MHN ARIZEIS TH MOURMOURA | S11 - EPS. 57 HD | ΜΗΝ ΑΡΧΙΖΕΙΣ ΤΗ ΜΟΥΡΜΟΥΡΑ | Σ11 - ΕΠΣ. 57 HD
MHN ARIZEIS TH MOURMOURA | S11 - EPS. 57 HD | ΜΗΝ ΑΡΧΙΖΕΙΣ ΤΗ ΜΟΥΡΜΟΥΡΑ | Σ11 - ΕΠΣ. 57 HD
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00:00[♪ Mourmoura by Eleni Anagnostopoulou ♪ ♪ music playing ♪♪♪♪♪♪♪♪♪♪♪♪♪
00:30♪♪♪
00:40♪♪♪
00:50♪♪♪
01:01This is what helped your mother.
01:03The water?
01:04It's a holy water, my child.
01:05I took it from the Holy Zone.
01:06What is it?
01:07It's a little church,
01:08where there's a rock inside,
01:09and from there,
01:10the holy water comes out
01:11and makes a little pond.
01:12And did your mother drink from this holy water?
01:14Every day,
01:15I pour two drops into her coffee.
01:17And she's become a different person.
01:18It's a miracle.
01:19Dad, I don't want to spoil it,
01:21but I don't see any change in my mother.
01:23She's changed, my dear mother.
01:24She's stopped talking nonsense.
01:25She wants to change everything, etc.
01:27It's a miracle, the holy water.
01:29Did your son kick you?
01:30You don't know how much he's helped her.
01:32He rides her,
01:33he walks her around the neighborhood every day,
01:34and he gets her air.
01:35Whoever finds a guard,
01:36he kicks them out.
01:37Don't be afraid of your mother.
01:38Nothing will happen to her.
01:39I'm saying this for the others.
01:40She's a dangerous creature, mom.
01:41She runs around a lot,
01:42and she...
01:43Oh, my God!
01:45Oh, my God!
01:46I'm so upset.
01:47What happened, mom?
01:48What happened again?
01:49She's going to tell me
01:50that I have a trauma.
01:51Who?
01:52A relative, mom.
01:53A relative
01:54who got into the bike lane
01:55with a wheelchair.
01:56Did you hit him hard?
01:57No, my child.
01:58Not really.
01:59I mean, I hit him all over.
02:00A car.
02:01A tongue.
02:02Did he take it out?
02:03Was there a baby in the wheelchair?
02:04No, my child.
02:05No, my child.
02:06Please stop.
02:07And I don't know.
02:08There was a wheelchair
02:09with an eggplant and tomatoes.
02:10Slowly.
02:11Oh, God!
02:12I've told you so many times
02:13not to run with a kicker.
02:14But I wasn't running, my child!
02:15Why do you do this?
02:16I wasn't running.
02:17I was nice, relaxed.
02:18I had a good time.
02:19My bike was nice.
02:20She...
02:21She suddenly got into the bike lane
02:22with the wheelchair.
02:23Do you understand?
02:24Yes, relative!
02:28Now you see
02:29that mom is better.
02:30That's the Xenia I know.
02:37Come on, Fotara!
02:38It's almost time.
02:39Do you want to see a romantic comedy
02:40so we can cry?
02:41I'm not hungry.
02:42Okay, do you want to
02:43have a splatter on us?
02:44No.
02:45In general, I'm not hungry.
02:46I'm going to wash my hands.
02:51If I don't catch a cold,
02:52we'll be lucky.
02:53Where have you been, Rosetta?
02:54Do you want to see a romantic comedy?
02:55I'm not very hungry, my son.
02:56And you?
02:57What the hell is wrong with you?
02:58Who left this here?
02:59Fotara.
03:00He's not in the mood for a movie either.
03:01Tell Fotara
03:02that this will go out
03:03on the street
03:04or in the hotel room.
03:05Don't say that.
03:06I'm sorry, the hotel room
03:07fell into my room.
03:08Rosetta, come here!
03:09Rosetta, right now
03:10you're talking to Gannets!
03:11What are you yelling about?
03:12Foti, tell me honestly.
03:13Am I a stranger?
03:14Excuse me?
03:15Something like that, Rosetta.
03:16And anyway,
03:17I have the bike.
03:18She can't see it from here.
03:19Of course.
03:20Because in here
03:21we always do
03:22what Mrs. Rosetta wants.
03:24Of course, of course.
03:28Let me tell you.
03:29Welcome.
03:30Did you come to apologize?
03:31What did he say?
03:32Who is he?
03:33Him? He yelled something.
03:34I don't know.
03:35I didn't hear.
03:36He probably didn't care about me.
03:37We're going to eat something.
03:38Elia, I have a lot of work.
03:39I want quiet.
03:40When do you have work?
03:41Since you don't work.
03:42Yes, but I quit very soon.
03:43One hour of work.
