Salón de té La Moderna - Ep 199
Transcript
00:00A FEW HOURS EARLIER
00:18Shouldn't you be working instead of reading the paper?
00:22Are you going to make fun of me like my father did?
00:26I've been listening to you for a while.
00:29I'm the one who's starting to get on your nerves.
00:31You have more face than a back.
00:34Don't you worry about letting Migueli down and losing his job?
00:37We've been two days with the boxes in the way,
00:40but I can assure you that unless a rooster crows...
00:48Everything's in place.
00:51There's no sign of the boxes and it looks like the books are...
00:55They don't look like it, Migueli. They are.
00:58And I've had a hard time.
00:59First, I had to separate them by genres,
01:02and then put them in alphabetical order.
01:05But the novels to be delivered...
01:07Those are in the order of publication.
01:09I'm not very honest, Miguel.
01:11And the press is ready to be distributed to the galleries.
01:16Did you do all this?
01:18I don't know how to be surprised, Father.
01:21Of course I did it.
01:22There was no one else to help me.
01:25Maybe it's true that he's been up all night.
01:28And I thought he was exaggerating when he put Salvita in the clouds.
01:33Well, in the end, I was right.
01:35And Salvita can be very stubborn when he proposes to her.
01:38It's clear that he's doing very well.
01:42I'll have something of merit, right?
01:45Although this time I'm going to let Miguel enjoy his minute of glory.
01:50You're doing well.
01:51You too.
01:52Well, if you've been able to get this in a week,
01:56what can you get in a few months?
01:59But this means that...
02:01Salvita is under your tutelage.
02:04I can see that you will even be able to resume your law studies.
02:09You're not bad either.
02:10Father.
02:11Yes, yes, yes.
02:12It's better that we go game by game, like the teams that are standing.
02:15I leave it in your hands.
02:18Working at dawn instead of coming drunk.
02:23My wife won't believe this.
02:29There is nothing to thank.
02:31How am I not going to accompany you to receive the doctor's diagnosis?
02:34I was thinking of going alone, but the moment is approaching and...
02:37And you're bored, right?
02:38Yes, I feel like a fool about to hear the verdict of the court.
02:42Even if it's not my freedom that's at stake.
02:44But yes, to be able to get on stage again and be how important it is to you.
02:48And that's why I want to accompany you.
02:50Come what may, let's face it together.
02:53Thank you.
02:55Shall we go?
02:56Uncle, I need to ask you a favor.
02:59Tell me, tell me, darling.
03:00I asked him to come because Lieutenant Lorenzo comes every day to question me about Cesar's whereabouts.
03:05And I don't know what to tell him anymore.
03:08Wow.
03:11I'm sure it's him.
03:12Well, let me take care of it.
03:19Good morning, sir.
03:20Good morning.
03:21I'm looking for Inés Balbuena.
03:23And may I know who asked for her?
03:25Lieutenant Lorenzo.
03:27And she already knows who I am.
03:29Lieutenant.
03:30Let me introduce myself.
03:31Don Fermín Villanueva.
03:33Uncle of Inés and owner of the prestigious Salón de Tela Moderna.
03:38As you will see, I am aware.
03:40I see, I see.
03:41And may I know what you want from my niece to have her whole environment so controlled?
03:48Lieutenant, excuse me, but it's not a good time.
03:51We were about to leave.
03:53The truth is that I do not apologize, miss.
03:57Have you had news of Cesar?
03:59No, I don't know anything.
04:00No, and I don't have news of him.
04:03Hiding information from the authority can get you in a good mess.
04:08I really don't know where Cesar is right now.
04:12I'm sorry to be frank with you, but I don't believe a word.
04:17Lieutenant, I'm going to ask you to lower your voice.
04:19I'm not going to let you talk to my niece like that.
04:21If she says she doesn't know anything, she doesn't know anything.
04:24My job is to get to the bottom of the matter.
04:26But these are not ways.
04:28You are intoxicating a civilian.
04:30So I'm going to ask you to leave where you came from and leave my niece alone.
04:35Well, I will not be the one who prevents you from fulfilling your commitments.
04:41But remember, miss, we will see each other again.
04:46But it won't be alone, because I plan to be present in those future meetings with Inés.
04:50And now, if you are so kind.
04:52Come in.
05:00I have many questions to ask you, Inés.
05:03But now is not the time.
05:05We can't make the doctor wait.
05:11All this about getting up early to work and ordering new and old books.
05:19Have you done it for love of art?
05:22Of course not, but somehow I had to please my father.
05:26I already said that this change obeyed something.
05:28But don't get cocky, man.
05:30We both win.
05:32I stay here, which is exactly where I want to stay.
05:34And you don't get into trouble with the boss.
05:37I don't get into trouble.
05:38It's others who push me to them.
05:40In any case, it's the same.
05:43But this ends here, huh?
05:45Don't think I'm going to get up every morning with the rooster.
05:47I prefer my work philosophy.
05:49Of course.
05:50Work as much as you want so that your father doesn't get angry.
05:52I see that we are understanding each other.
05:54Well, no, Salvita, no.
05:56No, I don't understand young people now.
05:58Why the hell do you insist on staying here if you don't even have half the intention of giving up?
06:04I like this place.
06:06I like it.
06:08And besides, there is no better coffee than the one they serve in La Moderna.
06:12Speaking of this.
06:13What time is it? And I don't have breakfast.
06:15Shh, shh, shh.
06:16Try not to leave breakfast until dinner time.
06:28As I stay longer with my eyes closed, I have fallen asleep.
06:32You would like to take a nap in the middle of the night, but it won't happen.
06:36Let's see, it's not a nap, but we think it can also make you very excited.
06:42How nice.
06:44You shouldn't have bothered us.
