Boat Story 2023 S01E06
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TVTranscript
00:00Two strangers found a boatload of cocaine and sold it.
00:08Only it belonged to...
00:09The tailor.
00:10The tailor.
00:11The tailor.
00:12The tailor.
00:13He's French.
00:14He came after them.
00:15Only he got a little distracted, but his enforcer did not, which is why he kidnapped Janet's
00:21son.
00:22In return, Janet and Samuel took the most important thing to the tailor, Pat, who was
00:26at that very moment finding out some crazy shit about this French movie, and why tailor
00:31kept calling her Madame Petit.
00:34Exciting, huh?
00:36So exciting it even got turned into a play.
00:39We're nearly there.
00:42We're nearly at the end.
00:44Or is it just another point in time?
00:47Because nothing really ends?
00:48Not really.
00:49We just choose a moment with some kind of an emotional resolution, and we stick a pin
00:53in that, and we call it the end.
00:54The end.
00:55The end.
00:56The end.
00:57People die.
00:58All the people around them do, and live on with the consequences, but the story never
01:02ends.
01:03This feels like the end.
01:04And now, we are here.
01:05The abandoned reservoir.
01:06So, here we all are.
01:07Is it... is it me you should be pointing that thing at?
01:23What does he mean, Samuel?
01:24I'm sorry.
01:25I'm sorry.
01:26I knew all along, okay?
01:27I knew about the boat.
01:28I knew you were there.
01:29I'm sorry.
01:30This is it.
01:31This is the end.
01:32Seems like forever ago we was in that field, with a boy finding that head.
01:49Now here we are, and two people who were strangers not so long ago are driving through the country
01:55with a woman in the trunk of their car.
01:57It's sure not how they wanted things, but you do what you can to survive for the people
02:03you love.
02:04Help!
02:05Help!
02:06Help!
02:07Help!
02:08Help!
02:09Help!
02:10Help!
02:11Help!
02:12Help!
02:13Help!
02:14Help!
02:15Help!
02:16Help!
02:17Help!
02:18Help!
02:19Help!
02:20Help!
02:21Help!
02:22Help!
02:23Help!
02:25Help!
02:26Help!
02:27Help!
02:28Help!
02:29Help!
02:30Help!
02:31Help!
02:32Help!
02:33Help!
02:34Help!
02:35Help!
02:36Help!
02:37There's someone here called French.
02:38Try it.
02:39Patricia, mon amour.
02:41It's Janet.
02:42And Samuel.
02:43We stole your cocaine?
02:46Why are you calling me from Patricia's phone?
02:52You've taken someone I love, Mr. Taylor.
02:54What?
02:55So now I've done the same to you, she's in the boot of my car.
02:58You are lying.
02:59Do I fucking sound like I'm lying?
03:01A bit, yes.
03:08Who's it?
03:09Espèce de crevure! Ordure de merde!
03:12Commando, moi et mes hommes on va te déchirer ta gueule!
03:15Toi, ta famille et toutes les enfures que t'as croisé dans ta vie!
03:18If your man so much as touches a hair on my boy's head, I will...
03:22Have taken no one, you're delusional!
03:24Your bloke has.
03:25To tidy up loose ends, namely us.
03:28You have me wrong.
03:30When I woke up in that hospital bed, I knew things had changed.
03:36I see my own ending now.
03:38I'm not the person you think I am.
03:41You'll forgive us if we don't believe you?
03:43I don't want to hurt Pat, I really don't, but I...
03:46I will do anything, and I mean fucking anything, to protect my son.
03:51And I will do anything to protect her.
03:54So just tell me what you want.
03:57Bring me Alan.
03:58And bring the money.
03:59If we're going to disappear, we're going to need money.
04:01And we don't want to be looking over our shoulders the rest of our lives, so...
04:04Yeah, we need it in two bags.
04:06One each.
04:10Did you tell her?
04:12Does Patricia know who I am?
04:15No, she don't.
04:17Good.
04:18You must stay.
04:19That way I should be the one to talk with her.
04:22You will have the money and the boy.
