Category
📺
TVTranscript
00:00This is a joke.
00:02No.
00:03I only knew that Lucia was alive.
00:05She disappeared 15 years ago.
00:07I swear.
00:08I believe you.
00:09Where have you been all this time?
00:11Where?
00:12And why didn't you write me a letter?
00:14I've been in jail, Pietro.
00:15From now on, my niece Inés will be my personal secretary.
00:19Naturally.
00:20Mr. Fermin, how could we not have thought
00:22that we would have to go through this together?
00:24I don't know.
00:25I don't know.
00:26I don't know.
00:27I don't know.
00:28Mr. Fermin, how could we not have thought
00:30that we would need a secretary?
00:32In this way, you are free from my schedule,
00:34from my appointments with suppliers,
00:36with clients.
00:37In short, all that.
00:38Look how it fits.
00:39Do you know what I'm telling you?
00:41That I'm going to investigate that woman.
00:43What do you mean by investigate?
00:44Well, we don't know anything about her.
00:46I thought I could try to get her address.
00:49I have decided that we are going to liquidate the Morconde company.
00:52Everyone says that this government plans to raise taxes.
00:56A gang of politicians could reduce their value to half in a matter of days.
01:01Are you going to help me, yes or no?
01:03Yes, but I don't think it's a right move.
01:05You haven't come to buy a gramophone, have you?
01:07But don't get angry.
01:08Your company is so nice.
01:10Thank you very much for the compliment,
01:11but I should be ashamed to waste my time like this.
01:14I need your help, please.
01:15She doesn't even want to have a snack with me right now.
01:17When I arrived in New York, they stole everything I had on me.
01:20And I arrived in the city without money.
01:22I hadn't eaten for two days, I was very weak
01:24and I wanted to try to steal some fruit at a street stall.
01:28The vendor saw me, grabbed me, pushed him and fell badly.
01:33Don't tell me you killed him.
01:35No, but he hit himself and bled a lot.
01:39And they accused me of wanting to kill him.
01:41And after getting a job, didn't he think of sending a letter to his wife and son?
01:45She says she didn't want to give signs of life until she had saved some money
01:50because she didn't want to be another burden for me.
01:52She's the mother of Giancarlo and I can't...
01:55I really understand that you have a responsibility to her and to Giancarlo.
01:58But what about us?
01:59Why don't you come to a couple of rehearsals?
02:01No commitment.
02:02If you don't feel up to it, I promise I won't insist anymore.
02:04But at least try...
02:06Agustín, I can't go to rehearsals if I have to quit later.
02:10Carla's perfume.
02:12Don't you smell it?
02:14It's her smell, it's everywhere.
02:18Yes, I smell something, but it's not Carla's perfume.
02:21I've found a way to get from the top of the farm to her terrace.
02:25You've lost your mind, dear.
02:27She's the one who's losing her mind.
02:29And just because you're making Matilde nervous, are you willing to end up in jail?
02:32Before, she'll end up locked up in a asylum.
02:35Matilde.
02:37Murderer.
02:39I heard Carla. It's as if she were in this house.
02:42But my love, did you hear her? Right now?
02:44Yes.
02:45Yes, she was whispering to me, she was very close.
02:48Love, I can't take it anymore.
02:51I can't take it anymore. I can't take it anymore.
02:53Calm down. Calm down.
02:55Calm down.
02:57Calm down.
03:12Thank you very much, Don Fermín, for coming to my house.
03:15And without clarifying the reason.
03:17You didn't need to. The tone of your voice indicated that the matter was serious.
03:20And it is.
03:22It's a personal and delicate matter.
03:25Sit down, please.
03:34It's about Matilde, right?
03:39I imagine that right now she's not at home.
03:42That's the reason I called you here.
03:45Matilde has gone to La Moderna to manage the last details of the act she's preparing there.
03:51The convention...
03:53Yes, a convention of pharmacists.
03:55Exactly, yes.
03:58Don Fermín, I need your help.
04:00And I will help you in everything that is in my hands, tell me.
04:04I'm sure you haven't forgotten the incident that my wife starred in in the gallery.
04:10In which she claimed to have seen Doña Carla.
04:13How can I forget it? I was terrified.
04:16It seemed that I had really seen Doña Carla.
04:19The mind sometimes plays very bad tricks on us.
04:23Well, the situation has worsened, Don Fermín.
04:25Wow, well ...
04:28I'm sorry to hear that.
04:30What is happening is already reaching a point that ...
04:35I can't control it alone, much less Matilde.
04:38Maybe it's time to ask for the opinion of an expert.
04:41That's what I was thinking.
04:43I would like to talk about all this with ...
04:46a psychiatrist.
04:48I could be the best, what happens is that ...
04:51I don't know anyone.
04:52I've already thought about it.
04:53Yes?
04:54You have many contacts and maybe I knew someone you trust.
04:58You don't need to give me more explanations.
05:01If you allow me to use the phone for a moment, maybe we can find a solution.
05:08Please.
05:11Thank you.
05:42I love you.
05:43I love you.
05:44I love you.
05:45I love you.
05:46I love you.
05:47I love you.
05:48I love you.
05:49I love you.
05:50I love you.
05:51I love you.
05:52I love you.
05:53I love you.
05:54I love you.
05:55I love you.
05:56I love you.
05:57I love you.
05:58I love you.
05:59I love you.
06:00I love you.
06:01I love you.
06:02I love you.
06:03I love you.
06:04I love you.
06:05I love you.
06:06I love you.
06:07I love you.
06:08I love you.
06:09I love you.
06:10I love you.
06:11I love you.
06:12I love you.
06:13I love you.
06:14I love you.
06:15I love you.
06:16I love you.
06:17I love you.
06:18I love you.
06:19I love you.
06:20I love you.
06:21I love you.
06:22I love you.
06:23I love you.
06:24I love you.
06:25I love you.
06:26I love you.
06:27I love you.
06:28I love you.
06:29I love you.
06:30I love you.
06:31I love you.
06:32I love you.
06:33I love you.
06:34I love you.
06:35I love you.
06:36I love you.
06:37I love you.
06:38I love you.
06:39I love you.
06:40I love you.
06:41I love you.
06:42I love you.
06:43I love you.
06:44I love you.
06:45We love you.
06:53Thank you very much and hugs.
06:59Here is the phone and address of Doctor Mendoza.
