Heeramandi Netflix New Series 1 Episode No. 1 Full Video In HD
Heeramandi Netflix New Series 1 Episode No. 1 Full Video In HD
#heeramandionnetflix#heeramandithediamondbazaar#heeramanditrend #trendingseries#trendingpost#trendingonnetflix#Netflix#netflixseries#Netflix2024#2024series#2024Viral #SanjayLeelaBhansali #netflixmovies #trendingseries #HD #Episode2
Heeramandi is a historical drama series directed by Sanjay Leela Bhansali, set in the vibrant and culturally rich district of Heeramandi in Lahore. The series explores the lives of courtesans, their artistry, and their influence during the pre-independence era. Through intricate storytelling and lavish sets, "Heeramandi" delves into the complexities of love, betrayal, politics, and survival in a world where beauty and talent were both celebrated and commodified. The series promises a visually stunning portrayal of a bygone era, blending music, dance, and drama in classic Bhansali style
#heeramandionnetflix#heeramandithediamondbazaar#heeramanditrend #trendingseries#trendingpost#trendingonnetflix#Netflix#netflixseries#Netflix2024#2024series#2024Viral #SanjayLeelaBhansali #netflixmovies #trendingseries #HD #Episode2
Heeramandi is a historical drama series directed by Sanjay Leela Bhansali, set in the vibrant and culturally rich district of Heeramandi in Lahore. The series explores the lives of courtesans, their artistry, and their influence during the pre-independence era. Through intricate storytelling and lavish sets, "Heeramandi" delves into the complexities of love, betrayal, politics, and survival in a world where beauty and talent were both celebrated and commodified. The series promises a visually stunning portrayal of a bygone era, blending music, dance, and drama in classic Bhansali style
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TVTranscript
00:00:30♪
00:00:35♪
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00:00:50♪
00:00:55♪
00:01:05♪
00:01:15♪
00:01:20♪
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00:01:30♪
00:01:35Imhot.
00:01:37♪
00:01:42♪
00:01:47♪
00:01:52♪
00:01:57Rehana Appa?
00:02:01♪
00:02:09Fattu!
00:02:11Fattu!
00:02:13Fattu!
00:02:15Where are they?
00:02:16What happened, Mallika?
00:02:17Where is Imhot?
00:02:18Maybe he is in Rehana Appa's room.
00:02:20No, there is no one in Rehana Appa's room.
00:02:22But he was with them.
00:02:24He was looking at that man.
00:02:25We don't know. Ask Rehana Appa.
00:02:27Why are you hiding it from us?
00:02:29Why don't you tell us?
00:02:30No!
00:02:31Fattu!
00:02:33♪
00:02:43Rehana Appa!
00:02:44Where is Imhot?
00:02:46Mallika, look at how much we sisters have earned.
00:02:50Today, the Nawabs looted so much in your gathering.
00:02:54We feel like we can buy Lahore.
00:02:58But we haven't taken out our rings yet.
00:03:00You must be tired, my child. Go to sleep.
00:03:03Where is Imhot?
00:03:04We have given him a new place.
00:03:06He is an unborn Nawab.
00:03:07We will raise him well.
00:03:08And we have given him a good price.
00:03:11Look at him.
00:03:12The one you used to carry around in your lap,
00:03:15we will carry him around in our arms.
00:03:18You had no right to sell Imhot, Appa.
00:03:20What would we have done if we hadn't sold him?
00:03:22Would we have made him a Dalal?
00:03:23Would we have made him an Avimchi?
00:03:25Or would we have made him Khusra?
00:03:28Have some fear of God, Appa.
00:03:31Not Appa, but Huzoor.
00:03:34This is the royal palace, Mallika.
00:03:36And I am the God here.
00:03:41You have taken away our child from us, Huzoor.
00:03:45One day, Mallika will take away everything from you.
00:03:51She will take away everything.
00:03:53She will take away everything.
00:03:56She will take away everything.
00:04:00Everything.
00:04:23Everything.
00:04:34Huzoor,
00:04:35your henna is hiding the first trace of Sulfikar's name.
00:04:40Let's see if we can find it in the evening or not.
00:04:44Huzoor.
00:04:46Greetings, Huzoor.
00:04:48What happened? Why are you running here?
00:04:50Ustadji, he has brought an Englishman with him.
00:04:53He wants to meet you.
00:04:54Tell him to wait.
00:04:56Huzoor's henna will take time to dry.
00:04:58Moreover, he has brought a foreigner.
00:05:01I swear to God, if you see him, you will faint.
00:05:05Fattoh, bring my dupatta.
00:05:07Huzoor, how will you go?
00:05:08The henna is still wet.
00:05:10Fattoh, my dupatta.
00:05:20Huzoor.
00:05:24Huzoor.
00:05:37This is what happens, Mr. Gantar.
00:05:39I don't know how many Nawabs have been ruined
00:05:42waiting for him.
00:05:44This Mallika is very merciless.
00:05:47She doesn't value anyone.
00:05:49Ustadji.
00:05:51Yes.
