it with a fake.
00:36:50So you see, in the end, we'll have the necklace back,
00:36:52and then we'll talk.
00:36:54Do you have a car?
00:37:01Okay, I had no idea what she was talking about.
00:37:05But she convinced me that if I helped her,
00:37:07Mrs. Vanderbilt would get her necklace back,
00:37:09and I'd get my name cleared.
00:37:11Was I a little naive? Maybe.
00:37:13But let's face it, I wasn't exactly thinking with my head at that point.
00:37:22Hey, hey, hey, hey, hey, wait a minute, wait a minute.
00:37:25What do you want me to do?
00:37:27Just wait here.
00:37:33All right.
00:37:35Wait here.
00:37:37Wait here.
00:38:07Wait here.
00:38:37Wait here.
00:39:07Come on.
00:39:31Come on.
00:39:34You want coffee, Ned?
00:39:36What'd you say, honey?
00:39:38I'm going downstairs. Do you want coffee?
00:39:40I'd love some.
00:39:42You know how I like it, hot, black, and sweet.
00:39:44Hot, black, and sweet.
00:40:02Hey, you.
00:40:06What do you say after breakfast we go back upstairs,
00:40:08pick up where we left off?
00:40:10You're feeling pretty frisky this morning.
00:40:13You have no idea.
00:40:15Ow, Ned!
00:40:17Hey, you, come here.
00:40:21Stop it, Ned, stop it.
00:40:23I'm not in the mood anymore.
00:40:27You're not in the mood.
00:40:29Okay.
00:40:31Clean it up.
00:40:33I'll see you upstairs.
00:40:44Come on.
00:40:56Aah! Aah!
00:40:58Aah!
00:41:03Something touched me.
00:41:05I think it was a mouse.
00:41:07A mouse? What is it?
00:41:09A mouse. I don't know.
00:41:11Go back to bed. I'll help you.
00:41:25Jeez, something happened to you, you know.
00:41:27Drive. All right, all right.
00:41:36Slow down.
00:41:38Slow down?
00:41:42You're going to get us killed driving like this.
00:41:50Well, I thought you were in a hurry here.
00:41:52I am in a hurry, but do you see anyone chasing us?
00:41:58Oh.
00:42:00Just drive.
00:42:02All right.
00:42:12All right.
00:42:32Um, I'm sorry. I didn't mean to.
00:42:37I'm really sorry. I, uh...
00:42:41I didn't mean to do this.
00:42:46How many times have I told you not to touch the merchandise?
00:42:54Now pick up the broom and get back to work.
00:42:56Yes, sir.
00:43:02Do you want me to go out and get you a cup of coffee or something?
00:43:11Yeah.
00:43:13Yeah, as far as I know.
00:43:16I'll tell him.
00:43:19If it ain't good, he'll call.
00:43:21Yeah.
00:43:24Bye.
00:43:41Bye.
00:43:48Morgan, uh, that was Shelly.
00:43:50He says he's got the money and tomorrow's still good.
00:43:53Good. Tell him it was good?
00:43:55Yeah, I told him.
00:43:57Good.
00:43:59Hey, kid, give me a coffee, will you?
00:44:01Yeah. Yes, sir.
00:44:04Whose nephew is he, anyway?
00:44:07Clairbrook. I don't know.
00:44:11Jeez.
00:44:41I don't know.
00:45:11Guess I'll wait here.
00:45:41I'll be right back.
00:46:11Yeah.
00:46:42Piece of cake.
00:46:44So you, uh, you want to tell me what that was all about?
00:46:47Just a little insurance.
00:46:50You just, you really like keeping me in the dark, don't you?
00:46:53Yeah.
00:46:55Well, I'm sorry. I don't work that way.
00:46:57Let's go home.
00:47:00Home? You mean, like, to your place?
00:47:05What?
00:47:07What?
00:47:37No.
00:48:07You sure he'll go for this?
00:48:09Mm-hmm.
00:48:11Boy, I'd love to see the look on his face
00:48:13when he tries to dump the copies.
00:48:15I don't know.
00:48:17I don't know.
00:48:19I don't know.
00:48:21I don't know.
00:48:23I don't know.
00:48:25I don't know.
00:48:27I don't know.
00:48:29I don't know.
00:48:31I don't know.
00:48:33I don't know.