07:02He is a prominent psychiatrist.
07:04I think he is the one person to deal with Matilda.
07:07Doctor Mendoza?
07:08Yes, he treated the daughter of a well-known businessman, a friend of mine,
07:12and according to what he told me, his daughter improved a lot thanks to this doctor.
07:18And do you know if they had to admit her to a sanatorium?
07:23No, I don't know that. My acquaintance didn't explain to me the details of the treatment.
07:30But what I can guarantee you is that this doctor is an eminence,
07:35and his good deed is more than contrasted.
07:40Thank you very much for the information.
07:43Poor Matilde, I never thought we would meet in this situation.
07:52Do you want a coffee? Yes, yes, thank you.
07:54I'll be right back.
08:05But Antonia, what are you doing here today?
08:13I'm working, can't you see?
08:16And wouldn't it be better in your house?
08:18Come on, because if you miss another day, nothing will happen.
08:21No, I don't want to abuse the trust of a nurse.
08:23Besides, I end up in my house. Well, not in my house either, right?
08:28Whatever happens, life goes on, that's what they say.
08:32Why does life go on?
08:33Well, of course, Antonia.
08:35Because at least working like this, one doesn't think.
08:38And sometimes it's much better like this, without thinking.
08:41Well, I don't know if coming to the salon is the best thing for Antonia not to think.
08:46Yesterday she showed up here.
08:49There she sat, that Lucia.
08:52Please, Esperanza.
08:55What a face she has.
08:56She hasn't had enough to show up at the wedding, but she comes here to talk to Pietro.
09:00Esperanza, you never see the time to be quiet.
09:04You have to have courage, that Italian.
09:07Esperanza, feed her.
09:10If I stop talking about her, it won't make that woman disappear.
09:14As far as I know, she's alive and kicking.
09:18Besides, you don't have to shut up to Antonia.
09:21Because she's not the kind of woman to stand up to problems.
09:25Right, Antonia?
09:27Excuse me a moment.
09:31Thank you.
09:35It's always the same.
09:42A bookshop is like an art gallery.
09:46Books, like paintings, are works of art in themselves.
09:50And that's why, as happens with paintings, you have to know how to hang books.
09:56Isn't it enough to put them on the shelves?
09:58It's a way of speaking, Salvita.
10:01In our profession as a bookseller, it's as important to know the inside content of the books
10:06as it is to know how to get them out.
10:09And, above all,
10:12the gaps.
10:14The gaps between books
10:17make a bookshop look poor.
10:21And, sometimes, it's better to skip the alphabetical order
10:25and look at the books in terms of content.
10:29See? They fit together without any gaps.
10:33And so, the reader who wanted to buy a romantic novel
10:37can also buy a Virgilian love treatise.
10:41You make an art out of everything, Miguel.
10:43Yes, of course.
10:44And now, you turn art into the task of organizing the bookshop,
10:48which is also your responsibility.
10:50And, above all, remember, no gaps.
10:55Yes.
11:01I see you're also a writer.
11:04Miguel, when your book comes out, what will it be about?
11:08I don't know where to put it.
11:10What book?
11:11I'm trying to write the newspaper ad your father gave me.
11:15The bullet of the letters, look for a new cleaner...
11:18Do we have a cleaner?
11:21And why have I been cleaning all this time?
11:23Because of the apprenticeship.
11:25And now, I'm going to write the ad
11:27because we need to find a cleaner to replace the previous one.
11:30It won't be easy.
11:31Replace, but...
11:32Let's see.
11:33How will I know now that we have a cleaner?
11:35Aha.
11:36Because, day yes, day no.
11:38Here, a server, not you, is in charge of starting his day
11:41a little earlier to open the door to the cleaner.
11:45And not only that,
11:46but you also have to help him move heavy things.
11:49And now, if you'll allow me,
11:51I'm going to finish writing this happy ad
11:53because we can't spend more time without the cleaner.
12:00Maybe I could open the door to the cleaner.
12:05Well, that would surely surprise my father.
12:08Your father and me, Salvita.
12:10Until now, I didn't know you knew the meaning of the word dawn.
12:14That ad, Miguel, you can save it.
12:17I'm going to find the new cleaner.
12:20I doubt you'll find her in one of the taverns you go to with the tuna.
12:24Don't you always say I have to take responsibility?
12:27Well, here's the first one.
12:29Against the cleaner of the letter box.
12:33Leave it to me.
12:36I don't know why I feel like I'll end up regretting it.
12:41Holes.
12:43I'm glad you're having a good time, Clarita.
12:46Listen to everything the auntie says.
12:49Well, give her many kisses on my behalf.
12:52And another one for you, but even bigger.
12:54I love you very much.
12:56I'll call you tomorrow.
12:58Bye.
12:59Bye.
13:05What a shame, I just hung up.
13:07It was Clarita.
13:08And what does she say?
13:10She's having a great time in Jerez with my aunt and Pablo.
13:13But well, I would have been happy to talk to you.
13:16It will be again.
13:18I miss her a lot, Iñigo.
13:20I'm sure she misses you too.
13:22I have good news.
13:25I think I can confirm, after my management this morning,
13:28that the Boticario convention will be my first assignment for the day.
13:32I'm going to be there.
13:34After my management this morning,
13:36that the Boticario convention will be my first assignment for the day.
13:39I'm very happy.
13:43Well, anyone would say so.
13:45What's wrong?
13:48Matilde, please sit down.
14:00But have you been with a doctor?
14:04Dr. Mendoza is a psychiatrist.
14:07He is a recognized doctor.
14:09Mr. Fermin himself has told me very well about him.
14:11Mr. Fermin.
14:13Have you talked to Mr. Fermin about what's happening to me?
14:15Well, I didn't know who to go to.
14:17And besides, Mr. Fermin has very good contacts.
14:19But a matter like this, to deal with someone I work for.
14:22Iñigo, you should have talked to me.
14:23Matilde, it all happened very quickly.
14:25When I was talking to Mr. Fermin about what was happening to him,
14:27he quickly arranged a meeting with that man.
14:29And I came to talk to him.
14:30I don't care.
14:31I insist, you should have talked to me
14:33instead of doing it behind my back.
14:35Yes, my love, but listen to me and let me talk.
14:40I've been with that doctor.
14:42And I really think he's a charming man.
14:44And he's willing to come here and talk to you this afternoon.
