Zwischen Fremden (2002) Watch HD
Transcript
00:00:00You
00:00:30You
00:01:00You
00:01:30You
00:02:00You come to house
00:02:30Oh
00:03:00Bye
00:03:30Oh
00:03:52Morgan
00:04:00Oh
00:04:30Oh
00:05:00Oh
00:05:30Oh
00:06:00Oh
00:06:30Oh
00:07:00Oh
00:07:03Lasting off mom not the dust. I know wall of fame
00:07:08Does when I think my compliment
00:07:14If you wish to see with another leave them does here to see
00:07:22Of mom
00:07:24And
00:07:29After it's good
00:07:54You
00:08:24Oh
00:08:54Yeah
00:09:24This is
00:09:54Oh
00:10:24Oh
00:10:54You
00:11:25Oh
00:11:44Right as good in target with a gun a George Kessler spray can
00:11:49Do hostess with my name?
00:11:52No, it didn't eat if there's all you don't expect us
00:11:55No, good. Let's have fun. I'm gonna think it's not for crap button
00:11:59And with the food to this decision. Yeah, I have
00:12:03action on your
00:12:05The negative numbering stand I'm going to come down a photo say
00:12:08He can't make me an honest enough to have the rest in the scheisse gesteck. You must have auto-pilot. Yeah, my net
00:12:15No, I just cover Denise is I'm fine
00:12:18Oh
00:12:20It's coughed it was to fire this time
00:12:31Hello
00:12:35Give it wasn't
00:12:37Here dollar and in for this meeting. And what's it mean?
00:12:41Man, this is me to fuck off. Let me see
00:12:44Yeah, what is
00:12:48I
00:12:52Guess it's wonderful. It's just us Africa. It's just a goal. I'm cool
00:13:01Listen see from him. He's a off number is
00:13:04From the fraudine a mere state and see one of them and she ain't for coffee
00:13:11See one in Angola
00:13:13It's been in Louisiana born
00:13:17I
00:13:20Didn't see these are
00:13:23Just
00:13:27Was it's me to pass it
00:13:33It was a snitch
00:13:37Donkey
00:13:47I
00:14:17I
00:14:32See you can't I need to
00:14:35Rogelio
00:14:37Rogelio
00:14:40No, no, no, this is private this is
00:14:43Because
00:14:45It's been a long time it may have to do that not me Margaret see one that is it's a yeah
00:14:54My family yeah, yeah, I'm for your own gewand
00:15:01Also see one when she's a young senior
00:15:03I
00:15:12Not sure see come see come with
00:15:33I
00:15:43Want to
00:16:03You
00:16:33You
00:16:35You
00:16:37You
00:17:00No print on Lila Rose a new key on a Tejas man
00:17:06He is to remember a little to come back
00:17:11We're so powerful. They refer
00:17:14Freely blue key
00:17:23Yes
00:17:25I
00:17:34This is truly we
00:17:36Mixed with me. Yes, I guess the tightness
00:17:39That we must end. Oh, that's is nice
00:17:55I
00:18:06Have to boost us to the west coast not all these in the arm
00:18:11each of me
00:18:13He minds to this
00:18:16My yeah, I think I'll fix in Italian
00:18:20The
00:18:22Voltaic in my new concern
00:18:25and influence
00:18:27British
00:18:29It's a best and it's come out don't get such an it
00:18:33And yes, they said yeah, I'm going to stiffen in the hand guard
00:18:40Was it
00:18:43Which of the two for not me so I lived
00:18:47meet him
00:18:50Oh
00:19:20Oh
00:19:43Olivia yeah, who best to give me isn't
00:19:48This isn't so far
00:20:02And
00:20:04Move us to
00:20:08Each one pack and pack this yes, it's far
00:20:13It's fine so shouldn't happen to you have to type again
00:20:17I
00:20:19I
00:20:42So
00:20:44There's this nice design and plan
00:20:51It's beautiful good time
00:20:54It's nice to have a nice
00:20:57My daughter I guess I'm for this on this yet
00:21:03We just I said I'm high
00:21:05Yeah
00:21:11But you don't yes the camera if you can't have it
00:21:16Me kind of this again
00:21:19The andren kinder become all these cool and spielzeuger super not know what you come with this and I can photo
00:21:23I don't put up around this by the like up and
00:21:261940
00:21:27Was who's the if I like her if I see them and I think then I'm yeah, they're off not disneyland boys
00:21:32It's nice. If you think not cut my do
00:21:37See the kids on
00:21:44Hello