06:46But if you haven't opened it yet, we can still disappoint you.
06:49Well, never.
06:50The important thing is the detail.
06:56Oh my God!
06:59It's a pressure cooker.
07:01One of those that cook legumes in a Saint-Thomas.
07:03But well, but this must have cost you a kidney and a half.
07:06No, no, I can't, I can't.
07:08Come on, no, no, no.
07:10Wedding gifts cannot be returned.
07:12I've thought about it before.
07:13Sure, and it can't be bad for so many people who have collaborated.
07:16Elías, Cañete, Teresa, Montero.
07:18Teresa too?
07:19My God, but I didn't invite her to the wedding.
07:21Don't worry.
07:22If she's not in charge, it will be a lot of things, but it's not a wedding.
07:25Quite the opposite of me.
07:27I'm looking forward to getting to the altar, so that everyone looks at me.
07:31I say that they will also look at someone else, like, for example, the groom, right?
07:35Because to get to the altar, you have to leave Pietro's arm.
07:38Yes, someone will also look at the baker.
07:40But come on, here all the looks are going to be taken by Antonia dressed as a bride.
07:44I can't wait to see her arrive at the church.
07:47Oh, shut up, shut up, Esperanza, I'm very nervous.
07:49I think I'm going to have to take a couple of pills.
07:51Let's see if I'm going to get my foot in.
07:53You're always so positive.
07:55No, and let her say it.
07:56Do you know what I dreamed of today?
07:57That I was coming to the altar and that I couldn't speak, that I had my mouth shut,
08:00that I couldn't say, yes, I want.
08:02Well, don't worry, the two of us will make sure that you can say yes, I want.
08:06That and that you are quiet.
08:08Instead of taking a pill, what you have to try is one or two drops of anise.
08:13Yes, it is in the hand of the saint.
08:15Yes, yes.
08:21Well, no, I've already told you that it can't happen.
08:23And I'm not leaving until I talk to Mrs. Barbara.
08:32You don't always get what you want.
08:34You are not welcome in this house.
08:36You are welcome.
08:37So you are already going where you came from.
08:39I'm not going to get out of here until I swear
08:41that this macabre game that you are submitting to me and my wife is going to end.
08:45Can you tell me what the hell are you talking about?
08:49Well, I'm talking about those strange events that are happening in my house.
08:54You know, notebooks that appear in different places,
08:58jewels that appear hung on the lamps.
09:01What I was missing.
09:02That you come with ghost stories.
09:04Ghosts don't exist, ma'am, so I only have one option left.
09:08That someone is sneaking into my house to torment me and my wife.
09:12Do you dare to insinuate that I am behind all this?
09:16I'm not insinuating it, I'm affirming it.
09:20And notice that last night I found something
09:24that I think will be very familiar to you.
09:29The San Cayetano medal.
09:31Indeed.
09:32Indeed.
09:34Thanks to a medal like that, he recognized his daughter's body.
09:37Isn't it true?
09:39He can't deny it.
09:40But what are you saying?
09:42That Mrs. Bárbara entered your house to leave that medal?
09:45What I hear could not have appeared otherwise.
09:48But how dare you show up at my house to accuse me of such madness?
09:54Look, you have exceeded all limits, Iñigo.
09:57Mrs. Bárbara is mourning the death of her daughter.
10:00What you are insinuating is not only madness,
10:03it is a lack of respect for your pain and for Carla's memory.
10:06Well, I may be wrong with my suspicions,
10:10if Mrs. Bárbara is not the cause of all this,
10:13she may be your best friend.
10:16Ah.
10:19I'm not used to entering someone else's house.
10:23But besides, how was I going to do it?
10:25Through the window? You live in an attic, for God's sake.
10:27I don't know if it was through a door or a window.
10:30But someone has entered my house.
10:32That's enough. Neither Fabio nor I have entered that house.
10:37And why should I believe you?
10:40Because you can ask anyone.
10:42Yesterday we were at the opera.
10:44Everyone saw us on the stage of the Royal Theatre.
10:49I already know what's going on here.
10:51It's your bad conscience that doesn't let you rest.
10:55I don't have a bad conscience, ma'am.
10:57I haven't killed anyone.
10:59Is that why you're losing your sanity like this?
11:01Because you haven't done anything?
11:05I advise you to confess the crime
11:10before the remorse consumes you.
11:13Whoever is behind all this,
11:16I will find him.
11:29Yes, I do.
11:34Yes, I do.
11:37Oh, my God!
11:39Oh, Mrs. Teresa, I hadn't seen you.
11:42It suits you very well.
11:44Well, don't worry, it will be a beautiful wedding.
11:47Thank you.
11:48Oh, and now that you're here,
11:50are you going to thank him
11:51for having contributed to the gift of the companions?
11:55Well, I'm also a companion.
11:57Really?
11:58Yes.
11:59And one of the oldest, you know,
12:00both yours and Pietro's.
12:01Yes, it's true.
12:02With the nonsense we've known each other for years.
12:04A lot.
12:06Well, I want you to know that I wish you
12:08the best of futures.
12:10And that I appreciate and respect you a lot.
12:13Because you are great workers.
12:16Thank you.
12:18I also wanted to tell you that, well,
12:19Pietro and I had thought that the wedding would be
12:22very intimate, you know?
12:24The closest, the family.
12:26So, I don't...
12:27Antonia, it's your wedding.
12:29I would miss more than having to give explanations to anyone.
12:33Besides, someone has to make sure
12:34that everything is perfect in the living room for the wedding.
12:37Are you going to take care of it?
12:39Personally.
12:41Everything is going to be...
12:43Come on, the occasion deserves it.
12:47Well then, in that case,
12:48I ask you to put an extra glass
12:50so that you can toast with us.