00:48:35Boy, I'd love to see the look on his face
00:48:37when he tries to dump the copies.
00:48:39He's gonna know you made the switch.
00:48:41Who are you talking about? It could have been anybody.
00:48:43Every fence in the world knows you's into hot rocks.
00:48:46Well, don't bet on him not coming after you.
00:48:49Hey, stop making me crazy, all right?
00:48:52Just make the switch.
00:48:55Don't worry.
00:48:57You know something? When somebody tells me to stop worrying,
00:48:59that's when I start worrying.
00:49:01I'm beginning to think I'm the one
00:49:03What would make you say something like that?
00:49:06Just a feeling.
00:49:09Stop worrying.
00:49:11It's gonna be you and me all the way.
00:49:19All the way, huh?
00:49:21Ted, there'll be plenty of time for that later.
00:49:24Let's not put pleasure before business, okay?
00:49:29You just make sure you don't put anything else before business.
00:49:33You hear me?
00:49:58Okay.
00:50:19You checked the necklace before we left?
00:50:21Claire did it.
00:50:23You sure she didn't make a switch?
00:50:25What kind of a stupid question is that?
00:50:27Shut up, will you?
00:50:31Gentlemen, say hello to Martin Holden.
00:50:34How you doing?
00:50:37Gentlemen.
00:50:42Is this sufficient light for you, Martin?
00:50:44I think it'll be just fine.
00:50:47Shall we do some business?
00:50:49That's what we're here for.
00:50:57Okay.
00:51:03Brilliant.
00:51:24Well, Martin?
00:51:26Well, I'm a little surprised, actually.
00:51:30Martin.
00:51:32You know how I hate surprises.
00:51:36It's excellent quality.
00:51:39These are flawless D color stones.
00:51:42Among the finest I've ever seen.
00:51:46Mm-mm.
00:51:52Thank you for your time and expertise, Martin.
00:51:54Always a pleasure.
00:51:57The pleasure's mine.
00:51:59Take it easy.
00:52:03Big T, the vault, please.
00:52:06Mr. Pizzaman, it seems you do deliver.
00:52:10Surprise, surprise, huh?
00:52:18Two million dollars on marked bills.
00:52:20Enjoy the count.
00:52:22Thank you, gentlemen. Always a pleasure.
00:52:25Here.
00:52:27Make yourself useful.
00:52:37I told you I served time.
00:52:39I'm not a waste of time.
00:52:41I'm a man of my word.
00:52:43I'm a man of my word.
00:52:45I'm a man of my word.
00:52:47I'm a man of my word.
00:52:49I'm a man of my word.
00:52:51I'm a man of my word.
00:52:53I served time.
00:52:55Yeah, but you didn't tell me you were a noted gemologist.
00:52:59That's irrelevant.
00:53:01It's just I'm trying to figure out why somebody with your credentials would be involved with these low-lifes.
00:53:11Come on.
00:53:13You're driving.
00:53:15Come on.
00:53:22Ned Shelley is about as corrupt as they come.
00:53:25All right, so, uh, Cary Grant sent you some hot stone.
00:53:29I found out everything he gave me was hot.
00:53:32So he let you take the rap, huh?
00:53:37Yeah.
00:53:39What about now?
00:53:41Look, I'm just trying to get things straight with Shelley.
00:53:43No more, no less.
00:53:47What about the break-ins, you know, and the safe-cracking?
00:53:50Where'd you learn that? Prison?
00:53:52Well, yeah.
00:53:54You got the best teachers at your service 24 hours a day.
00:53:59I can't even begin to imagine how tough it must have been.
00:54:01I would die before I go back there.
00:54:08You don't really mean that, do you?
00:54:13No.
00:54:44All right, so why risk going in there twice?
00:54:47He's got security in there other people haven't even dreamed of yet.
00:54:51And I assume you've, uh, you've found a way around this minor little issue?
00:54:56In theory.
00:54:58Theory.
00:55:00Revenge.
00:55:01In the end, that's what this whole thing was about.
00:55:03See, Claire had spent two years in prison
00:55:05because she had unknowingly cut some hot diamonds
00:55:07for the West Coast's biggest jewel smith.
00:55:10Well, she's still got a chance.
00:55:12She's got a chance.
00:55:14And so will I.
00:55:16I'm gonna go home.