00:05:52Huzoor has come. Are you ready?
00:05:54Yes.
00:06:01You look so beautiful.
00:06:03Today, I will forgive you a hundred times.
00:06:06Let's talk business.
00:06:07You came to show me some duties, right?
00:06:10Show me.
00:06:11He will show me the duties, Mr. Gantar.
00:06:16Greetings, Mallika.
00:06:17Greetings.
00:06:20This is a gramophone.
00:06:22And this is a record.
00:06:25But this will sing a song for you.
00:06:28This is a gramophone.
00:06:29But this will sing a song for you.
00:06:48Sattoh.
00:06:50You stupid girl.
00:06:53Yes, Ustadji.
00:06:54Who is this stupid girl?
00:06:56Sairabai Agrawali.
00:06:57Why are you wasting the time of a Lahori
00:06:59by singing a song of an Agrawali?
00:07:02Just like Sairabai,
00:07:03he wants to make a record in the voice of Vibhojaan.
00:07:06Now, if you allow me,
00:07:08Vibhojaan's voice will echo all over the country,
00:07:10not just Lahore.
00:07:15Mr. Gantar.
00:07:17Gantar.
00:07:19Hmm.
00:07:21We don't need to be famous in every house.
00:07:25Hmm?
00:07:26We are the moon,
00:07:28which can be seen from the window,
00:07:31but it never descends into someone's abode.
00:07:35We are tawaf.
00:07:37We are the queens of Lahore.
00:07:39Every Nawab, the king, salutes our door.
00:07:44Whoever wants to hear us,
00:07:46whoever wants to hear us,
00:07:49come here and listen.
00:07:51All right, ma'am.
00:07:52Then, let's take her with us to Vibhojaan in the evening.
00:07:56Only the voice of the people come to our gathering,
00:07:59not the voice of the shopkeepers.
00:08:04Good night.
00:08:05Ma'am, I...
00:08:06Ameena.
00:08:16Ameena.
00:08:17Ameena.
00:08:46Ameena.
00:09:16Ameena.
00:09:17Ameena.
00:09:18Ameena.
00:09:19Ameena.
00:09:20Ameena.
00:09:21Ameena.
00:09:22Ameena.
00:09:23Ameena.
00:09:24Ameena.
00:09:25Ameena.
00:09:26Ameena.
00:09:27Ameena.
00:09:28Ameena.
00:09:29Ameena.
00:09:30Ameena.
00:09:31Ameena.
00:09:32Ameena.
00:09:33Ameena.
00:09:34Ameena.
00:09:35Ameena.
00:09:36Ameena.
00:09:37Ameena.
00:09:38Ameena.
00:09:39Ameena.
00:09:40Ameena.
00:09:41Ameena.
00:09:42Ameena.
00:09:43Ameena.
00:09:44Ameena.
00:09:45Ameena.
00:09:46Ameena.
00:09:47Ameena.
00:09:48Ameena.
00:09:50Ameena.
00:09:51Ameena.
00:09:52Ameena.
00:09:53Ameena.
00:09:54Ameena.
00:09:55Ameena.
00:09:59Oh, man.
00:10:01Let me urinate.
00:10:13Stand back.
00:10:15Did you have too much fun today, Malika?
00:10:20I'm here, Mr. Zulfiqar.
00:10:22I know where you are.
00:10:24I'm wherever you are.
00:10:27I think you've had too much to drink.
00:10:30You've been given the title of Khan Bahadur.
00:10:34You'll have to celebrate.
00:10:36Then have a drink from me too.
00:10:41Come on.
00:10:43These Englishmen have come to buy our loyalty
00:10:47in exchange for the title of Khan Bahadur.
00:10:51So, you've sold your loyalty to the Englishmen too?
00:10:55What else can we do, Malika?
00:10:59But remember, the day these Englishmen return,
00:11:06we'll all fight amongst ourselves.
00:11:11Slowly, Malika. Slowly.
00:11:15The Englishmen have already fought amongst themselves.
00:11:19As you wish.
00:11:22Between the Nawabs and their wives,
00:11:26divide and rule.
00:11:33Malika! Malika! Malika!
00:12:38Move aside, you old man.
00:12:47The night is passing by
00:12:51The sun is rising
00:12:54Let me go home now
00:12:59O beloved
00:13:02Let me go home now
00:13:09O beloved
00:13:16O beloved
00:13:30Iqbal.
00:13:31Take Mr. Zulfiqar to his mansion.
00:13:34Yes, ma'am.
00:13:41How did the Bibbo case go?
00:13:43It went well. Mr. Wali has looted a lot.
00:13:47Has Mr. Wali left?
00:13:49No, sir. He'll stay here tonight with Bibbo.
00:13:53That's good.
00:13:55Here's Bibbo's today's earnings.
00:13:58That's all?
00:13:59Yes, that's all, ma'am. Mr. Wali's earnings are going down.
00:14:02And you have a lot of guts.
00:14:06I swear, ma'am. I gave him all I had.
00:14:08She's lying, sir.