00:21:47Hello
00:21:49It's kind of nice. Oh, it's really nice. Oh, it's kind of
00:21:57You
00:22:27You
00:22:34Give us a party
00:22:53Yeah
00:22:56And we can't be done go home
00:23:00See my
00:23:01I suppose it's getting it's on the bottom and I had a man's up there with us as much as I'm getting my to do it
00:23:06It's just I've woken me. I'm going to get it
00:23:09Kate I had to get fucked up to an affair last
00:23:15Kind of I know what I'm sorry. So if you see a sense
00:23:19To be sight more not enough to say Tony unterwegs and yes
00:23:22Yeah, I miss this inside time for the new yorker concert that was used to get split the same Toronto of me
00:23:28One fun listeners on the farm
00:23:52I'm sweet. No, it's my preludium Kate doesn't like this
00:24:22I
00:24:28Stay off
00:24:30Stay fat don't knock my off
00:24:35Undone gizzard so I want you know the victim she off
00:24:48Yeah, then herzlichen glückwunsch her penna
00:24:52She wouldn't got a phone on stride
00:24:54Ausgewählt on Sanis this offer to
00:24:58Be food man. She's over my affairs man. Glad you
00:25:01Know we want to get to show I need to entice you
00:25:04It's my last know how I'm supposed to come in before they get cocky blasting
00:25:08Yeah, that's written reasons. How are you?
00:25:11Hey, and yes, they got the handle of the cop club
00:25:16Do must get skin how I say
00:25:22Kind of sanders to share it with me last night. I heard it has to fight and leave the end of a fight in cop
00:25:29Can ask for you?
00:25:37You can see
00:25:52Michigan
00:25:57Jack what's with us?
00:25:59You're gonna know I'm dying. I'll be nice. Oh, man. This is it doesn't matter
00:26:03No, I'm just missing a pin
00:26:05I'm just missing a pin. I'm on track to
00:26:07Martin fertig
00:26:22I
00:26:52You
00:27:22I
00:27:52I
00:28:13Olivia
00:28:22Olivia
00:28:33Was to sit down, what's this?
00:28:40No, I'm a tight
00:28:52I
00:28:54Studied him up
00:29:01He's so
00:29:05It's just no
00:29:10This is no worse
00:29:13He has been distant
00:29:17And it's wrong
00:29:23I'm in trouble fun
00:29:27This is this is just I can
00:29:31See what's not in Steinen
00:29:37What's just made in
00:29:40See on given me
00:29:43Mm-hmm
00:29:47Ich möchte sie berühren aber wenn ich es versuche
00:29:54Dann sind da flammen und sie sind überall
00:29:59Flammen
00:30:00Ich will weglaufen doch ich kann nicht ich kann mich nicht bewegen nicht mal schreien
00:30:04Ich stehe ich steht da und muss zusehen wie ich selbst verbrenne
00:30:12You forgot my coffee.
00:30:32Good morning, Dad.
00:31:00Kathy?
00:31:54Good morning, Dad.
00:32:17Good morning, Kathy.
00:32:41Good morning, Dad.
00:33:05I'm not worth it.
00:33:16Katherine?
00:33:20Katherine, it's me, Ralph.
00:33:29She'll be here in a minute.
00:33:30She'll be here in a minute.
00:33:42She'll be here in a minute.
00:34:00I'm sorry to bother you, but your phone has been busy all morning.
00:34:04What do you want, Ralph?
00:34:07Um, the jig that we like.
00:34:10We have a tick on the tape and we have to listen to your other recordings.
00:34:15Can we talk about it later?
00:34:18We're going to New York in two days.
00:34:20And if you want to record it again, it has to be today.
00:34:23We don't need to record anything again.
00:34:25I'm just looking for another recording.
00:34:27We'll meet at the...
00:34:34It's okay.
00:34:36I was just about to leave anyway.
00:34:54Katherine?
00:35:06Katherine?
00:35:24Katherine?
00:35:55What were you thinking?
00:36:06Oops.
00:36:55Oh.
00:37:15Hello.
00:37:24Oh, the guy who used to own the shop?
00:37:28Did he come back again?
00:37:31No, I... Wait a second.
00:37:33Rogelio?
00:37:35Rogelio!
00:37:39The man who was here yesterday, did he come by again?
00:37:42No.
00:37:44Why?
00:37:47I just have to find him.
00:37:49Uh...
00:37:51Why don't you leave your number here?
00:37:53We'll call you when he comes by.
00:37:55I'll go on.
00:37:55Okay.