00:55:18Okay.
00:55:20I'm gonna get some more money.
00:55:22I'm gonna get more money.
00:55:24I'm gonna get more money.
00:55:26I'm gonna get more money.
00:55:27I'm gonna get more money.
00:55:28for the West Coast's biggest jewel smuggler.
00:55:30And now it was time for him to pay the piper.
00:55:33Okay, so the basic gist of her plan
00:55:36was to double-cross her old boyfriend, Shelly,
00:55:38the smuggler, by stealing the jewels
00:55:40and replacing them with the phonies she'd carved.
00:55:42Now, I had to help her sneak into Shelly's office building
00:55:45via the building next door.
00:55:46She said we'd use an old phone cable or something,
00:55:48but to be honest, I really wasn't paying attention.
00:55:52Big mistake.
00:55:54Yeah, Claire, I don't think we're done here yet.
00:55:56Great.
00:55:58♪♪
00:56:05♪♪
00:56:13Okay.
00:56:14Uh...
00:56:16Aah!
00:56:17♪♪
00:56:23Aah!
00:56:25Claire?
00:56:26We have a problem here.
00:56:28Oh, my God.
00:56:30Aah!
00:56:31Jake!
00:56:32Aah!
00:56:33♪♪
00:56:39You scared the hell out of me.
00:56:41Are you all right?
00:56:43Yeah.
00:56:44Good.
00:56:46When you dropped the bag...
00:56:48Sorry.
00:56:50♪♪
00:57:00♪♪
00:57:10♪♪
00:57:20♪♪
00:57:30♪♪
00:57:40♪♪
00:57:52Do you know what to do?
00:57:54Yeah, believe it or not.
00:57:56Meet me back in the garage.
00:57:59♪♪
00:58:09♪♪
00:58:19♪♪
00:58:32So while Claire was double-checking
00:58:34the security system,
00:58:35I was on my way to the roof.
00:58:37See, Claire figured the real necklace
00:58:39wouldn't be in Shelly's vault until the weekend,
00:58:41so she devised this elaborate plan
00:58:43to break in during the week
00:58:45to prepare the real switch on Saturday.
00:58:47My job was to set some remote-controlled devices
00:58:49on the elevator motor and other places.
00:58:51That way we'd be able to access the right floors
00:58:53and deactivate the alarms
00:58:55when we came back for the actual switch.
00:58:57Wow.
00:58:59Notice that?
00:59:00I was already thinking of us as we.
00:59:02Huh.
00:59:03♪♪
00:59:06Sounds good.
00:59:07You want to catch a bite to eat now?
00:59:08Yeah, sure.
00:59:09All right, come on.
00:59:10All right.
00:59:11♪♪
00:59:21♪♪
00:59:31♪♪
00:59:41♪♪
00:59:51♪♪
00:59:59♪♪
01:00:05Come on, come on, come on.
01:00:07♪♪
01:00:12Come on.
01:00:13♪♪
01:00:16You're late.
01:00:17Well, it's nice to know you missed me.
01:00:19♪♪
01:00:29♪♪
01:00:39♪♪
01:00:49♪♪
01:00:54Good night.
01:00:55Good night, man.
01:00:57♪♪
01:01:06♪♪
01:01:16No answer.
01:01:17I don't like this.
01:01:19I don't like this at all.
01:01:21I don't trust her.
01:01:24Maybe we forget the whole thing, huh?
01:01:26Keep the two million and blow off the switch.
01:01:30If she's working us, we could end up in cement.
01:01:33Maybe I go tell her for a while, see what she's up to.
01:01:37Yeah.
01:01:42Yeah, keep an eye on her.
01:01:45Don't get made.
01:01:46Keep low, all right?
01:01:48Yeah.
01:01:50Did you mind your own business, you hear me?
01:02:00Maybe you ought to think about decaf.
01:02:04What's the problem?
01:02:06It's just like last-minute jitters.
01:02:08I don't know.
01:02:09I'm okay.
01:02:10Let's take it from the top.
01:02:12Okay.
01:02:13You will have to be here at exactly 7.30.
01:02:17I have five minutes to go.
01:02:19Okay.
01:02:20I'll see you at 7.30.
01:02:21Okay.
01:02:22I'll see you at 7.30.
01:02:23Okay.
