The Wrath of God (2022) Hollywood Hindi Dubbed Movie
The Wrath of God (2022) Hollywood Hindi Dubbed Movie
Transcript
00:00:30Odile and Odette, Clauster's most unique opening, thank you very much.
00:00:40Clauster, I want to take a photo.
00:00:42Clauster, Clauster.
00:00:44Clauster, Clauster.
00:00:46Clauster, your autograph is on that.
00:00:48Excuse me, excuse me.
00:00:50Clauster.
00:00:52Luciana is waiting for you in the gallery of the third floor.
00:00:54She is talking about Valentina.
00:00:56Meet her, otherwise it will be a mess.
00:01:00Okay.
00:01:02Thank you very much for coming here.
00:01:04Here you are.
00:01:08Look, we are taking a short break.
00:01:12Clauster, Clauster, can I get your autograph?
00:01:14One minute.
00:01:16Clauster, look here, please.
00:01:18We are from Metropolitan.
00:01:20Clauster, what are you doing?
00:01:22I am working.
00:01:26Clauster.
00:01:56Hey Esteban, how are you?
00:01:58Fine, you tell me.
00:02:00I am fine. I heard that you lost your job.
00:02:02No, I mean, yes, I lost it, but I came for some other work.
00:02:04I heard that you had a fight with your boss.
00:02:08How did this happen?
00:02:12Hello, excuse me.
00:02:26Hello.
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00:09:00Hello.
00:09:02Are you satisfied now?
00:09:04It should be done by 9 o'clock.
00:09:24Hello.
00:09:26Esteban Ray.
00:09:28Yes, who is this?
00:09:30I am Luciana Blanco.
00:09:32Do you remember I was your assistant?
00:09:34Yes, I remember.
00:09:36That was 10 years ago.
00:09:38How are you?
00:09:4012 years ago.
00:09:42I want to talk to you about the cluster.
00:09:44About the cluster?
00:09:46You don't know anything, do you?
00:09:48No one knows anything.
00:09:50Then you tell me.
00:09:52No, I can't tell you over the phone.
00:09:54Can we meet and talk?
00:09:56Right now?
00:09:58Okay.
00:10:28Hello.
00:10:58Who is it?
00:11:00Esteban.
00:11:22Hello.
00:11:24Hello.
00:11:26Hello.
00:11:56If you want to write very openly in the future, I am ready.
00:11:58The cluster has written a lot more.
00:12:00Is it worse than this or better?
00:12:06By the way, what is the cluster writing about these days?
00:12:08You know I can't tell you anything.
00:12:10Coffee?
00:12:12Yes.
00:12:20Come in.
00:12:26Thank you for coming.
00:12:28I'm sorry to call you all of a sudden.
00:12:30It's okay.
00:12:32Sit down.
00:12:34Would you like some water?
00:12:36No, thank you.
00:12:38Please sit down.
00:12:44The cluster was famous for the book
00:12:46that it was asking me to write.
00:12:48But you know this.
00:12:50I want to tell you something
00:12:52that you don't know.
00:12:54After the punishment,
00:12:56everything should have been closed,
00:12:58but people kept dying.
00:13:00What do you mean?
00:13:04My family.
00:13:08And who is killing your family?
00:13:10Cluster.
00:13:14I need your help.
00:13:18Cluster is killing your family?
00:13:20For the past 10 years,
00:13:22one after the other.
00:13:24I tried to stop him,
00:13:26but no one trusted me.
00:13:28But this time I have a chance
00:13:30and I want to get him caught at any cost.
00:13:34I saw him today.
00:13:36He was standing outside
00:13:38my mother's retirement home
00:13:40and I know he's going to kill him.
00:13:42How do you know he's going to kill him?
00:13:44Maybe he's just passing by.
00:13:46Because my mother is 58 years old
00:13:48and she has neurological damage in her brain.
00:13:50That too because of him.
00:13:52Cluster doesn't do anything without a plan.
00:13:56I want you to publish my story.
00:14:00What? Seriously?
00:14:02Yes. Publish it.
00:14:06Do you remember when you met me,
00:14:08you said that Cluster looks straight,
00:14:10but he's very cunning.
00:14:12Remember?
00:14:14Whenever my family members die,
00:14:16do you know why?
00:14:18I don't know.
00:14:20So that no one can doubt him.
00:14:22No one will believe
00:14:24that a celebrity
00:14:26can kill someone.
00:14:28That's true.
00:14:30See?
00:14:38I can't publish anything
00:14:40in the newspaper.
00:14:42I'm sorry, I can't do anything.
00:14:44I know you're popular in the newspaper.
00:14:46That's why I called you.
00:14:48Because you have to get even with Cluster.
00:14:58Who is it?
00:15:00Mercedes, I'm Luciana.
00:15:02Come in.
00:15:04Thank you.
00:15:06Hello.
00:15:08Hi, Pauli.
00:15:10Wait, I'll be right there.
00:15:12Wait, I'll be right there.
00:15:16Today is our day off.
00:15:18Here.
00:15:20For me?
00:15:22Yes.
00:15:24It has all of us in it.
00:15:26Mom, Dad, me and you.
00:15:30It's very nice.
00:15:32Thank you.
00:15:34Let Luciana go and work with Dad.
00:15:36Say bye.
00:15:38Bye.
00:15:42Wow.
00:16:08Wow.
00:16:12My wife used to be
00:16:14a ballet dancer.
00:16:16A drunk driver
00:16:18hit her with his car
00:16:20and she broke her leg.
00:16:22Her career was over.
00:16:24If I had done justice
00:16:26with the law of retaliation
00:16:28it wouldn't have been enough
00:16:30to break the driver's leg.
00:16:32Mercedes' career is over
00:16:34and the pain she's in
00:16:36is worse than a fractured leg.
00:16:38You make it sound so good.
00:16:42Yes, Mercedes was a good ballet dancer.
00:16:46Yes, she was a star
00:16:48of the National Ballet Dance Group.
00:16:50My sister wants to be a ballet dancer too.
00:16:52I spoke to Esteban.
00:16:54Esteban?
00:16:56Esteban Ray. He's a writer too.
00:16:58You work with Esteban Ray too?
00:17:00How did he find out about you?
00:17:02Kampari must have.
00:17:04Kampari won't tell. He's a bit reserved.
00:17:06Maybe some publisher took my name.
00:17:08He said he knew you.
00:17:10Really?
00:17:12Yes, but he keeps sending me his writing.
00:17:14How does he look?
00:17:16I read his novel once.
00:17:18I don't know the name
00:17:20but he sends something every day.
00:17:22I don't know how he writes so much.
