La Promesa Ep 393 Completo - La Promesa Cap 393 Completo - La Promesa RTVE Serie
La Promesa Ep 393 Completo - La Promesa Cap 393 Completo - La Promesa RTVE Serie
Transcript
00:00♪♪♪
00:04I know my daughter has a lot of faults, but...
00:07Stealing?
00:08I don't know how she was able to do that.
00:11We're from a poor, but strange family.
00:13It's not your fault, Mrs. Martinez.
00:16♪♪♪
00:21-♪♪♪
00:24I have it here.
00:26It's just like when I took it.
00:29♪♪♪
00:33I...
00:34I...
00:36I'm so sorry, Mother.
00:39♪♪♪
00:42A thief.
00:43My daughter is a thief, and in a church.
00:46Well, well, we can't call her that.
00:49Her daughter has been surrounded by objects of much greater value
00:52here in this house, and she hasn't stolen them.
00:54We can't call her a thief.
00:57What do you call someone who steals?
00:59No, Mr. Baeza.
01:00You have to call things by their name.
01:03♪♪♪♪
01:05I've never done anything like this,
01:06and I promise you, Mother.
01:09You have to do it here, now, in the village.
01:11And on top of that, Mr. Fermin.
01:13That man has always been able to help me.
01:15I did it for my son, Mother.
01:17I lost my mind.
01:19I want to get him back, no matter what.
01:20I need to get him back.
01:22But how could you?
01:24What did you think?
01:25That no one was going to miss the parish coupon?
01:29I...
01:30I don't know.
01:33I saw it there, next to the altar, and...
01:39They're going to think I'm crazy, but...
01:41I thought our Lord was offering it to me.
01:45That he was telling me to take it,
01:46that it was an opportunity to get my son back.
01:49That's your excuse?
01:51That it was a gift from the Lord?
01:53I know.
01:55It was a robbery.
01:56An unforgivable mistake.
01:58As soon as I got here,
01:59I realized what I had done.
02:01A calyx or any other consecrated object
02:04is a cryptic robbery,
02:06a serious sin, a mortal sin.
02:08I know, I know.
02:11I deserve to go straight to hell.
02:13But I did everything to get rooms
02:15so they could give me my son.
02:17But your colleagues are raising the money
02:19your in-laws are asking for.
02:21Yes.
02:22I'm afraid they won't get the money they need.
02:25It's a lot of money.
02:28Can't you think of anything else
02:30other than robbing here, in the village church?
02:32I'm sorry.
02:34I'm so sorry, Mother.
02:36Please understand.
02:40The thing is, I'm desperate.
02:42And I want to get my son back as soon as possible.
02:45Just like you would.
02:52I love you.
03:02Now that our children are home,
03:04there's another joy here.
03:06Yes.
03:07The atmosphere was a bit strange,
03:09especially because of your wife.
03:11You have to understand her.
03:13She was crazy about Manuel in the war.
03:15I also had a son in that war.
03:17I wasn't in a bad mood all day.
03:19You're quite peculiar.
03:21I'm a soldier.
03:23But Cruz isn't.
03:26And there was a moment when I was afraid ...
03:30I'd rather not talk about it.
03:32Go ahead, there's confidence.
03:35It shows that you need to vent.
03:37There were days when I thought
03:39she couldn't get over it if Manuel didn't come back.
03:42Yes.
03:43It must be very hard to move on
03:46after the death of a son.
03:47You know that better than anyone.
03:51I wouldn't have given up either.
03:54Well, luckily,
03:56our children are back,
03:58they are safe and sound,
03:59so let's forget about those dark times
04:01and let's toast to the new ones.
04:03To their return.
04:05And since we're here, I'd also toast to Maria Antonia.
04:08Why?
04:10Because it's thanks to her that your wife hasn't lost her mind.
04:12Isn't that enough reason?
04:14No, it isn't.
04:15Then I say that woman deserves a toast, at least.
04:18She has always been there, in the rear, supporting us,
04:21while our children fought.
04:33An extraordinary woman, Maria Antonia.
04:37I'm sure she made her late husband very happy.
04:40What do you think?
04:42I guess so.
04:44You know,
04:46sometimes
04:48I feel like thinking
04:51and I imagine that it would have been in our lives
04:54to have taken another path.
04:57I don't know where you're going, Lorenzo.
04:58Don't worry, I'll explain.
05:00What would have been, for example, in my life
05:03if I hadn't met Eugenia?
05:05Or what would have been in yours
05:07if, instead of with Cruz,
05:09you had married Maria Antonia?
05:11It's just that when I met Maria Antonia,
05:13she was already married to Cruz,
05:14so that question doesn't make sense.
