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00:00♪♪
00:30¿Pero no presupongas nada romántico?
00:32Nadie va a hablar con la Guardia Civil por ahora.
00:34Es que si lo hubiéramos denunciado en su momento,
00:36nos hubiéramos ahorrado todo esto.
00:38¿Pero qué es lo que quieres? ¿Qué quieres?
00:40¿Ver a mi hija en un calabozo?
00:42Si el juez lo determina así, sí.
00:46¿Y si no me quiere volver a ver?
00:48Pero no digas enormidades.
00:50Martina sabe de sobra el amor que le tienes.
00:52El amor que no le he sabido demostrar.
00:56Y entendería que quisiera poner tierra de por medio.
00:58¿A qué se debe esa obsesión por el señorito Curro?
01:02¿No te has enterado de que Martina se ha escapado del sanatorio?
01:06¿Acaso sospechas que guarde relación con esa huida?
01:10¿Alguien lo ha visto?
01:12Entiendo que sí.
01:14Pero si quieres puedo interrogar a mis criadas por obviedades.
01:18Ninguna de las doncellas sospecha la ausencia del señorito.
01:20Yo mismo me he encargado de subirle la comida al señorito Curro
01:22para que parezca que sigue comiendo como de costumbre.
01:24También me he encargado de deshacerle la cama todas las mañanas
01:26y desordenarle un poco el cuarto.
01:28Tu generosidad para conmigo ha sido infinita.
01:32¿Me estás echando de la promesa?
01:34No. Jamás.
01:36Tú sabes que las puertas de mi casa estarán siempre abiertas para ti.
01:40Pero no puedo pretender que abandones tu vida para hacerte cargo de la mía.
01:44Es el último favor que te pido, amiga.
01:48Quiero que sepas que me opongo totalmente a la decisión de la marquesa.
01:50A mí también me da pena irte.
01:52Y perder la oportunidad de conocernos en la ciudad.
02:00Me da pena que Cruz quiera separar nuestros caminos justo ahora que empezaban a unirse.
02:06Si os he hecho venir es para deciros que seguimos adelante con lo de las mermeladas.
02:10¿Entonces Virtudes ha cambiado de opinión?
02:12Mi hija ni pincha ni corta.
02:14Esto es una cosa nuestra.
02:16Cruz y tú tenéis que hacer las paces.
02:18Esa mujer me odia.
02:20Como también odiaba a Tomás.
02:22Solo se portó bien al principio.
02:24Como estrategia para conseguir lo que quería, que era casarse con usted.
02:28Virtudes, digas lo que digas, vamos a vender mermeladas
02:30hasta conseguir la última peseta que necesitas para recuperar a tu hijo
02:32y te puedas ir a vivir con él.
02:34Bien dicho, Lope.
02:36Así que vamos a dejar de perder el tiempo.
02:38Coge un cucharón y ponte a rellenar tarros.
02:42¿Recuerdas el revuelo que se montó por la mujer
02:44que no estaba invitada a la dichosa merienda?
02:46Sí.
02:48Pues...
02:52Esa mujer,
02:54la duquesa de Carrín,
02:58es mi madre.
03:00¿Y piensas que ella es tu madre?
03:02Sí.
03:04Es mi madre.
03:06Piénselo bien.
03:08¿Qué sentido tiene que yo quiera invitar a nadie
03:10a una merienda de la señora Margarita?
03:12Tienes razón.
03:14Esto ha tenido que ser
03:16alguien que quisiera arruinar
03:18esa merienda.
03:20Aunque todos insistan en mirar para otro lado,
03:22yo tengo la firme determinación
03:24de averiguar
03:26qué pasó con la quinta invitada a la merienda
03:28de doña Margarita.
03:30Dime, Vera,
03:32¿qué sabes tú
03:34de la duquesa de Carrín?
03:40¿La duquesa de Carrín?
03:42¿Yo qué sé qué puede pasar con esa señora?
03:44Vamos, Vera, no te hagas la tonta.
03:46Estoy diciendo la verdad, señora Arcos.
03:48No sé por qué me preguntan por ella.
03:50Pues porque la duquesa de Carrín se presentó
03:52en la promesa a la merienda de doña Margarita
03:54y nadie sabe cómo recibió esa invitación.
03:56¿Y debería saberlo yo?
03:58¿Que soy una simple doncella?
04:00Sí.
04:02Una doncella que estuvo presente en la merienda.
04:04¿Sí? ¿Y?
04:06Pues que no me creo
04:08que no oyeras nada.
04:10Porque la duquesa de Carrín
04:12comentaría algo sobre su invitación
04:14si todo resultó ser tan raro.
04:16No, no dijo nada. Al menos no delante de mí.
04:18¿Segura?
04:20Se lo garantizo, señor Arcos.
04:22Lo único que sé es que esa duquesa
04:24recibió una invitación como todas las demás
04:26y que la señora Margarita no quiso decir nada
04:28durante la merienda para evitar situaciones incómodas.
04:30Ya.
04:32Pues alguien tuvo que enviar esa invitación
04:34puesto que la duquesa la recibió.
04:36Como usted bien sabe, yo me dedico a limpiar y a planchar.
04:38No a mandar invitaciones.
04:40Ya.
04:42Y dudo mucho que alguna vez
04:44realices una tarea de tanta responsabilidad.
04:48Mira, ¿tú sabes
04:50si Santos y la duquesa de Carrín
04:52se conocían de antes?
04:54Que yo sepa, ¿no?
04:56¿A qué viene esa pregunta?
04:58No, a nada.
05:00Algo habrá venido, ¿no?
05:02Solo estaba reflexionando en voz alta.
05:04Fue Santos el encargado de
05:06enviar esas invitaciones.
05:10¿Cómo que él las envió Santos?
05:12Lo que he dicho.
05:16Bueno, en todo caso, señora Arcos,
05:18no sé por qué le da tantas vueltas al asunto.
05:20A mi parecer no es un asunto tan importante
05:22y la señora Margarita y el señor Baeza
05:24decidieron dejarlo correr.
05:26Te he pedido yo tu opinión.
05:28Y para que lo sepas, el asunto sí es muy grave.
05:30Es que no pasó nada, pero podría haber pasado.
05:32No comprendo por qué.
05:34¿Y tú qué vas a comprender?
05:38Imagínate que la duquesa de Carrín
05:40hubiera estado a malas con algunas de las invitadas.
05:42Ya, bueno, pero eso no pasó.
05:44Pero podría haber pasado.
05:46Y eso lo habría arruinado todo.
05:48A ver si te enteras de una vez
05:50que las cosas no se hacen en esta casa así.
05:52Supongo que tiene usted razón, señor Arcos.
