Igra sudbine, Epizoda 1133,Igra sudbine 1134 ,Igra sudbine 1133,Igra sudbine Epizoda 1134, Igra sudbine Epizoda 1133,Epizoda 1134 Igra sudbine ,Epizoda 1133 Igra sudbine
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00:00Oh, Ljubinka. Oh, Ljuboj. Something's got me down again.
00:17Oh, I don't feel good. Oh, I don't feel good at all.
00:21Oh.
00:24Yeah. Yeah.
00:26Don't you want a pump?
00:28Oh, I have to go. You know?
00:33Don't. Stay a little longer.
00:36Oh, oh.
00:40Oh, this is urgent. Ljubinka, Ljubovi Dužnja is calling. I'm sorry. I have to go.
00:47Okay, go then.
00:49Come on.
00:51Come on, go. I told you to go.
00:53Okay, what's wrong? Why are you mad?
00:55I'm not mad. I let you go.
00:57You let me go?
00:58Yes.
00:59So what, now I have to go? I mean, go through the door?
01:04If you want to go, go through the door.
01:08But...
01:11How is... I mean, how is...
01:13What do you think? Mom and Dad are with me.
01:15The situation, yes.
01:16They're at home. Some chief of police came to them.
01:21Who came? What chief of police, Ljubinka?
01:24I don't know.
01:25What chief of police? Where did the chief of police come from? What's his name?
01:29Don't be afraid.
01:31Tell me his name!
01:32Lina or something.
01:34Tambura?
01:35Yes.
01:37You're kidding me.
01:39Tambura came?
01:41I can't believe it. He's coming right now.
01:44Ljubinka, I have to go.
01:46No, I have to...
01:47Go slowly.
01:48I have to run.
01:51Wait, don't move.
01:55Ljubinka!
01:56Mom.
01:57I can't go out. Someone's downstairs.
01:59Wait, then I'll see what the situation is.
02:02Come on, come on.
02:08It's not safe.
02:10What?
02:11It's not.
02:12What should I do?
02:13You should stay here with me, because my room is the safest.
02:18Ljubinka, wait, wait.
02:21It's not safe.
02:26Good wine, huh?
02:28Great.
02:29It's good.
02:30Great, but people...
02:32I'm sorry.
02:33What?
02:34I have to go.
02:35Yes.
02:36Please.
02:37As our people say, everything that is beautiful has a price.
02:42No, no, no.
02:43Please.
02:45Don't do this to me.
02:47God, you're going to disappoint me.
02:50Don't.
02:51Don't.
02:52What do you think now that you're going to Belgrade?
02:55It's late.
02:56And you're under the circumstances.
02:59It wouldn't be the first time.
03:01Stop it, for God's sake.
03:02Don't do this to me.
03:04I won't let you go and drive.
03:06You drank a little, for God's sake.
03:08Come on, don't.
03:09Don't worry.
03:10Everything is under control.
03:12I'll take care of it.
03:13I'll take it easy.
03:15Wait, I beg you.
03:17Think about it.
03:18Why don't you sleep here with me like a man?
03:21Huh?
03:22What do you think?
03:23I don't know.
03:24I'm not sure how to say it.
03:26I don't know if you're sure or not.
03:29You know, their beds are comfortable.
03:32You sleep nicely, like on a cloud of smoke.
03:35Of course I do.
03:37I beg you, I beg you.
03:39I've arranged for you to have an apartment.
03:41You know?
03:42If you need anything, I'll write it on the door.
03:44This is where my biggest friend sleeps.
03:48Nebojsa Tambura.
03:50The boss of all policemen.
03:53What do you think?
03:54I'll do it.
03:55Huh?
03:56Well, you get out now, if you're stupid.
04:03Now you've convinced me.
04:04Are you done?
04:05Done.
04:06Oh, my God.
04:07I'm staying.
04:08You're staying?
04:09Now I'm going to show you what heaven is like here.
04:13Come on, get up.
04:14Get up.
04:15But first, let's have another drink.
04:17Now we can, when you're staying.
04:19Come on.
04:20I'm drinking, God bless me.
04:22Come on.
04:23Cheers.
04:24Cheers.
04:25God bless you.
04:26Come on.
04:39I love you.
04:40I love you.
04:41I love you.
04:42I love you.
04:43I love you.
04:44I love you.
04:45I love you.
05:06How are we today?
