La vida prometida Cap 5
Transcript
00:00I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you
00:30Io ti cerco, ti invoco follemente, per dirti che ti amo, appassionato
00:50Amapola, dolcissima amapola, la luce dei miei giorni splendente
01:08Fai fiorire la passione come il suono della mia canzone
01:38Fai fiorire la passione come il suono della mia canzone
02:08Fai fiorire la passione come il suono della mia canzone
02:28Fai fiorire la passione come il suono della mia canzone
02:38Fai fiorire la passione come il suono della mia canzone
02:48Ven aqui, por favor, que nunca falten flores en la tumba del varón, ¿entendido?
03:04Compren la voz de Italia, los assassinatos en Nueva York no cesan, tiroteo entre bandas rivales
03:19Doña Carmela, ¿como es posible que siempre les pase lo mismo?
03:24Enseguida llegará Antonio, tenga paciencia
03:27Entiendo, ¿pero seremos capaces de reunirlos a todos?
03:37Gracias
03:39Atentado en el consulado italiano de Buenos Aires, hay más de 200...
03:44Tengo que irme ya, es tarde
03:46No, espere un poco
03:48Ya ha llegado
03:50Perdonad, he tardado más por comprarle el periódico a Alfred
03:54Ah, la culpa es mía
03:56Siempre hay excusas para todo
03:58Venga, colocaos todos, hagamos la foto, María, tú a mi lado
04:02Venga, venga, ten paciencia, señor, ¿queréis haceros la fotografía, sí o no?
04:05Ven, ven, Rocco
04:07Tú aquí, pequeño
04:09Alfredo, Antonio, venga
04:11Todos listos
04:14Muy bien, quietos, ¿como estáis? y no os mováis
04:18No, espere, espere, me he equivocado
04:20¿Qué pasa ahora, doña Carmela, por favor?
04:22Que quiero hacer la foto, como la que hicimos la última vez
04:25Ahora también estoy yo, mamá
04:27Sí, mi vida
04:29Venga, mamá, da igual, da igual
04:31No, no da igual, poneos Antonio donde Alfredo y Alfredo donde Antonio
04:34Venga, venga
04:36¿Estamos o no estamos?
04:38Así sí
04:40Vamos allá, miradme, sonreíd
04:48¿Qué pasa?
04:49¿Qué pasa?
05:17¡Para Carmela!
05:19¡Para!
05:21¡No! ¡Compórtate, no me toques! ¡Es que no te da vergüenza!
05:24¡Cerdo cochino! ¡Es increíble! ¡Eres un cerdo! ¡Se lo voy a decir a tu madre!
05:30¡Pero cómo te atreves! ¡Pareces un pulpo con esas manos!
05:33Un pulpo
05:35Angela, ¿qué ocurre? ¿Por qué dices eso?
05:37Pregúntaselo usted a su hijo
05:39Me ha metido mano debajo de la ropa
05:41Pues ya ves tú, uno más, uno menos, ¿qué más dará?
05:43Doña Carmen, no se lo permito
05:45¿Qué estás diciendo si te has insinuado a todos mis hijos?
05:46Son ellos que siempre se me echan encima
05:48Si hasta lo has intentado con el pobre Rocco
05:50¿Pero qué está diciendo?
05:52Ha entrado en el baño con todo afuera
05:54Tiene que encerrarle en la jaula de las palomas
05:56El tonto ese está salido como un perro
05:58Escúchame bien
06:00Tú para hablar de mi hijo te lavas la boca, ¿entendido?
06:02Rocco es como los demás
06:04Y tápate, anda
06:06El espectáculo ha terminado a vuestras casas
06:08Pero bueno, ¿qué ha pasado?
06:10Dios mío, Rocco
06:12Una vergüenza, una vergüenza
06:14Y tú, vístete
06:16Tú a las mujeres ni se te ocurra mirarlas
06:18¡Qué vergüenza si estuviera tu padre!
06:20¿Sabes qué te haría?
06:22¡Y ahora desaparece de mi vista!
06:24¡Lárgate!
06:26Perdón, mamá, perdón
06:28Rocco es malo, Rocco es malo
06:47Ayúdame
07:08Malo, Rocco, es malo, malo
07:16Ayúdame
07:46Rosa
07:56No, no
07:58No tengas miedo, Rosa
08:17¿Perdóname, mamá
08:19Ayúdame
08:21¡Ayúdame!