05:54Ojalá pudiera ayudarla,
05:56pero no sé nada de esas invitaciones
05:58ni de esa duquesa.
06:00Anda, quítate de mi vista.
06:02Ella ha perdido bastante tiempo contigo.
06:04Vamos.
06:22No sé si puedo contarte
06:24las cosas que han pasado
06:26desde que te vi
06:28las luces que han bailado
06:30por nuestro jardín
06:32los rumores nuevos
06:34entre el corazón
06:36y las murallas
06:38En la promesa
06:40habrá partículas de amor
06:42en movimiento
06:44habrá secretos
06:46que nunca saldrán a infuencia
06:48será tan bello
06:50como el vuelo de un avión
06:52En la promesa
06:54las despedidas
06:56son girones por el suelo
06:58hasta las flores
07:00bailarán de su manera
07:02equilibristas
07:04entre el miedo
07:06y la pasión
07:08Y somos
07:10con salto
07:12a la derecha
07:14y a la izquierda
07:16Somos como un salto
07:18a la D3
07:20Somos el amor
07:22cuando se vive a vida o muerte
07:24Un camino largo
07:26a recorrer
07:28En la promesa
07:30ya serás cuestión de suerte
07:32Somos como un salto
07:34a la D3
07:36Somos el amor
07:38cuando se vive a vida o muerte
07:40Un camino largo
07:42a recorrer
07:44En la promesa
07:46ya serás cuestión de suerte
08:14No podrán venderlo
08:16pero sólo dentro de la provincia de Alicante
08:18¿Y tú crees que aquí podrían
08:20obligarnos a algo así?
08:22No me extrañaría que nuestro gobernador hiciera algo parecido
08:24Es que no hay derecho
08:26¿Cómo puede esa gente
08:28meter sus narices en a quién vendemos lo que es nuestro?
08:30Todos hablan de libertad
08:32mientras no gobiernan
08:34pero en cuanto llegan al poder siempre es el mismo cuento
08:36Sí. En cualquier caso
08:38toda nuestra producción de cereal va a nuestros convecinos
08:40Así que mejor cuéntame
08:42lo que dicen los ecos de sociedad
08:44No quiero hacerme mala sangre
08:46Bueno, poca cosa, la verdad
08:48Como por ejemplo que la princesa de Sansan ha llegado a Algeciras
08:50y que el conde del Rincón la va a alojar en su palacio
08:54Ese hombre es muy dado a alojar
08:56sobre todo a señoras que viajan solas
08:58No seas malicioso, Alonso
09:00Va a dar un recital en su honor
09:02Ah, ¿sí?
09:04Muy entretenido
09:06Pues ¿sabes qué? A mí no me parece mala idea
09:08De hecho, podríamos hacer algo similar
09:10para celebrar el regreso de Manuel
09:12¿No fue suficiente con la cena que organizaste?
09:16¿Sabes que esa cena terminó como el rosario de la aurora?
09:18¿Y qué nos garantiza que esto no va a terminar igual?
09:22Ya procuraré yo que Catalina no nos siente a la mesa un muerto de hambre
09:26Adriano no es ningún muerto de hambre
09:28Renta una parte importante de nuestras tierras
09:30Hay que llevarse bien con esa gente
09:32Bueno, es que podemos llevarnos bien con ellos en la distancia
09:34No hace falta tenerlos cerca, atufándonos
09:36Cruz, baja de tu pedestal
09:38¿Por qué siempre me llevas la contraria?
09:40No siempre
09:42De hecho, te he hecho caso
09:44en lo que respecta a mi amiga María Antonia
09:46Y está de acuerdo en que ya es momento de abandonar la promesa
09:48Tiene razón
09:50En eso sí hemos ido a una
09:52Este recital no solo serviría
09:54para celebrar el regreso de Manuel
09:56sino también como despedida de María Antonia
09:58No busques más motivos
10:00Está claro que se te ha metido en la cabeza
10:02celebrar ese recital
10:04María Antonia se merece algo más que un simple adiós
10:06La cocción me ayuda cuando yo más la necesitaba
10:08Y estoy muy agradecida
10:10¿O no?
10:12Sí, sí, sí, por supuesto
10:14Pues muy bien, no se hable más
10:16Invitaremos algunos amigos
10:18y contrataremos unos músicos a la altura
10:20Ven
10:22Voy a avisar a Petraff para ponernos a la tarea cuanto antes
10:26Lo que no sé es
10:28si decírselo a María Antonia
10:30o dejar que sea una sorpresa
10:32Lo que tú veas
10:34Te dejo con tus cosas
11:04¿Me llamabas, señora?
11:06Sí
11:08Se me ha ocurrido organizar un recital
11:10para celebrar el regreso de mi hijo Manuel
11:12Me parece una idea excelente
11:14A mí también
11:16Pero para que no se quede solo en una idea
11:18tenemos que ponernos a trabajar en ello
11:20de forma activa
11:22Además, el recital no solo serviría
11:24para celebrar el regreso de mi hijo
11:26sino también para despedir a mi amiga María Antonia
11:28como una sorpresa
11:30¿Y tú?
11:32No tenía conocimiento
11:34de que nos fuera a dejar doña María Antonia
11:36Bueno, ya va siendo hora
11:38de que regrese a su casa
11:40Y la promesa no es un hotel gratuito
11:42en el que quedarse meses
11:44aunque algunos parezcan creerlo así
11:46Tienes toda la razón, señora
11:48¿Y ha pensado ya
11:50a quién quiere invitar?
11:52Todavía no lo he decidido
11:54Dentro de un rato te daré una lista de invitados
11:56para que les mandes aviso
11:58Y desea la señora
12:00que sea yo quien llame a los músicos
12:02Sí
12:04¿Podríamos invitar a aquel cuarteto de música
12:06que vino hace dos años para mi cumpleaños?
12:08¿Y alguna petición en concreto para la comida?
12:10Porque también tendremos que decidir los vinos
12:12Petra, por Dios
12:14Si te he llamado es para que te encargues tú
12:16no para que me lo preguntes todo
12:18Pensaba que la señora querría ocuparse
12:20de los detalles como en ocasiones anteriores
12:22Pues no, te vas a encargar tú
12:24Te pago para que trabajes
12:26no para que te pases con cara de acelga
12:28Sí, señora
12:30Así que ve pensando en
12:32varias propuestas de menú
12:34Búscame varias opciones de músicos para poder elegir
12:36Y también dime qué fechas te parece
12:38que serían las más adecuadas
12:40¿Y puedo preguntarle si la señora quiere
12:42que sea pronto el recital?