01:02:24I'll see you at 7.30.
01:02:25Okay.
01:02:26I'll see you at 7.30.
01:02:28Okay.
01:02:29I'll see you at 7.30.
01:02:30Okay.
01:02:31I'll see you at 7.30.
01:02:32You have five minutes to get in, do your thing, and get out.
01:02:35At least 30 seconds, no more than a minute.
01:02:38No, I mean...
01:02:41I'm going to keep on signaling you.
01:02:43No.
01:02:45I'm going to keep on signaling you.
01:03:16Yeah.
01:03:20You're who?
01:03:24How'd you get this number?
01:03:27Okay, okay, well, just tell me.
01:03:32I must think I'm a complete idiot.
01:03:37Wait a minute, excuse me.
01:03:41How do I know this isn't a set-up?
01:03:46Well, if it's true, I owe you.
01:03:50So what, are you getting dialed up for your lover boy?
01:04:07What the hell are you doing here?
01:04:12Yeah, right.
01:04:14So what about this kid, huh?
01:04:18Where'd you find some time in your busy schedule
01:04:20for some extracurricular activity?
01:04:23He's the guard from the hotel.
01:04:25He figured out who I was.
01:04:27I'm just keeping him quiet.
01:04:30I'll keep him quiet.
01:04:32Oh, put that away, Morgan.
01:04:34Don't be stupid.
01:04:35I've got the situation under control.
01:04:41So are you sneaking around behind my back
01:04:43keeping things from me?
01:04:44So I'm supposed to what?
01:04:46Just back off and trust you on this one?
01:04:54I didn't tell you because I knew you'd react like this.
01:04:58So why is he still around?
01:05:00He thinks we're gonna go get the necklace tonight
01:05:02and I'm gonna give it to him
01:05:03so he can run to the cops and make good.
01:05:06And he thinks I'm gonna double-cross you.
01:05:10Oh, yeah?
01:05:12I'm not that stupid.
01:05:16Nobody's that stupid.
01:05:22So I'm supposed to believe this kid is dumb enough
01:05:24to think that you're gonna give him the van to build?
01:05:27Well, let's just say he's naive.
01:05:30How am I supposed to believe that?
01:05:32You don't have to.
01:05:35Meet me when we do the switch.
01:05:37You can be right there with us.
01:05:39Then when we're finished, you can whack him.
01:05:42Why not now?
01:05:44I still need him.
01:05:46What has he got that we can't do?
01:05:48Well, he's memorized the blueprints and schematics,
01:05:51and you don't know the difference
01:05:52between a blueprint and a comic book.
01:05:55That isn't nice.
01:05:57Look, I couldn't use you
01:05:58because the guards know you at Shelley's.
01:06:01They'd have made you the first time we cased the place.
01:06:09What if this kid goes to the cops?
01:06:11I told him I would never do any more time.
01:06:14And he's in love with me.
01:06:16He's not gonna hurt me.
01:06:18All right.
01:06:20But after tonight, Shank whacks him.
01:06:23Are you good with that?
01:06:25Couldn't care less.
01:06:34Hey.
01:06:36Guess I should have grabbed another pizza, huh?
01:06:42Beat it, kid.
01:06:44We're talking business here.
01:06:47You need any help, Claire?
01:06:49She don't need no help.
01:06:54Claire?
01:06:55It's okay, Jake. I'll see you tonight.
01:06:58Yeah, you can get the diamonds back.
01:07:00Just go, Jake.
01:07:04I don't get it.
01:07:05What are you gonna do, like,
01:07:06yank me along here or what?
01:07:07Why don't you take a walk, kid,
01:07:09while these things are still working?
01:07:12Fine, maybe I'll just go and do
01:07:14what I probably should have done from the start.
01:07:16Hey, Shorty.
01:07:19Little piece of information for you.
01:07:23I got a lot of friends on the police force
01:07:25in case you have any loved ones
01:07:28that need protecting.
01:07:35I guess they got no choice.
01:07:38Not much of one.
01:07:40Look, it's just basically pulling wires
01:07:42and pressing buttons.
01:07:44Okay, but I know where, I know when.
01:07:47If I sit this out, you got a problem.
01:07:49Ten percent.
01:07:59Five.
01:08:00Ten.
01:08:01Five percent. It comes out of her end.
01:08:03I want ten percent.
