VARIOS DÍAS DE LA VIDA DE I I OBLOMOV DRAMA PELICULA COMPLETA DRAMA PARTE 1
VARIOS DÍAS DE LA VIDA DE I I OBLOMOV DRAMA PELICULA COMPLETA DRAMA PARTE 1
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Short filmTranscript
00:00:00This is a work of fiction. Any resemblance to anyone, living or dead, is coincidental and unintentional.
00:00:30This is a work of fiction. Any resemblance to anyone, living or dead, is coincidental and unintentional.
00:01:00This is a work of fiction. Any resemblance to anyone, living or dead, is coincidental and unintentional.
00:01:31Ilya Ilyich, why are you making so much noise?
00:01:34Mommy has arrived. Don't wake her up.
00:01:36Mommy has arrived?
00:01:43When will Mommy get up?
00:01:45Soon.
00:01:46When did she arrive?
00:01:48It's late, daddy. You're already asleep.
00:01:54I'll go and listen to her. Hasn't she woken up yet?
00:01:58Why are you so restless, daddy? You haven't seen Mommy for a day, and now you're all tired.
00:02:04Why is that, nanny? It's light there, and dark here. And it will be light here soon.
00:02:13It's because the sun is going to meet the moon, but it doesn't see it.
00:02:19So it's praying. And soon, as soon as it sees the moon...
00:02:29Ilya Ilyich, daddy, why are you standing here? Wake Mommy up.
00:02:39Mommy has arrived!
00:02:44Mommy has arrived!
00:02:48Mommy has arrived!
00:02:54Mommy has arrived!
00:02:58Mommy has arrived!
00:03:29Mommy has arrived!
00:03:34Mommy has arrived!
00:03:38Mommy has arrived!
00:03:42Mommy has arrived!
00:03:46Mommy has arrived!
00:03:50Mommy has arrived!
00:03:53Mommy has arrived!
00:03:57Mommy has arrived!
00:04:01Mommy has arrived!
00:04:05Mommy has arrived!
00:04:09Mommy has arrived!
00:04:13Mommy has arrived!
00:04:17Mommy has arrived!
00:04:20Mommy has arrived!
00:04:51In St. Petersburg, in Gorokhova Street, in one of the big houses of the population,
00:04:57which had become a whole suburban city,
00:05:00Ilya Ilyich Oblomov lay in bed in his apartment in the morning.
00:05:07Lying in Ilya Ilyich's bed was neither a necessity, like a sick person,
00:05:13nor a coincidence, like a tired person, nor a pleasure, like a lazy person.
00:05:18It was his normal state.
00:05:22Oblomov, a nobleman by birth, a collegiate secretary,
00:05:26settled in St. Petersburg 12 years ago.
00:05:29At that time he was still young, full of different aspirations,
00:05:32he was expecting a lot from his fate, from himself,
00:05:35everything was being prepared for the funeral, for the role.
00:05:38But the days went by, the years changed into years,
00:05:42the service was abandoned, the fur coat turned into a hard beard,
00:05:46the waist was rounded, the hair began to climb unmercifully,
00:05:50it fell over in 30 years,
00:05:52and he did not move a step, did not move at all,
00:05:56and still stood at the threshold of his arena,
00:05:59where he was 10 years ago.
00:06:02Zakhar!
00:06:11Zakhar!
00:06:16Hello.
00:06:25Well, where are you going?
00:06:28Don't say anything, it's in vain to stand here.
00:06:31Are your legs dry?
00:06:33You see, the master is worried, so wait.
00:06:36He hasn't laid down yet.
00:06:38Look for a letter.
00:06:40What letter? I haven't seen it.
00:06:42You received it from the postman, dirty and familiar.
00:06:45Well, where did you put it, how do I know?
00:06:48I see, you never know anything.
00:06:53Look in the basket, or did it fall down from the sofa?
00:06:58Look, the back of the sofa is still not repaired,
00:07:03what would you like to repair?
00:07:06You broke it, didn't you?
00:07:08I didn't break it, it broke itself.
00:07:10I see, you didn't break it.
00:07:13Did you find it?
00:07:15What letters?
00:07:17Not those.
00:07:18Well, there are no more.
00:07:20Okay, go, I'll find it myself.
00:07:25What a cleanliness you have all around.
00:07:29Dust, dirt, my God, you do nothing.
00:07:35Do I do nothing?
00:07:37Everything is swept up, everything is tidied up,
00:07:41as if it were a wedding.
00:07:43What else?
00:07:45And what is this at the table?
00:07:48I'll probably clean it up.
00:07:50Just a moment.
00:07:53And dust, dirt, cobwebs,
00:07:57sometimes I see you with a rag on the wall.
00:08:00I have a rag, too.
00:08:02It's disgusting.
00:08:06And don't laugh, Zakhar.
00:08:10It's better to clean up.
00:08:18Zakhar, is the washroom ready?
00:08:20It's been ready for a long time. Why are you standing there?
00:08:23The manager has sent a janitor again.
00:08:25He says, you definitely need to move.
00:08:27You need an apartment.
00:08:29Don't you dare remind me of an apartment.
00:08:31I've already forbidden you, since you're here again.
00:08:33Look, you'd better go to the butcher.
00:08:36I won't go, they won't give me any more money.
00:08:38Today is the 1st.
00:08:39And what do we owe him?
00:08:4186 rubles.
00:08:42Are you crazy?
00:08:44They didn't pay me for three months.
00:08:46I have it written down, they didn't steal it.
00:08:48How can you say that?
00:08:50You'd better write to the landlord.
00:08:54Maybe he won't touch your apartment.
00:08:58All right, go to the butcher.
00:09:01I'll think about it and write.
00:09:04I'm going.
00:09:09Ilya Ilyich was very concerned.
00:09:13The fact is, after the death of his father and mother,
00:09:16he became the sole owner of 350 showers,
00:09:19which he inherited from a distant province,
00:09:22almost in Asia.
00:09:24And from this property, from his old man,
00:09:26he received a letter of unpleasant content yesterday.
00:09:29But it is known what troubles the old man can write about.
00:09:32No harvest, no yield,
00:09:35no income reduction, and so on.
00:09:38A few years ago,
00:09:40Ilya Ilyich began to create in his mind
00:09:42a plan of various changes and improvements in his estate.
00:09:45He would like to see improvements and changes in this plan.
00:09:49But only to do it somehow,
00:09:52imperceptibly, of course.
00:09:55And then the landlord asked to leave.
00:09:57He needs an apartment, his son is getting married.
00:10:00Oblomov was in trouble.
00:10:02He had to think whether to write about the old man,
00:10:04about the move, about the money.
00:10:09Zakhar!
00:10:11Did you write a letter?
00:10:13Yes, I did. Did you go to the shop?
00:10:15I went to a closed shop. The butcher left.
00:10:17I'll go there again.
00:10:19All right, all right.
00:10:33Oh, it's you, Alexey!
00:10:35Hello, Ilya Ilyich.
00:10:37Don't come to me. I won't give you a hand.