03:44And what will happen to Rosetta?
03:45What will happen
03:46until you have a job?
03:47Will she fire us?
03:48Get out of here.
03:49Rosetta, please.
03:50What are you yelling about?
03:51Come on, Rosetta.
03:52I'm exhausted.
03:53To see, man,
03:54what I'm pulling.
03:55Who closed the door?
03:56What did you say?
03:57I asked who closed the door.
03:58No, you said
03:59to see what I'm pulling.
04:00You probably didn't hear well.
04:01She closed the door.
04:02What door is this?
04:03At least say it in front of me,
04:04not behind my back.
04:10She's going in again.
04:11She's crying.
04:13Should I put a name tag
04:14to make her cry?
04:15Put it.
04:20Meze for my mother-in-law.
04:22Don't drink it dry.
04:23It will cut you.
04:24Thank you, son.
04:25And Koulouraki
04:26for my love,
04:27so you can dive
04:28into her smile.
04:33What are you doing, man?
04:34You're going to kill the kid.
04:36It's okay, it's okay.
04:37It doesn't hurt.
04:38Oh, you.
04:39Don't talk.
04:40Don't talk,
04:41because you're going to eat her
04:42and you're going to kill her.
04:43Don't talk.
04:44I don't want any defense.
04:45The two of us
04:46are done.
04:47The two of us
04:48are done.
04:49What?
04:50What you heard.
04:52What happened?
04:53What can I tell you now?
04:54You told us.
04:56You didn't get it.
04:57This is where he lives.
04:58This is his home.
04:59Oh, come on.
05:00You can't all leave me.
05:02Oh, God's mercy.
05:04You.
05:05You, God,
05:06don't touch him.
05:08I'm leaving.
05:10And don't you dare
05:11follow me.
05:14Come on, guys.
05:15She's leaving.
05:16Say something.
05:17Sevi.
05:18My love, wait for me.
05:19My baby.
05:20Come back.
05:21Don't leave me.
05:22Katerina Helmi.
05:23Don't leave me alone
05:24with the drugs.
05:26What did I miss?
05:27A show
05:28that Ionesco would be jealous of.
05:30We left you here
05:32to find them.
05:34Not only did we not find them,
05:35we also lost
05:36what we had.
05:37What do you mean?
05:38It's not enough
05:39that he thinks
05:40he can fool her.
05:41He thinks
05:42that I'm covering for him
05:43and protecting him.
05:45How?
05:46I'm spying
05:47on his girlfriends.
05:48At my house?
05:49Yes, at your house.
05:50You're a psychopath
05:51with sympathy.
05:52I'm sorry.
05:53Don't say that.
05:58What happened?
05:59Did you make it?
06:00What do you mean?
06:01I was in a hurry.
06:02I went in front of her
06:03to stop her
06:04and let her pass me
06:05if I didn't get close.
06:06Look, look.
06:07Well done,
06:08faithful Christian.
06:09And I didn't pay attention.
06:10Did she put on a belt?
06:11The way she's driving me crazy.
06:13I didn't get hurt.
06:14You're crazy.
06:16She can't.
06:17I'm sure she can't.
06:18I'm leaving, too.
06:19To get a helmet,
06:20a scarf.
06:21Where are you going?
06:22Where are you going?
06:23If you get there,
06:24she'll open the door for you.
06:25And if she does,
06:26she'll throw you off the balcony.
06:27Come on,
06:28let's put some ice on your feet.
06:29There's no need.
06:30It's over.
06:31Should I...
06:32Come here, I said.
06:33Let's go inside.
06:34Get inside.
06:44I can't believe it.
06:45Honey,
06:46do you have another mixer?
06:47Whatever's in the drawers.
06:52I'll go inside.
06:53Honey,
06:54please.
06:55Come here.
06:59Krabas Mousselet
07:00probably wants me
07:01to take his taxes.
07:02What do you want?
07:03Bravo, honey.
07:04Do you have another mixer?
07:05Why?
07:06What's in that?
07:07It's probably broken.
07:08It can't be broken.
07:09It's definitely broken.
07:10Let it be.
07:11It's broken.
07:12I don't know how to make the cake.
07:13I can't do it without a mixer.
07:14Don't tell me that.
07:15I've been thinking about the cake
07:16since this afternoon.
07:17What are you going to do with it?
07:18It has to go to recycling.
07:19Aren't we going to eat cake?
07:20Do you have a spatula?
07:21Yes, in the closet.
07:22With the pots.
07:23I'm not going to chop it, honey.
07:24I want a cooking spatula.
07:27Silicone.
07:28Maris.
07:29Tell me Maris
07:30so I can understand.
07:31Maris.
07:32Don't say it.
07:35Do we know what we're looking for, honey?
07:37You know my relationship
07:38with cooking.
07:39Yes, that's why I'm saying it.
07:40Leave it, leave it, honey.