12:44Cuanto antes
12:46Tú ve pensando en opciones, me las vas presentando
12:48y yo ya elegiré
12:50Así trabajé siempre, compía
12:52Y nunca tuve que estar encima de todo
12:54Descuide, señora, que yo me encargo
12:56Eso espero
12:58A ver si ahora voy a tener que echar en falta
13:00a un ama de llaves como la señora Darre
13:02Así que venga, vete a trabajar
13:16¿Y dónde las ponemos, madre?
13:20Las meteremos debajo de las camas
13:22No como Lope y Salvador que las han dejado aquí en medio
13:24Porque si alguien entra, que no se las encuentre de sopetón
13:26¿Y cree que aquí estarán seguras?
13:28Claro que sí, hija
13:30Esta es la habitación privada de María Fernández y de Jana
13:32¿Y no se enfadarán cuando regresen
13:34y vean que hemos utilizado su cuarto como almacén?
13:36¿Cómo se van a enfadar?
13:38Las muchachas son un par de benditas, ¿no?
13:40No se van a molestar por algo así
13:42Ya... ¿Y si por un casual
13:44Vete a descubrir las mermeladas?
13:46Va a pensar que es cosa de ellas y yo no quiero que...
13:48¡Hija! Hija ya de ponerte en lo peor
13:50¿Estamos?
13:52Nadie va a descubrir nada
13:54Además fue la propia Jana
13:56La que tuvo la idea de buscar el dinero para ti
13:58Y yo se lo agradezco
14:00Y yo
14:02Y todos porque esa muchacha
14:04Cuando no está haciendo un favor a uno
14:06Se lo está haciendo a otro
14:08Yo estoy viva gracias a ella
14:10Lo sé, me lo contó
14:12Si no llegase porque convenció
14:14A don Manuel para que trajera
14:16Un amigo suyo médico
14:18Y me hiciera aquella cosa tan novedosa
14:20Yo ahora no estaría aquí
14:22Ni podría darte
14:24Este besico
14:28Y nunca hubiera conocido
14:30A mi nieto Adolfito
14:32Anda
14:34Vamos a guardar las cajas
14:36Lo importante es que se vendan las mermeladas
14:38Y que tú consigas el dinero para recuperar a tu hijo
14:40Porque un niño
14:42Con quien tiene que estar
14:44Con quien mejor está es con su madre
14:46Su plan
14:48Tiene lagunillas madre
14:50Esa es la realidad
14:52Ten fe hija
14:54Ten fe
14:56Venga agacha que te voy pasando
15:02Ahí al fondo
15:16Catalina
15:26Catalina
15:30Adriano
15:32Vaya, me alegro que me recibas
15:34Con tan buena disposición
15:36Qué sorpresa
15:38Pensé que no vendrías a verme
15:40Me gustaría que saliésemos
15:42A dar un paseo
15:44¿A dónde?
15:46Podríamos ir a ver
15:48Las tierras que le tengo arrendadas a tu familia
15:50Después de vender la joya y pagar mis deudas
15:52Te hice caso, hice mejoras en las tierras
15:54Me gustaría que las viese y
15:56Que me digas qué te parecen
15:58Ah, así que además de sobre tus gestiones
16:00También quieres mi opinión sobre tus cultivos
16:02Mi padre te tenía en alta estima
16:04Él decía que sabía mucho sobre agricultura
16:06Exageraba, no sé tanto
16:08No seas modesta
16:10Él no hablaba por hablar
16:13Está bien
16:15Aunque seguro que lo has hecho muy bien
16:17Y poco podré decirte que te ayude
16:19Nunca se sabe
16:21A ver, no esperes nada espectacular
16:23Que no me sobran los cuartos
16:25Yo también empecé poco a poco a gestionar la finca
16:27Si supieras la de aprietos
16:29Por los que pasamos al principio
16:31¿Aprietos?
16:33Sí, no tenía dinero ni para pagarle a Tadeo
16:35El forraje que nos vendía para los animales
16:37Así que tuve que llegar a un acuerdo
16:39A la desesperada con él
16:41A ver, tenía entendido que la cosa no iba muy allá
16:43Pero no sabía que hasta ese punto
16:45Sí, fue una malísima época
16:47Pero poco a poco se fue arreglando
16:49Y a día de hoy la finca marcha bien
16:51Tan solo hay que ver los cultivos
16:53Catalina, no quiero ser indiscreto
16:55Pero ¿Cuál fue el acuerdo que llegaste con Tadeo?
17:01Durante una época
17:03Tadeo nos facilitó el forraje a cambio de
17:05Un tablero de ajedrez
17:07Y de que yo jugara todas las semanas con él
17:12¿Él te dio el forraje
17:16A cambio de tan solo jugar unas partidas de ajedrez?
17:20Así es
17:24Tadeo es un buen hombre y quiso ayudarme
17:26Ya ves, los dos tenemos mucho que agradecerle
17:28A la generosidad de los demás
17:32Y tú salvaste las tierras por las que mi padre
17:34Trabajaron durante años
17:36Siempre me he estado en deuda contigo
17:39Anoche cuando vi que no venías
17:41A visitarme
17:43Me...
17:45Me angustió un poco
17:47Vinieron unos carpinteros del pueblo
17:49A arreglar el silo y tuve que ayudarle
17:53Le estuve dando vueltas a la cabeza
17:55Y pensé que seguirías molesto
17:57Por lo de la cena con mi madre a extraer
17:59Y lo del frac
18:01Bueno, un poco molesto
18:03Sí que estaba, ya lo sabes
18:05Pero...
18:07Me gustaría verte
18:09Según imposible
18:11Da igual que decirle a la tierra que no pida agua
18:15Me alegra ver que ya no estás enfadado
18:17¿Y a mí?
18:19Que me echarás en falta
18:21Bueno, sí que una está sola
18:23Y los días se hacen muy largos
18:25¿Damos ese paseo?
18:27Sí
18:29Si quieres después podemos ir a mi casa a comer
18:31Que, bueno, es humilde
18:33Pero no vendrá nadie a molestarnos
18:35Sí
18:47Señora Arcos
18:57Señora Arcos, soy yo, Santos
18:59Déjame pasar
19:01No, no puedes pasar
19:05Es que no me has oído
19:07Te he dicho que no podías pasar
19:09Solo quiero saber qué le pasa
19:11Acabo de verla por el pasillo como alma que lleva el diablo
19:13Nada
19:15No me pasa nada
19:17Está claro que algo le ocurre
19:19Y debe de ser grave
19:21Porque usted tiene mucho temple
19:23Y no se deja alterar a la primera de cambio
19:27Pasa que en este palacio
19:29Nadie respeta absolutamente nada
19:31Es cierto que mucho me lo he tocado
19:33¿Y con quién la ha tenido ahora?