08:23Ayúdame
08:25¡Mamá!
08:27¡Ayúdame!
08:29¡Diego!
08:31¡Diego!
08:33¡Diego!
08:35¡Diego!
08:38¡Diego!
08:40¡Diego!
08:42¿Qué pasa?
08:44¡Diego!
08:46Rocco!
08:49You're free now.
08:52Fly!
08:57He's crazy!
08:59Rocco, what are you doing?
09:01Rocco, get off!
09:09I'm coming with you.
09:10I'm coming with you, Rosa.
09:12Because Rocco can fly too.
09:14Rocco can fly too.
09:16Fly!
09:17Rocco is free.
09:19Let's go flying.
09:21No one can stop us.
09:25Fly, Rosa.
09:27And also fly, Rocco.
09:31Rocco is free.
09:33Rocco.
09:35Rocco is free.
09:38Go, fly.
09:40Fly.
09:43Rocco is free.
09:45Rocco flies.
09:47Rocco, come here.
09:48Rocco flies.
09:49Rocco is bad.
09:51Forgive me.
09:52Come here.
09:53Rocco is bad, Mom.
09:55He's bad, Mom.
09:59No, you're not bad, little one.
10:02Mom, you're angry.
10:03No, I'm not angry.
10:06You're bad, Mom.
10:08No, Rocco, what happened is normal.
10:10What happened is normal.
10:13Mom, you're angry.
10:18I'll take care of you.
10:20I'll take care of you.
10:22I'm bad, Mom.
10:26I'll take care of you.
10:28Forgive me.
10:29I'll take care of you.
10:30I'll take care of you.
10:31I won't do it again, Mom.
10:34I won't do it again, Mom.
10:37Come on, let's go home.
10:40Let's go home.
10:41Let's go.
10:43Let's go.
11:13Let's go.
11:24What world?
11:43Let's go.
12:01Rosa.
12:02Do you have a letter?
12:13I'm leaving, Rosucha.
12:27It's daytime.
12:28You liked it, didn't you, Rosa?
12:36I like being able to buy medication for my son.
12:41We'll see you next month, as soon as you sell the harvest.
12:45I'm looking forward to it.
12:46Goodbye, Rosa.
12:47Honey.
12:48Honey.
12:49Look at this.
12:50This is for the good syrup.
12:51And this is another one, for that medicine with which you will heal very quickly, huh?
12:52And we can even call a doctor.
12:53Honey.
12:54Honey.
12:55Honey.
12:56Honey.
12:57Honey.
12:58Honey.
12:59Honey.
13:01Honey.
13:02Honey.
13:03Honey.
13:04Honey.
13:05Honey.
13:06Honey.
13:07Honey.
13:08Honey.
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13:11Honey.
13:12Honey.
13:13Honey.
13:14Honey.
13:15Honey.
13:16Honey.
13:17Honey.
13:18Honey.
13:19Honey.
13:20Honey.
13:21Honey.
13:22Honey.
13:23Honey.
13:24Honey.
13:25Honey.
13:26Honey.
13:27Honey.
13:28Honey.
13:29Honey.
13:30Honey.
13:31Honey.
13:32Honey.
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13:34Honey.
13:35Honey.
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14:00Honey.
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14:02Honey.
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14:23Honey.
14:24Honey.
14:25Honey.
14:26Honey.
14:272
14:28100
14:29TAG
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14:32TAG
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14:56Why, mother?
15:00Come on, a letter has arrived for you.
15:05He has responded personally.
15:09He knows how to read and write.
15:11Doesn't he look good? Sit down.
15:17Rosa Canuto, daughter of Giacinto and Matilde Gregori.
15:20Born in Canicati, Sicily, like you.
15:22Where is Canicati?
15:25I hope outside my town.
15:27Mrs. Carmen, what else do you want?
15:29It is seen that in your town they are smarter,
15:31because none has loved their son.
15:33And look, I tried.
15:35It seems that this Rosa has understood by the photo
15:37who is the married son.
15:39What an obsession with the flute.
15:41Rocco, behave yourself.
15:43Twenty-three years, single.
15:46Wait.
15:48She has a four-year-old boy.
15:50What? Single with a four-year-old boy?
15:53It's normal, Mrs. Carmen.