05:16Don't worry, I'm just imagining.
05:18Although I also think
05:20that you could have met Maria Antonia
05:22before Cruz.
05:24I don't know what this game is about, but it's a bad taste.
05:27It's talking for talking.
05:30Yes.
05:32I'm sure our lives would have been very different.
05:34Imagine, brother-in-law,
05:36married to Maria Antonia,
05:37that beautiful woman
05:39who develops so well in society.
05:41Cruz also has those virtues.
05:43I'm making a hypothesis.
05:47As I told you,
05:48I like to fantasize about other possible lives.
05:51You know what?
05:52I'm very satisfied with my real life.
05:54Yes, I'm happily married.
05:59Why are you laughing?
06:02As if you weren't blind, Alonso.
06:04What do you mean?
06:05A long time ago,
06:07I was able to observe
06:09your marriage,
06:10and I wouldn't call it happy.
06:14As you said,
06:15the best marriages go through bad times.
06:18And we love each other,
06:19despite everything.
06:20Don't you see that?
06:21Yes, of course.
06:23The important thing is not to have a bad time,
06:25but to know how to get over it.
06:28Cruz and I will continue,
06:29and we will move forward.
06:32I have no doubt.
06:36Then stop your absurd games.
06:41I love you.
06:54Rosario, can you keep this for me?
07:10What's wrong?
07:12Why are you crying?
07:16Tell me.
07:17Did Mr. Baeza say something to you?
07:21No.
07:22He didn't say anything to me.
07:25He said something to my daughter.
07:28What's going on with Virtude now?
07:30She's always like this.
07:33She stole.
07:35At home?
07:37Even worse.
07:40At church.
07:42She took the golden chalice from the altar.
07:45But how could she do that?
07:47Steal a sacred chalice?
07:48Does that have to take you to hell?
07:52A mortal sin.
07:54No more, no less.
07:56That's what Mr. Baeza said.
07:58How could she do that to her daughter?
08:02I don't know how she got the idea.
08:05If she had one,
08:06I imagine Mr. Baeza would kick her out.
08:11I don't know.
08:14How could he kick her out
08:15after stealing the church from Simona?
08:17I know it's a big mistake,
08:20but he gave her a chance to explain himself
08:23and I don't know if...
08:26I don't know what to say.
08:27Because I imagine he stole it
08:29to pay the money they ask him
08:31to get Orfito back.
08:33Exactly.
08:35And I think Mr. Baeza,
08:37when he heard her,
08:38he talked to a woman.
08:40As much as he asked her.
08:43I don't know, Candela.
08:46I think Mr. Baeza
08:51has managed to understand
08:53that a mother,
08:54in order to get her son back,
08:56is capable of anything.
08:59I hope so,
09:00but I think he's a very strong boy.
09:02I don't know, Candela,
09:04but she was very sorry
09:07and she kept crying like a baby.
09:10We've all been tempted
09:12at some point.
09:14That's true, Simona.
09:16She doesn't look like your daughter anymore.
09:18She's never been in front of us
09:20when we told her
09:21we were going to help her with the rooms.
09:24And I don't know
09:25what could have gone through her head.
09:27I guess it was
09:29despair,
09:30the rush.
09:33Maybe you're lucky
09:34and Mr. Baeza has seen it coming.
09:36Fatty!
09:38Well, I have that hope.
09:41Because if he doesn't,
09:43he won't get the job here
09:45and he won't get the job
09:46he was going to get, Mr. Fermin.
09:48The truth is,
09:49that fool
09:51is in trouble with Fatty.
10:01Don't cry.
10:03Don't worry.
10:07What would have happened to you
10:09if you had married Maria Antonia
10:11instead of Conclus?
10:28You're not hungry, are you?
10:31I was thinking about it.
10:36About what?
10:40About a rather unpleasant conversation
10:41I had with Lorenzo last night.
10:45I'm not surprised.
10:48Your brother-in-law is an expert
10:49at sticking his finger in.
10:52In that conversation,
10:53you stood out.
10:56Really?
10:57Why?
10:59Have you told Lorenzo anything?
11:02About what?
11:03Don't play dumb.
11:04You know what I'm talking about.
11:07No.
11:08I haven't told him anything at all.
11:11Not him, not anyone.
11:13It's something that happened
11:14between us
11:15and that's how it should be.
11:16It shouldn't have happened first.
11:18But there's no way out of that.
11:21Now I just hope
11:22that if he hears about this,
11:24he'll understand.
11:26Now I just hope he forgets.
11:33And what did Lorenzo tell you?
11:36Well, he started to wonder
11:37about how his life and mine would be
11:39if we had married other people.
11:42Interesting.