12:53Well, yes.
12:54I will be the first to toast for you.
12:56Thank you.
13:06Laurita, what are you doing here?
13:08You should be in the store, right?
13:10Yes, that's right,
13:11but I wanted to know how it went with the doctor.
13:14And Uncle Fermin?
13:15I thought he was going to accompany you.
13:17Yes, yes, he accompanied me,
13:18but then he went straight to La Moderna.
13:20Why?
13:21How did it go?
13:22Are there any hopes?
13:23Well, my vocal cords are still damaged,
13:25the doctor believes that it is not irreversible
13:27that with time and a lot of work,
13:28maybe I can sing again.
13:30Well, that's good, that's good news.
13:32In addition, with the confidence you have,
13:34you will surely be able to sing.
13:35Yes, but I don't see it clear, Laurita.
13:37Because recovery is a slow,
13:40sacrificed process and without guarantees of success.
13:43Well, but you don't lose anything for trying.
13:46Yes, but I don't have the strength right now
13:48to get into something like this.
13:51I see.
13:52I think that discouragement has a name,
13:54a surname and is on its way to America.
13:57Poor César.
13:59I don't even know if he has arrived in the United States.
14:02And it is that Lieutenant Lorenzo presses me more and more.
14:05Has he come here again?
14:07Yes.
14:08Yes, this morning he showed up willing to give me a third grade.
14:11Thank goodness our uncle stopped him.
14:16I'm going to see who it is.
14:17And if it's Lieutenant Lorenzo, I'll give him the arches.
14:25A few days later.
14:31But stop putting cream out there, that's it.
14:34Now take a few indas
14:36and put them here decorating on the top.
14:38And you can also ...
14:39And nothing, Esperanza, nothing.
14:41The cake is fine as it is.
14:43Well, if you say so.
14:45Excuse me.
14:46Excuse me.
14:47Are you also coming to comment on my cake?
14:50We would never think of commenting on your cakes, Pietro.
14:52You are a master.
14:53Well, since you ask,
14:55the bottom part looks a bit like a merengue house.
14:59It's a merengue house, it's a merengue house.
15:02What are you doing here?
15:03Nothing, Trini, who asked us to come to the worker,
15:06because she has an announcement to give us.
15:10Oh no, Antonia, she can't see the cake.
15:12Bad luck.
15:13Why didn't you cover it?
15:15It's not true.
15:16Antonia can see the cake.
15:18It's me who can't see the bride's dress.
15:21It's worth it.
15:22Oh, Pietro, our bride's cake.
15:24Oh, beautiful.
15:26Well, Trini, now that I've made myself clear,
15:27have you called us here to see Antonia and Pietro's cake?
15:31No, of course not.
15:32But until we're all here, I can't tell you.
15:35Well, since you don't want the vampire to be here,
15:37I don't know who else you're going to want to put in the worker.
15:41Hello.
15:42Hello.
15:43Hey, Miguel.
15:52Agustín.
15:53It would have been easier to get rid of Lieutenant Lorenzo.
15:56I come in peace, I assure you, miss.
15:58I just came to ask your sister how the doctor is doing.
16:01Well, it seems that not everything is lost,
16:03but the recovery will be slow and without guarantees that he can sing again.
16:07We must not lose hope.
16:09Here you have a white rose wishing for a quick recovery.
16:15And I haven't forgotten your sister either.
16:18Here you have a red rose to wish for a good day.
16:22Wow, you're very insistent.
16:24That's right. Perseverance is one of my virtues.
16:28Very well, and now if you'll excuse me, I need to rest,
16:30because last night I couldn't sleep thinking about all this.
16:34I wouldn't be the one to stop you from resting.
16:36By the way, I know a specialist who I think could help you.
16:41Yes, you already told me.
16:42But I need to think about it, because Agustín,
16:45I'm not ready to face this treatment right now.
16:49I know you will.
16:50When I saw her, I was sure she would be a great star,
16:53and my hearts don't usually get confused.
16:56Thank you, but we already talked about it.
16:59Goodbye.
17:03Would you like a coffee?
17:06Well, the truth is that I would prefer to accompany my sister right now.
17:11Of course. Better another time, right?
17:14Yes, that's right.
17:16That's right.
17:17By the way, I would like to ask you a favor, even if I don't feel like it.
17:21At your service, miss.
17:23If you go to the gallery, I could stop by the store and talk to my friend Celia.
17:27I have to tell her that I won't be able to go today.
17:29I had to stop by this afternoon, but I prefer to accompany my sister.
17:33Okay, I'll tell your partner.
17:35Or rather, your friend.
17:38Because that's what you said, right?
17:40That you're very close friends.
17:43Yes, after my sister, she's one of the people I trust the most.
17:49Well, if you don't mind.
17:51Sure, I'm leaving.
18:01Well, can we go now?
18:03Sorry, I have a lot to do. I don't know if I'll remember that I...
18:06Well, what about him? We're getting married tomorrow.
18:08Well, I'm glad you mentioned his wedding,
18:11because we're going to follow his example.
18:14And Miguel and I...
18:16We're getting married!
18:18Really?
18:19Yes!
18:20But you haven't been dating for a long time.
18:22Don't tell me you're going to have a baby.
18:24At least.
18:25No, Esperanza, for God's sake. Don't make it up, don't make it up, Esperanza.
18:29No, we're getting married because... because we're getting married.
18:32Don't you want to add something?
18:34Yes, that.
18:35That we're getting married because...
18:37Because we're getting married because...
18:38When you find love, why wait?
18:40No.
18:41That doesn't mean that I'll get married the first time I find love.
18:46And that there hasn't been a lot.
18:48Just one.
18:49Just one.
18:52Well, the fact is that everything fits here, right?