15:56Not one, two mouths to feed.
16:01Has he sent a photo?
16:03A photo?
16:05Let's see.
16:07Mrs. Carmen, what do you want?
16:09Let's be clear, it's not like you offer Rodolfo Valentino.
16:12But how dare you?
16:14I'm not Valentino, I'm Rocco Rizzo.
16:17Mrs. Carmen, tell me yes or no.
16:19If you think it's okay, okay.
16:21One moment.
16:23Don't get a stranger into the house.
16:25I have to think for a moment.
16:42Very good.
16:44Thank goodness.
16:45Now we have to marry your son by force
16:47and send all the documentation to the future wife.
16:50Okay?
16:51Very good.
16:53Thank goodness.
16:55Great, Rocco.
16:56Congratulations.
16:57And may you have sons.
16:59I am a man.
17:01I am a man.
17:03Come with mom.
17:06We found you, woman.
17:09Thank goodness.
17:10It's done.
17:21Come on, baby.
17:24What a cute bird.
17:25Thank you, thank you, madam.
17:30Thank you, sir.
17:33You are a great dancer.
17:37Sam, welcome, sir.
17:40Thank you.
17:48Come in.
17:52Have you read the newspaper?
17:53Alfredo, I have read it, yes.
17:55Look.
17:56Your drink, sir?
17:57Yes.
17:58Shall I leave them on the table?
17:59Oh, thank you very much.
18:00You are welcome, sir.
18:03If President Hoover does not implement the economic reforms
18:06that he promised in the election campaign,
18:08the market could collapse.
18:10But hey, I think your investment is good.
18:12Real estate funds are the safest,
18:14but you have to be careful.
18:16Remember what I've always told you.
18:18Chess and the stock market are the most ruthless games that exist.
18:21Even the best move at the wrong time
18:23can lead you to lose everything.
18:25In the stock market, only those who make the right move
18:28or those who cheat are saved.
18:29But that's not your case, so diversify your investments.
18:32Okay.
18:33Okay, right, as always.
18:37But now you work alone?
18:39I had to fire the boys
18:41and reduce Morín's working hours.
18:48What is America like, huh?
18:50It's not like we had dreamed.
18:52It has given us a lot, and now we don't care.
18:55Everything changes, Alfredo.
18:57Even you have changed.
18:59The first time I saw you, you were like this.
19:06Am I running too fast, Mr. Ferry?
19:08If you have the patience, why not?
19:10Two years ago, you made a lot of money
19:12with that investment fund.
19:14You would have preferred to finish school
19:16before jumping into the pool.
19:18I didn't have time.
19:20I had to help my family, my brothers.
19:23And how's your mother?
19:25I haven't seen her in a while.
19:27She's still the same,
19:28worrying about everyone and ironing shirts.
19:31We've been wearing shirts on our backs for many years.
19:35A great woman.
19:37And also very stubborn, to be honest.
19:40By the way, Mr. Ferry, I have to hurry.
19:43Because today he wants to see us all for dinner.
19:47But all of us.
19:50And when that happens, he has something on his mind.
19:53The suit looks great on you.
19:56Is this your tailor?
19:58I owe him a lot of money.
20:01Can I do something for you?
20:05Yes, of course.
20:07Say hello to your mother for me.
20:12I'm leaving.
20:13Goodbye, Alfredo.
20:14See you soon, Mr. Ferry.
20:30I'm leaving.
20:35All these poor people that come here.
20:37It's a difficult time.
20:39Yes, I know.
20:40I wanted to ask you something.
20:41It's done.
20:42Who?
20:45You haven't finished the salami, Moses.
20:47Have some salami.
20:49Mom, you know that we can't eat pork.
20:51Mrs. Carmen, it's a matter of religion.
20:53But don't worry, I'll eat the pasta.
20:55I'll eat it.
20:58Always the same.
21:00Hey, Alfredo, shouldn't we wait for him?
21:02No, let him eat the pasta.
21:05Did you see what he did, Mom?
21:07What did I do?
21:08What I had to do.
21:10He's a man like all of you.
21:12It's all taken care of.
21:14When the documents arrive, he'll get married.
21:16He'll get married.
21:18Yes, Rocco, he'll get married.
21:20I'm a man.
21:23I'm a man.
21:25Of course you are.
21:27Good morning.
21:28Good morning, Alfredo.