19:37Con nadie
19:41Igual, si me lo cuenta, se queda más tranquila
19:45Tienes razón
19:47Quizá me venga bien desahogarme con alguien
19:53La señora Marquesa que me ha tratado hoy como si fuera un...
19:57Un trapo de los días a carlos trasuelo
19:59¿La Marquesa?
20:01¿Y por qué?
20:03Ese es lo peor
20:07Que no ha venido a cuento
20:09Quiere organizar un recital
20:11Y ha sido de lo más impertenente conmigo
20:15¿Un recital? Pues yo no había oído nada
20:17Porque ha debido ocurrirsele hoy
20:21Pretende celebrar el regreso de su hijo Don Manuel y la partida
20:23De su amiga María Antonia
20:27Lo que no comprendo entonces es porque la ha tomado con usted
20:29Pretendía que le adivinara el pensamiento
20:31Para organizarlo todo
20:33Pero ella ni siquiera sabía lo que quería
20:35Ni que usted fuera divina
20:37No, no lo soy
20:39Y yo necesito órdenes concretas
20:41¿Cómo Diantres pretende que yo...
20:43Que yo sepa el tipo
20:45Del recital que ella quiere cuando ella no se explica
20:49¿Y cómo se ha puesto conmigo tan solo para preguntar?
20:53Se habrá puesto así por otra cosa que no sea el recital
20:55Se ha enfadado y la ha tomado con usted
20:57Los señores siempre la toman con el servicio
20:59¿Ya lo sabe?
21:01No, no lo sé yo
21:05Señora Arcos, su trabajo es impecable
21:07Y no se le puede poner ni media pega
21:09¿Tú crees?
21:11Claro, lo pienso yo y el resto del servicio
21:13Aunque les cueste admitirlo
21:15Bueno, esos desagradecidos
21:17Sé que nunca me echarían buena mano
21:19Pura envidia
21:21Eso lo digo yo
21:23Pero no le haga caso
21:25A la gente hay que trabajar
21:27Y hacer oídos sordos a la gentuza que nos rodea
21:29Veo que a pesar de tu juventud eres
21:31Muy listo
21:33Y ya puedes distinguir
21:35Lo que importa de lo que no
21:37Aprendo de la mejor
21:39Gracias Santos
21:41Por preocuparte por mí
21:43Hay que darlas
21:45Sí, hay que darlas
21:47Porque tengo una educación
21:49Y porque aquí nadie
21:51Nadie se preocupa por mí
21:53Y para una vez que alguien lo hace
21:55Pues sí
21:57Hay que agradecerlo
22:15Buenos días
22:17Señor
22:19No sabía que iba a venir usted ya
22:21Recojo esto ahora mismo y le dejo solo
22:23No, no, no es menester que te vayas
22:25Yo solo he venido a dejar unas cosas
22:27¿De verdad que no le importa?
22:29De verdad, tú siga lo tuyo
22:35¿Te molesta en este rincón?
22:37No, no, a mí que me va a molestar el señor
22:41Termino de pegar en un periquete
22:43¿No hay prisa?
22:51Eso sí
22:53Aún me queda por limpiar el polvo de la mesa
22:55Pero como usted lo tiene lleno de cosas
22:57No he querido tocar nada
23:01¿Lo ves muy desordenado?
23:03Yo no he dicho eso
23:05Pero puede que sí
23:09Lo creas o no
23:11En todo este caos hay un orden
23:13O al menos yo sé dónde está cada cosa
23:17¿Qué?
23:19Dónde está cada cosa
23:21¿Y se aclara con tantos papeles?
23:23Sí
23:25Verás
23:27Las ideas que no tienen futuro
23:29Las dejo a la derecha
23:31Las que tienen posible futuro
23:33Las dejo a la izquierda
23:35Y después
23:37Están las ideas en las que estoy trabajando ahora mismo
23:39Y están en el centro
23:41Yo la verdad
23:43Es que si usted no me dice nada
23:45Le hubiera juntado todo en un montón
23:49De todas formas no piense que
23:51Yo soy muy ordenada
23:53Mi madre
23:55Cada vez que entra en mi cuarto pone alguna pega
24:01Claro
24:07¿Eres la hija de Simona?
24:13Mismamente
24:15Virtudes para servirle
24:17De muy pequeñita jugaba
24:19Con su hermana Catalina
24:21Y con su hermano Tomás que en paz descanse
24:25Mi madre siempre habla maravillas
24:27De la señorita Catalina
24:29La quiere con locura
24:33En esta casa también queremos mucho a tu madre
24:35Y la promesa no sería lo mismo
24:37Sin ella
24:39Ni se comería también
24:41Tiene buena mano con los fogones
24:43Sí
24:45Tiene un corazón de oro
24:47Y en esta casa le estamos muy agradecidos
24:51Y ella a usted señor
24:53Y yo
24:55Gracias a usted
24:57Mi madre sigue viva
24:59Disculpa, ¿de qué hablas?
25:01De cuando
25:03Usted movió cielo y tierra
25:05Para que curaran a mi madre cuando cayó enferma
25:09Ah, sí
25:11Sí, ya me acuerdo
25:13Aunque en realidad yo solo hice lo que tocaba hacer
25:17Si tu madre está viva y con nosotros
25:19Es todo gracias a Hanna
25:21Es ella quien debe llevarse el mérito
25:23No se separó de tu madre en un solo instante
25:25Lo sé y se lo agradezco en el alma
25:29Virtudes
25:31Hablando de Hanna
25:33¿Me han dicho que está fuera de la promesa?
25:35Sí
25:37Ella y María Fernández
25:39Están ayudando a un amigo del señor Marqués
25:41¿Algo así oído?
25:43Sí
25:45¿Y sabes si volverá pronto?
25:47No, pero ojalá sea pronto
25:49Porque
25:51La has hecho mucho de menos
25:53María Fernández es tan divertida
25:55Siempre con sus dichos
25:57Y sus barbaridades
25:59Sí, esa muchacha habla por los codos
26:01Y Hanna no se imagina la joya
26:03Que es esa zagala
26:07Sí, parece buena persona
26:09Lo es
26:11Siempre dispuesta a ayudar
26:13Con algún consejo sensato
26:17Bueno
26:19Así no me extraña que las eches de menos
26:21Es para hacerlo señor, es para hacerlo
26:25Bueno
26:27Sí
26:39Lo sé
26:41Voy a pensar algo
26:43En el futuro
26:45Cuando quiero
26:47Voté sobre mi
26:49Luigi
26:51La cual apunta
26:53Pues no
27:03¿Qué?
27:05Al club
27:07I don't want anything to go to waste.
27:09I can put it in a jar if you want.
27:14Yes, yes, of course.
27:16Let's see if they sell at a good price, because everything is having a lot of work.