00:14:09I hid it from her last time too.
00:14:11Search her.
00:14:12You trust her and not your sister?
00:14:16Okay, search her.
00:14:18Sir, can I search her?
00:14:21Yes, sir.
00:14:30Sir, she didn't find anything in the chair.
00:14:34And Ara?
00:14:35Sir, where there's no place to put a candle,
00:14:38how will she hide a bag there?
00:14:43Sir.
00:14:56Look.
00:14:59Look.
00:15:04Sir, we didn't find anything in the garage.
00:15:07Vedant was telling the truth.
00:15:10Yes, sister.
00:15:12Only the suspects have taken off our clothes.
00:15:15But today, our own sister has undressed us.
00:15:20We're not the thieves. You are.
00:15:22You steal other people's happiness.
00:15:24And there can be no bigger theft than this.
00:15:30We're not the thieves.
00:15:33We're not the thieves.
00:15:48We're not the thieves.
00:15:51Saima.
00:15:52Son, forget everything.
00:15:54Take these jewellery and leave.
00:15:56Sir wants to see you. He's waiting for you.
00:15:58Sir will have to wait.
00:16:00It will take him half an hour to get out of bed.
00:16:02Idiot.
00:16:03If he sees you, it's not good for you.
00:16:05Hurry up.
00:16:06Go and get Alam ready.
00:16:07Go.
00:16:09I can't do this.
00:16:11I feel sorry for Alam.
00:16:13She's so beautiful.
00:16:15She wants to be a poet.
00:16:17And her mother wants to make her a widow.
00:16:20I think that's why she's so upset.
00:16:24I think that's why she's so upset.
00:16:28Did you think you'd be the biggest widow of Hiram Mandi?
00:16:33I did.
00:16:53I did.
00:17:23Look at me once.
00:17:30I'm ready to burn.
00:17:37Make me a firefly.
00:17:43Look at me once.
00:17:50Alam, you are a great poet.
00:17:53But stop being a poet and get ready.
00:17:56Sir is waiting for me.
00:17:57If I don't get there on time, I'll...
00:18:02What a girl.
00:18:03I couldn't leave after drinking so much.
00:18:09I got up and went somewhere.
00:18:16Make me a firefly.
00:18:28Look at me once.
00:18:36Rahima.
00:18:38Don't laugh, Alam.
00:18:39Sir will skin us alive.
00:18:41Your skin is broken.
00:18:43Don't worry.
00:18:44You don't understand.
00:18:45I understand.
00:18:46I'll take care of sir.
00:18:48But what will you say?
00:18:50The truth.
00:18:51What else?
00:18:54Who broke it?
00:18:55Me.
00:18:58It's my fault.
00:19:01You didn't break my heart, you broke my heart.
00:19:05Pattu.
00:19:06Yes.
00:19:07How many pearls are there?
00:19:08100.
00:19:10There were 101.
00:19:11I still remember.
00:19:13Mother, maybe...
00:19:14Not mother, sir.
00:19:17Sir, maybe a pearl fell in the bath.
00:19:21Then go and get it.
00:19:24But sir, it's impossible to find pearls in water.
00:19:27Then they are priceless.
00:19:37We need that pearl back.
00:19:41Otherwise, we will sell Saima and get her back.
00:20:11♪ ♪
00:20:41♪ ♪
00:21:12Mother.
00:21:14Can I come in?
00:21:17Are you here to apologize?
00:21:18No.
00:21:20To get the pearl back.
00:21:24Very good.
00:21:27You will never forget this lesson.
00:21:32You should be careful about every little thing.
00:21:36You won't sell Saima now, will you?
00:21:42Our daughter has grown up.
00:21:46Now it's up to you.
00:21:48No.
00:21:50No, mother.
00:21:51It won't be up to me.
00:21:58That's what I told my mother.
00:22:03No one listened to me.
00:22:07It was written in my fate to be a prostitute.
00:22:12I will fight my fate.
00:22:14I won't be a prostitute.
00:22:18On the day of Basant Panchami,
00:22:21I will announce your death.
00:22:25Hmm?
00:22:27Hmm.
00:22:29Go, my child.
00:22:34Go.
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00:25:56What did you say?
00:25:58You want to be a poet?
00:26:05A woman's real enemy is her dreams, Alamzeb.
00:26:10They are visible, but not complete.
00:26:13You are right, sister.
00:26:16We keep wandering in the golden caves
00:26:19and dream of freedom.
00:26:22Mr. Zorawar is also your dream, isn't he?
00:26:26Mr. Zorawar is not my dream.
00:26:28He is my reality.
00:26:31Fine.
00:26:32I will also make my dreams come true.
00:26:37Where are you going?
00:26:38I am leaving.
00:26:40Yes, go.
00:26:41The people of Mirza will be waiting for you.
00:26:44You left the room.
00:26:45How will you escape fate?
00:26:48Make her understand, dear.
00:26:51Neither you nor I could escape.
00:26:55We were only three years old
00:26:57when our illegitimate aunt sold us to this hell.
00:27:02How could we escape?