00:10:39You're cold.
00:10:41What are you talking about? I'm not cold, Ilya Ilyich.
00:10:43I didn't think to come to you today.
00:10:46Ovchinin met me and took me to his place.
00:10:49I'm here for you, Ilya Ilyich.
00:10:51Where are you going?
00:10:53To Ovchinin.
00:10:55Let's go.
00:10:57Matvey Andreevich,
00:10:59Alianov,
00:11:01Kazimir Pkhailo,
00:11:03Vasily Kalimyagin.
00:11:05What are they going to do?
00:11:07What do they want from me?
00:11:09Ovchinin invites you to dinner.
00:11:11Dinner?
00:11:13Sit down, we'll think about it.
00:11:17Get up, it's time to get dressed.
00:11:19Why should I get dressed?
00:11:21I haven't washed my face yet.
00:11:23Then wash your face.
00:11:29What are you doing?
00:11:31What?
00:11:33You're still lying down.
00:11:35What's the matter?
00:11:37You wanted to go somewhere.
00:11:39No, I didn't want to go anywhere.
00:11:41I haven't told you about my affairs yet.
00:11:43What affairs? I don't know.
00:11:47Why don't I get up for so long?
00:11:49While I was lying down,
00:11:51I was thinking how to get out of trouble.
00:11:53What's the matter?
00:11:55I don't know.
00:11:57What's the matter?
00:11:59Two misfortunes.
00:12:01Imagine,
00:12:03you have to move out of your apartment.
00:12:05The landlord is joking with me.
00:12:07He says, move out as soon as possible.
00:12:09As soon as possible?
00:12:11It's very hard to move out.
00:12:13There's always a lot of trouble with moving out.
00:12:15It's very boring.
00:12:17Some people like to move out.
00:12:19They find pleasure in moving out.
00:12:21Zakhar!
00:12:23Zakhar!
00:12:25Zakhar!
00:12:27I don't care about the apartment.
00:12:29Zakhar!
00:12:31Look how he's writing to me
00:12:33from the village of Starostan.
00:12:35Zakhar!
00:12:37Where's my letter?
00:12:39I can't find it.
00:12:41Did I eat it?
00:12:43Where is it?
00:12:45Here it is.
00:12:47Go away.
00:12:49I'm tired of you.
00:12:51Look.
00:12:55Dear sir, your nobleness.
00:12:57It doesn't matter.
00:12:59I told you, it's cold.
00:13:01There won't be any rain for the fifth week.
00:13:03The old people won't remember this winter.
00:13:05Winter? It's not interesting.
00:13:07Three men left for Ivanovo.
00:13:11Oh, my God.
00:13:13And there won't be
00:13:15any canvas at the fair this year.
00:13:17They drink.
00:13:19Oh, my God.
00:13:21Here.
00:13:23This year
00:13:25we'll send
00:13:27our benefactor
00:13:29two thousand
00:13:31coins
00:13:33against the year
00:13:35that has passed.
00:13:37Oh, my God.
00:13:39There are no months or years.
00:13:41There should be a letter
00:13:43from last year
00:13:45from the village of Starostan.
00:13:47Can you imagine
00:13:49how you'll like it?
00:13:51Two thousand coins.
00:13:55How much will you get?
00:13:59How much did I get
00:14:01last year?
00:14:03Didn't I tell you?
00:14:05No.
00:14:07I should have asked
00:14:09Tolstoy.
00:14:11He'd better come back.
00:14:13He writes that he'll come
00:14:15but he doesn't know
00:14:17where he is.
00:14:21Hmm.
00:14:25Should I write
00:14:27to the governor?
00:14:29Who is your governor?
00:14:35Write to the governor.
00:14:37It's dry.
00:14:39It's hot.
00:14:43Write to the governor.
00:14:51Oh, my God.
00:15:05Nya-nya.
00:15:07Nya-nya.
00:15:09Where are you, Ilyusha?
00:15:11Where are you hiding?
00:15:13Ilyusha.
00:15:15Ilyusha.
00:15:17Good morning, Daddy.
00:15:21Ilyusha.
00:15:25Walk carefully on the porch.
00:15:29Don't make any noise.
00:15:31Our little one is sleeping.
00:15:33She's tired from the road.
00:15:37Ilyushenka.
00:15:39Where did you run off to?
00:15:41Ilyusha.
00:15:43What are you doing, Ilyusha?
00:15:45You naughty girl.
00:15:47Ilyusha.
00:15:51Ilyusha.
00:16:15We need to fix
00:16:17the porch.
00:16:19We've been working on it.
00:16:21You see,
00:16:23it's completely broken.
00:16:25But it was broken
00:16:27when we were building it.
00:16:29So what?
00:16:31It didn't fall apart.
00:16:33It's been standing
00:16:35for 16 years.
00:16:37Luka did a good job.
00:16:39Yes, he did a good job.
00:16:41It was solid.
00:16:43Yes.
00:16:45It's dead.
00:16:47We've had enough of it.
00:16:49We won't do it again.
00:16:51No.
00:16:53Did Luka build it?
00:16:55No.
00:16:57Not Luka.
00:16:59No.
00:17:01Yes, Luka.
00:17:03Luka.
00:17:05Luka.
00:17:07Luka.
00:17:09Luka.
00:17:11Ilyushka.
00:17:17Ilyusha.
00:17:23You can't do that, father.
00:17:25You can't wake up your mother.
00:17:27It's a joke.
00:17:29She hasn't been home all day
00:17:31and has been on the road all night.
00:17:33Ilyusha.
00:17:41Mom, dad,
00:17:43what are you doing?
00:17:45Ilyusha.
00:17:47Ilyusha.
00:17:53Why aren't you writing?
00:17:59I could fix your feather.
00:18:03I'm sorry.
00:18:05I think I fell asleep.
00:18:07It's all right.
00:18:09Alexeev was always
00:18:11an obedient and ready listener
00:18:13and participant,
00:18:15who shared the same
00:18:17agreement about Oblomov's silence,
00:18:19his talk, his excitement,
00:18:21and his way of thinking,
00:18:23whatever it was.
00:18:25And although Oblomov was affectionate
00:18:27with him,
00:18:29he sincerely loved only one person.
00:18:31He believed in only one person.
00:18:33Maybe because he grew up,
00:18:35studied and lived with him.
00:18:37That was
00:18:39Andrei Ivanovich Shtoltz.
00:18:41Shtoltz was on leave,
00:18:43but Oblomov waited for him
00:18:45from hour to hour.
00:18:49Why don't you say anything?
00:18:51You wanted to talk about something.
00:18:53God be with you.
00:18:55Go somewhere.
00:18:57First I'll think alone,
00:18:59and then I'll talk to you.
00:19:01Very good.
00:19:03In fact, it's good later.
00:19:05Everything is ready.
00:19:07Don't worry.
00:19:11The next day
00:19:17You came to my apartment again.
00:19:19You should leave.
00:19:35Ilya Ilyich.