14:48It's something informal.
14:49Just talk to each other, get to know each other.
14:53It's incredible.
14:55Two men making a decision for me and with Mr. Fermin in the middle.
14:59It's incredible.
15:00No, my love, no one wants to make a decision for you.
15:02You're the one who decides.
15:04Dr. Mendoza won't come to this house if you don't want him to.
15:08So tell me,
15:10do you want to talk about what's going on with a specialist?
15:13Yes or no?
15:20Besides, last night you told me yourself
15:23that you needed someone's help,
15:25that you couldn't do everything by yourself.
15:28And my love, what better help than a psychiatrist?
15:32Listen to me.
15:34If anything else happens to you, please tell me.
15:41Maybe, I don't know.
15:42And don't worry about Mr. Fermin.
15:45Because I only told him what was essential.
15:47Besides, you know he's a very discreet man.
15:49He's very worried about you.
15:53What do you want me to do?
15:56My love,
15:58forgive me if I've been so hard on you.
16:00I know you're doing it for me
16:03and that you're also suffering a lot.
16:06It's okay.
16:08Tell the doctor to come.
16:11Seeing a doctor won't hurt me.
16:17I love you.
16:19I love you too.
16:23I'm very afraid of losing Pietro.
16:26Actually, I understand that woman.
16:28She has a husband and she wants to get him back.
16:30I would do the same.
16:32But understanding her doesn't make me less afraid.
16:35But it's normal to be afraid.
16:37Now she needs time to face all this.
16:42That's it.
16:43She needs time.
16:46And you also need Pietro to send her out for a walk.
16:49Look at her showing up on the same day of the wedding.
16:53To annoy us all.
16:54Especially me, who was the godmother.
16:56That's the least of it, isn't it?
16:58No, it's not.
16:59Besides, if she loved Pietro so much, why didn't she come sooner?
17:03And with a son in the way.
17:05That boy hasn't seen his mother since he was a kid.
17:08What a tough face.
17:11I'll also tell you something, Antonia.
17:14Don't worry.
17:16That woman didn't come to take Pietro from him.
17:18Then why did she come?
17:19To get something out of him.
17:20I've seen her take advantage of him.
17:21It's not that easy, Esperanza.
17:23Actually, that woman never left Pietro.
17:26When she went to the Americas, she did it in accordance with him.
17:28Apparently, they loved each other a lot.
17:31Pietro told me about it in his day.
17:32Yeah, but that was a long time ago.
17:34Yeah, honey, but as time goes by, those feelings stay there.
17:39What scares me is that Pietro's people will wake up.
17:43That won't happen.
17:47Let's go to work.
17:48Thank you, Chico.
17:56Thank you.
18:01Yesterday, I warned you that it would be complicated.
18:05But I also want you to see that I take your requests very seriously.
18:08What I want is for my requests to be fulfilled.
18:10I don't care if you take them seriously or not.
18:13As if my life depended on it.
18:16I committed myself to having everything as soon as possible, and I'm on it.
18:20But to get the maximum liquidity that I'm looking for from the Morcuende company,
18:24I also need to know where the limit is.
18:27How far are you willing to liquidate?
18:30As far as possible.
18:33By the way, Fario, I have to ask you something.
18:35I was going to ask you yesterday, but since the conversation ended a little hastily,
18:40I forgot.
18:42Tell me, I'm listening.
18:43I hope so.
18:44Because you're going to have to go through your contacts.
18:47Something you've been very scrupulous about lately.
18:51As long as it's within the legal framework?
18:53Yes.
18:54That's right.
18:56I need you to open an account listed in Switzerland.
18:59And send all the funds you can there.
19:02As you see, something very legal.
19:04As you like.
19:06A listed account?
19:07In Switzerland?
19:09That's right.
19:11And for what?
19:13I mean, are you sure?
19:15Fabio, if not, I wouldn't ask you.
19:17But you know that a listed account is like a cheque to the carrier?
19:22Anyone who has the codes can access it.
19:24Without having to do anything else.
19:25Not give your name or anything.
19:27I know the risks it entails.
19:30And even so, I want to do it.
19:31I am aware of the dangers, Fabio.
19:33But I also know that what is lost in security of access to the account is earned anonymously.
19:38And that's enough for me.
19:41The request I made is so strange, isn't it?
19:43It is.
19:45How strange is also your behavior these days.
19:49I have the feeling that you are hiding something from me.
19:53This is the truth, isn't it?
19:57But...
19:59What am I going to hide from you?
20:02All the papers on this table show that everything I have goes through your hands first.
20:07It is very difficult for me to hide something from you.
20:10But until a few days ago you were willing to save the company at all costs.
20:14You even helped me make a report to cut costs and clean up the business.
20:19Because I thought that was what Carla would have wanted.
20:22That's why I insist on you.
20:24Well, that's why I miss this change of attitude so much.
20:26Now you don't want to clean up the company anymore.
20:28Now you want to liquidate it.
20:31It is difficult to understand such a change.
20:37Fabio...
20:40I don't know.
20:41Maybe I didn't explain myself well.
20:44I don't want to liquidate the whole company.
20:47What I want is to get rid of those assets that are not profitable.
20:50I don't want the three of them.
20:52I don't want my daughter's company to sink from one day to the next because of my bad management.
20:58You're hiding something from me, Barbara.
21:00Because I could only really help you if you're completely honest with me.
21:05I understand that you make a great effort to help me.
21:09And that's why it hurts me to have to tell you that I think you're not being completely fair to me.
21:14Asking you to be honest doesn't mean I'm not being fair to you.
21:18It means you don't understand me at all.
21:21I just lost my daughter.
21:23And now you come to me with absurd begging.
21:28If you don't want to or can't comply with the order I gave you, tell me openly.
21:33But don't make me waste any more time.
21:38Okay.
21:40I'll open that account in Switzerland.
21:4524, 25...
21:51Mr. Fermin.
21:54I've already notified Antonia.
21:56As soon as she's done serving some clients, she'll come here.
21:59Thank you.
22:02I'd like to take this moment to talk to you in private.
22:10Sit down.
22:14Tell me.
22:16It's about Pietro.
22:18Poor man. He must be going through a terrible time.
22:22And yet he's still coming to work at Obrador.
22:24In complicated situations, it's when you see the value of a man.
22:27And Pietro's value is enormous.
22:28Enormous.