00:27:04We have been imprisoned ever since.
00:27:07But...
00:27:09I think we will be free very soon.
00:27:12How?
00:27:13Will Mr. Zorawar marry you?
00:27:16Yes.
00:27:19Don't tell anyone.
00:27:21Okay?
00:27:23I am very happy.
00:27:25Why are you so happy?
00:27:31Forget about us.
00:27:32Just pray for Alamzeb.
00:27:35May he find a beautiful, young, beautiful, rich
00:27:40and loving Nawab.
00:27:43Amen.
00:27:45Amen.
00:27:55Hello.
00:28:00Tajdar.
00:28:08Have a seat, Mr. Nafi.
00:28:10He is coming.
00:28:17Grandma.
00:28:19Tajdar.
00:28:21Since when were our friends eager to meet you?
00:28:23Good evening.
00:28:24Good evening.
00:28:25Good evening, ladies.
00:28:26Hello.
00:28:27Tell me the truth.
00:28:29Can anyone be this beautiful?
00:28:31Not at all.
00:28:33Does anyone feel shy when they hear their grandma's praises?
00:28:37I have every right to praise you
00:28:40and make you sit on my lap.
00:28:43Come.
00:28:44Sit.
00:28:45Sit on my lap.
00:28:46Don't feel shy.
00:28:47Don't feel shy.
00:28:53You are embarrassing me, Kutia.
00:28:56He has returned from abroad as an Englishman.
00:28:59Now we will have to teach him the Indian language and traditions again.
00:29:03Then teach him.
00:29:05I am here with you.
00:29:07No, I can't teach him.
00:29:09For that, you will have to go to Heera Mandir.
00:29:12Kutia.
00:29:13Are you alright?
00:29:14They teach entertainment there.
00:29:17What nonsense?
00:29:18Entertainment?
00:29:19It's a tradition.
00:29:20All the Nawabs go there.
00:29:21Isn't it?
00:29:22Yes, absolutely.
00:29:23They teach etiquette in Heera Mandir.
00:29:25They teach etiquette.
00:29:26They teach politeness.
00:29:27And...
00:29:30They also teach love.
00:29:31Love?
00:29:34Love is not taught.
00:29:37I promise.
00:29:40The day Tajdar Baloch falls in love
00:29:42he will learn from me how to fall in love in Lahore.
00:29:46Wow.
00:29:48That's great.
00:29:49Rajdhar.
00:29:50Let's go.
00:29:51Uncle Ashfaq has called you.
00:29:52Go.
00:29:53Go and meet your father.
00:29:55Yes.
00:29:56Thank you, ladies.
00:29:58I'll take your leave.
00:29:59Have fun.
00:30:05May God give such beauty to a man
00:30:08that he doesn't let a woman down.
00:30:12Didn't you come back from Ilaiya
00:30:13to get ready to send you to Heera Mandir?
00:30:15Exactly.
00:30:17I don't understand, Balraj.
00:30:18What kind of tradition is this to send you to Heera Mandir?
00:30:20Where women's respect is valued.
00:30:22I'm never going to come back.
00:30:24I hate that place.
00:30:28Hi.
00:30:30Taj.
00:30:32You've returned after six years
00:30:34after studying law in London.
00:30:36Not London, father.
00:30:37Oxford.
00:30:38It's the same thing.
00:30:40So, son, what are your plans?
00:30:42I've got a job at the Valiant Associates Law Firm in Bombay.
00:30:46I'll work there for a few days.
00:30:47You're the only heir to our brothels and hotel business.
00:30:53Who's going to take care of all this?
00:30:54The Nawabs don't do jobs.
00:30:56But all the Nawabs in India are jobless,
00:30:58except the British.
00:31:04You've started a lawsuit against us.
00:31:06But you've already lost this case.
00:31:09Because if it's the British, it's us.
00:31:10It's the Nawabs.
00:31:11It's Aishwaram.
00:31:13If the British leave, who's going to run this country?
00:31:15The rebels?
00:31:16Mark my words.
00:31:18If this country survives, it's the British.
00:31:21The country doesn't belong to the rulers.
00:31:22It belongs to the people.
00:31:24So, you're against the British?
00:31:29I'm a slave.
00:31:31Oh, my dear wife.
00:31:33I'm so worried about the crown prince.
00:31:37The queen's younger daughter has been announced to be born.
00:31:40If you say, we can talk about the prince.
00:31:44Yes, you can talk to him.
00:31:46It's up to the crown prince whether to go or not.
00:31:49But, my dear wife, I...
00:31:51Do one thing.
00:31:52Yes?
00:31:53We have a function next week.
00:31:55Send the queen a invitation from us.
00:31:58If this is done, I'll be able to get my eyes removed next year.
00:32:03then next year, I'll get my eyes removed too.
00:32:21Atavi!
00:32:22Atavi!
00:32:28Oh no, Salma!
00:32:29What happened?
00:32:30The foreigner has been here for so long.
00:32:32What do we do about him?
00:32:32What do we do about him?
00:32:33Can't you see?