01:08:04I don't care whose end it comes out of.
01:08:09Okay.
01:08:17Kid's got potential.
01:08:38Okay.
01:09:08Hey.
01:09:25So now I'm telling Murphy everything.
01:09:27Blueprints, timing, everything.
01:09:30I'll tell you, I'd be lying if I didn't say I was scared.
01:09:33Because the fact is, I couldn't know for sure
01:09:35whether I was playing or being played.
01:09:37I wouldn't know till the very end,
01:09:39which I was thinking might be mine.
01:09:45Hey.
01:09:47Uh, what's a three-letter word for sub-seat?
01:09:52Sub-seat.
01:09:55Con.
01:10:07Con.
01:10:17Looks like your boy's gonna be a no-show.
01:10:19He'll show.
01:10:22If he goes to the cops.
01:10:24He's not going to the cops.
01:10:32You're late.
01:10:34Fire me.
01:10:36Fire you.
01:10:38Fire you.
01:10:39I'll kill you!
01:10:40Enough!
01:10:46Listen, Mike.
01:10:50See you in 45 minutes?
01:10:58I would have whacked him when I had the chance.
01:11:01Yeah, well, you'll get the chance soon enough.
01:11:05Yeah.
01:11:35Come on.
01:12:05You all right?
01:12:35Yeah.
01:12:51Hey, Claire.
01:12:56I'll hold on to that.
01:13:05Come on.
01:13:35Come on.
01:14:05Come on.
01:14:06Come on.
01:14:34Jay.
01:14:35I'm all at room floor.
01:14:36Let me know when you're in position.
01:14:44All right, Claire, I'm in.
01:14:45Good.
01:14:46I'm ready when you are.
01:14:47Here goes.
01:14:51Any time now.
01:14:54Tell me you're not having a problem up there.
01:14:59A little feedback would be good here, Jay.
01:15:01Yeah, yeah.
01:15:06Uh...
01:15:07Jake, what's happening?
01:15:22Okay, I'm in.
01:15:23Meet me on the vault floor.
01:15:24Got it.
01:15:35Okay.
01:16:05Okay.
01:16:35Okay.
01:16:51Okay, so far, so good.
01:16:54So far.
01:17:06Ready?
01:17:20Ooh.
01:17:21I thought it would all be out in the open.
01:17:24Can you open it?
01:17:28We shall see.
01:17:36Ooh.
01:17:43Pretty swift.
01:18:06This is how much you figure all this stuff's worth.
01:18:10Yeah, there's a rose-colored diamond.
01:18:12It's about 800,000 retail.
01:18:16You always did have a good eye.
01:18:23I thought you were gonna stay in the car.
01:18:27Yeah.
01:18:29Well, I thought I'd check out the action.
01:18:36You make the switch?
01:18:37Yeah.
01:18:38Good.
01:18:41Uh, wait a second.
01:18:42Where's my half?
01:18:45Oh, you and me all the way, babe.
01:18:48Remember?
01:18:52Getting any lately, shorty?
01:18:59Shank, take care of her.
01:19:02Oh, you are so predictable.
01:19:05So predictable, Morgan.
01:19:11I hope you got Shelly figured out as good as you got me.
01:19:15Someone certainly does.
01:19:25Ned.
01:19:35I made a mistake and that belongs to me.
01:19:40I think you got the wrong idea, Ned.
01:19:46Don't play me.
01:19:49It's stupid.
01:19:52All right, so all this time she's been working with you?
01:19:57No.
01:19:58I just got a call this afternoon.
01:20:02Hello, Claire.
01:20:03Been a long time.
01:20:11Thank you.
01:20:16You still take my breath away.
01:20:28This is $40,000 or $50,000.
01:20:29I was told you were getting half.
01:20:33There's supposed to be $500,000 here.
01:20:36I gave him $2 million.
01:20:42And he told you it was one.
01:20:49LAPD, weapons down.
01:20:51Put the gun down.
01:20:54And put your hands behind your head.
01:21:03Do what he says, T.
01:21:10You all have the right to remain silent.
01:21:13Excuse me.
01:21:14This is private property.
01:21:15You got a warrant?
01:21:17We heard that there was a robbery in progress.
01:21:19Not from me.
01:21:20It didn't.
01:21:21And I own this place.