27:20Yes, yesterday we were a little late.
27:23I don't know how we are going to thank you for everything you are doing for my virtues and my grandson.
27:28We are doing it well, Simona, don't worry.
27:31The bad thing is that I don't know if it will be useful for something.
27:34Don't say that, Cancina.
27:36Of course it will be useful, Mrs. Simona.
27:38If we continue at this pace, we will arrive in time to put the bodies together.
27:41Yeah, but it's not just about the money, Lope, and you know it.
27:44And the extension.
27:45Yes, but what are we left with?
27:48That what we earn from it will go to Virtues.
27:50So that she can live in peace for a while with her son.
27:53Until she finds a job that can match her upbringing.
27:57Yes, that's right, but how long can we be like this?
28:00As long as the girl is working to heal the people.
28:03Of course, that won't be long.
28:07Let's see, I can't find another solution.
28:09I think the best thing is to keep going with the jam, while we think of something else.
28:13Yes, the best thing will be for us to focus on putting together all the rooms and then we'll see how we do.
28:18The important thing here is that Virtues is with her son as soon as possible.
28:21Well, yes, because as the saying goes, step by step, you get the hang of it.
28:25Yeah, but ...
28:26No buts. Come on, Simona, this is not the time to get into the worst.
28:33That's right.
28:35We are going to start making more jams to sell them as soon as possible.
28:39Be careful so that Mr. Lorenzo doesn't find out about anything.
28:42Yes, well, we already know that.
28:45With the little money that the captain spends,
28:48as soon as he finds out what we are doing, he can make it big.
28:52López, do you think Tadeo will want to help us sell the jams?
28:57Of course, Mrs. Simona.
28:59First, because he is a great person. And second, because the captain of the Mata is not in the business.
29:03Well, with Tadeo, we are going to sell the jam until the last jar.
29:07And I'm sure we'll put the rooms together soon.
29:09I hope so.
29:10Trust that everything has a remedy, except death.
29:21Happy?
29:23Why should I be?
29:25Stop pretending, Alonso. You know exactly what I'm talking about.
29:30Well, no. But if you insist, I'll say yes, so that we can have the party in peace.
29:36Cruz has let me down very elegantly, that it's time for me to leave the promise.
29:40Ah, that's it. I told you days ago that you were no longer necessary here.
29:44And you told her too?
29:47We share everything.
29:48Everything? Really?
29:52Maria Antonia, I don't want to argue with you, so if you've only come for that, you can go.
29:57Are you also kicking me out of this room?
30:00I'm fed up with trifles.
30:03I wish you the best, really.
30:06And for that, it will be good for you to leave this house.
30:08It will also be good for you.
30:10I tell you from the bottom of my heart.
30:12You have to go back to your routine. You have to look to your future.
30:14And for that, you have to be in your palace.
30:16Sure. And stop bothering poor Marquez, right?
30:20I thank you very much for everything you have done for Cruz.
30:23But this situation is no longer comfortable for anyone.
30:26Well, thank goodness you are grateful.
30:29I ask you to remember these days as something good.
30:32And forget the friction we had.
30:34Friction?
30:35Friction without importance that should not affect our friendship.
30:39Maria Antonia, you are loved in the promise.
30:43Maybe that's why you got confused and thought there was something that never existed.
30:46Sure. And now I'm confused.
30:50There was never anything else.
30:53I love Cruz and I will continue to love her.
30:58Maybe now it hurts you to leave.
31:00But soon you will understand that it is the best for everyone.
31:07Hello, Cruz.
31:08Hello.
31:10We were talking about Maria Antonia's departure.
31:13She has confirmed that she is leaving us.
31:15It has been a pleasure, but I think the time has come.
31:19It's a shame, friend, but everything comes to an end.
31:23Anyway, don't think you're going to leave just like that.
31:28I'm organizing a music recital to say goodbye.
31:31Really?
31:33Come on, I'll tell you the details.
31:36And if you come up with any idea, you tell me.
31:40You see, I came up with the idea of the recital.
31:43Because the count of the corner spent a lot of money on the princess of Saint-Saëns.
31:48It's just that everything keeps going up. From wheat to coal.
31:52Yes, nonsense.
31:53If the gentlemen don't raise the budget, we won't be able to get to the end of the month.
31:57Well, we'll have to find something to save.
31:59Well, now we have to start by removing the oil lamps from the service and putting candles.
32:03Yes, and we will have to remind them to use them properly.
32:05Yes, and forget to turn on the firewood stoves in the service area at night.
32:09Well, from there we can save a few pesetas.
32:10Yes.
32:13Yes?
32:15Am I bothering you?
32:16No, no. On the contrary. Come in, come in, Mrs. Martínez. You have arrived just in time.
32:20We were talking about the need to make cuts.
32:23If this can actually affect the kitchens.
32:26I imagine that, as always, what the service eats.
32:29Well, true. But you will also have to be very careful when taking advantage of what you spend for the gentlemen.
32:36It's already done, Mr. Baeza.
32:37Well, we'll see how to get some pesetas here and there.
32:41You tell me, Mrs. Martínez, what did you want?
32:45Please speak.
32:47The point is that so far we have kept it a secret, but this cannot continue like this.
32:52Because you have every right to know.
32:56What day is Andrés talking about, Simona?
32:58Because of course, if this is known later, it may harm you, who are not to blame for anything.
33:03But neither blame nor knowledge, if you have not just explained yourself.
33:07The point is that we are making jam here, in the kitchen.
33:11For the promise.
33:12No, no, no. They are to sell them here in Lujan.
33:14And get some money so that my virtues can recover my grandson.
33:19Well, I don't think the gentlemen will find it funny.
33:22And much less the captain of the mate. What do you think, Mr. Baeza?
33:25And what products are used to make those jams that we buy for the house?
33:31No, no, no. We are paying for the fruit and sugar with the money from the harvest, as they are for the same cause.
33:38And when do they prepare those jams?
33:41When we finish the work of the day.
33:43I see.
33:45Well, then I don't see any problem.
33:50Mr. Baeza, the captain of the mate is going to get a basilisk if he finds out.
33:55The service can do whatever they want in their free time.
33:58Thank you very much, Mr. Baeza, you are very understanding.
34:01No, but Mr. Pellicer is right. If this gets to the ears of the captain, he can get angry.
34:06And he will say that this directly harms his own jam business, and rightly so.
34:11Harm? I don't think so. We only intend to sell a few jars in the market in Lujan and in some surrounding village.
34:18Even so?
34:19Well, no. The captain has sales to the mayor. He sells to the Spanish army.
34:23They are simply going to sell a few jars. They are not going to affect him at all.
34:27That's what we think.
34:29Yes, be careful.