00:32:34He's drunk and dancing.
00:32:37He's not a foreigner.
00:32:38He's a police officer.
00:32:39He must be.
00:32:40We didn't call him.
00:32:41You don't understand, sister.
00:32:42Waheeda is sitting there and listening to him.
00:32:44Shut up.
00:32:45You go.
00:32:46Who's here?
00:32:48Sir, there's a foreigner officer here.
00:32:50Call him in.
00:32:51Sir, I'm a foreigner.
00:32:54How can I call him in?
00:32:56He's an officer.
00:32:58You'll have to respect him.
00:33:03Call him in.
00:33:04Go and get him.
00:33:05Yes.
00:33:07Go.
00:33:07Yes.
00:33:09What do I say to you, Mr. Cartwright?
00:33:12The queen is jealous of me.
00:33:15My voice, my style, my...
00:33:17I'm sorry.
00:33:19How much longer must I wait?
00:33:21You're new here.
00:33:23Maybe that's why you don't know.
00:33:25First, the queen will waste your time.
00:33:29Then you.
00:33:31But I...
00:33:34I won't do that to you.
00:33:38Tell me, sir.
00:33:40What would you like to hear in Waheeda's voice?
00:33:43Ghazal, dhumri, kajal...
00:33:45No, thank you.
00:33:49If you don't want to hear it...
00:33:53you'll have to see it.
00:33:56Officer, the king has called you in.
00:34:01Come in.
00:34:14Oh, Cartwright.
00:34:18Don't do this.
00:34:19Oh!
00:34:28Sir, the officer is here.
00:34:34Sir, she's busy right now.
00:34:36She won't be able to talk.
00:34:39Yes, sir.
00:34:40Please come.
00:34:50Hmm.
00:34:51I'm Alistair Cartwright,
00:34:53the new superintendent of Police Lahore.
00:34:56I've kept a jalsa at my house to celebrate that.
00:34:59And I would like one of your notch girls to come for it.
00:35:07I seem to amuse you.
00:35:09Did I say something funny?
00:35:11He means to say that if our girls dance in everyone's gathering,
00:35:15then the royal palace will be left with nothing.
00:35:17But I'm willing to pay more.
00:35:24Officer, she's laughing
00:35:27because she doesn't even want to dance with us.
00:35:30Are you refusing a British officer?
00:35:33Are you refusing us?
00:35:39Sir, she's saying that she would even refuse the British king.
00:35:42So, you...
00:35:45She's saying goodbye.
00:35:47Goodbye.
00:35:51But I will see you soon, Malika Jan.
00:36:01Sir, I'm scared.
00:36:03The British have taken a liking to her.
00:36:05Hmm.
00:36:07Now, he'll remember us for the rest of his life.
00:36:12And today, he understood
00:36:16that the diamond doesn't belong to the British in the market,
00:36:20but to Malika Jan.
00:36:30Good evening, Ustad. Thank you for coming.
00:36:34Would you care to have a drink?
00:36:40Ustad, would you care to have a drink?
00:36:42Yes.
00:36:44Yes.
00:36:52I've called you here today
00:36:53because I want to know everything about Malika Jan.
00:37:02What?
00:37:12The whole truth.
00:37:29Then speak.
00:37:42Ustad.
00:37:44Ustad.
00:37:49Speak. Speak.
00:37:50Easy. She's my little life, Ustad.
00:37:53I'll tell you everything.
00:37:54Malika Jan is a scoundrel, Ustad.
00:37:56She's a scoundrel.
00:37:59What are you doing, Ustad?
00:38:01You'll get hurt, Ustad.
00:38:03Come.
00:38:10Greetings, Mother.
00:38:12You called for me?
00:38:14Yes, dear.
00:38:15Mr. Baloch is inviting you.
00:38:17All the big shots of the city are coming.
00:38:20I want you to get to know them.
00:38:23Go and get ready.
00:38:25Really?
00:38:28I'm sorry, Mother.
00:38:30I'm a little unwell.
00:38:33What if I don't come?
00:38:34That's fine, dear.
00:38:36You'll have to take care of your health.
00:38:39No?
00:38:40Do you have a fever?
00:38:42No.
00:38:44You don't have a fever.
00:38:46But you don't have a fever for poetry and poetry.
00:38:49Did you see what you wrote?
00:38:53May someone always keep me in their arms
00:38:56May someone teach me like a book
00:38:59You write well.
00:39:00No, it's not mine.
00:39:01It's Mr. Niazi's poetry.
00:39:03I like his style of expression.
00:39:05That's why I wrote it.
00:39:06What a coincidence.
00:39:08Mr. Niazi is presenting his poetry at today's party.
00:39:12It would have been great if you had come.
00:39:16Anyway, it's okay.
00:39:20Mother, I was thinking of going.
00:39:22No, no. You should rest.
00:39:24Take care of your health.
00:39:25I'll be fine.
00:39:27But how can you go alone?
00:39:28Pato.
00:39:29Yes, ma'am.
00:39:32The fragrance of the rose will make people go crazy, ma'am.