00:17:24He's a quick thinker.
00:17:26But he's not as talented as you.
00:17:32Where were we?
00:17:34He strangled Elena.
00:17:36He strangled Elena
00:17:38and strangled her neck.
00:17:42He even put a comma.
00:17:44And he was happy
00:17:46that he could decide
00:17:48someone's life.
00:17:50Then he reduced the pressure
00:17:52so that the girl could breathe
00:17:54so that he could torment her more.
00:17:56But he knew
00:17:58that Elena's attempt to survive
00:18:00was in vain.
00:18:02And his eyes
00:18:04were fixed
00:18:06on the same spot
00:18:08where the snake
00:18:10had bitten her
00:18:12and the spot
00:18:14was completely round.
00:18:18I have a similar spot on my body.
00:18:22Here it is.
00:18:24Look.
00:18:36What are you doing?
00:18:38What do you mean?
00:18:40What did I do wrong?
00:18:42Luciana, you were giving me a signal.
00:18:44A signal?
00:18:46Yes, a signal.
00:18:48Are you crazy?
00:18:50Where are you going?
00:18:52I'm going.
00:18:56Luciana.
00:19:06Luciana.
00:19:36Luciana.
00:19:38Luciana.
00:19:40Luciana.
00:19:44Luciana.
00:19:46Luciana.
00:19:48Luciana.
00:19:50Luciana.
00:19:52Luciana.
00:19:54Luciana.
00:19:56Luciana.
00:19:58Luciana.
00:20:00Luciana.
00:20:02Luciana.
00:20:04Amen.
00:20:06Amen.
00:20:08Amen.
00:20:10Amen.
00:20:34Luciana.
00:20:36Luciana.
00:20:38Luciana.
00:20:40Luciana.
00:20:42Luciana.
00:20:44Luciana.
00:20:46Luciana.
00:20:48Luciana.
00:20:50Luciana.
00:20:52Luciana.
00:20:54Luciana.
00:20:56Luciana.
00:20:58Luciana.
00:21:00Luciana.
00:21:02Luciana.
00:21:04Luciana.
00:21:06Luciana.
00:21:08Luciana.
00:21:10Luciana.
00:21:12Luciana.
00:21:14Luciana.
00:21:16Luciana.
00:21:18Luciana.
00:21:20Luciana.
00:21:22Luciana.
00:21:24Luciana.
00:21:26Luciana.
00:21:28Luciana.
00:21:31How can this be?
00:21:34Whenever I see that little girl...
00:21:37I always wonder why I did this.
00:21:41Actually, you did the right thing by coming back home.
00:21:44The psychiatrist said...
00:21:46The WHO, you know, it takes time.
00:21:48Tomorrow, we all go somewhere...
00:21:50If the situation comes up, Polly will also forget it.
00:21:52Tomorrow, is there any work you got to do with Luciana?
00:21:55No, Luciana is not going to work here today.
00:21:58Okay, but why?
00:22:01His parents want him to concentrate more on his studies.
00:22:07But he didn't even say goodbye to Paoli for the last time.
00:22:11Maybe he thought Paoli would feel bad.
00:22:14This is not just about the remaining salary.
00:22:17You were working illegally there.
00:22:20That's why you can ask for a lot.
00:22:22Social contribution, pension.
00:22:24And that's why we'll give you a prior notice.
00:22:27In which, under Act 24,013,
00:22:31you will be fined for paid vacation and bonus.
00:22:34And under Article 80...
00:22:36Tell him that he tried to kiss you.
00:22:39Yes, but nothing happened.
00:22:42Sexual harassment at work is a very big issue.
00:22:46Tell me, has this happened only once or many times?
00:22:49It's happened only once.
00:22:51Are you sure?
00:22:52Did he try to touch you or did he force you?
00:22:56No, he only kissed me once.
00:22:59Okay.
00:23:01If that's the case, and no witnesses were present,
00:23:04then only you two will testify,
00:23:06and this will be considered an employment lawsuit.
00:23:08Wait, let me see.
00:23:15This is a big amount.
00:23:17This will only be asked from us.
00:23:18After hearing this,
00:23:20we will collect half of the amount from the cluster.
00:23:23But if we file a complaint of sexual harassment,
00:23:26he will be forced to accept our conditions.
00:23:29This is in our interest.
00:23:33Here, at the bottom,
00:23:36your name, ID, and signature.
00:23:38And don't worry about the amount.
00:23:40I'll pay you the claim amount later.
00:23:42Just sign it now.
00:23:43Whatever happened was not right.
00:23:49Still, I can't press charges.
00:23:51I'm sorry.
00:23:53I can't press charges without evidence.
00:23:55No one will believe me.
00:23:57Maybe you don't understand.
00:23:59You write that I'm pressuring you,
00:24:01and I'll take care of the rest.
00:24:03Whether people say this is a publicity stunt,
00:24:05or I have to go to court,
00:24:07I'm ready for anything.
00:24:09I want this to reach people.
00:24:10If someone dies in my family by mistake,
00:24:12the media will be upset.
00:24:14And he won't take such a risk.
00:24:16He cares more about his reputation than me.
00:24:18I know.
00:24:20And you too.
00:24:27Look, I don't want to get involved.
00:24:29What's the use of turning such a big man against himself?
00:24:32He's against you anyway.
00:24:34What do you mean?
00:24:36He's against you.
00:24:37That's why he's against you.
00:24:39What do you mean?
00:24:41I don't think you just wanted to be a journalist.
00:24:44What?
00:24:46Do you think he didn't read your article
00:24:48that you wrote for his family?
00:24:50And why didn't any publisher pick up your call?
00:24:52Even the companies hate you.
00:24:54But that's all in the past.
00:24:56If he had forgotten, he wouldn't have come here.
00:24:58Hello.
00:25:00Valentina.
00:25:02This is my sister.
00:25:04And this is Estepa.
00:25:06Valentina doesn't know anything.
00:25:08When all this started, she was very young.
00:25:10I'm just trying to save her.
00:25:12I don't want her to be in the shadow of fear.
00:25:18So will you help me?
00:25:21I'll think about it.
00:25:35I'll be right back.
00:26:06If he doesn't come here in five minutes,
00:26:09I'll make a decision without him.
00:26:12Okay.
00:26:15Either he's trying to fool us,
00:26:17or he doesn't care about the law.
00:26:19Whatever it is, we can start a case against him.
00:26:35Come in.
00:26:46How much money do you need?
00:26:50The legal fees add up to 18,62,000.
00:26:55But this is just their demand.
00:26:57If you want, you can wait for the lawyer.
00:27:05Thank you.