04:28Okay.
04:30Great.
04:31So we will...
04:33We'll text you how to make.
04:35I will be there.
04:46Come with me.
04:49Keep your eyes shut.
04:51And bring that trumpet thing along.
04:58Close your eyes and step carefully.
05:00There's blood on the floor.
05:10Hey, hey.
05:12You can open a little.
05:16Sit down.
05:18Don't move.
05:31Yeah?
05:32Change of plan.
05:33Your place ain't going to work.
05:35You haven't spoken to your boss yet, have you?
05:37You what?
05:38I suggest you do.
05:39And if you've hurt my boy, you are seven different kinds of fucked.
05:45Yes.
06:04Yes?
06:05Listen, I've just had a weird call from that woman.
06:08You took her boy?
06:09Yeah, I did.
06:10But I mean, I'm trying to tie up loose ends.
06:12You know, solutions, not problems, man.
06:14It has had repercussions.
06:16No, I didn't think...
06:17No, you didn't.
06:19They've taken something from me now far more valuable than any shipment of any kind.
06:24Meet me at my hotel with the boy.
06:28There's a change of plan.
06:30What is it?
06:36The glorious end of it all.
06:40It's not the end.
06:44There's more to my story
06:48I gave her my heart
06:52But if she knew the things I do
06:59It would tear her apart
07:13What a beautiful day to drink lemonade in a park under a parasol and play ball with your dog.
07:39Pleasure to meet you.
07:42Do you speak French?
07:45Do you have an address?
07:48I said I wanted to make a reservoir.
07:50And so, it shall be.
07:54Oh, Corduroy.
07:58Fastian.
08:00That's what it was originally in ancient Egypt.
08:04Corduroy, but without the distinctive ridges that it would become known for.
08:10So, what's going to happen now?
08:14Now?
08:18Now, this will all end.
08:25It started and it will end with a boat.
08:34I told you it was a story about a boat.
08:40It's going to be all right.
08:41You don't know that?
08:42No, I believe it will.
08:46I have to believe.
08:49For your family, for my family.
08:52You said that if they were safe, what did you mean by that?
08:58I locked them into a shipping container.
09:00Fucking hell.
09:03How far is this meeting place?
09:05Close now. It should be there well before them.
09:10I'm really sorry, but I...
09:13I really want to believe that we're going to just give this man his woman and walk away and...
09:22You'll have Alan and we'll have all that money.
09:24I really, really want to believe that, but I just can't.
09:28I mean, we've got no weapon. We've got no backup.
09:31How are we supposed to trust him?
09:33We're going to pull over and I'm going to get out and I'm going to buy a kitchen knife.
09:38And when we get to the reservoir, I'm going to take that knife and I'm going to hold it to that poor woman's throat.
09:46And only when Alan is safely in this car and you've driven him away from there will I...
09:52will I bring it away.
09:54They can do with me whatever they want.
09:58But you two will be long gone.
10:00And Alan will be safe.
10:02He's very brave, I don't know if I can...
10:03Will you just please shut up?
10:04Samuel.
10:09Right.
10:13Hi, boss. It's me.
10:15I'm presently at the location of the suspect, presently.
10:18I said presently, didn't I?
10:20Anyway, I'm heading in now.
10:22If you don't hear from me in the next hour, it's because something's happened to me.
10:25Or I've lost my phone.
10:26I'd have seen the phone, I just could.
10:28But I'd like you to come looking for me if something has happened.
10:31Which it won't.
10:32I've brought my bath bomb.
10:34See you on the other side, boss.
10:36It's Ben, by the way. Ben Two.
10:39I work for you, it's just a meeting.
10:41Yeah.
10:43Message received today at 13.36.
10:54Jennings, do me a favour.
10:56Check in on Officer Two, would you?
10:58Really?
10:59I know, I know.
11:00Taking the phrase wasting police time to new levels, but...
11:03letter safe and sorry.
11:06PC Jennings here. Come in, Officer Two.
11:12Ben?
11:19Could I get a ping on 87895?
11:21About traffic?