00:39:37Goodbye.
00:39:38Goodbye.
00:39:43Where are you going dressed like a rose, dear?
00:39:45To listen to Mr. Niazi.
00:39:46Oh, God. If the ma'am finds out, she'll kill me.
00:39:49Tell her to keep an eye on her health.
00:39:52She's not well.
00:39:54Yes, ma'am.
00:40:28Oh, God.
00:40:45What are you doing?
00:40:46Get down.
00:40:47Get down.
00:40:48What are you doing?
00:40:49What are you doing?
00:40:50What are you doing?
00:40:54What are you doing?
00:40:55First, perform the ablution of the tongue with the blood of the heart.
00:40:59Wow.
00:41:00First, perform the ablution of the tongue with the blood of the heart.
00:41:04After that, you can talk about love.
00:41:06Wow. What are you saying?
00:41:09Mr. Niazi, it's decided.
00:41:11On the insistence of the queen, I present this poem again.
00:41:15Go ahead.
00:41:16First, perform the ablution of the tongue with the blood of the heart.
00:41:20Wow.
00:41:21After that, you can talk about love.
00:41:23Wow.
00:41:24I present this poem again.
00:41:26It's a pleasure to please the beloved.
00:41:29Wow.
00:41:32Ma'am, let me complete the poem first.
00:41:36I present this poem again. It's a pleasure to please the beloved.
00:41:41Once you're upset, make a wish.
00:41:44Wow.
00:41:46First, perform the ablution of the tongue with the blood of the heart.
00:41:49Please read the poem.
00:41:51These treasures of fate are found in love.
00:41:54These treasures of fate are found in love.
00:41:57Forget about the wounds of love.
00:42:00Wow.
00:42:01First, perform the ablution of the tongue with the blood of the heart.
00:42:04I present this poem again.
00:42:06How will you perform the prayer of love, my beloved?
00:42:09How will you perform the prayer of love, my beloved?
00:42:13This is the expression of love, express it openly.
00:42:16Wow.
00:42:17Wow.
00:42:18Wow.
00:42:19First, perform the ablution of the tongue with the blood of the heart.
00:42:23I present this poem again.
00:42:24There is a desert in the south.
00:42:26Why don't you wander there?
00:42:28There is a desert in the south.
00:42:30Why don't you wander there?
00:42:32If you're a lover, then make love.
00:42:35Wow.
00:42:37First, perform the ablution of the tongue with the blood of the heart.
00:42:41Please read the poem.
00:42:43Don't look here and there.
00:42:45This is love, my beloved.
00:42:47Don't look here and there.
00:42:48This is love, my beloved.
00:42:50Don't be afraid.
00:42:52Make love all your life.
00:42:54Wow.
00:42:55Wow.
00:42:57This evening, the last line of this poem.
00:43:00Wow.
00:43:01Separation is a custom in love.
00:43:05Separation is a custom in love.
00:43:09You should also make love to it.
00:43:11Wow, Mr. Niazi.
00:43:13Wow.
00:43:14Wow.
00:43:15Mr. Niazi, you have come to our party in the presence of my son.
00:43:20Thank you very much.
00:43:24Greetings.
00:43:26Greetings.
00:43:27Greetings.
00:43:28Greetings.
00:43:29Thank you.
00:43:31Thank you.
00:43:32Greetings.
00:43:33Thank you.
00:43:35Greetings.
00:43:38Greetings.
00:43:39Greetings.
00:43:40Greetings.
00:43:41Greetings.
00:43:42Greetings.
00:43:44Greetings.
00:43:45Sorry.
00:43:46Sorry.
00:43:47Sorry.
00:43:48Thank you.
00:43:49Thank you.
00:43:50Thank you.
00:43:51Where are you going?
00:43:53Come.
00:43:54Come.
00:43:55Meet him.
00:43:56He is the beauty of Lahore.
00:43:58Queen.
00:43:59Greetings.
00:44:00He is a great artist.
00:44:01And he is our dear friend.
00:44:03Who are you looking for?
00:44:05Listen to me.
00:44:06Sorry.
00:44:07We have invited you for our daughter's wedding.
00:44:11Now we will go to Hiram Mandir to learn to love.
00:44:14We will learn tradition and culture from these doctors.
00:44:16Tazdar.
00:44:18Mind your words.
00:44:20I am sorry.
00:44:21It's okay.
00:44:22Thank you, Queen.
00:44:24You invited us to your party.
00:44:26You gave us respect.
00:44:27But every respected person doesn't want to respect others.
00:44:32Anyway, we will leave.
00:44:34Yes.
00:44:36I am really sorry.
00:44:38Please come. We will drop you outside.
00:44:40What is his name?
00:44:41Yes, Tazdar.
00:44:43Tazdar.
00:44:45We know the way to the mansion and we know the way to leave as well.
00:44:50Good to see you, dear.
00:44:53He is a gem.
00:44:56Send him to Hiram Mandir.
00:44:59We will look for him.
00:45:01Goodbye.