21:29Hi, Mom.
21:30Sorry I'm late.
21:31Good morning.
21:32Come on.
21:33See, you're late too.
21:34I was with Mr. Ferry.
21:36Consulting him about real estate.
21:38Are you involved in that story?
21:40What do you mean?
21:42Here they're still making laws for the rich.
21:44They take the houses from the poor.
21:46And then they auction them off.
21:47But if I didn't buy them, someone else would.
21:49Maybe if there wasn't a lawsuit,
21:51the poor could keep their houses.
21:53Why do you like to complain so much?
21:55If you understood how the market works,
21:57you wouldn't talk like that.
21:59Besides, those communist sermons are out of place.
22:02Now you call me a communist?
22:03Yes, because...
22:04Okay, enough.
22:06I've told you, in my house,
22:07we don't talk about politics or business.
22:11Let's eat.
22:12Enjoy.
22:13Hey, Mom.
22:14By the way,
22:16Mr. Ferry sends his regards.
22:18Thank you.
22:19He says he hasn't seen you in a while.
22:21Mom, I have other things on my mind.
22:24Don't tell me.
22:25Oh, really?
22:27What have I missed?
22:29Rocco is going to marry you.
22:31I'm a man!
22:34But what are you saying?
22:36That.
22:37Yes, yes.
22:38By force.
22:41But with whom?
22:42A Sicilian.
22:43Like us.
22:44She has a four-year-old son.
22:47Rocco, are you going to marry Mom's handkerchief?
22:55Handkerchief.
22:56The handkerchief.
22:57But she knows what Rocco is.
23:01I sent her a picture.
23:02She hasn't sent me any.
23:03Maybe she's uglier than a pain.
23:04Which one did you send her?
23:05Hey, Mique.
23:06Show her.
23:07Come on.
23:14She sent this one.
23:16Mom, did you send her this one?
23:18But would you put a sign on it so she could recognize it?
23:22I already told her that any of us could be the hunter.
23:25Let me see, let me see.
23:28Mom, you've fooled her.
23:30Do you know what will happen when she sees Rocco?
23:32That she will turn around.
23:33Of course.
23:34No.
23:35I'm looking forward to seeing that moment.
23:37Or do you think that when I arrived at Battery Park and saw the good Mateo Schiavone, I was happy?
23:44Women like her and me.
23:46We have never chosen.
23:48We have never been able to choose.
23:52She will end up accepting.
23:55Because none of you think about Rocco.
23:57Everyone does their own thing.
23:58You with your business.
24:00You with the factory and the happy politics.
24:03And you, may God know what you do.
24:06Nobody thinks about my Rocco.
24:08I have to think.
24:10Because when I'm gone...
24:16Mom, you're right and we will help you.
24:18We all love Rocco very much.
24:20She will end up accepting him as we have all done.
24:35The handkerchief, mom.
24:37Don't you eat the handkerchief?
24:41Have you heard that you will have a little cousin?
24:44More or less your age.
24:46Are you happy?
24:47Yes.
24:48The little cousin.
24:55Very good, mom.
24:56Do you, Rosa Canuto, want to marry Lorenzo Arduini?
25:09In the representation of Rocco Rizzo?
25:13Do you, Rocco Rizzo, want to marry Rosa Canuto?
25:19Here represented by Concheta Ardigó.
25:23According to the rite of the Holy Mother Church?
25:27You must say yes.
25:29Rocco.
25:33Yes, yes, mom.
25:35Not to me, my dear.
25:36You have to tell the priest.
25:38Say yes to the priest.
25:41I am a man.
25:45No, Rocco.
25:46You must say yes.
25:48Yes.
25:50Yes.
25:51Yes.
25:52And are you, Concheta Ardigó, in the representation of Rosa Canuto,
25:57taking Rocco Rizzo here as a legitimate husband?
26:06Yes.
26:13Yes.
26:14Yes.
26:15We do.
26:16Yes.
26:22Blessed be the Lord.
26:47Go over there.
26:49Okay.
26:53This is the house.
26:54Okay.
26:55Here.
26:56Here.
26:58Mom!
26:59Maria!
27:03Over there.
27:04I get it.
27:07Here it is.
27:08Be careful.
27:12Okay, slowly.
27:14Be careful.
27:16Maria.
27:47It's a great surprise.
27:49You'll see.
