Salón de té La Moderna - Ep 197
Transcript
00:00MADRID, SPAIN
00:13Wow, sleepyhead.
00:15I can tell you've had a good night's sleep in your new bed.
00:17Yeah, I'm not surprised that the lanterns were always so pretty.
00:21The mattresses are so comfy.
00:23Yeah.
00:25And being so close to the bedroom,
00:27you don't have to go down the stairs at night.
00:29And they have so many windows, it's like we're in a skyscraper hotel.
00:33Well, let's not get used to it, okay?
00:35This is only as long as the construction works last.
00:37Well, but you tell the workers not to be in such a hurry.
00:41What we have to tell the workers is if we need something from home so they can bring it to us.
00:46I don't think I've left anything.
00:48That's the good thing about not having a lot of things, that it all fits in one hand.
00:52No.
00:58And all these telegrams, Antonia?
01:00Do you think it's all this mail?
01:02They're from my family, they tell me which train they're going to get on,
01:06or which hotel they're going to stay in.
01:12The illusion it's going to give you is to find them.
01:14Oh, well, yes. I'm a little nervous, it's been a long time since I've seen them.
01:19Do they all come here?
01:20Well, I don't know if all of them, because there are some who haven't answered me.
01:24The people who are going to be at the wedding, Antonia.
01:26Family members, all the staff of La Moderna.
01:30Well, not all of them, because I haven't invited Mrs. Alacrán.
01:33And Teresa either.
01:35You haven't invited Teresa?
01:37No, no.
01:38It's not that we have anything against her, neither Pietro nor I, but...
01:41we agreed that they were going to be the closest, and she's not.
01:46Good morning.
01:47Good morning, what are you doing here? Shouldn't you be at the workshop?
01:50I don't have good news.
01:53What happened, Pietro?
01:54It's about the snack, Antonia.
01:56The one we booked a few days ago?
01:58Yes. It seems they didn't take a good note of the date.
02:01But... but I saw perfectly how you wrote it down.
02:04I know, I know.
02:05It's just that this morning I went around to confirm a matter of the cake,
02:10of how they would come to pick it up, and...
02:14it turns out they didn't notice it.
02:17What a relief that they noticed in time, Pietro.
02:20No, Marta.
02:21The problem is that the snack shop is always busy on the day of the wedding.
02:26There's no room for us.
02:28But then where are we going to celebrate the wedding?
02:30I don't know, Antonia, I don't know.
02:31We have to find another place.
02:33And that it's not so expensive...
02:35because we can't pay for a banquet hall.
02:38Where are we going to find a place now, three days before we get married?
02:41It's just that I'm more and more aware that we haven't been looked at,
02:44but we've been looked at and re-looked at.
02:50Well, and here's your tila, Miguel.
02:53Double, as you asked.
02:55Now, if it's not indiscretion...
02:58Elia, if I had to forgive you for all your indiscretions, it wouldn't be enough.
03:01Yeah, but you're always for coffees, you're not for tilas.
03:04And now you're asking me for doubles?
03:06How can you be so nervous?
03:07It's... it's the love I feel for Trini.
03:10I can't control my feelings.
03:13I'm so in love with Trini that...
03:15I even get tachycardia.
03:17Wow, I didn't know you were so passionate, Miguel.
03:20Sure, this must be...
03:22so much time locked up in the priesthood,
03:24accumulating, accumulating, accumulating,
03:25and suddenly there's a day when, boom, boom, it explodes.
03:27Yeah, it does.
03:28It's great.
03:29It's great.
03:30And, well, what can you tell me about Cañete?
03:32This virtue he has as Celestino.
03:34Because you have to see that, look, Valverde,
03:36that your thing with Trini...
03:38You all should have noticed, Elías,
03:40that my thing with Trini seems sudden,
03:43but my feelings come from far away.
03:45Yeah?
03:46Well, I must have sensed something,
03:47but I haven't really noticed.
03:49Sometimes I say no.
03:50And look, I have a good eye for these things.
03:52Very good, yes.
03:53Yes, yes.
03:54Well, thank goodness Cañete noticed and saw him coming.
03:56Let's see what a heart of gold.
03:58It's such an honor to have him as a friend.
04:05Mr. Ruiz.
04:06Elías.
04:07Mr. Peñalver, can I help you with something?
04:10Yes, I was looking for Matilde.
04:12I don't know if you've seen her.
04:14No, I haven't seen Mrs. Peñalver all day.
04:17Are you sure?
04:18Because she told me she was going to come here
04:20to work at La Moderna
04:21to finalize her last details of the project.
04:23Ah, well, she hasn't arrived yet.
04:25I can assure you of that.
04:28Well, I must have misunderstood.
04:30Well, since I'm here,
04:32I'd like to talk to Pietro
04:33to find out how many guests there will be
04:35exactly for the celebration of his farewell
04:37in Madrid Cabaret.
04:38Ah, well, if that's the reason,
04:40we don't have to bother Mr. Pietro.
04:42I, in charge of the celebrations
04:44of the marital link between Pietro and Antonia,
04:47I am trained to solve the guest list
04:49and to receive and give any information that is necessary.
05:06Excuse me, Mr. Fermin.
05:09May I ask you what is it that interests you so much?
05:11Because since you arrived,
05:12you haven't taken your eyes off the newspaper.
05:15Well, the news in general.
05:17It's just that everything that's happening
05:19is so exciting that...
05:22Do they say anything about the elections?
05:25It's just that this morning I came in a hurry.
05:27I wanted to finish the accounts.
05:28The truth is that I couldn't even read the headlines.
05:30Yes, yes, yes, here it is, here it is.
05:32The results of the elections to constituent courts.