22:32Anyway, Mr. Fermin, this whole situation has made me reflect.
22:38And, for God's sake, don't misinterpret me.
22:41I'm very sorry about everything that's happening to you, but...
22:46This salon is depending too much on Pietro.
22:50What do you mean by, depending too much?
22:54Well, I don't even want to imagine if, suddenly, a few days after everything that's happened,
23:00Pietro goes into depression, for example.
23:03A depression that wouldn't allow him to work.
23:06Yes, yes, yes. It would be a complicated situation, of course.
23:10But I imagine we would know how to solve it.
23:12I remind you that, not long ago, Pietro had to leave for Italy and was replaced by...
23:16Yes, by Sagrario. Yes, I know.
23:18But, well, we all know that it was a temporary situation.
23:23I'm convinced, Mr. Fermin, that if we had had more time, we would have found a better replacement.
23:29Yes, yes, yes. I guess so.
23:31But I don't know where you're getting at, Mrs. Lázaro.
23:36Well, we should have an alternative to Pietro.
23:41I repeat, this salon depends too much on him.
23:45And here, no one should be essential, except you.
23:48Because, otherwise, the salon would be Pietro's and not yours.
23:52And don't you see it, in part?
23:55Well...
23:59Well, you're right. Yes, we have to be foresighted and have substitutes.
24:03But it's very difficult to find a qualified worker in a repair shop.
24:07And much more than having the level of Pietro Fazziello.
24:11But, yes, yes, yes. We have to keep that in mind.
24:15Speaking of people...
24:18How's it going with Inés?
24:21Good. Good, good. Very good. She's lovely.
24:24I've given her an office in one of the rooms on the upper floor.
24:28Anyway, if you think it's better to have her here, close to you, I can give her my desk.
24:33I'll move to the room upstairs.
24:35No, no. Not at all. I feel very comfortable sharing the office with you.
24:40In fact, I need to have her close.
24:43Especially now that we get along so well, working together.
24:48Thank you very much. I agree.
24:52Yes?
24:53Excuse me, Mr. Fermin. Mrs. Lázaro told me she wanted to see me.
24:57Yes, yes.
25:00I wanted to ask you how you were doing, given the circumstances.
25:09I'm fine, given the circumstances.
25:13I see. She also knows that if she needs you, she can stay at home.
25:17One day, two, three, whatever you want.
25:19No need. I like my job.
25:23If you don't mind, ma'am, I'd like to go back to the showroom. I have a lot of work.
25:27Yes, yes, of course. But I repeat, if you need anything, I'm here.
25:34Thank you.
25:46You have a huge heart, Mr. Fermin.
25:49You are always aware of your employees.
25:51I like to think of my employees as a family,
25:54and that we care for each other as if we were of the same blood.
26:00I agree with you. Here we are all a big family.
26:19SANTO ESTROPAJO
26:29Esperanza, who are you praying to?
26:31Santo Estropajo or Santo Alejía?
26:34I'm not praying. I'm sanctifying myself.
26:39That's where Matilde says she saw the late Binda de Morcuende.
26:44Why do I get goosebumps just thinking about it?
26:47Don't tell me those things. I have to go there every day and I don't want to see ghosts.
26:52Now that I think about it, I'm going to pray.
26:56Let's see if I can get Matilde to be cured. She has visions.
27:01I saw her in the living room before.
27:03The truth is that she did have a little face of anguish.
27:07The poor woman must be having a hard time.
27:09I saw her too, organizing the conferences that are going to be held in the living room above.
27:15I was going to scold her, because of course, she had to open this room above.
27:19More work for us, more cleaning.
27:21But in the end I didn't tell her anything, because I saw her so depressed.
27:25Well, she did have to see it badly for you to shut up.
27:29Poor Matilde. Besides, she will notice the lack of Clarita a lot.
27:34Thank goodness she has a life.
27:37Thank goodness. Well, as soon as you finish here, you come with me to the reservation.
27:42Okay, Esperanza.
27:45Thank you.
27:54Good morning, Marta. How are you today?
27:58Because of the wedding. I mean, the non-wedding, rather.
28:01Yeah. It's bad.
28:04Well, worse is Antonia, that the poor woman is depressed.
28:08It's a thing like that, anyone can have it.
28:11Thank goodness you're here. I'm sure it will comfort you.
28:14A little consolation I can give you.
28:19He's been left without a wedding, but hey.
28:22And you, how are you? How's the bookshop?
28:25I can't complain.
28:26I mean, even Miren is impressed with me for how committed I am to work.
28:32Well, that's very good. A job is a serious thing.
28:34And you don't get it just like that. Well, some do.
28:39That's exactly what I wanted to talk to you about. About work.
28:41Oh, so you're taking it seriously, are you?
28:44Look, in the bookshop we need a cleaning lady for hours, several days a week.
28:48I have the responsibility of looking for her and I thought that maybe you might be interested.
28:55It would be in the first hour, with the bookshop still closed.
28:58And I think you could make it compatible with the work in the living room.
29:01What do you think? Are you interested?
29:05Do I have to answer you now?
29:08I guess we can wait a bit, yes.
29:11Okay, I'll think about it and I'll give you an answer tomorrow.
29:17Okay.
29:18Okay.
29:33From now on, every two days I'll give you a day off.
29:38So you can leave the basement, walk around the house, take a hot bath.
29:44In what little things do you base my happiness now, mother?
29:48If there's something that makes me really happy right now, it's going crazy, Matilde.
29:53You're always with that girl in your mouth, my daughter.
29:56I'm waiting for the night to come to give her another beating.
29:59And I hope it's the final one.
30:02Carla, if I'm making these efforts, if I'm giving you the day off,
30:08it's so that you can leave the basement from time to time.
30:11But to walk around the house, not outside.
30:14But here inside the house I can't go crazy like Matilde, mother.
30:17For that, I have to go out.
30:19And she has to believe me or not.
30:23Daughter, listen to me.
30:25If you keep going out, you expose yourself to being recognized
30:28and to uncover this network of lies that we are orchestrating between the two of us.
30:32And if I drive her crazy like that, will it be worth it?
30:36Don't risk it.
30:38And especially now that I'm preparing the liquidation of the company's assets with Fabio.
30:44You're in a hurry about that, aren't you?
30:47No hurry.
30:49Everything is so that you have money available when you need it,
30:52wherever you are.
30:54Wherever I am?