11:22Yeah. Officer Two's radio.
11:24Roger that.
11:37Ben!
11:54Officer Downs!
12:06Come on.
12:26Oh, come on.
12:27Oh, gentle.
12:31About bloody time.
12:37You can take those bloody stupid things off and all.
12:41I'm not an idiot.
12:43I recognise you from the hospital.
12:47You've got one hand, love.
12:49You don't exactly blend in.
12:50Are you all right?
12:51No way I'm not all right, cos I've been kidnapped
12:53and put in the back of a car, so I am not all right at all, actually.
12:58My hands.
12:59This dog lead's really digging in.
13:02Can't we get rid?
13:03No, no, I'm sorry, no.
13:06Come on.
13:08Yeah, move on.
13:11You want to tell me what this is about, at least?
13:13Best not to.
13:15Best for who?
13:19You don't seem the type to do this sort of thing, love.
13:22Well, we are, Pat. We weren't, but we are now.
13:26It's about him, this, isn't it?
13:29Taylor.
13:32Hmm.
13:33Might have known.
13:35It's not every day a handsome Frenchman walks into your life
13:38and then gets shot.
13:42But you're not going to tell me any more about it, are you?
13:44Look, just do as we say and then you'll be fine.
13:51Turns out it wasn't even me you liked.
13:56I look like an actress in some film,
13:59which I never got to see the end of,
14:01because of you two.
14:04It's called Les Enfants.
14:06French.
14:10You ever seen it?
14:11No.
14:12Can't say I have.
14:13I haven't, no.
14:15Genevieve Leroux, she's called.
14:18And apparently I look almost exactly like her.
14:22All these years, no-one ever said.
14:24She only made the one movie, mind.
14:26Is it OK, me talking?
14:28I just find it helps with the stress.
14:31And getting kidnapped, that's up there
14:33on my list of stressful situations.
14:41It's about twin boys.
14:43The father is a tailor.
14:46And there's an accident which kills one brother and the dad,
14:50leaving this poor boy all alone.
14:53And there's a woman.
14:54Passing by the scene of the accident,
14:56she's the one who calls for the ambulance.
14:58And that's me.
15:01Or Genevieve Leroux.
15:07Everything he ever told me about himself.
15:12It's in that film.
15:14It's like someone put his whole life story up on screen.
15:18That's bloody weird.
15:19It is, isn't it?
15:21Yeah.
15:23And what's your business with him?
15:26I'm guessing you're not really friends.
15:31He has money.
15:34Oh.
15:38So that's what all this is about.
15:41Money.
15:42Only two reasons people turn bad.
15:45Love.
15:46And money.
15:51I should have guessed when he said he was staying
15:53at the Grand Sterling Hotel.
15:54Swanky as balls, that place.
15:56Knives just for the butter.
15:58Where the hell are they?
15:59Are you...?
16:01Oh, thank you.
16:19Yeah?
16:20Where are you?
16:21Run away.
16:22There's no need to be impatient.
16:24Right, put me boy on.
16:26I need to know he's OK or this whole thing's off.
16:28Put him on.
16:29She wants to speak with her boy.
16:32OK.
16:37Mum?
16:38Oh! Alan, oh my God!
16:40God, are you OK? Are you all right?
16:42I'm all right. Don't worry. I'm all right.
16:44I'm sorry, love. I'm so, so sorry.
16:46I don't understand what's happening.
16:48It's all right. You're going to be all right, I promise.
16:50I'm going to make sure of it.
16:51And fuck, fuck, you know this.
16:53And you don't need to hear it, but I need to say it.
16:57My love for you goes out past the sky,
17:00through the blackness of space and into the stars.
17:03It stretches through all of the constellations,
17:06all of the galaxies, through space and time
17:09in a way that folds in on itself and it never ends.
17:13The feeling is very much mutual.
17:15I mean it, Alan. This is not...
17:17APPLAUSE
17:27What do you think?
17:30Where do I start?
17:32Why did you say I knew all along about the boat and the drugs?
17:36Needed more conflict and an ending for the act.