00:19:41What are we going to do?
00:19:43Get out of here, Ilya.
00:19:45I forbade you
00:19:47to remind me about it.
00:19:49You're a poisonous man, Zakhar.
00:19:51I'm not poisonous.
00:19:53All right, go away.
00:19:55Take it all away.
00:19:57Just look,
00:19:59I remembered,
00:20:01there's a piece of cheese
00:20:03and a ham left there.
00:20:05I'll take it.
00:20:07I'll take it.
00:20:09There's a piece of cheese
00:20:11and a ham left there.
00:20:13Give it to me in the evening.
00:20:15Otherwise you'll tear it up again,
00:20:17as always.
00:20:19And you'll lie to your master
00:20:21that you have some left.
00:20:23I wish they wouldn't let anyone in.
00:20:25There's a lot left.
00:20:27I'd rather think about moving.
00:20:29Others move.
00:20:31What?
00:20:33What?
00:20:35What did I say?
00:20:37I'd rather think about moving.
00:20:39Others move.
00:20:45All right.
00:20:51Zakhar.
00:20:55Come here.
00:20:57Closer, closer.
00:21:01How do you feel?
00:21:03It's not good, is it?
00:21:05What did I say?
00:21:07Did you think about
00:21:09what you said,
00:21:11you poisonous man?
00:21:13What did I say?
00:21:15You said that others move.
00:21:17Others don't.
00:21:19That's what you said.
00:21:21Now I'll know
00:21:23that it's different for you.
00:21:25Did you think
00:21:27what is different,
00:21:29you poisonous man?
00:21:31Should I tell you
00:21:33what is different?
00:21:35Do you know
00:21:37what is different?
00:21:39What?
00:21:41Others will move
00:21:43to a new apartment.
00:21:45They'll take a line
00:21:47and two shirts
00:21:49and go somewhere.
00:21:51That's different.
00:21:53Do you think I'm different?
00:21:55Oh, father,
00:21:57I feel sorry for you.
00:21:59Am I different?
00:22:01Don't I feel it?
00:22:03I work, I eat little,
00:22:05I'm skinny.
00:22:07Don't I lack anything?
00:22:09All my life
00:22:11I've never put a stocking on my legs.
00:22:13I live, thank God.
00:22:15Who am I talking to?
00:22:17You didn't follow me since childhood.
00:22:19You know, you saw
00:22:21that I was brought up gently.
00:22:23I never suffered from cold or hunger.
00:22:25I didn't know what I needed.
00:22:27I didn't earn my own bread.
00:22:29I didn't do any bad things.
00:22:31How did you
00:22:33get the nerve
00:22:35to compare me
00:22:37with others?
00:22:39I opened
00:22:41a house for him,
00:22:43a garden.
00:22:45I appointed him.
00:22:47He's a major,
00:22:49he's an old man,
00:22:51he's a trustee.
00:22:53How could you
00:22:55insult me so bitterly
00:22:57to a man
00:22:59whom you serve all your life,
00:23:01whom you
00:23:03raised as a child?
00:23:05My God,
00:23:07what have I done to you?
00:23:09What's the matter with you?
00:23:19Leave me!
00:23:21Get out of here!
00:23:23Get out of here!
00:23:27Get out!
00:23:33Let's drink.
00:23:35Let's drink.
00:23:37Come on.
00:23:39Lower the curtains.
00:23:41The curtains.
00:23:43And close them tighter.
00:23:47I might fall asleep
00:23:49for an hour.
00:23:51And in the middle of the fifth
00:23:53wake me up.
00:23:55And the sound...
00:24:09A light, pleasant
00:24:11numbness ran through his legs
00:24:13and began to blur
00:24:15his senses with sleep,
00:24:17as the first frosts
00:24:19blur the surface of the waters.
00:24:21One more minute,
00:24:23and God knows where,
00:24:25but suddenly Ilya Ilyich
00:24:27woke up and opened his eyes.
00:24:29I didn't wash my face,
00:24:31I whispered to him,
00:24:33how could it be?
00:24:35I didn't do anything.
00:24:37I wanted to make a plan,
00:24:39but I didn't.
00:24:41I didn't write to the governor,
00:24:43to the landlord,
00:24:45I didn't trust the accounts.
00:24:47The morning was gone.
00:24:49He wondered,
00:24:51what was going on in his head?
00:24:53Another, another.
00:24:55What is it?
00:24:57Another.
00:24:59He went deeper
00:25:01in comparison of himself with another.
00:25:03One of the clear
00:25:05and conscious moments
00:25:07in Oblomov's life came.
00:25:09How terrible it became
00:25:11when suddenly in his soul
00:25:13a vivid and clear idea
00:25:15of human fate and destiny arose,
00:25:17and when a parallel
00:25:19to his own life arose.
00:25:21It was painful for him
00:25:23to hear this secret confession
00:25:25to himself.
00:25:27The regret of the past,
00:25:29the burning reproaches of conscience
00:25:31were like needles to him.
00:25:33It was all Zakhar,
00:25:35he whispered.
00:25:37He remembered the details
00:25:39of the scene with Zakhar,
00:25:41and his face was filled
00:25:43with a fire of shame.
00:25:45What if someone had heard it?
00:25:47Thank God,
00:25:49Zakhar won't be able
00:25:51to tell anyone,
00:25:53and they won't believe him.
00:25:59Ilyich!
00:26:05Ilyich!
00:26:09He's asleep,
00:26:11like a stone.
00:26:13Ilyich!
00:26:19Wake up!
00:26:21It's half past five already.
00:26:27Ilyich!
00:26:29What do you want?
00:26:31You told me to wake you up.
00:26:37I have fulfilled
00:26:39the commandment
00:26:41of your father.
00:26:45The rest is up to you.
00:26:47I won't go.
00:26:49Ilyich, wake up.
00:26:53I won't touch you.
00:26:55I'm a vagabond.
00:26:57You can't do this.
00:26:59Ilyich, wake up.
00:27:01Listen to me.
00:27:03You'll be angry with me.
00:27:05I know it.
00:27:07You know it?
00:27:09I know it.
00:27:11I'm a vagabond.
00:27:15I was born in this world.
00:27:19Get up!
00:27:21Get up!
00:27:23Do you think I'm sleeping?
00:27:25I'm not sleeping.
00:27:27I'm listening to you.
00:27:29Oh, my dear.
00:27:31Why are you lying like a log?
00:27:33I'm sick of looking at you.
00:27:35Look at me, my good man.
00:27:37Get up!
00:27:39Ilyich!
00:27:41Ilyich!
00:27:43Look what's going on around you.
00:27:47I'll wake up
00:27:49when I'm asleep.
00:27:51Get up!
00:27:55I'll show you
00:27:57how to disturb the master
00:27:59when he wants to sleep.
00:28:03Give me some kvass.
00:28:07Give me some kvass.
00:28:11Ilya!
00:28:13Andrey!
00:28:15Get up!
00:28:17Get up!
00:28:19Get up!