27:50Mike, give me a hand.
27:52Be careful, it's delicate.
27:53It's heavy.
27:54Yes.
27:55Let's put it here.
27:58Come on, Rocco, plug it in.
27:59Come on, come on.
28:00Come on, Rocco, let's go.
28:02Look, Rocco, this is a radio.
28:04It talks, it has music, and it connects you to the whole world.
28:07It was invented by an Italian, Guglielmo Marconi.
28:10Look how pretty.
28:13Can you hear it?
28:14Music.
28:15Music, Rocco.
28:16Come on, I'll show you something.
28:18If you turn this wheel...
28:21Look.
28:23The music changes.
28:24Have you seen it?
28:26This is my wedding present.
28:27Your wife is coming today, Rocco.
28:29Thank you.
28:30What a ceremony for her.
28:32Not even Queen Margarita would come.
28:37Have some coffee.
28:38Thank you.
28:39Come on, let's go.
28:41Wait, leave it, leave it.
28:46What does it say?
28:49That interest rates have gone up.
28:52Oh, is that a bad thing?
28:55Yes, Mom.
28:56It could make the stock market crash.
28:58Will it make you crash, too?
29:00Not me.
29:01I'm fine.
29:04What a beautiful music.
29:05I'll never understand this trade that Ferri has taught you.
29:08Is it better to get beaten up in the factory, like Michele?
29:11Yeah, but Michele...
29:12Is it better to get beaten up in the factory, like Michele?
29:14Yeah, but Michele does a job,
29:16he gets tired, and then they give him money.
29:18Good, Mom.
29:19What do you mean, good?
29:20Don't you understand that work is not just tiredness?
29:22If you express your brain and invest in the stock market,
29:24you earn money with the money.
29:25But since you've earned money,
29:27couldn't you open a restaurant to give work to the whole family?
29:30Do you know how much we would earn with Mom's sauce?
29:32I don't know, I don't know.
29:33But would you really like to cook for a lot of people?
29:36And what do I do every day?
29:37I cook.
29:38And now we're going to be two more in Cancun.
29:40Hurry up, we'll be late for the pier.
29:43Is it the door?
29:44No, no, Mrs. Carmé, it's the phone.
29:47Mom, it's me.
29:48You've filled my house with weird gossip.
29:50You're right, Mrs. Carmé, but it's modernity.
29:53Do you understand?
29:56Hello?
29:59Ah, Anto, hello.
30:03Okay.
30:04Yes, Anto, but we're always the same.
30:07Antonio says he can't come to the boat,
30:09but that he'll come home later.
30:11But how?
30:12Antonio!
30:13No, Mom, you have to talk here.
30:15I know.
30:16Antonio, you have to come to the boat.
30:18Do you understand?
30:19Because when she gets off the boat,
30:21she has to meet the family in line, all of them.
30:23Yes?
30:24At noon, at the battery.
30:25And on time.
30:27Put that in its place.
30:31It was Antonio who didn't want to come to the battery.
30:34Rocco, do you want to receive your wife in underwear?
30:37Come on, go put on the suit Alfredo bought you.
30:40Come on, get dressed.
30:41You have to look very handsome.
30:43Handsome, handsome.
30:45Come on, pull.
30:48Like this?
31:00Antonio always comes late.
31:02You already know him.
31:03I'll take the suitcases, please.
31:04Just a cent.
31:05No, no, we're waiting for someone.
31:07We don't take suitcases.
31:08Just a cent.
31:09Here, handsome.
31:10He works for immigrants, like you when you were little.
31:13Dad, hug me.
31:16I'm here.
31:17I'm already up there.
31:19You've done it, but only halfway.
31:21And on top of that, you're late.
31:23He brought me here with the car.
31:25Ah, that scoundrel now makes you a driver.
31:29Come on, Mom.
31:31Come on, Mom.
31:38Mom, where are we?
31:39Have we arrived?
31:40Yes, honey, we have arrived.
31:42We are in America.
31:46Rocco, raise the sign higher.
31:48Raise it well for Mom.
31:50That's it.
31:52Your wife is coming.
32:00No.
32:01No.
32:28Look.
32:30It's them.
32:34Who is that?
32:35Yes, that one.
32:37She's very pretty.
32:40Yes, very.
32:52Mrs. Rizzo.
32:53I'm Rosa.