05:10If you want to be honest,
05:13it's not the best.
05:15You're troubled by the situation at work again?
05:18No.
05:20I mean, at work, the situation is bad,
05:23but somehow the situation is completely clear to me.
05:26At least for now.
05:27Okay.
05:28And what's not clear to me then?
05:33Andrija.
05:34Where is he?
05:37I feel like we're on the subject of your intimate relationships.
05:41Unfortunately, yes.
05:44He was a bit confused last night.
05:48He rejected me.
05:51Did you give him the right information
05:53that you want to be in love with him?
05:56I don't know if it can be more precise and clearer.
05:59I literally told him
06:01that I want to be in love with him.
06:06And how do you feel about his rejection?
06:08How?
06:10Like he hit me in the back.
06:11I think it would be easier for him to hit me in the back.
06:15Okay, don't overdo it.
06:17I know, but I don't understand what this is about.
06:20I've crossed my limits.
06:22I offered him what I know he wants,
06:25and that's how he responded.
06:29Okay, you and Una rejected him for a while,
06:32and he was hurt.
06:34Okay, but he's a man.
06:36That's different.
06:38I wouldn't say that.
06:40Men may express their emotions in a different way,
06:44but I'm sure we all feel the same way.
06:50Okay.
06:51That's true.
06:54Wait.
06:55You think he decided to date me?
06:57I don't think so.
06:58I wouldn't call it a date,
07:00but maybe he feels manipulated.
07:03But I didn't manipulate him.
07:05Okay, I didn't say you were manipulating him.
07:08But I'm considering the possibility
07:10that Andrija feels like you have a new power.
07:15Why would I have a new power?
07:18Think about it.
07:20What have you changed lately?
07:24What do you mean?
07:25Well, I got back to work.
07:28I'm trying to leave my past behind.
07:33We can agree on the fact that you started working again.
07:39Wait, you think he rejected me because I got back to work?
07:43Yes.
07:45All of a sudden, you're involved in Andrija's life more than usual.
07:49You spend time at work,
07:51but you also spend time at home.
07:55And that's not easy,
07:57especially in your situation.
07:59Maybe he needs time to adapt to new circumstances.
08:05So he wants to get his power back.
08:09Well, maybe not your power,
08:11but I'm sure he wants to get his control back,
08:15or at least part of it.
08:17But anyway, you've taken a big step for yourself,
08:21and now you have to be patient.
08:52Slurp.
08:59Ljubinka.
09:01Ljubinka.
09:02What time is it?
09:04I don't know.
09:05It's really late.
09:11Ljubinka.
09:12Ljubinka.
09:13Please.
09:14Half past ten.
09:15Half past ten.
09:17What am I going to do?
09:18Calm down.
09:19What am I going to do?
09:20Calm down.
09:21Everything's going to be fine.
09:22How is everything going to be fine
09:23when your dad is waiting for me outside the door
09:25and he wants to kill me?
09:26And then he's going to kill me
09:27and you're not going to run after him?
09:29No, dad.
09:30It's not like that.
09:31What's not like that?
09:32Wait.
09:34Breathe slowly.
09:35Breathe.
09:36Breathe.
09:37Inhale.
09:38Exhale.
09:39Inhale.
09:40Let's see what the situation is like.
09:43I can't breathe.
09:44I can't breathe!
09:51Ljubinka!
09:52Ljubinka!
09:53There's no one here.
09:54Give me your mouth.
09:55Yes.
09:56Give me your mouth.
10:01It's not good.
10:02It's not good.
10:03What's not good?
10:04I can't.
10:05I can't.
10:06Move.
10:07You took me in last night.
10:08I can't breathe at all.
10:09I took you in last night?
10:10Yes.
10:11Yes?
10:12I took you in myself last night.
10:13You're going to do the rest later.
10:15No, no.
10:16Move, please.
10:21Give me something.
10:22Give me something.
10:23I don't have anything.
10:24Give me something.
10:25I don't have anything.
10:30Wait slowly.
10:31Calm down.
10:32What are we going to do now?
10:34What are we going to do?
10:35Now we're going to plan our future.
10:40Oh my God!
10:43It's not good.
10:45Ljubinka.
10:47I...
10:48I...
10:50It's not good.
10:51I have a stomach ache.
11:03Yes, I'm resuming.
11:05Andrij is obviously injured.
11:07The man fainted.
11:08Why now?