00:27:22It's amazing.
00:27:23The decision was made so quickly.
00:27:25The job is done, kid.
00:27:27Let's get the check cashed.
00:27:29I've never seen him so angry.
00:27:32Maybe he's regretting it.
00:27:33Regretting what?
00:27:35He lost both his wife and daughter recently.
00:27:38Maybe that's why.
00:27:52Look, Lu.
00:27:54I brought you lentils.
00:27:56Thank you.
00:27:59Crying is not a good thing.
00:28:01Crying is not a good thing.
00:28:13Valen.
00:28:15Mom's calling you.
00:28:16Go inside, kid.
00:28:17I need to talk to Lu.
00:28:18Okay.
00:28:19I'll be right back.
00:28:20Okay.
00:28:23Mom said you don't want to go out with us.
00:28:27What happened?
00:28:28You like spending time with us.
00:28:30Then why aren't you coming?
00:28:33There's a problem you want to solve, right?
00:28:37Look, trust God.
00:28:40He'll solve every problem.
00:28:50Valen.
00:28:52Wait.
00:28:53I'll come with you.
00:28:54Be careful.
00:28:58Valentina, don't go too far.
00:29:00Okay, Daddy.
00:29:01Did you fill out the form for your classes?
00:29:03Yes, Dad.
00:29:04I'll go in March.
00:29:05You've learned to be a doctor, but not how to hold a straw.
00:29:11You do it, Mom.
00:29:12Did you finish everything?
00:29:13No.
00:29:14I won't give this to anyone.
00:29:15Is everything okay, Rami?
00:29:17Yes, Dad.
00:29:18There was a guy there who was a hero in the water.
00:29:21He's out now.
00:29:22But if he goes in again, I'll have to get him out.
00:29:25Is there any coffee left for me?
00:29:27You'll have to get water for the coffee.
00:29:29Go get it.
00:29:30I'm going.
00:29:32Thank you, Lu.
00:29:33Lu's going.
00:29:34She's going.
00:29:35You should have gone.
00:29:36But she wanted to go.
00:29:57I'm sorry.
00:30:27What are you afraid of?
00:30:41You might have seen someone else.
00:30:44No.
00:30:45It was that one.
00:30:46I'm telling you, this is hopeless.
00:30:48Luciana, don't you think it's not a coincidence that he came here for the weekend?
00:30:53You don't get it.
00:30:55I told him we had a house here.
00:30:57But why would he come here to bother you?
00:31:00You didn't even cash the cheque.
00:31:02You just felt sorry for him, and you just left him like that.
00:31:07If you had taken the money, I would have got my bike.
00:31:09Are you crazy?
00:31:12Hey, Ramiro, don't talk nonsense.
00:31:14I'm kidding.
00:31:15How can you joke with your sister like that?
00:31:17What did I say?
00:31:18Just shut your mouth.
00:31:19Okay, sorry.
00:31:20But look at this.
00:31:21We're here on vacation, and she's sitting with her mouth open.
00:31:24It's wrong, isn't it?
00:31:28Look, I made tea.
00:31:30That's good, isn't it?
00:31:31We dug a hole.
00:31:32But what will happen with this?
00:31:34Now, if there's water, we'll fill it in this.
00:31:47Shall we go home now?
00:31:49Shall I pick you up?
00:31:50Come on.
00:31:52I can't see.
00:31:54Close your eyes.
00:31:57I'm scared.
00:31:58Nothing will happen.
00:32:03Rami!
00:32:04Ramiro!
00:32:05We're coming up.
00:32:07Hurry up.
00:32:11Don't worry, darling.
00:32:12Everything is fine now.
00:32:14Don't worry.
00:32:15Do you want to play?
00:32:16Yes.
00:32:17Come on.
00:32:18Be careful.
00:32:20Where's Ramiro?
00:32:21I don't see anyone in the water.
00:32:23He should be out by now.
00:32:25Why isn't he coming?
00:32:26Calm down.
00:32:27He's doing his duty.
00:32:40Call an ambulance.
00:32:47Call an ambulance.
00:32:49Call an ambulance.
00:32:52Call an ambulance.
00:32:53Call an ambulance.
00:33:17A few days ago, I told my daughter that
00:33:20in good times, everyone trusts God.
00:33:24But when you're in trouble,
00:33:26you shouldn't lose faith in God.
00:33:30His faith makes you believe.
00:33:32He says, even if we don't know what's going on,
00:33:37He always has a way out.
00:33:45It was an accident, dear.
00:33:47It was an accident, dear.
00:34:18A few days later...
00:34:24Good story.
00:34:27What should we do?
00:34:29Publish it.
00:34:30It's a big deal.
00:34:32You have lost it.
00:34:34We can't just publish it.
00:34:36First check facts.
00:34:39Look for the dead.
00:34:41Sure, I'll do it.
00:34:43What about a cluster?
00:34:45I'll capture one.
00:34:46Oh, you turned out to be a hero.
00:34:48If you catch Klauster, will you publish it?
00:34:52The art section has been after Klauster for the past six months.
00:34:55We were ready to publish his interview on the cover page.
00:34:58But he's not ready.
00:35:00If I really get the proof of his story, will you publish it?
00:35:05If you do that, I promise I'll fight the board members and get you the cover page.
00:35:11Don't give up.
00:35:16Don't give up.
00:35:46I'll be back.
00:36:04Hello?
00:36:05Hey, Stephen Ray.
00:36:06Who is this?
00:36:07I'm Kampari speaking.
00:36:10How are you, Kampari?
00:36:12I thought you'd never call.
00:36:14Stop taking my secretary's life and tell me what you want.
00:36:17I need to interview a cluster for a newspaper.
00:36:21Not now. I'm talking to the art section.
00:36:24I've given them time after the book's release.
00:36:29Please tell them it's about Luciano Blanco.
00:36:32They'll understand.
00:36:37Campari, you listening?
00:36:41We're going to print his story.
00:36:44I'll talk to them.
00:36:46Okay. Thank you.
00:36:50The fish is stuck.
00:37:01What's the most important thing in a thriller for you?
00:37:05Neither the facts nor the story's need for a corpse.
00:37:08It's the brain that does the work.
00:37:10I think the lines in the stories...
00:37:15where every clue is presented in the right way,
00:37:18that's what a thriller is.
00:37:20The Day of the Dead is a bit different.
00:37:23It's more dangerous and cruel.
00:37:24It's also very exciting.
00:37:28It's something everyone's tired of reading.
00:37:30So people want to know why the cluster has changed so much.
00:37:36You could say I've fallen in love again.
00:37:40Will you tell me in detail?