00:37:57555-0151.
00:38:02Thank you.
00:38:48...phone ringing...
00:38:58Hello?
00:38:59Mommy?
00:39:02Mommy?
00:39:04Well, she's not here right now.
00:39:07And do you know when she'll be back?
00:39:11No, I...
00:39:12Uh...
00:39:18I think it'll take a while.
00:39:21When she comes back, can you tell her that her daughter called?
00:39:25I will.
00:39:27Thank you very much. Goodbye.
00:39:43...phone ringing...
00:40:00Hey.
00:40:00Hey.
00:40:03I went for a run with Dad.
00:40:13Yeah, sure.
00:40:23You know what? They're at my place.
00:40:27Should I bring them to you tomorrow morning?
00:40:29I could pick them up at your place.
00:40:31You could, but why the hurry?
00:40:33No idea. I just wanted to see them.
00:40:35So, what time are you home?
00:40:38Half past seven.
00:40:40Yeah, and some of us are going over to the Jazz Bistro later.
00:40:44Come on, we'll celebrate your success.
00:40:46So, half past seven, seven?
00:40:47Good.
00:40:48Good.
00:40:49Good.
00:40:51Oh, hey.
00:40:54This was on the house for you.
00:40:58Well.
00:40:59Thank you.
00:41:00See you.
00:41:09...phone ringing...
00:41:30Fifty dollars for the dirt.
00:41:39...phone ringing...
00:41:46Everything alright?
00:41:53Come with me.
00:41:56Come with me.
00:42:10...phone ringing...
00:42:27What?
00:42:29What?
00:42:40...phone ringing...
00:42:51Liqueur du Berry.
00:42:53The recipe is from my grandmother.
00:42:58Do you drink that?
00:42:59Actually, only in two cases.
00:43:00When we're sick, or when there's a reason to celebrate.
00:43:03And today we're celebrating.
00:43:05To you.
00:43:10Drink!
00:43:11I really should go now.
00:43:13What's wrong, Olivia?
00:43:15You can tell me.
00:43:20Yesterday, there...
00:43:21There was this glow in your eyes.
00:43:24And I thought...
00:43:25I thought, well, finally.
00:43:28I see the truth, Olivia.
00:43:31That's how it should be.
00:43:33That's how it should always be for you, Olivia.
00:43:35That's what you deserve.
00:43:39You don't know what I deserve.
00:43:55...news report...
00:43:59Olivia?
00:44:00Olivia, come here!
00:44:01Not now, Sean.
00:44:02Yes, come here! You have to look at this!
00:44:05Come on!
00:44:07Look at this!
00:44:10We are very proud that Amanda Trent
00:44:12was able to reserve a little time for us
00:44:14to talk about her work with us this afternoon.
00:44:15Does this look familiar to you?
00:44:18Miss Trent, these sculptures are said to have something to do with her early childhood,
00:44:21in which she was passed on from foster family to foster family.
00:44:25Now, if you've never had roots,
00:44:28then of course you're always looking for an identity.
00:44:31And as a child, I found her through my dreams.
00:44:35Look at this!
00:44:37You copied everything from her!
00:44:39One of your pictures looks just like this!
00:44:42Can you tell us something about these dreams?
00:44:45Well, there were two special ones.
00:44:48The first one I really wanted to be adopted.
00:44:51Which came true at the age of seven.
00:44:54Yes, that's right. And I'm very happy.
00:44:56I have wonderful parents.
00:44:58And the second dream?
00:45:01Well, I always just wanted to be an artist and live in Florence.
00:45:07Well, you're an artist by now.
00:45:08And who knows, maybe that with Florence is not so far away.
00:45:12No, I think my family and I are very happy on the farm tomorrow.
00:45:15Thank you very much for taking the time for us today, Miss Trent.
00:45:18It was a great pleasure for me.
00:45:19Thank you.
00:45:20I would like to remind our viewers
00:45:21that Amanda Trent will sign copies of her book in Indigo tomorrow.
00:45:26Why did you tell me all this nonsense about dreams, huh?
00:45:29Why are you lying to me?
00:45:30The guys come at any moment.
00:45:36I'm not lying to you.
00:45:37I'm not lying to you.
00:45:38I'm not lying to you.
00:45:39I'm not lying to you.
00:45:40I'm not lying to you.
00:45:41I'm not lying to you.
00:45:42I'm not lying to you.
00:45:43I'm not lying to you.
00:45:44I'm not lying to you.
00:45:45I'm not lying to you.
00:45:46I'm not lying to you.