07:41I'll look for it.
07:45Good Lord,
07:46I made these the day before yesterday.
07:47What kind of chaos is this?
07:48Why is the thermometer
07:49in my spoons?
07:50Because I left it
07:51wherever it was
07:52and I said,
07:53let me put it in the spoons
07:54so I can remember it's there.
07:55You're such a man.
07:56You can't take something
07:57and leave it where you found it.
07:58It's so simple.
07:59Look at this.
08:04Can you do it with Maris?
08:07She'll show.
08:08Are you going to put
08:09tears and chocolate?
08:11I'll put my own, honey.
08:13This is one of the
08:14happiest moments.
08:16When I hit the cake?
08:17No,
08:18when I see you
08:19with me
08:21and you don't leave.
08:22I see.
08:23When we fight
08:24about the spatula
08:25and Maris.
08:28My love.
08:30Sit here.
08:31Sit so I can hold it.
08:32Sit here.
08:33What do you want?
08:34My love.
08:35What do you want?
08:37Oh,
08:38the same.
08:43Why are we meeting again today?
08:45I told you yesterday
08:46I haven't told you
08:47anything yet.
08:48I can't answer you.
08:50Who is he?
08:52No.
08:53No.
08:54Why are you bringing him
08:55to me?
08:56I don't have anything to tell him.
08:57But two days ago
08:58you told me.
08:59It's still too early.
09:00Babis hasn't said anything
09:01because he doesn't know.
09:02I haven't told him.
09:03He's shy.
09:04He's shy.
09:05He's shy.
09:06He wears it.
09:07It's excellent.
09:08He tells you a lot,
09:09Eleni.
09:10Is it for Ergino?
09:11Yes.
09:12Many greetings.
09:13You have many greetings
09:14from Babis,
09:15and tell me,
09:16what else
09:17did he tell you?
09:18Yes.
09:19Aha.
09:20Yes.
09:21You're making it
09:22very difficult for me.
09:23You know that.
09:24Anyway,
09:25I'm listening to this
09:26for lunch.
09:27I'm listening to it.
09:28I'm processing it.
09:29I'll tell you.
09:30It's done.
09:31It's done, my Eleni.
09:32Come on.
09:33Come on.
09:34Our Eleni.
09:37Why are you looking at me like that?
09:38I'm shy, my dear.
09:39I'm shy
09:40that you're getting your health back.
09:41I'm very happy
09:42that you're taking care of me.
09:43I don't know
09:44what to do, my dear.
09:45I'm trying to put some things
09:46in order.
09:47Don't tell us anything,
09:48my dear.
09:49There was a crisis
09:50and it's over.
09:51How do you know?
09:52Our psychologist
09:53told me.
09:54How do you know
09:55that it's over?
09:56I can see you.
09:57I can see you.
09:58You're getting your health back.
09:59You're taking care of yourself.
10:00You're the only person
10:01I know.
10:02Coffee?
10:03Don't drink your coffee,
10:04my dear.
10:05It's going to get cold.
10:06No, no.
10:07I don't want to drink coffee
10:08because it's in my stomach.
10:09It's going to get cold.
10:10Drink it.
10:11It's in your stomach.
10:12I just told you
10:13it's going to get cold.
10:14I don't want coffee.
10:15Okay, don't drink it.
10:16You're a pain in the ass.
10:17Don't expect anything from me today.
10:18I have a lesson with Gheorgheoglu.
10:19He asked me to take him
10:20to a good lesson
10:21because he's leaving
10:22to do some work
10:23in Tinos.
10:24Okay, okay.
10:25Drink it.
10:44I can't believe it.
10:45What's going to happen
10:46with the set?
10:47It's going to be a disaster.
10:48Ilias, what are you doing here?
10:49It was a thriller,
10:50and I was afraid
10:51to go to sleep alone.
10:52Yes, Ilias,
10:53but as you can see,
10:54we're not accepted here.
10:55What does that mean?
10:56It means you left me
10:57uncovered all night.
10:58Me?
10:59Where did you get
11:00the set and wrap it?
11:01I didn't wrap it.
11:02All I want to do
11:03is cover my ear.
11:04What kind of anomaly is that?
11:05Okay, Ilias,
11:06what are we going to do now?
11:07I've had it since I was a kid.
11:08I'm insecure
11:09if I don't cover it.
11:10If you want to cover your ear,
11:11get your own set
11:12so you can share it.
11:18Damn it, man.
11:19What about me?
11:20Can't you see
11:21it's getting out of hand?
11:22What?
11:23Do you want me
11:24to give you a loan?
11:25No, no.
11:26I'm serious.
11:27Ever since we came back
11:28from the trip,
11:29we've been...
11:30I know.
11:31Maybe you should
11:32go on another trip
11:33to relax a bit.
11:34Are you crazy?
11:35All this happened
11:36because of the trip.