05:35Look.
05:38Let's see.
05:39It seems that there have not...
05:42There have not been any big surprises.
05:46No, there have not been, no.
05:48And well, everyone says they have won.
05:51Or they feel they have won.
05:54Well, these are things of politicians.
05:58In the end, everyone interprets it in their own way.
06:00In cases that no one will ever accept that they have lost.
06:02Yes.
06:03The important thing is that the people, with their votes, have spoken.
06:06Look, there is a 90% coincidence
06:08between the results of the elections
06:10and the provisional government that we had.
06:13And, well, despite everything that is happening in the country,
06:17there is a certain excitement for the new times that are coming.
06:21Well, you never know when something that excites you is going to happen.
06:25Right?
06:27Good morning.
06:30If you allow me.
06:39So?
06:41Can you tell me why you are here?
06:43Because I don't remember calling you.
06:46Yes.
06:48I wanted to talk about how the wedding of Pietro and Antonia
06:51affects the schedule of the shifts.
06:53Because there are many employees...
06:55I leave it in your hands, Teresa.
06:57I am convinced that you are going to take the best solution for everyone.
07:01As you ordered.
07:03One moment.
07:05Well, since you are here, we are going to talk about more urgent issues.
07:09How is the refrigerator that I ordered for the inauguration of the gramophone store?
07:14There are only a few hours left and I would not like them to be delayed because of us.
07:20Everything is on point. There will be no delay.
07:22I hope so.
07:23And is there anything else you want to tell us?
07:26I don't know. The last time I spoke to you, I had the feeling that you wanted to tell us something, Mr. Fermin.
07:31What is it that you wanted to tell us, Teresa?
07:35Nothing, nothing. You can wait.
07:37I'm going to take care of the refrigerator for the inauguration.
07:40I don't want any problems.
07:42Very well.
07:43Thank you.
07:51Look, Mrs. Lázara, there is also a review in the newspaper of the last premiere of the circus.
07:57Well, I have heard that this woman is a prodigy.
08:00Yes.
08:02And I was thinking of going to one of the performances of these days.
08:05Oh yeah?
08:07And well, if you feel like it and want to accompany me ...
08:14Really?
08:17Well, I would love to be able to see Margarita Circus and much more in her company.
08:21Well, then ...
08:23But no ...
08:25No, it won't be possible, Mr. Fermin.
08:28I have to reject the invitation. Excuse me.
08:30Wow.
08:32And that?
08:33Why?
08:34Why?
08:35Well, for ...
08:37For many reasons.
08:39You have to take care of the modern one.
08:41The inauguration of your niece's store is taking place.
08:44And I have to remind you that you are Pietro's wedding godfather.
08:47No, no, no, no.
08:48Well, I'm sure ... I'm sure if I get organized, I'll find a gap in the agenda.
08:52So ...
08:53Tell her.
08:54Yes, yes, Mrs. Lázara, I insist.
08:55If you want, the circus is waiting for us.
08:58Well, it's fine. I accept, but ...
09:00But on one condition.
09:02I'll take care of the tickets.
09:04I don't want to take up any more time.
09:06Perfect. As you prefer.
09:22There it goes. I can't believe it.
09:24It's really going to happen.
09:26I can't believe it.
09:27I forgot one of the most important ones.
09:30Oh, yes, I'm a nail and flesh.
09:32Don Fermín.
09:33What?
09:34Don Fermín.
09:35Besides being my boss, he's the wedding godfather.
09:38I forgot to tell him I was invited.
09:40Well, gentlemen, I'll leave you.
09:43Elías, please, if you see Matilde, tell her to call me.
09:46Yes, of course, I'll tell her.
09:48By the way, how is she?
09:50After what happened yesterday in the gallery ...
09:53Fine.
09:54She's very well.
09:56Fine.
09:59No, it's just that I also know something about these things.
10:02Because my grandfather, Jeremías III,
10:04the whole town laughed at him,
10:06that everyone accused him of being crazy,
10:08because whenever he crossed a bridge, he saw a ghost.
10:10A lady.
10:11Until it was proven to be true.
10:14Was it proven that there was a ghost?
10:16No, Miguel.
10:17It was proven that my grandfather was a little crazy.
10:20Good morning, gentlemen.
10:22Elías, how many things do you have to learn from Don Fermín
10:25to be quiet, for example?
10:47Tomorrow my friends have organized a mass for you.
10:52For my soul?
10:54How kind.
10:56Since you have had the detail, I cannot miss it.
10:59I have to leave the house at six.
11:02And the service?
11:05I will order them to accompany me.
11:08And if there is time, I give them the afternoon off.
11:12Therefore,
11:13the house is empty for you for a hundred months.
11:21I will destroy you.
11:25This has only just begun.
11:39But hey, Uncle Fermín.
11:42Thank you very much for all the soda you have prepared.
11:46The truth is that everything looks great.
11:48It is the luck of having the owner of La Moderna as a partner.
11:53So let's toast
11:56to the new business that we hope will give us a lot of joy.
12:00Well, it has already given us the first joy
12:02because this call has been a success.
12:05By the way, Don Fermín, I'm curious.
12:08What is your opinion on the result of the elections?
12:11Well.
12:12Yes, tell us, because I already know the answer.
12:14Well, I'm very happy
12:15because I think this result can bring us universal suffrage.
12:18It seems to me that you are in a bit of a hurry, Miss Ceria.
12:22I have to tell you that I am very happy that the situation has calmed down.
12:26Many hoped that the world would collapse with the change of regime.
12:31And it's not like that.
12:33But you know what?
12:34You can't be afraid of change.
12:36Because that means turning your back on the future.