18:55And in the modern world, it seems that love is in the air.
18:57Well, don't say that, Trini.
18:59Esperanza, you and I are the only ones left.
19:01Oh, I'm fine on my own.
19:03Well, congratulations to everyone.
19:05Tomorrow, everyone is on time at the church door.
19:08Okay?
19:09Well said, Esperanza.
19:10Well, congratulations on your imminent marriage, couple.
19:14Thank you very much.
19:15Congratulations!
19:16Well, you'll give us all the details.
19:18Well, nothing, if you don't have it so clear, I'll throw you the bouquet tomorrow, Trini.
19:22The bouquet for me.
19:23Yes.
19:24Well, but don't you go a little fast?
19:27I mean, you've been...
19:29A lot, a lot.
19:30No.
19:31A little, a little, a little, but it's taken me a long time.
19:33No, no, no, I didn't mean that either.
19:35It's just that...
19:37It's the emotion.
19:39Well, when Cupid gets it right, he gets it right.
19:43He gets it right.
19:44Woo!
19:45Fall in love!
19:46And well, we're not here to waste time.
19:48And Antonia, you never know in this life.
19:51Yes, yes, yes.
20:01Come in.
20:04Good afternoon, Don Fermín.
20:07I just wanted to make sure you were here.
20:10Why shouldn't I be?
20:12Well, since this morning you were late more than usual, well...
20:16Wow, wow.
20:17It seems that you have me as controlled as the rest of the squad.
20:22Don't take it as a scolding.
20:24You can come to La Moderna when you consider it more necessary.
20:27No, no, don't rush.
20:29The last thing you want is to bother me.
20:32Sit down, please.
20:34I was at the doctor's with my niece.
20:37Today they were giving her the diagnosis and I thought it was convenient to accompany her.
20:41Well, you did very well.
20:43I hope the diagnosis has been favorable.
20:45I know how much you care about your nieces.
20:48They have given us one decal and another of sand.
20:50The doctors assure that she will recover the vocal cords 80%,
20:54but that does not ensure that she can sing again.
20:57Well, don't get upset.
20:59Inés is young and has her whole life ahead of her.
21:02And if she is not in the artistic world, she will surely find her place.
21:06I hope so, Mrs. Lázara, because Inés and Laurita are everything I have.
21:10And all I want is for them to be happy.
21:13Of course.
21:16Well, here I am talking about my personal issues
21:20when surely you have come for work matters, right?
21:23Well, no.
21:25You are wrong, Mr. Fermin.
21:28Well, I wanted to make sure that you didn't forget
21:32that we are going to the theater tonight.
21:34Of course, how can I forget?
21:36In fact, I've been thinking about it.
21:42Can you give me your ticket, please?
21:46Excuse me?
21:47I said, give me your ticket.
21:57Thank you.
22:05I'm going to return these tickets.
22:09And if you allow me, I'm going to invite you to the theater.
22:13I have bought some new locations in one of the central boxes.
22:20But you didn't have to bother, Mr. Fermin.
22:24They are adjacent locations.
22:26Adjacent and centered.
22:27So we can see the function perfectly.
22:33I'm very sorry, but I already told you that I can't.
22:37Really, a man of his position can't go to the theater with an employee?
22:41What?
22:42People will think I can't make him go through that trouble.
22:44No, no, no, no, no.
22:45Mrs. Lázara, I go to the theater with whoever I want.
22:50And if my company is a lady like you,
22:53the right thing to do is that we arrive together,
22:55sit down together and go out together once the play is over.
23:00And don't make me order you around like I'm your boss.
23:05Please.
23:06So, so you don't keep protesting,
23:10I'm going to get you a coffee.
23:14Take good care of the tickets.
23:19Thank you.
23:28So, could you make me a copy?
23:30Of the brochure?
23:31Yes, I'd like to send it to my mother and the town
23:34so that I can show it to the girls.
23:36Come on, I didn't know you wanted to go through the altar.
23:40Me neither, but I've been afraid of being alone,
23:43with so many couples around me.
23:45But let's not get ahead of ourselves.
23:47So, could you make me a copy?
23:49Of course, of course.
23:50Anything to help you find a girlfriend.
23:51Thank you very much, Mrs. Celia.
23:53And if you don't mind,
23:54could you make it a beautiful size?
23:56Big, right?
23:57Like...
23:58Like this?
23:59Like this?
24:00Yes.
24:01Let's see if you're going to look like a outlaw
24:02who's looking for justice.
24:03No, no, no.
24:04I think it's better a size like this.
24:07Ah, that's it.
24:08You're the expert.
24:10Well, you'll let me know when it's ready.
24:12I hope it's not too late,
24:13or I'll end up dressing like a outlaw.
24:16Well, see you later.
24:17Bye.
24:20Hi.
24:23Hi.
24:25Good morning.
24:27How can I help you?
24:29No, no, no.
24:30I don't want to buy anything.
24:31I just came to talk about your friend Laurita.
24:35What for?
24:37I don't like talking about other people,
24:39especially if they're not around.
24:40No, of course not.
24:41It's just that she gave me a message for you.
24:43She told me she wouldn't come to the store today.
24:46It seems that her sister Inés isn't very well,
24:48so she decided to stay to take care of her.
24:50She's doing well staying with her.
24:53You and Laurita are very close, right?
24:56Yes.
24:57And there's no crime in that.
24:58No, of course there's no crime.
25:00In fact, she literally told me
25:02that you're one of the people who know her best.
25:05After her sister, of course.
25:08I need your help, Miss.
25:13Miracle!
25:14What you've done is a miracle
25:16as good as fish and bread.
25:18Don't exaggerate.
25:19In just one week.
25:21As soon as I lose my mind, I see him studying again.