11:37No, this trip is out of the question.
11:38If I tell you now,
11:39all the contradictions
11:40in our relationship
11:41will be solved.
11:42Do you want me
11:43to tell you something?
11:44I'm sick of it.
11:45I'm sick of
11:46moving out all the time.
11:47I'm out of here.
11:48Thank you, Ilias.
11:49Take care.
11:50Come on, Fiorentino.
11:51It's not...
11:52It's just a matter
11:53of not moving out.
11:54It doesn't concern me anymore.
11:55This is how I am
11:56even if I like her.
11:57And you,
11:58this is how I am
11:59even if I like her.
12:00Aren't you a jerk?
12:01What?
12:02Why not?
12:03You're short.
12:04No, I'm not short.
12:05I'm normal.
12:06Fiorentino, you're short.
12:07You're short.
12:08Anyway,
12:09I can't do anything about it.
12:10Look,
12:11if you hang up
12:12and I pull you,
12:13you won't want it.
12:14You won't want it, okay?
12:15You won't want it.
12:16But it's not just the haircut.
12:17It's the other thing
12:18that's bothering you.
12:19You're doing it.
12:20You're doing it.
12:21Tell me you're doing it.
12:22I've told you you're doing it.
12:23And your hair
12:24is too straight.
12:25They need to be oiled easily.
12:26What shampoo do you use?
12:27Excuse me?
12:28I said,
12:29what shampoo do you use
12:30if we manage
12:31to save your relationship?
12:32My relationship, Ilias,
12:33you can't save it with anything.
12:34Come on, don't say it.
12:35All relationships
12:36make one kilo.
12:37Yes, but not a year ago.
12:38We make something
12:39for the rest of our lives.
12:40But not this trip.
12:41Not this trip again.
12:42I'm going to make breakfast.
12:43You?
12:44Get out.
12:45What?
12:46What?
12:47What are you saying?
12:48What are you saying?
12:49Okay.
12:52What can she do now?
12:53How can she spend
12:54her night like this?
12:55I don't know.
12:56It's a relief
12:57that she's sleeping
12:58in her bed,
12:59like a whore.
13:00She's sitting
13:01and she's sad.
13:02But she left
13:03very upset.
13:04It's not your fault.
13:05You're the one who's upset.
13:06Don't look at yourself
13:07when you were
13:08sleeping on the couch.
13:09What am I going to do, Zafira?
13:10Be patient.
13:11What?
13:12Do you think she'll get over it?
13:13No.
13:14Then what?
13:15I hope you'll get over it.
13:16Come on, don't say that.
13:17I'm going to die
13:18without my Sevi.
13:19You're so stupid
13:20that Sevi
13:21can't even understand you.
13:22Good morning,
13:23the chosen hostess.
13:24Good morning, my dear.
13:25I wanted to know
13:26when you saw her
13:27say good morning.
13:28Is this still
13:29a big Friday?
13:30Why?
13:31Did something change?
13:32Of course.
13:33I can see you.
13:34Why not?
13:35We'll be all
13:36chubby like him.
13:37Oh,
13:38I wanted to know
13:39why she's so upset
13:40that I pushed her.
13:41She's right.
13:42She needs to explain herself.
13:44How can she do that?
13:45She won't let him go home.
13:46She won't come back.
13:48I have an idea
13:49that will make her
13:50come running here.
13:52Really?
13:53I'm not too sure.
13:54Right?
13:55Tell me.
13:58Watch her phone
14:00and give it to me.
14:02What are you looking at?
14:03I'll do it.
14:07What are you waiting for?
14:08Give it to me!
14:15Semmi?
14:17Oh, man!
14:24I'm so sorry, dear.
14:25I woke you up.
14:26Oh, no.
14:27This was the best wake-up.
14:29What time did you get up?
14:31Very late.
14:32I came early.
14:33My mom's most.
14:34Can I ask you something?
14:35Come on, I'll go to the Bulgarian anyway.
14:38But it doesn't bother me, I just want everyone to find their place so that we can find them, you know?
14:41I told you, I don't want you to tire me.
14:43Jobs don't tire me, my dear.
14:45You know, my mind is gone. You know how many things I think about when I do my job?
14:48Yes, but you took out the whole house.
14:50Yes, and who will do it?
14:51A bunch of my mother's friends were coming and whatever they could do, they did.
14:55What are you saying, my child? For a foreign woman to come and work in our house?
14:58Are you kidding me?
14:59What did you say?
15:01Our house?
15:03Yes, my child. We eat here, we drink here.
15:05If we don't clean it, who will? The foreigner?
15:07I've made coffee, I've made eggplants.
15:11You made me eggplants?
15:23I'm coming, I'm coming, my child.
15:25I'll be there in 15 minutes, okay?
15:27Come on, come on, come on.
15:29Oh, what are you doing here? Why did you come?
15:31Didn't you come to find out about Giacaglioglu?