00:45:47I'm not lying to you.
00:45:48I'm not lying to you.
00:45:49I'm not lying to you.
00:45:50I'm not lying to you.
00:45:51I'm not lying to you.
00:45:52I'm not lying to you.
00:45:53I'm not lying to you.
00:45:54I'm not lying to you.
00:45:55I'm not lying to you.
00:45:56I'm not lying to you.
00:45:57I'm not lying to you.
00:45:58I'm not lying to you.
00:45:59I'm not lying to you.
00:46:00I'm not lying to you.
00:46:01I'm not lying to you.
00:46:02I'm not lying to you.
00:46:03I'm not lying to you.
00:46:04I'm not lying to you.
00:46:05I'm not lying to you.
00:46:06I'm not lying to you.
00:46:07I'm not lying to you.
00:46:08I'm not lying to you.
00:46:09I'm not lying to you.
00:46:10I'm not lying to you.
00:46:11I'm not lying to you.
00:46:12I'm not lying to you.
00:46:13I'm not lying to you.
00:46:14I'm not lying to you.
00:46:15I'm not lying to you.
00:46:16I'm not lying to you.
00:46:17I'm not lying to you.
00:46:18I'm not lying to you.
00:46:19I'm not lying to you.
00:46:20I'm not lying to you.
00:46:21I'm not lying to you.
00:46:22I'm not lying to you.
00:46:23I'm not lying to you.
00:46:24I'm not lying to you.
00:46:25I'm not lying to you.
00:46:26I'm not lying to you.
00:46:27I'm not lying to you.
00:46:28I'm not lying to you.
00:46:29I'm not lying to you.
00:46:30I'm not lying to you.
00:46:31I'm not lying to you.
00:46:32I'm not lying to you.
00:46:33I'm not lying to you.
00:46:34I'm not lying to you.
00:46:35I'm not lying to you.
00:46:36I'm not lying to you.
00:46:37I'm not lying to you.
00:46:38I'm not lying to you.
00:46:39I'm not lying to you.
00:46:40I'm not lying to you.
00:46:41I'm not lying to you.
00:46:42I'm not lying to you.
00:46:43I'm not lying to you.
00:46:44I'm not lying to you.
00:46:45I'm not lying to you.
00:46:46I'm not lying to you.
00:46:47I'm not lying to you.
00:46:49I took two hours for Hanna to fall asleep.
00:46:53She is your daughter.
00:46:56She knows your voice.
00:46:58You can run away from our marriage.
00:47:00But how can you run away from her life?
00:47:02I've had enough.
00:47:04What kind of mother have you become?
00:47:07You want to leave?
00:47:09You can have.
00:47:12But do Hanna a favor.
00:47:15Change your number.
00:47:16Change your fucking number.
00:47:22Hey.
00:47:23Hello.
00:47:25Did you find her?
00:47:26I'll just put on my jacket.
00:47:28We'll be late.
00:47:29Late?
00:47:30Yes, for the jazz club.
00:47:31I don't plan to go anywhere.
00:47:33No, no, no.
00:47:34At least 15 people are waiting for you in a rotten bar.
00:47:37They want to congratulate you.
00:47:39George, I just want to get in touch.
00:47:42Nice. How many times do I have to tell you?
00:47:44You have the cover.
00:47:45The recording is yours.
00:47:46No one else's.
00:47:47Why don't you accept it?
00:47:49Listen, I want to see her.
00:47:51No, I'm sorry.
00:47:52You won't get her until we go out and celebrate.
00:47:55George, you give me the contacts now.
00:47:57No.
00:47:58George.
00:47:59I'm sorry.
00:48:00I want my contacts.
00:48:01I can't do that.
00:48:02George, give me my fucking contacts now!
00:48:11I'm sorry.
00:48:12I'm sorry.
00:48:13I didn't mean to.
00:48:15I'm sorry.
00:48:24I need to know what happened to the little girl.
00:48:29Okay.
00:48:31I'm sorry.
00:48:42I'm sorry.
00:48:45I'm sorry.
00:49:00Hello?
00:49:01I have news for you.
00:49:02Oh, hi Dad.
00:49:03Can I...
00:49:04Can I call you later?
00:49:05Listen to me first.
00:49:06I just spoke to Orson Stewart.
00:49:07Can...
00:49:08Can I call you tomorrow?
00:49:09No.
00:49:10No.
00:49:11No.
00:49:12No.
00:49:13No.
00:49:14No.
00:49:15No.
00:49:16No.
00:49:17No.
00:49:18No.