00:37:42Henry James' biographer said his style of writing has changed...
00:37:47when he hired someone else to type the narration.
00:37:54Hello.
00:37:55Do you know what day it is?
00:37:58It's Tuesday. Why?
00:37:59It's Mom's birthday.
00:38:01Do you want to talk to her?
00:38:03Thank you for reminding me.
00:38:05Mom, it's for you.
00:38:08Hello.
00:38:09Hi, Mom. Happy anniversary.
00:38:11Thank you, dear.
00:38:13How old are you?
00:38:15I'm 31 today.
00:38:17Wow.
00:38:18You're celebrating, aren't you?
00:38:19Yes, of course.
00:38:20I went to pick mushrooms with Villain.
00:38:23I'm making that right now.
00:38:24I wish you were here.
00:38:26I'll see you soon, Mom. Give Dad the phone. I'll wish him.
00:38:29Yes, just a minute, dear. You stay on the line.
00:38:32It's Lou.
00:38:35Hello.
00:38:36Dad, happy anniversary.
00:38:38Thank you, dear.
00:38:39I'm glad to hear your voice.
00:38:41How are your exams going?
00:38:42Good. I've read the entire analogy.
00:38:45The analysis is due next week.
00:38:47I miss you a lot.
00:38:48When will you be back?
00:38:49I don't know yet, Dad.
00:38:53Did you make the anniversary pie?
00:38:54Yes, I'm making the pie.
00:38:56But your army has demanded something else to eat here.
00:38:59You're so naughty.
00:39:01Dad, happy anniversary.
00:39:02I'll hang up now. Your sister is bothering me.
00:39:04Yes, Dad. Okay, I love you. Bye.
00:39:06Bye.
00:39:34Hello.
00:40:04Hello.
00:40:34I love you.
00:40:35I love you.
00:40:36I love you.
00:40:37I love you.
00:40:39I love you.
00:40:40I love you.
00:40:41I love you.
00:40:53Did you make the pie?
00:40:54Yes, I did.
00:40:55The pie.
00:40:56Did you make it?
00:40:57Yes, I did.
00:40:58I made it and ate it.
00:40:59Did you eat it?
00:41:00Yes, I did.
00:41:01You sure?
00:41:02I know he's taking revenge.
00:41:04He didn't forgive me.
00:41:05He didn't forgive me.
00:41:06He's taking revenge.
00:41:07He won't leave anyone.
00:41:08He'll kill them all.
00:41:09Calm down.
00:41:10Look, calm down.
00:41:11Calm down.
00:41:12He won't leave me.
00:41:13Nurse.
00:41:14Calm down.
00:41:15What happened?
00:41:16Calm down.
00:41:17I knew he was going to take revenge.
00:41:18Calm down.
00:41:19Calm down.
00:41:20Calm down.
00:41:21Calm down.
00:41:22Calm down.
00:41:23Calm down.
00:41:24Calm down.
00:41:25Calm down.
00:41:26Calm down.
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00:43:53Calm down.
00:43:54Calm down.
00:43:55Calm down.
00:43:57I am sorry.
00:44:20Mummy.
00:44:22Mummy.
00:44:23Work is done.
00:44:26Mummy!
00:44:28Mummy!
00:44:30What happened?
00:44:32Can I go for a bath?
00:44:34You go, I'll be right back.
00:44:36Okay.
00:44:50Mummy!
00:44:52Mummy!
00:44:54Where is Luciana? I want to play with her.
00:44:56She won't be able to play with you.
00:44:58But why?
00:45:00Because she doesn't come here anymore.
00:45:02No, you're lying to me.
00:45:04I told you she doesn't come here.
00:45:06Can I wash your hair now?
00:45:08No, I want Luciana.
00:45:10Don't argue with me.
00:45:12But why?
00:45:14It's my wish.
00:45:16Mummy, you're the worst.
00:45:18I told you to shut up.
00:45:24Mummy!
00:45:54Mummy!
00:45:56Mummy!
00:46:22Paoli!
00:46:26Paoli!
00:46:34Mercedes!
00:46:38Mercedes!
00:46:40Darling!
00:46:44My dear Mercedes!
00:46:56Oh
00:47:03Auli
00:47:26It's my night shift today. I'll be back in the morning.
00:47:55It's very tasty, Alu.
00:47:58Do you like it?
00:48:01How's school?
00:48:03Good.
00:48:04Any friends?
00:48:05No. They think I'm crazy.
00:48:07Luciana takes me to school and waits for me at the door.
00:48:10I'm the only one who doesn't have lunch with the others.
00:48:13How can I make friends?
00:48:15But Valen, she's worried about you.
00:48:17What worry? I can't even go to ballot class alone.
00:48:20All my friends go alone.
00:48:23How's your rehearsal going?
00:48:25You have a show coming up, right?
00:48:27What are you performing this time?
00:48:29Swan Lake.
00:48:30Great.
00:48:31Tell me the date of the show so I don't have to shift at night.
00:48:34Have you started getting tickets?
00:48:36No need for tickets this time.
00:48:38They're going to invite everyone's family.
00:49:23You think you're so tough?
00:49:30You're going to write a letter?
00:49:32You son of a bitch.
00:49:35You thought I wouldn't find out?
00:49:37I'm the boss here.
00:49:39Don't forget.
00:49:40I'm the boss.
00:49:41I'm the boss.
00:49:46Hey, stop!
00:49:47What are you doing?
00:49:48Where's my bag?
00:49:49Stop!
00:49:52Why are you hitting him?
00:49:54Did you see who he was?
00:49:56Stop!
00:49:57Call the police.
00:49:59What's going on?
00:50:00Come on.
00:50:01Come on.
00:50:10Go help him, Benitez.
00:50:13Did you talk to the judge?
00:50:15He's not answering his phone.
00:50:16Maybe he's sleeping.
00:50:19Someone's from his family.
00:50:23Okay.
00:50:24Call him and wake him up.
00:50:33Give me a minute.
00:50:34Yes, sir.
00:50:38I'm D.A. Ramu's lawyer.
00:50:39I'm handling this case.
00:50:40Did you arrest him?
00:50:42Yes.
00:50:43He did it for a girl.
00:50:46He...
00:50:47He said your brother was having an affair with his wife.
00:50:50That's why he did it.
00:50:53But my brother didn't have a girlfriend.
00:50:56We got some letters.
00:50:57They told us about your brother's affairs.
00:50:59No.
00:51:00If my brother was dating someone, I'd know.
00:51:03Where are the letters?
00:51:04We don't know where he is, but we're investigating.
00:51:07We're just wondering how he got out of jail.