30:58Ah, of course, I understand.
31:02I understand what I found while you were making the tea.
31:09Can you explain it to me?
31:12Don't worry, I'll explain it to you.
31:14It's two bills.
31:15One for the boat and one for the train.
31:17What did you want, mother?
31:21What's wrong? Have you lost your voice?
31:23Well, if you want, I'll explain it to you.
31:25What you wanted was to get me out of here by force.
31:28And with Medina's help, right?
31:30Because I don't think I have enough body to get me out of here.
31:34You're always so perfect, daughter.
31:36Well, yes.
31:38That was my plan.
31:39And it will continue to be, if you insist on this dangerous night out.
31:43Dangerous is for Matilde.
31:45For Matilde?
31:48For you.
31:50The danger is for you.
31:51And for me.
31:52And all for what?
31:54To take revenge.
31:55Because you think you feel something for Íñigo.
31:57I don't think I feel something for Íñigo.
32:00I feel something for Íñigo.
32:02I love him.
32:03I love him.
32:04So wise for some things.
32:06And so stupid for others.
32:09Are you willing to put yourself at risk?
32:11For a man who wanted to see you in jail?
32:13For a man who has put you in this situation?
32:15Locked up in that basement?
32:17You are the one who wants to lock me up here.
32:21You are running away.
32:24Sometimes I wonder what kind of poison Íñigo inoculates in women.
32:28To have that girl and you fighting for her.
32:31Enough!
32:33And I'm going to tell you one thing.
32:35And it will be the last time I tell you.
32:38As I try to force myself into a boat,
32:42I swear to you that I am able to throw myself into the water and swim again.
33:03I love you.
33:16Pietro?
33:19He's not here.
33:25He has to come and eat, but...
33:28I don't think it will take long.
33:30Thank you.
33:34Wait.
34:00Pietro gave me the address of his house.
34:02In case I had to meet him.
34:04Yes. Yes, he told me you saw each other yesterday.
34:07I'm living in a boarding house.
34:10He also told me.
34:12I was there at the boarding house waiting for Pietro.
34:16I was going to pick up there after he ate,
34:19to see if I could call Giancarlo.
34:21I understand.
34:23I wanted to get ahead of myself,
34:25so he can eat quietly and not have to waste time picking me up.
34:32Well, very well thought out.
34:37Excuse me, but I have to go home.
34:40I have to eat before I go back to work.
34:42Wait.
34:48Yes, do you want to wait inside?
34:52Inside his house?
34:54Do you have the key?
34:55No, no, no.
34:56I mean inside my house.
34:59Well, actually, it's not my house either.
35:02My house is that one over there, the one next to Pietro's.
35:05But now they're fixing the sheets.
35:07We have a problem with the carcoma.
35:09I don't know how...
35:11They're like bugs that eat wood.
35:13Ah, tarli.
35:14Ah, tarli.
35:19I said it if you want to come in.
35:23Antonia, you're a spectacular woman.
35:28I thought about it on the day of the wedding.
35:30My Pietro wouldn't get married again unless he did it with a special woman.
35:36It's just that Pietro doesn't fall in love with anyone.
35:39Excuse me, but I don't feel like talking about it.
35:44I hope you understand.
35:45Yes.
35:48And as I said, I'm in a bit of a hurry before I go back to work.
35:53I don't understand.
36:00I don't understand.
36:06We're not doing anything right, but...
36:10We're not doing anything right by entering Mr. Fermin's office without his permission.
36:13And it seems like a lie that I have to tell you this.
36:15Precisely to you, Teresa. Precisely to you.
36:17Let's see, you don't have to come in.
36:19You stay here watching that no one comes near.
36:21And I'll take advantage of the fact that Mr. Fermin and Mrs. Lazara have gone to eat.
36:24Which is what we should be doing.
36:26Going to eat.
36:27And not playing spies.
36:28Don't worry.
36:29Trust me, there's no danger.
36:31There's no danger, you say?
36:33Teresa, I don't recognize you.
36:36Where are you? They're firing us.
36:37Let's see.
36:38Here are the workers' contracts.
36:40I look for Mrs. Lazara's. I look at the information we're looking for.
36:43I leave it again.
36:44And nothing has happened here.
36:48What am I saying? Is all this number necessary?
36:50Couldn't you do this with Mr. Fermin in charge?
36:52Because if someone has the right to look at that folder with contracts, it's you who's in charge.
36:56Well, no, Cañete.
36:57Because I would have to give him explanations and I don't want to do it.
37:00And besides, Mrs. Lazara doesn't leave this office even with hot water.
37:04You tell me when I was going to come in.
37:05Never.
37:06Which is what we should do.
37:07Never come in, hidden in this office.
37:10Please, shut up.
37:11There's no one to concentrate.
37:13We're going too far, Teresa.
37:15That's precisely why, Cañete.
37:17Because I've already gone too far, I'm not going to stop.
37:19So shut up and watch, please.
37:22This is crazy.
37:23No, it's not crazy.
37:25We're protecting Mr. Fermin from that woman.
37:27Go find out what she's up to.
37:32Well, the contract appears once.
37:34Because then I saw that you both gave it in order.
37:36But in that folder you only look at Mrs. Lazara and you.
37:38And it wouldn't be very difficult to find if you had everything in order.
37:45That's the weird thing.
37:46The contract doesn't appear or its file anywhere.
37:48See?
37:49How important the order is, Teresa.
37:52No, no, Cañete.
37:53This is not a matter of order.
37:54I think this woman has made all the documents disappear
37:57where her information appears.
37:59See how we have reasons to distrust her?
38:02I think you're going too far.
38:04So come on, leave the folder where it was and let's get out of here.
38:08But this isn't going to stay that way.
38:11When I finish the tour with Mrs. Lazara,
38:13I'm going to follow her home and see where she lives.
38:15Teresa.
38:18Follow her?
38:19Have you gone mad?
38:21If that woman is hiding something, we'll have to find out somehow, right?
38:24Well, that's it.
38:25I'm going downstairs.
38:34Think about it, Trini.
38:35The idea is not that crazy.
38:37We need a priest to marry us.
38:39Aureliano is a priest.
38:40We need a church.
38:41Aureliano has access to a hermitage.
38:43Don't insist, for God's sake.
38:45Who are we talking about?
38:46Exactly.
38:48We won't find a more willing and willing friend.