11:45He even speculated
11:46what my life would be
11:47if I had married you
11:48instead of Conclus.
11:50He said that?
11:51That's why I'm asking you
11:52if you told him anything.
11:53Because my brother-in-law
11:54doesn't shoot without a bullet.
11:55I know him very well.
11:57Well,
11:59it's not that big of a deal.
12:01It probably was...
12:02The thing didn't stay there.
12:05He started to praise
12:06how beautiful you were,
12:07how kind.
12:09And I end up saying
12:10that my marriage didn't go well.
12:13He didn't speak for speaking.
12:17I...
12:18Well,
12:19I don't know what to tell you,
12:20to be honest.
12:21I just feel like I'm in the middle
12:22of a conversation like this.
12:26When I got to the promise,
12:27the last thing I wanted
12:28was to be a source of problems.
12:30But you've insisted on being one.
12:32Come on, Lorenzo.
12:33You've been complicating my life for weeks.
12:39Now that Manuel is back,
12:40Cruz doesn't need you anymore.
12:42What are you insinuating?
12:44I'm not insinuating anything.
12:45I'm being very clear.
12:48Are you kicking me out?
12:49Are you kicking me out?
12:51Do you want me to leave?
12:53I'm asking you to leave
12:54on your own.
12:56Your presence here
12:57doesn't make sense anymore.
13:02I guess you're right.
13:07I'd be grateful
13:09if you told me
13:10that it's time
13:11to leave.
13:20I'm sorry.
13:44You seem to be in a good mood.
13:46Good?
13:48Yes.
13:51To be honest,
13:53I'm in a better mood.
13:56Maybe the medication
13:57we're giving you
13:58is working.
13:59It would be a great sign.
14:02I think it was
14:03the last talk
14:04I had with the doctor.
14:06I see.
14:08I think he's a very sensible man
14:10and he made me see
14:11things differently.
14:14I'm glad.
14:16Does that mean
14:17you're not going to argue
14:18about everything we ask of you?
14:20You're not going to question
14:21the rules of this sanatorium?
14:22No.
14:23From now on,
14:25I'll behave
14:26and obey.
14:28Wow.
14:29What a change
14:30from one day to the next.
14:32I know I was wrong
14:34and that...
14:37Now I feel like
14:38I've opened my eyes.
14:40That's a good thing.
14:42You'll see
14:43that if you listen,
14:44you'll get better soon.
14:45That's just what
14:46the doctor told me.
14:47I had to get better
14:48so I could go home.
14:50What I want to do
14:51is fully recover.
14:54I understand.
14:56But don't you think
14:57that being in a hurry
14:58isn't good for your health?
15:00No, no, no.
15:01I know we're
15:03going slowly,
15:04but that's why
15:05I thought
15:06it was a good idea
15:08to go back to the garden
15:09to stretch my legs.
15:12No.
15:13It's too soon.
15:15We must ensure
15:16the well-being
15:17of the rest of the patients
15:18and you've been
15:19too rebellious.
15:20I know.
15:27But it's good
15:28to hear you talk like that.
15:30It's the first step
15:31to recovery.
15:33I know.
15:34And...
15:36I'm sorry for the way
15:37I behaved
15:39and for the trouble
15:40I caused,
15:41especially because
15:42of my poor roommate.
15:44Yes, she took the worst part.
15:47They couldn't bring her back.
15:49After what happened?
15:50But I just told you...
15:51It's just to apologize.
15:53I really...
15:54I'm very sorry.
15:58Okay.
15:59I'll talk to my superiors.
16:01And now take the pill.
16:13Take it.
16:19That's it.
16:20Very good.
16:44I'm sick of it.
16:45But that's the way
16:46to get in, Ricardo.
16:47I don't know.
16:48I think I've entered...
16:49Maybe I've raised
16:50my voice a bit.
16:51A bit?
16:52Well, forgive me,
16:53but it's that woman
16:54who's willing
16:55to kick me out.
16:56And the worst of all
16:57is that she's getting it.
16:58Mrs. Arcos,
16:59what's wrong with her?
17:00Well, I don't know.
17:01I don't know.
17:02I don't know.
17:03I don't know.
17:04I don't know.
17:05I don't know.
17:06I don't know.
17:07I don't know.
17:08I don't know.
17:09I don't know.
17:10I don't know.
17:11I don't know.
17:12.
17:13.
17:15.
17:17.
17:22.
17:25.
17:27.
17:29.
17:31.
17:34.
17:39.
17:40Well, leave it to me, I know how to handle it.
17:42Although this time, I think she does have reasons to be angry.
17:46Why?
17:47Well, because she has been lied to.
17:49And not just her.
17:51Everyone was told that Maria Fernández and Hanna were going to be at the house of the Marquis's friend.