34:32That way we avoid a disgust.
34:37Thank you very much.
34:49Lope, I have to talk to you.
34:52Well, I have a lot of work to do and I have to go back to the kitchen.
34:54Well, but I guess it's okay because you're one minute late, right?
34:58Look, I don't think you were wrong when you told me that Santos was behind my mother's invitation.
35:03I see.
35:04This morning I spoke with Mrs. Arcos and she told me that he was in charge of sending the invitations.
35:08White and in a bottle, right?
35:10Yes, I guess so.
35:11No, I'm sure so. I'm sure he wanted my mother to come and find me.
35:17Good.
35:19Well, I have to go back to the kitchen.
35:21Can you tell me what's wrong with you?
35:23Look, I'm fine. I have a lot of work to do.
35:25Lope, don't lie to me.
35:26Since I told you who I am, you don't stop chasing me.
35:29When we are in the same room, you don't even look me in the eyes.
35:32Vera, what's going to happen to me? What's going to happen to me?
35:34That your parents are dukes, that happens to me.
35:36And?
35:37What do you mean? You know it perfectly well.
35:40Just as I knew this was going to be a problem between us.
35:42That's why I decided not to tell you before.
35:44Vera, it's a problem.
35:45You are a noble and I am a simple cook.
35:47But this doesn't change anything.
35:49Vera, it changes everything.
35:50Not for me.
35:51For me, yes.
35:52You can continue playing the maids for a few months.
35:55But at the end of the day, you are a noblewoman.
35:57Lope, not anymore.
35:58Now I am Vera.
36:00You will always be the daughter of the dukes of Carrín.
36:02Always.
36:03And I am a cook who earns four quarters a month.
36:06Lope, but I don't care what you earn.
36:09I have been happier with you than in all my life.
36:12Is it that our relationship is not above all those titles, all that money?
36:17Vera, we live in very different worlds.
36:19Lope, I also believed it.
36:21But together we have created another world.
36:23A world in which we are only you and me.
36:25In which we love each other and we don't care what people think.
36:30Listen to me, that sounds beautiful.
36:32But it's impossible.
36:34But why?
36:36If we love each other.
36:37And that's the most important thing.
36:38Vera, because when you get your life back from before,
36:40you're going to wonder what you're doing with a cook behind the scenes.
36:43No, no.
36:44Don't speak for me because I would never say that.
36:46Maybe not.
36:47But your world will push you to it.
36:49And I don't want to see it.
36:51I don't want to suffer for that.
36:53I don't want to see how you start looking at me with other eyes.
36:55I don't want to go through that.
36:59Lope, what do you mean?
37:02That you don't want to be with me?
37:06Lope, I love you.
37:08I love you and I will always love you.
37:13I need to think.
37:21I need to think.
37:39I don't understand, Lope.
37:41You've always done what was right.
37:43And you've always been very clear about what was right and what wasn't.
37:46And this thing with the jam is not.
37:48It can be.
37:49Then why are you going to let them keep going?
37:51You said it yourself.
37:53I've always done what was right.
37:55And I'm tired of it.
37:57I've seen many injustices and they always fall on the service.
38:00But that's not fair.
38:01Wages of misery.
38:02Days of sun, sun, bad words.
38:04I think the time has come for us to break the rules from time to time.
38:09Do you remember the case I told you about?
38:11The one on the street that died in a hunting accident.
38:14Feliciano Arcos.
38:15Doña Petra's son, right?
38:17No, he didn't die in a hunting accident.
38:19He died here, in the palace.
38:21Because the doctor didn't want to waste time
38:25attending to a simple servant.
38:27But he didn't attend to him.
38:29Yes, he did attend to him.
38:31But since he was in a hurry, he didn't do the surgery on condition.
38:34A few days later, that boy caught an infection
38:36that took him to another world.
38:39Unfortunately, there is a way of thinking that abounds a lot.
38:42It is that one cares as much as the rooms they have.
38:45I'm fed up, I'm very fed up.
38:48You're not mixing up things with Marina, are you?
38:50All I'm doing is giving that girl a chance
38:52so she can get her son back and continue with her life.
38:55If we don't give it to her, who will?
38:57I guess no one.
38:58Yes, she deserves it.
38:59She deserves to have hope.
39:02You think you know someone,
39:05but you always end up being surprised.
39:07Well, I guess that's where the charm lies.
39:10It's true.
39:13Each person is a world.
39:27There's still a lot of work ahead.
39:29It's what the field has.
39:31There's always something pending.
39:34And you want to do it.
39:36Although many times, when I see a storm approaching,
39:38it makes me tremble.
39:40When you work in the field and you want to assume that it is so.
39:43For example, the sun.
39:44It is necessary for the harvest to mature,
39:47but it can also crack it.
39:49Yes.
39:50And the water makes the corn grow.
39:53Although it can also flood the fields.
39:57But hey, that's the life of the farmer.
40:02Desiring anxiously the same things you have.
40:05Yes, it's a paradox.
40:10Do you know what it means?
40:12Yes, I know perfectly well what paradox means.
40:16I'm sorry.
40:17Sometimes I seem worse than my stepmother.
40:19No, don't say that.
40:21You speak to me with respect.
40:24What I don't understand is how you can bear to be treated so badly.
40:28The habit.
40:29The habit.
40:32You know, if it doesn't affect my business or other people,
40:35I would find it funny what you did to me.
40:38Funny?
40:39Yes.
40:41I'm still surprised by the ingenuity of the Spaniards
40:43when it comes to making fun of each other.
40:46And ...
40:48Did you ever care that they drew that visa for you?
40:52Well, yes.
40:53But one doesn't come out every day in the press.
40:56Or they name it in the coplas of the Chirigotas.
40:58Right?
40:59Yes.
41:00I'd rather be anonymous.
41:04It doesn't matter.
41:05If it's not for one thing, it's for another.
41:07Cruz always finds a way to attack me.
41:11At least you're strong and you can take it.
41:15I can take it, yes.
41:17But because I'm surrounded by people like you,
41:19who make me even more resistant.
41:28I'm sorry.
41:46Manuel?
41:53Why did it take you so long to come back?
41:55I was desperate.
41:56I know.
41:57And I'm sorry.
41:58It's just that things are getting more complicated.
42:01But the important thing is that everything is fine.
42:04Are you sure?
42:05Yes.
42:06Because they called the sanatorium saying that Martina had escaped.
42:09Well, now Martina is in a safe place.
42:11And she's safe and sound.
42:13I thought you would have brought her straight to the promenade.
42:15Yes, of course.
42:16So that Conde Dayana would put her back in that sanatorium.
42:18Or worse, to call the Civil Guard.
42:22Yes, you're right.
42:24For now, it's better that she's far away.