00:49:19No.
00:49:20No.
00:49:21No.
00:49:22No.
00:49:23No.
00:49:24No.
00:49:25No.
00:49:26No.
00:49:27No.
00:49:28No.
00:49:29Can I call you tomorrow?
00:49:30Orson Stewart, the publisher of Time Magazine.
00:49:33I know who that is.
00:49:34He wants you as his employee in the foreign edition.
00:49:38Really?
00:49:39Yes.
00:49:40You know what that means?
00:49:43He will be in town two days.
00:49:44And he wants to meet you for lunch.
00:49:47His office will confirm the appointment.
00:49:50Thank goodness.
00:49:53This is...
00:49:55This is great.
00:49:57We're finally going, Natalia.
00:49:58We did it, Natalia! We did it! We did it!
00:50:01Wait a minute.
00:50:28We did it, Natalia! We did it!
00:50:58Natalia!
00:51:06Natalia!
00:51:28Natalia!
00:51:47The whole village was on fire.
00:51:50And I'm in the middle of it.
00:51:53And the people are running around and they're screaming like crazy.
00:51:56There are children everywhere. There are children and they're crying.
00:51:59And then...
00:52:02Then I see her.
00:52:04Through the entrance to a hut.
00:52:09And I go into the hut. It's very hot in there.
00:52:12And there she is. She's sitting there.
00:52:15And I go into the hut. It's very hot in there.
00:52:18And there she is. She's sitting on the floor.
00:52:22Right next to her parents. And they're dead.
00:52:27And she's very quiet.
00:52:31She doesn't want to wake up.
00:52:35I only have seconds and I can hear the wood cracking and the flames coming.
00:52:46And...
00:52:49Instead of saving the girl...
00:52:54I...
00:52:56I photographed her.
00:53:08What did I do?
00:53:12Your duty. Your work.
00:53:17But Dad...
00:53:21In the time I needed to take this picture...
00:53:28I could have pulled her out of there.
00:53:33I killed her.
00:53:35Not you.
00:53:37The war killed her.
00:53:42How can you say that?
00:53:47What you're going through, Natalia...
00:53:50This guilt is human.
00:53:54And don't forget.
00:53:56We're not the ones...
00:53:58raping women.
00:54:00Or setting the villages on fire.
00:54:03Or executing innocent people.
00:54:06What we're doing is trying to find the truth.
00:54:11So that the people who are really guilty...
00:54:14can be held accountable.
00:54:19Dad...
00:54:22You said that in an interview for Life magazine.
00:54:26In November 1972.
00:54:30I'm sorry.
00:54:37Your 20.
00:54:39And another 20.
00:54:41You're bluffing, Martin.
00:54:43Find it out, cowboy.
00:54:45Come on.
00:54:47There's a month of disability pension on the table, John.
00:54:50I have to hear that shit from my wife.
00:54:52Very good. It's yours.
00:54:54What do you say to that, Olivia?
00:54:56Are you trying to piss me off, Martin?
00:55:00What do you mean?
00:55:05Well, then I'll keep it for a year.
00:55:08Here are your 20.
00:55:10And I'll raise it to 40.
00:55:12Thank you.
00:55:19And now let me see.
00:55:22The moment of truth, Martin.
00:55:27I have two couples.
00:55:29Full house. All five.
00:55:31I knew it!
00:55:33I knew it!
00:55:35Thank you, Olivia.
00:55:37What did I tell you?
00:55:39You can piss me off and I can piss you off.
00:55:41Speaking of pissing me off.
00:55:43Why don't you show the guys your pictures?
00:55:45Pictures? What pictures?
00:55:47My wife is an artist. Did you know that?
00:55:49Yes, yes. She's the best fucking artist in town.
00:55:52Come on, Olivia. Show the guys your pictures.
00:55:54Come on. What are you doing? Show them.
00:56:00Relax.
00:56:02It's just a pack of pictures.
00:56:14Are we playing now or what?
00:56:16Here.
00:56:18Full house.
00:56:48All right.
00:57:18Hello.
00:57:49Instead, it looks like a structure wallpaper.
00:57:51It looks a bit like plaster.
00:57:53And if you paint the apartment with your husband,
00:57:55if your wife thinks about it,
00:57:57then you can move everything.
00:57:59What's that supposed to mean?
00:58:01Give it to me.
00:58:03Olivia.
00:58:05Don't be silly. Please, Olivia.
00:58:07Give me that thing back.
00:58:11Listen.
00:58:13If it's because of what I said earlier,
00:58:15I'm sorry.