00:28:27I made a cart for him
00:28:29from Verkhlyovka.
00:28:31And my mother gave me
00:28:33these gloves.
00:28:35I'll wake up
00:28:37when I'm asleep.
00:28:39And while I'm asleep
00:28:41they're all sleeping.
00:28:43Let's see how they sleep.
00:28:45Come on.
00:28:47Be quiet.
00:29:05Snoring
00:29:07Snoring
00:29:09Snoring
00:29:11Snoring
00:29:13Snoring
00:29:15Snoring
00:29:17Snoring
00:29:19Snoring
00:29:21Snoring
00:29:23Snoring
00:29:25Snoring
00:29:27Snoring
00:29:29Snoring
00:29:31Snoring
00:29:33Snoring
00:29:35Snoring
00:29:39Snoring
00:29:41Snoring
00:29:43Snoring
00:29:45Snoring
00:29:47Snoring
00:29:55That's what I can do
00:29:59And I can do
00:30:03Why didn't you fix that wing?
00:30:05I don't know.
00:30:09Listen, let's go for a spin.
00:30:11Let's go.
00:30:33Stolz became Oblomov.
00:30:49Stolz's life, as always, was filled with affairs, visits, society.
00:30:54And as Ilya Ilyich did not protest, did not complain, did not argue,
00:30:58he was fond of his friend and accompanied him everywhere.
00:31:02We need to start a new life, Stolz said to him, now or never.
00:31:08Stolz was Oblomov's age, and he was already over 30 years old.
00:31:12He served, resigned, took up his own affairs,
00:31:16and thanks to his efforts and mind, he was successful.
00:31:20He often told Oblomov that the normal purpose of a person
00:31:25is to bring the vessel of life to the last day without spilling a single drop in vain,
00:31:30and that a smooth and slow burning of fire is better than a stormy fire,
00:31:35no matter how poetic it may be.
00:31:39Whatever Stolz encountered in his life,
00:31:42he now used the technique that was necessary for this phenomenon.
00:31:46Like a key-keeper, he would immediately choose from a pile of keys
00:31:50the name that was necessary for one door or another.
00:31:55Zakhar! Let him get dressed and hurry up!
00:32:26That's it.
00:32:29Now we'll have breakfast.
00:32:32Then...
00:32:36we'll go to the chamber of business, then we'll have lunch.
00:32:39By the way, Ilya, you'll make a pleasant acquaintance.
00:32:42I invited the gold-miner, the one Davich was talking about.
00:32:45Then we were invited to drink tea.
00:32:47Oh, yes, I'll certainly introduce you to Olga Ilyinskaya.
00:32:51Here's her voice, here's her singing.
00:32:56What a charming child she is!
00:32:58Maybe I'm too weak for her.
00:33:01You know, you can be weak sometimes.
00:33:03Yes, sometimes.
00:33:05Who's that?
00:33:07Hurry up and get dressed and bring breakfast. I'll open the door.
00:33:16Ah, it's you, Alexei.
00:33:19Ivan Alexeevich.
00:33:21I'm sorry, I'm listening.
00:33:23Excuse me, Andrei Ivanovich, I thought Zakhar would open the door.
00:33:27Should I send an invitation to Ilya Ilyich?
00:33:30No, not to Ilya Ilyich.
00:33:32He left in the evening for some business.
00:33:34He won't be back soon.
00:33:36He's going abroad now, then to Oblomovka.
00:33:40Thank God.
00:33:42He's been waiting for you, Andrei Ivanovich.
00:33:45He says, Andrei Ivanovich, my friend Stoltz will come
00:33:48and everything will be fine.
00:33:51Ah, let me ask you something.
00:33:54Why are we whispering?
00:33:56Is there someone in the house?
00:33:58Zakhar is sleeping.
00:34:03I'm sorry.
00:34:06I have to go to work.
00:34:08Goodbye.
00:34:09Goodbye.
00:34:10Goodbye, Alexei.
00:34:12I'm Ivan Alexeevich.
00:34:16Zakhar!
00:34:19Come on, come on, come on.
00:34:21What did you bring?
00:34:28Veal.
00:34:34Did you see it?
00:34:36Yes, I did.
00:34:37But Andrei Ivanovich, have pity on him.
00:34:39He can't eat your food.
00:34:41Go, bring what I ordered.
00:34:43And the car.
00:34:46Why don't we have breakfast?
00:34:48It's getting late.
00:34:49Andrei, who was that?
00:34:51It was me.
00:34:52I brought the papers.
00:34:53Go give them to Ilya.
00:34:54Let's go.
00:35:00Oh, Ilya, just listen to the smell.
00:35:04If health itself was a thing
00:35:06that you could see and smell,
00:35:09I'm sure it would look like this.
00:35:12It should smell like this.
00:35:16Ah.
00:35:19Zakhar.
00:35:22Take it.
00:35:25I got it in Europe.
00:35:27No one understands it there either.
00:35:29It would be much easier.
00:35:32Animals are healthier than us.
00:35:34So eat the same as they eat,
00:35:36and you'll be just as healthy.
00:35:38Here, Zakhar, just smell it.
00:35:40All right, go.
00:35:42Go.
00:35:46Ilya,
00:35:47get rid of the fat first,
00:35:49the body's heaviness.
00:35:50Then the sleep of the soul will fly away.
00:35:53Ah, Andrei, you know,
00:35:54I'm struggling with myself.
00:35:56I know everything, I understand everything.
00:35:58You said about the sleep of the soul.
00:36:01I know everything,
00:36:02but I don't have the will or the strength
00:36:04to leave this sleep.
00:36:08Maybe I'll follow you,
00:36:10but I can't do it alone.
00:36:11Sorry, I interrupted you.
00:36:13Thank you.
00:36:14Didn't you forget to submit a request to the ward tomorrow?
00:36:16Not later.
00:36:18Oh, pack your things,
00:36:19we have to go in five minutes.
00:36:22What about tea?
00:36:24Andrei, what about tea?
00:36:25Tea is harmful.
00:36:29He won't sell these shares,
00:36:30he won't even have them,
00:36:31for three quarters,
00:36:32so that after the fall in the price,
00:36:34he can buy them for five eighths.
00:36:36Now you understand?
00:36:37Five eighths of what?
00:36:38Well, there is the price of the shares,
00:36:40there is the current price,
00:36:41for example, three quarters.
00:36:42What three quarters?
00:36:44Don't you understand anything at all?
00:36:52Your Excellency,
00:36:53Mr. Shtoltz is here to see you.
00:36:55Oh, excuse me.
00:37:01Pavel Petrovich.
00:37:04Hello.
00:37:05Oh, my dear,
00:37:06glad to see you.
00:37:08How are you?
00:37:09How are our bodies?
00:37:11I beg your pardon,
00:37:12let me introduce you to my friend,
00:37:13Oblomov.
00:37:14Nice to meet you.
00:37:15Andrei told me a lot about this project.
00:37:19I haven't seen you for a long time,
00:37:20I don't know anything.
00:37:21Your Excellency,
00:37:22everything is signed.