12:38And the future is already here.
12:40I'm here too.
12:42Inés, you came.
12:45I couldn't miss it.
12:47I love the party.
12:48You can tell how dedicated you are.
12:50Well, our dedication, but also Uncle Fermín's help.
12:53It wouldn't be possible without him.
12:58Wow.
12:59It looks like someone is self-invited.
13:01Congratulations, ladies.
13:03I'm sorry to contradict you, but I was invited.
13:06Your other partner got me an invitation.
13:10Thank you, Don Fermín.
13:11And now, if you allow me,
13:13I would like to toast with you for your new business,
13:15to which I wish you a great future.
13:18Thank you.
13:20I already apologized to you, but I don't mind apologizing whenever I need to.
13:25I behaved...
13:26What I did was childish.
13:28Yes, it was.
13:29But don't think about it.
13:30It seems that the one who is behaving like a little girl is you.
13:34If you'll excuse me.
13:41Take the report.
13:43Don't pay too much attention to me.
13:45You already know that I speak from ignorance.
13:48But I've written down a couple of suggestions.
13:51You'll find them ridiculous.
13:53You already know that my knowledge of finance is little,
13:55not to say that I'm null.
13:58I'm sure that all your suggestions will be very sensible.
14:01You master these subjects better and better.
14:04I have good professors.
14:06And from what I see, a great mind for finance.
14:09You just had to activate it.
14:11Well.
14:12You haven't told me anything about the elections yet.
14:16What do you think?
14:17Me?
14:18That we have to accept the democratic game.
14:20And, therefore, the result, whatever it is.
14:24I trust that this will help to achieve stability and prosperity for our country.
14:30I see you're very optimistic, Fabio.
14:32Although I don't know if so much as to consider going back to politics.
14:35No, no, no.
14:37I'm clear that no.
14:39Although, going back to diplomacy...
14:42Look, I already have my doubts there.
14:45And why do you tell me that?
14:48I haven't had time to tell you, but they have contacted me to...
14:53to ask me about a diplomatic position.
14:56And the destination is tentative.
14:57London.
15:00And are you going to think about the proposal?
15:04Well, from the smile I see on your lips, I see that you've already done it.
15:09And once again, dear Barbara, this is the truth.
15:13Yes, yes, I've thought about it.
15:14London is a destination that I have always aspired to.
15:17You know that.
15:18Imagine it.
15:19London.
15:34You have to be optimistic, Inés.
15:35Everything will be fine.
15:36But being optimistic would be a way to deceive myself.
15:39No, no, no, that's not it.
15:40I've been consulting with an expert and he has confirmed that with discipline and sacrifice,
15:44yes, miracles can be achieved.
15:47Well, then I see it complicated.
15:49Because I understand singing, but I don't know how to pray.
15:52Don't worry, Inés.
15:53There are solutions.
15:54I thought my sister's optimism was inexhaustible,
15:57but yours doesn't run short.
16:00If you'll excuse me, I'm going to get a drink.
16:04You have a special power.
16:07You make me feel good when I talk to my sister.
16:10So you get the opposite effect,
16:13because you get angry when you see me.
16:15Before, when I saw you,
16:17I thought I was going to throw the glass in your face.
16:20Don't think about it, I've thought about it.
16:22But then I thought it might be better to kick your ass.
16:25Laura, your glass.
16:27Thank you.
16:29Gentlemen, I ask you for a moment of silence.
16:33First of all, thank you for attending the inauguration
16:37of this new gallery store.
16:40I said store, in singular,
16:42I should have used the plural,
16:44because it will not only be a gramophone store,
16:47as it has been so far,
16:49but also a photographic studio
16:51and sometimes an advertising agency.
16:54As you can see, a multidisciplinary business,
16:57as are the two new partners
16:59with whom I have the good fortune to count.
17:03My niece, Laurita Balbuena,
17:05and the illustrious photographer Celia Silva.
17:08So, please, I would like us to welcome
17:11these two new and young businesswomen
17:13with a big round of applause.
17:19Excuse me, I'll be right back.
17:21I'll be right back.
17:28Here you go.
17:30And now, if you come with me,
17:32I can show you where you can find
17:34abundant and good prices.
17:36Here you go.
17:44No, I didn't expect it, really.
17:46I didn't know that my name
17:48was among those who were fighting
17:50for the embassy in London.
17:53Have you already given an answer?
17:55No, not yet.
17:57What do you advise me?
17:59Well, if you're so excited to be an ambassador in London,
18:02then you do the job.
18:04Although, if I tell you like this,
18:06I would be lying to you.
18:08Lying?
18:10I'm not lying.
18:12I'm not lying.
18:14I'm not lying.
18:16I'm not lying.
18:18I'm not lying.
18:20I'm not lying.
18:22I'm not lying.
18:24I'm not lying.
18:26I'm not lying.
18:28Are you lying?
18:30Yes, I'm lying.
18:32Because, actually,
18:34I would like you not to accept it.
18:37Because if you do,
18:39you're going to break my heart.
18:41I don't understand my life anymore
18:43if it's not with you by my side.
18:45Every morning I wake up with you.
18:54I was the one who was lying.
18:56I would never accept that position.
18:58Because, for nothing in the world,
19:00I would like to separate from you.
19:02Fabio, you don't have to make that sacrifice for me.
19:04No, no, no. I wouldn't leave you alone.
19:06Especially not in this moment.
19:08With Carla's loss
19:10and in charge of the company Morcuende.
19:13You don't know how grateful I am.
19:22Well, and now that we've solved this matter,
19:25we'd better go.
19:27The mass in honor of Carla is about to begin.
19:30Yes, let's go.