00:51:10He was in jail?
00:51:11Yes.
00:51:13He was sentenced to 25 years for a murder.
00:51:20Kloster.
00:51:21What?
00:51:22It was Kloster.
00:51:24He did it.
00:51:25He's been after my family for years.
00:51:27First he killed my brother Ramiro, then my father.
00:51:29It was Kloster.
00:51:30He did it.
00:51:31Kloster?
00:51:32The writer who...
00:51:33Yes.
00:51:34Kloster Writer.
00:51:35I was his assistant.
00:51:36Please do as I say.
00:51:38We'll look into it.
00:51:39Don't worry.
00:51:41Are you okay?
00:51:42Do you need medicine?
00:51:43No.
00:51:44I'm fine.
00:51:45Do you need help?
00:51:48Can you hear me?
00:51:51Please.
00:51:59Shalu.
00:52:00Let's go.
00:52:01Come on.
00:52:02Let's go home.
00:52:05Let's go.
00:52:20Hey, Esteban, how are you?
00:52:22I'm fine.
00:52:24Is your boss still after you?
00:52:26No, he's calmed down a bit these days.
00:52:28How did that fire go? I haven't heard from him yet.
00:52:30I told you I'd let you know as soon as I found out.
00:52:32No, no, no, I didn't come for that.
00:52:34Then?
00:52:36Do you remember that Bruno Blanco case?
00:52:38Bruno, yeah, that offensive murder case.
00:52:40It seemed easy, but it turned out to be a little complicated.
00:52:42Yeah, because his sister Luciana is accusing that writer Kloster.
00:52:44Not because of his sister.
00:52:46The killer was in jail first,
00:52:48and then he went out to steal with the killer's help.
00:52:50I don't know where the wife and love came from.
00:52:52It's all tangled up.
00:52:54Because of that, all the jail leaders got caught one by one.
00:52:56Sir, one minute.
00:52:58Oh, thank you.
00:53:00It was a big case.
00:53:02But what happened to Kloster?
00:53:04Kloster?
00:53:06I went to see him.
00:53:08His wife and daughter died.
00:53:10And that crazy Luciana was after him.
00:53:12Oh, really?
00:53:14What else?
00:53:16She wanted me to put Kloster in jail at any cost.
00:53:18Every day, she'd get on my nerves.
00:53:20Then the case started getting political.
00:53:22She was asking me to go to the Minister of Justice.
00:53:24She just wanted Kloster to be punished in any way.
00:53:28But wait a minute, wait a minute.
00:53:30You mean you didn't find any evidence
00:53:32that could link Kloster to this case?
00:53:34No, I didn't.
00:53:36Yeah, but not even one?
00:53:38I didn't find anything.
00:53:40Yeah, but that Luciana is completely crazy.
00:53:42Okay, I have to work now.
00:53:46Okay.
00:54:10Did you find anything?
00:54:12Yes, I did.
00:54:14I heard that the Chinese mafia set this fire.
00:54:16They wanted to lower the property rate
00:54:18so that they could seize all the property.
00:54:20We haven't found any evidence yet.
00:54:22Ramuneida doesn't have any information either.
00:54:24Yeah, I don't understand.
00:54:26Esteban.
00:54:28Here.
00:54:32I don't know how you did this.
00:54:34Kampari said that Kloster called you
00:54:36to his house today.
00:54:38Very good.
00:54:40I told you I'd get to him.
00:54:42Now do a good job.
00:54:44Don't mess up.
00:54:46Messing up is not in my dictionary.
00:54:48I knew you'd do it.
00:55:12Who is it?
00:55:14Esteban Rey.
00:55:16Who?
00:55:18Esteban Rey.
00:55:42So?
00:55:44What do you think?
00:55:46What do I think?
00:55:48Besides,
00:55:50it's just a crazy girl's story.
00:55:52Who would have thought
00:55:54that a smart girl
00:55:56would lose her mind like this?
00:55:58Yeah, but it's nothing new for me.
00:56:00She's always been very smart.
00:56:02She's always been very smart.
00:56:04She's always been very smart.
00:56:06She's always been very smart.
00:56:08She's always been very smart.
00:56:10What do you mean by that?
00:56:12She always
00:56:14tried to seduce me
00:56:16with her innocent face.
00:56:20If anyone were to fall in her trap
00:56:22she'd certainly
00:56:24get divorced.
00:56:26As far as I'm concerned,
00:56:28I've paid a very high price.
00:56:30So you think
00:56:32Luciana is responsible for your incident?
00:56:40the
00:57:04It's been a long time since I've seen her.
00:57:13Do you really think she knows what's going to happen?
00:57:16I don't know all that.
00:57:19For many years, I've been trying to figure out
00:57:21why she's making up stories about me.
00:57:23What do you think? Why is she making them up?
00:57:25There can be three reasons.
00:57:27Madness.
00:57:30Cruelty.
00:57:32Regret.
00:57:34It's strange, isn't it?
00:57:37A priest's daughter tries to appease someone,
00:57:40and because of that, a family is destroyed.
00:57:43Because she's such a religious girl,
00:57:45she thinks this is the only way to atone for her sins.
00:57:48What do you think?
00:57:50What do you think? How could she have been killed?
00:57:53Just one murder.
00:57:56Just one murder, and her criminal was caught.
00:57:59The rest were merely accidents.
00:58:01Luciana said she saw you at the beach
00:58:03when her brother, Ramiro, died.
00:58:05Do you think it was a coincidence?
00:58:07No, I went there on purpose.
00:58:11I knew Luciana would go there during the summer holidays.
00:58:15And my family was destroyed.
00:58:17So I thought I'd tell her
00:58:19how she can enjoy the holidays after doing all this.
00:58:22I thought I'd make her realize.
00:58:24Ramiro died of a sprain in his leg
00:58:26because he was saving a man
00:58:28who was drowning in the sea.
00:58:30And Luciana thinks I was the drowning sailor.
00:58:35Isn't it strange to have a witness
00:58:37in the middle of the sea?
00:58:39Have you lost your mind?
00:58:41How can an old man like me,
00:58:43who can't even be compared to a trained lifeguard,
00:58:46kill him?
00:58:47If I ever write such a story in my novel,
00:58:50my fans will beat me to a pulp.
00:58:52That means Ramiro died at the beach where you were,
00:58:55but it's just a coincidence, nothing else.
00:58:58Or you can call it karma.
00:59:00If you look at it, he drowned and died.
00:59:03Just like my daughter.
00:59:10You mean karma pays.
00:59:12I thought you didn't believe in God.
00:59:15You've become religious.
00:59:17As far as I'm concerned,
00:59:19religion is more important than a person's life.