00:58:18Olivia.
00:58:26She is my daughter.
00:58:31The artist.
00:58:33Amanda Trent.
00:58:36What?
00:58:39At school, there was this boy.
00:58:42We were almost children.
00:58:45When my father found out,
00:58:47everything was over.
00:58:50What are you talking about?
00:58:52He locked me up.
00:58:55I didn't go crazy
00:58:57because I started painting.
00:59:10Olivia?
00:59:15Everything I know about my baby
00:59:18is her first cry.
00:59:22My father took her away from me,
00:59:24from my arms.
00:59:29He released her for adoption.
00:59:31Olivia.
00:59:33The joke is over.
00:59:36It's not a joke.
00:59:39Amanda is my child.
00:59:42I know.
00:59:46John.
00:59:49John.
00:59:53I'm going to bed.
00:59:56And as long as you don't forget this nonsense,
00:59:58I don't want to see you.
01:00:11I'm going to bed.
01:00:41I'm going to bed.
01:01:11I'm going to bed.
01:01:41I'm going to bed.
01:01:53Thank you for what you did for my country.
01:02:11Thank you for what you did for my country.
01:02:41Thank you for what you did for my country.
01:02:47Benefits concert of a prominent soloist.
01:03:01Dear Daddy, I'm writing this letter
01:03:03because Grandma says I'll never see you again
01:03:05and I should say goodbye.
01:03:11Miss Catherine Saber?
01:03:17I'm Detective Mendocino.
01:03:21Do you identify this man as Alan Baxter?
01:03:28I'll wait outside.
01:03:41Thank you.
01:04:12I...
01:04:15I'm so sorry.
01:04:20My wife...
01:04:22The boys killed her.
01:04:24Her father tried to stop her.
01:04:28And then they beat him.
01:04:30Him instead of my wife.
01:04:32And he let it happen
01:04:34so she could run away.
01:04:36He let it happen
01:04:38so she could run away.
01:04:41He saved her life.
01:04:48I know it must be very hard for you.
01:04:52I'm sorry.
01:05:06I understand.
01:05:10Daddy?
01:05:36I'm sorry.
01:05:38I'm sorry.
01:06:06I appreciate it.
01:06:08Hello.
01:06:10Avery with a Y.
01:06:14Thank you.
01:06:16I feel really honored.
01:06:18It was a pleasure.
01:06:20Hello.
01:06:22Your name?
01:06:26I'm so proud of you.
01:06:30Thank you.
01:06:32You have a family.
01:06:34You have a life.
01:06:38You have a dream.
01:06:42We only have our dreams, don't we?
01:06:46What's your name?
01:06:48Olivia.
01:06:52It's a pleasure to meet you, Olivia.
01:07:04Thank you.
01:07:12Excuse me.
01:07:14Olivia.
01:07:16You forgot your book.
01:07:24Have we...
01:07:26Have we met before?
01:07:28No.
01:07:32I'm...
01:07:34I'm your biggest fan.
01:07:38That's what my mother always says.
01:07:40Amanda.
01:07:42I'm terribly sorry,
01:07:44but people are waiting.
01:07:48Thank you for coming.
01:07:58Goodbye.
01:08:24You can't imagine
01:08:26how much I missed you.
01:08:30I wouldn't have let you go.
01:08:34My father didn't take my daughter away from me.
01:08:38I gave her away.
01:08:44But Olivia,
01:08:48you were still a child.
01:08:50I...
01:08:54I...
01:08:56I could have held her.
01:09:00Olivia.
01:09:04You can't imagine
01:09:06what a strong and beautiful woman she is.
01:09:12Where did she get that from?
01:09:20Hmm?
01:09:22Now tell me.
01:09:24Where did she get that from?
01:09:26Max.
01:09:28Hello.
01:09:48So, Orson,
01:09:50what will Natalia's first assignment be?
01:09:52Lima.
01:09:54Well, to get used to it.
01:09:56Lima isn't exactly
01:09:58a challenge.
01:10:00She's leaving for the West Bank tomorrow.
01:10:02Yes, of course, Alexander,
01:10:04but maybe Orson's opinion is different.
01:10:06She can take care of herself, Nigel.
01:10:08I know.
01:10:10There she is.
01:10:12Orson, this is my daughter.
01:10:14Natalia.
01:10:16Hello.
01:10:18Sit down.
01:10:20Natalia.
01:10:22Sit down.
01:10:26I...
01:10:28I can't.
01:10:30What can't you do?
01:10:36I just can't do it.