00:37:25Everything is signed.
00:37:26Well done.
00:37:27Energetic man.
00:37:29I didn't expect anything else from you.
00:37:31But, my friend,
00:37:32taking this serious matter,
00:37:34I still thought about
00:37:36what glass you need,
00:37:38Venetian,
00:37:39and where to get it,
00:37:40do you understand?
00:37:41Pavel Petrovich,
00:37:42I understand everything,
00:37:43everything is laid out here.
00:37:44I understand that everything is laid out,
00:37:46but glass is very expensive,
00:37:48do you understand me?
00:37:50If you turn to...
00:37:51No, no, no.
00:37:52Don't, don't turn to him.
00:37:53Don't.
00:37:54It can do him no harm.
00:39:12Go, Nadezhda told me,
00:39:14and settle down again in Europe.
00:39:41Hello.
00:40:11Hello.
00:40:41I'm ready.
00:40:42What, Andrey Ivanovich?
00:40:43They are sleeping.
00:40:44It's dark in their house.
00:40:46Go and see.
00:40:48Be careful.
00:41:11Close the door.
00:41:17Take it.
00:41:18No.
00:41:19Give me a spoon.
00:41:20Give me a spoon.
00:41:24Leave it,
00:41:25not a step without it.
00:41:31I'll give you a pie now.
00:41:32Come on.
00:41:41So,
00:41:42it means never.
00:41:49It means never, Ilya.
00:41:51What, never?
00:41:54Listen, Ilya,
00:41:57who are you deceiving?
00:42:00Not me,
00:42:01but yourself.
00:42:04Remember how you were rejoicing
00:42:05in your cheerfulness,
00:42:06in your freshness,
00:42:07in your lightness.
00:42:09Where is your burn,
00:42:10where are your bruises?
00:42:12Your face is all wrinkled,
00:42:13and you haven't been lying down for a few days
00:42:15and haven't eaten any filth.
00:42:21Do you want to look like a ragged,
00:42:23worn-out caftan again?
00:42:27Then say so,
00:42:28and don't ask for mercy.
00:42:29Tomorrow you'll be led to bed
00:42:31on a lamb's leg,
00:42:33or better yet,
00:42:34on a fried pig's leg.
00:42:35Lie down,
00:42:36sleep, drink,
00:42:37if you want.
00:42:40Listen, Ilya,
00:42:42what's the big deal
00:42:43that you'll eat now
00:42:44and go to bed
00:42:45with such a belly?
00:42:48And tomorrow you'll curse yourself
00:42:49for this weakness.
00:42:51And what will you eat?
00:42:52Just think about it.
00:42:53What do you have there?
00:42:55I'm asking,
00:42:56what do you have there?
00:42:58Soup
00:43:01with meat.
00:43:11All right.
00:43:13But not too much,
00:43:16and for the last time.
00:43:19Now or never.
00:43:20Remember, Ilya.
00:43:24He's gone.
00:43:25Ah, to hell with you!
00:43:28Zakhar, give me a spoon.
00:43:31And a plate.
00:43:33A spoon, a plate.
00:43:34And a pie,
00:43:35when you bring it to the canal.
00:43:36What's the big deal
00:43:37that you'll eat there?
00:43:38What's the big deal
00:43:39that you'll eat there, Ilya?
00:43:40What do you have there?
00:43:41Mushrooms.
00:43:43From Soblob.
00:43:50How could these people
00:43:51be so close
00:43:53in which every line,
00:43:54every step,
00:43:55all existence
00:43:57was a drunken protest
00:43:59against each other's life?
00:44:01But it seems
00:44:02to be a solved issue
00:44:03that the opposite extremes
00:44:05do not prevent
00:44:06for sympathy.
00:44:07Moreover,
00:44:08they were connected
00:44:09by childhood and school,
00:44:10two strong springs.
00:44:12Then, the Russian kind,
00:44:13fat affection
00:44:14abundantly spread
00:44:15in the family
00:44:16of a broken-eared
00:44:17German boy.
00:44:18Then, the role of the strong
00:44:19that Stoltz
00:44:20played when he was broken.
00:44:22Finally,
00:44:23and most of all,
00:44:25the pure,
00:44:26bright,
00:44:27kind beginning
00:44:28that lies at the base
00:44:29of Ilya Ilyich's nature,
00:44:31which was filled
00:44:33with deep sympathy
00:44:34for everything that is good
00:44:36and that only responded
00:44:37to the call of this simple,
00:44:39simple,
00:44:40always trusting
00:44:41heart.
00:44:45Here, Ilya,
00:44:46this is a real bathhouse.
00:44:48You can't compare it
00:44:49to any in St. Petersburg.
00:44:51And the smell,
00:44:52do you hear it?
00:44:53I remember
00:44:54this smell
00:44:55from my childhood.
00:44:57My father used to
00:44:58plant me with him
00:44:59on a spring cart,
00:45:02gave me a cart
00:45:03and ordered me
00:45:04to be taken to the factory
00:45:07and then to the fields,
00:45:08and then to the city,
00:45:09and then to look at
00:45:10some clay.
00:45:12Andrei,
00:45:13you really should go
00:45:14to this lunch without me.
00:45:16You see,
00:45:17I still have to...
00:45:18So,
00:45:19you'll shake so much
00:45:20that you won't be able to walk.
00:45:23And this bathhouse
00:45:24is made of fuel.
00:45:25You climb to the top,
00:45:26it smells like wood,
00:45:27like a broom.
00:45:28No,
00:45:29in fact,
00:45:30Andrei,
00:45:31I need to
00:45:32stay at home
00:45:33for a couple of days.
00:45:34I need to finish my plan.
00:45:36And I'm afraid
00:45:37I won't get well.
00:45:38I'll get
00:45:39sick again.
00:45:41What, Ilya,
00:45:42you want to be on the couch?
00:45:43I won't let you go anywhere.
00:45:44Now or never.
00:45:45Remember the deal?
00:45:59Come here, Ilya.
00:46:02Here's my health.
00:46:03I won't get sick again.
00:46:07Ilya!
00:46:08Here you go.
00:46:10No,
00:46:11you think I'm joking?
00:46:13Now or never.
00:46:14Stop it!
00:46:15Stop it!
00:46:19Now or never.
00:46:20Let me go!
00:46:21Now or never.
00:46:22Let me go!
00:46:23Now or never.
00:46:24Let me go!
00:46:25Now or never.
00:46:26Let me go!
00:46:27Now or never.
00:46:28Let me go!
00:46:29Let me go!
00:46:31Let me go!
00:46:32Let me go!
00:46:45Ilya, what's wrong?
00:46:47I don't like this.
00:46:51Ilya...
00:46:53My shoulder
00:46:54is going to hurt.
00:46:56Ilya...
00:47:00I said I don't like this.
00:47:02And you're doing it on purpose.
00:47:03What are you talking about?
00:47:05You're doing it on purpose,
00:47:06because I don't like it.
00:47:07I can't, and you're forcing me to.