00:59:23What will his parents say about your poisoning?
00:59:26Did you know about their anniversary mushroom pie?
00:59:29You wrote about it in your book.
00:59:31You and more than 500,000 people
00:59:33had already read about the mushroom pie
00:59:35on his anniversary.
00:59:37So it's a coincidence that you wrote about it in your book.
00:59:41Yes, it's a coincidence.
00:59:51Bruno's murderer has been caught.
00:59:54He's in jail right now.
00:59:56Luciana says you instigated him.
01:00:00Did you write him a letter
01:00:02to assure him that Bruno was having an affair with his wife?
01:00:06Yes, Luciana told the detective about it
01:00:08and asked him to investigate it.
01:00:10Do you know what they found?
01:00:12Nothing.
01:00:13But you keep writing letters to the prisoners.
01:00:16I write to my fans.
01:00:18They come from different places.
01:00:20You must know that.
01:00:24Another coincidence.
01:00:40Whatever it is, there's something that makes you suspicious.
01:00:48All the numbers.
01:00:50Even if the charges seem weak,
01:00:53if you consider the deaths of all three,
01:00:56there's a little doubt.
01:00:59One death in a family accident can be unfortunate.
01:01:03But after Luciana sent you that certified letter,
01:01:06her father died,
01:01:07two brothers died,
01:01:08and her mother has lost consciousness.
01:01:10And you...
01:01:12Even if it's a coincidence,
01:01:14you're somehow connected to every death.
01:01:17I'm sorry, but there's no such thing as a coincidence.
01:01:22Some parts are more interesting than the whole story.
01:01:27You like numbers, don't you?
01:01:29I remember you sent me something.
01:01:31A book that had this.
01:01:33What was its name?
01:01:36The Random Ones.
01:01:37Yes, The Random Ones.
01:01:39In which you wrote about how coincidences occur in people's lives.
01:01:45Have you ever tossed a coin for something?
01:01:48What kind of toss?
01:01:50You know that if you toss a coin in the air a hundred times,
01:01:54it's possible that it'll get heads fifty times,
01:01:57and tails on the remaining fifty.
01:01:59Don't you believe me?
01:02:01But that doesn't mean that every time you toss a coin in the air,
01:02:05the result will be heads, tails, heads, tails, heads, tails.
01:02:08Similarly, accidents happen at their own time.
01:02:11There's no fixed time for it.
01:02:14So you mean all these deaths are unfortunate?
01:02:17I can't tell you that.
01:02:20Luciana has lost three members of her family in the last ten years.
01:02:26And I lost two in one day.
01:02:31I can't express her pain.
01:02:36And my pain has increased in the media.
01:02:38It hasn't diminished.
01:02:44Do you want to know how much Luciana has done wrong to my life and my family?
01:02:51Come with me.
01:02:57When I first met Mercedes,
01:03:00she was a ballet dancer.
01:03:02She could have become a star.
01:03:04But she lost her career because of a car accident.
01:03:08She went into depression.
01:03:10It took her a long time to get out of it.
01:03:12Then she got pregnant and Paoli was born.
01:03:15She thought that everything would change.
01:03:18She found another reason to live her life because of Paoli,
01:03:21which made her very happy.
01:03:24I felt the same way.
01:03:26But no.
01:03:27After giving birth to her,
01:03:29she went into depression again.
01:03:32Then I started her treatment.
01:03:36I took care of Paoli until she was five years old.
01:03:41When Luciana started working for me,
01:03:44she was almost cured.
01:03:48And her psychiatrist told me
01:03:52that her mental state would never be completely stable.
01:03:59She had a crack in her glass.
01:04:01That's what she had to say.
01:04:03She would be fine until someone teased her.
01:04:10But if there was even a small problem,
01:04:13her mental state could deteriorate forever.
01:04:22Papa.
01:04:24Look, I'm flying.
01:04:26These are my wings.
01:04:29No one can catch me now.
01:04:34I love you, Papa.
01:04:38Papa.
01:04:39Look, I'm flying.
01:04:41These are my wings.
01:04:44No one can catch me now.
01:04:48I love you, Papa.
01:04:51Papa.
01:04:54Papa.
01:04:56Look, I'm flying.
01:04:58These are my wings.
01:05:00No one can catch me now.
01:05:07I love you, Papa.
01:05:09Papa.
01:05:10Look, I'm flying.
01:05:15I would have forgotten Luciana's chapter forever.
01:05:19But she reminds me of it again and again.
01:05:24Once her brother had to admit her in a mental asylum
01:05:27because she was after me for no reason.
01:05:37And now Luciana sent you here.
01:05:40You, who had been trying to meet me for so many years,
01:05:44kept sending me stories.
01:05:48You kept eating my editor's life.
01:05:50And you gave Luciana the job of your assistant
01:05:53because she used to be my assistant.
01:05:57Now I realize
01:06:00that first you were a fan,
01:06:02then you were jealous.
01:06:04That jealousy turned into revenge.
01:06:07Because in everything you've written,
01:06:09I've only found revenge.
01:06:18You can go now.
01:06:22I have to give another important interview.
01:06:27I've been getting interviews for school projects lately.
01:06:47Well done.
01:06:51Hands up.
01:06:53Great!
01:06:54Turn around.
01:06:57How are you?
01:06:58You're late today.
01:06:59You're coming today, right?
01:07:01Yes, let's see.
01:07:02Yes, exactly.
01:07:05Look there.
01:07:09Come on.
01:07:11Use it as an excuse, okay?
01:07:13You go.
01:07:14Great!
01:07:15I've got to go.
01:07:16Okay, bye.
01:07:17Bye.
01:07:18Bye.
01:07:19Okay, bye.
01:07:20Don't cheat on me.
01:07:21Do it again.
01:07:22Hi.
01:07:23Hi.
01:07:24Hi.
01:07:25Remember to go and meet your mom.
01:07:27Yes, and Camilla called me over tonight for some work.
01:07:31Okay, I'll see you later.
01:07:33Okay.
01:07:46Ma'am.
01:07:48Open your mouth, Mom.
01:07:51You remember, don't you?
01:07:52Valentina is graduating this year.
01:07:54Have you asked her?
01:07:55Lu wants me to go to college.
01:07:57But...
01:07:58I want to be a dancer, Mom.
01:08:00Yes, but the competition is more right now.
01:08:02Yes, but I like dancing.
01:08:04You should have a backup, Valentina.
01:08:09I have an opinion of my own.
01:08:11I know.
01:08:12You're right, Mom.
01:08:14You should listen to your heart.
01:08:17The visiting hours are over.