17:39It doesn't even make sense.
17:41See, if I'd somehow set it all up,
17:43why would I then involve a random stranger I met on the beach?
17:46Eh? No, eh. It's a lie.
17:48Anyway, that strand didn't go anywhere.
17:50No, but the audience came back after the interval.
17:53It's not what happened.
17:55It's more interesting than what happened.
17:57People do it all the time.
17:59Right. Here.
18:01How can I have my money?
18:03Oh!
18:05Oh!
18:07Oh!
18:09It's in good nick, eh?
18:11Well, resin don't crack.
18:13It's a saying, I believe.
18:15How did you find it?
18:17Surprisingly enough, it was pretty much where I left it.
18:19Now, come on.
18:21I could use that money.
18:23500, eh?
18:25Worth every penny.
18:29What?
18:31Aren't you in the least bit interested
18:33about how it actually ended?
18:35Go on, tell us.
18:51Come on.
19:09What the fuck is this?
19:11The less you know, the better.
19:17Come with me. Don't move.
19:19What is it?
19:27Right, that's far enough.
19:29Far enough.
19:31Put that away. Put it away!
19:39Let's get it over with.
19:41What's happening?
19:43Not too long, my love. This will be over.
19:45Taylor?
19:47I have the money,
19:49and no-one needs to get hurt.
19:51Yeah, I can't trust you, though, can I?
19:53You give me what I want.
19:55I stay with her till that car's gone.
19:57Only then do I let her go.
19:59You would leave yourself exposed like this?
20:01I'd do anything.
20:07I know this feeling.
20:09Very well.
20:11Let him go.
20:13Stay here. Don't move.
20:17Don't move.
20:27Don't move.
20:41And the money?
20:47Don't move.
21:01Right, stop there.
21:05Get to the car.
21:17Come on.
21:31You do not trust me, eh?
21:35Here.
21:37Let's go.
21:45Patricia and I
21:47will get the ending we deserve.
21:49We will sail away
21:51on the Bouton de Rose,
21:53and no-one will ever see us again!
22:07Bye.
22:09Bye.
22:13Stay.
22:15Stay there.
22:25Are you okay, my love?
22:37Did they hurt you?
22:41What was?
22:43This should never have happened.
22:45Who are those people?
22:47Who are you?
22:49I'm the man you fell for.
22:51I've done things in the past
22:53that I'm not proud of, but those are gone.
22:55You're not just a tailor.
22:57Does it matter?
22:59Let them keep their money.
23:01I don't need it when I have you.
23:03Who's...
23:05Who's that?
23:07This is my driver.
23:09Now come, let us
23:11get you somewhere safe.
23:13I need to phone Ben.
23:15They took my phone.
23:17There will be time
23:19to call your son.
23:21First, let me look after you,
23:23get you somewhere safe, get you a drink
23:25for your nerves.
23:33I'm sorry.
23:47I just don't understand.
23:55So what's the plan?
23:57What do you mean?
23:59Oh, you want me to follow them to take care of them
24:01No, we have a deal.
24:03They live.
24:05I don't get it.
24:07You've never lived.
24:11This ain't like you.
24:17I'm not me.
24:19I'm...
24:23I'm something more.
24:25Just take us to the hotel
24:27and go...
24:30go back home.
24:32Are you serious?
24:35Yes.
24:37The job is over.
24:56I don't get it.
24:59Why did he just let us go like that?
25:01What got into him? He was so bloody weird.
25:03Who cares?
25:05We're alive.
25:07I just can't... I can't believe it.
25:11He shot a policeman.
25:13Who?
25:15That big bloke who worked for the French guy.
25:19He shot him
25:21like he were nothing.
25:25Are you gonna tell me?
25:30And that's when Janet told Ellen everything.
25:33The whole story knows the tale.
25:36Like I just told you.
25:38But she didn't yet know what was happening over at the police station.
25:42And they're sure about this?
25:46You know what ballistics can be like?
25:48The gun found at the caravan matches the one used in the shooting.
25:51He was right.
25:54He tried to tell me and...