38:51Let's see.
38:52You tell me.
38:53Why do you call him the bulb?
38:55Well, because he has few lights.
38:57Exactly.
38:58So how are we going to get into his hands, huh?
39:00Well, but I say.
39:01If now he is a sacristan of the hermitage of Santa María del Venado,
39:04it is because the priest or the bishop,
39:06even, I don't know,
39:07because they see in him a responsible person,
39:09capable of carrying out the tasks that the position entails.
39:12Well, or because they had no one else on hand.
39:14Because that hermitage is where Christ lost the alpargata.
39:17With how attentive he is.
39:18Love, he didn't come to our wedding because he was wrong about the church.
39:23He appreciates you a lot.
39:24But if he hasn't seen me in his life.
39:26And I also appreciate the mule of my town,
39:28and that's not why I ask him what to do at my wedding.
39:30So please finish with these potatoes,
39:32because I'm so hungry that I'm going to eat them with my skin.
39:36Well, the bulb makes some tortillas.
39:38And give it.
39:39What do I say?
39:40That a person who knows how to make a tortilla so well,
39:42well, it shouldn't be such a disaster.
39:43Let's go.
39:44Yeah, but we're not going to ask him to cook for us.
39:46We're going to ask him to marry us in a fake,
39:48in front of all our acquaintances.
39:50What a mania you've taken from the poor man.
39:51I don't have a mania for him, because I don't know him.
39:53But you have made a lot of effort to make him know him,
39:55through his anecdotes,
39:56which, by the way,
39:57don't leave him in a very good place.
39:59So please, don't lie to me.
40:00You're right.
40:01You're right.
40:02Let's look for another option.
40:03Surely you have a friend who has, I don't know,
40:05access to a hermitage,
40:07and can marry us in a fake.
40:08Think, think.
40:09Surely someone comes to your mind.
40:14Fine.
40:15Talk to the lightbulb right now.
40:17Totally.
40:18Worse than we are.
40:32Pietro.
40:34What are you doing here?
40:35We had met quite late, didn't we?
40:37Yes, I hope you don't mind.
40:39I wanted to see where you lived.
40:41And as you told me,
40:42that before going to the telephone station,
40:44you would stop by the house to eat,
40:46I thought,
40:48but it's clear that I came early.
40:51Are you comfortable in the guesthouse?
40:53Because we can look for another one.
40:55The guesthouse you have looked for me is perfect, Pietro.
40:59But,
41:00I just needed to get out of there.
41:02I needed to get out.
41:04The idea of talking to our Giancarlo,
41:07oh Pietro, after so many years,
41:09I'm very nervous.
41:12Would you rather we call him another day?
41:14No.
41:15No, no, no, no.
41:16Let's do it today, please.
41:17Let's not delay it any longer.
41:18Well, then let's go.
41:20Are you sure?
41:21Don't you want to eat something first?
41:23We'll go up and I'll wait for you while you eat.
41:25It's not a problem for me.
41:27No, no, don't worry.
41:29I'll eat something on the way.
41:31And...
41:34I'll wait a moment here again, please.
41:37Okay.
41:39I'm going to talk to Antonia.
41:57How are you?
41:59Fine, fine.
42:03Pietro, why didn't you tell me that
42:05Lucia went to see you yesterday at La Moderna?
42:09You're right, I'm sorry.
42:11I should have told you.
42:13Well, yes.
42:16What's going to happen to us?
42:18And to her?
42:21But what's going to happen to us, Antonia?
42:23We're the same as always.
42:26Two people who love each other, Antonia.
42:28I love you the same, or more.
42:32I love you too.
42:34And Lucia is my problem, not yours.
42:37Don't worry.
42:38How can I not worry, Pietro?
42:40Of course I'm worried.
42:42And it's not strange that she showed up just now.
42:45The day of our wedding?
42:47Yes, it is.
42:48But what can I say?
42:53And when is she going to leave?
42:56I don't know.
42:58And I don't dare to ask, just because it seems like I want to kick her out.
43:05Antonia, I know the situation is complicated, please.
43:08And I have to deal with it.
43:10But don't worry.
43:13Because I love you.
43:15I love you very much.
43:20We just have to be a little patient.
43:24Papel.
43:27Papel.
43:31Wait for me, please.
43:34I love you.
43:38I'm going.
43:58Well, I think the meeting with my uncle was good.
44:01Well, I showed him the proposal of the cultural acts for the store.
44:05And your uncle didn't look scared.
44:07No, and he wasn't scared when we told him that we have contacted the vice-president of the lyceum,
44:13Zenobia Camprovi, to come here and have a talk.
44:15Oh, Laura, and the most important thing is that he said yes, that he will come tomorrow.
44:19Yes, it seems that my uncle was excited that a linguist and writer of this category comes to the business.
44:25Let's be honest.
44:27I think what makes your uncle more funny is that Zenobia is the wife of Juan Ramón Jiménez.
44:32Well, it may be, but you know how my uncle is, little by little.
44:35The important thing is to make him happy so that he accepts us for future acts.
44:39Oh, Laura.
44:40If tomorrow goes well, it will be like a rehearsal for bigger events at the Madrid Cabaret.
44:45Remember that Iñigo said yes, that we could continue organizing our cultural acts there.
44:50Yes, and it also seems that together we can achieve anything.
44:53But little by little.
44:57Yes.
45:04You're still upset because Agustín showed up at your house, aren't you?
45:07Don't you think you're being a little unfair to him?
45:09Yes, the truth is that as soon as he left the house, I regretted what I had said to him.
45:14Ah.
45:16And...
45:18Don't you think that...
45:20Well, that you're starting to like him for real?
45:24Maybe you're denying what you feel.
45:28Well, I'm not going to deny that I might like Agustín.
45:33But right now I don't want any more men in my life.
45:37Hey, and don't you think that Agustín is starting to like you?
45:41Me?
45:42Of course not, I've just spoken to him.
46:00Miss Inés, how was your day?
46:04Did you like the little office I gave you?
46:07Yes, a lot.
46:08It's just that I wanted to check the bookkeeping calendar because there's a client who wants to rent the place.
46:14Ah, that's great news.
46:15Yes.
46:16And what a great way to start working.
46:19Oh, yes, it's just that he's had a good eye for his uncle.
46:22You were right about what he said.
46:24And what did he say?