01:08:19It's time for them to eat.
01:08:21Bye, Mom.
01:08:24Bye, Mommy.
01:08:32Give me your hand.
01:08:34Okay.
01:08:42Will you drop me off at Camila's?
01:08:44Or should I go by myself?
01:08:48Luciana.
01:08:52I'll go by myself. It's okay.
01:08:54You stay.
01:08:56Luciana, listen.
01:08:58You'll come with me. Come on.
01:09:04Okay.
01:09:18Hello?
01:09:19Esteban Ray?
01:09:20Yes, who is this?
01:09:22I'm Luciana Blanco. Remember, I was your assistant?
01:09:24Yes, I remember.
01:09:26That was 10 years ago. How are you?
01:09:2812 years ago.
01:09:30I need to talk to you about something important.
01:09:32About Kloster.
01:09:34About Kloster?
01:09:42What is this nonsense?
01:09:44This is the story we want to publish.
01:09:46Read it at least once.
01:09:48Next time you bring such a stupid story, don't show your face.
01:09:50People will spit on us after reading this.
01:09:54How was Kloster's interview?
01:09:56It was good.
01:09:58When are you going to send his article?
01:10:00Give me some time. I'll think about it.
01:10:02Will you hurry up?
01:10:04I've spoken to the board. They want to read it soon.
01:10:06I need it by tomorrow.
01:10:08There's been another fire.
01:10:10Someone was caught this time.
01:10:12Who?
01:10:14A Chinese man.
01:10:16Let's see.
01:10:18That's why Kloster's work shouldn't stop.
01:10:24Excuse me.
01:10:26Press. Press.
01:10:28Please leave.
01:10:30Leave.
01:10:32Go to hell.
01:10:40Open the doors.
01:10:44Open the doors.
01:10:48Open the doors.
01:10:50Open the doors.
01:10:54Open the doors.
01:11:26What's going on?
01:11:28The fire was very intense.
01:11:30There was a residential home on the first floor.
01:11:32Some elderly people died.
01:11:3420 people have been evacuated, but some are still trapped inside.
01:11:37But it doesn't seem to have anything to do with the Chinese Mafia.
01:11:40Only the man who brought the petrol can has been caught.
01:11:48Can I ask him a question?
01:11:50Just one question.
01:11:51But quickly.
01:11:52Didn't you set fire to other places in the city?
01:11:55What happened? Why did you stop the car?
01:11:56Why did you do that?
01:11:57If you stop the car, the police will come.
01:11:58Let's go.
01:12:07Do you believe me now?
01:12:10Or do you think that Kloster came here by chance?
01:12:13If you had published that news, my mother would have been alive.
01:12:16Your mother?
01:12:17She was here?
01:12:21Luciana, Luciana, Luciana.
01:12:23Come with me.
01:12:25Is there a doctor here?
01:12:27I don't know.
01:12:29Hurry up.
01:12:31Take him outside.
01:12:36Take this.
01:12:38Take this.
01:12:43Look at this.
01:12:45What happened?
01:12:48The police are coming.
01:12:51Call the police.
01:12:59The police are coming.
01:13:01Call the police.
01:13:02The police are coming.
01:13:45Slowly.
01:14:02You called me?
01:14:07Cluster, a journey from understatement to fame.
01:14:10Claimed by Ray,
01:14:12even though a family tragedy
01:14:14This tragedy has helped a person who writes thrillers to become famous.
01:14:18I wrote it ten years ago, sir.
01:14:20Yes, wait, wait. There's more to come.
01:14:23When you're close to the media,
01:14:25they always remind you of what they've been through.
01:14:28I hope that with their nonsense,
01:14:30they'll get more people interested.
01:14:34I didn't expect this from you.
01:14:36You know, he's the man who lost his daughter.
01:14:39I don't know where you got that from.
01:14:42It's a magazine that's never been published.
01:14:44It's been ten years.
01:14:45I don't care what happened between you and Clauster.
01:14:48But you can't use this newspaper to get your personal revenge.
01:14:51But Luciana's story has nothing to do with this article.
01:14:54The thing is, you made fun of me in front of the board.
01:14:58They must think I'm so useless
01:15:00that I couldn't keep an eye on my writers.
01:15:02And I let them take their revenge.
01:15:04But one thing is very good.
01:15:06I won't have to see your face again.
01:15:08Now get out of here.
01:15:10The HR people are waiting for you.
01:15:12And don't come back.
01:16:08Fuck.
01:16:38Fuck.
01:17:08There's always a pattern in planned things.
01:17:12You don't see it in coincidences.
01:17:38Come in.
01:17:48Are you going to have dinner, Camila?
01:17:50Yes.
01:17:51Thank you.
01:17:52She'll stay here tonight.
01:17:53Okay.
01:17:54Please tell your parents.
01:17:56I'll call them right now.
01:18:03Shut up.
01:18:04You know, she won't let me read her book.
01:18:08If I interview her, she'll kill me.
01:18:10But maybe Ploster will like your interview.
01:18:12Speak softly.
01:18:13He said I shouldn't tell anyone
01:18:15because it's not on sale yet.
01:18:17Will you stop it?
01:18:19Stop it.
01:18:23Okay, look at this.
01:18:26It's nice, isn't it?
01:18:28I told you.
01:18:29I really enjoyed reading it.
01:18:37Fuck.
01:19:08Fuck.
01:19:29What happened?
01:19:30Did you burn your hand?
01:19:31No, I'm fine.
01:19:32I told mom I'm staying.
01:19:35I have to go out.
01:19:37Don't worry.
01:19:42Don't go out.
01:19:43Take care.
01:19:44Okay.
01:19:51This is a story of a famous writer
01:19:53who has told his best story.
01:19:55Critics have also accepted
01:19:57that this is his most dangerous
01:19:59and exciting story.
01:20:01With this, his French, German
01:20:03and English editions have also been released.
01:20:05BODYLAND AUDIT
01:20:07is a story that will shake the world.
01:20:09And today, Ploster is going to
01:20:11present the first chapter
01:20:13of his story.
01:20:25I'm so sorry.
01:20:27I tried to publish the story
01:20:29but no one let me.
01:20:31It doesn't matter now.
01:20:34I can't do anything now, Luciana.
01:20:36It's all over.
01:20:38The press took my job away from me.
01:20:40I want to meet Ploster, but only today.
01:20:42I know you can do it.
01:20:48I can tell you where he is.
01:20:52But I think he'll be pretty busy today.
01:20:54I'll have to stop him.
01:20:56Valentina is his next target.
01:21:16I have a press pass.
01:21:18I'll give it to you.