17:56And it's not like that.
17:57And you're putting it on my face.
17:59No, I'm not putting it on your face.
18:02But I would like to know the truth.
18:03Well, you already know the truth.
18:05The truth is that they are at the service of the Duke of San Rafael,
18:08but they are not in the main palace.
18:10I see. And where are they?
18:12Well, they are with their family, in the hunting pavilion, which is where they needed the maidens.
18:17Well, Petra doesn't get this into her head. She suspects everything.
18:21That woman is never going to calm down. She lives in a state of perpetual anger.
18:24Yes, yes, I know that.
18:25For better or worse, I already know how to deal with her. It's been many years.
18:29And we all pay for it.
18:31If I ask you again, you tell her that you don't have to give her explanations.
18:35Well, it wouldn't be bad.
18:36And you save your efforts for things that are worth it.
18:39Very well, I will.
18:43And now I go back to work.
18:50Rómulo, are you okay?
18:53Yes, yes. Maybe I'm just a little tired.
18:56Are you sure?
18:57Yes.
18:58You don't need any help?
18:59No, thank you. Everything is perfect.
19:06Thank you.
19:13Catalina told me that Madre confronted her to her breakup with Pelayo.
19:17After what she suffered with that.
19:19They said very harsh words. Everyone was very tense.
19:22I did what I could to calm them down.
19:25Well, it doesn't seem like you achieved much.
19:29I assure you that if I didn't mediate, things would have ended much worse.
19:34Frankly, Father, I don't know how I could have ended worse for my sister.
19:40Her name has appeared in the press of the whole region.
19:42She has been publicly insulted.
19:43I know.
19:44Manuel.
19:45I know.
19:46And apart from knowing it, has she done anything to stop the police?
19:49She had enough with appeasing your mother and Catalina.
19:53Father, we cannot allow those newspapers to come out with hers.
19:58We must restore the honor of my sister.
20:00Manuel, if we go to trial right now for all that,
20:04the only thing we will achieve is to give wings to the riots.
20:07So we let it be.
20:09There is no greater contempt than not doing at all.
20:11Yes, it is a good saying, but I know another that is more suited to this situation, Father.
20:15Slander that something is left.
20:18Catalina has been stained and we cannot allow it.
20:22Another scandal will soon appear that will make you forget these lies.
20:25So what you want is for time to fix things for you?
20:27If we try to fix things now, the only thing we will achieve is to talk about it again.
20:33Frankly, Father, between that and leaving Catalina to her fate, I think there is no difference.
20:37Manuel, believe me, the most effective thing is to let it go.
20:40People will have another fresher and more morbid novelty to focus on.
20:44It is the best.
20:45For this to happen as soon as possible.
20:48You may be right.
20:49In this, yes.
20:52Now the important thing is that you have returned home safe and sound.
20:56The rest will be trifles in a short time.
20:59You now enjoy the house.
21:01Rest.
21:05They just brought this from the garden.
21:07Oh yes, from the school garden that I took care of yesterday.
21:11And where do we leave it?
21:12There, next to the wine.
21:21All right out there?
21:26Yes.
21:27Why?
21:28I don't know, because as I've seen you so quiet.
21:30I thought for me, for my daughter inside.
21:32But let's see if these two have disgusted you.
21:34No.
21:35No, Mrs. Candela.
21:36But if you have noticed us a little weirder, it may be because Santos and I are no longer boyfriends.
21:42Well, I didn't know anything.
21:44I didn't want to bother, really.
21:46No, don't worry.
21:47It's not a nuisance.
21:48These are things that happen.
21:50Also, even if we are not boyfriends, we still get along very well.
21:52Right, Santos?
21:54That's right.
21:55Now you could even say that we get along better than before.
21:59Well, that's the important thing.
22:00That you get along well.
22:02Whether you are boyfriend, friend or whatever you want.
22:07Let's go.
22:23I am completely grateful to have this house.
22:28To my family.
22:31A handful of friends and to the service.
22:34You know, we are so used to living with servants that sometimes we forget what it is to be without them.
22:42Speaking of the service, I have missed two maids.
22:47María Fernández and Hanna Expósito.
22:49I have been told that you have sent them to a friend's house.
22:52Yes.
22:53They went to help the Duke of San Rafael.
22:56He had an emergency and asked me for help.
22:58Don Gabriel?
22:59Yes.
23:01I hope it's nothing serious.
23:02No, nothing important.
23:03Some relatives came to your house by surprise and asked me if I could send them some reinforcement.
23:09Sure, sure.
23:11Yes, on some other occasion, one of your friends has done the same favor for you.
23:15Yes, it happens sometimes.