19:33I know what I've said now may seem frivolous,
19:36but after the mass we're going to have dinner
19:38at a restaurant.
19:40The reservation is already made.
19:42I won't accept a no for no reason.
19:44At a dinner?
19:46But if I'm mourning rigorously.
19:48So what?
19:50Even so, you'll be the most beautiful woman
19:52in the whole restaurant.
19:55Let's go.
20:25THE RESTAURANT
20:48Esperanza, Antonia told me
20:50that maybe you've solved the problem
20:52with the snack.
20:54Oh, that's what I'm thinking now.
20:57This thing with that godmother is very tiring.
20:59It never ends.
21:01With the snack.
21:03I haven't been able to buy Antonia the gift yet.
21:06And I haven't even been able to talk to Mr. Fermin
21:08that we have to agree on many things.
21:10Well, calm down, because there are three days left.
21:12Oh, don't make me nervous.
21:14Think of something else.
21:15But how can I think of something else
21:16if all you do is ask me about the wedding?
21:18And why do you want me to ask you?
21:20Because the result of the selections...
21:22No, not that.
21:23Because we can't even vote.
21:25Besides, we, being poor,
21:28what else do we have?
21:30What does one or the other have?
21:32To live to work and to work to live.
21:35Well, to survive.
21:37You're more like vinegar than the crystals.
21:41Good afternoon.
21:42You tell me.
21:44I came to have a coffee,
21:46but seeing that you are the ones
21:48responsible for so much work,
21:49I didn't want to miss the opportunity
21:51and thank you.
21:53What was missing?
21:55And what's the point of thanking us?
21:57I think you're as funny as Tunante.
22:01Well, Tunante I don't insult,
22:03because you belong to the Tuna, right?
22:05Yes, that's right.
22:06So, Tunante,
22:08what's the point of thanking us?
22:10For having the cleanest crystals in the gallery.
22:13It even hurts my eyes to look at them.
22:16Ah, well,
22:17since you haven't told us how you see the crystals,
22:20I'll tell you how I see you.
22:23You're a smartass
22:24who wants to take advantage of Marta, of course.
22:27It's just that all the Tuna are the same.
22:29I'm sorry, but I think you're mistaken.
22:31No, no, you're the one who doesn't know.
22:33You must have been deaf
22:34from all the talking.
22:36You don't have anything to do here with the girls,
22:38do you, Marta?
22:39Nothing.
22:41Well, you have a lesson learned today.
22:44In a sea that's not yours,
22:46you can't fish.
22:48As far as I know,
22:49the sea doesn't have an owner,
22:50and I don't like fishing,
22:52but if I had to do it,
22:54I'd fish a beautiful mermaid.
22:57A jellyfish is what you're going to fish.
22:59But I'd set her free,
23:01because mermaids must swim freely
23:03so that we can all hear her voice
23:06and enjoy her beauty.
23:09Vinegar.
23:12What did you say?
23:13That if you want to clean the crystals in the library,
23:15use vinegar.
23:17And now, if you'll excuse us,
23:18we'd like to continue cleaning.
23:20Some of us here are not the owners' daughters,
23:22and if we don't work, we'll be fired.
23:27She threw the hook somewhere else.
23:30Air.
23:44Hello.
23:45Here's the latest edition of the newspapers,
23:47as Teresa asked me.
23:49Well, thank goodness,
23:50because the clients are dying for the newspapers
23:53with this election thing.
23:55So, how many more?
23:57Well, look, more for us.
23:59And a little more,
24:00and we'll be on today's cover.
24:03A couple who has been lying for a long time,
24:05finally caught in their anguish.
24:07As if we didn't have any experience in lying.
24:09Lucky that Cayet is able to sell any whore.
24:12Saved at the last moment.
24:14Well, let's look at the bright side.
24:16Now everyone has found out about our relationship
24:19and believed it.
24:21Well, yes.
24:22And with the bright side of Esperanza and Elias.
24:24My goodness,
24:25even on the radio they run faster than the news.
24:28Well,
24:29phase one of the Cupid Plan
24:31successfully completed.
24:33Mr. Fermin.
24:34Yes?
24:35Just now I was commenting on Trinidad,
24:38the success of the inauguration of the new store.
24:41Congratulations on your part.
24:43Exclusive merit of my niece and her friend Celia.
24:45But yes, yes, it has been a success.
24:47Now we just have to wait for the business to be.
24:50Well, here is the new edition of the newspaper,
24:53in case you are interested.
24:54Yes, yes.
24:55I am interested, although I do not think that the news
24:57that I would like to confirm comes to the newspapers.
25:01I don't know if I'm explaining myself.
25:06Let's toast to the success of the inauguration.
25:14It has gone very well, hasn't it?
25:16Well, yes, the truth is that more people have come than we expected.
25:20That store is going to be a success, girls, I assure you.
25:23Well, on the first day we have already sold two radios and several records.
25:26And I have not stopped taking pictures in the studio all morning.
25:30Of course, we have been so busy
25:32that I have not been able to go through the printing.
25:36To see the brochures of La Moderna.
25:38And I have to give them to the guy tomorrow.
25:40Well, you'll see, everything will be fine.
25:41Yes, I know.
25:43But I would have liked to check at least one.
25:45If it's not like working blind,
25:47as if you were taking pictures without looking through the viewfinder.
25:50I don't think the guy will turn down your services
25:52because he doesn't like how a brochure has turned out.
25:54Well, I hope so.
25:56Because I need my job as an advertiser.
25:58The salary is good for us to invest in promotion or store items.
26:02Laura, we have already talked about it.
26:03If at some point you are very overwhelmed
26:05to have to combine your work in La Moderna with the day-to-day of the store ...