25:57Find Janet Campbell
25:59and Samuel Wells.
26:03For Officer Ben too.
26:05Find them.
26:27What's that?
26:29It's a betting slip from the day that Vinnie paid us.
26:33Are you serious?
26:35Nothing I couldn't afford.
26:37Well, everything that's happened and you've learnt precisely fuck all.
26:40What is the big deal? I...
26:42It don't matter. It's fine.
26:48What now?
26:50I run.
26:52Somewhere non-extradition.
26:54We should go to Cuba. I've always wanted to go there.
26:57They've got a healthy respect for the horn section.
26:59You can't come. You're only 14.
27:01I don't care. I want to go with you.
27:03It's no life for you. No, it's not...
27:06Life's short.
27:08Everything can go wrong.
27:10Fast. Anytime.
27:14Officer Two had no idea that when he went into work that he'd be shot.
27:18Officer Two, that's who...
27:20Shh.
27:22A white woman, 40s, blonde hair with blue highlights,
27:25travelling with a black man, 50s, bald,
27:28running around the Applebury area.
27:30The police have advised not...
27:32Drop us off somewhere. We need to split up.
27:34It's not over yet then.
27:39No, it's far from over.
27:41Shouldn't we talk to the police?
27:43No. Tomorrow.
27:45Right now. You must be looked after.
27:48Please.
27:50Please, stand there.
28:09This is for you, Madame Petun.
28:11Right...
28:13Madame Petun again. Can you stop that now?
28:16I've watched Les Enfants.
28:18You saw it all?
28:20No, because I was bloody kidnapped.
28:22But I saw enough.
28:26It's your life up on screen.
28:32Yes.
28:34My father was a tailor.
28:36I had a twin brother, like the boy.
28:39Just like in the film, they were in an accident.
28:43It must have been strange,
28:45watching your own childhood reflected up on screen.
28:49Yes.
29:13Yes.
29:15It was just like in the film.
29:17Not different at all.
29:20But it was different.
29:22Very different.
29:42Madame Petun.
29:49Je m'appelle Madame Petun.
29:51Tu ne montes pas tant que le film n'est pas fini. D'accord?
29:54Madame Petun.
29:57That movie wasn't his childhood.
30:00It was an escape from it.
30:02But he didn't say this to Pat.
30:09This is what I'm getting at, love.
30:12You met me.
30:14And I look like that actress.
30:16But somewhere in your head, you think that I am going to be the end
30:20to your favourite movie.
30:22Well, I'm not Madame Petun.
30:25Or Genevieve Lawatsit.
30:27I am me.
30:29And you need to accept that.
30:31I do.
30:33It is you I want.
30:35All of you.
30:42DOOR CLOSES
30:53Hi, it's Camilla. Please leave a message.
31:00So, are you going to be all right from here?
31:02Well, I guess I'll find out.
31:04Well, we've both got plenty of money.
31:07Let's keep going, you know.
31:0950-50, right down the middle.
31:11Do you think she'll be OK?
31:13She who? Pat.
31:15I have no idea. Why are you...?
31:17Is it the policeman who got killed that we're a son?
31:20Jesus. She don't know her son's gone
31:22and we just delivered her right back into the arms of the man responsible.
31:25He says he loves her, so she'll be fine.
31:28You were acting pretty bloody weird.
31:30OK, she made her choice, right, to be with that lunatic.
31:33And thank God for free choice, I say,
31:36because I'd choose to get the fuck out of here.
31:40In fact, we both need to get as far from here as possible.
31:43Good luck to you, Jenny.
31:45Wow, I thought you didn't believe in luck.
31:47Well, maybe you've rabbed off on me.
31:52Good luck to you, Alan.
32:00All good?
32:03All good.
32:07What's wrong?
32:08You're the French bloke who took you.
32:10We're talking a lot about endings.
32:12Yeah, he said something like that to me,
32:14like about endings and...
32:17thoughts.
32:21Have you ever heard of a film called Les Enfants?
32:24No. Why?
32:26How can you think about French films when the police are after you?