15:33I was busy, he never came.
15:35I called him, he broke up with his girlfriend.
15:37He said he was upset, he couldn't come.
15:39And I waited for him for two hours, you see? It's not possible.
15:41But from now on, I'll do it the way Sofoula does it.
15:43Won't you come, sir? I'll pay you anyway.
15:45Where are you going?
15:46I'm going.
15:47Where?
15:48To the swimming pool.
15:50You started swimming again?
15:51Yes, yes, yes, it started again.
15:53And today is the first day after the accident.
15:55And the bag?
15:56The bag? What do you mean? What's new with the bag?
15:58No, no, no, I've put it on.
16:00I've taken advantage of this spacious bag
16:02because it has everything I need in it.
16:04And a towel?
16:05They give us a towel at the swimming pool.
16:07Come on, come on, come on.
16:08Are you going with Argyrou?
16:09Yes, yes, yes.
16:10Because with Argyrou we do everything together.
16:12Everything together.
16:13After all, I imagine that at the swimming pool they tell us,
16:14hit it, my brother.
16:15Be careful with the towel.
16:17Yes, my love, I have it, don't worry.
16:19And take your helmet too.
16:20Yes, my love. Come on, kisses.
16:22Bye.
16:29What are you doing?
16:30No!
16:32I want...
16:35We've been sitting here for half an hour.
16:37I told you, we're waiting for Fotis.
16:38He'll be late, he's busy.
16:40Yes, fine, I can teach him the lesson.
16:42You'll teach him when the time comes.
16:44Katafonis.
16:45Here he is.
16:46Come on, Fotis, sit down.
16:48What happened?
16:49Sit down!
16:50Fotis?
16:51I want to go for a swim.
16:52Fine, Fotis, but I want to do pirouettes too.
16:54I can't lift a ladder because I can't.
16:56Do you know how many years I've been ballet?
16:57How many?
16:58None, but I'm a talented dancer.
17:00Are we getting back to our topic?
17:02Yes.
17:03Guys, sit down, Fotis.
17:06I called you here tonight because I want to talk.
17:09No.
17:10Don't tell me you're going to kick us out.
17:12Are you kidding me?
17:13Guys, I feel really bad about this.
17:17No.
17:18No, Ilias, not now, not now that I'm not working.
17:21But it's been a while since you've worked.
17:23What did you say?
17:24I didn't say anything, I didn't say anything.
17:26I'm sorry, I think I had the choice to work and I didn't.
17:29You don't think that, Fotis.
17:31I think you're a little more selective than you should be.
17:35Because when I was offered the job at Rhodes, you didn't want me to go.
17:38You said you'd never do it.
17:40You also chose not to go.
17:42It was a wise decision.
17:43I chose not to go to stay with you, you idiot.
17:46Don't be so hard on yourself.
17:47You're not an idiot.
17:48I'm just going.
17:49So you're saying you're the idiot who chose to stay with me.
17:52It seems so.
17:53Come on, guys.
17:55Ok, ok, ok, ok, ok, Ilias, ok.
17:58Let's do it again.
17:59How much more do you want to do?
18:01More?
18:02What more?
18:03I don't want more.
18:04Then why are you crying?
18:05Because I realized that I sent you on a trip and you're going to break up.
18:13It's not just the trip's fault.
18:14For sure.
18:15It's not just the trip's fault.
18:16So you're going to find each other again so I don't feel bad?
18:18No.
18:19No.
18:23Yes, great.
18:24I'm glad we said it.
18:33Doesn't your foot hurt anymore?
18:34No, I'm fine.
18:35Great.
18:36But sit in a corner.
18:38I've got a headache.
18:39Up, down, up, down, up, down.
18:40And stop eating in your sleep.
18:42Will Zafiro come?
18:44If he's loyal to what Mina has told him.
18:46But he's very smart.
18:48Yes.
18:49Because I would fall in love with anyone.
18:51Do you think he would eat it because if he came we would fight?
18:54He was very loyal.
18:55Minas is angry with me because when he leaves the house I leave him and he arranges your dates.
19:01He told her that in the afternoon, right?
19:03Yes.
19:04He finished his work and they will come together.
19:06He will open the door for you so he can catch you.
19:11As long as he doesn't get mad at us and he picks us up.
19:14What?
19:15He won't be happy to see you alone?
19:17Would he be happy if I threw a boufla and he would leave?
19:19Are you kidding me?
19:21God bless you.
19:23We'll see in a bit.
19:29Slowly, my boy, slowly.
19:31You made a mess.
19:33Yes, but you're not lazy, you'll drown.
19:35That's what I was thinking when I was in the office, to leave and go home.
19:39For the cheaters?
19:40For you, my love.
19:41For me.
19:42Anyway, I didn't understand how the day went today.
19:44You will arrange everything as you wanted, right?
19:46Yes, that's why I would like from you, if you can...