23:16Yes.
23:17It will be a few days.
23:18They will be back soon.
23:19Sure.
23:21You look for entertainment.
23:22I don't know what's on your mind.
23:24Don't fly because you don't have your plane here.
23:29No, but I already have a plan.
23:33A few days later.
23:47A remote room.
23:48Yes, the quietest in the house.
23:51Vera, I wouldn't ask you for something like that if my brother wasn't living in the hangar.
23:54I see.
23:57What happens is that ...
23:58Vera, I don't want to bother you there.
24:01And I don't want you to feel that I'm claiming that space.
24:04But I need a place to work.
24:05Sure, sure.
24:06But if what you want is to build another plane, I don't know if there is a room in the house that can be used for that.
24:12No buildings for the moment.
24:14I'm just going to draw and make some designs.
24:17And I couldn't do that in your bedroom.
24:21We could put a table.
24:22Yes, it's not a bad idea.
24:23And I had already thought about it, but I need a quieter place.
24:26But your bedroom is at the end of the corridor.
24:28Mr. Baeza, when I mean a quieter place, I mean far from my mother.
24:36And unfortunately, my bedroom is not there.
24:39Or at least not enough.
24:40You don't have to explain anything else.
24:43I've come up with a lot of war ideas.
24:46Of everything that is being done in Europe.
24:48And I need to put them on paper.
24:50And you don't want your mother to know anything.
24:52That's it.
24:54She will find out when the time comes, but the later the better.
24:58Yes, better.
24:59You have to see how your mother gets when she hears the word plane.
25:03Yes.
25:05You see, Mr. Baeza, aviation is the future.
25:08Well, it's not the future, it's the present.
25:10That's why I need that place to work.
25:12I already know what room to prepare for you.
25:14Remember the one you used as a photography studio?
25:17You have to condition it.
25:18But I think you will work there very comfortably.
25:21Yes, it's an excellent place.
25:23When do you think you can be ready?
25:24Well, right now I'll talk to the lackeys so they can start preparing it.
25:27We'll go up to a table from the winery.
25:29Thank you very much, Mr. Baeza.
25:32Mr. Baeza, I have one more question to ask you.
25:38Do you know when the ladies who sent to help in Don Gabriel's palace will return?
25:43Miss Expósito and María Fernández?
25:45Well, I don't think it will take long. Why?
25:48Oh, nothing.
25:51Well, you see, I find it strange to go to the palace and not meet that couple.
25:54Well, for me the service, almost all the service, is like family.
26:00And they too.
26:02Thank you for the part that I have.
26:04I don't think it will take long, but I can't give you a date.
26:09Thank you, Mr. Gato.
26:19What cheekiness and what a desire to show off.
26:22Any couple gets married.
26:24A lieutenant from the artillery and a stranger.
26:28But since the royal house makes them some gifts, they publish it in the press.
26:32And what have they been given?
26:35Well, she has a necklace of diamonds and pearls.
26:38And Queen Maria Cristina, the silver cupboard and the tableware.
26:44Don't you think they are just any couple when they receive those gifts from the royal house?
26:47Do you think they will give us so many gifts when we get married?
26:51Ignacio, are you with the same thing?
26:53Yes, maybe I'm a little heavy, but I honestly believe that a day without us being together is a lost day.
26:59Don't you think we've spent practically all the time together?
27:02It's not the same, and you know it. We are of the same age, how can we not be different?
27:06Well, and you know I don't feel like talking about weddings while my daughter is in that sanatorium.
27:10So I'm sorry, Ignacio, but I think I need time to get used to this situation.
27:16And I'll give it to you. I just wanted you to regain your good mood.
27:19I know. I appreciate it.
27:22In fact, I'm thinking of something to cheer me up a bit.
27:26Oh, if it's in my hand.
27:28No, don't worry. I'm just going to organize a snack with my friends. I think they'll come to see me.
27:33A snack? Do you feel like it?
27:36Well, I feel like distracting myself. I think they are very suitable for that.
27:42Excuse me, but they told me they wanted to see me.
27:45Yes, yes, yes. That's right.
27:48Look, I'm going to send you a list of friends that I need you to send to the mayors,
27:53so they can make some invitations as soon as possible.
27:55Of course, ma'am.
27:56They have to arrive today. The snack will be celebrated here tomorrow. I promise.
28:00I'll give it to them right now.
28:02Wouldn't it be better if you called them yourself?
28:04No, I don't feel like calling them one by one. Besides, that's what the service is for, right?
28:08No.
28:09Well, you can go.
28:10Yes, of course. In a few minutes they will be sent.
28:15Tomorrow? Isn't it a bit hasty to invite people overnight?