25:24I already told him this morning
25:26that it's better not to anticipate events.
25:28His son's re-education can take time.
25:30But he's on the right track.
25:32A track that has only just begun.
25:34Now we have to instill in him a routine
25:37and see if he knows how to maintain it.
25:39And you think he won't be able to?
25:43I think it's the most complicated part
25:47and the one that might require
25:51more strict methods.
25:53Strict?
25:54If you allow it.
25:57I allow it.
25:58Of course I allow it.
26:00You have my permission to be as strict as you want,
26:03whenever you think it's appropriate.
26:05It's essential, Mr. Salvador.
26:07You only follow the rules
26:09when you realize that not following them
26:11brings you more trouble than following them.
26:14You have great pedagogical skills, Miguel.
26:17I have no doubt
26:19that you'll be an exemplary father
26:21for your children when you have them.
26:23Thank you very much.
26:24I hope to have them soon.
26:26You don't know a girlfriend, Miguel.
26:28And it seems that it's important
26:30to bring more children to this land.
26:33That's what I wanted to talk to you about.
26:37I've made a commitment
26:39to a girl from La Moderna.
26:41Rubita?
26:42No, Morena.
26:43I'm sorry to have told you like that,
26:45but now that it's out of the question...
26:47Miguel!
26:48My most sincere congratulations!
26:51So she's going to go through the altar,
26:54all alone,
26:55to prepare the wedding, the invitation, the house...
26:58No, no, don't paint it like that.
27:00I don't want to be left behind.
27:03What if she faced the future
27:05with an increase in her salary?
27:07Would you back out, too?
27:10No, no, no, no.
27:12Quite the opposite.
27:14In fact, I'd go all in.
27:16This is the deal, Miguel.
27:18You've just put my son in charge,
27:21and I appoint you manager of my bookshops.
27:24The greater the responsibility,
27:26the higher the salary.
27:29Deal?
27:30Deal, Mr. Salvador.
27:32I assure you I won't let you down.
27:35I have complete confidence in you.
27:37And well, while you're not manager,
27:40I'm going to make my way through the bookshops.
27:44I hope it won't take long.
27:46Goodbye, Miguel.
27:47I'll go with you.
27:49Goodbye.
27:59Hello, Miguel.
28:01Did I miss anything?
28:04Well, look.
28:05Something has happened.
28:08No more nonsense,
28:09and no more walking through the bookshops.
28:11This is where you come to work.
28:13Well, Miguel, calm down.
28:15My father's gone.
28:16Don't get carried away.
28:17I'm not playing any role.
28:24Now you're going to meet the real Miguel Ruiz,
28:27who was nicknamed the Bonebreaker at the military service.
28:33Well, tell me what you want.
28:37That you help me gain Laura's trust.
28:40Excuse me?
28:41I beg you not to take it the wrong way.
28:43It's just that...
28:45Laura and I haven't started off on the right foot.
28:48It's none of my business.
28:50Laura is my friend,
28:51and I won't do anything to hurt her.
28:53Of course.
28:54I won't ask you to do anything to hurt her.
28:56Laura is a very interesting woman,
28:59but I can't get her to give me a chance to get to know her better.
29:03And, well, I thought that maybe you...
29:09Yeah.
29:12But it's Laura who has to decide if she wants to give you a chance or not.
29:17Of course.
29:18But since you're such a close friend of hers,
29:21I don't know, maybe I could intercede between the two of you.
29:24It's just that I have the feeling that...
29:26Laura hasn't been doing very well with men.
29:29Do you want me to air your intimacy?
29:31No, no, please.
29:32It's just that...
29:33There are unpretentious people everywhere,
29:35but I'm not one of them.
29:36Yeah, but I don't know you at all.
29:39I agree with that.
29:41Give me a second.
29:42Let's see.
29:43Let's see.
29:44Here it is, yes.
29:45Look, here's my birth certificate.
29:47Take it.
29:48I'll leave it here on the table.
29:49Here it also has all the writings of all my properties.
29:53And I never share this, but it's the university notes.
29:56As you can see, he hasn't been a very good student.
29:59But well, I think that with this, if it's not enough...
30:05You didn't find the joke very funny, did you?
30:07Well, with a business card it was enough.
30:09I'll take another one for the next one.
30:11All I need is for you to help me become Laura's best friend.
30:17Do you think I could do it?
30:20It's Laura who has to make this decision.
30:24But think about it at least.
30:25I really understand everything you're saying.
30:27You barely know me, but I can assure you
30:30that if you help me, you won't regret it.
30:33Your friend Laurita will be happier than she has ever been in her life.
30:41I won't bother you anymore.
30:42Good afternoon.
30:49Good afternoon.
31:03We have servants for this, darling?
31:05Don't complain to the girls.
31:07I offered myself to bring you the herbal tea.
31:12You'll be fine.
31:13It's obvious that you're still very nervous.
31:16How can I not be?
31:18I try not to get nervous.
31:20Íñigo's visit has left me very upset.
31:24It's not for less.
31:26He has gone too far with his accusations.
31:29To think that we have entered his house to leave a medal.
31:32But in what head does it fit?
31:33In a not very well furnished one.
31:35I'll tell you that.
31:37I'm sorry.
31:38But yes, he is losing his sanity.
31:43Like his poor wife.
31:46Like Matilde?
31:48Why do you say that?
31:50I spoke for speaking.
31:53You never say anything to say.
31:56For everything there is a first time.
31:59And you decide to start by calling a crazy girl.
32:02Like that, without proof.
32:03Well, without proof, what is said without proof either.
32:09That's what I thought.
32:11So you're already telling me what you know about that wretch.
32:15I only know what the night watchman in the gallery has told me.
32:18If I haven't told you, it's because I don't know how you're going to take it.