11:10He was patient until now.
11:12You were defending him for a long time.
11:15I know, but...
11:16Milena, I didn't do it on purpose.
11:18I just wasn't ready.
11:19There was no time.
11:20I didn't feel like I wanted it.
11:23And...
11:24I needed to put everything in my head.
11:27And that's fine.
11:28But you'll agree with me.
11:30It's not natural for a man and a woman to have no relationship.
11:35What do you mean by natural?
11:36And what are the rules?
11:38Well, that's how the human psyche works.
11:41You know, certain things make a marriage.
11:44But if they're not there,
11:46you feel a great emptiness.
11:52Well, okay.
11:54He could have told me about that emptiness.
11:57Maybe he was afraid he'd lose you.
12:01Okay, now it seems like I've emotionally underestimated him.
12:05Well, you didn't do anything wrong.
12:07You behaved the way you feel and are comfortable with.
12:12And that obviously has consequences now.
12:17Well...
12:18Be prepared that he'll reject you at some point.
12:23I'm afraid this will be a difficult period.
12:27You'll endure it.
12:29He was patient.
12:32And now it's your turn.
12:35Yes.
12:41TURKEY
12:50Tourists, here we are.
12:57Here's your coffee.
12:58Thank you.
12:59Good morning.
13:02I had a great time last night.
13:04No, I had a bad time too.
13:06We'll do it again soon.
13:09I don't know, I'll have to think about it.
13:12I'll have to think about it and consult.
13:14I have a whole committee when this happens.
13:16I consult with them.
13:17Okay, yes.
13:18And they tell me what to do.
13:20And I have to do it with them.
13:22I thought I'd go first.
13:24That you'd stay.
13:26So they don't catch us together.
13:28That's right.
13:29That's what I thought too.
13:30But I wanted to see how it was.
13:32And it's not bad.
13:33So you'll go first and I'll stay.
13:35Well, that's better.
13:38See you later.
13:39And the coffee?
13:40No.
13:41No coffee?
13:42Okay.
13:43See you in the studio.
13:48Who am I?
14:03You should be calm today.
14:05Why?
14:06Well, Jovana went on a short trip.
14:08I don't know why or where.
14:11Well, who's going to deal with her plans and actions?
14:16Come on.
14:17I think she went to correct herself.
14:22To correct herself?
14:23Yes, that female Botox filler and all that.
14:27Ah, that.
14:29We can do that.
14:30Thank you.
14:31Thank you.
14:36Listen, Senka.
14:38I think you're the most tidy of all the women in this company.
14:43Thank you for noticing that.
14:46Here's something I'd like to ask you.
14:48Of course, just say it.
14:50Can you pay a little attention to the female colleagues
14:54for whom I think they're not entirely their own,
14:57they're not tidy?
14:59Well, I'm glad you noticed that.
15:02And thank you for appreciating me.
15:05I've always appreciated you.
15:07Maybe sometimes too much.
15:11Maybe.
15:12Maybe.
15:13Maybe that's why there was nothing between us.
15:19Maybe there wasn't a chance.
15:21Well, there was a chance.
15:23And a strong one, but...
15:26What do you think?
15:28Why didn't we use them?
15:32Well, I think...
15:34that it's because of those, as you say,
15:37my tidiness.
15:41Yes.
15:43I think that's it.
15:45You see how it has
15:47its good, but God forbid, bad sides.
15:55So, how is it in Milan?
15:58Well, great, great.
15:59How is it at work?
16:01When you're not bored.
16:03I mean, Senka came out, she's probably at Andrija's.
16:07Yeah, they're probably talking about me.
16:09I was so shocked.
16:10Tell me, Una?
16:13Una hasn't come yet.
16:16Nice, she doesn't even have to come in.
16:18And Boba?
16:19Boba is like a butterfly.
16:21Everything is OK.
16:23Yeah, she looks like a butterfly only when she's angry.
16:26It seems so.
16:48It's safe, you can come out.
16:51It's OK.
16:53I'll go and see what's going on.
17:20Who is it?
17:26Who is it?
17:28Who is it?
17:38I had to find out all morning who you were in the hotel.
17:41I had to find out all morning who you were in the hotel.
17:47And since we're at my place,
17:49you should see this nonsense.
17:52What is it?
17:53They sent this to me today.
17:55What is this?
17:56What kind of nonsense is this?
17:58What is this?