01:21:22Now get out of here before I press charges.
01:21:24Oh, you're Ned Shelly.
01:21:26That's right.
01:21:28And you have the right to remain silent.
01:21:30I will not remain silent, and I want a damn lawyer.
01:21:33Stay away from the jewels.
01:21:36I'm taking those.
01:21:38That's my property!
01:21:42Did you do this, Jake?
01:21:46I'm sorry.
01:21:48Yeah, well, I told you I was never going back.
01:21:55Claire, Claire, don't do this.
01:21:56Claire!
01:21:57Stop now!
01:21:59He's got a gun!
01:22:11Get an R.A. unit up here right away.
01:22:13And get those guys out of here.
01:22:16Get our medics to the fifth floor, ASAP.
01:22:19Aw, Claire, why'd you do that, huh?
01:22:21Why'd you do that?
01:22:22You didn't have to do that.
01:22:24You had to be a good guy.
01:22:26You gave me no choice.
01:22:29Do you still love me?
01:22:31Yes.
01:22:32Yes.
01:22:33I'm sorry.
01:22:34Okay.
01:23:0410-7, I'm testing with your message.
01:23:06Whose case, which search group?
01:23:087-6-7-8-6-Roger.
01:23:10No-1-1-David-10-9-9-9-6-Check-In-CRC.
01:23:147-85-No-Record-In-CRC.
01:23:17Five-three-four-five-six-five-seven-six-seven-eight-one-two-three.
01:23:20What's the matter, sir?
01:23:22Who's that calling for now, eh?
01:23:24I'm being inside, man.
01:23:25Man, I'm close.
01:23:26I'm not even here.
01:23:28Get the fuck out.
01:23:29No.
01:23:30No, I'm not even here.
01:23:31Warning, this is 1-3-0-0-1.
01:23:33Please stand and remain in your spot.
01:23:35This is 1-3-0-0-1.
01:23:37Please stand and remain in your spot.
01:23:39This is 1-3-0-0-1.
01:23:41This is 1-3-0-0-1.
01:24:00Did they buy it?
01:24:01Are you kidding?
01:24:02Of course they bought it, even I bought it.
01:24:04You guys were great, I mean BOTH of you, great, I'm not kidding.
01:24:07Talk about overacting.
01:24:09Hey, hey, hey, under the circumstances, you know, I think I did a pretty good job, all right?
01:24:13So don't even start...
01:24:13All right, listen, we've got some important matters to discuss.
01:24:17Uh, Jason, I've got some papers and a ticket for you.
01:24:21Tickets, passport, no ID.
01:24:23Hey, that's, that's, that's the sketchy guy who...
01:24:26Yeah, yeah, he's one of us.
01:24:27I've been covering you from the get-go.
01:24:32You gonna give me a nice funeral?
01:24:35I got nothing in the budget for nights.
01:24:38What about the money?
01:24:39A deal is a deal, Jason.
01:24:43Just as we promised, $40,000.
01:24:47Well, hardly makes up for two years in prison.
01:24:51I just hope they get some serious time.
01:24:53That isn't up to me, but we've been trying to nail him for ten years,
01:24:56and this will be the best case that we've ever had.
01:24:59I'm gonna move up front and leave you two alone for a few minutes.
01:25:05So, uh, I don't know, I guess this is it.
01:25:09Yeah, I guess so.
01:25:11Hey, uh, you won't forget about me, will you?
01:25:15Not a chance.
01:25:17Yeah.
01:25:35You have to understand, Heather, I couldn't let her go.
01:25:58I mean, she would have gone into hiding, and I never would have seen her again.
01:26:03I love you, Steve, and I miss you a lot.
01:26:06I think about you often, and I've included a picture of us so you know we're okay.
01:26:10Hey, but listen, you gotta throw it away along with this letter.
01:26:12I'm not kidding about that.
01:26:14If anybody asks, just tell them I've joined the CIA.
01:26:17I like the way that sounds.
01:26:20You've, uh, probably noticed I sent along the keys to my car.
01:26:23I left it parked at 4th and Grant.
01:26:25I trust you'll take good care of her for me.
01:26:28Oh, and, uh, one last thing.
01:26:30You may want to check the glove box as soon as possible.
01:26:34Love and peace, your big brother, Jake.
01:27:00Yeah, I got it.