32:21To the point, Fabio.
32:24I have the right to know what the murderers of my daughter do, don't you think?
32:28Apparently, a few days ago,
32:31Matilde asked for help to Scream in the middle of the gallery,
32:34because she claimed to have seen someone.
32:36However, she was alone.
32:40Of course, that's not very well finished.
32:42But why did you think that was going to disturb me?
32:45That she would start to fight like that?
32:47Why yes?
32:48Actually, she had a reason.
32:53She thought she had seen ...
32:55A thief?
32:56No.
32:57She said it was a woman.
33:00Who does she say she saw?
33:01That girl?
33:02Fabio?
33:03Carla.
33:05Or her ghost, I suppose.
33:07It is evident that Matilde has lost the north.
33:11And that Íñigo has all the papers to follow that same path.
33:17The most likely thing is that ...
33:19Matilde suffered a hallucination.
33:21As a result of her bad conscience.
33:23The same thing that is happening to her husband.
33:24I need to be alone.
33:26What?
33:27Honey, yes, yes.
33:28No, but in your state, I think it's better that you are accompanied.
33:30I have to be alone.
33:31I have a lot to assimilate.
33:33Please.
33:35Okay.
33:36Okay.
33:38I'm going to the office for a while.
33:41Do not hesitate to call me if you need me.
34:07Are you still with that?
34:09Yes, I'm still here.
34:10What a remedy.
34:11I want to leave the shifts adjusted before you finish the day.
34:16Do you need help with anything?
34:19Do you know how to adjust shifts?
34:21No, man, I do not mean that, woman.
34:23I mean that even if I have been invited to the wedding, I can come tomorrow to work.
34:27I do not care.
34:28No, I appreciate it, but no need.
34:31I'm going to the office.
34:32I'm going to the office.
34:33I'm going to the office.
34:34I'm going to the office.
34:35I do not care, but no need.
34:37I know that I can leave it all square so that the guests can go to the wedding.
34:43Hey, speaking of weddings.
34:45Do you know if there is going to be a dance?
34:47You know how Elias is taken on that matter.
34:49Well, look, today I was talking to Mr. Fermín,
34:51we are going to ask Laurita for a gramophone and some records, and we will do it here.
34:57I think it's a fantastic idea.
35:00There's nothing like one more person to dance together.
35:03Don't you think?
35:04Yes, I guess.
35:05All I hope is that you have a great time
35:08and that you have a good time dancing.
35:10I will.
35:11But I'm afraid I won't be able to dance with the woman I'd like.
35:19Mrs. Teresa Cañete,
35:21you have no idea what's happened to me.
35:23Let's see.
35:29I've only got one option left.
35:31Someone is sneaking into my house to torment me and my wife.
35:35And yesterday night I found something
35:37that I think will be very familiar to you.
35:39The San Cayetano medal.
35:41Thanks to a medal, I did recognize your daughter's body.
35:45Carla.
35:46Or her ghost, I suppose.
35:48It's most likely that Matilde suffered a hallucination.
35:52Ghosts don't exist, ma'am.
35:58Ghosts don't exist.
36:02Come on, man, you're making us sick.
36:04Well, I've been chosen.
36:06Ma'am, I'm going to be the key piece of the wedding tomorrow.
36:09I think the key piece of all weddings are the grooms.
36:13Especially the bride.
36:14And that's my job, boss.
36:17It's up to me to get Antonia to the altar tomorrow.
36:20Ta-da! The keys to Mr. Fermin's car.
36:23You don't know why they were given to me.
36:26Let's see, surprise us.
36:28Well, Mr. Fermin asked Esperanza
36:30to clean the car, to make it shiny for tomorrow.
36:34Well, to make it shine as much as the bride.
36:36Well, I doubt he told you with those words.
36:40That doesn't explain how those keys got into your hands.
36:42Elementary, Cañete.
36:44Esperanza doesn't drive and she doesn't want to.
36:47That's why Mr. Fermin has delegated the responsibility
36:50to get the car ready.
36:53It's clear that all the responsibility
36:56for that wedding to be celebrated, Elias,
36:58is in your hands right now, isn't it?
37:00Hey, wait a minute.
37:02And if you have the keys to Mr. Fermin's car,
37:04how does he get home?
37:06By taxi. I saw him getting in one.
37:08He must live near Mrs. Lázara,
37:09because they both got in the car together.
37:12Well, I said it, I'm going to leave the car ready for the bride.
37:15So, we'll see.
37:20You see how Mrs. Lázara doesn't waste time
37:22and goes with him in the same car at this time?
37:25Teresa, that doesn't have to mean anything.
37:28Maybe it's what Elias says.
37:29They live close to each other.
37:31Yeah, if you only knew.
37:40I'm sorry.
37:42I'm sorry, I'm sorry.
37:48If I knew, what would I have to know?
37:50Nothing, it's just a way of speaking.
37:53Well, go on, I have to finish the painting.
37:56Bye.
38:14Carla!
38:15Are you there?
38:23Fuck it.
38:24♪♪♪
38:34♪♪♪
38:44♪♪♪
38:50¿Qué estás haciendo, hija?
38:57¿Pero te lo propuso en serio?
39:00Yo creo que te estaba tomando el pelo.
39:03Creo que nunca he visto a Don Salvador bromear.
39:06Tendría memores que empezase ahora y con una cosa tan seria como un aumento de sueldo.
39:10Pues el dinero nos iría de fábula.
39:13El problema es que las condiciones son inasequibles.
39:17¿Tampoco confías en tu marido?
39:19¿En quién no confío es en Salvita?
39:22Que lo veo todo el día a la Bartola, en la Moderna.
39:26Bueno, pues esto se ha acabado.
39:28A este lo enderezo yo como me llamo Miguel Ruiz.