17:59It's like Brane wrote it.
18:03Hi, Una.
18:06Hi.
18:09Unbelievable.
18:10I'm afraid you'll get sick.
18:26And I especially appreciate
18:28that you tolerate me
18:30the way I actually am.
18:33And I know
18:34that this is weird
18:36at this moment for you and for me,
18:39because I love you the most,
18:41you and myself the most,
18:43but if you don't love me,
18:45I'm ready to love us both.
18:49Why don't you say that, dear?
18:53Yes.
18:58Trivarovic, what are you doing here?
19:00What did I tell you?
19:01You found a place to fool around, didn't you?
19:04In my apartment.
19:06Put him in peace.
19:07Put him in peace.
19:08Put him in peace.
19:09Ljubinka, move.
19:10This is between me and my boss.
19:12Now!
19:13Ljubinka,
19:14we're going to hear what he has to say.
19:16You hear?
19:17We're going to talk in private.
19:19Just so you know.
19:20He's not going to move.
19:22He's never going to move.
19:23It's not your fault.
19:24You know that.
19:25You're going to tell me...
19:26Put him in peace.
19:27Put him in peace.
19:28Put him in peace.
19:29Put him in peace.
19:30You're going to tell me
19:31that it's not your fault.
19:33It's not your fault.
19:34You're a traitor.
19:35Trivarovic,
19:36tell Ljubinka to move.
19:38I won't.
19:39Ljubinka.
19:40Now.
19:41Ljubinka,
19:42Ljubinka,
19:43move.
19:44Trivarovic,
19:45move.
19:49That's it.
19:50That's it, that's it, that's it.
19:51That's how you do it.
19:53Congratulations.
19:54You've improved a lot.
19:55Move.
19:56Why didn't you do anything wrong?
19:58What is this?
19:59What's going on here?
20:01Ljubinka!
20:03It's not your fault.
20:04It's not your fault.
20:05You're doing this
20:06just to torture me.
20:07It's your fault.
20:08You ruined everything.
20:09Everything.
20:10Ljubinka!
20:11Stop it, mom.
20:26So?
20:27Can I come in?
20:28Ivana, she has to go.
20:29She didn't leave...
20:35I thought
20:36your room
20:37was a little nicer
20:38than mine.
20:39When it's the same awful.
20:43What room?
20:44Wait,
20:45you're in this hotel too?
20:46Yes, why?
20:47Because I'm interested
20:49in what this is about.
20:50Sit down.
20:51I can't, I don't have time.
20:52You used to have time.
20:54I'm not sure
20:55if you have.
20:56I'm not sure
20:57if you have.
20:58I'm not sure
20:59if you have.
21:00I'm not sure
21:01if you have.
21:02I'm not sure
21:03if you have.
21:05And I think
21:06you had a good time
21:07alone.
21:08Yes, we had
21:09a good time
21:10together.
21:11But,
21:12as you know,
21:13it's all in the past.
21:15What?
21:16For whom?
21:17For me.
21:18I have a girl in Belgrade
21:19and I want to be with her.
21:21Why didn't you bring her
21:22with you?
21:23I didn't bring her
21:24because
21:25it's none of your business.
21:27That's why I didn't bring her.
21:29Yes,
21:30that's what I thought.
21:31You didn't bring her
21:32because you didn't need her.
21:35You know everything.
21:38I'm telling you,
21:39everything.
22:00Come on,
22:01sit with us.
22:02Thank you,
22:03I can't.
22:04I have a lot of work.
22:05Come on,
22:06join us.
22:07The work can wait.
22:09I suppose
22:10for you.
22:11I would be responsible.
22:13Come on,
22:14we all know
22:15that you are responsible.
22:17Yes.
22:18Otherwise,
22:19I wouldn't bother you.
22:20I needed a break
22:21for a few minutes
22:22because of work,
22:23so when you're free,
22:24that's it.
22:25Go ahead,
22:26tell me.
22:28I need to finish
22:29two campaigns,
22:30and close the acquisition
22:31with your name.
22:32That's not for closing yet.
22:34Ok,
22:35how far have you gotten?
22:36I need to go through
22:37some more loans
22:38and inquiries.
22:39There's not much work left.
22:41Yes,
22:42because there's not much work,
22:43it should be done.
22:46It will be done.
22:49According to the plan
22:50I gave you,
22:51the acquisition
22:52should be closed.