26:08No, don't worry, that's not going to happen.
26:11Yeah, but if it happens, let me know and that's it.
26:13You are the important thing, not the money we are going to make or stop making.
26:17Thank you, Celia.
26:19You are the best partner you can have.
26:22And we are also going to toast because I finally wanted to go out.
26:26That?
26:27Yes, yes. Well, thank you very much for the effort.
26:30I couldn't miss the inauguration.
26:33And in passing, I give a little work to my spies.
26:41No, no, I don't think you're explaining it to me.
26:44Anyway, a certain rumor has reached my ears
26:47and since I'm not at all a friend of gossip,
26:50I'm going to face it directly.
26:52Is there anything you want to tell me, Trinidad?
26:56Well, I would have to be a little more specific with this rumor
27:01because you know that gossip is very treacherous
27:04and there are people who have a lot of imagination.
27:08Well, it has reached my ears that you two are a couple.
27:11Is that true?
27:12Oh yes, yes, yes, yes, yes.
27:14We are a couple, yes.
27:17Sudden.
27:18Recent.
27:19Recent, yes, yes.
27:20I am grateful, I am grateful, Mr. Fermin,
27:22for having put in front of me the most beautiful of all women.
27:26You didn't know it, but when I gave Trinidad the job in this room,
27:32I made a decision that changed my destiny.
27:34It will be less, Mr. Ruiz, it will be less.
27:37Anyway, since I'm not a friend of gossip,
27:40I just wanted to confirm the news,
27:42congratulate them and hope they are happy.
27:45We are happy.
27:46We are, we are.
27:47Yes, Trinidad is an excellent worker and a better person.
27:51And I can only say positive things about you.
27:53Now, I'm going to dare to give you just one piece of advice.
27:56Go slowly, please.
27:58No rush.
28:00Little by little.
28:01Well, little by little.
28:03Or fast, right?
28:04Because that's fine too, right?
28:05I mean, each relationship is a world
28:07and each world has its own speeds.
28:11In the case of feelings, I don't know if rushes are good advice,
28:15but anyway, you are adults and sensible
28:18and you will act in the most convenient way.
28:24Well, I'm going, I'm going, I'm going, I'm going to the worker.
28:27I'll be back later.
28:29And I'm going back to the library. Good afternoon.
28:31Mr. Ruiz, please stay a moment,
28:34because now that we are alone,
28:37I would like to talk seriously with you.
28:41Well, what do you have to tell me, alone?
28:44You are not a kind of Don Juan, are you?
28:47One of those who seduces women as entertainment.
28:51Me?
28:52I am a man of a single woman.
28:54My heart has been occupied by Trini for a long time.
28:57Well, not for so long,
28:58because I still remember that not long ago I courted Teresa.
29:02Ah, that.
29:03Well, but that was something temporary.
29:05Temporary?
29:06I don't think my client considers him temporary.
29:08I assure you that nothing serious happened.
29:11He barely got into a relationship.
29:13He was a magician.
29:14She can confirm it herself.
29:16We were not made to be a couple.
29:18And how do you know that you and Trini are?
29:24Because she is the woman of my life.
29:26A man knows that.
29:27Trinidad is the person I want to spend the rest of my life with.
29:34And you are a good person, you can tell.
29:36Well, I'm just going to tell you something
29:38that I already warned you when Teresa ...
29:40I appreciate my workers a lot, a lot.
29:44So I hope Trini is happy and that she takes care of her.
29:46If so, she will have a friend in me.
29:48But if it is not so ...
29:51Let's hope he never has to see me angry, Mr. Ruiz.
29:57Let's hope.
29:58Don't finish.
29:59Let's hope.
30:06What do you mean by giving work to your spies?
30:09It's just that going to the galleries,
30:12I felt that several people were following me.
30:16Inés, what are you saying?
30:17Have they done anything to you?
30:18No, no, just follow me.
30:20But I know very well who gave them the order.
30:22Lieutenant Lorenzo.
30:24Oh my God.
30:25That man doesn't give up.
30:26No, and I don't know how to make him understand
30:28that I have no idea where César is right now.
30:31But let's see, are you okay? Are you afraid?
30:33Well, of course I'm afraid.
30:36I don't know, I understand that feeling spied on
30:39is not a very pleasant feeling, the truth.
30:41No, it's not.
30:42It's not, but I'll have to hold on until all this is over.
30:45Or not.
30:46Maybe we can ...
30:47I don't know, talk to Uncle Fermín.
30:50But what would we gain from that?
30:51I don't know, maybe he can intervene and stop him.
30:54No, look, I prefer to keep him out of it,
30:56because that way there is less concern for him and for me.
31:00Are you sure, Inés?
31:01Yes, sure. Right now.
31:02Besides, I'm already quite nervous
31:04and waiting for the results of the pregnancy tests.
31:07I'm going to make something to eat.
31:23You are very quiet today, Salvita.
31:25Not to mention that that plumber has a great ally in you.
31:28He will never get dirty,
31:29because he doesn't even touch the dust from the shelves.
31:31What?
31:32Yes, yes, the plumber.
31:35Are you thinking of something, Salvita?
31:37Yes, the plumber, what's wrong with that?
31:39No, the plumber who sees you from afar, you.
31:43What do you mean?
31:44That I don't like to work?
31:45No, you don't need to say that.
31:47But there is one thing that you really like,
31:50the modern one,
31:51that you have been using a lot lately.
31:54It's just that it has very good coffee.
31:57And besides, you always tell me
31:58that I don't fall asleep at work, right?
32:00Well, I'll have to do something.
32:02Something tells me
32:03that it's not precisely because of the coffee,
32:05because you go to that tea room a lot.