46:26Well, he told me that here at La Moderna, we all make a great family.
46:31You, me...
46:32Well, all of us.
46:34Besides, you remind me so much of my cousin Manolita.
46:37Excuse me, I think I've already told you about her, haven't I?
46:40Yes, a cousin of hers who wanted to be a singer, right?
46:42She wanted to and she was able to.
46:45I'm telling you this because she also had problems with her vocal cords.
46:48She was dealing with a very good specialist and in the end she was able to sing again.
46:53What luck.
46:55Anyway, between us, she wasn't even half as good as they told me she was.
47:00So she left him and married him.
47:02I hope you're as lucky as she is.
47:05Thank you.
47:06I won't keep you any longer. Have a good afternoon.
47:08Good afternoon.
47:09Goodbye.
47:12Oh, Teresa.
47:13Yes?
47:14Do you know where I can find the reservation calendar?
47:16In the cabinet in the box.
47:18Thank you.
47:26Agustín?
47:28What are you doing here?
47:30I've come to talk to you.
47:31What is it?
47:33I don't have much time because I'm working as my uncle's personal secretary.
47:38Well, maybe it's not the job that benefits you the most,
47:42but I won't be the one to judge your decisions.
47:45Look, despite the misunderstanding we had yesterday,
47:51I wanted to take advantage of this meeting to make it clear to you that my intentions are sincere.
47:56Despite everything Laurita can imagine about me,
47:58I want you to know that my offer is serious.
48:02And to prove it, I'm willing to commit.
48:07So listen carefully to what I want to tell you.
48:12I've already spoken to Edmond Villa, with Aureliano.
48:15And what did he say?
48:16That he can't marry us because he's burned the hermitage and the whole world?
48:19No, no, no, none of that.
48:21It's not that he hasn't given me the chance to explain myself a lot,
48:23but as soon as I told him I needed his help, he offered himself at the moment, without asking.
48:29The poor thing must have nothing to do there in that hermitage alone.
48:32Yes, I already told you.
48:33To all the virtues that Bombilla has, you have to add kindness.
48:37That he is always the first to offer himself when someone has a problem.
48:39Well, kindness or the few lights, because if it weren't for the few lights,
48:43I would have asked you for the details of the favor he has to do for you, I say.
48:47My love, trust me.
48:48If I trust you, who do I trust?
48:50It's Bombilla.
48:51Yeah, well.
48:52And now that I've given you this good news,
48:55are you going to come and get me when you finish the day, if I close the bookstore with you?
48:59Well, of course I'm going to come and get you, but if I don't come, will you come?
49:03No.
49:04Don't you think it's kind of weird?
49:05The what?
49:06I don't know, this, not having to hide, being able to go looking for us,
49:11walking down the street, that people see us and nothing happens.
49:16Salvita, Salvita!
49:17Salvita, Salvita!
49:19Don't worry.
49:22Here, take the keys, I'm going to take the order.
49:24Very well.
49:25By the way, are you sure you can take care of the search for the new cleaner?
49:30Sure.
49:31Look, if not, I can talk to Esperanza, who may be interested in the job,
49:34or talk to the lady who cleans the stairs of my apartment, or ...
49:37Don't talk so much.
49:38Miguel, I told you I was going to take care of it.
49:41Besides, I already have a candidate for that position.
49:45Yeah, but we need her in full.
49:47Lucas is thinking about it.
49:48So I'm not going to offer the position to anyone else and it would be very ugly.
49:51I'm leaving.
49:53See you tomorrow.
49:54Goodbye.
49:57My love, you say what you want, but I think this boy is manipulating you.
50:01He tries, I'm not going to deny it, but ...
50:03I will always come.
50:04Besides, you just saw how I control him.
50:06Yes, I don't know what to tell you.
50:08No, but I do.
50:09Don Salvador will be so happy about how I return his son to him,
50:12that not only is he going to appoint me manager of all his bookstores,
50:15but maybe he'll double my salary, or triple it.
50:18Oh, I wish.
50:19How good it would be for the three of us.
50:20Yes.
50:21By the way, where were we?
50:23Here.
50:28Mr. Mendoza, I thank you very much for making room for us this afternoon.
50:32I already told you it wasn't a problem.
50:33Well, let me introduce you.
50:35Dr. Mendoza, my wife, Matilde.
50:38Nice to meet you.
50:39Likewise.
50:42I know what you're thinking, Mrs. Peñalver.
50:44That I shouldn't be here.
50:46And that you don't need any doctor to see you.
50:48So let's do just that.
50:50As if I were not a doctor.
50:52Just a friend who has come to have a coffee and chat a little with you.
50:57Would you do that for me?
51:00I'll try.
51:02Okay, then.
51:04Let's sit down and have a coffee.
51:06Please sit down, Dr. Mendoza.
51:08Mr. Mendoza.
51:12And how long have you been married?
51:14Well, we've known each other since we were kids.
51:16And we met a few months ago.
51:18We've only been married a couple of weeks.
51:21I understand.
51:22And do you live here alone?
51:24No.
51:25We live with your little sister, Clarita.
51:27What happens is that she is...
51:28She is here.
51:29She is now in Jerez.
51:30With my aunt and my other brother.
51:32Look, Matilde.
51:33I don't want to be violent.
51:35But I would like to talk to you.
51:37I thought that was what we were doing.
51:39I would like to know you in depth.
51:41I would like to talk about what interests you.
51:44What worries you.
51:46Especially about what you need to talk about.
51:50And do it alone.
51:56Well, it's okay.
51:57I'll go for a walk and I'll let you talk quietly.
52:02Only if you think it's okay, my love.
52:04I think it's okay.
52:11Okay.
52:21Well, we're alone now.
52:23Let's start.
52:27It's the first time I've had an office.
52:29Doña Lazara got me a room upstairs.
52:32That woman is wonderful.
52:33She's always on my case.
52:35On your neck.
52:37What's wrong with my neck?
52:39Nothing.
52:40They call her the vampire.
52:42I don't understand why.
52:43She has a beautiful smile.
52:45Inés, because she's cold, manipulative.
52:47It looks like she wants to suck your blood.
52:49So don't trust her smile.
52:50Laurita, don't be silly.
52:52Maybe she's a bit strict at work.
52:54But I think she's a lovely woman.
52:56Of course.
52:57Since she put you in the office first.
52:59That's not why.
53:01Don't you think you're wrong about her?