28:20Well, they are my friends. I mean, it's not possible to come now.
28:24You had this in mind for a long time, right? And you hadn't told me anything.
28:28Ignacio, are you going to be upset about that?
28:30No, I thought about it yesterday.
28:39Wait. Wait a minute. Where are you supposed to go with that table?
28:43To the new room that Mr. Manuel is going to use.
28:46And is that going to be your desk?
28:47Yes, yes.
28:49But don't you see that this old woman is crazy? How could you offer such a thing to a man?
28:53Wait. Wait for me. Wait for me.
28:57Let's see, Mr. Arcos. It's to write on top of her. I say that's what it's for, right?
29:02And you never use your little head.
29:04All they've told me is that I have to take this table to that room. Period. That's all.
29:08Because we don't have to tell you everything all the time.
29:10Use your head from time to time, even if it's only from time to time, Salvador.
29:13But if this table is useful to us, we look for another one, we leave it where it was and that's it.
29:16We don't have to start a scandal over a table.
29:18I'm not starting a scandal. And if you did, you wouldn't be the one to replicate me, got it?
29:23But, but, but, but, well, what do you want? For the gentlemen to hear your scream?
29:27Is this botarace trying to offer that old table to Mr. Manuel?
29:30Yes, yes. If I was locked in the office, I could perfectly hear all your complaints about the table.
29:36Let's see. What problem do you see?
29:38It's old and dirty. The best we could do is get rid of it, I say.
29:42I don't think it's that bad. And if it were, would it be necessary to start a scandal?
29:48I'm doing my job. I'm not starting a scandal.
29:51And you can't work without screaming.
29:55And I think the table is fine.
29:57Mr. Manuel is going to complain.
30:00Don't play hard to get, Mrs. Arcos.
30:03I'm not playing anything. But it's very obvious what's going to happen.
30:11Take him to the table, sir.
30:12In case he finds it as disgusting as Mrs. Arcos claims, we will look for another one.
30:16Yes, sir.
30:18Mrs. Arcos, we can go to the service without having to scream.
30:23I go to them as I see fit.
30:26But where is all that we talked about, about trying to get along?
30:30That went to waste.
30:32Especially since you and Mr. Baeza insist on having my documents.
30:37I don't care.
30:39I don't care.
30:41I don't care.
30:43I don't care.
30:44Especially since you and Mr. Baeza insist on having my maids and sending them out of the promise.
30:49And again, that was not our business.
30:52Besides, it was a direct order of Mr. Marquez.
30:53Well, whoever decides it, decides it. I have the right to be informed from the first moment.
30:57And I am the one who chooses which maid goes out.
30:59Anyway, ma'am.
31:00What?
31:01What about me?
31:03Don't give me any more nonsense or excuses.
31:06I'm fed up with you and Mr. Baeza.
31:14This and this.
31:31Hello.
31:32Hello.
31:42No one will come, right?
31:43They shouldn't because it's all done.
31:47Are you sure?
31:48I'm sure.
31:58Don't be afraid. Give me a kiss.
31:59Are you afraid of me?
32:04Was there any fear in that kiss?
32:05No.
32:06But I wish we could be somewhere else.
32:09Without hiding.
32:11And without me.
32:12But you know that at the moment I prefer not to say anything.
32:15I know.
32:16But I mean to be alone, traveling, as the gentlemen do.
32:19That would be nice.
32:20On weekends, you and me.
32:22And where would we go?
32:25To Madrid, for example.
32:26To Madrid?
32:27To Madrid, yes.
32:28But I thought you didn't like it the last time you went there to work.
32:31Because I was working and I could barely leave the kitchen.
32:33I couldn't enjoy the beautiful places.
32:36Then we would go to visit all those places.
32:38That's right.
32:39Walk through the gardens of the Retiro,
32:41see the Museo del Prado, the Escorial.
32:43I would love to travel with you.
32:45To Madrid or anywhere in the world.
32:47And me?
32:53Travel with you, live with you.
32:55Whatever, but by your side.
32:58What matters is not the place.
33:00What matters is the company.
33:03And what's the point of having the most luxurious palace in the world
33:05if you're not with whom you want to be?
33:07That's what I've seen in this house.
33:09You know what?
33:10I think you and I would get along well anywhere.
33:13Yeah?
33:14We could find a good job far from here.
33:16Yeah.
33:18In Madrid itself.
33:19I as a cook and you as a maid.
33:21Or even abroad.
33:22Abroad?
33:24Let's see, I only know how to speak Spanish and say a few dishes in French.
33:27But I'm sure you'll learn fast, that you're well awake.
33:30And I'd be bragging about the smart boyfriend I have.
33:34But for that, we'd have to tell everyone that we're together again.