32:55Delighted, Rosa.
32:57Likewise.
32:58Give me the little one.
32:59God bless you.
33:01Give me the bag.
33:02The whole family.
33:06You are very handsome.
33:09Maria, my daughter.
33:10Rosa, a pleasure.
33:11Delighted.
33:12Moses, her husband.
33:13A pleasure.
33:14Hello, Moses.
33:15Salvatore.
33:16Hello, handsome.
33:17Then there's Alfredo.
33:18Hello, delighted, welcome.
33:19Thank you.
33:20And Antonio.
33:21A pleasure.
33:22Likewise.
33:26And he is my eldest son.
33:27Miguel.
33:33And Rocco.
33:34Rocco.
33:35Put the poster down for Mom.
33:38Say hello to your wife.
33:41Rocco.
33:44I am a man.
33:46I am a man.
33:49Yes, Rocco.
33:50Yes.
33:54Yes.
33:57Yes.
34:25Rocco.
34:26Let's go to the dance house.
34:37Hey, tell your daughter something.
34:40Tell her to stay still.
34:48Embarrassed.
34:50Today we also celebrate your wedding.
34:52Come on, but what wedding, Mom?
34:54Come on, don't be seen.
34:56Come on.
35:09Hey, Rocco.
35:11Why are you so sad?
35:15Come on, have fun.
35:20I'm glad you came back from Italy.
35:23Me too, Michele.
35:24After two years in prison, I was able to be with my mother.
35:29Did you know that I was also with the poor Chiro's family?
35:34Hey, but what happened to Joan, that American, so pretty?
35:38Nothing, it's over.
35:39Hey, have you seen that they have started firing people in the factory?
35:43I've seen it, I've seen it.
35:45We have to think of a strategy, Michele.
35:47Organize with the union, with the other factories.
35:50We have to fight.
35:52They want to scare us.
35:53Let's go.
35:54Let's go.
36:22Mom, why are you crying?
36:25For nothing, heaven, for nothing.
36:38Good afternoon, Antonio.
36:39Surprised?
36:41No, good afternoon.
36:42Please, come in.
36:43Salvo, the wine.
36:44Hello, Salvo.
36:45Salvo, hello.
36:55Hey, are you stupid?
36:57Don Matranga is here.
37:03Oh, how beautiful.
37:05It means that you have made a promise.
37:07And with whom?
37:08With the black hand.
37:10And stop messing around.
37:11Good afternoon to all.
37:13Concheta, quiet.
37:16I don't think I have invited these gentlemen.
37:19Mom, please.
37:21Antonio, don't meddle.
37:23Do me a favor.
37:25I don't like you or your thug.
37:27And not just me.
37:28Don't worry, Mrs. Carmen.
37:29We're leaving.
37:30No, no, no.
37:31Where are you going, Concheta?
37:32Stay here.
37:35They have to go.
37:36Mom.
37:37Obey your mother.
37:40You must be a good son.
37:41Good afternoon to all.
37:43Congratulations and many boys.
37:46Out.
37:48Salvo, let's go.
37:51You're coming too.
37:53Angela.
37:58Where are you going?
37:59Come on, come on, come on.
38:11I'm sorry.
38:12What a shame.
38:18I told you I didn't want those people in my house.
38:22Mom, that's my boss.
38:25Nobody takes me out of my head.
38:27That pig and his thug have something to do with Ardigo's death.
38:31What are you talking about?
38:33Nothing has been proven.
38:38There you have the proof.
38:41We have to put him in jail.
38:43But Antonio has no balls.
38:45Nobody knows better than me.
38:46I've seen him grow up.
38:47You've grown up too, Angelina.
38:49And if you get close to Salvo again, I'll kill you both.
38:52Come on.
38:55So-and-so.
39:11Salvo.
39:41Salvo.
39:50We'll say hello to Rosa tomorrow.
39:52Okay?
39:53Thank you for coming.
39:54You're welcome.
39:55Goodbye.
40:01That girl has been a little weird.
40:04She just got here and locked herself in her room.
40:07Mrs. Carme, what did you expect?
40:08You're a little confused about the trip.
40:23Thank you.
40:25And congratulations again to Rocco.
40:27Thank you very much. See you soon.
40:36Alfio.
40:38It's really you.
40:40Michele.
40:41What are you doing here?
40:42Come in.
40:44Come in.