00:47:08I'm tired, tired, tired.
00:47:10Of what, Ilya?
00:47:11Of everything.
00:47:12Of parties, meetings,
00:47:13acquaintances with Chepitia,
00:47:15conversations,
00:47:17of this non-stop running around.
00:47:20Of lawsuits, of gossip.
00:47:21I don't like your life in St. Petersburg.
00:47:24What do you like?
00:47:25Not like here.
00:47:28Really?
00:47:29What exactly didn't you like here?
00:47:31Everything!
00:47:36No one has
00:47:37a clear dead face.
00:47:39One is tormented
00:47:40that he is condemned
00:47:41to go to work every day,
00:47:42and the other is so sad
00:47:43that he doesn't have
00:47:44such a blessing.
00:47:46That's the ideal goal of life.
00:47:53So...
00:47:56What, to do business?
00:47:58And to sit in the reception?
00:48:00You don't want to?
00:48:01I don't.
00:48:02Just like I don't want
00:48:03your secular life.
00:48:05To enter the hall
00:48:06and admire
00:48:07how symmetrically
00:48:08the guests are seated.
00:48:09How peacefully
00:48:10and thoughtfully
00:48:11they sit at their desks.
00:48:13I have nothing to say
00:48:14about the glorious task of life.
00:48:16A great example
00:48:17for those who seek
00:48:18to move their minds.
00:48:19Aren't they dead?
00:48:20Aren't they sleeping
00:48:21and sitting at their desks
00:48:22all their lives?
00:48:23And what is my fault
00:48:24if they are lying
00:48:25on their sofas
00:48:26not infecting their heads
00:48:27with three wallets?
00:48:28They feed each other
00:48:30with neither kindness
00:48:31nor compassion
00:48:32nor mutual interest
00:48:33in each other.
00:48:35What kind of life is this?
00:48:36What is it for?
00:48:38What will I learn here?
00:48:40And you, Ilya,
00:48:42what and whom
00:48:43can you teach?
00:48:45Me?
00:48:46Yes, you, you!
00:48:49And I'm not going
00:48:50to teach
00:48:51anyone anything.
00:48:54And I don't give
00:48:55exams to anyone.
00:48:56I don't know
00:48:57how this
00:48:58yellow gentleman
00:48:59in glasses
00:49:00came to me.
00:49:02I was reading
00:49:03a speech of some deputy
00:49:04and he looked me in the eye
00:49:05when I said
00:49:06I don't read newspapers at all.
00:49:08Then he came to me
00:49:09and, as I think,
00:49:11why did the French ambassador
00:49:12leave Rome?
00:49:14Mehmet Ali
00:49:15sent a ship
00:49:16to Constantinople,
00:49:17a detachment of troops
00:49:18was sent to the East.
00:49:20So,
00:49:21this yellow gentleman,
00:49:23as you wanted to call him,
00:49:24finished a course
00:49:26in two universities.
00:49:30And while
00:49:31your old man
00:49:32was destroying
00:49:33Oblomovka under your nose,
00:49:36this gentleman
00:49:37had ten such Oblomovks.
00:49:41And he will have twenty more.
00:49:43And all this
00:49:44with his effort,
00:49:45mind and diligence.
00:49:49At six o'clock in the morning
00:49:50he is already on his feet.
00:49:52In summer or winter,
00:49:53he does
00:49:54hygienic gymnastics every day.
00:49:59He doesn't drink at all.
00:50:01He speaks six languages.
00:50:03He knows everything,
00:50:04he knows everyone.
00:50:06His life is subordinated
00:50:07to the goal,
00:50:08to work.
00:50:09Not a single extra step,
00:50:10a step,
00:50:11a word.
00:50:13And he is healthy,
00:50:14rich.
00:50:15And at sixty,
00:50:16he looks younger than you.
00:50:19Why, Andrei?
00:50:20At sixty,
00:50:21you have to look sixty
00:50:22and not thirty-five.
00:50:23That's right.
00:50:24Only then,
00:50:25at thirty-five,
00:50:26you don't have to look
00:50:27fifty years old like you.
00:50:29Ah, Andrei.
00:50:32Well,
00:50:33your gold industry
00:50:34will live another hundred years.
00:50:36Another hundred Oblomovks
00:50:37will earn.
00:50:38But why?
00:50:40Everyone only thinks
00:50:41about how to eat,
00:50:42what is harmful,
00:50:43what is useful,
00:50:44which doctor to see,
00:50:45which water to go to.
00:50:48Everyone only thinks
00:50:49about how to live.
00:50:53But why?
00:50:55No one wants to think.
00:50:59What is your life?
00:51:00What do you need it for?
00:51:01Does anyone need it?
00:51:04Ah, Ilya.
00:51:07Lying on the couch
00:51:08all day long
00:51:10and judging everyone
00:51:11who does business
00:51:12is not difficult.
00:51:14Only maybe
00:51:15instead of judging
00:51:17others,
00:51:18it's better to turn to yourself.
00:51:20And maybe not the world,
00:51:22not the society,
00:51:23is to blame
00:51:24for not being good for you,
00:51:25but you yourself are to blame
00:51:27for not needing it.
00:51:31It's a shame, Andrei.
00:51:32What?
00:51:33Ilya, please.
00:51:34Don't laugh, Andrei.
00:51:36Sometimes it's a shame.
00:51:39To the point of tears.
00:51:44You lie down,
00:51:45turn around,
00:51:46ask yourself,
00:51:48Why am I like this?
00:51:54You don't know the answer.
00:52:02One morning I woke up.
00:52:05There was a tree growing by my window.
00:52:09It was probably 500 years old
00:52:10or more.
00:52:13Maybe a Tatar saw it,
00:52:14maybe a Mamay.
00:52:16It will live another 1000 years,
00:52:17or even more.
00:52:20And the leaves on it
00:52:21change every year.
00:52:23And how many of them
00:52:24have dissolved,
00:52:25turned yellow,
00:52:26fallen.
00:52:28How many more will dissolve
00:52:29and fall.
00:52:31But every leaf,
00:52:32while it grows,
00:52:34lives a life with a tree,
00:52:36with its roots,
00:52:38its branches.
00:52:40It probably feels them.
00:52:42It needs them.
00:52:46So,
00:52:47this leaf has a share
00:52:49in the following
00:52:51years,
00:52:54and in those
00:52:55that have passed.
00:53:05So, we too,
00:53:06whoever we are,
00:53:10if we live,
00:53:11there is a meaning
00:53:13to it.
00:53:16I thought about it,
00:53:19rejoiced,
00:53:21even cried.
00:53:23Ask me why,
00:53:25I can't explain it.
00:53:35Then I read
00:53:37an old book
00:53:39on botany
00:53:41and found out
00:53:43that trees
00:53:44don't live that long,
00:53:45except for sequoias.
00:53:51I was so ashamed
00:53:52that I don't remember
00:53:53what I was studying.
00:53:58In my head,
00:53:59it's like
00:54:00an archive.