01:10:42What do you mean?
01:10:50I can't do this kind of work anymore.
01:10:56Don't be silly.
01:11:06I'm very sorry.
01:11:08I'm sorry.
01:11:10Natalia.
01:11:26Excuse me.
01:11:28Hi.
01:11:30Hello.
01:11:32Thank you, thank you very much,
01:11:34but I can't accept it.
01:11:36Yes, I gave it to you.
01:11:40But I can't accept it.
01:11:50You keep it.
01:11:56It belonged to my mother.
01:12:00I'm sure she wanted
01:12:02you to get it.
01:12:20Do you know what time...
01:12:22What do you look like?
01:12:24Where have you been?
01:12:30Olivia.
01:12:32I asked you a simple question.
01:12:38I was at my daughter's.
01:12:40I was at my daughter's.
01:12:42She signed her book today.
01:12:46You look like a whore.
01:12:48John.
01:12:50How many children have you had
01:12:52since I sat in this wheelchair?
01:12:56You will never see these women again.
01:12:58Do you understand? Never.
01:13:00And now give me the book.
01:13:02No.
01:13:04Olivia.
01:13:06You give me the book now.
01:13:08Olivia.
01:13:10You give me the book.
01:13:12You should give it to me.
01:13:14Give me the book.
01:13:16No.
01:13:18John.
01:13:20I want to help you.
01:13:22Let me go.
01:13:50Give me the book.
01:14:14For Olivia,
01:14:16dreams are everything we have.
01:14:20I love you.
01:14:50I love you.
01:14:56I'm sorry, John.
01:14:58Nothing happened?
01:15:00I really didn't want...
01:15:04Nothing happened, Olivia.
01:15:20I love you.
01:15:26You know...
01:15:30I think the worst thing about you,
01:15:32Olivia,
01:15:34is that you think I need you.
01:15:40I don't.
01:15:42No.
01:15:44You need me?
01:15:46Shh.
01:16:16Shit.
01:16:22Shit.
01:16:46No.
01:17:16Shit.
01:17:18Shit.
01:17:44Olivia?
01:17:46Olivia?
01:17:48Are you crazy?
01:17:50Close the window!
01:17:54Olivia!
01:17:58Close the window!
01:18:16Hello, Mommy.
01:18:18Did you get the picture?
01:18:20The one with my new hairstyle?
01:18:22I'd like to know if you like it.
01:18:24I know you don't have time,
01:18:26but maybe you can write to me.
01:18:28Just send me a postcard or something.
01:18:30I miss you.
01:18:32I hope you can come home soon.
01:18:34See you soon.
01:18:36Bye.
01:18:38Bye.
01:18:40Bye.
01:18:42Bye.
01:18:44Bye.
01:19:14Bye.
01:19:44It's my dream.
01:19:46Florence,
01:19:48watch out, Michelangelo.
01:19:50Here comes Olivia.
01:19:52Olivia.
01:19:54God created dreams
01:19:56so that he can make us laugh
01:19:58when we wake up from them.
01:20:00Do you know what they used to say about my wheelchair?
01:20:02It looked like I was going to fly.
01:20:04Fly!
01:20:06Then a tiny moment is enough.
01:20:10You always thought I didn't know
01:20:12what you lost.
01:20:16John,
01:20:18I lost a child.
01:20:42What's that?
01:20:58What's that?
01:21:00That's my money from the grocery store.
01:21:02$1,200.
01:21:04$1,200.
01:21:06Is that enough for the flight?
01:21:08That's right.
01:21:10Florence, no money, no job,
01:21:12no accommodation.
01:21:14That was a short trip.
01:21:16It doesn't matter.
01:21:18I'm going to Florence.
01:21:20Even if I have to come back
01:21:22the next day.
01:21:26I'm going to take a shower.
01:21:32You better be gone
01:21:34when I'm done.
01:21:40I'm going to bed.
01:21:48I'm going to bed.
01:21:50I'm going to bed.
01:22:10I'm going to bed.
01:22:40I'm going to bed.
01:23:10I'm going to bed.
01:23:28I won't let you do this.
01:23:30I don't want you to throw your life away.
01:23:32I'm going to bed.
01:23:34As a volunteer.
01:23:36For the United Nations in Angola.
01:23:40Do you think you can bring
01:23:42the little girl back to life?
01:23:44No, that's impossible.
01:23:46It's a waste of time.
01:23:48Your pictures could
01:23:50get attention in other parts of the world.
01:23:52Use your talent.
01:23:54I'll do that as soon as I know my talent.