32:07Rather, I would say that it is because of Marta.
32:12I didn't know that hobby of yours, gossip, Miguel.
32:16Look at the ability to observe.
32:17From this same glassware,
32:19I have been able to see how you looked for it yesterday
32:21and how you have looked for it today.
32:23Does that mean
32:24that yesterday I left the glasses clean?
32:26And more than I'm going to leave them from today,
32:28why did they give me a piece of advice before to do it?
32:30With vinegar.
32:32I'll give you another piece of advice.
32:35I don't think you have much future with Marta.
32:37Doesn't it seem that the girl is very happy when she sees you?
32:39At least this is what I perceive from here.
32:42You don't see Marta for lost.
32:44That if something good has to be in this bookshop
32:46is that the girl makes me happy in the mornings.
32:48Well, let's see if you take note of her,
32:50who is very hardworking.
32:51Let's see if by looking at her so much,
32:52something stays with you.
32:59The account of the 6, Teresa.
33:03Any news with Mrs. Lázara?
33:06Why do you ask me that? Have you seen anything?
33:08What I've seen is that you keep going back to the matter.
33:11Do you still believe that she was the one who urinated everything
33:14to stay locked up all night with Don Fermín?
33:16Man, I have it clear as water, come on.
33:19And she doesn't try very hard not to cut it either.
33:23What I've seen this morning, come on,
33:25I've realized that she's capable of using all her charms
33:28to seduce Don Fermín.
33:31But have you caught her in a committed situation?
33:35Well, not committed.
33:37But everything will work out, you'll see.
33:40How deceived that woman was of us.
33:43Well, I've had her locked up for a long time.
33:45And that's why she wants to kill you with me.
33:47Well, she doesn't go there and tells me, well,
33:49she puts me in front of her, to deceive me, Mario.
33:52To deceive me, Mario?
33:55But, Santa, what did she say that about?
33:57What were you talking about? Why would she say something like that?
34:00About our things.
34:02Well, I'm going to turn you around.
34:07Well, in Mario's case, he was right.
34:11Because, come on, how stupid I was.
34:13Now they don't catch me in another one, huh?
34:15In matters of love, it's already heated, but well.
34:18Here.
34:21Well, I'm still counting on you, right?
34:25Are you counting on me?
34:27Well, let's see, I need an accomplice.
34:29Someone who is an eyewitness
34:31in all this matter of Mrs. Lázaro and Don Fermín.
34:33Ah, that. Yes, yes, of course.
34:46Oh, by the way, is it true that rumor
34:48that is going around among the colleagues
34:50that you have made of Celestino between Trini and Miguel?
34:53Ah, well, yes.
34:56It is seen that ...
34:58Well, the thing goes with me, I didn't even realize it.
35:00But when it comes to seeing love between two other people,
35:03I don't catch it at first.
35:05Teresa, for God's sake.
35:07Please help me.
35:09But hey, what voices are these? What's wrong with you?
35:12I need to talk to Don Fermín as soon as possible.
35:15Since they have closed in their office,
35:17there is no one there.
35:18Well, if it's a work matter,
35:20you know you don't have to tell me first.
35:21No, it's not about work.
35:23It's about Antonio and Pietro's wedding.
35:25Look, what day are we on and we still don't have a place
35:27to celebrate the invitation.
35:29Well, that's a job.
35:31You see.
35:32And of course you will understand that, being the godmother,
35:34I have to talk directly to the godfather, Don Fermín.
35:38Come on, even in the Vatican they give hearings
35:40with the Pope more easily.
35:42Well, being Lady Lázara in the way,
35:45I don't know how I can help you.
35:47And when do you think I can catch Don Fermín
35:50without the vampire in the way?
35:53Well, daughter, I don't know, I don't know.
35:55Well, I'm still here.
35:57Oh, Cañete, now that I'm seeing you,
35:59I had to tell you something.
36:01Oh, what was it?
36:03Oh, wait, I look at it in my godmother's notebook,
36:05I have it all written down here.
36:07Oh yes, accommodate an assistant in the church.
36:10You told me you were going to help me, right?
36:12Do I still trust you?
36:14Yes, I already told you yes, Esperanza.
36:15You don't have to ask me again.
36:17Man, I'm asking you, of course I'm asking you.
36:19Because you are a man and those things are easily forgotten.
36:22So, accommodate an assistant, Cañete.
36:26I'll put the cross on you.
36:27Are you okay at eight?
36:29At eight for what?
36:31Man, to think between the two of us where we sit people.
36:35Of course, that's a matter of great responsibility.
36:38Because it's not the same to sit friends,
36:41than to work colleagues, than to family.
36:44Or for example, where do you sit the godmother?
36:51Don Salvador, good afternoon, how are you around here?
36:54Good afternoon.
36:56I'm passing by, I'm not going to entertain you much.
36:59I wanted to take advantage of the fact that I was here
37:01to ask you about the progress of my son Salvita.
37:05Great progress, Don Salvador.
37:08Salvita is making great progress.
37:12He is a perfectionist, tenacious, he is an inexhaustible boy.
37:17With telling him that I had to take this pen out of his hands
37:20so that he could rest a little,
37:22just now he was telling me that he wants to clean the crystals with vinegar.
37:26Vinegar?
37:27Are you kidding me, Miguel?
37:29No, no, no, no, no, no.
37:30It seems that vinegar is the best for the crystals.
37:32That's not it.
37:34He is telling you that in the few days he has been with you,
37:37Salvita has become like this, from night to morning,
37:40in a formal and hard-working boy.
37:43Incredible, right?
37:44It's just that he's a boy who puts a lot of effort into it.