00:54:02Dead cases,
00:54:03numbers,
00:54:04eras,
00:54:05religions,
00:54:06nothing is connected.
00:54:12Like a library
00:54:13made up of
00:54:14separate volumes
00:54:15of a complete collection.
00:54:19I forgot about botany.
00:54:21Ask me why
00:54:22I remember that
00:54:23Selevgd I
00:54:25in 306 B.C.
00:54:28defeated some
00:54:29Chandragupta.
00:54:44Well, Ilya,
00:54:49you are a happy man.
00:54:53Let the other one
00:54:54finish three universities,
00:54:56hurry for new knowledge,
00:54:58but you don't know
00:54:59these sufferings.
00:55:01And you sigh
00:55:02that you still
00:55:03can't forget.
00:55:14THE LAST BOOK
00:55:34Stoltz was a German
00:55:35only half the way,
00:55:37according to his father.
00:55:39His mother was Russian
00:55:40and from a poor noble family.
00:55:43He professed
00:55:44the Orthodox faith.
00:55:46His native language
00:55:47was Russian.
00:55:49At the age of eight,
00:55:50little Andrei
00:55:51sat with his father
00:55:52at the geographic map,
00:55:53sorting out
00:55:54illiterate accounts
00:55:55of peasants,
00:55:56peasants,
00:55:57and factory workers.
00:55:58And his father,
00:55:59as a master,
00:56:00completely in German,
00:56:01paid him
00:56:0210 rubles a month
00:56:04and made him
00:56:05sign in the book.
00:56:07And Andrei's mother
00:56:08suffered.
00:56:10She didn't like
00:56:11this labor
00:56:12but, being
00:56:13naturally
00:56:14a shy,
00:56:15quiet person,
00:56:16she didn't argue
00:56:17with her husband.
00:56:19Ivan Stoltz
00:56:20didn't know
00:56:21how to draw
00:56:22a different road
00:56:23for his son
00:56:24than the one
00:56:25he had taken himself.
00:56:26He remembered
00:56:27that when he
00:56:28finished his studies,
00:56:30his father
00:56:31sent him away.
00:56:32So,
00:56:33his son
00:56:34must be sent away
00:56:35when he finishes
00:56:36his studies.
00:56:37This was the custom
00:56:38in Germany.
00:56:39His mother
00:56:40was no longer
00:56:41with him.
00:56:42There was
00:56:43no one
00:56:44to mourn
00:56:45the separation
00:56:46from his father's
00:56:47house.
00:56:48On the day of his
00:56:49departure,
00:56:50only a group
00:56:51of neighbors
00:56:52gathered
00:56:53to see
00:56:54how the manager
00:56:55would let
00:56:56his son
00:56:57go to
00:56:58another country.
00:56:59Ivan Bogdanovich
00:57:00gave his son
00:57:01150 rubles
00:57:02to sign.
00:57:03Two bags
00:57:04were tied
00:57:05to the saddle.
00:57:06In one
00:57:07there was
00:57:08a client's
00:57:09coat,
00:57:10a pair
00:57:11of thin
00:57:12shirts
00:57:13and shoes
00:57:14ordered
00:57:15in Moscow
00:57:16in memory
00:57:17of his
00:57:18mother's
00:57:19instructions.
00:57:20It will
00:57:21cost you
00:57:2240 rubles
00:57:23to get
00:57:24to Moscow.
00:57:25From there
00:57:26to St. Petersburg
00:57:27it will
00:57:28cost you
00:57:2975 rubles.
00:57:30You will
00:57:31be satisfied.
00:57:32The rest
00:57:33is up to you.
00:57:34You are
00:57:35well-educated.
00:57:36Your
00:57:37entire
00:57:38career is
00:57:39open to you.
00:57:40You can
00:57:41serve,
00:57:42trade,
00:57:43or at least
00:57:44compose.
00:57:45I don't know
00:57:46what you will
00:57:47become.
00:57:48What do you
00:57:49want to do
00:57:50the most?
00:57:51Very well.
00:57:52And if
00:57:53you can't,
00:57:54go to
00:57:55Rheingold.
00:57:56He will
00:57:57teach you.
00:57:58He is
00:57:59my friend.
00:58:00We came
00:58:01together
00:58:02from Saxony.
00:58:03He has
00:58:04a four-story
00:58:05house in
00:58:06St. Petersburg.
00:58:07I will
00:58:08tell you
00:58:09the address.
00:58:10Don't.
00:58:11Don't tell him.
00:58:12I will
00:58:13go to him
00:58:14when I
00:58:15have a
00:58:16four-story
00:58:17house,
00:58:18but for now
00:58:19I will
00:58:20manage
00:58:21without him.
00:58:39I am
00:58:41going
00:58:43to
00:58:45study
00:58:47in
00:58:49Rheingold.
00:58:51That is
00:58:53all.
00:59:08What a dog! Not a tear in his eye.
00:59:32That's how it is.
00:59:33That old bastard is good too.
00:59:36Like a kitten thrown out into the street.
00:59:47Stop! Stop! Andrey!
00:59:55Well?
00:59:56The spring is weak. It needs to be tightened.
01:00:00I'll fix it in Shamshivka.
01:00:02There's no time to waste.
01:00:04We need to get there before dawn.
01:00:13Well?
01:00:16Good luck.
01:00:29The film was made with the support of the Ministry of Culture of the Russian Federation.
01:00:37My dear, my dear Andrey!
01:00:41My dear, my dear!
01:00:44Let us say goodbye to each other in a human way.
01:00:48Wait, my dear!
01:00:51My dear, my dear!
01:00:53Let me bless you.
01:00:59My dear, my dear!
01:01:03My dear, my dear!
01:01:08My dear, my dear!
01:01:10Oh, my God.
01:01:13Give me back my child.
01:01:18Oh, Jesus Christ.
01:01:27Where's he?
01:01:40I'm going to get you out of here.
01:01:42I'm going to get you out of here.
01:01:44I'm going to get you out of here.
01:01:46I'm going to get you out of here.
01:01:48I'm going to get you out of here.
01:01:50I'm going to get you out of here.
01:01:52I'm going to get you out of here.
01:01:54I'm going to get you out of here.
01:01:56I'm going to get you out of here.
01:01:58I'm going to get you out of here.
01:02:00I'm going to get you out of here.
01:02:02I'm going to get you out of here.
01:02:04I'm going to get you out of here.
01:02:06I'm going to get you out of here.
01:02:08I'm going to get you out of here.
01:02:10I'm going to get you out of here.
01:02:12I'm going to get you out of here.
01:02:14I'm going to get you out of here.
01:02:16I'm going to get you out of here.
01:02:18I'm going to get you out of here.
01:02:20I'm going to get you out of here.
01:02:22I'm going to get you out of here.
01:02:24I'm going to get you out of here.
01:02:26I'm going to get you out of here.
01:02:28I'm going to get you out of here.
01:02:30I'm going to get you out of here.
01:02:32I'm going to get you out of here.