01:21:21I have a press pass.
01:21:24I have a press pass.
01:21:50Excuse me.
01:21:52I have a press pass.
01:21:54You have a press pass?
01:21:56Yes.
01:21:58Thank you.
01:22:04This is a humiliation.
01:22:08This is the same rule
01:22:10that Lord Marduk gave
01:22:12to the king of Babylon
01:22:144000 years ago.
01:22:16And ever since then,
01:22:18our world has followed the same rule.
01:22:20not enough.
01:22:44A eye for an eye, a hand for a hand, and a life for a life.
01:22:50The law of retaliation.
01:23:51Perfectly.
01:23:58I need to talk to him.
01:24:00I'll send him here. You stay here.
01:24:06Very good!
01:24:08Very good!
01:24:10Very good!
01:24:20Thank you.
01:24:24Odile and Olive.
01:24:26The most unique opening of the show has come to an end.
01:24:30Now you can come to sign the books.
01:24:32The second way.
01:24:34The second way.
01:24:36The second way.
01:24:38The second way.
01:24:40The second way.
01:24:42Lucia is waiting for you in the gallery of the third owner upstairs.
01:24:46She wants to talk to you about Valentina.
01:24:48Go ahead, or the matter will get out of hand.
01:25:01We are taking a short break.
01:25:03You can come to sign the books after that.
01:25:05Thank you.
01:25:07Clauster, Clauster, I need to talk to you.
01:25:09I need to talk to you.
01:25:11I am from the police department.
01:25:13What are you doing?
01:25:15I am working.
01:25:18I am working.
01:25:48I am here.
01:25:50I am here.
01:25:52I am here.
01:25:54I am here.
01:25:56I am here.
01:25:58I am here.
01:26:00I am here.
01:26:02I am here.
01:26:04I am here.
01:26:06I am here.
01:26:08I am here.
01:26:10I am here.
01:26:12I am here.
01:26:14I am here.
01:26:16I am here.
01:26:18I am here.
01:26:20I am here.
01:26:22I am here.
01:26:24I am here.
01:26:26I am here.
01:26:28I am here.
01:26:30I am here.
01:26:32I am here.
01:26:34I am here.
01:26:36I am here.
01:26:38I am here.
01:26:40I am here.
01:26:42I am here.
01:26:44Think about it.
01:26:58Hey, Esteban!
01:27:00How are you?
01:27:02I am fine.
01:27:04I heard that you lost that job.
01:27:06Yes, I lost it.
01:27:08But I have come here for some other work.
01:27:10What about Valentino?
01:27:12How can I believe that you won't do anything to her?
01:27:16I swear on my daughter's memories, I won't let Valentina come here again.
01:27:22Closter!
01:27:25People are waiting downstairs.
01:27:28No!
01:27:35Move! Excuse me! Move!
01:27:39Excuse me.
01:27:42No, no, don't go ahead.
01:27:45What are you doing?
01:28:12No!
01:28:42No!
01:29:12No!
01:29:39I'm so sorry.
01:29:42It's okay.
01:29:44Valentina, will you wait outside?
01:29:46Will you wait outside?
01:30:07I don't understand.
01:30:09Was it just a conspiracy like your book or was it just her bad luck?
01:30:17You can say both.
01:30:21She's your daughter's age.
01:30:24Yes, I know.
01:30:27Even a fool is this old.
01:30:34She's a minor.
01:30:38But next week she'll be 18.
01:30:42And she doesn't care about the age difference.
01:30:47There's no place for revenge between us.
01:30:52We've lost our family.
01:31:05You're a murderer.
01:31:07A devil.
01:31:13I'm a murderer.
01:31:14I'm a devil.
01:31:16This is Luciana's tongue.
01:31:19Use it for your own good.
01:31:22Next time, it might be yours.
01:31:44I'm sorry.
01:32:14I'm sorry.
01:32:44I'm sorry.
01:33:14I'm sorry.
01:33:44I'm sorry.
01:33:45I'm sorry.
01:33:46I'm sorry.
01:33:47I'm sorry.
01:33:48I'm sorry.
01:33:49I'm sorry.
01:33:50I'm sorry.
01:33:51I'm sorry.
01:33:52I'm sorry.
01:33:53I'm sorry.
01:33:54I'm sorry.
01:33:55I'm sorry.
01:33:56I'm sorry.
01:33:57I'm sorry.
01:33:58I'm sorry.
01:33:59I'm sorry.
01:34:00I'm sorry.
01:34:01I'm sorry.
01:34:02I'm sorry.
01:34:03I'm sorry.
01:34:04I'm sorry.
01:34:05I'm sorry.
01:34:06I'm sorry.
01:34:07I'm sorry.
01:34:08I'm sorry.
01:34:09I'm sorry.
01:34:10I'm sorry.
01:34:11I'm sorry.
01:34:12I'm sorry.
01:34:13I'm sorry.
01:34:14I'm sorry.
01:34:15I'm sorry.
01:34:16I'm sorry.
01:34:17I'm sorry.
01:34:18I'm sorry.
01:34:19I'm sorry.
01:34:20I'm sorry.
01:34:21I'm sorry.
01:34:22I'm sorry.
01:34:23I'm sorry.
01:34:24I'm sorry.
01:34:25I'm sorry.
01:34:26I'm sorry.
01:34:27I'm sorry.
01:34:28I'm sorry.
01:34:29I'm sorry.
01:34:30I'm sorry.
01:34:31I'm sorry.
01:34:32I'm sorry.
01:34:33I'm sorry.
01:34:34I'm sorry.
01:34:35I'm sorry.
01:34:36I'm sorry.
01:34:37I'm sorry.
01:34:38I'm sorry.
01:34:39I'm sorry.
01:34:40I'm sorry.
01:34:41I'm sorry.
01:34:42I'm sorry.
01:34:43I'm sorry.
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01:34:48I'm sorry.
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01:34:53I'm sorry.
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01:34:57I'm sorry.
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01:35:00I'm sorry.
01:35:01I'm sorry.
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01:38:00I'm sorry.
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01:38:16I'm sorry.
01:38:17I'm sorry.
01:38:18I'm sorry.
01:38:19I'm sorry.
01:38:20I'm sorry.
01:38:21I'm sorry.
01:38:22I'm sorry.
01:38:23I'm sorry.
01:38:24I'm sorry.
01:38:25I'm sorry.
01:38:26I'm sorry.
01:38:27I'm sorry.
01:38:28I'm sorry.
01:38:29I'm sorry.
01:38:30I'm sorry.
01:38:31I'm sorry.
01:38:32I'm sorry.
01:38:33I'm sorry.