37:46Well, what I was missing to hear, to take me for a fool.
37:49Salvita, it is clear that I have to take you to another bookshop
37:53where the manager does not have to lie to me
37:55in order to get rid of you.
37:57Well, Don Salvador, you will excuse me.
38:00Maybe I have not chosen the best words.
38:02The hyperboles are my favorite literary figures.
38:04Well, look, Miguel.
38:06I'm leaving.
38:07One thing is clear to me.
38:09I have to make a decision.
38:14Did you have to exaggerate so much?
38:16Because I don't want to go to another bookstore.
38:18I have to stay in this one.
38:19Near the modern one, near the ...
38:23Look, I'm going to look for my father,
38:24to see if I can fix what you were spoiling.
38:27If you always open your mouth, Miguel.
38:34And will you bring me some souvenirs?
38:36Of course.
38:38Pablo and Aunt Conchita have told me
38:40that they will take me to the beach of La Caleta, in Cádiz.
38:43I will bring you all the shells I find.
38:45Great.
38:47Hi, Clarita.
38:48Hi, Susana.
38:49Hi, Marta.
38:50Marta, you don't know what.
38:52I'm leaving.
38:53Hi, Marta.
38:54Marta, you don't know what.
38:56I'm going to Jerez to see Pablo.
38:58To Jerez?
38:59And how do you know you're going to Jerez?
39:01Pablo is going to teach me how to ride a motorcycle.
39:03He told me.
39:05Well, he will be there to teach you how to ride a motorcycle,
39:07having the leg as he still has.
39:10Let's go see the works.
39:11Come on.
39:20Is that true?
39:21Are you going to Jerez?
39:22Clarita misses Pablo and Aunt Conchita a lot.
39:26So she's going to spend a few days there.
39:28I'm not.
39:29Because I wouldn't miss her wedding for anything in the world.
39:34Well, I can see that they are installed.
39:36I really like to see this house alive again.
39:38Well, it's a provisional thing, huh?
39:40It's a detail of Don Braulio's children.
39:42And what are you doing here?
39:46Well, it's for Petra, the neighbor.
39:48Serena's wife?
39:49Yes.
39:50She told me that today she was leaving for Puerto Real in Cádiz.
39:53And it's the same train that passes through Jerez.
39:55So I asked her if it was okay for Clarita to accompany her.
39:59It's very sudden and I don't know.
40:01But it's the best.
40:02Well, it's very good because the girl is not going alone.
40:04It's a very long trip.
40:05If it weren't for Petra, I would take her.
40:07Now she stays with her and then Iño comes and picks her up to take her to the station.
40:11Well, will your Aunt Conchita be notified?
40:13Yes.
40:14She will wait for her there.
40:15Mati.
40:16Yes.
40:17I'm going to Jerez in ten days.
40:19Because Marta says she doesn't believe it.
40:21Of course.
40:22You're leaving for ten days.
40:23You see?
40:24Ten days.
40:25I'll meet Andaluz again and everything.
40:29Ten days she's leaving.
40:30She's not going to miss many days of school.
40:32I know.
40:33But Clarita needed it and...
40:37Besides...
40:38Besides what?
40:39Well, I couldn't deny it, Antonia.
40:42Can't you see how happy she is?
40:44Yes, she was very happy yesterday, but not so much today.
40:46What's wrong?
40:49You can tell me whatever you want, you know that, right?
40:53Here you go.
40:54I think this obsession you have with the fabric is not good.
40:59I'm telling you.
41:00It's double.
41:01Love, I think you should look at the medical books,
41:04the ones you have in the library,
41:06to see if so much fabric is good.
41:08And that would be the last book I would look at in that library.
41:11Because I see myself in the street, Trini.
41:13Love, don't be so dramatic.
41:15What makes you work there?
41:16And what does Don Salvador think of you?
41:18Love, I've never seen Don Salvador bite dogs with that.
41:22And between this and the fabric, I'm going to the street.
41:26No, you'll see that it's not.
41:27You'll see how, for now,
41:29we've sorted out all the problems that life has put in front of us.
41:33I haven't sorted Salvita out much, let's say.
41:35Rather, I've collided with him face to face.
41:38You'll see how good it's going to be.
41:39You know why?
41:40Because we're together and you and I get along.
41:43And there's no one who beats us.
41:44Yes, yes, you and I are together in love.
41:48And in lies.
41:49And in sickness too,
41:50because these nerves are going to end my health.
41:53I wish Antonia and Pietro had the marriage we have, you and I.
41:57Because, you know what?
41:58I'm more in love than the first day.
42:00I'm also more in love.
42:02Nervous, but very in love.
42:05A kick?
42:06No, how can it be a kick? They're gases, Miguel.
42:09Come on, come here.
42:10Come here, you're dumber.
42:15Oops!
42:17What's wrong?
42:18I lost the button.
42:20What are you looking at?
42:21Nothing, the button.
42:23Did it fall?
42:25The button.
42:26Both buttons.
42:29Is it because of what happened at the gallery that you saw...
42:33Mrs. Carla.
42:35Yes.
42:36Do you think I'm out of my mind?
42:37How could I think that?
42:38Don't be silly.
42:39Well, Antonia, I know it's impossible.
42:41But I swear, it was so real.
42:45A guitar and a flamenco suit.
42:47I'll bring you all of that.
42:50No, Clarita, I'm fine with some chestnuts.
42:53Besides, you're not going to take such a big suitcase to bring so many things back.
42:57But, well, I don't want to bore her with my things.
43:02It's just that I haven't seen her so happy in a long time.
43:06I don't know.
43:07It breaks my heart.
43:09I owed it to her.