39:30Y si hace falta, empleo tácticas de tortura de estas de la Inquisición.
39:35Frena, a ver si te vas a convertir en el Revienta Huesos.
39:38Madre mía, si supieras, Salvita, que no puedes matar ni una hormiga.
39:42Eso era antes.
39:43Ahora que voy a ser padre, estoy dispuesto a hacer lo que sea por esa criatura.
39:46Hasta matar a zapatazos a una legión de hormigas.
39:48Uy, ¿has oído?
39:50Cuando vengas a este mundo no habrá bicho que te chiste,
39:52porque ahí estará tu padre el matón para salvarte.
39:58Madre mía, la de cosas que me está obligando a hacer ese bichito.
40:03Todavía no ha nacido y ya no se está cambiando la vida.
40:05Yo no me quiero imaginar lo que pasará cuando nazca.
40:08Pues un gran cambio, Miguel. Un gran cambio.
40:16Madre mía.
40:40¿Quién es?
40:41Matilde, soy yo.
40:43Ñigo, qué susto.
40:46¿Y qué pasa?
40:47Nada, cariño. Solo quería saber cómo te encuentras.
40:50Aunque no hace falta que respondas, se te oye alterada.
40:53No, estoy bien. Estoy bien. Iba a cenar ahora mismo.
40:56Por eso te llamaba.
40:58Ahora mismo hay un poco de lío en el Madrid-Cabaret
41:00y me gustaría quedarme un poco más.
41:02Pero si te sientes más tranquila, yo...
41:04No, tranquilo. Descuida.
41:07Y estaré bien, trabajando.
41:09¿Segura?
41:10Sí, segurísima.
41:11Además me voy a acostar muy pronto.
41:13Aunque llegues temprano, no creo que me encuentres despierta.
41:16¿Así que te vas a ir a la cama pronto?
41:19Sí. Bueno, quiero descansar para estar mañana bien para la boda.
41:23¿Por qué? ¿Te parece mal?
41:25No, solo quería hablar contigo.
41:27Hay una cosa que tengo que preguntarte.
41:29Bueno, pues ya estamos hablando.
41:32Venga, cuéntame. Sea breve y vuelva al trabajo.
41:35Estuve hablando con Fabi, doña Bárbara.
41:38Quería saber si habían sido ellos quienes entraron en casa
41:40y dejaron la medalla.
41:44¿Y qué has averiguado?
41:48¿Qué dicen la verdad?
41:50No he comprobado y ellos no pudieron ser. Estuvieron en la ópera.
41:53Varios amigos en común me lo han confirmado.
41:57¿Y entonces si no fueron ellos, quién?
42:01No lo sé, mi amor.
42:03Pero lo averiguaremos. Ya hablaremos mañana.
42:06Con más calma.
42:07Tú ahora estate tranquila, cena algo y...
42:14¿Matilde?
42:17¿Matilde, estás bien? ¿Qué pasa, Matilde?
42:20¿Matilde?
42:44¿Cómo lo vamos a hacer?
42:47Como podamos, mi amor. No nos queda otra.
42:51Es que yo solo de pensarlo te juro que es que me agobio.
42:55Compaginar el trabajo con la crianza.
42:59Lo vamos a hacer bien. Con mucho amor.
43:01No vale la pena agobiarse por cosas que todavía no han pasado.
43:04Disfrutemos de estos momentos. Tú estás bien.
43:07El embarazo está ya.
43:09Y nuestro plan está funcionando.
43:11No tientes al diablo. Que todavía podría torcerse.
43:15Bueno, hemos dicho a todo el mundo que vamos a casarnos.
43:17Y todo el mundo nos ha creído.
43:19Porque todos se lo han creído, ¿no?
43:21Sí, todo el mundo se lo ha creído.
43:22Pero no sabes lo mal que me sienta mentirle a Antonio.
43:26Me siento fatal.
43:27Una mentirijilla de nada, total.
43:29Nada más.
43:30Sí, pero esto no me hace sentir mejor.
43:32Porque Antonio se ha portado muy bien conmigo desde que entró al salón.
43:35Sí, pero esto no me hace sentir mejor.
43:36Porque Antonio se ha portado muy bien conmigo desde que entró al salón.
43:39Así que te has tenido mucha paciencia.
43:41Y mira que al principio yo iba de estropicio en estropicio.
43:44Bueno, pues este va a ser el último embusto.
43:47Pero es que ahora no podemos hacer otra cosa.
43:49No podemos seguir contando distintas versiones de nuestra historia.
43:52No, claro que no.
43:53A partir de ahora, nada de mentiras.
43:55Vamos a ser padres y hay que comportarse como Dios manda.
43:58Eso es.
44:00Y ya que en unos meses no vamos a tener tiempo libre para nosotros,
44:05pues igual podremos aprovechar...
44:08Tú come.
44:09Come y luego ya veremos.
44:26Espero que no estés pensando en echarte atrás.
44:30Loca tendría que estar si no me presento mañana a la iglesia.
44:34No.
44:36Estaba pensando que esta es la última noche que vamos a dormir separados.
44:40Mañana hasta ahora estaremos compartiendo techo como marido y mujer.
44:45Marido y mujer.
44:47Es que no puedo creerlo.
44:48No, ni yo.
44:50Estoy nerviosa.
44:52Y verte a ti tan tranquilo no sé si me pone más nerviosa todavía.
44:56Es que estoy ilusionado.
44:59Estoy feliz.
45:01Felicísimo.
45:04Es como...
45:06Todo lo que hemos vivido y todo el tiempo que he esperado cobra sentido.
45:12Sí, como si estuviéramos destinados a llegar a este momento.
45:16Exacto.
45:18Es un sueño para mí que se hace realidad.