00:45:35I am your lover.
00:45:37I will be your lover.
00:45:40I will be your lover.
00:45:43I will be your lover.
00:45:46I will be your lover.
00:45:50I will be your lover.
00:45:52What is this? My bag?
00:45:54It's for my mother.
00:45:56My mother.
00:45:58Are you feeling better?
00:46:00I am feeling better.
00:46:03Is Mr. Niyazi fine?
00:46:05Yes.
00:46:06Let's go.
00:46:08Go inside. It's okay.
00:46:10I didn't know that...
00:46:12Good night, Iqbal.
00:46:17Good night, Iqbal.
00:46:21Balli.
00:46:24Balli.
00:46:26What are you doing here?
00:46:27Why didn't you come to eat?
00:46:29Balli, I am asking you.
00:46:31I am very hungry. Let's go.
00:46:33Saima, you go ahead. I am not hungry.
00:46:35Wow.
00:46:36A person who eats 12 parathas a day is not hungry today.
00:46:38Can you tell me why?
00:46:40I have earned only one thing in my life.
00:46:43The trust of the Prophet.
00:46:45And today, I lost that too.
00:46:46How?
00:46:48She is thinking that I took Alam to the mosque without his permission.
00:46:53The Prophet can never think like that.
00:46:56Will he find anyone more loyal to him than you in Lahore?
00:47:00She loves you so much.
00:47:02But less than us.
00:47:06That Siappa is so jealous of Alam.
00:47:09Siappa is Alam's. She will apologize.
00:47:12Saima, you don't know.
00:47:15God forgives the mistakes of His people once.
00:47:18But the Prophet will definitely punish me today or tomorrow.
00:47:23We don't know about the Prophet.
00:47:25But I will punish you today.
00:47:28I am very hungry.
00:47:30But I will not eat. I will eat you today.
00:47:38Alam, I can't believe it.
00:47:40The Prophet caught you stealing.
00:47:42And he didn't even scold you.
00:47:43Why would he scold me, Shama?
00:47:44Mother knows how much I love poetry.
00:47:47These are my books.
00:47:49Where are you taking them?
00:47:50To throw them out.
00:47:51But why?
00:47:52And go to the poetry class without permission.
00:47:54You will be punished.
00:47:55What about my diary?
00:47:56Ask the Prophet.
00:48:05Where are you taking my books?
00:48:08Books are just a hobby in the streets of Hiramandi.
00:48:11And life is a life.
00:48:13Here, fate is not in the hands.
00:48:15It is in the feet.
00:48:17Take care of your fate.
00:48:19Such a big punishment for going to a poetry class.
00:48:22You will be punished.
00:48:26Mother.
00:48:26Yesterday, you lied for the first time.
00:48:30That should be the last lie.
00:48:33Mother, you can punish me as much as you want.
00:48:36You can skin me, but don't tear my poetry.
00:48:40We don't punish the body.
00:48:44We punish the soul.
00:48:47And this is your soul, isn't it?
00:49:11What?
00:49:14What are you looking at?
00:49:17If the sea doesn't have sandalwood,
00:49:20it will drown you.
00:49:23Really?
00:49:24Are my eyes that deep?
00:49:27They are so deep that...
00:49:28Sister.
00:49:30Sister.
00:49:32Ask her how deep her eyes are.
00:49:34Sister.
00:49:36Alam, I am with Mr. Wali.
00:49:39And I was with mother.
00:49:41She threw all my books away.
00:49:44I won't give it to her. Do you want it?
00:49:46If you don't listen to me now, I will give up my life.
00:49:49I won't wear this ring.
00:49:53I am sorry, Mr. Wali.
00:49:55I will talk to her.
00:50:02Alam, how many times do I have to tell you?
00:50:06Where did this girl go?
00:50:08Mother keeps creating problems every day.
00:50:13Mr. Wali, what is this?
00:50:17Are you leaving?
00:50:19I have a meeting with Henderson.
00:50:22Are his eyes deeper than our eyes?
00:50:27I have to meet him today.
00:50:29There is tension in the city.
00:50:31Some rebels are protesting.
00:50:33These damn rebels are protesting at this age.
00:50:37I am afraid that Henderson might order a shoot at sight today.
00:50:42We will try to stop them.
00:50:46These rebels are crazy.
00:50:48But they are our people.
00:50:50We will leave now.
00:50:51Okay.
00:50:52Goodbye.
00:51:11Leave India!
00:51:13Sister, we should learn something from these rebels, right?
00:51:16At least they raise their voice against oppression.
00:51:18And there is me.
00:51:20The scoundrel burnt my diary.
00:51:21He snatched my books. And I kept quiet.
00:51:23You didn't keep quiet.
00:51:25He snatched the old one, but we are going to buy new books.
00:51:27Are you a rebel or Alam?
00:51:29That's true.
00:51:30Long live India!
00:51:31Leave India!
00:51:33Independence!
00:51:35Long live India!
00:51:36Leave India!
00:51:37Leave India!
00:51:39Long live India!
00:51:41Leave India!