19:48I know.
19:49When I take something, I return it to its place.
19:51Okay, I understand that.
19:52Yes, because order maintains itself, my love.
19:55And I was thinking, my love, maybe...
19:58I don't know...
19:59What would you say if we changed the table?
20:05Why would we change the table?
20:07Isn't that the table?
20:09Which one?
20:10This one, my love.
20:11What if our friends come?
20:12Where would we sit?
20:13At the table, this one.
20:15Yes, I would like to take a bigger one, with comfortable chairs.
20:19No, I don't think there's a reason.
20:21Why would you go out?
20:22You don't need to.
20:23Why?
20:24It's small, it moves...
20:26But if we put the paper here and you see it moving...
20:29This table has written history on it.
20:31Did you participate in the Greek revolution?
20:33A lot?
20:34Anyway, if you want, I can take this one.
20:37No, you can't.
20:38Why, my child?
20:39Because you will give whatever they ask you.
20:41Okay, if you don't want it, I won't take it.
20:43What are you saying?
20:44It's like you have a problem with your money.
20:46Why would I work, my child?
20:47I enjoy them.
20:48Why would I take them with me?
20:49Anyway, you didn't know we would take them.
20:51After we did the research.
20:52I did the research.
20:53We will take whatever I want.
20:54It's over.
21:00Your call is being forwarded.
21:02Please leave a message after the characteristic sound.
21:07Come on, Xenia.
21:08Where are you, my girl?
21:09Come on, what's going to happen?
21:10I'm worried.
21:11Where are you?
21:12Pick up the phone when you hear the message.
21:14Pick it up, Xenia.
21:28Eleni?
21:29Come on, Eleni.
21:30Where are you, my girl?
21:31What's going on?
21:33I went to your mother-in-law's visit with Xenia.
21:35And I think she's going to the pool.
21:38Aren't you with Xenia?
21:41I don't understand.
21:42How long have you been seeing her?
21:44How long?
21:46Are you kidding me?
21:48No, no, no.
21:49Maybe I'm confused.
21:52Yes, yes.
21:53When I find her, I can take her to you.
21:56Bye, Eleni.
21:57Bye.
22:02Where are you, dad?
22:03Dad!
22:04I got it.
22:05You found out about mom.
22:06What did I find out?
22:07She hasn't seen her for two weeks.
22:08Two weeks?
22:09Eleni hasn't seen her for two weeks.
22:10And your mother lied to me.
22:11What are you talking about?
22:12Listen.
22:13I came there and I found out where your mother is.
22:14That and nothing else.
22:15Where is your mother now?
22:16She's at the hospital.
22:17Where is she?
22:18At the hospital.
22:19What happened?
22:20Did she hit her?
22:21Is she okay?
22:22Something like that.
22:23Did she hit her a lot?
22:24No, mom.
22:25Is she okay?
22:26Who's not okay?
22:27Fritz.
22:28Fritz?
22:29Mom hit him with the skateboard.
22:30Where did she find him?
22:31Outside his house.
22:32Did she go to Fritz?
22:33She hit him there.
22:34I don't care.
22:35Come on, let's go now.
22:36Why didn't you tell me you were going to Fritz?
22:37I'm going in.
22:38What?
22:39I'm going in.
22:40Ok.
22:41Don't open the door, girl.
22:42I'll take the cream and go away.
22:53Hey, Ilias?
22:54Yes, who is it?
22:55Open the door.
22:56What happened?
22:57Ilias locked the door.
22:58Open up, I said.
22:59Oh, yes, but I can't open the door now.
23:05Why?
23:06What?
23:07The door was squeaking.
23:09Yes, it was squeaking.
23:10It will be squeaking when you find it again.
23:13Ok, ok, Lyakos, come on, open the door now.
23:15Let's not get stuck in here with some claustrophobia.
23:17Ok, open the window to get some atmosphere.
23:19What atmosphere? With the photographer's butt?
23:21Ok, give me half.
23:24Nice. Now we can't see anything.
23:26Half, you busybody. You can't see, can you?
23:28Half, can you see?
23:29Antigone!
23:30What?
23:34Do you want some music? What do you prefer?
23:36I prefer you to open the door.
23:38Did you find it again?
23:39No!
23:40Then you will stay there.
23:45Now?
23:46What do we do?
23:50Look how my heart is beating.
23:52Stop it, my boy. Nothing will happen. Calm down.
23:54Instead of finding me a girl, Teza will find me.
23:57It's me.
23:58Where?
24:00Sevi?
24:01Are you here, my love?
24:02I'm here and I'm leaving again.
24:04Come here.
24:06It's confusing, isn't it? It's confusing.
24:08I should have imagined it.
24:09What can you expect from a man?
24:11A man that you have fucked?
24:13A fucking woman!
24:15Enough.
24:16My child, let's talk like men.
24:19We have nothing to say.