01:23:56Take pictures.
01:23:58Yes, take pictures.
01:24:00That's your talent.
01:24:10Don't do this to me.
01:24:32Dad, this has nothing to do with you.
01:24:40Dad, this has nothing to do with you.
01:25:10Dad, this has nothing to do with you.
01:25:40Dad, this has nothing to do with you.
01:25:56We're leaving in 15 minutes.
01:25:58Where's your cello?
01:26:00I tried to reach you.
01:26:02I'm not coming to New York with you.
01:26:04What do you mean?
01:26:06Well, I...
01:26:08I'll call you in a few days.
01:26:10In a few days? Are you crazy?
01:26:12Do you know how much...
01:26:14Ralph.
01:26:16Tell me everything.
01:26:22Can I at least know where you're going?
01:26:26Home.
01:26:38Hello.
01:26:44Hello.
01:26:46There are no other tables available.
01:26:48Okay.
01:26:50Thank you.
01:26:58Good.
01:27:00Seat 45A.
01:27:02Gage 23.
01:27:04Boarding starts in half an hour.
01:27:08Your luggage, ma'am.
01:27:10Is this your first flight?
01:27:14I'm doing everything for the first time.
01:27:32Excuse me, please.
01:27:34May I?
01:27:38Thank you.
01:28:08There you are.
01:28:10What are you up to?
01:28:24Well, what are you doing?
01:28:38Laughing.
01:29:38What are you doing?
01:29:40Laughing.
01:29:42Laughing.
01:29:44Laughing.
01:29:46Laughing.
01:29:48Laughing.
01:29:50Laughing.
01:29:52Laughing.
01:29:54Laughing.
01:29:56Laughing.
01:29:58Laughing.
01:30:00Laughing.
01:30:02Laughing.
01:30:04Laughing.
01:30:06Laughing.
01:30:08Laughing.
01:30:10Laughing.
01:30:12Laughing.
01:30:14Laughing.
01:30:16Laughing.
01:30:18Laughing.
01:30:20Laughing.
01:30:22Laughing.
01:30:24Laughing.
01:30:26Laughing.
01:30:28Laughing.
01:30:30Laughing.
01:30:32Laughing.
01:30:34Laughing.
01:30:36Laughing.
01:30:38Laughing.
01:30:40Laughing.
01:30:42Laughing.
01:30:44Laughing.
01:30:46Laughing.
01:30:48Laughing.
01:30:50Laughing.
01:30:52Laughing.
01:30:54Laughing.
01:30:56Laughing.
01:30:58Laughing.
01:31:00Laughing.
01:31:02Laughing.
01:31:04Laughing.
01:31:06Laughing.
01:31:08Laughing.
01:31:10Laughing.
01:31:12Laughing.
01:31:14Laughing.
01:31:16Laughing.
01:31:18Laughing.
01:31:20Laughing.
01:31:22Laughing.
01:31:24Laughing.
01:31:26Laughing.
01:31:28Laughing.
01:31:30Laughing.
01:31:32Laughing.
01:31:34Laughing.
01:31:36Laughing.
01:31:38Laughing.
01:31:40Laughing.
01:31:42Laughing.
01:31:44Laughing.
01:31:46Laughing.
01:31:48Laughing.
01:31:50Laughing.
01:31:52Laughing.
01:31:54Laughing.
01:31:56Laughing.
01:31:58Laughing.
01:32:00Laughing.
01:32:02Laughing.
01:32:04Laughing.
01:32:06Laughing.
01:32:08Laughing.
01:32:10Laughing.
01:32:12Laughing.
01:32:14Laughing.
01:32:16Laughing.
01:32:18Laughing.
01:32:20Laughing.
01:32:22Laughing.
01:32:24Laughing.
01:32:26Laughing.
01:32:28Laughing.
01:32:30Laughing.
01:32:32Laughing.
01:32:34Laughing.
01:32:36Laughing.
01:32:38Laughing.
01:32:40Laughing.
01:32:42Laughing.
01:32:44Laughing.
01:32:46Laughing.
01:32:48Laughing.
01:32:50Laughing.
01:32:52Laughing.
01:32:54Laughing.
01:32:56Laughing.
01:32:58Laughing.
01:33:00Laughing.
01:33:02Laughing.
01:33:04Laughing.
01:33:06Laughing.
01:33:08Laughing.
01:33:10Laughing.
01:33:12Laughing.
01:33:14Laughing.
01:33:16Laughing.
01:33:18Laughing.
01:33:20Laughing.