53:04I don't know, Inés.
53:05I'm just warning you.
53:07All my colleagues think the same way.
53:10Maybe it's for a reason.
53:11I think it's unfair.
53:13She hasn't done anything to me.
53:14Neither has she done anything to you.
53:15And we should give her a chance.
53:18Why us?
53:21Because he trusts her a lot.
53:23And he gets along well with her.
53:24And he wouldn't look at just anyone.
53:27So stop calling her the vampire.
53:29Don't make me have to call her aunt one day.
53:32Doña Lazara as aunt?
53:34That's awful.
53:35Awful?
53:36It's awful what you said to Agustín yesterday.
53:39I found him in the living room and I didn't say anything.
53:43That's because you don't know him.
53:44And you don't know him either, Laurita.
53:46Today he showed me he has a golden heart.
53:49Really? Why?
53:51Well, you'll find out in due time.
53:53No, tell me now.
53:55You're very impatient.
53:56That's because you don't have any arguments
53:58and you prefer to be mysterious.
54:00But you're listening to yourself.
54:02And you?
54:03You always want to contradict me even if you don't have a reason.
54:05Look, you're behaving like a capricious girl and you know it.
54:08Sure, but you always know everything and I never know anything.
54:11Look, I thought you were more mature,
54:12but not everyone has to see things the way you see them, Laurita.
54:15Nes, this time I'm right.
54:16And you know what? I'm going to go for a walk
54:18because you're making my head spin like crazy.
54:20And now pick this up.
54:22Hey!
54:33I hope I haven't arrived too soon
54:35and I haven't interrupted the conversation.
54:37No, we were done.
54:39Do you want another coffee?
54:41I wouldn't say no.
54:42I have a dry throat.
54:44Well, I'm going to make more.
54:45Do you want one, love?
54:47Always.
55:02Are you okay, Doctor?
55:04Let's get some fresh air.
55:23What's going on, Doctor?
55:25I'm not going to lie to you.
55:27Your wife is suffering from a manic episode.
55:30That would explain her hallucinations.
55:33That feeling that around her
55:35things happen without explanation,
55:37but that are real to her.
55:40Manic episode?
55:42And why is that?
55:44Some traumatic experience, surely.
55:46And many can be your causes.
55:48Your mother's murder.
55:50Or your brothers' death.
55:53The car accident they suffered.
55:55Even the accusations you made of a murderer.
56:00You have to treat your wife as soon as possible.
56:02There's a medication that will do her good.
56:05It's very strong at first,
56:07but it will help her overcome
56:09that permanent anguish and confusion in which she lives.
56:12In addition, she would be under continuous medical control
56:15in an institution...
56:16What do you mean, in an institution?
56:18What are you trying to tell me by saying that?
56:21That you have to get your wife in
56:23and do it as soon as possible.
56:31MATILDE
56:33MATILDE
56:35MURDERER
56:38These mental illnesses are deceitful, Mr. Peñalver.
56:41Your wife can behave normally
56:44and then have an outbreak.
56:46If you don't take the right measures as soon as possible,
56:48the symptoms may worsen.
56:50You've been with me all this time.
56:52You gave me the strength to move on.
56:54Pietro,
56:56I'm still in love with you.
56:58That Lucia doesn't mean anything here, Antonia.
57:00Well, yes, Marta.
57:01If Pietro is where he is,
57:03he's her husband.
57:04And they have accounts from the past.
57:06Pietro loves you.
57:07Have you already started the plan to liquidate part of the companies
57:10as I asked you?
57:11Yes, I'm busy with all the paperwork.
57:13Maybe you want to leave Spain
57:15and therefore leave our relationship.
57:17You are very susceptible, Teresa.
57:18No, no, no, susceptible, nothing.
57:20Do you realize how strange it sounds
57:22that you are spying on your boss?
57:23Yeah, but she's manipulating Mr. Fermin
57:25with I don't know what purpose.
57:26Your niece Inés has told me about the meeting.
57:29Maybe you want to go with me.
57:31I'm very sorry, but I can't attend.
57:34You must have met a friend, I guess.
57:36No, no, no, no, no.
57:37With a man.
57:39Do you know if you want to work with us?
57:41I have to see if I can combine it with my shift at La Moderna.
57:44The only thing is that when I come at the first hour,
57:46I don't know if they could leave me a key
57:48or someone could come to open me.
57:50I'm going to come every day at the first hour.
57:52Are you going to get up early three days a week?
57:54You leave me with money.
57:56What is this?
57:57It's your new contract for the court of Pharaoh.
58:00We already had a contract and you know what my problem is.
58:03That's the reason for the new contract.
58:05Have you discovered anything?
58:06I've been able to talk to some of the neighbors.
58:08With the first, with the bar, and with the kiosk.
58:12And?
58:13That at this rate, come on,
58:14he's going to have children without being married.
58:16Aurelia is not going to do it fabulously.
58:18There is no better cure than the real ones.
58:20The only thing I hope is that she doesn't mess up
58:22and that everyone finds out that our wedding is fake.
58:25At your feet, Mrs. Campurri.
58:28It has been a wonderful evening.
58:30If you allow me, I will accompany you to the car.
58:32Of course.
58:33In passing, I could introduce you to my husband, Juan Ramón.
58:36Don Juan Ramón Jiménez.
58:38Everything you organize is like what you do as a girlfriend.
58:40Yes, come on, the same.
58:41Well, yes.
58:42You are creating many spaces to give voice to women.
58:45All with your help.
58:46You are like glue.
58:48Working together, we are the best couple.
58:50If you were a man, I would ask you to marry me.
58:53I wish Agustín looked a little more like you.
58:55If the people at Trini's work think that we have just fallen in love
58:59and we want to stop pretending,
59:02what we have to do is get married.
59:04One thing is that I don't understand it.
59:06And another very different, that he is going to marry us.
59:08There is a call.
59:09My dear, whoever it is,
59:11tell him that I will return the call later, please.
59:14No, it's not for you.
59:15It's for Pietro.
59:17The police are asking for him.
59:20If we don't do something soon,
59:21Matilde's condition will worsen irreversibly.
59:25Esperanza, I know it may seem crazy,
59:27but I swear,
59:28I heard Carla's voice coming from the terrace.
59:31Do you want us to take a walk around the house?
59:33But there was no one before,
59:35and now there will be no one either.