24:20Nothing, especially in here.
24:22To this man of nonchalance.
24:24Oh my God.
24:25My love, my Sevi, tell me, please.
24:28How did it happen that I lied to you?
24:29The boy is right.
24:30You shouldn't throw a tantrum and leave in the middle of the night.
24:34Nina, don't be mad at me.
24:35Yes, wait for me.
24:36Talk.
24:37I have nothing to say.
24:39I'm leaving.
24:40Come here. Stop your hysteria.
24:43Your palouko.
24:45And talk.
24:50Let him finish his fast more politely than me.
24:53Does that mean he's lying to you?
24:55Of course, of course.
24:56Because he wanted to throw a stone at my eyes.
24:58Why do I have such a stupid child?
25:00Sevi, my love.
25:01I went with your water so you wouldn't get wet.
25:04Especially now that you're pregnant.
25:05Shut up.
25:06Two afternoons in a row he was calling a...
25:09a cockroach.
25:10I told you.
25:11It was Thanasis' wife.
25:12Do you have a thing with Thanasis' wife?
25:14Mr. Vassos?
25:15Are you okay, my child?
25:16Who is this Thanasis, guys?
25:18His partner at work.
25:20A 60-year-old man.
25:21He has him as his child.
25:22Sevi, listen to what you're saying.
25:24And why was Thanasis' wife calling you?
25:27I was saving some money and Thanasis didn't want to know.
25:30That's why you asked me.
25:31Fine, fine, fine.
25:32On Wednesday.
25:33Why did you come back at 2 p.m.?
25:36To sleep.
25:37I'll be the devil's guardian, but that's not an answer.
25:40I did it slowly so he wouldn't wake up.
25:42What did you do at 2 p.m. again?
25:45A German tourist left with his motorbike
25:48and found the phone on the internet.
25:49We went to pick it up with Thanasis.
25:51How could we leave him in the middle of the night?
25:53We made a mistake because he wanted to make it to the ship by dawn
25:56and you went to God's blessing.
25:57And now you want to punish him because he's a good man?
26:01He's looking at you and he's melting, can't you see?
26:04You're a pain in the ass.
26:06Something tells me that you believe him.
26:09You don't talk.
26:10You don't talk.
26:11The fact that you slept with him doesn't give you the right
26:13or the right to commit sins.
26:16Corruption of the hands.
26:21Oh, what a great movie.
26:26I'll bring my doll.
26:28It's hard to do.
26:30I'll go too, it's late.
26:32Are you leaving?
26:33I don't want my doll, but I've been missing her since yesterday.
26:35My father will be worried.
26:36Why don't you stay here?
26:37What? I don't stay?
26:38Not like that.
26:40But?
26:41Continuously.
26:43What do you mean, doll?
26:45To talk?
26:46Yes, because what's the problem?
26:47The table? We'll change the table.
26:49No, the table. You...
26:50I'm a little out of order.
26:51I'll fix it, I swear.
26:54No, it's just...
26:56It's not easy.
26:58Why?
26:59You'll bring your things here.
27:01They won't bother you.
27:02You can go and come back later.
27:04Yes, but it's a big change.
27:06Unless you don't want to.
27:07No, no, I want to.
27:10Give me a minute.
27:14Yes, Mr. Kraba, hello.
27:16Of course.
27:17Of course, Mr. Kraba, of course.
27:20Yes, I'll be in the office in ten minutes.
27:23Thank you very much, I'll talk to you soon.
27:25Take care, take care, bye.
27:27Mr. Kraba wants me to take over.
27:29Well done, my dear.
27:31I'm going to the office.
27:32Yes, and I'm going home.
27:33You have to think very seriously about what I told you.
27:35I'll think about it.
27:48What a break-up.
27:50I don't remember, guys.
27:51Remember to celebrate.
27:52Now you're saying you don't remember.
27:53No, no, I really don't remember.
27:55I don't remember what?
27:56I told Strapoulis, Mom.
27:57He broke up with her.
27:58Oh, Strapoulis broke up with her.
27:59Oh, that's great.
28:00That's great.
28:01I haven't seen him for two meters, German.
28:02How come you haven't seen him?
28:03I've told you so many times.
28:04You run a lot with your shoe, Mom.
28:05You run.
28:06I don't know, son.
28:07I run, I run, Dad.
28:08I run a lot with my shoe.
28:09And I broke up with my shoe.
28:10What am I going to do?
28:11Now you care about your shoe.
28:12You care about your shoe.
28:13Dad, bring some water, Mom.
28:14Are you okay?
28:15People tell lies.
28:16I don't bring anything.
28:23I couldn't tell you, Dad.
28:24I couldn't tell you.
28:25You listen to lies and you make me sick.
28:27I used to do that when I proposed to you for Germany.
28:29But now it doesn't work.
28:30Sofia, my love, make me a cup of coffee.