43:10I don't know, I think I failed Clarita.
43:11What are you saying?
43:12How are you going to fail your sister?
43:13If you fall for her...
43:14Yes, but I have the feeling that I haven't helped her to adjust to this new situation.
43:18And I feel guilty.
43:19I can't help it.
43:20Guilty?
43:21But she has done everything she could.
43:24And in your situation, with everything you've been through...
43:26I wouldn't have done it better.
43:27If I had done it better, Clarita would have been more affectionate with me.
43:34I don't know.
43:35I have to go.
43:37Thank you for everything.
43:38See you.
43:39Bye.
43:43Hey, Clarita.
43:48I have to go.
43:49You go to Petra's house.
43:51Do you remember where it is?
43:52Yes, it's that one up there.
43:54Then Iñigo will come to pick you both up.
43:57I'm going to La Moderna to do some management.
43:59But I'll do everything I can to get to the station on time.
44:02Okay?
44:04But if it wasn't possible...
44:07I want to tell you that I'm going to miss you a lot.
44:13Will you give me a kiss?
44:26I'm going to miss you a lot too, Nati.
44:39Thank goodness I got to the station.
44:42I didn't want that train to leave without saying goodbye to Clarita.
44:45You've already said goodbye.
44:47Or at least that's what Clarita told me when I went to pick her up.
44:50Yeah, but it's not the same.
44:52Besides, I promised her that I would do everything I could to get to the station to say goodbye to her.
44:57She's getting tough here at home with you, but I'm sure she would have liked to see you there saying goodbye.
45:02You know, at that age, sometimes a woman and sometimes a girl.
45:07Well, I'm sure that just by getting on the train, she would have missed you a lot.
45:13Not even half as much as I miss her, really.
45:16What's wrong?
45:17Look, you're dramatic in the Garcés family, really.
45:21Don't worry.
45:22She's not going to be alone. She's going to be with her aunt, her brother...
45:26I'm not going to be alone either.
45:28I'm going to be with you.
45:29Oh...
45:35Do you hear that?
45:37What?
45:39The silence.
45:43I don't know if you know, Mrs. de Peñalver, but we're alone at home.
45:51I don't know what you're thinking, sir, but I remind you that I'm a married woman.
45:55Well, if it's not a problem for you, it won't be for me either.
45:59Wait for me. I have a surprise for you.
46:29Come on.
46:35Come on, I'll go with you.
46:41Honey, don't you take your things?
46:44No, I don't need them today. I'm going to work at La Moderna.
46:55Matilde?
46:59Matilde?
47:08Honey, is something wrong?
47:12I was calling you.
47:15It's Carla.
47:17Carla has been here.
47:25Fabio already knows what he has to do, but I can't insist anymore.
47:28And what about me, mother? Maybe you're being too soft with him.
47:31I'm sorry to disappoint you, but I've gotten as far as I've been able to.
47:35Now, from here on...
47:37From here on, we'll have to take less correct paths.
47:41Everyone has a price.
47:42Carla has come in here and moved my notebook and left it on the terrace.
47:45Honey, it could be that she was your sister.
47:48Look, Inigo, if you don't want to believe me, don't believe me.
47:50Carla is dead.
47:51I can't stop thinking what will happen if they tell her she can't sing again.
47:54Tomorrow I'll get the test results.
47:57I'm sure they'll be favorable.
47:59Yes, we all are.
48:00Yes, I think it's great that you're so convinced, but...
48:03I don't think anyone understands what I'm going through.
48:07Oh my God.
48:09No one can stop you, Antonia.
48:11You're going to be my wife.
48:13I'm going to make you happy.
48:14Look, I'd like to participate in the wedding gift.
48:17But if you're not invited, you don't have any obligation.
48:20I don't know what else it gives.
48:22They are lifelong companions and I appreciate them a lot.
48:25So I insist on participating.
48:27How much is it?
48:28If a miracle doesn't happen, we'll be left without an invitation.
48:31What am I going to tell the people who come from Andalusia to see us?
48:34Pietro, at least don't feed her or give her a baby.
48:37For once, I ask you not to see me as your cleaning boss, but as an igua.
48:43Because I'm here to talk to you about Godmother, Godfather.
48:47Amave.
48:48That three days before the wedding, Antonia and Pietro have nowhere to celebrate it.
48:52But that's terrible.
48:53That's why I thought of you.
48:55Today is the farewell of Antonia and Pietro.
48:57And what are we going to do, shout their protagonism?
48:59Well, it's true, I don't know, you're right.
49:01Well, I'll think of something.
49:02I don't know.
49:03I'll tell you one thing.
49:04We're going to do it before your wedding.
49:06Are you sure?
49:07Yes, yes.
49:08By the way, I've already bought the tickets to go see Margarita Sirgo.
49:13Here, here's yours.
49:15I can't wait to see the function.
49:17The critic says it's brilliant.
49:19Why don't you keep them?
49:21Because they are separate locations.
49:23You are in the patio of the butacas.
49:25It's the best entrance I've ever been able to get.
49:27I'm in the kitchen.
49:29In the kitchen?
49:31I thought it was about going together.
49:34If I didn't find out that you had just been dating, I would think you were married.
49:38And how have you been looking at each other for a long time?
49:43What's wrong?
49:44Why are you so nervous?
49:46How did you realize that Antonia was something more than a co-worker?
49:54I mean, how did you know that what you felt for her was love, Don Fermin?
50:03How?
50:04But I don't know.
50:05It's like someone wants to drive me crazy.
50:07Someone?
50:08Who, darling?
50:09Who?
50:10Well, Mrs. Carla.
50:12Or rather, her ghost.
50:16Come on.