40:47Alfredo, look who it is.
40:58Alfio.
41:02Alfio.
41:04How much have you grown?
41:05I can't believe it, Alfio.
41:06When did you get to America?
41:09Two years ago.
41:12I've been looking for you, but you changed your last name.
41:14Yes, it's true.
41:15They changed it to Immigration.
41:17Carrizo was very difficult for the Americans and they called us Rizzo.
41:21What have you been doing all this time?
41:22I've been in the West working on the railroad.
41:25Then in the South, in California, in a vineyard.
41:28Mom, mom, come here.
41:29Look who it is.
41:34What a surprise.
41:36But what a surprise.
41:39Alfio.
41:40Mrs. Carmela.
41:42Welcome.
41:45Maria, Maria, come and see who it is.
41:49Maria.
41:55Alfio.
41:58What are you doing? Give me your hand.
42:03It's been a long time.
42:09Mucho.
42:12Mose, Maria's husband.
42:15Nice to meet you.
42:16Mose Pogani.
42:17Alfio.
42:18What?
42:20Alfio.
42:22And this little Indian here is Maria's son and Mose's.
42:32Nice family.
42:33Congratulations.
42:34Nice family.
42:35Congratulations.
42:38Have you eaten?
42:39Do you want to eat something?
42:41I just stopped by to say hello.
42:42I didn't want to...
42:43What are you saying?
42:44What are you saying?
42:45Come, come here.
42:46Come and eat.
42:47Come on, come.
42:48Don't be silly.
42:49Come.
43:04Alfio.
43:05Alfio.
43:07Rocco.
43:08How are you?
43:10Alfio.
43:14Are you okay?
43:34May I?
43:36Of course.
43:39I'm sorry, Rosa.
43:41What are you doing?
43:43People are waiting for you outside.
43:46I'm sorry.
43:47It's just that I've had a hard time sleeping with the little one.
43:53Is there something that bothers you?
43:56What do you mean?
43:57No, I'm referring to the room.
44:00Oh, it's okay.
44:01Thank you.
44:02Good.
44:03Then I'll wait for you.
44:06Mrs. Carmela, I'm sorry.
44:13But where is this church?
44:15It must be beautiful.
44:17Oh, that's the church where Rocco got married.
44:19It's at the end of Monroe Street, nearby.
44:21Do you like it?
44:23It's not like the one in our town, but it's pretty.
44:27I'll take you there.
44:31Hurry up.
44:33Okay.
45:03Let's go, Rocco!
45:33I love you.
46:03Mom!
46:16What's wrong, Rocco?
46:19Mom!
46:20Come here.
46:22Is something wrong?
46:23Mom!
46:25Mom!
46:26No, nothing's wrong.
46:27Mom!
46:28Rosa, now he's over it. Don't worry.
46:30No, no, it's nothing, Rocco.
46:33It's nothing, don't worry.
46:36He's a good boy.
46:37From time to time he gets like this, but you'll see how he gets over it.
46:54Hello?
46:55Who is it at this hour?
46:56I'm Michele Rizzo's mother.
46:58Could you please let her know?
47:00Don't bother people, Indenay.
47:08Mr. Rizzo!
47:09They're calling you!
47:11Yes, I'm coming, Mrs. Miglietta.
47:13But I already told your mother that this is not the time to call.
47:18Yes, yes, yes, I know, I know.
47:23Hello, Mom, what's going on?
47:24Michele, he's gone.
47:26What?
47:27What do you mean, who?
47:28Rosa, with the little one.
47:29Damn it, I told you this would end like this.
47:32I know, I was wrong, I was wrong.
47:34But you have to bring her home.
47:36I'll call the police, it's dangerous for her to be out there.
47:38No, no, not the police, wait.
47:42Listen, now that I remember,
47:45she asked me about the church that's at the end of Monroe Street,
47:48where Rocco got married.
47:50Look, she'll probably be there.
47:52Of course, now it's going to turn out that you're clairvoyant.
47:55Don't make fun of me, Michele.
47:56You bring her home.
47:59I'll take care of it.
48:01Please.
48:02Yes, very good, very good, goodbye.
48:14What have I done?
48:29What have I done?
48:59What have I done?
49:29What have I done?
49:31What have I done?
49:59© BF-WATCH TV 2021
50:29© BF-WATCH TV 2021