28:31Bring me something to drink.
28:32I'll bring you some water.
28:33No, not water, Sofia.
28:34I can't bring water to Dad.
28:35I just want to thank him.
28:36I'll put it in the fridge.
28:37I'll lock it.
28:43These things are serious.
28:44Sofia, you can't give without ice.
28:46Thank you.
28:49Choose.
28:51So...
29:04So...
29:05Fritz...
29:08I don't know how to say it.
29:09What does it mean, Mom?
29:10Do you like it?
29:11No, my son.
29:12Do you want to make it?
29:13No, my son.
29:14He broke up with his husband.
29:15No, my son.
29:16Do you want to make it?
29:17No, my son.
29:18He just proposed to me.
29:19No, my son.
29:20You broke up to make it.
29:21You broke up.
29:22No, he proposed to me again for Germany.
29:23It's still the position of the director.
29:24Are you kidding?
29:26No.
29:27What did you tell him?
29:31What did you tell him?
29:33He's very interested.
29:34I don't understand what she's saying.
29:36I don't understand her.
29:37Very.
29:38Speak clearly.
29:39What did you tell him?
29:40I told him I'm very interested.
29:41Do you want to go to Germany?
29:42No, we should go to Germany.
29:43Should we all go to Germany?
29:44No, we should go to Germany.
29:47Me and you. And this time, Bobby, I'm not going back.
29:59Where am I going to hang my clothes now?
30:01Help! Someone open the door!
30:03What are you doing, kid? Why are you yelling?
30:05Are you going to call the police?
30:06Yes, that's what I want. That's what I want.
30:08For someone to come and lock us out of here.
30:10Yes, I think it's a better idea to tell Ilias to open the door.
30:13How?
30:14Because he's drunk. Come on! Open the door, Ilias!
30:22I'm starting to get hungry.
30:24Should we order something?
30:26And how are you going to deliver it? Through the window?
30:28That's it! Yes, we'll order.
30:31The delivery guy will come.
30:32As soon as we hear him, we'll start knocking, yelling for help,
30:34and he'll come to save us, right?
30:35Yes. I don't have a cell phone.
30:37Oh, come on! Why didn't you take it?
30:40Because I came to get some cream?
30:41Should we call Mrs. Tasoula from downstairs?
30:44Mrs. Tasoula can't hear from half a meter.
30:46Do you want her to hear from the speaker?
30:48Are we going to leave our bottles here?
30:50I have an idea.
30:52Let's tie the curtains and go down three floors from the speaker.
30:56No, I had something more dangerous on my mind.
31:11What's this?
31:21My bag!
31:23I knew you'd find it.
31:25I was so scared.
31:27The popcorn is over. What are we going to watch?
31:30You? Nothing.
31:31What are you doing?
31:33Come on, guys!
31:35No!
31:37I can't stay here alone.
31:40I can't find Yorgos. I can't find my pillow.
31:42The disco ball is closed.
31:44What am I going to do?
31:53I'm so glad you found them.
31:55Go home and get some rest.
31:57We made you an Armenian visit.
31:59And you, next time, don't make hasty departures.
32:02You have a diamond next to you and you don't appreciate it.
32:05Oh, you're talking too much.
32:07We're not done.
32:09The bell doesn't ring for you.
32:11Who is it for?
32:12I won't rest until I see you married, with glory and honor.
32:15Mrs Kokoviko.
32:16Did you say something?
32:17No, my girl, no.
32:19All the best.
32:21Don't go too far.
32:23Your mother wanted to hug you, not kiss you.
32:25Come with me.
32:26That's what I'm thankful for.
32:28I'm a servant, though.
32:31She didn't do anything.
32:32Anyway.
32:34Thank you.
32:35Huh?
32:36Thank you.
32:37But I'm waiting for you to ask me for her hand.
32:41Tomorrow, tomorrow, tomorrow.
32:43Let's go.
32:44Let's go, Taki.
32:53As you understand, you have to replace me.
32:55Corruption of hands.
33:08Do you have a light?
33:29Toula!
33:30Toula!
33:32Bully, you're here. I've tidied up a bit.
33:34I put an umbrella on the table so we can sit together.
33:38You mean we're staying together?
33:39I left my stuff in the bathroom. I'll tidy it up.
33:42Do whatever you want.
33:43We'll need more space in the closet.
33:45We'll make room for it.
33:46We'll have to clean up the mess.
33:47We'll clean up the mess.
33:48It'll be hard.
33:49Yes, it'll be hard.
33:50Not the mess, it'll be hard between us.
33:53Because we love each other.
33:54Yes, but you're educated, I'm not.
33:56I've never been alone in my life.
33:59Yes, but we call it private.
34:02That's why I love you.
34:04But whatever we say will be true, okay?
34:06Are you happy?
34:07You're asking, Bully?
34:09Do you love me?
34:10I adore you.
34:14Hey!