22:53The acquisition
22:54is not closed
22:55because
22:56there's a lot waiting
22:57for some documentation.
22:58So,
22:59why don't you
23:00push it a little?
23:01Where could I push it?
23:02You could,
23:03if you don't
23:04take care of the company.
23:14I really don't know
23:15what this is all about.
23:18Really, Sega?
23:19Why didn't you finish it?
23:29Come on, relax.
23:38Keep going,
23:39keep going, please.
23:40You know how nice it is
23:41to listen to you
23:42speak nicely about me?
23:43You shouldn't have
23:44heard this.
23:46Why?
23:47Because
23:48this is not
23:49intended for you.
23:50Wait, wait, wait, wait,
23:51wait a minute.
23:52You said nicely
23:53I love you
23:54Kayo.
23:55Yes,
23:56it's intended for Kayo.
23:58But you're not Kayo.
23:59Excuse me?
24:00No, you are,
24:01you are Kayo
24:02and I agree
24:03that you're Kayo
24:04who shouldn't have
24:05heard this.
24:06Come on, Milos,
24:07pull yourself together.
24:08What's wrong with you?
24:09I can't.
24:10What's wrong with you?
24:11Come on, please,
24:12keep talking.
24:13You spoke so nicely
24:14as if you were afraid
24:15of your own feelings.
24:16Come on,
24:17tell me nicely
24:18everything you think.
24:19Are you really saying
24:20that it's nice?
24:21That's wonderful.
24:22I didn't know
24:23you could express yourself
24:24so nicely.
24:25I can keep going
24:26I've been wanting
24:27to tell you this
24:28for a long time.
24:29What?
24:30This,
24:31that you're going
24:32to hear now.
24:35My dear Kayo,
24:36I'm extremely happy
24:37that I have
24:38another half
24:39in my life.
24:44Wonderful!
24:47I'm sorry,
24:48I'm sorry,
24:49I'm begging you,
24:50I'm sorry,
24:51I shouldn't have
24:52interrupted you.
24:53I know.
24:54Only if you can
24:55let me think.
24:56I can, I can.
24:57That's right.
24:58You said
24:59you found
25:00another half,
25:01that's where you were.
25:02Another,
25:03another half
25:04I found.
25:05Not another woman,
25:06Kayo,
25:07but another half.
25:08And now I'm
25:09extremely happy
25:10that a great emptiness
25:11has been filled
25:12in my small life.
25:16Where are you people?
25:18Are you doing that?
25:22Come on,
25:23I'm not bothering you.
25:25Say goodbye.
25:29One more.
25:30I'm sorry,
25:31I'm sorry,
25:32I'm sorry.
25:36Come on,
25:37continue,
25:38continue,
25:39please.
25:40Another half,
25:41let's continue.
25:42I'm begging you.
25:43There's nothing,
25:44when the energy
25:45drops,
25:46it's hard to get up.
25:47There's nothing like that.
25:48You're really an idiot.
25:49What can I do?
25:50You're really ridiculous,
25:51I'm speechless.
25:53Where do I go now?
25:55But you talked a lot.
25:58It was a question.
26:04I don't know, Ido,
26:05what to tell you, Veto.
26:07I'm sorry.
26:09Let it go.
26:10Look,
26:11what are you looking at?
26:13What would happen to me?
26:14This is just
26:15whipped cream on a cake.
26:16Look,
26:17I told him not to come,
26:19but it's obvious
26:20that a man has to
26:21take care of everything.
26:23You're right,
26:24you have no other choice.
26:26Thank you for everything,
26:28for the hospitality,
26:30let's go.
26:31Come on.
26:32There's nothing to thank you for,
26:33look,
26:34but this guy,
26:35do I see you?
26:36Hey, hey, hey,
26:37Ido, Ido, Ido,
26:38Ido,
26:39do I see you
26:40in Kosman again?
26:41I'm going to make
26:42a bajadere out of you.
26:43Obolice bajadere,
26:44do you understand?
26:45And there's a priest there.
26:46Okay, Ido,
26:47come on,
26:48let's go,
26:49take care,
26:50make your bajadere,
26:51everything will be fine.
26:52Come on,
26:53let's go.
27:11Do you enjoy this?
27:14To be honest,
27:15I like it better.
27:16You like it better,
27:17so it's fun
27:18to hurt this,
27:19right?