45:26Qué noche más bonita, ¿eh?
45:28Ojalá mañana también la haga igual.
45:31Te lo aseguro que ni la peor de las tormentas podrá empañar el día de mañana.
45:40A veces pienso que nos observan, ¿sabes?
45:44Que las estrellas son nuestros seres queridos que no se han ido del todo y...
45:51Bueno, igual es una tontería.
45:52No, no es una tontería.
45:54No.
45:56Mira.
45:58Mira las estrellas ahí.
46:01Una tiene la sonrisa de Ramón, ¿la ves?
46:04Y la otra la mirada de Lucia.
46:07Te rías de tu futura mujer.
46:09Estoy seguro, Antonia, que tanto Ramón como Lucia nos observan desde ahí donde estén.
46:18¿Tú crees que les parecerá bien que nos casen?
46:21Absolutamente sí.
46:23Estoy seguro.
46:25Estoy seguro que nos mandan sus bendiciones.
46:28Y todo eso espero.
46:30Que si mañana llueve por ejemplo, significa que no.
46:33Que tonto.
46:39Me siento muy afortunada.
46:42De verdad.
46:45Soy muy feliz.
46:48Nunca pensé que la vida fuera a darme otra oportunidad de enamorarme y mira.
46:53Mañana voy a convertirme en la mujer de Pietro Fazil.
46:59¿Nunca pensaste en rendirte?
47:03Nunca.
47:05Ni un momento.
47:07Porque te miraba y pensaba...
47:10No puedo rendirme.
47:12Pietro, no puedes.
47:25Bueno, será mejor que nos vayamos a dormir.
47:29Estoy deseando que llegue mañana.
47:31Va bien.
47:33Espero que duermas bien.
47:35La última noche en tu casa.
47:39Mañana te voy a dar las buenas noches en nuestra casa.
47:48Buenas noches, amor mío.
47:50Buenas noches.
47:55Duerme bien.
47:58Duerme bien.
48:14Atrávete.
48:16Atrávete, yo estoy aquí.
48:18Venga.
48:24Nico, ¿habías visto un fantasma?
48:25No, espera.
48:27Si el fantasma eres tú.
48:29¿Lo pasó bien anoche, doña Lázaro?
48:31Sí.
48:33He de decir en una sola palabra que fue una velada única.
48:38Ya no la volveré a interrogar.
48:40Aunque le digo que si fuera por mí,
48:43acabaría sacándole a usted toda la verdad,
48:47por las buenas o por las malas.
48:49Esa muchacha tiene los nervios destrozados
48:51y no voy a parar hasta que la ve internada en un manicomio.
48:56Carla, esto termina aquí.
48:58Necesito que me compre un pasaje para sacar a mi hija
49:00cuanto antes de España.
49:02Y piense que tendrá que ayudarme a sacarla a la puerta.
49:04¿Se puede saber qué está mirando?
49:06¿Tú, hechura?
49:08Tú estás más repuesta, más gordilla, ¿no?
49:10A ver, ponte de perfil.
49:12¿No serán que esas prisas que vienen para casarse
49:14son por otro motivo, no?
49:16Ahora que soy un hombre de provecho gracias a ti,
49:19¿me dejas invitarte a merendar para agradecerte los consejos?
49:26Es que ¿sabes qué pasa?
49:28Que yo no como nada entre horas.
49:30Pues quedamos al punto.
49:32Cuando dos personas se comprometen tan rápido,
49:35es por lo que es.
49:37Y te digo yo que cuando nazca este bebé,
49:39todo el mundo se va a poner a hacer cuentas.
49:41No quiere saber nada de la rehabilitación.
49:43Yo pensaba que a usted la convencería.
49:45Lo he intentado por activa y por pasiva,
49:46pero obligada no la puedo llevar.
49:49¿Quieres venir a trabajar a la Moderna?
49:51Pero, Inés, ¿qué pasa con tus actuaciones?
49:54Yo ya he tomado una decisión y no voy a volver a actuar.
49:58Imagínate que te gusta un chico
50:00y a una amiga tuya también le gusta ese chico,
50:03pero tu amiga no sabe que tú te has fijado antes.
50:06Bueno, ¿y qué pasa?
50:08Pasa que tu amiga te pide que hagas de Celestina con ese chico.
50:11¿Tú qué harías?
50:13Hay que desmascarar a doña Lázara antes de que sea demasiado tarde.
50:14No, no, Teresa.
50:16Hay que tener mucho cuidado.
50:18Esta mujer tiene la sartén por el mango.
50:20Está claro que hay que actuar con cabeza,
50:22pero tenemos que actuar.
50:24Eso lo tengo clarísimo.
50:26Traigo el ramo.
50:28Mi tío dice que no te apures,
50:30que le espera con el coche todo el tiempo que haga falta.
50:32Necesitas ayuda con algo.
50:34Necesito que esta muchacha vaya por el vestido.
50:36Por favor.
50:38Lo único que le voy a poner unas horquillitas más aquí.
50:40Parece un costurero, Marta.
50:42Pietro, maestro, ¿qué tal va todo?
50:44Si no, tengo aquí un poquito de reconstituyente,
50:46que esto templa los ánimos que no vean.
50:48No, no, gracias.
50:50Es que tengo un mal presentimiento.
50:52Oye, Cañete, tú sabes que aunque estemos juntos en esto,
50:55no hay nada más entre nosotros, ¿verdad?
50:59Teresa, mis sentimientos son los que son.
51:01Te amo.
51:03Te amo con toda la fuerza de mi corazón.
51:05Y ahora, con tanta boda a nuestro alrededor,
51:08mira, me cago en la mar.
51:11¿Quieres casarte conmigo?
51:12¡Ahí está la nubila!