00:51:43Long live India!
00:51:44Long live India!
00:51:45Long live India!
00:51:47Long live India!
00:51:48Long live India!
00:51:49Leave India!
00:51:51Leave India!
00:51:53Leave India!
00:51:54Long live India!
00:51:56Leave India!
00:51:58Iqbal, take the rest to the crossroads.
00:52:00We will come there.
00:52:01Baby, the atmosphere is not good.
00:52:03Come quickly.
00:52:04Okay.
00:52:04Let's go, Alam.
00:52:06Leave India!
00:52:07Leave India!
00:52:09Greetings, brother.
00:52:11We want to buy some books.
00:52:13This is not a shop for bangles.
00:52:15You can buy books here.
00:52:16But first read this.
00:52:18Today cash, tomorrow loan.
00:52:20Why will we take a loan?
00:52:21We have a lot of money.
00:52:23We will give cash as well as alimony.
00:52:25It's okay, Alam. You go and buy books.
00:52:28Where will we buy poetry books?
00:52:30Over there.
00:52:31Our servants are there.
00:52:33But hurry up.
00:52:34If the atmosphere outside is bad, we will have to close the shop.
00:52:37Sister, we can buy as many books as we want, right?
00:52:40Yes, of course.
00:52:44Brother Nawaz, give me that book.
00:52:45Don't ask too many questions.
00:52:47It is very important for that book to reach Mr. Hamid.
00:52:50There can be a ruckus in today's meeting.
00:52:55Go carefully. Don't suspect anyone.
00:52:56Okay.
00:52:59Alam.
00:53:00You choose the books quickly.
00:53:02We will go and meet aunt Sultana. Okay?
00:53:04Okay.
00:53:07Okay.
00:53:25Ma'am, what are you doing?
00:53:27I am sorry.
00:53:29You?
00:53:30You?
00:53:32You?
00:53:34How are you?
00:53:37I am fine.
00:53:39And you?
00:53:40Me?
00:53:41Great.
00:53:46That day, you suddenly disappeared in the poetry...
00:53:48Where will we meet Mr. Niazi?
00:53:54Where will we meet?
00:53:57You wrote on my heart.
00:54:00My heart is still beating.
00:54:03Lions don't beat.
00:54:04They roar.
00:54:08Roar.
00:54:11Both the owner and the servant are ill-mannered in this book house.
00:54:15Move.
00:54:17Servant.
00:54:19Listen.
00:54:20What service will this servant give you?
00:54:23Thank you. I can serve myself.
00:54:28It seems you are very fond of poetry.
00:54:31Yes.
00:54:33I know all the poems of Ghalib, Zafar, Mir, Niazi by heart.
00:54:41Then remember a poem of this servant as well.
00:54:48When the lines of your thoughts come out...
00:54:53...a new poetry comes out on every page.
00:55:03Mr. Hamid.
00:55:07Mr. Rizwan, Balraj Kurta belongs to everyone.
00:55:09They all went to the protest.
00:55:11When Mr. Hamid goes to the protest, give this book to him.
00:55:14It is very important.
00:55:15What happened, Bibojan?
00:55:18You look very worried.
00:55:21Mr. Hamid, today Henderson is going to give an order to shoot at sight in the rally.
00:55:25Our comrades can be killed.
00:55:27Do you believe this so much?
00:55:32How can you be so sure?
00:55:34I got to know from Mr. Wali.
00:55:37Take this.
00:55:38This is not the time to read a book.
00:55:41It is time to answer.
00:55:50I had hidden this gun in the library.
00:55:53I knew it would come in handy one day.
00:55:57If they kill ten of us...
00:55:59...at least six of us will die.
00:56:03Will you kill me or not?
00:56:07Will you kill me or not?
00:56:10Will you kill me or not?
00:56:16This and this.
00:56:18Ma'am, you forgot this and this as well.
00:56:23You have hired a very bad servant.
00:56:25He is a servant.
00:56:27Of course.
00:56:28Why are you looking around?
00:56:30Tell me.
00:56:33Consider this as a gift from this servant.
00:56:36Cut him out of our salary.
00:56:38Yes.
00:56:39If we stay here for a moment...
00:56:41...we will cut off his salary and his head as well.
00:56:44Goodbye.
00:56:50My sister will come and give us the money.
00:56:55Who is this lady?
00:56:56I don't know.
00:56:57People come here, take books and leave.
00:57:01But she has taken my heart away.
00:57:03Okkila! Okkila!
00:57:05Okkila! Okkila!
00:57:07Okkila! Okkila!
00:57:09Do not kill us! Do not kill us!
00:57:13Okkila! Okkila!
00:57:15Okkila! Okkila!
00:57:18Okkila! Okkila!
00:57:20Do not kill us! Do not kill us!
00:57:22Okkila! Okkila!
00:57:24Are you?
00:57:26No, we aren't!
00:57:28No, we aren't!
00:57:30It's a lie! It's a lie!
00:57:54Leave her alone.
00:58:04Leave me.
00:58:12Marik, leave her.
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