32:29It's just... Something's not right.
32:32Right, come on.
32:37It's been a hell of a day.
32:43Maybe we should just go and report what happened.
32:45Get it over with.
32:50I need to do this with you.
32:55Please.
32:57Try to stress.
33:00Please. Please.
33:02Fine.
33:04Fine.
33:07Might not fit mind.
33:34Bloody hell, this is awful.
33:36It was banned in a lot of countries.
33:38Yeah, but you can't ban something for being awful.
33:48Shall we fast forward to the end?
33:50Please do.
34:05Are they on a boat?
34:08That's what he said to you, right?
34:10That it would all end on a boat?
34:34Another meal.
34:54Benoît.
34:59We need to talk.
35:01No.
35:03I know what you're going to say.
35:05That it's over.
35:07That you can't take it anymore.
35:09Because your little son could be my father.
35:11And it would make you sick to death.
35:13I'm too proud.
35:15No!
35:16It's over!
35:18No! No! Our surrenders are united forever!
35:20All the time!
35:23The soup is starting to get cold.
35:26Five more minutes.
35:29And I'll move on to the resistance meal.
35:33Tu ne me quitteras plus.
35:38Tu seras en moi.
35:55Shut the baby off.
35:56I can't see what's going on.
35:58No, I know.
36:00You don't want to know. You don't need to see that.
36:02Just tell me.
36:03No. No, I'm taking you on.
36:05I'm staying with you.
36:06No, you're staying with your dad, where you're safe.
36:08Just until I'm done.
36:09What are you doing?
36:10What I should have done on the beach that day.
36:12The right thing.
36:18Just tell me, where are we going?
36:27It's a surprise, as I told you.
36:29Please.
36:33Please.
36:55Go, go. Just keep your distance.
37:02Go.
37:27Let me explain.
37:29I need to protect you from...
37:32Shut the fuck up.
37:34For once in your life,
37:36you expect to see a smile
37:38and nod quietly while you keep talking and talking.
37:41It's not true.
37:43No, you don't get to tell me what is and isn't true.
37:47I know, but I can change.
37:49I swear.
37:51No, you can't keep lying and lying to a person
37:54and expecting them to believe you.
37:56I'm going home.
37:58You can't go home. You can't go home.
38:00It's the way we live.
38:01I've got money. I've got lots of money.
38:03We can go anywhere in the world, anywhere.
38:05Where do you want to go?
38:07As far away from you as possible.
38:09Come on, we're leaving.
38:11Darling, please, don't leave.
38:30Come on.
39:00Fucking hell.
39:12It's all yours.
39:14It is ours.
39:22Crikey.
39:24Quite something, this.
39:31Madame Bettune.
39:33Madame Bettune again?
39:35Oh, sit down. I'm sorry.
39:38I think I want to leave now.
39:40Leave?
39:43But I tried to do this nice thing for you
39:47and you want to leave?
39:49Don't raise your voice at me, sunshine.
39:51I do not raise my voice at you, sunshine.
39:53I raise my voice at you and you alone.
39:55What's the point of it?
39:57I just want to leave.
40:00Seems like yourself you're thinking about.
40:02No, it is for us.
40:05The both of us.
40:07So things can be as they are meant to be.
40:14You've not been yourself.
40:16Not since you woke up in that hospital bed.
40:19No, I'm not myself.
40:20I'm better.
40:22I see things more clearly than ever.
40:29Phew.
40:46You will be comfortable down here.
40:49Thank you.
40:57Taylor, I'm not sure.
40:59This is too much.
41:01I told you.
41:02I know.
41:04I just want things to be perfect.
41:15Wait for me.
41:17Make yourself at home.
41:22But I will be back soon.
41:47What the...
42:17I love you.
42:47I love you.
43:13What the fuck?
43:17Police!
43:18Drop your hands!
43:21Turn around slowly!
43:33It's all to do with the film.
43:35This lays on fumbling again.
43:37You seen it?
43:38Not all of it.
43:39But I don't understand how that can possibly have anything to do...
43:42If you'd seen the end, you'd know.