42:26How did you manage to get her out of there?
42:28It wasn't difficult.
42:30I entered at the time of the visits, like a family member.
42:33And as soon as I entered, I left.
42:35But with her.
42:37I covered her with a long coat,
42:38so they couldn't see the sanatorium clothes.
42:42At the time of the escape?
42:44Then we fled through the forest, in a hurry.
42:46And no one noticed Martina's absence?
42:48Yes, I think so.
42:50They followed us.
42:51But we started running like devils.
42:54And we managed to mislead them.
42:56Normally.
42:58I don't know what would have happened if they caught us.
43:01But the important thing is that everything is fine now.
43:07And what's around here?
43:12Do you want a drink?
43:14Yes.
43:18Curro.
43:22I'm not good at lying.
43:24And I didn't know what to say when they asked me about you.
43:30It's been a lot of hard days.
43:34I know.
43:35And I'm sorry too.
43:38I wanted to do it before, really.
43:40But I couldn't.
43:42Lies are the least of it.
43:45I was worried about you.
43:47I even went crazy looking for you.
43:49Manuel.
43:50Manuel.
43:52I'm not a kid anymore.
43:54You can't always be protecting me.
44:00Let's see.
44:01How is the family doing now?
44:05And how do they receive you?
44:06Because I kept saying that you were unwilling.
44:10Well.
44:11Don't worry, because that doesn't worry me.
44:15Now I have to see what to do with Martina.
44:17She can't be hidden forever as if she were a criminal.
44:21No.
44:24We have to turn this situation around, Curro.
44:28But I still don't know how.
44:31A YEAR LATER
44:43We could make them some appetizers.
44:46Like potato omelette, croquettes, prawns...
44:49But we'll have to give them something with more meat, right?
44:52So they won't starve to death.
44:55Sure, we could make a barbecue.
44:58I don't know.
44:59And why don't we serve them a favada, a stew?
45:04Candela.
45:05The musicians have to give the recital, not the guests.
45:10I like the idea of appetizers as appetizers.
45:13If they get too full, they'll fall asleep during the recital.
45:16What would you like to cook?
45:18Something that is not typical, Mrs. Simona.
45:21I had thought of a foie gras empanada with caramelized apple.
45:25Or some croquettes of bull's tail.
45:28But doesn't everyone like that?
45:30Yes, Mrs. Candela, but it's not the usual.
45:33I'm fine, no problem.
45:35Let's see what Mrs. Petra and Mrs. Marquesa say.
45:38The best thing is that we prepare several appetizers and they choose.
45:44Miss, you're here again.
45:46Would you like some buñuelos? I've just made them.
45:48No, Simona, no. Whenever I come, I get full and I haven't come to eat.
45:52Tell me what you've come to tell us, that you've finally left the hangar and are going home.
45:56Well, for now, that's not in my plans.
45:59I've come to ask you for a favor.
46:01I ask that you break it.
46:04Can you prepare me a dinner for tomorrow in the hangar?
46:07Something simple.
46:09Of course, if it seems to you, first of all, a pipirrena, that you like a lot.
46:13Of course. And if you prepare me a garlic rabbit, there would be no need for more.
46:18And if you feel like it, a good dessert.
46:20So that it stays with a sweet aftertaste.
46:22Okay.
46:27Miss Catalina, are you going to receive my visit to the hangar?
46:32Something like that, yes.
46:35Sorry, I didn't mean to bother you.
46:37I just asked you if you needed my help.
46:41No, don't worry. And if I need anything, don't hesitate to tell me.
46:45Of course.
46:46As you did when you wanted to know more about Miss Martina and the poisoning.
46:52By the way, did my explanations help you?
46:56Well, yes. They were very useful.
46:59I hope they find the culprit soon.
47:03That's what we all want.
47:05Well, if you don't need anything from me, I'll leave you.
47:10Thank you.
47:17I think Mrs. Petra is going to give us these scares.
47:20Has anyone heard her arrive?
47:22We're going to hear her.
47:23We'll have to put the cameras to see where she's going.
47:27And I, in one of these, stay in the place of the scare.
47:31Whatever I say.
47:41Sit down, Mrs. Pia.
47:43Careful.
47:44Yes.
47:45Thank you.
47:53María, where have you been?
47:55In the fair in Lujanca, where your uncle lives.
47:58Where were we going, Ana?
47:59We went for a walk, so you don't forget to walk.
48:01Well, forgive me for scaring you.
48:03But I was scared when I woke up and saw that you weren't here.
48:06Maybe you had gone out.
48:07Don't worry. We went for a walk.
48:09A little long, but yes.
48:11This cave is huge.
48:12You're not going to tell me?
48:14How long did it take us to find you when we came here with the Marquis?
48:17The good thing, if there's anything good,
48:20is that you can take long walks without having to go outside.
48:24I'm too long, I would say.
48:26Mrs. Pia, I think it's very good that you walk, but you have to be careful.
48:29It's very easy to get lost in these galleries.
48:32Don't worry, I'm not going very far.
48:34If I can't, with my soul.
48:36Any effort seems to take my life away from me.
48:39Well, that shouldn't be the case.
48:41And I'm afraid that instead of getting better, it's getting worse.
48:44Well, maybe you're wrong, Hanna.
48:48Because lately I've been thinking
48:53that maybe I'll die here.
48:55You're exaggerating, Mrs. Pia.
48:57My mother used to say that you stick less to beauty.
49:00Nobody is going to die here, Mrs. Pia.
49:02Nobody, because I say so.
49:04Period.
49:05María is absolutely right.
49:06All you have to do is hold on a little longer.
49:09Mrs. Pia, I'm very sorry.
49:11Why?
49:13Because all this has been my fault.
49:15I thought that bringing her here and having her die was a good idea.
49:19And I'm realizing right now that it wasn't a good idea at all.
49:22It wasn't, Hanna, it wasn't.
49:24My son is safe and far from Gregorio, and that's the only important thing.
49:29You did it with your best intentions, Hanna.
49:32And all I want is for you to think about yourself too.
49:35I already do.
49:36I think about myself.
49:38And the plan is fine.
49:40I'd rather die here
49:43than at Gregorio's hands.
49:46What did we say?
49:48Nobody is going to die here.
49:51Period.
49:53Nobody is going to die here.
49:56Period.
50:22Period.
50:29Come in.
50:34Excuse me, Mr. Pellicer.
50:35Come in, come in.
50:37I'll give you some instructions right away.
50:42Are you okay?
50:43Yes.
50:44Yes, very well.
50:45Well, your eyes are red.
50:48Have you been crying?
50:49No.
50:50No, it's the allergy.
50:52I mixed it with the ammonia to clean it.
50:55Are you sure?