27:20Well,
27:21it also depends on
27:22who deserves it.
27:23I deserve it,
27:24I don't care
27:25what I deserve it for.
27:26Well,
27:27to be honest,
27:28I was expecting a priestly treatment.
27:29Okay, Jovana,
27:30please,
27:31stop,
27:32you're not a child,
27:33it's obvious
27:34when something is done,
27:35because this is done.
27:48How could you
27:49do something like this?
27:50I'm not talking to you.
27:51I'm talking to myself.
27:52Don't let me teach you
27:53how to be smart
27:54like when you were a child,
27:55you know?
27:56I'm not a child anymore,
27:57you know,
27:58and you can't do anything to me.
27:59Just look at me.
28:00I love him,
28:01I love Trivanović,
28:02and what are we going to do?
28:03You can't stop me.
28:04All my life
28:05I wanted to make you a lady,
28:06and you got stuck
28:07with the first fool
28:08who gave you
28:09a little attention.
28:10Well,
28:11I think I have
28:12a good example for that.
28:13Don't talk to me like that,
28:14you know?
28:22I agree, boss,
28:23whatever you say,
28:24but if you could just
28:25leave me alone,
28:26I'm just going,
28:27and when I come back,
28:28tell me everything.
28:29Did I tell you
28:30that if I see you
28:31with Ljubinka again,
28:32or close to her,
28:33I'll kill you, boss?
28:34Listen to me well,
28:35or close to Kostmaj,
28:36I will drag you
28:37into the female,
28:38I will personally lock you up,
28:39and throw you
28:40into the river,
28:41and I'll kill you.
28:42I'll kill you,
28:43and I'll throw you
28:44into the river,
28:45and I'll kill you,
28:46and I'll kill you,
28:47and I'll kill you,
28:48and I'll kill you,
28:49and I'll kill you,
28:50and I'll throw you
28:51into the river.
28:52Boss...
28:53Is that clear?
29:05I'm good and normal
29:06when you keep me locked up
29:07here in Selendri,
29:08to live alone,
29:09without a single friend
29:10in the world.
29:11Come on, tell me,
29:12is that life?
29:13Easy, easy,
29:14please,
29:15you know well
29:16how much I've tried,
29:17how much I've done,
29:18come on.
29:19And, and,
29:20Mom,
29:21that I love Trivanović,
29:22that he's the only person
29:23in the world
29:24who cares for me.
29:25I know.
29:26He's direct,
29:27and he's good.
29:28Daughter,
29:29I'm just saying
29:30that you need
29:31a little experience.
29:32Don't you have experience?
29:33Why do you think
29:34that I'm crazy?
29:45Where are you going?
29:46Hey.
29:47What's up?
29:53What's up?
29:54A lot to talk about.
29:55Did you make
29:56any problems?
29:57No, I didn't.
29:58You didn't?
29:59No, I didn't.
30:00Okay, what is it?
30:01Tell me.
30:02You know who came?
30:03Who?
30:04Who?
30:05Andrija came.
30:06Andrija came.
30:07No, no,
30:08that's not it.
30:09Okay, come on,
30:10I can't play with you,
30:11tell me what it is.
30:12Tell me.
30:13Okay.
30:17Okay.
30:26Okay,
30:27when are you going
30:28to stop
30:29with your
30:30nonsense?
30:33Did you hear
30:34what I asked you two?
30:35Why two, boss?
30:37How many times
30:38have I seen
30:39two of you?
30:40Yes, boss,
30:41but there's only
30:42one for nonsense.
30:44Bravo, bravo.
30:45That's right.
30:46You're beautiful,
30:47but I don't know
30:48what to say.
31:01Can we fight
31:02because of Senka?
31:04If it's so easy for you.
31:07What do you want to say?
31:08It's clear to you
31:09what I want to say.
31:10We're constantly avoiding
31:11the real topic.
31:12It's not clear to me
31:13what we're doing.
31:16You're looking for reasons
31:17to fight.
31:34And
31:36click.
31:38Bravo,
31:39we did it.
31:46We did it.
31:55Should we call a doctor?
31:57What do you think?
31:59Maybe it's a virus.
32:01I don't know.
32:02Wait,
32:03did you eat something bad?
32:05We have to check.
32:06I didn't eat anything,
32:07Alex,
32:08it's not a virus.
32:10We have to see
32:11what's wrong.
32:16We have to see
32:17what's wrong.