Benedict Cumberbatch & Gaby Hoffmann Break Down The Story Behind Eric Movie Trailer
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All Links: ☠️ More Movie
YouTube :::
https://www.youtube.com/@Bailumylulu
Rumble :::
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BiliBili :::
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Dailymotion :::
https://www.dailymotion.com/MusicLulu
Copyright Disclaimer: - Under section 107 of the copyright Act 1976, allowance is mad for FAIR USE for purpose such a as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statues that might otherwise be infringing. Non- Profit, educational or personal use tips the balance in favor of FAIR USE.
Email:::
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Transcript
00:00I was a nanny in New York in the mid-80s and I suddenly saw the world from a sort of
00:04three-foot-high perspective of the child and so I loved the idea that there was a
00:08kind of quest to understand the city through his eyes but also it's about the
00:12other lost child within Vincent and so I loved the idea of a show that would
00:16examine somebody really looking at their own identity and how they were as a
00:20parent and also how they'd been raised but also set against this time that was
00:23so vivid to me as a teenager which was the 80s.
00:31Admit it, you don't know which way you're going, do you, Vincent?
00:34The only place you can navigate right now is your way to the bottom of the bottle.
00:39When I first read the script I had a lot of questions remaining about Vincent.
00:44By the third episode we see a man who's taking responsibility for the
00:48disappearance of his son, the breakdown in the relationship and realizing the
00:52costs of that moment in time potentially being disastrous for him, his family and
00:58most importantly his child, Edgar. In the midst of all of that it takes him through
01:02police departments, interview rooms, jail cells, TV studios, pitches for the new
01:07puppet Eric and then along the streets of New York and down the trains and into
01:12the subway system that was inhabited by the mole people that dispossessed
01:15homeless in the increasingly gentrified and cold and uncaring New York of 1985.
01:20So much to play and then also the voice of Eric and Bug in Good Day Sunshine so
01:26to say it was a big ask is an understatement and it's the sort of
01:30juicy work that you hope for as an actor. I'd never seen anything approached in
01:35writing terms before that encountered a character's need to completely break
01:40down with an external realization of his internal turmoil in the shape of this
01:44huge walk-around monster.
01:46Yep, fucked it. Go away. Go away.
01:50What's been so exciting about working with someone like Benedict is that he
01:53has this incredibly curious mind and I was not only hugely impressed by him but
01:58I really liked him and I think that's an incredible feat because Vincent is a
02:02very difficult, complicated, narcissistic character and particularly as the show
02:07goes on I think Benedict and his kind of mercurial ability to sort of move
02:12between things that are both tender and also incredibly compulsive and
02:17complicated in his character he's able to hold those two things.
02:23That's my son's jacket! Why are you wearing my son's jacket?
02:25Get the fuck away from me, lady.
02:29I was initially drawn to Cassie sort of as I usually am by any character for
02:34reasons unknown to me. It's an energetic sort of instinctual kind of gestalt
02:39thing but then as I kept reading I started to understand all the themes
02:45that the show was grappling with. I was really excited to be a part of a story
02:49that I kind of see as a fairy tale in which we're really looking at what
02:53happens when our institutions, the big ones like government, police departments
02:59but also the intimate ones like family and marriage, become corrupted and fail
03:04us as individuals and thus as a society.
03:07Deputy Mayor Castillo must stop with his empty promises and clean up this city we love.
03:14We need action.
03:16New York is so amazingly realised in present. It is another character in the
03:21drama and it leaves an imprint on you viscerally. I mean you sort of smell it
03:25and taste it which is not always a nice thing to do in 1985 in New York. Not to put
03:29you off watching it but it is that your five senses are at work. It's so richly
03:33realised on screen. I didn't have a lived experience as a nine-year-old in 1985
03:37which is funny enough the same age as my son Edgar who goes missing but when I
03:41stepped into his bedroom I had a little tear. I saw paraphernalia that touched on
03:45a lot of things that were very big for me when I was growing up. ET, various
03:50games, Atari stuff and hard games as well, Battleship, all those kind of
03:56things that were imported from the States. I loved it all. I grew up in New
03:59York City in the 1980s but we shot the show in Budapest, well most of the show
04:03the interiors. Walking onto set the first day I actually started to weep. It felt so
04:10familiar although it was a much nicer apartment than the one I grew up in but
04:13every little detail, the colour palette, everywhere I looked it was just
04:18evocative of my childhood and places I haven't been in 30, 35 years. A city that
04:24looks completely different and feels completely different now and it was
04:28really quite magical and very moving.
04:31Edgar, if you're watching this, I'm sorry buddy. Just come home, okay?
04:41The crisis of Edgar's disappearance really forces Cassie to reckon with the
04:46reality of their situation. She's in a marriage that's completely dysfunctional.
04:50Find me somebody else who can tell me where my son is. He's my son too!
04:55For me the scene where Cassie comes to meet Cecile was really pivotal though
05:00they're both experiencing the same devastating situation of having a lost
05:05child. Of course Cassie as a white woman and Cecile as a black woman and
05:09additionally they belong in two different classes are having extremely
05:13different experiences of that loss and of their lives. Maybe he was running away
05:17from us. I don't think I was a very good mother all the time. It is a moment where
05:23Cassie realizes that she is in this alone and Cecile has been in it alone
05:29her whole life on some level it seems to me and the failures of our institutions
05:35is something that Cecile has been dealing with her entire life and the
05:38loss of her son. I think it comes as no surprise to Cecile that she is not going
05:42to be supported and helped by anyone. It's a hard bit of wisdom that is passed
05:47on from Cecile to Cassie that is necessary for Cassie to step into her
05:51power and go out and try to find her son.
05:54Admit it man, we're on fire!
05:56Whoop!
05:58Hey!
05:59Yellow man!
06:00Are you alright in there?
06:01We're coming, we're coming.
06:02See you out there!
06:05Eric is there for many reasons, partly to show Vincent's evolution. He comes out of a
06:10split psyche. It's a proper episode of psychosis.
06:13And we start to realize that actually Vincent has not only created a kind of manifestation of Edgar's
06:19drawings but also he's created the kind of darkest impulses in himself and that
06:24the more present Eric comes within the drama, the more Vincent is having to face
06:29and confront that toxic part of himself.
06:32He's the monster within us in terms of primal drives and appetites.
06:36He's a brutal, rough, white-collar truth-sayer.
06:39He's a no-bullshit New Yorker, Eric, in terms of the part of Vincent that he represents.
06:45He's also Mary Poppins at one point, nursing the guy.
06:49Then he's enabling him, going, yeah, go on, have a hit of that.
06:52Then he lifts him up, he punches him, he fights him.
06:54There's a huge kind of arc and for me it takes him from a guide to being an aggressor
07:01to finally being something that he needs to split from again.
07:04Sunshine!
07:06Well, hello, world! And how are we all today?
07:10Jesus Christ.
07:11I've always loved puppets. I was a huge fan of Sesame Street.
07:14So the idea of bringing a seven-foot blue puppet to life felt a really natural evolution.
07:19But I also think puppets have to be animated and there's something dark and scary about them
07:24as well as being comforting. So I love the playfulness of it against the darkness of a thriller.
07:29Only you know the way that kid's mind ticks.
07:32Not listening.
07:33If you get me on the show, the kid'll see it.
07:35Get me on the show and the kid'll come home.
07:39Oh?
07:41Oh no.
07:42Don't mind if I do.
07:43Seriously?
07:59You