01:02:34I'm going to get you out of here.
01:02:36I'm going to get you out of here.
01:02:38I'm going to get you out of here.
01:02:40I'm going to get you out of here.
01:02:42I'm going to get you out of here.
01:02:44I'm going to get you out of here.
01:02:46I'm going to get you out of here.
01:02:48I'm going to get you out of here.
01:02:50I'm going to get you out of here.
01:02:52I'm going to get you out of here.
01:02:54I'm going to get you out of here.
01:02:56I'm going to get you out of here.
01:02:58I'm going to get you out of here.
01:03:00I'm going to get you out of here.
01:03:02I'm going to get you out of here.
01:03:04I'm going to get you out of here.
01:03:06I'm going to get you out of here.
01:03:08I'm going to get you out of here.
01:03:10I'm going to get you out of here.
01:03:12I'm going to get you out of here.
01:03:14I'm going to get you out of here.
01:03:16I'm going to get you out of here.
01:03:18I'm going to get you out of here.
01:03:20I'm going to get you out of here.
01:03:22I'm going to get you out of here.
01:03:24I'm going to get you out of here.
01:03:26I'm going to get you out of here.
01:03:28I'm going to get you out of here.
01:03:30I'm going to get you out of here.
01:03:32I'm going to get you out of here.
01:03:34I'm going to get you out of here.
01:03:36I'm going to get you out of here.
01:03:38I'm going to get you out of here.
01:03:40I'm going to get you out of here.
01:03:42I'm going to get you out of here.
01:03:44I'm going to get you out of here.
01:03:46I'm going to get you out of here.
01:03:48I'm going to get you out of here.
01:03:50I'm going to get you out of here.
01:03:52I'm going to get you out of here.
01:03:54I'm going to get you out of here.
01:03:56I'm going to get you out of here.
01:03:58I'm going to get you out of here.
01:04:00Ilya Ilyich Oblomov.
01:04:20I can't.
01:04:30I can't.
01:04:32I can't.
01:04:34Well, Katya?
01:04:36Well, Katya?
01:04:38Well, Katya?
01:04:56Oh, my God.
01:04:58Oh, my God.
01:05:08Ilya, what are you doing?
01:05:10Wait a minute.
01:05:12Where are you going?
01:05:14I'm going to leave, Andrei.
01:05:16What's the matter with you?
01:05:18This is torture.
01:05:20What did I do to deserve this?
01:05:22Wait a minute.
01:05:24Where's my hat?
01:05:26Olga Sergeyevna, she doesn't dare to look at anyone else like that.
01:05:28I'm more humble than anyone else.
01:05:30Where's my hat?
01:05:32Where's my hat?
01:05:34I didn't know where to put it.
01:05:36Ilya, what are you talking about?
01:05:38Think about it.
01:05:40Why did I break it?
01:05:42Because I didn't know where to put it.
01:05:44Everyone's looking at me like I'm an Ethiopian.
01:05:46They're smiling.
01:05:48And I'm like...
01:05:50Ilya, Ilya.
01:05:52By the way, Andrei,
01:05:54how do they know that I didn't sleep in the opera for three days?
01:05:56Look, if you brought me here
01:05:58so that they wouldn't laugh at me,
01:06:00it's stupid.
01:06:02Leave it, Ilya.
01:06:04Only that baron or that woman would be good.
01:06:06Or Olga Sergeyevna.
01:06:08Olga Sergeyevna is a young lady.
01:06:10And you,
01:06:12in front of her,
01:06:14with your shirt inside out.
01:06:16About the fact that I didn't put on different stockings.
01:06:18Look.
01:06:22Look, Andrei.
01:06:24I'm mad at you.
01:06:26I told Olga Sergeyevna that you passionately love music.
01:06:28I asked her to sing for you.
01:06:30What are you talking about?
01:06:32I don't passionately love music at all.
01:06:34What?
01:06:36I recommend you as a decent person,
01:06:38and you're in a hurry to disappoint me.
01:06:40Let's go, Ilya.
01:06:42I don't want to listen to her.
01:06:44What if she sings badly?
01:06:46I can't lie, I can't say compliments,
01:06:48and I'll be in an awkward position again.
01:06:50Like David Chassosnik, right?
01:06:54It's evil.
01:06:56No, it's not evil.
01:06:58It's just a little punishment
01:07:00for not wanting to listen to me sing.
01:07:04You don't want to listen to me sing, do you?
01:07:08No, he does.
01:07:10What about you?
01:07:16You're so rude, Ilya.
01:07:18What does it mean to stay at home
01:07:20without a coat and...
01:07:22Andrei!
01:07:24Andrei!
01:07:28All right, Andrei Ivanovich, I'll sing for you.
01:07:30Thank you.
01:07:32What's the matter, Olga?
01:07:34It's time to go.
01:07:40Ladies and gentlemen,
01:07:42Olga Sergeyevna will sing for us now.
01:07:54Olga Sergeyevna Shestakova
01:08:00Olga Sergeyevna Shestakova
01:08:08Olga Sergeyevna Shestakova
01:08:14They were not parting for almost the entire week.
01:08:18It was as easy as pie for Olga.
01:08:22She had known Shtoltz for a long time, called him a friend,
01:08:24loved him for always making her laugh and not letting her get bored,
01:08:28but she was a little afraid.
01:08:30Shtoltz adored her selflessly,
01:08:32she was in his eyes only a lovely child.
01:08:36How good it was, how freely the three of them came together,
01:08:40how easily Olga met Oblomov.
01:08:44Oblomov was easier than Shtoltz and kinder than him,
01:08:47although he didn't make her laugh like that, or made himself laugh,
01:08:50but he made her laugh so easily.
01:08:53Then Shtoltz was going to go abroad and entrusted Oblomov to her.
01:08:57They already had a detailed plan
01:08:59how she would teach Oblomov to sleep after lunch,
01:09:01how she would order to read the books that Shtoltz would leave,
01:09:05write letters to the village, get ready to go abroad,
01:09:08but Shtoltz wouldn't recognize him.
01:09:12Everything was very good.
01:09:21The End
01:09:38It's time to say goodbye.
01:09:41Ilya, what are you doing?
01:09:43I'll be right back!
01:09:45Olga Sergeyevna, don't leave Ilya. Remember our agreement.
01:09:49Bring him back to life.
01:09:51Andrei Ivanovich, I've already thought of everything.
01:09:53I'll make him read newspapers every day.
01:09:55Then he'll tell me all the news.
01:09:57Then he'll write a plan to rearrange the estate.
01:10:00He'll live and act.
01:10:02What a great doctor who will save a hopeless patient.
01:10:05This patient is not hopeless, Olga Sergeyevna,
01:10:07but the treatment of this disease, which I call Oblomov's,
01:10:10requires patience and kindness from the doctor.
01:10:12I believe that you have enough of them.
01:10:14Besides, I leave Ilya to you for a month.
01:10:16In a month, not later, I'll be waiting for him in Paris.
01:10:24Oh, Ilya Ilyich, who is it?