43:44What happens at the end?
44:15The tip of your tongue.
44:19Nothing will be left behind.
44:25Fucking hell.
44:27Yeah.
44:29So what we gonna do?
44:44Dinner is ready.
45:09Mon amour, dinner is ready.
45:15I'm sorry you had to wait so long.
45:23You're beautiful.
45:25Come with me, Madame Betty.
45:28Come with me and you will see the world in color again.
45:44I love you.
46:15Are you going to eat it?
46:18It smells lovely.
46:21You look beautiful.
46:45Oh, please.
46:46Do not look scared.
46:48There is nothing to fear from me.
46:51I would never hurt you.
46:55You hate me?
46:56No.
46:57No, I don't hate you.
46:59I just feel sorry for you, is all.
47:01Sorry for me?
47:02You know well, love.
47:04Live.
47:14Why don't you eat?
47:18No.
47:26I know what you put in it.
47:28That's not how you treat people you love.
47:35It's not like that!
47:37It's not over!
47:55How dare you ruin my dinner?
47:57How dare you?
47:58You're fucking mental!
48:04Fuck!
48:34What now?
48:37Usually I'd say we should call the police,
48:39but I'm sort of wanted.
48:56I always wanted more excitement in my life.
48:59I don't want that anymore.
49:01Your boy.
49:03You said he were a police officer, didn't you?
49:05Yeah.
49:09I'm damn proud of him.
49:18Why?
49:21Why did you ask that?
49:32The case against Samuel was thrown out of court,
49:36but the stress got him to enlist in Gambler's Anonymous.
49:41That's where he met a book editor.
49:44That's how he came to write a hypothetical memoir.
49:48Craig had first option on the film rights.
49:52As for Camilla and Anya,
49:54sometime after they left Samuel,
49:56they discovered a bag with two million pounds on their doorstep.
50:01Pat, too, went back to work,
50:03and after burying her son Ben,
50:05she vowed never to want anything interesting in her life again.
50:10Until she met a Spanish guy called Carlos,
50:13but that's a whole other story.
50:16Ben, too, was posthumously awarded something called the George Cross Medal,
50:20which I'm told is mighty fine.
50:24As for Guy, he kept working for the cartel under new management
50:28until he was found in his own home shot in the back of the head.
50:32He never did make another raise.
50:37And the tailor was buried in Paris.
50:39According to his wishes,
50:41he was laid to rest in a very specific plot of land in the 7th arrondissement,
50:47which he had purchased as a young man.
50:51As for Janet, well, she made her own ending.
51:06Hello, Alan.
51:09Do you ever get tired of amusing yourself?
51:11No, I really don't.
51:13What's that?
51:15Fish. Got it from the fish block next door.
51:17What kind?
51:18Big one.
51:20Silly woman.
51:35I don't know.
51:37I don't know.
51:39I don't know.
51:42I don't know about happily ever after,
51:45but it'll do for now.
51:51You heard from her at all, then?
51:53Janet?
51:55Fair enough.
51:57Shame.
51:58Everything you two went through.
51:59Thought there might be some kind of bonding experience.
52:02Bonding, yeah.
52:03She got her son to switch out my money for his tuba.
52:07There's no bond.
52:08Well, if you do get a chance to talk to her, put a word in.
52:11Might be able to help get the end working better.
52:14Why are you so obsessed with the end?
52:17We all are.
52:19We come into the world with these underdeveloped brains
52:23that are trying to process everything going on around us,
52:26but we come out of it like that.
52:29We get cut off mid-sentence.
52:31Mortality is...
53:09...the end.
53:19Janet and Alan.
53:22They lived happily ever after, those two did.
53:25Why?
53:27Why are you telling me all this?
53:32So we can learn from their mistakes.
53:39They're here.
53:41Elias, wait!
53:45Don't worry.
53:47Everything's gonna be okay.
53:51You sound like Samuel talking to Janet.
53:54Nah, that was their story.
53:57This one's ours.
53:59This will be different.
54:01Has to be.
54:08AVAILABLE NOW