33:37And you still don't think that's convenient?
33:39Not yet.
33:40You know I want to give Santos some time to come up with the idea.
33:45Well, if he gets rough, I could stop him myself.
33:47It's not that, Lopez.
33:49Yes, I know what it is.
33:51He knows how to hurt you.
33:53But you shouldn't be so understanding.
33:54He doesn't deserve it.
33:57But let's stop talking about him.
33:59Let's talk about our future.
34:01Where would you like to travel?
34:02Let's see.
34:03To Conchinchina.
34:04To Conchinchina? You're crazy.
34:06Crazy in love with you.
34:13Do you think two crazy people would be able to succeed in this world?
34:16Of course.
34:17Because crazy people who love each other,
34:19I'm sure they'll get everything they want.
34:25A snack for tomorrow.
34:26That's what I said.
34:27I've made a list with some of his friends.
34:30With the people he wants to invite.
34:31From one day to the next.
34:33What surprises me is that she didn't call to make things easier for us.
34:37It seems the lady prefers to avoid the hassle.
34:40Well, it's my thing.
34:41Are there a lot of guests?
34:42No.
34:43They're all here.
34:46If it weren't enough with the complications of having two less maids,
34:50now this.
34:52Anyway, I'm sure Mrs. Arcos will ask me for one or two snacks
34:54to be able to attend that snack,
34:56because, of course, she can only free Vera from her tasks to cover that service.
35:01So I have to talk to her to start coordinating everything as soon as possible
35:04and get along with the kitchens.
35:06No, but first I have to write the invitations,
35:08because if I don't, they won't arrive on time.
35:12If you prefer, I can prepare them myself, Father.
35:14And that way I can ease the task a bit.
35:16No, no. It would be unprofessional on my part.
35:19You have to write the invitations to the mayor.
35:22Or the keymaker will take care of it.
35:25Let me do it.
35:27If not, either a snack or a guest work, the ones I serve.
35:31And since I've been thinking about it for a long time, neither of them.
35:37Well, you do it.
35:40Okay.
35:43I just need you to give me the addresses of those women
35:46and I'll send two guys to send them to you right away.
35:54I have them.
35:55Here are the addresses of all the friends of Mr. Marquez.
35:58I'm sure Mrs. Margarita's guests are there too.
36:04I wanted to thank you for your good disposition lately.
36:09I'm just trying to do my job as best as I can.
36:13You're doing it.
36:15Thank you, Father.
36:28Thank you.
36:48More things, sir.
36:49Leave it there, Tim.
36:50Perfect.
36:58Do you want me to help you take things out of the boxes?
37:00No, I'll help you, Salvador.
37:04It's all to your liking.
37:05You don't have to change anything about the place.
37:07Does the table look good to you?
37:08The table is perfect.
37:10I don't know, I had the feeling you didn't like it anyway.
37:13And why wouldn't I like it?
37:17Everything is fine.
37:18Now all that remains is to sit down and get to work with her.
37:21Well, I couldn't help you much with that.
37:24No.
37:25Something tells me that's my thing.
37:28Good afternoon.
37:30Mother.
37:31Thank you, Salvador. You may leave.
37:33Ma'am.
37:39So this is your new corner.
37:42Yes, that's right.
37:44This is where I'm going to work from now on.
37:47A lot of light comes in to draw and it's pretty quiet.
37:50Not so quiet.
37:52What I don't understand is why you had to come to this remote place.
37:58Precisely for that, mother.
38:01Because I want peace.
38:04This is the coldest place in the house, Manuel.
38:07The service is out of order.
38:09If you need anything, they won't even tell you.
38:11I don't see that being a problem.
38:13Why don't you go to the library to work?
38:15There you have a good table and the books nearby, in case you need to consult them.
38:22You see, mother, the library is usually almost always empty and people are constantly coming in and out.
38:26And your bedroom?
38:27You won't deny that it's more beautiful than this room.
38:30I don't like spending the day in the same room I sleep in either.
38:33Besides, I've already told you, I need peace and no one to bother me.
38:37Am I bothering you by asking you?
38:39I didn't say that.
38:40It's just that I need silence, that's all.
38:47Well then, you should go back to the hangar.
38:51Mother, you know that my sister Catalina is living in the hangar.
38:54Catalina and her extravagances.
38:56I don't think she's in the hangar precisely because of an extravagance,
38:59but rather because of the dispute you and her had.
39:02Dispute?
39:03That's an exaggeration of hers, who always wants to play the victim.
39:13Does this caricature you made of my sister seem like an exaggeration to you?
39:19I assure you that I had never seen something so chavacano in my life.
39:22And from what I see, it's funny.
39:24Come on, Manuel.