50:57If there is something that has put you in this state,
51:00maybe if you tell me, I can help you.
51:02No, nothing has happened to me.
51:04You won't have any problems with Santos again, will you?
51:08I know you're not dating anymore.
51:10I just hope you haven't tried anything.
51:13No.
51:14Santos hasn't bothered me.
51:16You don't have to protect him.
51:17It's the truth.
51:18Santos has nothing to do with my tears.
51:20I suppose the ammonia and the allergy don't either.
51:25It's just that I've been a little down for a few days
51:27and I cry for anything.
51:29It's just that.
51:31But well, did you call me for something?
51:34Yes, yes, this is urgent.
51:36Go immediately to the upstairs floor
51:38where the Duchess of Carril is waiting for you.
51:42The Duchess of Carril?
51:44And what do I do?
51:46Do I bring her a cup of tea or some pasta?
51:47No, no, she doesn't want to drink anything.
51:48It seems that a few days ago she lost some gloves
51:50and she says you gave them to her.
51:52Some gloves?
51:53Yes, does she have them?
51:54No, I don't know, I don't remember.
51:57They may be in the closet where we keep the guests' clothes.
52:00Very well, then check it and meet with the Duchess as soon as possible.
52:04Yes, I'm going right now.
52:17Manuel!
52:31Manuel, son.
52:32Come here for a moment.
52:38Mother.
52:41I haven't seen you.
52:43Sit down for a moment.
52:44I have something to tell you.
52:48You tell me.
52:49Prepare one of your best suits.
52:51We are going to organize a recital in your honor.
52:56And what have I done to deserve that recital?
52:58Return alive from the front.
53:00Doesn't it seem like much to you?
53:02Mother, we already celebrated that dinner, remember?
53:05No, that was a bad dinner.
53:08Look, I have made a selection of the pieces that the musicians could play.
53:11Let's see what you think.
53:12What do you think?
53:17Yes, it's a ... it's a great choice.
53:22But I'm telling you from now on that I'm not going to go to that recital.
53:27And if you can know why?
53:29Because I'm not going to celebrate my return while my sister is still locked up in the cellar.
53:34She is there of her own free will.
53:35She can return right now if she wants.
53:38She thinks she won't be well received.
53:40Excuses.
53:42I'm glad she came back before they took Martina to the sanatorium.
53:45Or to your dinner, to make that jerk sit at our table.
53:48Yes, but she has gone again.
53:50And all because of the problem you two have.
53:52I don't have any problem.
53:53Yes, you do.
53:56And it is in your hands that Catalina returns.
53:58No.
53:59Nonsense, you say.
54:01How am I going to make her come back?
54:02Don't you know how stupid she is?
54:04Mother, you know perfectly well what you have to do.
54:08I can't erase the memory of everyone who saw those drawings.
54:11Asking for an apology is enough.
54:13Don't even talk.
54:16You helped them make fun of Catalina, Mother.
54:20And that not only harmed her, but also your business.
54:23Those are your exaggerations.
54:27If you want her to go to that recital, you know what you have to do.
54:31You know what you have to do.
54:3712,000 euros in jewelry that have been taken from one of the best jewelry stores in Cordoba.
54:42Have they caught the thieves?
54:44No, but there are suspects.
54:46The owner of the jewelry store is convinced that it was two of his brothers,
54:49helped by three Italians.
54:51Apparently they entered at night and without forcing the lock.
54:54Not even those of the safe.
54:56Evidently someone knew the combinations.
54:58Hence, it is suspected that they were his brothers.
55:00We have to find the Italians in all this.
55:03There are many lately in these lands,
55:05fugitives who do not want to fight in the war.
55:09Blessed are the eyes!
55:11You finally appear.
55:13Has he recovered from your indisposition?
55:16He was not sick.
55:20What do you say?
55:23I want to say that everything was a lie.
55:26But then, why have you been locked up in your room for so long?
55:30It is that you have not been in your room.
55:32Wow.
55:33I can see that someone suspected it.
55:35You helped Martina escape the sanatorium, right?
55:38Of course I did.
55:42The strange thing is not that Martina has escaped.
55:44The strange thing is that once inside they have not left you locked up.
55:47You are always so clever, father.
55:49This is not the time for jokes.
55:52Your son has just confessed a crime.
55:54Curro.
55:56Do you know where Martina is?
56:00Of course I know.
56:12That accidental mistake may not be such,
56:14but a sabotage in every way.
56:16Really?
56:17Yes.
56:18And in order to harm a partner.
56:20It's okay.
56:21I'm not to blame for all the evils that haunt this palace.
56:24Not all, obviously.
56:25I'm talking about one in particular.
56:27Mother, what are you doing here?
56:28Look at my daughter.
56:29I have not stopped thinking about you since I saw you the other day.
56:33And that day I did not react well, I admit it.
56:37I was abrupt.
56:39Mother, what has come?
56:41To ask you to come home.
56:43With me.
56:44And now when a new priest comes,
56:46for needing a person,
56:48And now when a new priest comes,
56:50for needing a person to do the tasks.
56:52And that's where the game comes in,
56:54the girl.
56:55And don't you think that this priest and the other
56:58are going to tell each other all the secrets?
56:59And the theft of the chalice.
57:01No, they won't tell him anything.
57:03And how are you so sure?
57:04I find it interesting that you talk about those moments in life.
57:09I also think there are moments to face changes.
57:12And, I don't know, also to live
57:15another adventure.
57:16That you and I can be something more than
57:20friends.
57:23The quality and, above all, the flavor
57:25of our product has dropped dramatically
57:27and it seems that there are complaints about it.
57:29I'm afraid that the drop in the quality of the jam
57:31is exclusively your responsibility.
57:33Are you making fun of me?
57:34Curro only wants the best for Martín.
57:36Please.
57:37Look,
57:38I only say one thing.
57:41Either you end this once and for all,
57:43or your cousin can end up in jail.
57:45Who has put you in a bad mood? Petra?
57:47No, it has nothing to do with Mrs. Petra.
57:49It has to do with the captain of La Mata.
57:51The captain?
57:52Yes.
57:53He fired me.
57:54And Mrs. Candela, and you too.
57:56Well, look, I agree with that.
57:59But I prefer a thousand times than to go into the bushes
58:01to certain people who are piling up around here.
58:04Catalina, I'm cured of fright and I assure you that I'm not here to argue.
58:08That's what I don't understand.
58:09What day has Andrés come then?
58:11I understand that everyone
58:13trusted Conde Ayala's judgment.
58:15We try to avoid a bigger evil.
58:17Yes, and that you don't call the Civil Guard and that you end up in jail.
58:20Every time I change my mind.
58:22Well, then Martina won't keep her promise.