39:25You don't have to dramatize me either.
39:27You will recognize that this drawing has its spark.
39:29It seems funny to her.
39:31It's funny, man.
39:32It's a bit vulgar too.
39:34In any case, we already told Catalina that it is probably not her who is portrayed here.
39:38What do you mean?
39:40It seems to her a bit.
39:42But Catalina believes she is the center of the universe and she has decided that it is her.
39:46It's her, mother.
39:48And if these caricatures and some information appeared in the press,
39:51it was because someone gave them rather false information.
39:55Did your sister tell you that?
39:58Let's leave the pantomimes.
40:00You were the one who spoke to the journalists.
40:02What nonsense are you talking about, Manuel?
40:04If they are nonsense, how did they know what was going on here?
40:07Someone inside had to inform them.
40:09Well, I don't know who it could be.
40:10In any case, I remind you that your sister is the daughter of a Marquis
40:13and was going to marry a count,
40:15so she is exposed to rumors as we are all.
40:17Yes, we may all be exposed to rumors,
40:19but of course no one has suffered a scourge like her.
40:22No one canceled a wedding that was talked about throughout the region.
40:25Look, Manuel, I'm tired of talking about that rude woman,
40:28so I beg you,
40:31don't name her again.
41:47How I missed the dinners like the ones before.
41:50With the whole family around the table.
41:55Everything is much more entertaining when there are young people at home.
41:58Well, it depends on the mood of the young people.
42:01When they are protesting, it is better to have them far away.
42:04Or maybe not as far away as you have, Martina, right?
42:07I don't know.
42:09I don't know.
42:11I don't know.
42:13I don't know.
42:15Or as far away as you have, Martina, right?
42:17No.
42:19I think Manuel would have preferred to have dinner alone.
42:24He seemed a little sad to me,
42:26as soon as he opened his mouth.
42:28It is true that he is still tired after so long at war.
42:31But he is here,
42:33silent or not.
42:35And I think that deserves a toast, right?
42:37Yes.
42:38Let's have a drink.
42:41Well, yes.
42:43What better reason to toast
42:45than to celebrate the return of your son Manuel.
42:48And let's hope that soon we can also celebrate Martina's return.
42:52Right?
42:53I pray for it every day.
42:55You have no idea how much I miss her.
42:57Of course.
42:58I understand you.
42:59She is a very cheerful girl.
43:01Yes. Yes, I miss her a lot.
43:03In fact, to try to distract myself,
43:05I have organized a snack.
43:07A snack? Here?
43:09Yes.
43:11I'm going to try to stop thinking about my daughter all day.
43:13I think it will be good for me to talk to my friends.
43:16Will you attend?
43:18And who are you going to invite?
43:20If you can find out.
43:21Yes.
43:22The Countess of Mecina, the Baroness of Camps,
43:24the Duchess of Cerezuelos and the Marquis of Palmar.
43:28Are you really going to invite those people?
43:30Well, they are my friends.
43:33Look, Margarita.
43:35The Duchess of Cerezuelos is a gossip,
43:37who does nothing but criticize everyone.
43:39And the Marquis of Palmar?
43:41How dare you?
43:42I'm not going to attend that snack.
43:44What's going on with her?
43:46Please, Margarita.
43:47Have you already forgotten that she did not invite me
43:49to the reception she gave in her palace recently?
43:51A year ago, Cruz.
43:53I'm going to take the account of who invites you
43:55or doesn't invite you.
43:56You knew it perfectly.
43:57No.
43:58And you knew how bad I feel.
43:59It's not that. It's just a misunderstanding.
44:01It's not, Alonso. It's not.
44:03Serve me in the digestive, in my room.
44:06Will you come with me, dear?
44:11Yes.
44:14Good night.
44:16Good night.
44:21She's inconsiderate.
44:25Oh, this woman.
44:27She keeps making any excuse to get angry.
44:29Although I think that today
44:31Alonso is going to get very well from this disgust.
44:33Why do you say that?
44:35Come on.
44:36Because they are going to recover the time lost in these weeks
44:38or in these months.
44:39Who knows?
44:40No one knows for sure what's going on
44:42in the other's bed.
44:44I think those comments don't make sense.
44:46Why?
44:47I think it's very good that Cruz and Alonso
44:49have fun as a couple they are.
44:51Or does it bother you?
44:53Bother me?
44:55Why?
44:56Rather, it makes me happy.
44:58Yes? Really?
44:59Yes, of course.
45:01Well, you see, I thought you were a little jealous.
45:04Me?
45:05But, what are you saying?
45:07Well, I think you don't like to see them
45:09so sweet.
45:11It makes you jealous.
45:15Or are you going to deny it to me?